#which is canon in the narnia universe

[havepatienceandendure]

Everyone get ready for my thesis this year, ‘how the chronicles of narnia: the lion, the witch, and the wardrobe (2005) awakened questions in me that literally nobody else cares about’

[rohirric-hunter]

*props up table on its side between me and wrathful ghost of C.S. Lewis* So the Telmarines and Calormenes must speak a different language from the Narnians and Archenlanders, right? Like, the Narnians and Archenlanders most likely speak English, or something very similar to it, as all the humans are descended from the British Frank and Helen and Aslan probably would have given the talking animals the same language as their king and queen. But the Telmarines and presumably the Calormenes are descended from humans who made their way into the world of Narnia by accident, and most likely didn't speak English, so they would have their own languages descended from whatever languages their ancestors spoke.

(Actually, I don't know if the text ever establishes that the Calormenes are human. They could be something else; Narnia and Charn both have denizens that seem to be nearly indistinguishable from humans while not being humans, and there are thousands of pools in the Wood Between the Worlds. But for the sake of this argument let's assume they're human. Actually for the sake of this argument if they're not human they're even less likely to speak English. So it doesn't matter.)

Like, yeah, I know that Canonically they all speak English because C.S. Lewis thought this sort of question was a stupid thing to consider while inventing a fantasy world, but I follow a different school of thought and I think it's fun to consider the lingual barriers. Most characters we meet are some sort of royalty or nobility, but consider Shasta learning really odd English from Bree and Hwin, who haven't spoken it in years, and Aravis, who learned it as an elective in school and only knows a really stilted, formal version laced with cultural misunderstandings. His tutors try to train it out of him, to no avail, and when he becomes king he's always saying idioms he translated literally from Calormene and he has just the weirdest pronunciations of some things.

The four Pevensies learn Calormene and possibly Telmarine because they have to be able to speak to the other world powers and never quite forget it -- like their other skills that they learned in Narnia it fades somewhat the longer they stay in England, but also like their other skills it comes back quickly at need. When Peter goes to study at university his professors are amazed at the speed with which he picks up Arabic, and equally baffled by some odd cultural assumptions and seeming nonsense that he brought to the discussion.

Most Old Narnians speak a fair bit of Telmarine -- if they're of the sort that can pass as human it's useful, but even if they can't evesdropping and spying is an essential part of how they've survived this long -- but in their own hidden communities they never stopped speaking their own language. There are many factors in why they trust the fleeing Prince Caspian, but one of them is the fact that he speaks English -- awkward, rudimentary, unpracticed English, but English nonetheless. Someone taught him the language of Old Narnia, and he speaks to them in their own tongue, respectfully, like no Telmarine any of them have ever heard.

IDK. I just think it would be coo-- *Wrathful ghost of C.S. Lewis knocks the table over onto my head and I fall unconscious immediately*

[rwrbficrecs]

The Monarch Haven by @redlightsandicedtea (book-verse)

@na-dineee: I found this fic through @lieselsart's wonderful illustration. Alex isn't the First Son, but his parents are high-ranking politicians. Due to serious mental health issues, he lives secluded in Texas, where he runs a mental health refuge for teens— the Monarch Haven. Secluded, until a real prince seeks refuge there. Alex isn't thrilled but still wants to help. What follows is 76k words of slow burn and domesticity! It's beautifully angsty, with a gradual and moving development. A total comfort read !!

Whiteout by HarmonyWhitlock (book-verse)

@na-dineee: Snowboarder Alex and skier Henry almost collide on the slopes, followed by a heated exchange of words. At the end of the day though, they meet at the bar and, well... This story is part of a series which is all about the CMQ-influenced trope 'In every universe'. I got all giddy with every beautiful story I read: So carefully composed and very well crafted, the emotions and attraction swept me away. Hopefully many more to come !!

I Want Candy by @vanillahigh00 (book-verse)

@suseagull04: Alex as a dad and Henry's house being his daughter's first stop on her quest for Halloween candy are the ingredients to this very sweet fic!

Tiempo de Vals by @14carrotghoul (book-verse)

@suseagull04: Authentic Hispanic details (that are always one of my favorite things about this author's writing), a high school AU, and firstprince dancing- what's not to love?

Workin' On My Fitness by bananamilks (book-verse)

@na-dineee: After gushing to Pez about how hot fitness trainer Alex on Instagram is, he is actually indignant when Pez gives him a gift certificate for a training package to reach his (decidedly not) fitness goal: to be able to lift hot men onto countertops. As always, these two have the hots for each other. And the story around it is really sweet, two seconds angsty, also funny, and just delightful.

If U Seek Amy by @14carrotghoul (book-verse)

@dot524: Such a cute and meaningful 5+1 centering on Amy Chen and how she views the different members of the First Family. Love an outsider PoV and the sweet moments in this one.

Adrift by @milowren29 (book-verse)

@read-and-write-: An addicting pacific rim AU. I don't even go here and I fully enjoyed it, packed with action, life-threatening monsters and alex-and-henry typical obliviousness and refusal to talk about their feelings which is y'know, canon. Everyone needs to give an opportunity to this one.

In Plain Sight You Hid by @nontoxic-writes (movie-verse)

@dot524: Ever reflect deeply on why everyone hates Miguel? This story fleshes out what he did to Alex and expands on what happened during that hookup and what it had to do with Henry. This is also a study of Alex’s relationship with Henry and what made it special. An insightful and angsty (and sexy) addition to the movie canon.

the beagle, the ghost, and the wardrobe by @dumbpeachjuice (book-verse)

@suseagull04: I was immediately intrigued by this fic title's Chronicles of Narnia inspiration, and the fic itself didn't disappoint! Ghost Alex, star-crossed lovers- what more could you ask for?

Jump in with your heart first by @dumbpeachjuice (book-verse)

@suseagull04: This is a blind date that, despite a hiccup or two along the way, will make you believe in soulmates!

Foxden Park by @myheartalivewrites (book-verse)

@dot524: Really enjoyed the slow burn of this one as the story unfolded. So many fun scenes - horse riding, canoeing, sneaky rendezvous in the library. An addicting, enjoyable read!

check out our past Monthly Faves here ❤️

[canonmisogynyvictimstournament]

Now that submissions are closed, we can talk stats. There were 881 valid, unique submissions for 474 characters! Woof, women have it rough out there!

The most submitted characters, with a relevant propaganda snippet included, are:

1. Sakura Haruno (Naruto): 28 [where do i even fucking begin]

2. Cordelia Chase (Buffy the Vampire Slayer/Angel): 21 [OH SO MANY THINGS]

3. Misa Amane (Death Note): 20 [The author of Death Note invented new forms of misogyny just to apply them to Misa.]

4. Kaede Akamatsu (Danganronpa V3): 15 [Oh, you thought we would have a female main character in one of our mainline games? With a cool defining talent, no less? That's stupid of you]

5. TIE: Kairi (Kingdom Hearts): 14 [I'm so mad. I think she deserves a gun.]

5. TIE: Stephanie Brown (DC Comics): 14 [She does eventually get retconned as surviving the event and hiding out in Africa (don't ask, it does not make more sense in context)]

The canons with the most submissions, with a relevant propaganda snippet included, are:

1. DC Comics: 61 [DC has SO MUCH sexism it's laughable]

2. Buffy the Vampire Slayer/Angel: 35 [Fuck Joss Whedon, man.]

3. Naruto: 33 [because Kishimoto hates women]

4. Warrior Cats: 26 [Warriors is one of the most misogynistic children's series I've ever seen]

5. Danganronpa: 25 [I honestly had to think about it just to decide which woman is treated the worst because this series hates them so much]

The canons with the most characters submitted, with a relevant propaganda snippet for a specific character included, are:

1. DC Comics: 21 [Free her from the huge tits back breaking pose.]

2. Buffy the Vampire Slayer/Angel: 12 [Anyways she was so hot and for what. 10/10 my lesbian awakening.]

3. Supernatural: 11 [Yeah, she got randomly killed off-screen for shock value and manpain, but she sent an email right before she died so at least her death wasn't in vain, right?]

4. TIE: Star Trek: 9 [She literally gets teleported out of her clothes in one episode.]

4. TIE: Yu-Gi-Oh!: 9 [One loss is particularly brutal as she falls from a large height directly onto her head and goes into a coma (again. yes this was the second time).]

5. TIE: Warrior Cats: 8 [I'm sure she'll get submitted again just ask any reasonable fan they'll tell you about her and her sister]

5. TIE: Attack on Titan: 8 [As a child soldier, she does commit some war crimes]

And here are some charts to show how some of these entries fucked the scale on my charts:

Look at Sakura, fucking up my chart with her numbers.

On a similar note...

Good god, DC, I know what you did, but add fucking up my charts to your list of crimes.

And now, enjoy some rankings of my favorite things:

My favorite universal sentiment quotes from propaganda are:

She lived she served cunt and then she got killed off super early so that the male characters could experience man pain and also because I guess she would have been too powerful if left alive. [Wen Qing (Mo Dao Zu Shi)]

That design. Dear god. I don't want to live on this planet anymore. [Mitzi (The Queen's Corgi)]

In the end she may have girlbossed too close to the sun, but I support her anger. [Ling Wen (Heaven Official's Blessing)]

the victim of “writer doesn’t understand women and also hates them” disease. [Naomi Misora (Death Note)]

She could 100% kill somebody but nobody ever effing lets her. Rip queen. [Kairi (Kingdom Hearts)]

My favorite raging at a writer quotes from propaganda are:

1. You took every single protagonist to weird lion heaven, Clive, but suddenly Susan isn't good enough. [Susan Pevensie (The Chronicles of Narnia)]

2. Being a woman written by Joss Whedon should automatically entitle her to financial compensation tbh. [River Tam (Firefly)]

3. A lot can be summed up in a couple words, namely, "Furman, why?" [Arcee (Transformers)]

4. Can you tell respect women juice ran in Tolstoy's veins. [Lise Bolkonskaya (War and Peace)]

5. TIE: (specifically a guy called Dan Didio, who we all hate) [Stephanie Brown (DC Comics)]

5. TIE: until Geoff motherfucking Johns comes into the picture [Pantha (DC Comics)]

My favorite quotes from propaganda that have nothing to do with misogyny, y'all are just funny:

I wish I could use bold here, because there's no such thing as uppercase numbers. [Arcee (Transformers)]

the most convoluted and lore dense piece of media this side of the afton criticality. [Jane Crocker (Homestuck)]

ended up starting a gang war by accident [Stephanie Brown (DC Comics)]

Ashfur, who later turns out to be a murderous incel [Squirrelflight (Warrior Cats)]

Hawkfrost is actively seeing Brambleclaw and his evil father in cat hell. [Squirrelflight (Warrior Cats)]

[rjmhereunderprotest]

Crossed Paths & Tangled Webs: Why I Ship SpiderCat

This is gonna be a controversial one through no fault of my own... but also it's all my own damn fault. A confusing contradicting statement to be sure, but when you're talking about Peter Parker and Felicia Hardy, that statement seems to ring the most true. Two people who are as perfect for each other as they are imperfect. In love through no fault of their own... and completely at fault for being so.

My poll for another ship to cover picked this... I'm more than happy to talk about it but we're dealing with volatile stuff right now. As I write this, Spider-Man and Black Cat actually ARE in a relationship with each other. Peter has recently stated that he no longer feels romantically for his long-time love-interest, Mary Jane, calling her more akin to a sister. MJ was apparently stuck in some post-apocalyptic Narnia situation where enough time passed for her to have kids with another guy. And if that wasn't enough... Mary Jane may be about to join Gwen Stacey in the fridge, if you get my meaning. As Zeb Wells is teasing the most shocking Spider-Man story since Gwen Stacey's death and the solicits for the story afterwards say Spider-Man is about to suffer a terrible loss. Felicia is on the covers of at least one of those issues. So unless it's a complete fake out and Wells is going to kill off a relationship he has stated he both prefers and spent a ton of time setting up at the expense of the preferred romance among fans... yeah it's not looking good for MJ. I mean he might kill off Aunt May again, but... well there's no guarantees in comics... ever.

This is a strange time period to be a long suffering SpiderCat shipper. I have held a torch for these two for such a long time it feels like almost second nature. I see Felicia, I want to see her with Peter. No one else, man or woman, will do. (Yes she's Bi, shut up, it's canon) Yet right now, a SpiderCat shipper is now writing the Spider-Man books and everyone seems to absolutely hate Zeb Wells' execution of it all. I've gotten what I wanted, at last, but fans are outright rejecting it. Not so much for Felicia and Peter being together mind you, as much as they're annoyed MJ is being thrown under the bus.

