#which is like the opposite response of meta slasher to the classic slasher canon
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i think some of the popularity that meta horror has garnered is a little bit disingenuous tbqh even though i do like some of the movies that have come out of the subgenre, people don’t realize that the foundation of the slasher genre was established in the 60s/70s and a lot of the 80s movies that have become so classic were already riffing off of the tropes established by those movies before full fledged meta took off. the idea to make friday the 13th was sparked by the commercial success of halloween. the original script for slumber party massacre was a parody of the genre and the movie retains much of that humor which is referential to past slashers by nature. + it intentionally uses typical slasher tropes around gender and sexuality to bring forward the concerns of teenage girls. is that not something that meta horror is frequently touted as doing? child’s play is like a slasher, “except —” which is what a lot of meta horror comedies do now (“slasher except it’s a possessed doll” is not that far off from “slasher except it’s freaky friday” and whatnot). this isn’t to say that scream isn’t foundational to what the slasher genre evolved into or that contemporary meta slashers aren’t doing something interesting but i also think they tend to lean towards cynicism towards the movies they’re deriving their themes from + they’re not even as different as they think they are from “classic” 80s movies that already are borrowing from classic slashers which in turn borrowed from even older horror (for example, in halloween, laurie is watching the thing from another world from the 50s which was adapted into the now classic john carpenter’s the thing in the 80s). and of course many of these older horror movies were adapted from literature which also inspired more literature. like the shelley/byron/polidori scary story writing contest is now legendary but also you don’t get the shining without the haunting of hill house (and you don’t get the haunting of hill house without turn of the screw, for example) and the shining is probably one of the most referenced movies by other media of all time. horror has always been an intertextual genre let’s stop pretending it didn’t become “self aware” until 1996
#+ scream used a framework for examining slasher tropes outlined in men women and chainsaws in 1992#bringing the term ‘final girl’ + the ‘rules’ of slasher movies into pop culture#so not only is it working from the canon of slasher movies that already exists#but it also is looking at this academic text that establishes a credible film + gender studies lens for the slasher genre#omg not to mention what the author has to say about slasher-adjacent movies that are critically acclaimed#— movies that use a slasher framework for the plot that address similar themes#but distance themselves by making the violence + resolution of conflict less direct#(i.e. moving the conflict from the physical to the psychological) for example silence of the lambs is one movie she cites#making similar themes + similar conflicts more palatable to a wider audience#which is like the opposite response of meta slasher to the classic slasher canon#i guess if you want to make a slasher movie that isn’t really a slasher movie you have two options — lean into it or lean away from it lol#anyway all this is to say. idk whatever i’m bored + too depressed to get up and do anything productive rn#anyway. count how many times i say ‘for example’ in this post
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