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Waloyo Yamoni "We Overcome the Wind" -- Christopher Tin
#music#culture#inspiration#okay a few things about this:#you don't have to watch it all but#watch at least the first 2 and a half minutes#or the last four minutes#it is WORHT IT#this is so beautiful#i've listened to it about 1000 times#anyway -- this is lango#which is a ugandan language#but i was reading the yt comments#and a lot of luo people (which is simba's ethnic group)#was saying the understood like 95% of it#and it's such a beautiufllll song#ti's a rainmaking litany#and AND the little refrain they say#(ber ber beber) -- it means 'it is well'#and i just think that's sooooo CUTe#ber = it is well#i wish i had known this before#but it's SO SWeET and it adds another layer#but seriously this is SO beautiful#please give it a listen it will touch your soul
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Uganda’s parliament is set to debate a new anti-gay bill next week, as the country’s president called for a “medical opinion” on the deviancy of homosexuals. The bill, besides criminalizing homosexuality, also criminalizes the “promotion” and “abetting” of homosexuality and follows a January parliamentary investigation into an alleged promotion of homosexuality in schools. It’s no surprise, given how rampant anti-gay sentiment is in the country.
In September, I came across a video that was going viral on Twitter in Uganda. In the video, 26-year-old Elisha Mukisa, who is reported to have been previously imprisoned on defilement charges, speaks for a little over eight minutes detailing how he was lured as a minor into acting in gay porn by Sexual Minorities Uganda (SMUG)—a nongovernmental organization (NGO) based in Kampala working to support and defend LGBTQ+ persons in the country.
The video caught my attention for several reasons. The first was the anti-gay rhetoric it catalyzed in the following days and the corresponding moral panic. In the ensuing conversation on social media, SMUG was defined as a threat to children that parents had to watch out for. One Twitter user, @Ashernamanya, wrote: “Uganda must be for God Almighty not for Bum lickers the Gays. SMUG an NGO is recruiting young children into Homosexuality and acting the gay. They need to be arrested.”
The previous month, the Ugandan government had shut down the organization. The country’s NGO board released a statement after the announcement, claiming that SMUG’s registration was rejected for being “undesirable.” Mukisa alleged in this video that the shutdown was because of evidence he had provided to the NGO board.
The second reason the video kindled my interest was that it added to the growing list of instances of mass media being weaponized in Uganda to propagate the “ex-gay” narrative, in which a person claims to have been “lured” and “recruited” into homosexuality. It was also organized by the Family Life Network’s Stephen Langa, who in March 2009 put together a similar seminar called “Exposing the Homosexuals’ Agenda.” The language and presentation of luring and recruitment (as though it were a job listing) were not, in fact, novel to my ears, and it is a phenomenon I have seen across African news media.
It has deep links to white evangelical Christianity and is an export of a made-in-the-USA movement and ideology that is polarizing African countries and harming and endangering LGBTQ+ people.
While it looked innovative, it was not the first time such a press conference was creatively planned to spark panic and parade out a person claiming to be ex-gay. It was also not peculiar to Uganda; it is a method that was and continues to be used in both puritanical and evangelical Christianity in countries from Ghana to Kenya and Nigeria.
From the days of European colonialism, when sodomy warranted the death penalty, the church has been the face of the anti-LGBTQ+ movement and has deployed language and framing consistent with present-day ex-gay movements.
The rhetoric relies on a “prodigal son” framing that checks out with the Bible, in which gay people are only valid as long as they turn away from their sexuality. (In the Bible story, the prodigal son’s welcome was contingent on his return in the same way the evangelical church would only welcome gay people on account of their conversion.)
When the pro-conversion therapy Christian group Exodus International put Yvette Cantu Schneider and other ex-gay spokespeople on TV in the 2000s to talk about being formerly gay, it was because of such beliefs. Schneider herself wrote on Instagram that a straight white male leadership team handpicked her. (Exodus International ceased operating in 2013.)
The post reads in part: “They were looking for a spokesperson who had been gay. And I was told, ‘you’re gonna be great because you’re young, you have the Hispanic last name, and you don’t look gay.’”
This same belief seemed to spawn the Mukisa video, the homosexual recruitment press conference, and other such events. The prodigal son parable has propped up the ex-gay movement in Uganda, ensuring there are open arms to gay people who can speak about previously being in that life of “sin” and denounce their gayness publicly. It seems that as the ex-gay movement lost its grip in the United States, it started to reach for relevance elsewhere.
In 2009, George Oundo, whom news reports described as a former trans woman and LGBT activist, went on a media tirade in Uganda on how they got initiated into homosexuality at 12 years old. Oundo said in a TV interview that they “recruited many, many boys in Jinja”—a town in southeast Uganda. They also published a book titled My Long Journey to Victory: Bound by the Chains of Homosexuality.
In 2018, Val Kalende, an LGBTQ+ rights activist who even went on a U.S. State Department-sponsored tour in 2010 for her activism, went on TV during a church service to renounce lesbianism. Kalende in 2022 wrote an op-ed titled “Unchanged: A lesbian Christian’s journey through ‘ex-gay’ life,” in which she apologized to Uganda’s LGBTQ+ community for her renunciation.
The church has been involved in manufacturing and sustaining the ex-gay framework in more than subtle and metaphorical ways. Evangelical preachers have traveled across Africa, verbalizing this harmful language.
In the early 2000s, American evangelical Scott Lively was part of a series of anti-gay events that culminated in Uganda’s 2009 “Kill the gays” bill, which called for the death penalty for what it described as “aggravated homosexuality.” Lively had written books such as The Pink Swastika: Homosexuality in the Nazi Party and Seven Steps to Recruit-Proof Your Child against what he described as “pro-homosexual indoctrination.” The bill—which Lively opposed as too harsh—was introduced after Lively spoke at the March 2009 conference organized by Langa that hosted U.S. representatives of the ex-gay movement.
On that same trip and speaking at the same conference as Lively were evangelicals Caleb Lee Brundidge, who said he was formerly gay, and Exodus International board member Don Schmierer. Schmierer spoke on a lack of good upbringing as a cause of homosexuality and was quoted as saying that 56 percent of homosexuals experienced abuse as children, which turned them into homosexuals.