Which I get actually, I may have wanted this ship over Peter/MJ, but not at her expense. I don't want her DEAD or badly written. And given how Marvel has basically treated MJ and Peter over the years, it's hard to argue that these reactions are anything but justified. Even decades later, One More Day's shadow still looms large. Marvel has constantly teased and poked and prodded and snickered about the possibility of Mary Jane and Peter Parker becoming an item again. If not married, at the very least dating. But Marvel seems insistent on this point. "The Marriage was a mistake, we're never going back to it. And anything that is even remotely similar to that status quo is not allowed. Ever." The inability of Marvel's Spidey writers to craft a compelling happy marriage between Peter and MJ has been an albatross around the neck of the ship forever! Even when they did it in an ongoing, it had to be a different universe! One where the Civil War comics event wasn't a thing, so that was also a plus. And MJ had to get Spider Powers too in order to smooth over the whole thing for writers.

So, yeah, MJ's been blamed for making Spider-Books dull and kept at arms length from Peter as much as possible. Because if Spider-Man is EVER TOO HAPPY that can only spell DOOM for the character. His world must always revolve around misery. Linkara of AT4W has said it time and again, in the eyes of Marvel, Spider-Man can never be allowed to be happy.

And yet, despite all that, I still hold true to this maxim, Peter Parker and Felicia Hardy are made for each other. If I ever had an OTP, if I ever had a ship I'd die for, if there was ever any romance I was forever evergreen invested in... it was SpiderCat. Despite whatever the world says, that it can't work, that it's a bad idea, that they don't need each other, that it will never be the way Peter/MJ were once... I don't care. I reject all of that and state proudly, without shame, every time that Spider-Man and the Black Cat are and always shall be perfect for each other.

So Let's Talk about Why that is...

Usually I'm inclined to give brief synopsis points about both characters in separate sections. But Spider-Man is so well known and Black Cat so simply explained in their initial set ups it feels almost... pointless. When you can describe at least one half of the shipping dynamic with a theme song from a sixties cartoon it's hard to honestly come up with anything new or original.

So yeah, Peter Parker, nerdy wimp who gets bitten by a radioactive spider, doesn't get cancer from this, but super powers. Thinks about using these great powers to enrich his life, but after letting a criminal get away because it's "not his problem" he learns a harsh lesson about responsibility. His uncle dies at the hands of said criminal, it's all his fault, and Peter proclaims that as long as he has these powers he will use them to help people.

And as a result, Spider-Man is the hero that always gets up because he has to, he needs to. Because people, strangers and loved ones, depend on him. This comes at the cost of a great deal of things that would make him personally happy. Because if Spider-Man is about anything, it's about personal sacrifice and responsibility. It has been a running theme since his first comic and will continue until the heat death of the universe. If you know nothing else of Spider-Man, this is the most important fact about him going forward for the rest of this essay. Spider-Man is Responsibility and Self-Sacrifice Personified. Whenever he doesn't live up to either aspect of himself, bad things happen, to him, to the people he cares about and New York City at large.

On the other side of that coin, Felicia Hardy, aka the Black Cat. Infamous thief. While her origins are more fluid throughout her incarnations, her general story is pretty much the same. Felicia is a thrill seeking thief, who lives for the daredevil rush only a well-executed heist can accomplish. The Black Cat persona is that of a femme fatale thief of the highest order. There's no question that she shares more than a few similarities to Catwoman of Batman fame. Save for the fact she might possess a slight passive power that causes bad luck to her opponents.

Different character of course, but that's just to establish that it is a superpower. Felicia uses it mainly to steal whatever she wants and get away scot-free. She, in general, tries to avoid personal consequences for these actions. While her motives may vary from one story or universe to the next, ultimately her purpose in life is the same. To live for herself, for her needs and how she wants. The Black Cat persona is just that, a means to indulge in her wants and desires to the fullest extent. She is, inherently, self-serving and selfish whereas Spider-Man is selfless.

On the surface this presents a dynamic akin to oil and water. Spider-Man is an avatar of personal responsibility. The Black Cat is the personification of independent self-interest. They are such opposites, such contradictions, that they should just not work. They should be enemies... and that is how they started.

Amazing Spider-Man #194, Black Cat's first appearance where she and Spidey come to blows over her illicit activities. Felicia has contracted a crew for a job to spring her terminally ill father from prison. Spider-Man tries to stop her, only to end up buried under the rubble of the exploding prison wall. Black Cat flees the scene with a quip about crossing her path and Spidey with a bad arm post-fight. The next issue sees Spidey deduce Felicia's real identity and that Felicia only broke her father out so he could spend his dying hours with his wife and her mother. Spidey and Cat come to blows outside arguing over the merits of what she's done. However in the struggle Black Cat starts to fall off a roof into a surging river below. Spidey catches her with his bad arm, trying to stop her fall... but can't hold on as Felicia seemingly falls to her death. He tries to return to the Hardy residence, only to see Felicia's mother in grief over the death of her husband. Not wanting to add to it... Spidey leaves.

Of course, this isn't the end for Felicia, issue #204 sees the Black Cat return. She's actually been watching him it seems, taking photos of him swinging around town. They get reacquainted at the museum where Cat manages to slip away again after another fight with Spider-Man. Felicia is annoyed though that he keeps fighting her, not understanding why she's doing this. And by the next issue it's revealed, the art pieces Felicia stole were meant to symbolize what she thinks of Spidey. Namely, that she has developed a crush on him. No doubt because, despite trouncing him almost every time they've fought, she's clearly enjoyed all of it. And Spidey hasn't exactly helped in that regard as he has routinely flirted with her. He can't help it, she is hot. Felicia claims she wants to leave thieving behind, at the behest of her mother and she would like Spider-Man to help her reform. Seeing a similarity to a current situation with a girl he's instructing, and that Felicia might be suffering a bit of a mental break as a result of her father's death, he promises to get her help.

These introductory stories set the stage for Felicia and Peter's on again off again relationship for years to come. Felicia is self-servingly selfish, desiring things that aren't hers. Yet her motives are more complicated than pure greed, it is always based somewhat around her emotional state. Her need to give her father and mother some closure before she passes, her desire for Spider-Man to lead her out of a life of crime, as per her mother's wishes. She isn't evil, she has noble intent, she just goes about it in very self-centered ways. Spidey, in the meantime, is selfless to a fault. He'll keep chasing her down, he'll keep trying to set her straight, keep trying to stop her crime sprees. He is drawn to her by his selflessness and sense of responsibility to prevent her from just getting away with whatever she wants. But he does genuinely want to help her and he will not take advantage of her fragile emotional state, even if he himself is somewhat into her. Hell, the first thing he thinks about when he first sees her is that he hopes she isn't a criminal because he'd like to ask her out. He is clearly drawn to Felicia, even if it only starts out as pure infatuation, but he will not take advantage of her interest in him because he knows better than to try to exploit that for his own self-interest.

Of course it's a lie, well partially. Felicia faked being crazy to more easily escape a psychiatric hospital than a prison. But she is indeed in love with him. After her escape, she invites Spidey to a masquerade ball via a sky writer. Ultimately revealing that she lied to him about her mental breakdown in a selfish bid to escape consequences for her actions. But she wants to make up for it now, because this masquerade ball is being hosted by mafioso she stole from and says Spidey can now arrest them all! Crime is too easy she thinks, superheroing is her next thrill seeking adventure and she wants to do it with him. And despite being tricked and more than a little bribed into this, Spider-Man decides ultimately why not give it a try? If she really does want to go straight for him... isn't the responsible thing to do with her to help her out even if her motives are a tiny bit selfish?

This is how their romance starts and sets up the ultimate tug of war dynamic. Spider-Man does want Black Cat, but is wary of her desire to push him into a more selfish mindset. Black Cat actually desires Spider-Man, but can't get over her compulsive selfishness. In this story alone she has to sort of trick Spider-Man into coming to a date that's actually a mafioso party that he can break up. It's a highly manipulative plan that appeals to her selfish infatuation and Spider-Man's selfless heroism. It is a constant push and pull between them at multiple points. By all accounts, they should not work and a good deal of comics past this point go on and on about why they can't work.

I could cover the lengthy relationship between both characters throughout the 80s, Spidey was actually dating Felicia for a long time during the Black Suit days, even after he gave up the Symbiote. And for the most part this dynamic does not entirely change. Peter wants to help Black Cat be a better person before he can truly commit to her. Felicia wants to be a better person and make things work with Spider-Man, but she has a hard time wrapping her head around selfless action over selfish indulgence. It's the roadblock between them truly working as a couple. And there are a ton of moments during this time period I could talk about, but frankly, they are ALL before my time.

None of them really prove my point either, all I've done is just explain why their dynamic as a couple is riveting. It's not exactly like Batman and Catwoman's, but its of a similar vein. The key difference is Spider-Man, being who he is, isn't as opposed to the idea at first as Bruce is with Selina. Catwoman plays a lot harder to get for a lot longer than Black Cat, she also doesn't become Batman's superhero partner. Felicia and Peter by contrast are much younger though, so their reasoning is frankly more in line with their age demographic. They're just quicker to jump in than most people. The only thing holding them back is Black Cat and Spidey's diametrically opposed ideologies, even though we'll see those two viewpoints somewhat crisscross soon enough.

If you want to know however where I actually came in on this, we need to hop over to another universe. The one firmly positioned in the decade that defines the pop cultural wasteland... the 90s.

In an effort to compete with DC's Batman cartoon, Marvel fast tracked a Spider-Man show into production. While not on the same technical/narrative level as the landmark Batman: The Animated Series, Spider-Man: The Animated Series still did a tremendous job at capturing the essence of the character and is still a good series in its own. Even on a recent rewatch, I was surprised to see how well-thought out and true to form the series was. Yes, it's overuse of repeated animation and various other shortcuts was annoying, it certainly wasn't perfect, even by 90s standards, but it deserves recognition where it counts. Part of that was, in my opinion, the dynamic between Felicia and Peter Parker/Black Cat and Spider-Man. It certainly wasn't a slamdunk, I'm going to talk about where the writers fumbled it, but when it worked it worked and I think those parts where it worked so well were what cemented the idea in my head that this relationship, fraught as it was, COULD become something everlasting.

There's no hiding that Felicia's story is completely different from the comics. She actually knows Peter to begin with before she even becomes the Black Cat. They actually date for a while and despite the fact Peter is poorer than dirt, she is clearly interested in him and remains so for a good portion of season one. Peter's first kiss in the series is Felicia in fact. Even when MJ is in the picture, Peter is still torn between her and Felicia.

You might think we're dealing with a Betty and Veronica situation, but it never really materializes as such. Felicia and MJ never really meet this early and Felicia herself isn't really the rich girl stereotype. She's not particularly girlish or whinny. She doesn't really look down on anyone for their status. In fact she more often than not tries to rebel against the stereotype. She does a lot of charity work, she shows concern for the good of New York's citizens and she gives credit to those who deserve it, not just because they flatter her. She also gives Peter a lot of chances despite seemingly screwing up with her. She is reluctant at first to go out with him, but is not embarassed to be seen with him. The issue that arises is, from her perspective, Peter is never around when she gets in major trouble... but Spider-Man is. This become important later, but the thing to note is she is still close friends with Peter for a good amount of time and shows an interest in hm.

The only reason Felicia doesn't get with Peter is, again, Peter's terrible luck as a result of his responsibilities as Spider-Man. He accidentally stands Felicia up one too many times and she... ugh... ends up falling for Michael Morbius. Yes... that Morbius. No, we're not doing the meme. I only bring it up here because its one of the flaws in the show, Morbius as Felicia's love interest feels so incredibly out of place. It exists purely to prevent Felicia and Peter from getting together because nothing about it works. Morbius is hardly charming, he's somewhat of a creep, he's rude, abrasive and his petty rivalry with Peter just makes him unlikable. Its this petty bullshit rivalry, in fact, that causes Morbius' transformation into a Vampire monster in this continuity. Peter tries to claim responsibility for it because it was caused with his radioactive blood, but Morbius was an asshole and did it to himself. He's at fault and he sucks... pun not intended, not entirely. But because he's doing all this to stop a plague in his home country, and he saves Felicia this one time when Peter doesn't show, we're supposed to buy that she's smitten with him. And I do not buy it. In fact, I'd argue the show's writers didn't even buy it and were somewhat forced to do this so they wouldn't step on the iconic romance with Peter and MJ.

Morbius' subsequent flight into exile, as he basically becomes a mutant bat monster, starts an ongoing subplot with Felicia, the fact she has seemingly terrible luck with men. Early on, after Morbius has left her life, Felicia begins to develop a crush on Spider-Man, as at this point he's been there for her more than most other men in her life, saving her or her mother. Spider-Man, as a result, has become a very huge constant staple in her life, more so than any other man as far she can see. Peter, despite his messy love life, does care for Felicia, and is very quick to jump in to help her whenever she is in trouble. Partially because of his connection to her, partly because he still blames himself for Morbius' transformation. So Peter is spending a lot of time as Spider-Man with Felicia at this point, more so than MJ even who is dating Harry Osborn for a while. As far as Felicia is concerned, Spider-Man has become something akin to a knight in shining armor who is always there for her. She can't help but fall for him.

