#which is such a huge contrast to how wesley was treated on tng. by the characters AND the show AND ESPECIALLY the fans

[coredrill]

feliz jueves i was fucking right

[calliecat93]

ST: TNG Watchthrough Episodes 17-20.

Home Soil: So from what I’ve read, this would be Gene Roddenberry’s final episode as showrunner before getting replaced by writer Maurice Hurly. I won’t comment on the behind the scenes drama and such that caused it because it was decades ago and not relevant for a First Watchthrough post, but since this is the last I wanted to make note of it. My thoughts? It was okay. This is very much borrowing from the TOS episode Devil in the Dark (the one with the Horta) with the plot being of an alien presence killing humans... but only because the humans were unknowingly causing it harm. It’s done fine enough, not being any better or worst than when TOS did it, but that’s about it. It does executed it a little differently with the events and the alien is FAR less willing to comply than the Horta was at first and ends with the alien backing down, but refusing contact with humans for three centuries, which DOES make it a nice contrast to how Devil in the Dark ended. It’s not great. It’s not horrible. It’s just okay with the biggest criticism being pulling too much from TOS again. Look, I love TOS and so far TNG hasn’t passed it. I outright have a 30 disc Blu-Ray set coming in the next few days of all the TOS material, including TAS and the films. If I want to revisit TOS, I’ll go watch it or read fanfiction or heck, go watch AOS. TNG has remained painfully average or not good at this point because it’s trying to retain what TOS had, despite it being over 20 years later and even the TOS films had changed how it did things compared to the show. Whatever one feels about Roddenberry, his removal I hope helped push TNG away from TOS and let it carve it’s own identity while still honoring what TOS had stood for, and according to history it did. Not sure if we’ll see the quality go up in these final few S1 episodes, but still. Sorry, felt appropriate to finally get this out here. Going back to the episode, it’s perfectly fine and it delivers it’s message well, and hey it’s not always a bad idea to showcase the same themes as the previous incarnation in a spinoff especially fi a relevant one/gets shown to viewers who hadn’t seen that TOS episode. Not the best, not the worst, and that’s not such a bad way to end up. 3/5.

Coming of Age: Alright Wesley, it took a bit but you’re starting to grow on me. So we have Wesley going through a test to get into the Academy while Picard and the crew are dealing with some rough interrogations and Picard being painted as an incompetent captain by the interrogator. They don’t seem that connected, but infact the latter is a test for Picard to determine if e’s ready for a promotion. I like how they bring up Picard’s actions in past continuity that WOULD present him as at least fallible to major error, ignoring certain conditions that caused it to begin with and how he got them out of the situation. Like I said, this was one of Wesley’s better episodes. While doing well with testing, his worry about the psyche test and not knowing his own fear and therefore worried about what the test will unleash upon him is very relatable. Heck his talk with Worf was a really nice scene, especially with Worf outright stating that only fools fear nothing which in turns add more depth and dimensions to the Klingons. The reveal fo his greatest fear, while I wish he had hesitated a little bit more, made perfect sense and he acted as a true Starfleet Officer. Which since this was before Undiscovered Country, is a VERY positive development. Picard guiding a kid who made a stupid decision was also good and shows why he’s a good captain, and his talk to him as well as encouraging a disappointed Wesley at the end was a nice moment to cap the episode off with. As far as Wesley goes, he may still be presented as too competent and intelligent, but he is more likeable and the testing setting allows him to shine like this without, again, affecting the adult characters. Plus text anxiety is super relatable haha. Now of course due to Status Quo is God, Wesley fails, but he takes it well and proved that he will be ready for it in the future. It was a pretty nice episode all in all. Nothing spectacular, but I enjoyed it, neither plot overpowered the other, had a good theme of one’s integrity as a person/doing your best, good use of past continuity, and it really shows the best in characters like Picard, Wesley, and the crew’s loyalty to the former. 4/5.