Following that conference, Lively also spoke to the Ugandan Parliament, where he framed homosexuality as a Western import intending to spread “the disease” to children.
This recasting of homosexuality as akin to pedophilia, alongside the widespread use of similar language, is meant to legitimize the response and crackdown by governments and institutions. If gay people are not successfully framed as predators, then extreme measures against them could be questioned. However, the violence that LGBTQ+ people experience in Africa has been justified by these anti-gay groups through the construction of a narrative of intent by “them” to target children.
That same rhetoric drawing connections between homosexuality and pedophilia has remained largely unchanged from how evangelicals created panic around gay people in the early days of the anti-gay movement. In a 1981 letter, U.S. preacher Jerry Falwell described gay people as out to “recruit,” saying “many of them are out after my children and your children” and that they “must not be recruited to a profane lifestyle.” Falwell also added that gay people threatened families because they didn’t reproduce.
It is similar to the rhetoric of individuals such as Peter LaBarbera, who in 2007 falsely claimed that there was “a disproportionate incidence of pedophilia” among gay men.
These comments on recruitment, destruction, and being a threat to families now cloud much of the discourse around homosexuality in several African countries. They were present in the Mukisa press conference, are currently in use as Ghana’s Parliament debates a draconian anti-gay bill, and continue to swirl across the anti-LGBTQ+ movement on the continent. In an African context, visits and speeches from prominent Americans such as Lively and Falwell have the effect of legitimizing homophobia; their straight white male identities crown it with credibility.
I do not mean to exonerate Uganda, Ghana, or other African countries of homophobia or suggest that they are incapable of it without external backing. They are.
Even though LGBTQ+ identities had existed in Africa since before colonialism, their existence was not always welcomed and tolerated. For instance, while homosexuality to the Zande people in South Sudan was indigenous and commonplace, they were harsher on women; lesbianism was considered witchcraft and could even warrant execution.
Abrahamic religions have exacerbated homophobia, and it might have become prevalent on the continent without U.S. evangelical backing. This trend is clearest in Senegal, a majority-Muslim country, where the capital, Dakar, used to be considered Africa’s “gay capital” but is now experiencing rising homophobia. Just last year, protesters lined the streets of Dakar demanding stricter laws and longer prison sentences for gay people in the country.
However, claiming that homosexuality is uniquely Western offers the United States’ ex-gay movement the opportunity to present itself as being on the right side of history, as being close to the sources of “moral decadence” but still resisting it. For Ugandan and African homophobes, the reverse is the case. It gives them a premise for absolution—an anticolonial veneer that allows them to say, “This was brought here from abroad, and we need to eradicate it.”
Proponents of ex-gay and anti-gay philosophies depend on the permanence of gay people for their message to be relevant. They require an enemy for their fight to be valid, and they go to great lengths to construct this enemy as a well-funded and all-powerful foreign movement while falsely presenting the local anti-gay movement as a grassroots underdog, despite its heavy reliance on U.S. evangelicals for publicity.
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Mo had a dream
20th September 2023
The youngest student at the workshop; 2 months old. Son of Brenda, Community MH nurse, he is just 2 months old. He’s called Zion. And very advanced, of course.
At breakfast today I decided to have avocado. Because I could, because it’s good for me, and because we normally eat quite a bit of it at home.
Our menu here tends to be based on common Ugandan everyday foods, hence yesterday’s liver and cooking banana and today’s avocado.
Ewan began the day’s programme with a snowball exercise. 2-3 people discuss first, then they join another group to become 6 and so on. Each time the group has to decide on its ‘top 3’ – in this case, their top three things learnt as a result of the partnership with Jamie’s Fund. Great to read their results. I was not surprised, but I was moved, to hear mention of loving our patients, and other similar sentiments
Long ago in Malawi, I was surprised and upset to find that the PrivateNotForProfit hospitals, which were mostly faith based, wouldn’t care for any patients with mental illness. While in government service we were developing community mental health care and reducing the population of the mental hospital, the mission hospitals were saying “We don’t do this.”
We asked a question of the Christian Medical Fellowship in UK as to why should this be? That led to a consultation: “Should faith based health institutions provide mental health services?”
An international conference followed in 1998: Developing Mental Health: a Challenge to the Churches. We brought participants from five continents - mental health workers, their managers and their bishops, and had a wonderful week in a conference centre in England.
By then I had a dream: that faith-based hospitals, especially in low-income countries, would develop community mental health services, and offer love and commitment to this group of people who are so often stigmatised, rejected and outcast.
Working in Jamie’s Fund in Uganda, my dream has come true. Our young colleagues here have a shining vision to make things better in mental health, and they are transforming lives. They also love to learn and we are having such a good week with them.
Second on today’s agenda I presented Trauma Matters, prepared by our good friend Helen, a Liverpool psychiatrist. We were all looking forward to her first visit to Uganda – and so was she, but late in the day illness stopped that happening. Interesting presenting other people’s powerpoint! But I already knew that she and I had were of the same tribe, had concerns and values in common, and that it was a privilege to present her work.
After lunch our colleague Sudaat told us about a new syndrome “Shake Shake”. Every so often these slightly odd presentations crop up, often in boarding schools, looking like some weird neurological disease. As far as I know, they never are, but are usually due to underlying stress and the girls ‘catch’ it from each other. You won’t be surprised to hear that in ShakeShake the girls’ legs shake.
Some of our colleagues had asked for screening tools to give them a straightforward and speedy way to assess those patients in medical clinics who come with physical symptoms but appear to have nothing wrong with them. So we talked about screening principles and got them doing translations of one such tool into local languages. Much hilarity ensued. Keeping control was like herding cats.
We took a group photo with the banner of the the Diversity Foundation behind the group. Diversity Travel have been very generous in their support to Jamie’s Fund and have paid about half the cost of this work shop for which we are very grateful..
Ewan enjoys data. Don’t drown in data, turn it into information! Kuule from Bwindi and Lamet from Mukono, both very able and visionary mental health clinicians, joined Ewan to show how it could be done. Kuule and Ewan have recently spent a considerable time preparing a research paper on this very subject, which shows how the number of patients attending mental health clinics around Bwindi has increased as more clinics have been opened as a result of training of clnical staff in basic mental health care, sponsored by JF. The only officially required figures are for the clinic attendances rather than how an individual attends. Just looking at the number of attendances doesn't tell you about the size of pool of patients or if individuals are attending regularly for follow up. You need this to be able to manage your service effectively.