She reveals this by suddenly kissing him on the balcony, pulling up the mask half-way and everything. Peter, however, says he can't reciprocate, as much as he probably still has feelings for Felicia. He says he can't have a girlfriend though because it would put her in danger. It's bunk of course, he's still trying to be with MJ even though she's currently with Harry, but I imagine it plants an idea in Felicia's head. Regardless, for now she's crestfallen and this leads her into the arms of another man, Jason Phillips Macendale, a rich well to do playboy-type. Even still, she retains her feelings Spider-Man throughout their relationship. There is a scene at a carnival where Jason wins a stuffed Spider for her, which she remarks she finds spiders cute while he acts rather annoyed and jealous over it. Despite the fact she very clearly still wants Spidey to be with her, Felicia does agree to marry Jason when he proposes.

At the engagement party, which Peter attends with MJ as she has dumped Harry at this point, he changes into Spider-Man to spy on the Kingpin and Osborn over some business with the Hobgoblin. Annoyed he has to leave MJ to deal with this problem, he's interrupted by Felicia.

She asks if he's here to wish her good luck and Peter fumbles his words in saying as much. Which leads to this exchange:

Spidey: Do you really love this Jason Phillips guy?

Felicia: And why should you care about that? Unless you got a better offer?

Spidey: (Thoughts) This is crazy, I can't have one girlfriend as Peter Parker and another as Spider-Man! (Speaking) No, I don't... I just want you to be happy.

As Spidey swings away, Felicia mournfully says "So do I." It's a very clear statement, she's settling. Jason is rich and powerful and the person she's expected to marry due to who she is, but she's not really sure about it, or happy. Because the man she wants is currently swinging away. It's obvious that, in Felicia's eyes, she's missing something in her life that makes her happy and Spider-Man seems to be that something. Likewise, Peter, the paragon of self-responsibility, knows he can't abuse his secret identity to cheat on MJ, even though he seems very tempted to admit that he still has feelings for Felicia. But in the end, all he cares about is her happiness and if she can find it in this Jason dude, who is he to ruin that?

Well, he doesn't have to ruin it. Because we find out, shock of all shocks, Jason is the Hobgoblin and the revelation shakes Felicia to her core. The fact that this person she was dating, this man who she decided on because she couldn't have Spider-Man was a fraud, a criminal, a liar... it's a terrible thing to realize how poor your judgment is. Almost reaffirming that this was the wrong choice from the start.

Spidey of course once again comes swinging to her rescue and defeats the Hobgoblin. But Felicia has questions for her former fiancé. Jason relents that he used crime to create everything he is and get everything he has, including her. She's just another possession to him. What she deep down probably feared going into this, why her heart wasn't in this, why she wanted Spider-Man to give her a way out and save her again.

Felicia: I have to know, did you ever really love me?

Jason: I don't know. I love things about you. Your wealth, your beauty, your refinement.

Felicia: That's not love! I've experienced true love... and it's nothing like that.

And we don't get a flashback to Morbius, as this show constantly does because it's very not subtle, we don't see her talk about bat boy at all. She looks directly at Spider-Man as she says this and the camera zooms in on him as she speaks those words. This overtly informs the audience what love means in Felicia's mind. Love in Felicia's mind is being there for someone, who Spider-Man has been for a long time now. And more importantly, it's about wanting that person to be happy, which was all Spider-Man said he ever wanted. Spidey never asked anything of Felicia, he was just there for her and perhaps, in Felicia's mind, the reason he can't return it is because she can't be there in the same way. She is after all a damsel who he needs to keep saving and Spider-Man made it an issue that they can't be together because she'd be in danger.

In fact, this incident has given Felicia a complex that alludes to her future. "Every time I give my heart to someone, disaster strikes!" She sobs to Spider-Man. "I'm like a Black Cat spreading bad luck to everyone who crosses my path! Including my own."

By the next season things have taken a turn for the tragic, Mary Jane has vanished into realms unknown after mirroring Gwen Stacey's fall from a bridge into an interdimensional portal. As far as Peter knows though she's just gone, maybe forever. They can't say dead on this show, you know how it is.

This would probably leave the door back open for Felicia, but Peter is in no mental condition for another relationship right now and Felicia is smitten with Spider-Man, not Peter. Although he does wonder if she could help him with his grief as he swings over to her apartment. Not to say she doesn't care for Peter, but her heart belongs to his masked vigilante persona. In fact, so much so that she proclaims that Spider-Man is the only good thing in her life during that same visit. (Granted this is after an attack by Doctor Octopus, but the point stands) It's obvious that Felicia is now clinging to Spider-Man as one of the few constants in her life at this point, what with repeatedly being placed in danger by monsters and maniacs. The lack of control and helplessness is eating at her terribly.

However, this does lead into what we've all been waiting for, Felicia's transformation into the Black Cat and the start of the multi-episode season storyline, "Partners in Danger."

Felicia's father isn't just a cat burglar anymore. It turns out he got a peek at the formula for the Super Soldier serum back in WW2. He was almost tricked into giving it to the Nazis but managed to evade them. He was a kid at the time and was on the run for several decades. He's been in SHIELD custody for the past few years, until now when the Chameleon breaks him out only to hand him over to the Kingpin. Soon after, Doctor Octopus kidnaps Felicia and brings him to Fisk to reunite her with her father. And basically blackmail her into performing crimes for Fisk to test out the Super Soldier formula.

Yes, the Black Cat in the 90s Animated Series is basically a super soldier thief. It is suggested its not a complete process, but it grants Felicia more capability than she used to have. As the Black Cat she's now stronger, faster, more agile, versatile and has heightened senses. She's basically a mini-Captain America sans shield and a less patriotic aesthetic. Also, the Serum allows her to completely alter herself, her hair turns white and grows longer, while she also becomes more ripped and taller. This is so people won't really recognize her, an important detail for later.

While it's obvious Felicia hates being forced to go along with this to protect her father, she doesn't hate the new powers she's been granted and seeks to use them to eventually turn the tables on Fisk and save her dad. However, for the time being she gets in more than a few scrapes with Spider-Man, one of which leaves him knocked out in front of her. She considers pulling off his mask, but decides against it, preferring him to do it for her himself. She does plant a kiss though, the first of many as the Black Cat. The sequence is clear, Felicia is no longer the damsel but Spider-Man's equal and she hopes that this means things can change.

True, Felicia still gets into trouble and Spider-Man has to save her before the episode is out, but they actually do come together as partners by the end and effectively work together to defeat Fisk and save her father. Sadly, he has to return to SHIELD custody, of his own free will, to prevent the secrets he knows from ever getting out. I'd kinda like to to think they would give him a more witness protection situation than imprisonment for the guy, even if he did become a thief. It's SHIELD though, it's kinda expected they don't always do the sensible thing.

However this sets up the dynamic for the next few episodes as Black Cat and Spider-Man work together more and more. Spider-Man is reluctant at first, still mourning Mary Jane, but Black Cat manages to shake him out of that stupor. Reminding him not to close himself off in his grief. And Spidey himself remarks, as he and Black Cat work together, that he's actually having fun for once as Spider-Man. This is something to keep in mind, Black Cat actually challenges Spider-Man more often than not throughout their time together. Pushing him to remember why he does this job, stopping his pity parties cold, reminding him to not see his power as a burden that he so often does and as a gift he uses to help people. Even if she's not the same self-serving Felicia from the comics, as the Black Cat she embraces the liberated self her persona grants her. She's finally being able to do the things that her position as a rich socialite kept from her. Her stance is that Spider-Man can afford to think about what he wants and what makes him happy as much as his own responsibilities.

Frankly, it gets through to Peter. As time goes on, Spider-Man becomes more receptive to the idea that he should move on from MJ and be with Black Cat, a fellow crime fighter, on his level who can look after herself as much as him. This has been the problem Spider-Man has faced for a while, being able to protect the people he cares about despite his powers seemingly always getting in the way. In the same vein, Felicia's newfound abilities enable her to be Spidey's equal. Allowing her the opportunity to see him as a person and not just the superhero who saves her. This gives her the ability to challenge, as well as compliment him, as pointed out.

Their dynamic frankly rings more true and honest as a relationship. Even MJ never pushed Peter in the same way Black Cat pushes Spidey to be better. That's not to say MJ was a bad girlfriend, but on the show... she frankly resembled the comics version of Gwen Stacey personality wise. Black Cat may have been in love with Spider-Man, but that never stopped her from telling him off when he got something wrong. She had her own opinions and views on how this relationship worked and despite clashing with Spidey, they always seemed to be getting closer and more intimate every time she crossed his path.

That is until the goddamn Vampire comes back and ruins it all, because Felicia still has feelings for Morbius, I guess. In fact, he comes back so soon and suddenly, just as Peter is thinking of committing to Black Cat as Spider-Man, that it again feels like a mandate from on high. They're getting too close to each other, we can't have that, break them up by making Morbius a thing again. And quite frankly it feels forced because the only thing that seemingly prevents Spidey and Cat from sealing the deal is that neither of them have guessed at who the other is.

This is despite the fact that the Black Cat is obviously Felicia, given her very close relationship with Felicia's father that she doesn't even try to hide at all during her introductory episode. But Spidey has been consistently dense when it comes to secret identities, he couldn't even figure out Matt Murdock and Daredevil were the same person under similar circumstances. Using excuses THAT HE HIMSELF USES to cover his ass as Spider-Man. For being so smart, Peter is incredibly slow on the uptake when it comes to guessing Black Cat's identity despite how damn obvious it is. Not that Felicia is honestly much better, as both before and after this there are a number of clues to Spidey's true identity. Like... she kissed Peter AS Peter, she should know that mouth!

But the fact is, and this is where the forced editorial mandate thing comes in, that if they ever found out who the other was... that would be the end for any possible Peter and MJ relationship at this point. Felicia would finally realize why Peter seemed to never be around when she was in trouble, it's because he was Spider-Man. And given that Felicia's reasoning for being in love with Spider-Man is, again, the fact she feels he's always been there for her, she'd realize her most long standing intimate REAL relationship was with Peter all along! Peter in turn would realize that Felicia, the girl he first had a crush on, the one he was most conflicted about getting with before MJ vanished, a person he still has strong feelings for, is also the person who taught him to love again after MJ vanished. A friend he cares about who is now on his level and has also been there for him! There would be no way they couldn't get together at that point, or at the very least it would be very hard for Peter to decide between her and MJ from then on.

But no, the adventure with the returned Morbius leads to Felicia deciding to go with the creep Mutant Vampire and Blade to hunt other vampires and leave Spider-Man behind, just as he was about to be with her. Of course, Peter doesn't put two and two together that Cat is leaving with Morbius because as established he's an idiot when it comes to this stuff. If he was smarter, he'd have figured it out right now and probably revealed himself to her, and that would create a conflict and probably make her question this frankly boneheaded and nonsensical decision. So no, Felicia and Peter never find out each other's secret identities and she goes off with Morbius leaving Peter alone for no really good reason other than this felt like the fastest way to break them up so MJ could slide back in.

And MJ does slide back in, not long after this episode in fact and Spider-Man quickly fast tracks to proposing to her, revealing his secret identity, the works. However, Felicia isn't out of his life as MJ still keeps getting into trouble, constantly. At the wedding, Black Cat returns to make sure Peter's big day doesn't get ruined, because she does care about Peter even if she isn't with him. She does this again when MJ is seemingly kidnapped, first comforting Peter as Felicia reassuring him during a moment of hopelessness and then becoming Black Cat again to track down MJ for Peter.

And she admits aloud that she's doing this because she doesn't think she made the right call to follow Morbius and Blade, she still has feelings for Spidey, even though he's loyal and committed to MJ. Again, Felicia does not put two and two together given how gung-ho Spidey is for finding MJ. This also marks the only time MJ and the Black Cat meet, it's very quick, Peter has to answer a few obvious questions. After all that, Felicia decides to head back to Transylvania and once again Peter doesn't put two and two together that Felicia and Black Cat are back in town right at the same time. Because he's stupid like that.

What's important to note is that Felicia will drop everything for Peter, which suggests to me, on some subconscious level, she knows who Spider-Man is. And the fact she's still playing mental support coach to Peter, even outside of their secret identities, speaks volumes for their bond and connection. Even outside of the Black Cat persona and without directly knowing it, Felicia is there for Spider-Man when he needs her, just as much as he was for her.