Heart of Glory: Back in TOS, the Klingons were depicted as war-loving jerks. They weren’t without some depth and episodes like Day of the Dove did attempt to give them a bit more positive limelight, but it wasn’t enough to overpower the one-dimensional characterization. The films were a bit better, Undiscovered Country especialy, but that one hadn’t been made yet and they still stuck with the ruthless characterization, just changed up the makeup to make them look more alien like. It was weird sicne whenever I ddi watch TNG back when that’s all I knew of Star Trek, Worf never came across like a ruthless warmonger but like an honorable warrior which made him stand-out amongst the cast for me (that and because I freakin’ love Michael Dorn due to his animation voice over work, anyone else remember I.M. Weasel? XD). So now we get an episode where Worf gets to interact with other Klingons. I lift a brow at Worf not knowing about most Klingon customs when he seemed perfectly knowledgeable about i in past episodes. Maybe that wad due tot he shift after getting rid of Roddenberry/ IDK, but these kinds of retcons happens sometimes. This was an interesting one for sure. The Klingons are much better presented here than the entirety of TOS, showing more of their culture/customs and compared to Worf, who was raised by humans and therefore not fully in touch with his people and their ways. This is probably one of, if not the first time he’s interacted with his full culture and naturally he’d want to interact with them and learn more now that he has the chance. There’s the themes of one growing in another culture, how they adapt while still trying to be part of that culture, and finding one’s own path. There is the question on why Worf wans’t just returned tot he Klingons as a child and IDK if they address it down the line, but that type of life and struggle with identity/culture clash due to upbringing IS real and VERY relatable. I’m really glad to see the Klingons fleshed out past their TOS depiction and it’s overall respected by the cast, showing how far things have come since Kirk’s time. It fleshes out Worf’s character a great deal and makes him more likable/relatable and giving him a very realistic struggle, and in the end he stands by his beliefs and even gets the respect and offer to serve with Klingons in the future by Klingon Captain K’Nera. Very much glad that I watched this one~ 4/5.

The Arsenal of Freedom: Oh boy, war machines that killed everything! That theme never gets old! I’m not joking, with how modern warfare and technology are growing and being sold for profit, it feels like it just keeps getting more and more relevant. There’s a lot of tension in this one with Yar, Data, and Riker dealing with the arsenal that is intelligent and they’re unable to be beamed up, the ship getting attacked with Geordi in command and the Chief Engineer (they seem to go through a LOT of those this season, guess they couldn’t handle the strain of acting as miracle workers like Scotty) being an asshole to him, and Crusher injured with Picard trying to keep her alive and not get killed. Seriously, I loved Geordi here for being an effective acting commanding officer during a VERY intense situation AND telling off the Chief Engineer without even so much as raising is voice while encouraging the other officers. Badass and admirable. The away team scenes were also good with everyone being plain awesome~ Crusher having to explain to Picard how to treat her injuries while she’s in obvious pain was really good character stuff and Thank God that they avoided indulging in the obvious shipping fodder. I know they’ve hinted a little at Picard/Crusher... but I’m not really interested in it int he romantic sense at least currently. It comes off as a Captain and CMO trusting the other (not quite the same as say... Kirk and McCoy, but the trust is very much strong here plus Picard and Crusher should be allowed to form their own dynamic) and that’s the kind of interaction I live for~! It feels like everyone got a moment to shine, even Troi checking on Geordi’s mental well-being and letting him express some of his nervousness was really nice. And of course the arsenal having destroyed their own creators... like I said, a theme that just seems to grow more and more in relevance. Like I said above, some themes are necessary to repeat, and this one very much qualifies. But yeah this was great for it’s tensions, the characters being all great especially Geordi, and it’s themes (even fi IDK how intentional it was) being a huge reminder of the dangers of modernized warfare/using warfare for profit. It doesn’t go well. 4.5/5.

Okay, it’s late in the season, but we are FINALLY getting somewhere! The characters have truly grown on me and their characterizations are getting better (i.e. Picard is still a serious captain, but is very much warming up and not as cold as he was early on), the stories are steadily improving, and even with what I said about the first one, I really enjoyed this batch of episodes! Only five remain in the season, and the plan is to knock ‘em all out tomorrow. Might take a day or two off before tarting Season 2, but golly I’m finally feeling excited~!

[bluering8]

TNG S02

TNG S02 roundup let’s do this let’s make it happen!

Data - I still love Data!! That’s it that’s all you’re getting on the topic because I love Data so much that if you let me talk about him at all I’ll Talk Forever and there are non-Data things in this show which  need to talk about.

Geordi la Forge - I’m glad that Geordi’s the chief engineer now. Last season was kind of weird in that there wasn’t a dedicated engineer character so they were pulling out a new random yellowshirt every time they needed someone to explain a thing to the main cast. If I’m yelling something at the screen (use a shuttle! fly in a different direction! fate is bullshit shut up riker!) then usually Geordi will be the one to say it. This is like, one of the fastest ways you can possibly endear a character to me.