Supper as usual and early bed.
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BLACK PANTHER MOVIE: The African Fashion & Inspiration
Black Panther movie is had been produced based on a comic strip of the fiction of a superhero the 'Black Panther' by marvel studios. The first Black Panther movie premiered in 2018 and it latest edition premiered last November. This movie is based on the strongest and richest African nation/ kingdom called the Wakanda. Wakanda exhibits futuristic technology and traditional life. The movie is given plaques for its afro-futurism due to its research, reinterpretation and display of Africa cultural heritage that is often overlooked, downplayed or buried. In another sense, it exhibits rich historic culture and natural resources and generally the people and their lifestyle.
Black Panther as a character first starred in a Fantastic four movie in 1966 and now the amusing of the Black Panther is featured in a marvel produced; Spidey and His Amazing Friends cartoon (from Spiderman character and movie) aired on Disney Junior channel.
THE INSPIRATION
Africans
While it is widely believed that Black Panther movie is fiction, it was largely inspired by African mythology, oral history and facts. The Wakanda nation portrayed as a strong nation that has never been colonized and has been compared to Ethiopia. Ethiopia also has a history of strong and wealthy empires like Queen Makeda whose history can also be traced in religious books such as the Bible, and Quran and oral and other recorded history.
Ryan Coogler, the Director of Black Panther movie asserts to have been inspired by the ancient era of Lesotho, a Southern African landlocked country(kingdom) within South Africa. The inspiration is much because of the country's terrain.
Additionally, a viral TikTok video sourced from a user ‘khemenu’ (@khemenu), explains that the Black Panther story is factual, but it is downplayed in the worst case, manipulated and erased because of the strength it holds just like many other African historical events and generally lifestyles. According to this video of native Sotho women, the Black Panther derives from Queen Saranoiah of the era then who was defeated in a bitter war against colonialists.
There was a bet before the war based on which God was more powerful between the African spirituality and Christianity. Her defeat meant she had to be humiliated and beheaded whilst naked in the presence of the named Sotho tribe kingdom and rival western country. In the narration, Queen Saranoiah asked for a civil and moral thing to do based on the religious belief, to talk to her ancestors for the last time which was granted. Surprisingly, she proved their greatness by shape shifting to a BLACK PANTHER and disappeared in the forests.
The Soto woman added that it is such great power that is downplayed or manipulated by calling it "evil" in order for the western colonialists to have control over Africa. Coincidently, Black Panther movie was characterized by a male main actor; Chadwick Boseman (RIP) as T’Challa in the movie. After his death, the latest Black Panther movie was characterized by strong female headship.
Despite being a former British colony, Lesotho has remained a monarchy unlike other African countries. This is the reason it is an independent country/Kingdom within South Africa alike Eswatini.
The Black Panther movie is predominately casted by people of African descent. The movie also used African languages such as Xhosa and Black names such as Shuri, Okoye, Nakai and others. To add on, the sound tracks of both the movie and trailers are music of Afrobeat natured by African musicians or musicians of African descent. These are Sampa the Great, Rema and Bob Marley to list but a few.
Architecture
The production designer of the movie-- Hannah Beachler aimed to look at the architectural look of Eastern African: Ugandan, Burundi, DRC, Ethiopia among others and then advance the technology, imagining how a high-tech nation that had never been colonized would look. The imagination was somewhat of an ancient African lifestyle which includes uncompromised culture, knowledge, wealth, technology in ancient Egypt, Sudan, Mali and others.
Most eyeful of the cited are three round mountain tops known as Blyde Canyon also nicknamed “The Three Rondaveles” of South Africa. The Blyde Canyon architectural designs is alike a glass thatched roof found in typical African rural localities. This was an inspiration to Beachler during her research tour, Skrachworld.
Resources
African natural resources including hills, falls, rivers and others were cast-off in the Black Panther Movie. A specific example of a mineral resource, is Coltan, exclusive to the wild of the Democratic Republic of Congo. This mineral is somewhat characterized as a vibranian wealth or an 'alien element' that is in great demand to scientists and evildoers similar to the realistic demand of coltan by scientists, technologists, prototypes, and others.
The wealth and strength of Wakanda kingdom deriving from the presence of gold is also inspired by ancient African wealth linked to the ancient Mali Empire ruled by Musa Mansa. Musa Mansa till today is still known to be the richest man who ever lived. He conquered and controlled most of the Northern and Western Africa in his era. In Black Panther’s Wakanda, this is characterized as golden city and high tech world/nation. For example, the wood staff in 'Mbakus' throne room in the movie is a subtitle linked to the Native American and African experience, "We sharpened the birch and at the end weaponizing the truth.. The sharpness was symbolic of protecting your ancestry from those who come to take it," read the skratch world comment.
Other examples are beautiful sceneries of the Zambia-Zimbabwe Victoria falls natively known as Mosi-o-Tunya and Rwenzori Mountains of Uganda.
THE FASHION
With a touch of a superhero character just like other Marvel movies, Black Panther movie outfits are created artfully with original African traditional fashion. Ryan Coolger, a dirtector of the movie asserts that, “African fashion of this movie tells the story of African culture and the history written on the fabrics. The apparels by award winning fashion designer Ruth E Carter and the rest of the fashion masterminds team”.
Apparels/costumes
An eyeful all white and accessorized attire by the cast filmed in the first scene of the Black Panther movie (2) was fashioned to pay tribute to the late Chadwick Boseman. Meanwhile in the movie, it is was fashioned as a celebration of his life. The all-white costumes/ attires are credited to the Massai people of Tanzania and Kenya as well as the Ndebele of Zimbabwe. More so, there are other fashions in Black Panther movie credited to the irresistible Massai traditional fashion and Ghana's Kente fashion was featured in the movie.
The Basotho blanket is a traditional outfit garbed like a ‘throw’ or ‘poncho’ by Sotho people of Lesotho and South Africa. It is worn during initiation ceremonies as a bridal veil, as a gift celebrating first born children (push baby present), social hierarchy and others. The Basotho blanket was also present in some scenes of this movie.