But of course, all of this is for naught concerning Mary Jane's fate. Because... this is not Mary Jane. This hasn't been Mary Jane since she returned at the end of last season and conclusion of "Partners in Danger." Because we've been doing a random ass Clone Saga deal this whole time! This MJ, the one Peter married, shared his secrets with, probably most likely banged... wasn't his MJ. She was a clone created by Miles Warren who can use frickin water powers like Hydro Man because Hydro Man is an asshole ex who is obsessed with MJ and wanted his own version of her. But she wandered off, blah blah blah, point is her clone stability is breaking down and she's gonna evaporate. Cue one of the most gut wrenching screams in animation history.

So yeah, Peter never got the real Mary Jane back, only to be set up for heartache all over again. One could argue he probably loved this Mary Jane more. Sure he thought she was the original, but everything he experienced with her were steps he was unwilling to take with the real one. Similar to how Felicia has been feeling conflicted, one has to imagine Peter is even more so at this point on several other levels. Not that he has much time to mourn though. Madame Web has returned after a long absence from the series and she has war for him to fight, a Secret War.

In a very loose adaptation of the original Marvel Comics Event, Spider-Man is tasked by the Beyonder to lead a team of superheroes to liberate a planet that has fallen to villains he's plucked from Earth. This becomes a bit of a crossover between pretty much every Fox Entertainment Marvel Cartoon running at the time. From X-Men to Iron Man to the Fantastic Four, not Hulk though, Hulk rights are always a problem. But even after he's picked all the heroes he can afford to recruit, like any Gamer he can't resist modding shit to give him more stuff. And of all the heroes and allies he could pick to increase his ranks... he chooses the Black Cat.

It's a fairly odd choice honestly. Spidey has worked with a lot of heroes, maybe not as extensively as the Black Cat, but he's fought beside Doctor Strange, he knows other X-Men who are on Storm's level or at least just as capable. But he picks Black Cat. He picks her despite knowing that Madame Web knows the Real Mary Jane's location and promises it as a reward if he helps her. He picks Black Cat, despite knowing she is currently with Morbius and Blade. Makes one wonder... why?

Felicia isn't happy with this herself, because she just got pulled away in the middle of a vampire slaying fight. Don't worry, they're fine. It's Blade he'll manage without her.

...

What? Oh Morbius, yeah I guess he'll survive too just by being in close proximity to Blade. Have I mentioned I hate Morbius?

Anyway, the point is Black Cat is none too happy get pulled into Spidey's adventures against her will, like he can just do that on a whim. She's kinda right to be angry at him and she is for a good portion of the episode. When Spidey explains he picked her because he needs her support and they work good as a team, Felicia rightly says that he can't just rip her away from things because he needs to hold her hand. She'll be more than willing to do so on her own, he doesn't need to ask, he just shouldn't force her. It's a surprising role reversal, with Spider-Man being a bit more selfish than usual and Black Cat outwardly demanding to know when Spider-Man is gonna grow up. A question many comics fans wonder themselves to this day.

Spider-Man's ultimate ulterior motives are a bit more obvious though when he gets pretty jealous over Captain America and Black Cat bonding over her having the super soldier serum. And it doesn't help that Cap keeps kinda outshining him constantly when he saves Felicia a few times. But to be fair, Steve Rogers does that with everyone.

After the mission that topples the Red Skull ends, Spidey does apologize for taking Felicia against her will into this war. But she's no longer angry. Taking part in a mission bigger than even vampire slaying is important, a big deal, and if there is one thing Felicia has wanted its to not be left out of a fight for something bigger than herself. Plus, she get's to do it beside the greatest hero of all time. Spidey thinks she means Cap, but she corrects him, she's talking about the Web Head. Despite not being as perfect as Captain America, Spider-Man did prove himself out there as a leader to her and she admits she wouldn't want to miss this action with him for anything. Despite not wanting to be here initially, Felicia ultimately can't get over the fact Spider-Man wanted HER here with him. And given their last meeting had him coldly rejecting her advances, it says to Felicia that Spidey still feels for her and she clearly does too. Black Cat then kisses Spider-Man... and it's the last kiss he'll ever receive in the series. That's right, Peter's first and last kisses on this show come from Felicia. How do you not expect anyone to read into that?

No matter what lame line Morbius tries to give at the end of the episode, Felicia's heart doesn't really belong to him. It is very evident, crystal clear, painfully obvious, to anyone paying attention, that Felicia and Peter, on this series at the very least, were specially connected. Maybe not at first, but Felicia became someone who could match Spider-Man, physically and mentally, in many ways. And it's undeniable that, regardless of anything else, Peter held feelings for both Felicia and her Super Thief persona. Their banter was perfect, their partnership was top notch, the chemistry was amazing. The only thing keeping them apart was a story writing mandate from on high that they could not be endgame. Even though the writers took every chance they could nab to put them together. To shove Felicia back into Peter's life, even after she went off Slaying it up with Morbius. When I rewatched the series, it became painfully obvious who the writers seemed to prefer Peter with. None of this is to knock MJ as a character, on this show or in the comics, but it's hard for me to buy that there wasn't some kind of bias towards Felicia given everything that happens in this show.

Or maybe they just wanted an excuse to keep bringing Jennifer Hale back, I don't know! But I still choose to think that someone on that writing staff wanted a different endgame. It's been known to happen, creative teams aren't immune to shipping. Avatar the Last Airbender apparently had an ongoing tug of war between the executive producers and some of the writers over whether Katara would pick Zuko or Aang. It honestly feels like something similar happened here and as a result it comes across as the best evidence in my mind that this relationship could work. And the insane reality that less than a decade after Spider-Man TAS concluded, a show that did everything to ensure Spider-Man never got with the Black Cat because Peter/MJ were too iconic to not happen... One More Day drops and Peter has barely been with MJ for more than a single run out of several writers since. Said single writer being Nick Spencer, the Hydra Cap guy! Possibly in an effort to redeem himself from being the Hydra Cap Guy.

But I digress, as one can plainly see concerning this short retrospective of the series above, the 90s Cartoon has been over for a long time. Next year, it will be thirty years old. I can point out how it could've worked in that show, but that does nothing to prove Felicia and Peter ever have a chance now. All it shows is that I have a nostalgic attachment to this pairing because of an animated series. One with a highly different set of canonical circumstances between Spidey and the Black Cat that were crafted uniquely for this show alone. Circumstances that are worlds apart from the comics.

And that's because, as loathe as I am to admit it, Peter and Felicia's relationship has always had roadblocks in every piece of media involving them before and since. And I would be remiss if I didn't address any of those before I can start proving its viability now. If I don't I'll just have to do it later anyway. We'll look at how SpiderCat appears in other works as we go through this, but we need to head back to comic book land if we're really going to lay down what's actually keeping these two apart, and it's not the very weak contrivances preventing them from figuring out the obvious like in the 90s cartoon. No, it goes deeper than that. As you can see here.

90s Felicia wanted Spidey to unmask for her, but Comics!Felicia has had a hang up about that for a long while. This is the crux, the problem, with their relationship. The thing that always comes up when SpiderCat shippers argue for it. Comics!Black Cat loves Spider-Man... not Peter Parker. And mixing the two is too much for her to bare. This is what put strain on their relationship, Felicia didn't want her fantasy ruined by knowing the man behind the mask. Peter being an ordinary guy shatters her illusions about his prowess and ability. The phrase "Anyone can wear the mask" comes to mind and as long as Peter wears it for the Black Cat that is true. Take it off and Peter's normality leaks into things.

As a result, the main problem is Felicia can't love a man like Peter, who has a normal life outside of his superheroing. Felicia doesn't want normal, she likes what she is, who she is, doesn't want to go back to it. She wants to be the Black Cat because as the Cat she can do and get whatever she wants. Peter is, again, weighed down by responsibilities. While Felicia, once again, desires her independence from everything, including responsibility. Felicia would rather Spider-Man give up being Peter and just be the hero who swept her off her feet full time. To forever chase her across the rooftops and do what they want whenever they want. She's fine if that means fighting bad guys... so long as they're not tied down to normality. But Peter can't do that, he can never do that, not as long as he has ties to his life as Peter. And that's probably why Wells is considering severing a pretty big tie to that in order to make sure SpiderCat can't be reversed so easily. Can't really blame him for that though, given how comics are in constant flux. (Remember This)

This sort of issue is constantly reinforced. In the Spider-Man 2 video game, based off the Sam Raimi sequel, The "Spidey's loss of his powers" sub-plot is replaced by Black Cat trying to seduce him away into forever crime-fighting as his relationship with Mary Jane becomes strained due to her upcoming marriage to Jonah Jameson's son. Their dynamic matches the comics pretty well... and that means Spidey eventually breaks it off with her, saying he can't abandon his real life to forever play superhero with her. He needs a balance and that means he can't see her anymore. She leaves amicably, but it's sad to see happen.

In the Spider-Man: Web of Shadows game, Black Cat is revealed to still have feelings for Spider-Man and wants to be back together with him. This is pretty bad timing given the symbiote invasion going on. As the game is using the then popular trend of multiple choice endings there is one where you can have Black Cat be with Spider-Man at the end. It requires you basically healing her after a fight with your black suit, turning her into a Venomized version of herself. You can still pick the good ending after this where you defeat the Symbiotes, but all you know for sure is that MJ and him are on quits. You only see Felicia again if you pick the bad ending where Spider-Man breaks bad fully and decides to lead a symbiote army with Felicia by his side. Further emphasizing the idea that Peter can't pick being with Felicia without abandoning everything that makes him who he is.

There's also Spectacular Spider-Man, the other beloved Spider-Man animated series. Shorter-lived, but just as impactful. Where Spidey and Black Cat seem to hit it off during the start of Peter's whole symbiote storyline. Their banter is great, the chemistry fits, Felicia and Pete seem destined to be star-crossed opposite sides of the law lovers. However, when they meet up again Felicia is breaking her father out as she usually does... but the twist this time is Felicia's father is the one who shot Uncle Ben.

Naturally this completely wrecks any goodwill concerning Black Cat and Spidey's second meeting. As from here on out he's adamant Felicia's dad is not getting out. While it turns out Dad doesn't want to leave either and he decides to sacrifice his chance at freedom to stop a mass jailbreak of supervillains, that changes little. Spider-Man does not forgive Felicia's father and Felicia blames Spider-Man for infecting her dad with sentimentality. Even knowing he took an innocent life, all Felicia sees is her dad rotting away in jail. She declares she'll never forgive Spider-Man for this and rushes off in anger. The series ended shortly thereafter and this was never resolved. Greg Weisman, the show's creator, says if it had continued the relationship would've been "fraught." And once again this is the typical line concerning the fact Felicia's selfish desires run up against Spider-Man's heroic responsibility. And letting a criminal get away, especially one that killed his Uncle, is just something he can't do.

And I could go on, there are a ton of examples of this very problematic element of the relationship. It's the thing Marvel has consistently used to explain why Peter and Felicia aren't the right fit. Any romance would require either character to make sacrifices they are incapable of. Namely Felicia's independence and Peter's Responsibilities. Marvel itself decided to set this in stone to a degree with the usual question they ask... "What If?"

"What if... Spider-Man Married the Black Cat?" is the second part of a longer What If storyline answering what would happen if Peter and MJ did not get married. (HA! After OMD, one cannot help but laugh!) And as much as that cover paints wedded bliss... it's anything but. Felicia and Peter come to blows repeatedly, unable to reconcile their differences. Their goals are far too distant from each other overall and they just can't find common ground. By the end of the issue, Felicia lies dead, Spider-Man heart broken and the grim reality that this romance could never work is cemented in stone it seems. "What Ifs" aren't definitive statements about the only possible outcomes for the Marvel universe. But they are definitive statements from Marvel itself, a decree from on high that the current continuity, for all its faults, could be so much worse and we should be happy for what we have. And while the issue is loaded with nice panels that any SpiderCat fan would adore, the end result is still plain as day. Felicia and Peter are too oil and water to ever mix. And the end result would be the destruction of one or both.

How do you overcome the dreadful reality that your ship is declared doomed forever by the very company that in some sense set it in motion? Not just because Spider-Man can never be happy, but because the Black Cat is just too toxic a girlfriend to ever truly make him happy. Everyone argued that MJ and Peter's marriage was boring but they didn't want him to get with the next best option either because they think it's non-compatible, that they're just too different and of opposing thoughts to ever reach common ground.

And Marvel has tried to permanently set that in stone in canon once. To forever place SpiderCat as beyond possible, to sever their connection as decades long allies... and all because of an octopus in the brain.