Anyway, I love Geordi and I love his friendship with Data and honestly, you could give me an entire show entirely about these two being bros and I would adore it. I forgot that Geordi likes to build model ships, but now I remember and it delights me that he’s just like, a huge fucking dork in his own right.

...it occurs to me that I’m better-disposed to characters when I know what their hobbies are. Part of the reason I love Data and Geordi so much both as individuals and as a brotp is that the show devotes a lot of time to showing them fucking around and getting into shenanigans outside of their duties. Contrast that with the characters I’m more ambivalent towards, such as Riker or Dr Crusher, and it becomes really obvious that part of the reason I’m ambivalent towards them is that I have no real idea what they do when they’re not doing their jobs.

Kate Pulaski - I hated Pulaski the first time I watched TNG and now, several years later, it turns out that I still hate Pulaski!! I talked about her before and tl;dr: my issue with her isn’t how she treats Data or that she’s decided he isn’t a person, but that she thinks treating someone that way is acceptable as long as she’s decided they’re not a person. Listen, mate, I’m not here to insist that everyone should be a perfect morally-pure cinnamon roll (all my faves are problematic as Hecke). I hate Pulaski because it would be so so easy for me to love her as a character, but she simply doesn’t fit the universe. In a grittier setting? Fantastic, splendid, superlative, I’ll take ten. In spacefuture utopia? I can believe in Pulaski as a person who might exist, sure, but I cannot believe that the rest of the Enterprise crew would stand there and watch her treat Data the way she treats Data, and not respond by hauling her off for sensitivity training. I hate Pulaski not because there’s anything wrong with Pulaski, but because the way the rest of the characters let her get away with it feels like a betrayal of everything I believed in about Star Trek.

Wesley Crusher - Alias FUCKING WESLEY THE WORST CHARACTER, because he is the absolute worst. Why is he wearing a uniform now? I am not usually a guy with strong opinions about wardrobe choices, but I actually really liked his collection of ugly-ass sweaters. If Wesley adds anything to the cast it’s his identity as someone who, despite all his smarts, is still just a teenaged civilian, and as a result lacks both the experience and the training of the other characters. Once you stick him in a uniform you start to lose the impact of that difference. I mean yes the difference will inevitably be lost as he embarks on his Starfleet career but at this point he’s still not even a real cadet yet, let me have the one thing I actually kind of like about the character.

Also why is he on the bridge. Seriously why. Why why why. Stop this!!

William Riker - Somehow it took me until halfway through this season to realise that Riker is mostly just a clone of Kirk? I think this contributes to how bland I find him, all Kirk’s philosophical inclinations got given to Picard instead so Riker ends up feeling super flat and underdeveloped. He’s, like, generally a decentish person (sometimes), and he’s good at his job (sometimes), and he flirts with pretty ladies (often), and his dad is a piece of shit? That’s all I’ve got on him. Dude could use another personality trait or three.

S02E02 Where Silence Has Lease - I have very mixed feelings about this episode. The first half was excellent horror, the kind of thing I love about the SCP Foundation or the Sick Land, that scenario where you’re trying to look at a thing from the perspective of a researcher but you’re in a situation where research simply doesn’t work because the thing is a fundamental violation of the way you interact with reality, and you’ve reached the point where all you can do is look at it and describe what you’re seeing and hope really, really hard that someone will figure something out eventually maybe. (The exploration of the Yamato reminded me a lot of House of Leaves, which also has that delicious sense of nightmarish slowburn reality-breakdown even if it lacks the desperate attempts to Do Science to something which completely resists the application of the scientific method.) Horror is an incredibly subjective genre, but for me a vital part of it is denying me any explanation while maintaining the illusion that if I go just a little further, learn just a little more, suddenly I’ll have my explanation and everything will make sense.

This episode not only gives an explanation, but salts the wound by giving an incredibly shitty explanation. See, something something rats in a maze and then there’s a face in the sky and I don’t give a shit. It was Whatsisface all along!! All it achieves is making me super super confused about what are Whatsisface’s capabilities even. He can make fake ships and fake people and instakill a dude, but he can’t deactivate the ship’s autodestruct or prevent Picard from activating the autodestruct in the first place?