Cited by the fashion designers team of the Black Panther movie is the Tuareg scarf belonging traditionally to the Tuareg people of North and West Africa. It is worn stylishly in some parts of the movie. The scarf originally is a soft, hand-woven fabric garbed in the desert (like the Sahara) by covering the head and neck to shield from dust and direct sun-strike.
An aso oke, a Yoruba of Nigeria hand-loomed attire is also fashioned in the Black Panther movie. The Agbada, a popular West African and North African unisex robe with wide sleeves is also recreated and fashioned artfully in the movie.
Headwear
The headwear fashion in both the first and second release of Black Panther movie infused an inspiration from the South African and Sotho called Isicholo headdress. The Isicholo headdress is a long, round hat with a flat top. It is wider on the top and narrower on the bottom (cylindrical). The Isicholo headdress is a traditionally fashioned respectively by Zulu married women. This headwear accessory is similar to the Massai headwear too.
The Makeup
The white dotted and tribal marks in Black Panther Movie were an inspiration from the Massai people/ Swahili speaking people of East Africa as well as the Himba of Namibia, Ghana's Ashatimbe, and Zulus of South Africa and Senegalese traditional makeup. However, this traditional makeup is actually cultured by many other Africans from Zambian, Malawia, Zimbabwe, Botswana, Madagascar and other West African countries among others. This is because initially the continent was one person. The dotted and tribal print makeup is an art beyond fashion and a beauty treat. It is a culturally symbol of social hierarchy, marital status and others.
The Hairdos
The female characters of the Black Panther wore historically significant hairdos that are trendy in present day, that is, the Bantu notes, faux locks, braids and others. The hairstyles in the movie are also accessorized in certain scenes with important traditional accessories such as beads, mud, hair ties, and grasses that complement the hairstyles, character outfits and hairstyles.
Accessories
While many people including fellow Africans have condemned the lip plate fashion, Black Panther movie gave a feature of the beautiful lip plate fashion. The lip plate fashion is a wooden “plate” fashion accessory fashioned by Surma ethnic group comprised of the Suri and Mursi tribes as well other ethnicities in Sudan, Eritrea, Chad, Tanzania, Kenya and Mozambique. It is accessorized by being placed on a cut bottom or top lip (see The African International Magazine July- August Edition).
An Igbo masquerade mask known as Mgbedike accessorized a characters look so did the Malian Dogon mask. Mgbedike culturally are known to be used for communing with sprits and executing orders and morals. On the other hand, a long existing Dagon mask of Malian Dagon ethnic people is spotted by characters of the movie. Ruth E reported to the Time Magazine that, "The Dagon tribe is one of the inspiration for the ‘Jabani tribe’ of Wakanda. They wear these wonderful raffia skirts in that yearly celebrations".
The female casts are seen wearing stiff ornaments around their necks known as the Ndebele neck rings. The Ndebele neck rings comprised of the rich minerals, copper, brass and sometimes ivory are accessorized as a symbol of wealth by men and only married women of the Ndebele tribe of Zimbabwe and South Africa. There are similar accessories cultured by the Massai, Sotho, Eswatini, swana, Malagasy, West Africa and other Ethnic groups.
Author‘s opinion
In as much as all marvel movies are superhero character cultured, for instance Spiderman and Thor, Black Panther's storyline, fashion, the cast and all is a representation of African pride and afro-futurism unlike appropriation.
The Black Panther movie from the comic was inspired by the tales of the mythical Black Panther of Africa. It is also said that it may be a hope of the rise of Africa and Black people in general to greatness, prosperity, pride and power in future after years of slavery, colonialism and dependency. However, there is also hidden historical truth that can be traced back to centuries ago. It can also be perceived as a revelation of the present day undertakings.
While the detailing of the fashion of the Black Panther movie (both 1&2) is farfetched from all across Africa, the fashion in general is compelling and spellbinding. The marvel studios and collaborating teams took time to express Black excellence infused in art and have had many fashion inspirations some of which may even have been left out in this article of the African International Magazine.
https://theafricaninternational.com/black-panther-movie-the-african-fashion-inspiration/
#black is powerful#blackdontcrack#stop appropriating my culture#marvel#magazine#panafrican#social media#my writing#africa#african politics#african culture#afrique#afrofuturism#artists on tumblr#art#culture#africa fashion#fashion#hollywood#celebrity#celebs#celebnews#black pride#blackhistory#new blog#news#blacklivesmatter#blackisbeautiful#blogging#black hair
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Why Do So Many Foreigners Go to Uganda and Think it is Good?
Uganda, known as the "Pearl of Africa," is a captivating destination that has been attracting a growing number of tourists from around the world. Nestled in the heart of East Africa, this landlocked country boasts an array of natural wonders, vibrant cultures, and welcoming people. But what exactly makes Uganda such a compelling destination for foreigners? In this blog, we'll explore the myriad reasons why so many travelers are drawn to Uganda and why they often leave with such a positive impression.
Breathtaking Natural Beauty
Diverse Landscapes
Uganda's landscapes are incredibly diverse, ranging from lush rainforests and sprawling savannas to snow-capped mountains and serene lakes. The country is home to the Rwenzori Mountains, also known as the "Mountains of the Moon," which offer some of the most challenging and rewarding trekking experiences in Africa. Additionally, the vast expanse of the savanna in Queen Elizabeth National Park provides a classic African safari experience, with opportunities to see elephants, lions, and hippos.
Abundant Wildlife
One of the biggest draws for tourists is Uganda's abundant wildlife. The country is home to a remarkable array of animals, including the Big Five (lion, leopard, rhinoceros, elephant, and Cape buffalo). However, what sets Uganda apart is its population of endangered mountain gorillas. Bwindi Impenetrable National Park and Mgahinga Gorilla National Park offer some of the best gorilla trekking experiences in the world, allowing visitors to get up close and personal with these majestic creatures in their natural habitat.
Birdwatcher's Paradise
Uganda is also a birdwatcher's paradise, with over 1,000 species of birds recorded. The diversity of habitats, from wetlands and forests to mountains and lakes, creates an ideal environment for birdlife. Some of the most sought-after species include the shoebill stork, African green broadbill, and the endangered African grey parrot. Birdwatching tours are popular, attracting enthusiasts from all corners of the globe.