The image above is not that of Peter Parker fighting the Black Cat. This is Doctor Otto Octavius, piloting Peter's body after jacking his mind. This is the Superior Spider-Man, and he does not care about Peter's past infatuations. He's here to prove he's the better Spider-Man and that means apprehending all criminals. In an otherwise re-affirming storyline that proves Peter Parker is the true Superior Spider-Man, Otto failing to live up to his lofty ambitious boasts, this scene... this one bloody scene, leads to the absolute low point period for all SpiderCat Fans. I call it the "Bitch Be Crazy" Era, an offensive title for a frankly offensively disgusting sub-plot in the Spider Run post-Superior.

Peter Parker informs all his Superhero buddies that Doc Ock had taken over his body for a long time, explaining his shitty behavior for the past year or so. Most everyone's response is "Oh, yeah, that's obvious in hindsight." Not Felicia.

The tables have turned, now Felicia has broke bad, but for real. And there is no way to describe what she becomes but extremely out of character. She doesn't accept Spider-Man's explanation, she doesn't even care. She is now obsessed with becoming the next Kingpin of Crime, a murderous, merciless mob boss who pulls the strings of supervillains, all in a bid to destroy Spider-Man and all he holds dear and it's absolutely, completely, stupidly, idiotically terrible. No matter how selfish Felicia can be, this is NOT her. Felicia has never shown any desire to be a crime boss, to be feared. Her desires have always been thrill seeking, shiny things and not being told what she can and can't do. She might be violent, but she is not a cold-blooded killer. She might be cynical, but she is not this petty. Every element of this terrible subplot makes no sense unless she's absolutely lost her mind or been replaced by a Skrull.

The only fun thing in this whole mess, was that Gwenpool's first in-universe story took place during this sub-plot and she crossed paths with her. And then did this.

I guess that justifies putting a Gwenpool tag below somewhere. Win for me!

Suffice to say, no one liked this change. Everyone hated it, even more than Superior Spider-Man. People came around on that, no one liked Felicia the Big Black Cat of Crime. Dan Slott could never justify it because it made no sense that Felicia would care this much about street cred because Spider-Man beat her up. As if there isn't a single crook in New York at this point who can claim Spider-Man hasn't knocked out one of their teeth. Others tried to explain it, to give it a more sensible face. There was an explanation in the Silk comic, but it didn't really stick as something that would drive her to this extreme. Regardless, it was a dark time for SpiderCat Shipping Fandom. And it took way longer than it should've to fix it all.

But it did get fixed and that brings me the counter to ALL of this stuff that stands in Peter and Felicia's way. And that is that no matter how much things stay the same, comics always inevitably change and so do the characters in them. We like to pretend that the way we see a lot of the characters in comics now has just always been them. But no, they're not. Batman used to carry a gun in his early days, Superman didn't always fly, Captain America, a WW2 Veteran, claimed he never killed anyone for a short time, Deadpool didn't always break the 4th Wall and Starlord used to be a lot more of a straight edged serious space hero and not a rock music lovin' dancin' fool of a rogue Han Solo. Tastes change, writers change, people change... and so has Felicia.

Felicia hasn't always been honest with Peter, she's tricked him into chasing her, played him to get away with a score, gotten superpowers from Kingpin in an effort to keep up with him which led to their first break up, she even dated Flash Thompson trying to make him jealous. But if one thing has been consistent, it's that Felicia can't help but cross back into Peter's life. And in the process, because she cares, even loves him, there are things she's had to accept, to admit to. And chief among them is Peter Parker is Spider-Man and Peter Parker's life is as if not more important to him than just being Spider-Man. She hasn't only loved Spider-Man for years at this point, for a long time. She loves both. and she is willing to accept both. If there is any problem, it's Peter accepting Felicia for who she is... which is a better person than even she gives herself credit for.

Spider-Man wouldn't be partnering up with Felicia so often if he didn't believe there was more to her than just a shallow thief. And the influence has affected Felicia, she's admitted as much. Maybe her shift to doing good was set off by a crush, but she owned that change and she kept pushing herself. She'll never have a strict moral compass, but she does know what the right choice is at the end of the day, what feels right. And when Spider-Man needs an ally, he can call on her as much as anyone. Spider-Man being in her life has only been a net positive for Felicia, Peter being with her has only been a net positive. And that brings us back to her time as a lame crime boss and how they fixed her. Because there's a better, deeper, actually meaningful reason for their schism besides Felicia's loss of street cred.

She forgot the man she loved and changed for.

Yep, we're factoring One More Day into this thing proper like. After an adventure with Venom and Spidey, dealing with some symbiote nonsense, Felicia is convinced to hash it out with the Wall Crawler. And she admits to him that she lost something, his face. When Spider-Man made the world forget who he was under the mask it affected Felicia too. All her memories, all the time spent with Peter post reveal, everything that she knew about the man behind the mask... it was either gone or in a fog. She can't remember all those times that Peter trusted her with who he was and it has been eating her up inside for years! And Spider-Man never thought about how that would affect her, a person he's loved, been intimate with, and at least now cares about. That was an important time in her life and it's just gone now. And it may be selfish to want all of it back and even demand it back... but she's right. Those memories were hers and Spidey took them away. And Spider-Man, being selfless as he is, can't just let that stand anymore.

Everyone says Felicia only loves Spider-Man, but that's not true. She may love the Spider... but she changed for the Man. She cherishes that time she had with that Man. And it's hard to believe that she doesn't love the Man as much as the Spider because, ultimately, they are the same person. That's the other difference between this and Bruce/Selina. Bruce Wayne is the mask for the boy who died in that alleyway, Batman is who he's been since that day. Peter and Spider-Man are the same person, it's why he can't leave either persona behind. And Felicia has long since accepted that, and that has never changed how she feels about him until she lost who he was beneath the mask. Now it's all back, the highs and lows of that tumultuous time in her life when she fell for a Spider and came to love the Man. It doesn't heal everything, but it repairs the bond that was broken so long ago and so unintentionally.

There is, however, another argument being floated around these days I have to address. That even if Felicia can accept the man beneath the mask, do either really NEED each other? I'd point to all the stuff above that shows how that's simply not true, but there's more to it than that. Love isn't always about what you need, it's just as much about what you want. And I'm not talking about a person or thing, not something material. What does Felicia want? What does Peter want?

Felicia wants to be more than what she is, always has been. She wants thrills, she wants to be her true self and I feel Spider-Man brings out those qualities more than any of her other boy or girlfriends, especially since he started her path to change and growth. She stops being selfish and reacts more selfless. His influence on her is undeniable and she knows as much as anyone. She'll never be a good girl, but she'll at least be a better one than she is without him in her life.

Peter wants to be at peace, to be happy with who he is, to not always feel burdened. Felicia has always been one of the ways he's released that burden, he's been happy with her. Sure he's been happy with others, but Felicia has met him on a level that none of them could, she's been able to be in the thick of it with him. She's been able to share the burden. She's been able to be an active participant. With her around, Peter's world as a superhero doesn't feel so lonely. And maybe, if Felicia could accept the man as much as it seems she has, so too could she accept Peter's regular life.

In Taylor Swift's song, Anti-Hero, she reflects on how exhausting for her it's been that she hasn't seemed to learn anything and keeps making the same mistakes over and over. And if you pay attention to the lyics enough, they start describing Felicia Hardy pretty well.

I should not be left to my own devices They come with prices and vices I end up in crisis (tale as old as time) I wake up screaming from dreaming One day I'll watch as you're leaving 'Cause you got tired of my scheming (For the last time)

However, just as much of it can sorta apply to Spider-Man as well. His heroic selflessness is frankly a very long depressing slog of him being unable to forgive himself for letting down Uncle Ben, placing all the blame on his shoulders and then repeating that process whenever his great power can never live up to his great responsibility.

Did you hear my covert narcissism I disguise as altruism Like some kind of congressman? (Tale as old as time) I wake up screaming from dreaming One day I'll watch as you're leaving And life will lose all its meaning (For the last time)

When it comes to Spider-Man and the Black Cat, a lot of the things that make them unhappy are self-inflicted. Lewis Lovhaug of "Atop the Fourth Wall" Fame has argued that the problem with Spider-Man in a lot of modern stories is that he never learns from anything. He hasn't done enough to improve himself as Spider-Man or as Peter Parker, he just keeps feeling sorry for himself that one gets in the way of the other. And frankly, the same curse has affected Felicia. Because a lot of what has prevented her from being with Spider-Man has been herself. Ultimately both will, as the song says, always look towards the bright sun of what they think they want, but never in the mirror. They'll hurt themselves, never realizing that they're the source of their own dissatisfaction with how their lives are. It must be exhausting always rooting for the anti-hero, especially when its yourself.

Maybe Peter and Felicia don't need each other, but they do need someone to set them straight and get them to stop believing their own bullshit. To make them stare away from the sun and into the mirror. Because they are each exactly the kind of person who would do that for the other, in fact they've been doing it for as long as they've been together. Their bond is stronger than people give it credit for.

Early on in their relationship, Black Cat was badly injured and has to be rushed to a hospital. Helpless to really do anything, Peter could only stand by her bedside and hope she'd be okay again. For all his power, once more, he can't do anything but just stay with her. And actually, that's enough.

But come now, would Felicia ever do the same for Peter you ask? Well... during a recent story event, Spider-Man was badly injured and slips into a coma. But there was one person constantly by his side throughout it.

This isn't derogatory, Felicia is clearly lamenting the fact that someone so good who does everything so selflessly despite no thanks or praise, is so constantly placed into situations like this. It's unfair to her. It's why she's here now, like he was for her. And just like before...

It's Felicia who gets the first response out of him. Claim all you want that Felicia doesn't need Peter, that she's moved past him, that Peter and MJ are too perfect for each other, that the Black Cat can't ever settle down like Peter probably wants or that Peter can never really be there for Felicia in the way she wants. But I don't buy it. And stuff like this is why.

No matter how much bad luck she is, Spider-Man wants and in some ways needs the Black Cat is in his life. And no matter how much she can try and say she's over it, The Black Cat will always find a way to cross paths with her Spider.

In the recent PS4 Spider-Man game, Felicia came back after a stint of going straight to prepare for a major strike back against Hammerhead and the Maggia families. She coerces Spider-Man into another of her games where she steals $50 Million worth of stuff and forces him to chase her around the city to find it all. She leaves the loot behind though, because it was all trick to break into the police evidence lockup and snag her old gear. But she did leave Peter a cool new suit, a reference to the time when Felicia made a new black suit for Peter after giving up his symbiote. You know, so they match.

Felicia's little game comes to fruition when "The Heist" DLC comes out. Felicia strings Spidey along, pretending Hammerhead has her son, strongly implying its his. Ultimately this is revealed to have been a lie of course, another game. Because this, to Felicia, is basically the perfect date night. Spider-Man chases her, they team up, she gets what she wants and runs off into the night. In this case the entire wealth of the Maggia after double crossing Hammerhead. This gets a target on her back instantly. Spider calls her to warn her, leaving Felicia more than a little surprised.

Felicia: I just conned you and here you are trying to save me. How can you be so damn nice all the time?

Spidey: It's not about being nice, it's about doing the right thing! You have so many talents, I wish you'd use them to help someone other than yourself.

Felicia: Yeah well, you should know by now that's not how I roll.

Spidey: People can change, Felicia.

Felicia: Love you, Spider. I'll miss you.

Felicia's penthouse explodes and she appears to die. But eagle eyed players would notice the puff smoke just before the bomb goes off. The Black Cat fakes her death more than Doctor Doom uses robots. Felicia got away, scot-free, with all the money she could ever need or want. She conned Spider-Man, Hammerhead and everyone. She won hands down and can do whatever she wants from now on. No one will be looking for her. Hammerhead's plans to utilize weapons of war to take over the city isn't her problem.

And yet...

Felicia comes back to help Spider-Man, knowing it will basically put her on the radar again given everything she's stolen. She doesn't stay, but she saves him and gives him the means to take Hammerhead down. No matter what anyone thinks of Felicia, especially herself, she is not nearly as incapable of being selfless as one thinks. And this is true of most of her incarnations. Perhaps because the Black Cat will do anything to get what she wants, even if it means turning over a new leaf for her Spider. It's how this all started after all. Selfish Selflessness, it's probably the best middle ground Peter can hope for. But at least it means he can count on her, to be selfish. And that's why she'll always be there for him. Felicia doesn't like to lose the things she has.

I think it also says a lot that many players felt that Peter and Felicia's chemistry was loads more interesting and compelling than his relationship with the estranged version of MJ Spidey has to deal with. And frankly, Felicia being in those stealth sequences would've made a million times more sense. There are some who have even speculated, with no real proof mind you, that Felicia was lying about lying about having a son. That she DOES have one, he just wasn't in danger. But of course, that's unlikely. For the same reason Peter remains hung up on Mary Jane in this game despite the fact most players seem apathetic to them getting back together. Spider-Man being a father out of wedlock is something that Marvel is not really prepared to sign off on. Just as much as they resist him being with someone other than MJ in other media, despite not wanting him to be with her in the comics.