S02E03 Elementary, Dear Data - What the fuck is up with the holodeck? My friend pointed out that “bear in mind they probably have a thousand problem free uses of the holodeck for every freak issue” but like, that’s not the fucking issue here, the issue is that regardless of how many problem-free uses they’ve had, they’ve also had an alarmingly high number of potentially-fatal malfunctions in a relatively short span of time. Why is overriding the mortality failsafe even a thing which is possible?? I can completely buy the holodeck being too useful as a training tool to get rid of it, but they should really have some kind of restrictions or guidelines on the thing for recreational use. You’ve had it demonstrated to you multiple times over that holodeck malfunctions can end in corpses, why are you not doing something about this! Why is there apparently no Health & Safety department on this ship!!

S02E07 Unnatural Selection - Philosophical argument time: do transporters kill people? Normally I’m happy to put this question in a box labelled “let’s not think about that too hard” but the ending of this episode makes more sense to me if the answer is yes. Instead of some bullshit technobabble de-aging nonsense, what they’re actually doing is replicating a new body using the hair as reference and jamming Pulaski’s memories into it then destroying the old body.

S02E09 The Measure of a Man - See, Bruce Maddox is Pulaski done right. I’m straight-up incandescently mad that this episode was Pulaski-free, because whenever she never misses the opportunity to remind Data that he’s not a person, and I super wanted Pulaski and Maddox to interact. Pulaski’s absence here makes the issue with how casually the show treats her attitude towards Data even worse. I feel like if you’re going to spend an episode debating whether Data counts as a person you should at least have the decency to acknowledge the cast member who comes down firmly on the “no” side. You can’t have Data’s personhood as a serious topic for serious debate while simultaneously shrugging your shoulders and going yeah well Pulaski’s just Like That I guess nbd. It doesn’t work that way!

S02E10 The Dauphin - “She’s perfect, absolutely perfect,” says FUCKING WESLEY THE WORST CHARACTER about a girl he’s only met once and barely exchanged a dozen words with, and then he gets super super mad when it turns out she’s a weird space alien shapeshifted into a human which just goes to prove that her personality mattered to him not one iota and he only liked her because she was hot and gave him a boner. And... that’s it, that’s the episode. There’s no subplot, nothing else happens, the entire episode is about FUCKING WESLEY THE WORST CHARACTER having a crush. In conclusion: FUCKING WESLEY THE WORST CHARACTER.

S02E15 Pen Pals - If anyone ever attempts to fight me on the topic of Does Data Is Emotions?, this is the episode I’m pointing them to. I’m pretty sure there’s not a single action Data takes in this entire episode which can be justified from a completely unemotionless point of view. He goes from “I’m too focused on my personal project to spend two seconds stacking this crap neatly so I’ll just leave it lying around as a trip hazard” to “hey Captain remember when you said I could break the Prime Directive a little bit, is it okay if I break it twice that much? actually I broke it ten times that much sorry not sorry” to “so I know this kid has no memory of me or our interactions now but I stole Pulaski’s weird space rock to give to her anyway because sentiment is important to me”.

S02E17 Samitarian Snare - The a-plot of this episode is that multiple people tell Riker that sending their chief engineer over to some random alien vessel is a bad idea while Riker tries to insist that it is a great idea and will be totally fine and then is completely fucking blindsided when it turns out to have been a terrible idea. I’m pretty sure this is the first time Troi’s said anything useful so of course Riker ignored her because she’s not allowed to be a worthwhile character.

The b-plot is that Picard and Wesley take a shuttle trip together and Wesley is so incapable of taking a fucking hint that even when Picard gets up and moves seats to be away from him Wesley doesn’t realise that his constant stream of personal questions might not be welcome. In conclusion: FUCKING WESLEY THE WORST CHARACTER.

S02E18 Up the Long Ladder - Oh my god it’s like they listened to my complaints about S01E17 and somehow managed to fuck it up even worse!! WHY ARE YOU ALL SO WEIRD ABOUT CLONING.

tl;dr: Direct from my liveblogging of S02E03: “DATA CHANGED HIS OUTFIT data my boy my son my precious cinnamon roll how many sherlock holmes cosplay outfits do you own”. I know the reasonable explanation would be that he replicates one fresh each time, but I choose to believe that Data owns an entire closetful of Sherlock Holmes cosplay outfits.