Rich Cultural Heritage
Diverse Cultures and Traditions
Uganda is a melting pot of cultures, with over 50 ethnic groups, each with its own unique traditions, languages, and customs. This rich cultural tapestry is reflected in the country's music, dance, art, and festivals. Visitors have the opportunity to experience traditional Ugandan life through village tours, cultural performances, and interactions with local communities. These experiences provide a deeper understanding and appreciation of Uganda's diverse cultural heritage.
Historical Sites
The country also boasts a number of historical sites that offer insights into its past. The Kasubi Tombs in Kampala, a UNESCO World Heritage Site, is the burial place of Buganda kings and a significant cultural site. The Nyero Rock Paintings in the eastern part of the country are ancient rock art sites that date back to the pre-colonial era. These sites, along with many others, provide a fascinating glimpse into Uganda's history and cultural evolution.
Adventure and Outdoor Activities
Thrilling Adventures
For adventure seekers, Uganda offers a wealth of thrilling activities. White-water rafting on the Nile River, particularly in Jinja, is considered one of the best in the world, with rapids ranging from grade 3 to grade 5. For those who prefer to stay dry, there's bungee jumping over the Nile, zip-lining through the Mabira Forest, and quad biking through rural villages and scenic landscapes.
Hiking and Trekking
Hiking and trekking enthusiasts will find plenty of challenges and rewards in Uganda. In addition to the Rwenzori Mountains, the Virunga Mountains offer another excellent trekking destination, with the opportunity to see gorillas and other wildlife. Mount Elgon, with its vast caldera, provides yet another unique hiking experience. Whether you're a seasoned hiker or a novice, there's a trail for every level of experience.
Exceptional Safaris
Unique Safari Experiences
Uganda offers some of the most unique and diverse safari experiences in Africa. While many think of the classic savanna safaris, Uganda provides opportunities to experience different types of wildlife encounters. The Kidepo Valley National Park, one of Uganda's most remote and least visited parks, offers stunning landscapes and abundant wildlife, making it a hidden gem for safari enthusiasts.
Boat Safaris
Boat safaris in Uganda are a highlight, offering a different perspective on the country's wildlife. In Murchison Falls National Park, boat cruises along the Nile River allow visitors to see hippos, crocodiles, and a variety of bird species up close. The Kazinga Channel in Queen Elizabeth National Park also offers exceptional boat safari experiences, where one can observe large herds of elephants, buffalo, and other animals coming to the water's edge to drink.
Chimpanzee and Gorilla Safaris
Beyond traditional game drives, Uganda is renowned for its primate safaris. Kibale National Park is famous for its chimpanzee tracking, offering visitors the chance to observe these intelligent primates in their natural habitat. The highlight of any visit to Uganda, however, is undoubtedly the gorilla trekking safaris in Bwindi Impenetrable National Park and Mgahinga Gorilla National Park. Spending time with a family of mountain gorillas in the wild is a once-in-a-lifetime experience that leaves a lasting impression.
Hospitality and Warmth
Friendly Local people
One of the most memorable aspects of visiting Uganda is the warmth and hospitality of its people. Ugandans are known for their friendliness and welcoming nature, making visitors feel at home from the moment they arrive. This genuine hospitality enhances the overall travel experience, creating lasting positive impressions.
Safe and Stable Environment
In recent years, Uganda has made significant strides in improving its safety and stability, making it a more attractive destination for tourists. The government has invested in infrastructure, security, and tourism development, resulting in a safer environment for travelers. While it's always important to exercise caution and follow travel advisories, Uganda is generally considered a safe destination for tourists.
Sustainable Tourism Initiatives
Conservation Efforts
Uganda is committed to sustainable tourism practices, with a strong focus on conservation and community involvement. National parks and wildlife reserves are managed with the goal of protecting the country's natural heritage while providing benefits to local communities. Gorilla trekking permits, for example, contribute directly to conservation efforts and community development projects, ensuring that tourism has a positive impact.
Community-Based Tourism
Community-based tourism initiatives are also gaining momentum in Uganda. These programs involve local communities in tourism activities, providing them with economic opportunities and encouraging the preservation of cultural traditions. Visitors can participate in homestays, craft workshops, and community tours, gaining authentic insights into Ugandan life while supporting local livelihoods.
Accessibility and Affordability
Improved Infrastructure
Uganda has made significant improvements to its infrastructure in recent years, making it more accessible to tourists. Major roads have been upgraded, and the Entebbe International Airport has been modernized to accommodate increased air traffic. Domestic flights and reliable transport options make it easier for visitors to explore different parts of the country.
Affordable Travel
Compared to many other safari destinations in Africa, Uganda offers a more affordable travel experience. Accommodation options range from budget-friendly guest houses to luxury lodges, catering to a wide range of preferences and budgets. The cost of permits for activities such as gorilla trekking is also more competitive compared to neighboring countries, making Uganda an attractive option for budget-conscious travelers.Uganda's appeal as a tourist destination lies in its incredible diversity, from its stunning natural beauty and abundant wildlife to its rich cultural heritage and warm hospitality. The country's commitment to sustainable tourism and its ongoing efforts to improve safety and accessibility further enhance its attractiveness. For those seeking adventure, cultural immersion, and unforgettable experiences, Uganda Safaris truly live up to the country`s reputation as the "Pearl of Africa." Whether it's your first visit or a return trip, Uganda promises to leave you with lasting memories and a desire to return.
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Mmmm
The first thing I learned to say in Luganda was Olyotya (o-lee-OH-tee-a). This means "How are you?" The second thing I learned to say was the reply: Mbulungi (m-buh-lunj-ee). "Good." (Mbulungi sounds a lot like mulungi, which means beautiful. How many times have I answered a polite inquiry about my health by saying that I am beautiful?)
My friends here speak English fluently, as most educated Ugandans do. Like most Ugandans, they are too polite to make a fuss about my clumsy mistakes. But they are not too polite to be amused by them, for Allen or Dora to stroke my arm, calling me dear and laughing gently. The American accent is amusing and strange. When I try to say a simple sentence, "It is raining today" — tonnya, rain, drip, leak — the children laugh wildly. I've often seen children fall down, laughing. At me. David, a friend who lived here for a time, is good with languages. He remembers how long it took before he realized that when he was trying to get water—Njagala maazi, "I want water"—he was saying instead Njagala mazii. "I want shit." He noticed the "knee-slapping laughter," without knowing what it was about.