It all seems so arbitrary to me, that they just can't be together because of the iconography of Peter and MJ. Or because she can't love the man the Spider is, which isn't true. Or Spider-Man can't change her or trust her, which also isn't true. If there has ever been a more consistent, sustainable, supportive and bonded character to Peter Parker it has been Felicia Hardy. Romantically or platonically, Felicia has dropped things to be there for Peter. And the idea that they are toxic for each other has never rung true. People can change, and this romance proves it. They just need to be given the chance to do so, and have the right person along for the ride. And the forced separation feels more arbitrary when you take into consideration, that Marvel has kept MJ and Peter apart for over a decades worth of comics and has never bit the bullet on simply just letting Felicia and Peter be together until now.

Some have claimed the new romance is out of the blue, that Spencer was setting things up to undo OMD, and that Wells just pulled this off out of nowhere. Well... no. Because those scenes where Felicia brought Peter out of his coma, the re-unmasking, the re-entry into his life through a number of adventures... Spencer either wrote those himself or they were written in conjunction with his run. People have confirmation bias, I'm no different, I don't claim to be. However, everyone has wanted OMD to be undone since the storyline first concluded. Marvel has played with fans' heartstrings that it will do so and it has prevented Peter from moving on because if he's not in a committed sustainable relationship, there's always hope that Mephisto's deal will be undone! And it has not helped anyone in the slightest to keep buying that horse crap.

The fact is I'm honestly sick of this "will they won't they" garbage from Marvel on undoing One More Day and I think more people should be by this point. Let me make this perfectly clear, even if they undo the deal... they're not getting remarried. Marvel simply is not interested in going down that road for Spider-Man again. Even with the new Spider-Verse movie showing Peter B. with a kid. Because the problem has never been they won't let Peter be married to MJ. The problem is they won't let Peter grow. The problem is they won't let him move on and change. They stick him in a misery spin cycle and just never let him out.

Why not just end the charade? Let Peter grow. Let Felicia grow. They both already want to. They both already desire to. And they both have already done so for the other. Felicia has been there to challenge and push him, while also protecting and supporting him. And Peter has undeniably changed Felicia as a person. She may never have the same moral compass, but she's no longer as lost as she once was. Her selfish cynicism is kept in check when it comes to Peter. And his selfless self-destruction is held back thanks to Felicia. Why deny them the chance to both be truly happy? Especially when they make each other better people. Why deny chemistry that is so perfectly balanced in its contradiction?

I don't begrudge people for preferring Mary Jane being with Spider-Man. I'm more or less at peace with the reality that some pairings are just thought of as the default and nothing is really gonna change that. I prefer Rogue with Deadpool, that doesn't change the fact she'll always be with Gambit. What I wanted to stress with this isn't so much an argument to ship it so much as the ultimate reason I simply can't let these two go.

For me, SpiderCat speaks on some primal level, more than wish fulfillment, but the idea of growth. That love can hold you up in your worst moments, or change you for the better. That it can make you look in the mirror and ask, who do you want to be? What do you want? What is worth changing for? Felicia found her answer, a nerdy, selfless, eternally tormented wall-crawler, who should know better than to go chasing her trying to save her from herself... but does it anyway. How could she not return the favor and be there for him? It's hard to say whether he caught her in his web, or if she just loves walking across his path. What is certain is they are bonded to each other, in one way or another. And that's the only thing about either character that I don't think can ever truly change.

Well this was a long one, and probably a lot more introspective and personally relatable than I thought. I think now have a better understanding of what has always drawn me to these two. And also now think I have discovered the song that describes them both so... thanks Taylor Swift! Whatever future this rekindled romance holds in the comics, we'll see how it shakes out. But I can enjoy the ride even if some of it has been rocky. Not the first time I've had to deal with that.

If you're still here, congrats, you've made it to the end. And I hope I didn't completely bore you all with this fairly overly comprehensive look at a pairing spanning various mediums and continuities. But I like to be thorough. So I hope you can appreciate the amount of work I put into this whole thing for you all. If I ever do this again I can only hope it won't be so... all encompassing. But I make no promises.

One thing I know though, I'm probably gonna be riding and dying these two forever. The Cat and her Spider, the Self and Selfless. Beautiful in the mess they are apart and the whole they are together.

[myfairkatiecat]

So this is the first page of The Magician’s Nephew, a book I am currently rereading because I can, and instead of interpreting this the way I’m sure C. S. Lewis meant for me to, I’m gonna stick to what I thought when I was a child reading this for the first time, which is that Sherlock Holmes canonically exists in the same universe as the Chronicles of Narnia, have a good day :)

[professorsparklepants]

I got pokemon sword for christmas and as I'm going through Galar I'm having further thoughts on a legends: arceus style narnia pokemon au. So there are two options:

A. the Pevensies are transported back in time but stay in the Galar region. Instead of two ancient kings, it's the four siblings who help defeat Eternatus and end the darkest day. they're crowned as monarchs and later transported back to the present as in narnia canon, at their normal ages.

B. the Pevensies are transported to a fan-made pokemon region based on canon Narnia, where the legendaries are themed on summer and winter and they have to help overthrow the government and reinstate peace and a world where humans can live in harmony with pokemon. they're crowned and come home eventually as above, except none of them know that narnia is a real place until peter takes a geography class in university, because it's called something different in the modern day.

[depizan]

I'm still boggling over the concept behind the poll I just reblogged. People write fic for things they haven't watched/read/whatevered?

I...I don't get it.

I understand somewhat related things, like someone who hasn't played a video game, but has watched other people play it, writing fic for it. Or people who've only consumed one particular piece of canon. (Almost no one is consuming all of Star Wars canon, much less, say Superman's canon. I'm not even sure someone could consume all of Superman's canon. Or Batman's or any other superhero who's been around for all that time.) Read a Narnia book and wrote fic, sure. Watched some Doctor Who and wrote fic, sure.

But if you have no familiarity with any portion of the source material, what would prompt you to write fic?

I've seen gifs of Supernatural. I know that the main characters are two brothers. I think I know which two guys in the gifs are the main characters. What would I even be writing if I sat down to write a fic for Supernatural. "There's two guys who have a car and also an angel who maybe is in love with one of them, and also there are monsters. And hell." Unless I did a crap ton of research, it would basically already have the serial numbers filed off.

But more importantly, if I had any interest in Supernatural, I would have, you know, watched it. Why would anyone write a fic for a fandom they're not interested in???

I guess, maybe they have a friend who is? But yegad the amount of research one would have to do to stand any chance of getting anything right! I don't even know what kind of car the car is! I'm only 90% certain the main characters are Sam and Dean and I am 0% certain which is which.

Then again, I am a very weird fanfic writer who isn't interested in shipping and only has any desire to write fic for things where you basically write about OCs in a canon universe. (Other than SWTOR, the only thing I'm contemplating fic about is D&D. Not the recent movie (though I quite enjoyed the recent movie!), doing the create characters and novelize an adventure thing that people do, and which I've been quite enjoying other people's versions of.)

I completely understand reading fic for things one hasn't consumed. Its just another story. You could say we do that any time we pick up a published book.

And I guess some people write episodes of TV shows and the like without watching them. But they probably do that whole crap ton of research thing, at least if they're going to write a decent episode. And there's a motivation there: money.

Am I missing something?

Why would someone use their limited spare time to write a fic for a canon they're not familiar with? What are they getting out of it? Wouldn't they get much more out of writing for something they actually liked?

[letmelickyoureyeballs]

Beta Reader About Me

This is going to be a more in-depth post about me as a beta reader, which will be linked in my pinned post.

First off, hello call me Shark or Spruce! I'm 19 and go by he/they pronouns. I am open to beta reading for people, whether that's stuff on here or AO3.

What I'm willing to do:

Grammer/Capitalization/Punctuation

Cheer reading(pointing out what you did well and what I'm excited to see)

Identify plot inconstancies/where something needs to be clarified

Help with canon/characterization(if I know what/who it is)

American/Midwest information and more specifically Wisconsin information

Pretty much anything else you wish me to help with

*Depending on the fandom and length of fics, some of these will differ in doability*

I am generally ok with any kind of content that you write, but I do have some fic turn-offs. *Note that not everything on this list means I won't beta read for you, but I would like more info/details around them if they are in your fic to see if I'm still comfortable helping*

Mpreg/Anything pregnancy-related

Kid fics(when the main pairing has a kid, not kid-focused fics)

Really dark stories with no happy endings(depends on the story, but I'd prefer a happy/fulfilling ending)

Major Character death

Anything that is meant to hate a certain group/subgroup of people

Really long fics over 100k words

Some things that I am comfortable reading. *Not a comprehensive list*

Omegaverse

Reader Insert

G-E rated fics

Original characters

Canonverse

Alternate Universe

Gore and violence

Potentially triggering topics

I will again read pretty much any fandom you write for including original works, but here are some fandoms that I would be able to help more in-depth with:

The Witcher(Show, Third game, All the books), The Hobbit, Lord of the Rings, Halo(Game series), Marvel, Venom, Star Wars/The Mandalorian, Transformers, Call of Duty, How to Train Your Dragon(Iffy on third movie), Spider-Man/Deadpool(Spideypool), Percy Jackson/The Heroes of Olympus, The Hunger Games, The Divergent Series, Maze Runner, Narnia(Movies only, I don't know anything in the books), Pride and Prejudice/Emma, Disney/Pixar movies, The 100, NBC Hannibal, Rise of the Guardians, Good Omens, Our Flag Means Death, Beastars, Titanfall 2, Red Dead Redemption 2, Baldurs Gate 3, Divinity Original Sin 2, Hazbin Hotel, Critical Role(I've only watched Campaign 1 and 3, and the TV show), Once Upon a Time, Anne with an E, Harry Potter, Six of Crows, Twilight, Star Trek, The Conjuring series, Descendants/High school Musical, Guardians of the Galaxy, Oceans Trilogy, Andrew Garfield's Spider-Man, Top Gun, Stranger Things, Fast and Furious, Moon Knight, Bridgerton(Show only)

I will read WIPs/completed works, multi/single chapter works, original works, and anything in between.

If you are interested or have any questions you may DM me. If you do, please provide whether I would be helping with a WIP or completed work, and whether there are any deadlines I need to be aware of. Please also include any warnings I should know about, and what you would want me to help with. I would also prefer to work on Google Docs if possible.

*Even if you are not interested, please reblog for others to see*

Edited July 18, 2024

[deliahscrush2003]

beta reader here!

beta & alpha readers wanted for fic projects will beta in exchange!

Hey everyone!

For those that don't know me, my name's Lou (she/her) and I have recently gotten back into revamping the numerous fic projects I had in my vaults and trying to get back into my writing again.

I have put out this post to say that if anyone is also in a similar situation with their own fics, I am offering my fellow fic writers to beta & alpha read fics in exchange for coming on as an alpha or beta reader for my own projects.

As a beta & alpha reader, I am willing to not only check for grammar, punctuation, spelling and formatting but also:

identify weaknesses in the plot.

identify pieces in the story where engagement was high or lacking.

identify points in the story where clarity is needed.

help develop characters (both oc & canon)

canon check pieces of information (for canonverse/compliant fics)

|| if you have specific needs, feel free to check with me ! ||

As a writer, I am looking for someone to help with:

identifying inconsistent tense.

identifying where engagement was high or lacking.

identifying points in the story where clarity is needed.

writing relationship development (platonic/romantic)

editing plot structure and fluidity.

writing descriptive settings.

identifying monotone or repetitive parts of the story.

Most importantly, I am looking for people who can approach my story as both a reader passionate about the fic and a writer/editor passionate about helping improve the story.

My projects are also multi-chapter (150,000) and usually part of a wider series (minimum of 3 parts) ; therefore, I am open to working on fic projects that are of equal length!

The fandoms that I write and will read for are:

Fairy Tail, My Hero Academia, Attack on Titan, Game of Thrones/House of Dragons (TV), X-Men (movies), Teen Wolf, The Last Kingdom, The Nine Lives of Chloe King, Harry Potter (fuck JKR tho), The DC Animated Films/Young Justice, Buffy the Vampire Slayer, The Walking Dead (universe), Scream (movies), The Vampire Diaries/The Originals, The 100, Glee, Pretty Little Liars, Percy Jackson, Criminal Minds, Wolfblood, The Chronicles of Narnia, Outerbanks, The Maze Runner, Grey's Anatomy, Tower Prep, Robin Hood: Prince of Thieves, FATE: The Winx Saga, Stranger Things, Star Wars, Resident Evil (Gameverse), Power Rangers (the movie), The Hunger Games, Five Night's At Freddy's, Pacific Rim.