[daleisgreat]

Star Trek: The Next Generation: Season Four

-Welcome back to my semi-annual Star Trek: The Next Generation coverage! I need to get better at watching only one episode a week so I can make better progress than only two seasons a year. Today I am covering season four (trailer) of the BluRay collection I am gradually marching through. To catch up on my entries on the first three seasons, click here! Yes, all these photos for this entry were taken via outdated smartphone, so apologies for the lack of quality, but I felt it was worth it for some of the captions! -Continuing the trend in past entries let us kick off with notable cast changes for season four. The most noteworthy one is Mr. Wesley Crusher (Wil Wheaton) finally landing that spot in Starfleet Academy and departing the show a third of the way into the season. He had a great sendoff episode where Wesley and Picard (Patrick Stewart) go on one last adventure and he winds up saving Picard and the two have a couple emotional final exchanges I could not help but get wrapped up in. I thought Wesley was finally coming into his own the last dozen or so episodes he was on, but in the extra feature interviews he stated he was displeased by how we was treated by the producers in his final year on the show and did not want to pass up other acting opportunities for being the two main reasons he departed. I believe we get a couple more guest appearances from him in the remaining seasons, and for the rest of season four there is a rotating non-essential crew member every couple episodes filling in at the helm.

-If you recall the previous entry, season three wrapped with the critically acclaimed Best of Both Worlds cliffhanger where Picard became assimilated by the Borg. The season four opener wraps up that arc in a gratifying manner in how the crew rescues Picard from the Borg threat and restore him back to his original form. I want to emphasize again how important this episode was in terms of gripping narrative, near theatrical quality special effects and CG and how it was the catalyst for TNG finally being accepted by ardent fans of The Original Series and managing to overcome that show’s huge shadow. It was so groundbreaking that the two-part special eventually got its own special home video release. -The follow-up second episode of the season proved to be the quintessential ‘calm-down’ episode after the intense season opener. Picard takes some much deserved shore leave and visits his family back on Earth and we get to see them reconcile their differences when Picard’s brother gets him to break down his emotions from his Borg assimilation in a moving scene that will always stay with me. The secondary plot of that episode focuses on being introduced to the adoptive human parents of Worf (Michael Dorn) and how Worf overcomes the embarrassment of his loving family and they all wind up embracing each other. Normally, getting all wrapped up in an overly ‘lovey-dubby’ episode can be overkill for me, but I cannot think of a series that captured the perfect moment for it any better after the thrill-ride of the season opener.

-Speaking of Worf, season four proves to be a showcase season for everyone’s favorite Klingon. Aside from meeting his human step-parents, he later on becomes a sudden grieving widow in the same episode he meets the son he never knew he had. Season four finale is another two-part cliffhanger called Redemption and the first part that ends this season is all about Worf finally acting on Picard’s pleas to win back his family’s honor from the Klingon race after the big episode in season three where he covered up a Klingon controversy by taking a fall for a crime his family did not commit and being ex-communicated from the Klingons. The aftermath from that over the next year and a half was constantly referenced every couple episodes as a reminder from the consequences Worf had to live with so it felt like a justifiably big deal when Worf finally stepped up to overcome the shame cast upon his family name. Season four felt like a breakthrough season for Worf where his episodes no longer felt like ‘another Klingon episode’ to tolerate and I am now on board with all the way. -The holo-deck use seemed more dialed back this season. There is a fun mini-Dixon Hill excursion with Picard and Guinan (Whoopi Goldberg) which regrettably gets put to a halt early on. Picard shows off some funky laser racquetball skills, and Worf duels with Guinan in a laser-target shootout I never caught the name of. Also dialed back this season was the poker games which I only think appeared in one or two episodes this season and one poker scene wound up on the cutting room floor in the deleted scenes. I hope to see both of these fun distractions become more featured in the proceeding seasons. The Ten-Forward tavern scenes continue to impress however as much needed breather scenes where Guinan offers her sage bartender wisdom like only she can and she even gets to put a badass halt to a stereotypical barfight that erupts!