I will add only that you really want to know the word for "umbilical cord" before you try to talk about being stuck.
Conversation between acquaintances is sprinkled with barely translatable intimacies like bambi and banange wano. Everything sparkles and slides with the endless repetition of ooo and hmm and eeeh, interjections that are partly an acknowledgement, a signal that one is present, ready, paying attention. That one word, eeeh, says more to me about Uganda than the volumes of history I have read. Eeeh is affirmation, negation, philosophy, and existentialism. It is relation, time, self; it says "I am here" and "I have heard you" and also "I don't think so" and "Isn't life a corker?" In one thick book of Lugandan language lessons, I find a glossary of new words, including these definitions:
Wuuu - Wuuu
Mmm - Mmm
Eee - Eee
Oo - Oo
I read in the Foreign Service Institute textbook that to teach the use of such interjections, which are critical to the swap and barter of conversation, an instructor should "Say [Mmm.] as it is used in greetings. Say it several times, and teach the students to say it exactly as you do." But how is that? I have never heard it sound the same way twice. The lesson continues:
A: Agaffa-yo?
B: Ekyali nnungi.
A: Mmm. [OR] Eee.
B: Agaff-yo?
A: Ekyali nnungi.
B: Mmm.
A: Mmm.
And so it goes.
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I want to learn Ugandan, I really like their language. I speak Twi and some Igbo which I love as well. I still believe that Ghanian women are the best women on earth 🌍💗. I might be a little biased because my wife is Ghanian.
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ChatGPT-4 vs Gemini AI How to Choose the Best AI Tool for Your Needs
Master ChatGPT-4, an avant-garde linguistic model developed by OpenAI, is engineered to comprehend and respond to user inputs in a dialogue-oriented format. It uses a large dataset to create responses that mimic human communication, making it flexible enough for a range of uses, including content creation, conversational engagement, query answering, and diagnosis support. Athena Uniathena
Unveiling Gemini AI
Google’s novel invention, Gemini AI, is a sophisticated AI assistant that enhances computational understanding and decision-making capabilities. It makes use of advanced artificial intelligence techniques to allow machines to absorb large amounts of data, improving their analytical and problem-solving skills to the point where they are comparable to human cognitive processes. Checkout Comparison Here ChatGPT 4 vs Gemini
Comparative Distinctions
Distinct Advantages:
ChatGPT-4:
Contextual Conversational Aptitude: Excels in retaining context and learning from ongoing interactions
Proficient Natural Language Processing: Generates text that mirrors human discourse, excelling in tasks requiring conversational finesse.
Real-time Internet Accessibility: Available in its premium iteration, facilitating access to the latest information.
Gemini AI:
Superior Reasoning and Analytical Skills: Exceptional in grasping intricate concepts and executing profound data analyses.
Provision of Multiple Draft Responses: Offers several draft responses for each query, enhancing user choice.
Intrinsic Text-to-Speech Functionality: Native support for text-to-speech, improving user engagement.
Additional Key Divergences:
Drafts and Editing: Gemini permits users to review and modify multiple draft responses, whereas ChatGPT-4 provides a solitary response with no post-sending editing capability.
Real-time Internet Connectivity: A longstanding feature of Gemini, while Master ChatGPT integrated this recently in its premium version.
Image Search and Response Generation: Both can search for images and generate AI graphics, but Gemini seamlessly incorporates this capability.
Why Ugandan Individuals Should Enroll in “Mastering ChatGPT”
In Uganda, harnessing AI technologies like ChatGPT-4 can markedly enhance various sectors, including education, commerce, and healthcare. By mastering ChatGPT, Ugandan individuals can elevate their digital literacy, enabling them to:
Refine Communication Proficiency: Mastering ChatGPT can aid Ugandan users in honing their communication skills, both written and verbal, which are indispensable for personal and professional advancement.
Elevate Educational Outcomes: Educators and students can leverage ChatGPT for personalized learning experiences, accessing a wealth of resources, thereby improving educational performance.
Enhanced Digital Literacy: Proficiency in utilizing AI tools like ChatGPT can bridge the digital divide, providing Ugandan users with essential modern skills.
Global Knowledge Access: Through ChatGPT, users can tap into a vast reservoir of information and knowledge, enriching their learning and keeping abreast of global trends.
Improved Problem-Solving: ChatGPT can assist in troubleshooting and resolving issues across various domains, from technology to everyday challenges.
Conclusion
Enrolling in the “Mastering ChatGPT” course by UniAthena will equip Ugandan users with the acumen to leverage the power of AI, empowering them to flourish in a rapidly evolving digital landscape.
#ChatGPT4#GeminiAI#AIComparison#ConversationalAI#DigitalLiteracy#Education#UgandaTech#AIinEducation#AIforBusiness#ProblemSolving#GlobalKnowledge#TechAdvancement#AITraining#CommunicationSkills#TechEducation#AIProficiency#ModernSkills#PersonalGrowth#ProfessionalDevelopment
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the first woman // jennifer nansubuga makumbi
first published: 2020 read: 14 june 2024 - 25 june 2024 pages: 437 format: paperback
genres: fiction; adult; literary fiction; african literature (uganda); historical fiction favourite character(s): nsuuta least favourite character(s): sio
rating: 🌕🌕🌗🌑🌑 thoughts: i think i must've read a different book than everyone else as the reception has been very positive but my experience with the first woman was mostly boring and disappointing. there are certainly parts that i did enjoy that make me glad that i didn't give up entirely and DNF, but man was it a struggle to get through to those points in the first place. i really had to encourage myself to keep going back to the book. i was bored with the story, the messages are quite in-your-face, and the characters were very difficult to invest in.
let's start with what i did like. i really liked the cultural background that's woven into the story, which takes place in 1970s Uganda. i do not know much about Ugandan history and i feel i had a beginner's insight into the impact of Idi Amin and the Uganda-Tanzania war, especially how it impacted citizens in rural areas. i like that it's encouraged me to do my own research into the history. it also covered a little of the conflicts between different Ugandan tribes, which, again, was new knowledge for me.