The fandoms that I have as WIP right now are:

Teen Wolf, Harry Potter, Buffy the Vampire Slayer, The Chronicles of Narnia, The 100, Game of Thrones.

The rest of the fandoms listed are in the worldbuilding process, which I also welcome help with if anyone is interested in bouncing ideas back and forth and fleshing out each other's fics!

This is the link to my Ao3 if you want to understand my writing style.

if you're interested in one of the projects I have for these fandoms (as a beta or just as a potential reader), send me a DM or a ask!

The type of fics that I enjoy writing/reading are (with consideration that Ao3 is my primary writing platform):

M-E Rated (For that reason, I prefer to work with 18+ betas)

Plot-heavy but with a well-written romantic subplot (requirement)

Specific tags/plot I enjoy/write: Time-travel, Fix-It, Canon-Divergence, What-Ifs.

Canonverse fics.

Both OC (has to have the potential of good development, though) and Canon Character-centric fics.

Found family, healing from trauma, redemption arcs.

Crossover/fusion fics (where the original fandom is set in the universe of another fandom)

Zombie-Apocolypse fics.

Dark twists on characters, plots, and the wider canonverse.

-

The type of fics that I steer clear from or don't enjoy reading/writing:

G-T Rated.

No romantic subplot at all (I am a romantic girly, sorry to say)

A Mary Sue OC/Reader-Insert or Mary Sue plot.

Reader-inserts.

Established Relationships (unless I can read the build up first)

Specific tags/plot: P*dophilia, Incest (outside of canon-typical), Mpreg, Omegaverse (only under special circumstances).

Modern AUs, Human AUs, No Power AUs.

No Comfort, No Happy Ending, Major Character (Permanent) Death.

Character bashing (I do read fics that bash, but I find it hard to beta for them only because I like to discuss characters objectively - but there are exceptions, so feel free to check)

Anything that attempts to glorify or justify racism, homophobia, transphobia, biphobia, xenophobia, ableism, sexism, bigotry, abuse, r*pe or anything even remotely similar.

(feel free to check with me tho, I am open to discussion of everything except the bottom dot point)

Because I believe beta reading to be an experience that should be enjoyable and insightful for both the reader and writer, I am open to :

Discussing any ships, character arcs, or plot points that my betas personally wanted to see in the show or are very passionate about (read: this does not mean I will change my entire story but that I am open to possibilities)

Analysing and critiquing any of the above media (read: NOT BASHING, but genuine analysis of how different media were handled to apply to our own form of writing)

Giving out and receiving fic, tv, movie and book recs to aid in inspiring each other during the course of our writing, but also to support our fellow writing community!

Even if you're not interested, please repost so it can reach those who are!

[liminal-zone]

little lady, we bid you very heartily welcome

I wrote a teeny thing! A million years ago (in 2006)! Slightly remixed. Just posting it here!

title: through a father’s eyes

fandom: The Chronicles of Narnia: The Horse and His Boy | characters: Kidrash Tarkaan, King Lune

rated: gen | tagged: dads gotta dad, heartache, canon-typical problematic word choice, drabble-ish

summary: a letter arrives for Kidrash Tarkaan, with news unexpected. 

The letter arrived mid-day, tucked in with the rest of the notices. Sorting through the pale papers of state and business, he chose first to open the one with strange lettering about it. The paper had a slight fragrance of honey and a perfume unknown to him. Within a moment he could tell that it was from those elusive barbarians in the North as the script and choice of words only mimicked that of the great scribes of the Tisroc (may he live forever), for the style was not quite right. 

But the style was close enough to be of great interest. 

He, who had so little to do with the affairs between nations, what sort of business would those barbarians have with him? Before reading, he took a sip of wine and spoke a prayer to Tash, dispelling the evil spirits that might inhabit the sheaf of paper.

And he read.

"Lune, by the gift of Aslan, by birth, by prescription, King over Archenland, Knight of the Most Noble Order of the Lion to Kidrash Tarkaan, lord and master over the province of Calavar in the Realm of Calormen, our most glorious neighbor:

In the name of the Lion, be it known to you that my son and heir, Prince Cor, has signed a contract of marriage between himself and the Lady Aravis, known to you as your eldest daughter, Aravis Tarkeenna. Her remarkable valor, renowned intelligence, and beauty which illuminates the universe have proven her to be a worthy future queen over all my lands and peoples. The Great Lion has spoken the Words over her, and marked her as His people. The Lady Aravis is deeply loved by the prince, and I believe that she returns his love, thread for thread from her heart. Their happiness brings delight to my eyes and peace to my heart. 

May it be known that I do not ask for the dowry of your daughter, nor do I ask for your blessing over this marriage. 

However, I feel that is it most honorable to tell you the fortune of the eldest surviving issue of your flesh. I of all fathers know the cruel challenge when the fate of your offspring is unknown.

I commit you to the care of your gods and may the breath of Aslan be upon you and yours."

Within the envelope is a sheet of paper bearing a drawing in the Northern style, featuring a beautiful young woman. She is in strange clothing and she is dancing, her hands in the particular motion known to all who venerate Tash – the inexorable, the irresistible – as a joyous celebration of union. A wedding dance on foreign soil. The artist had drawn her merry, and her eyes are unmistakably those of Aravis, for they are identical to Kidrash’ first wife (may her soul find rest in the many arms of Tash). A crowned barbarian is drawn dancing with her in the stance of a Calormen bridegroom. 

He found it hard to look at. 

His daughter, his strange unknowable daughter. Lost to these people, to be their anointed queen. And yet, it is celebrated that she dances in this manner. Still a daughter of Great Calormen. 

Kidrash read the letter twice over before throwing it and the drawing into the fire. And in the morning, he had his war horse saddled and packed for long journey.

[asitrita]

For whatever reason I felt like sharing some of my thoughts about spuk today.

I kind of have this hc that Arthur's a really good story teller (probably because i've grown up with tlotr, hp and arthurian legends, plus, you know, the chronicles of narnia, alice in wonderland, peter pan and a lot of fantasy literature for kids and teens), and I like to imagine that, perhaps, back in the day and before all the drama, during the Middle Ages and first decades of the Modern Era, when Spain (and the different Spanish kingdoms) and England had a rather good relationship, when visiting England for whatever diplomatic mission, Antonio would ask Arthur to tell him some stories before bedtime, or during "nap time" after lunch, while laying on a meadow under the shadow of a tree, maybe a oak or old chestnut (so romantic u.u) It is kind of canon, I believe, that Antonio was a huge fan of chivalric themes and medieval heroic epics, like most of Europe at the time, and Spain fed a lot on the chivalric poetry and romance, not only during Medieval times, but also later on. It may seem out of topic, but Spanish conquerors and explorers (which would led to the begining of the Spanish empire), for better or for worse, were greatly inspired by both, classic epic, but also chivalric novels (maybe it is not a coincidence that the literary work that universally mocked the chivalric genre ended up being a Spanish production, Don Quixote). Medieval romance poetry is also a big deal in Spanish literature and folk culture, so it is only fitting he would enjoy fantasy tales and chivalric epic, as well as romance and poetry. The two would complement each other. Arthur would enjoy making up stories, and telling old chivalric romances, adding a little bit of magical and fantastic elements to it (like the magic cauldron tell, or magical swords,and whatnot), that Antonio would very much enjoy, while Antonio would passionately deliver passages from classic works, like The Aeneid, and recite poetry, also around the themes of chivalry and romance, while playing the lute, sometimes singing, rather than merely reciting the verses.

I also have this hc about Arthur being an exceptionally good archer and timidly trying to show off so Antonio notices him. On the other hand, I think Antonio would be skilled in the art of poetry, and be good at languages in general, making him a good rhapsodist. He would also be a pretty skilful musician, and play the lute, the vihuela and be surprisingly good at playing the clavichord (not at all referencing Antonio de Cabezón here). I even imagine during the times of Catalina de Aragon as queen of England he would try to teach Arthur how to improve his fingering and playing technic.

Just a few of my silly hc.

[catholic-character-tournament]

Round 4 - Catholic Character Tournament

Propaganda below ⬇️

Mac McDonald

Ok SO. First off, he’s said on at least one occasion that he considers Paddy’s Pub to be an Irish catholic bar (it is not). His religion plays a huge part in his character- it shapes a lot of his motivations and is the driving force behind a lot of his character arc. He spends a lot of time trying to reconcile his faith and his sexuality, and spends literally seasons (years in the show) doing that. In season 15, he literally almost became a priest. We see him go to confession and it’s canon that he goes regularly. In Mac day (a day where he got to choose what the gang did) he based the day around the Bible and lectured his friends.

Aslan

OP Note

Idk man he's a talking lion who's basically the god of his universe and is just like, the physical embodiment of love and magic on multiple occasions. He's just cool.

The character is an allegory to Jesus for multiple reasons but mostly being resurrected after being killed in the place of someone who did something bad.

The fastest, albeit incorrect, way to explain it is by saying "Jesus' fursona" which is awful of an explanation but pretty much sums it up

Aslan in Narnia is Jesus in our world, as it has been proved many time in the movies and books.

Anti-propaganda

Extremely despondent I dropped off the face of the planet before this poll ended. Aslan is so aggressively protestant. A catholic Jesus metaphor would have 300% more mothers and also at least one saint would be there for no reason. Meanwhile Sasuke was baptized by Naruto, the true catholic Jesus metaphor who got his powers from his mom and can walk on water

[hoperays-song]

All LGBTQIA+ Sing Characters Headcanons

Out of all 63 canon characters that we actually get to know a bit about, I headcanon 55 of them are LGBTQIA+. Why? One, why not, two, they told me themselves, and three... this is legitimately a franchise about theatre kids, of course majority are gonna be fruity. 

Anyways, here we go!

---------------------------------

Meena Amari - Bisexual Trans Woman (She/Her)

- publicly came out two years before Sing 1 and her family was extremely supportive

- was a member of a LGBTQ+ support club when she was in school

Darius Andeno - Unlabled (He/Him)

- honestly just never has tried to labeled his sexuality and is too lazy to start now

- dating Harry for around a year and a half at the time of Sing 2

Hobbs Atene - Omnisexual (He/Him)

- happily married to his spouse with three kids

- was the first person Eddie ever came out to as a kid

Ash Batalla - Bisexual Demi-Girl (She/They)

- came out to her bio family as a teenager which went horribly

- has coached several others in the troupe through identity crises

Mike Bianchi - Biromantic (He/Him)

- so deep in the closet that he’s in Narnia at this point

- legit thinks everyone is like this she is wrong)

Nancy Bianchi - Graysexual (She/Her)

- didn’t really understand her own identity until she started doing research in case her future kid/s came out

- also legit thought everyone is like this (she was also wrong)

Clay Calloway - Bisexual Trans Masc (He/They)

- one of the first public LGBTQ+ rockstars

- has gotten into fights protecting queer fans from protestors

Ruby Calloway - Pansexual Trans Woman (She/Her)

- she and Clay are the og T4T couple in this series

- worked as a marketing agent almost exclusively with young queer artists

Jimmy Crystal - Bisexual (He/Him)

- tied with Mike for the character with the most internalized homophobia

- was the only one at Crystal Entertainment to not know about Jerry’s crush

Porsha Crystal - Gender Questioning Pansexual (She/Her)

- came out as a younger teenager to her dad’s bodyguards first as “practice”

- started questioning her gender during the Majestic run of Out of This World

Barry Frost - Bisexual (He/Him)

- was outed as a young teenager and was bullied a lot

- he was the first of the gang to realize that Johnny was queer

Norman Harrison - Biromantic (He/Him)

- he and Rosita both came out in college and to each other first

- pan4bi Rosita and Norman is so important to me idk

Gunter Järvinen - Aromantic Homosexual Trans Man (He/Him)

- came out as a kid and transitioned before moving to the US

- genuinely gets confused and slightly worried when someone tries to describe romantic attraction to him

Klaus Kickenclobber - Gay (He/Him)

- been out for years

- that’s all you’re getting because that’s all I thought of

Suki Lane - AroAce (She/Her)

- realized she was AroAce as a teen but just didn’t come out for a few years due to her family not being accepting

- when she did come out, her honorary cousins pointed out that she dressed like the AroAce flag, which they found way funnier than she did

Buster Moon - Gay Trans Man (He/Him)

- he came out as a young kid and his dad was super supportive

- has been dating Eddie since university

Charley Moon (Buster’s Dad) - Greyromantic (He/Him)

- did not realize he was greyromantic til he was in his 50s

- another prime example of “but everyone’s like this”

Eddie Noodleman - Bisexual (He/Him)