-For the rest of crew, Data (Brent Spiner) has a memorable episode where he plays three characters at once that sees the return of Lore and after a few teases finally seeing the on-screen debut of his creator, Dr. Soong. I usually am a fan of Geordi (LeVar Burton) centric episodes, but his season four episodes where he is brainwashed by Romulans and infected by an alien race were more headscratchers that did not have me quite invested. The same can be said for Dr. Crusher (Gates McFadden) with her big episode where she is romantically involved with a symbiote who needs to constantly change hosts that proves to be too much for her. I will recognize however season four for her emerging as a competent doctor for a change and finally saving some lives! Transporter Chief O’Brien (Colm Meaney) gets a first name this season, and more importantly gets married too! Like last season, the use of telepathy from Troi (Marina Sirtis) is sparingly used, but whenever implemented it is noteworthy and actually helpful. The use of Ryker (Jonathan Frakes) as a key crew member also seemed a little more toned down this season, with him only having larger roles in a couple episodes. -Season four I will chalk up as a win for recurring once-annual recurring characters for TNG. I was delighted to see Picard’s treasure hunter partner Vash (Jennifer Hetrick) return in the Q (John DeLancie) episode this season that has Q whisk away the Enterprise crew for a memorable mission in the Robin Hood universe where Patrick Stewart shines as the ‘Prince of Thieves.’ I will also mark season four as the first time the annual episode with Troi’s mother, Lwaxana (Majel Barrett) as a legitimate entertaining episode. I previously could not stand her, but in season four she stood out in imploring an ambassador she fell for to go against his culture’s protocol of mandated suicide at age 60. I liked the ways to get Tasha Yar (Denise Crosby) involved in the show again via estranged family members and more alternate dimension cliffhangers to wrap up this season. Props to them bringing back Reginald Barclay (Dwight Shultz) as a recurring crew member and his episode this season cracked me up where a cosmic blast leads to him overcoming his SAD to becoming overwhelmingly brilliant.

-Like previous seasons, I could not help but take notice of a couple episodes of TNG in season four I saw Seth McFarlane pay homage to in his current sci-fi show, The Orville. First Contact (yes a TV episode shares the same name as the eighth Star Trek film) establishes the rules for when the Federation of Planets recognizes the right time to well, establish official first contact with a new race, but only to see it be too much for the race to take in. Orville puts a twist on its first contact rules, but sees their own entertaining dilemma pan out when their cultures clash. In Theory has Data attempt to get involved in a romantic relationship with a crew member and that was replicated on McFarlane’s show when Isaac tries to maintain a relationship with that vessel’s doctor. Click or press here to see how the two shows contrast from each other with their respective androids trying to get romantically involved. -Like the previous seasons, Paramount does not disappoint on the extra features. Besides recycling past DVD extras, there are all new HD bonuses for the BluRay. Excluding a handful of commentaries, according to my notes I tallied up about four and a half hours of behind-the-scenes interviews. Yes, I watched them all for you dear readers! I will once again try to highlight the standout extras. Being a fan of Wesley and Picard’s father/son relationship I like how that is dissected in Selected Crew Analysis. Chronicles of Final Frontier and Homecoming provide valuable insight at the injection of new life a stable writing staff brought onto the show this season. Departmental Briefing indicate how Frakes and Stewart made the move to directing episodes starting this season, with Frakes especially getting more out of it and how it lead to him eventually directing a couple Trek films.

The showcase new HD extra is In Conversation: Star Trek’s Art Department which gathers several of TNG’s CG and special effect artists as they talk shop on how they were brought onto the show and share some of their favorite anecdotes for a little over an hour. I will admit some of it goes over my head, but it was mostly fun being a fly on the wall seeing these colleagues reunite and celebrate their favorite war stories. Random factoid I will forever remember from this was the artist’s disappointing writers for forcing them to tone down amount of phaser blasts they requested because they cost approximately $2000 to produce per individual blast at the time. -Damn, I babbled on for incredibly longer than I wanted to once again, but season four was a damn good season that warranted it. As breakthrough of a great year season three was for The Next Generation, I have to give credit where it is due for season four somehow surpassing it with a better overall quality of episodes. There are landmark moments for most of the crew throughout the season, and once again there is another two-part cliffhanger that has me anxiously awaiting to dive into the following season. Hopefully I will be back sooner than later this time…..no promises!

Past TV/Web Series Blogs 2013-14 TV Season Recap 2014-15 TV Season Recap 2015-16 TV Season Recap 2016-17 TV Season Recap 2017-18 TV Season Recap 2018-19 TV Season Recap Adventures of Briscoe County Jr: The Complete Series Baseball: A Ken Burns series Angry Videogame Nerd Home Video Collections Mortal Kombat: Legacy - Season 1 | Season 2 OJ: Made in America: 30 for 30 RedvsBlue - Seasons 1-13 Roseanne – Seasons 1-9 Seinfeld Final Season Star Trek: Next Generation – Seasons 1-7 Superheroes: A Never-Ending Battle Superheroes: Pioneers of Television The Vietnam War: A Ken Burns series X-Men – The Animated Series: Volumes 4-5