i also really enjoyed the relationship between nsuuta and alikisa. the book is split into five parts and the entirety of part four is dedicated to the exploration of their friendship as children through to young adulthood. i do not exaggerate when i say this part was easily better than all four other parts that followed our actual main character, kirabo (alikisa's granddaughter). i actually found myself emotionally invested in the two characters in a very short space of time. i thought the messages that jennifer wanted to convey were more understated than they were through the rest of the story. the cultural background again started coming through a bit stronger, which i enjoyed. the way their relationship develops outside of part four was also so interesting. i wish this book had just been a story about nsuuta's and alikisa's lives.
now for what i didn't care for... i was so. bored. i know it's literary fiction but this felt directionless and meandering and the plot was non-existent. i just wanted something to happen and nothing did. the "supernatural" stuff that takes place with kirabo in the first part was entirely pointless, and i feel like if jennifer makumbi had wanted to use it as a vehicle for introducing kirabo to feminism, there were other ways to do it. going into this, from the description and other people's reviews, i thought this would be somewhat similar to the girl with the louding voice, another coming of age story about a young girl in nigeria navigating a world that was not made to care about her. but no, kirabo's story was miles away from being as charming and captivating as adunni's.
when it comes to the characters, there were too many of them and they weren't compelling enough. i could not keep track of all the names being thrown around, and a lot of them are very similar. there is a small list of character names at the back of the book, but it doesn't even cover all the main characters and eventually i gave up trying to figure out who the person was when a name i didn't recognise came up.
despite the good writing of history and culture, i didn't feel that immersed in the setting and couldn't really picture Kampala or Nattetta in my mind. there were a lot of Lugandan words used, and there is no definition for these. i spent most of the time not looking them up as i could sort of figure out what they meant in context. i did look up one and it seems that it's a word that the author made up (from what i can gather) to use in place of the word "feminist/feminism". i don't know how accurate this or the other words used are to the language. a small glossary would have been nice to have though.
i think overall this book just wasn't for me. there were some moments of good humour and again, i liked learning more of Ugandan history, but while i'm glad i made it to the end i'm also very glad that that means i don't have to read it anymore.
#the first woman#jennifer nansubuga makumbi#2024 reads#2.5 stars#fiction#africa#book review#booklr#bookblr#bookworm
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Okot p’Bitek (June 7, 1931 – July 20, 1982) was a Ugandan poet, who achieved wide international recognition for Song of Lawino. Song of Lawino was written in the Acholi dialect of Southern Luo, translated by the author into English, and published in 1966. It was a breakthrough work, creating an audience among anglophone Africans for direct, topical poetry in English. It was followed by the Song of Ocol (1970), the husband’s reply.
The “East African Song School” or “Okot School poetry” is now an academic identification of the work following his direction, popularly called “comic singing”: a forceful type of dramatic verse monologue rooted in traditional song and phraseology.
He was born in Gulu, in the North Uganda grasslands. His father, Jebedayo Opi, was a schoolteacher, while his mother, Lacwaa Cerina, was a traditional singer, storyteller, and dancer. His ethnic background was Acholi, and he wrote first in the Acholi dialect, known as Lwo. Acholi is a dialect of Southern Luo, one of the Western Nilotic languages.
He was educated at Gulu High School, then at King’s College, Budo, where he composed an opera based on traditional songs. He went on to study at universities in the UK.
He traveled abroad as a player with the Ugandan national football team. He gave up on football as a possible career, stayed in Britain, and studied education at the University of Bristol and then law at the University of Wales, Aberystwyth. He took a BA in social anthropology at the University of Oxford, with a dissertation on Acholi and Lango traditional cultures.
It is reported that Oxford deliberately failed his Ph.D. The dissertation was published nearly unchanged as The Religion of the Central Luo by a Kenyan publisher.
According to George Heron, he lost his commitment to Christian belief during these years. This had major consequences for his attitude as a scholar of African tradition, which was by no means accepting of the general run of earlier work, or what he called “dirty gossip” about tribal life. His character Lawino speaks for him, in some places, on these matters. #africanhistory365 #africanexcellence
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Analysing what one consumes
I still remember the part about how geeks are (sometimes) bad at media analysis, since whenever they consume or enjoy what they like they lack critical thinking. Like they gloat over knowing every little character, but don’t bother understanding the author’s motivations perhaps fearing that it would make the author look bad or something. Not that the author is a bad person, it’s more of a matter of them having human failings every now and then. Something like anger, sorrow, guilt, shame and overall stupidity that colours their works, perhaps in ways they never intended nor realised.
Or in the case with X-Men regarding characters like Storm, more racist than they intended especially as time passes. I always said that Storm comes off as a white person’s idea of an exotic black person, which means for a time being she has been othered. This would also explain why despite being ostensibly Kenyan, she doesn’t do some of the things Kenyans would do as a culture/community. She doesn’t speak Swahili (or Gikuyu), celebrate Boxing Day every 26 of December and that she doesn’t seem to cook Kenyan meals like ugali for instance. This would explain why she’s written the way she is.
A character that’s shrouded in ignorance of actual Kenyan people and culture, even with the Internet I don’t think people ever tried harder in grounding her in actual Kenyan culture although it is the best time to do so. There are actually Africans who do fan art of things like Hunter x Hunter and Looney Tunes, though these are Cameroonians who I’m talking about and Kenyans have done comics like Shujaaz for instance. One famous and popular newspaper strip that circulated in Kenyan papers is Bogi Benda, even though it’s done by a Ugandan. So logically, there are Kenyans who might be aware of X-Men.
That’s not impossible since there are others who’re aware of what Kill La Kill is, to the point of even cosplaying as one of the characters in question. But it seems Kenya is absent in their minds, even though it’s a real country unlike Wakanda. They could just Google it and peruse its media if they wanted or rather needed to, regarding Storm’s nationality though who knows if she’ll even get the Karma treatment. Even if Kenya does have something of a comics industry as evidenced by the comics I mentioned before, Storm remains rooted in ignorance of a real country despite being Kenya’s best known daughter in Marvel.