- came out to his family as a university student after coming out to Hobbs as a teen

- legit flipped a coin with Buster to see who would propose

Nana Noodleman - Asexual Lesbian (She/Her)

- she was pretty open with her identity her entire career and was well known for not taking any kind of harassment at her shows

- adopted her daughter on her own in her 40s

Harry Ocheing - Intersex Gay (They/He)

- came out as a kid to their siblings

- super supportive of other performers when they come out

Nooshy Peart - Genderfluid Lesbian (They/She)

- came out as a teenager and left home right after, bit is still in contact with her siblings who are supportive

- Marcus was the first supportive parent they ever had

Rosita Pèrez-Harrison - Pansexual (She/Her)

- came out to her college friends before anyone else

- buys all the troupe pride gear if they want or need any

Stan Phillips - Unlabled (He/Him)

- decidedly unlabeled and happy about it

- he protected Barry from bullies when they were kids, which is how they met

Alfonso Romano-Hassan - Biromantic (He/Him)

- did not realize he was biromantic until talking to Meena about her being bi a few months into dating

- the creator of bi wife energy lets be honest

Mizuki Satō - Nonbinary Lesbian (They/She)

- moved states away from their family after coming out in their twenties

- she has a long term girlfriend of three years

Jerry Swell - Gay (He/Him)

- came out in his late 20s

- had a crush on his boss since he started working for him

Johnny Taylor - Gay Demi-Boy (He/They)

- came out to his family a few months before Sing 2 despite the closet being made of glass with no doors for years

- found out that he was legit the last person to know he was gay out of his entire family

Marcus Taylor - Demisexual (He/Him)

- figured out that he was demisexual after researching how to be more supportive of Johnny

- married an omnisexual woman and was a very vocal ally since he was a teen

Ryan Willis - Gay (He/Him)

- came out to his moms as a really young kid and legit forgot about it until he tried to come out years later and they just said that they knew already

- had a crush on Johnny since meeting him but actually hid it for several months pretty well

Garry Wishmann - Asexual Trans Man (He/Him)

- came out in his late teens

- owns a ton of pun centered asexual shirts 

[indestructibleheart]

Yes hello about these WIPs… do you have any screaming prepared for #7 because I am mad curious 👀

SWEETHEART I'VE GOT SOOOO MUCH SCREAMING PREPARED FOR #7. That one is referring to my AU based on 'The Magicians,' which I have been working on since September. Admittedly, I haven't been writing it as consistently since November, but... I'm really fond of it and it's probably gonna be quite large lol.

I'm obsessed with the world-building in The Magicians. I mean, the entire concept of how magic works, Brakebills, Fillory???

If you're not familiar with the books or the show, it's a magical realism universe where magic hides in plain sight. Brakebills is a school that locates people who have magical potential and summons them in for a magical aptitude test. If you pass, you get to go to magic school (yay!). If you don't, your memory gets wiped and you go back to having no idea that magic exists (boo).

In the books, it's undergrad—in the show, it's a grad school.

(I'm leaning towards the show and making it a grad school.)

Fillory & Further is the name of a popular book series in the universe, and openly based on Narnia. It tells the story of the Chatwins and how they discover a secret world called Fillory, which can be accessed by walking through a clock. But it, like many things in the world of The Magicians, turns out to be very, very real.

[I described my WIPs badly.]

If you're curious about what I redacted in my bad summary, however, I will elaborate below the cut... but, like, fair warning, it's a HUGE spoiler for the show (though it doesn't happen in the books).

When I said "fuck [REDACTED]," I meant fuck the tv show writers, who thought it was cool to make Q and Eliot (who are only subtextually into each other in the books) 100% canon, and then KILLED Q FOR ABSOLUTELY NO REASON. I will never be over it.

[georgi-girl]

Miraculous Team Trope Page

A list of tropes that apply to the Miraculous Team au created by SonicPossible00 on Deviantart.

Adaptational Expansion (when a work expands on the original story it was based on): Unlike the original series, which revels things little by little, The M Team series reveals it's worldbuilding all at once. It also expands on the Miraculous lore and characters' personal lives.

Adaptational Sexuality: At least five characters so far have come out as gay, while in the original series, they were Ambiguously Bi at the most.

Alpha B*^ch: Chloe Bourgeois aka Queen Bee used to be this, but during the Origins volume she resolve to change for the better. That title is later taken up by her mother Audrey and the original character Jeanne Gagne.

An Ice Person (someone with ice powers) : Sabrina Raincomprix aka Louve Gris has ice breath, a reference to wolf howls.

Art Attacker (someone who uses art as a weapon) : Nathanal Katzinburg aka Panda Roux has the power to bring drawings to life, which he uses to make weapons and tools.

Badass Normal (a non-super person whose still a competent fighter): The Parisian Police force are portrayed as this. They protect people from Akuma attack and hold off said Akuma until the Team arrives. Ladybug makes a point of praising them whenever she and her team mates are interviewed.

Bespectacled Cutie: The M Team gives us 4 examples of this: Confident Alya, sweet Sabrina, Nerdy Max and Laidback Nino.

Beware the Nice Ones: Applies to the M Team. They're all sweet kids. But they're also well-trained living weapons who will clobber the heck out of wrongdoers. Also applies to most Akuma victims; otherwise normal people who've been pushed over the edge by one too many a-holes.

Big Brother Instinct (protective siblings): Marinette Dupain-Cheng has this for her friend Manon. Nino Lahiffe has this for his brother Chris. Alya Cesaire has it for her three sisters. And the Couffaine siblings Luka and Juleka have it for each other.

Brainwashed and Crazy: This is the simplest way to describe Akumazation.

Broken Ace (an otherwise successful person who harbors a secret agony) This applies to Adriens' father Gabriel Agreste. He's a rich fashion designer, he's raising a remarkable son, and he's got super loyal employees. But he's also deeply paranoid and in constant morning for his late wife Emilie. If it wasn't for said son and employees supporting him, he might be worse off than in canon.

"BY THE POWER OF GRAYSKULL!" (a battle cry to activate a superhero's transformation, named after He-Man's famous battle cry): To turn into their superhero selves, The team members must say their kwami's name followed by "Transform Moi!" The transformation also fuses them with their kwami and brings out hidden parts of their personality.

Color - Animal Codename: Corbie Noir, Panda Roux, Louve Gris, etcetera.

Costume Porn - SonicPossible gives very detailed descriptions of characters' outfits, especially the hero and akuma costumes.

Creepy Good: Juleka Couffaine aka Corbie Noir looks like a steriotypical goth but is very kind-hearted and life affirming.

Defrosting The Ice Queen (when an cold aloof character becomes friendlier over time) : This is a big part of Chloe's and Kagami's character arcs.

Eldritch Location - The Garden of Ancients is a benevolent example of this, being a bubble universe that runs on Narnia Time, which the heroes use as a training ground.

Epic Speeches: Ladybug often gives these to her teammates right before a big fight. They often contain multiple pop-culture references.

Expy: A new character based on an existing character of a real person. SonicPossible00 has a lot of oc's like this. For example, jerky M Team-hating blogger Amboise Delay is an expy of real-life jerky businessman Donald Trump.

Fanservice: As the series progresses, there are more and more intimant moments between couples. AND BEFORE ANYONE GETS MAD; number 1, nobody has gone past second base, and number 2, the age of consent in France is 15, so everything is legal.

Heart Is a Great Power (when a seemingly useless power ends up saving the day) : Ladybug doesn't have her Lucky Charm in this AU, so her Sixth Sense isn't as flashy as the others' powers. She still figures out genus battle plans with knowledge gained not only from the environment, but from her childhood memories. Likewise Queen Bee was initially disappointed with her "lame" shrinking power, until Sabrina points out it's many benefits.

Karma Houdini (a character who isn't punished for their bad behavior) : Chloe and her mother Audrey are this, which makes their redemption arcs kind of hard to root for. You have to dig deep into your religious teaching to forgive them.

Lonely Rich Kid: Adrien Agreste and Kagami Tsuragi are this. As is Chloe to a lesser extant.

Magical Girls; And Magical Boys. Both this and canon have a lot of Mahou Shoujo elements.

Maniacal Laughter - Almost every villain does this. It's actual surprising when they don't.

Manipulative Bastard: Hawk Moth is this to a T. They way he talks to potential victims is eerily reminesent of a p%&0phile talking to children.

Mentor Mascot: The Kwamis. On top of being cute, these animal spirits have 4000 years' worth of knowledge to impart on their holders.

Meta Humor - References to canon are often made in the form of a joke or hypothetical "what if" discussion, usually to point out differences between the two series.

Mythical Motif - Many of Hawk Moth's akumas are based on mythical of fantastical figures; Ra, Aphrodite, The Leprechaun, Ifrits, etc.

Nice To The Waiter (a high-ranking person treating a server as an equal): Chloe Bourgeois, of all people is this. She frequently reminds her butler Jean to call her Chloe instead of 'Miss Chloe'. Adrien Agreste and rock star Jagged Stone are this too.

No-Holds-Barred Beatdown: The team often combine their powers to deliver this to the Akumas they fight, justified since the best way to deakumatize someone is to knock them unconscious.

Non-Human Mascot: The Kwamis count as this, although neither they nor their holders see them as 'sidekicks'.

Oblivious To Love: Everyone knows about Marinette's and Adrien's secret crushes on each other, except Marinette and Adrien. Then there's Kim Le Chien and Alix Kubdel, who aren't even aware of their own feelings.

Older Than They Look - Master Fu looks 80 at the most, but he's really over 150. Hawk Moth looks middle aged, but is over 200 years old.

Personality Powers (when superpowers match your personality) : Artsy Nathanael can bring drawings to life, goth Juleka can control shadows, big tough Ivan has super strength, timid Mylene has invisibility, Athletes Kim and Alix have giant leaps and super speed respectively.

Power of Teamwork: Combined with the powers of Love and Friendship. The kids plan things out as a team, fight the bad guys as a team, and protect each other as a team.

Protective Kids : All the M Team members are protective of their parents. This is most noticeable in the volume Haute Couture where Chat Noir goes out of his way to protect his dad from the title villain. And in Valentine Lovers where Ladybug does the same with her parents.

Purple is Powerful: There a villainous example in Hawk Moth, who wear all purple, and two heroic examples in Max Kante aka Arachnid and Corbie Noire.

Red is Heroic: Team Leader Ladybug wear all red, as does team member Panda Roux.

Rich B*^ch: Chloe was this before deciding to be a better person. Original Character Jeanne Gagne and her "diamond dogs" still are.

Running Gag (a joke that's repeated throughout a narrative): Aside from the meta humor, there are many scenes of characters spacing out, making a bad pun or 'blushing like a tomato'.

Scenery Porn: Whenever a scene takes place in a certain area of Paris, SP will take a few paragraphs to explain the area's history and significance.

Slasher Smile - Goes with the Maniacal Laughter.

Shipper On Deck (when a character in-universe roots for two characters to get together) : Everyone (even Chloe eventually) ship Adrien and Marinette, and later, they all ship Kim and Alix. Not to mention the team is shipped every every which way by their fans.

Shock and Awe (lightning powers): Hawk Moth has a cattle prod built into his cane, which he uses to torture his lieutenants whenever they fail.

Slinging Shadows (shadow powers): Juleka Couffaine aka Corbie Noir has this power.

Social Darwinist (someone who thinks "Survival of the Fittest" is the same as "Might Makes Right"): Hawk Moth and his lieutenants are this; constantly making speeches about power and the strong ruling the weak.

Stereotype Flip (when a character subverts whatever stereotype is associated with their race, gender, religion, ect.): Chloe and Rose both subvert the Dumb Blonde stereotype, Marinette and Kim, both subvert Asian stereotypes, Max Alya and Nino all subvert Black stereotypes, Miss Caline Bustier subverts the "Teachers are Useless" stereotype, and almost everyone subverts the "Snooty French" stereotype.

Superpowered Evil Side: Being Akumatized is a lot like having a split personality: you black out, go on a magical rampage, and wake up with no memory of what happened.

Taken For Granite (being turned to stone): This version of Hawk Moth spent 200 years as a marble statue before being freed at the beginning of the series.

Vile Villain, Saccharine Show: If it weren't for Hawk Moth, all the teammates would have to worry about is grades, growing up, and romance.

Violently Protective Girlfriend: All the female teammates fight tooth and nail to protect their love interests.

Well-Intentioned Extremist: The villain known as The Collector started out as this. He went downhill very quickly.

World Half-Full (a world with lots of problems but also hopeful): Paris, and the Earth in general, are portrayed as this. Yes, there's a lot of awful, unredeemable people and tragic events, but there's also lots of good people worth protecting.

More tropes to be added as the series progresses.