I even think she remains rooted in ignorance of any real African country, despite the fact at this point in time you could even peruse African websites and PDF files in any way. I’ve done this before and it’s really not that hard, you could go to nation.africa and read any one of its articles. I have done this with Ugandan websites like newvision.co.ug and monitor.co.ug, it’s really not that hard to do the same with their Kenyan counterparts. The only other person who bothered commentating on the problems with the way Storm is written at length is Cheryl Lynn Eaton, I could go on saying that she’s divorced from Kenyan culture.
She might even be divorced from any real African country, even though this time you could peruse African websites like Bellanaija and Nairaland (even if they’re both Nigerian). But this involves knowing real African countries and peoples as they are, perhaps pointing out to an overall ignorance of them in many geek circles outside of Africa itself. It’s one thing to know every X-Man in existence, it’s another to know every African country. The latter’s even useful for travelling if anybody bothers going to any African country, also many Africans speak western languages due to colonialism.
It’s not that hard these days, though it’s up to them to bother looking up on those.
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The Stubborn Detective
Original Character | FC: Florence Kasumba
Threads | Headcanons | Aesthetics | Open Starters
NAME: Evelyn Adeke
AGE: late 30s to mid 40s
SPECIES: human
PROFESSION: police detective
Short Bio
In her childhood, Evelyn moved around a lot. From Uganda to Germany to Scotland to the United States. She's always been on the move and never really got a chance to make friends. A trend which should continue in adulthood; now working as a detective, Eve claims she simply doesn't have time for a social life, but really she's just too scared to let someone in and then losing them again.
Addendum for the Supernatural Verse
When touching objects or visiting places that are emotionally supercharged, Evelyn will get visions, which are accompanied by a sharp headache. She has yet to learn how to fully control her ability, often being unable to make sense of the emotional echo she experiences. And more often than not, she'll attempt to suppress her special gift than trying to master it.
Relationships
tba
Playlist
Defying Gravity from Wicked: Original Cast Recording (2003)
They Live In You from The Lion King: Original Broadway Cast Recording (1997)
Die Schatten werden länger from Elisabeth: Original Essen Cast Recording (2001)
Time Warp from The Rocky Horror Picture Show OST (1975)
The Dance of The Robe from Aida: Original Broadway Cast Recording (2000)
Detailed Profile
FULL NAME: Evelyn Patience Adeke
KNOWN AS: Evelyn Adeke
NICKNAMES: Eve
~~~~~~~~~~~~
SPECIES: human
RESIDENCE: verse dependent (can be the US, UK or Germany)
PROFESSION: police detective
~~~~~~~~~~~~
AGE: late 30s to mid 40s
DATE OF BIRTH: January 4th
PLACE OF BIRTH: Kira Town, Uganda
NATIONALITY: Ugandan-(German/British/American) verse dependent
~~~~~~~~~~~~
PARENTS: Lela Candiru & Ira Adeke
SIBLINGS: Elijah Adeke (younger half-brother)
~~~~~~~~~~~~
FACE CLAIM: Florence Kasumba
HEIGHT: 1.73m
NOTABLE FEATURES: Eve usually shaves her head every other day, which has become quite a signature look of hers. People tend to act confused when she decides to grow her hair again - admittedly these phases never last long. She just can't be bothered.
STYLE: For work, Eve prefers something practical like jeans, t-shirt or blouse, topped with a jacket. Outside of work is where she truly shines; She has a good eye for creating a beautiful silhouette and plays around with bold patterns, shapes or colours, whether that's for dresses or suits doesn't matter.
~~~~~~~~~~~~
LANGUAGES: English (native) , German (fluent) , Swahili (broken)
SPEECH MANNERISM: tbd
STRENGTHS: Eve has a sharp mind and a knack for technology;
WEAKNESSES: Eve suffers from migraine attacks, which sometimes means she has to restrain herself and take a break. However her pride only seldom allows for it; she is stubborn beyond measure and tends to go lone wolf which rarely works out in her favour
INTERESTS: Evelyn has a soft spot for musicals and theatre, as well as an interest in fashion.
VICES: stubbornness, cynicism, drinking sugar with coffee
~~~~~~~~~~~~
NSFW
Evelyn is romantically and sexually attracted to men and women, favouring women a little bit more. She's not really much of a romantic, favouring simple things over grand gestures. She can be quite bossy in a relationship and loves it when her partners can figuratively hit back.
Bonus points for muses with the following face claims: Maria Schrader, Danai Gurira
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Latest double pins type grain moisture meter suppliers in Uganda
DRAMINSKI TwistGrain Moisture Meter Ugandan Farmers & Stores DRAMINSKI TwistGrain Pro Electronic Grain Moisture Meter for Ugandan Farmers Unique on the market: handy, small and professional. Invest in a high-tech moisture meter!
The device will increase the profitability of your business:
You will be sure to sell cereals with the best moisture level,
You will save time and money by avoiding buying deductions,
You will safely store even large quantities of cereals for a long period of time,
You will prevent heat damage of grain in silos,
You will reduce the risk of mould contamination in cereal batches,
You will know the quality of your grain,
By investing in purchasing the moisture meter you will also have an accurate agricultural thermometer with intelligent/high-tech functionalities.
Why choose DRAMINSKI Moisture meter (TwistGrain pro)? – the decision is easier than ever before COMFORT AND SAFETY
As the manufacturer, we offer our moisture meter with a 3-year warranty. Before sending to the client, each device is checked for quality of the manufacturing process and correct measurements.
Our Service Unit will do their best to repair and check your device as soon as possible from the delivery date. In cases with a more complex repair process, whenever possible. Our company is certified with two rigorous Quality Management Systems: ISO 9001 and ISO 13485, which proves our professionalism and the highest quality of our products.
TWO OPERATIONAL MODES TO CHOOSE
The moisture meter has two operational modes that are tailored to the needs of a user and can be easily changed on the menu:
Basic – for a quick and accurate moisture measurement (intuitive and very convenient handling, even for non-experienced users).
Advanced – activates many additional functionalities that will be appreciated even by the most demanding clients. This mode allows for recoding the moisture and temperature measurements with date and hours, data transfer to the PC, temperature measurements with an external temperature probe and many other options.
ACCURATE MEASUREMENT
Four frequencies ensure that the measurement is steadier and its result is less susceptible to unusual samples, the risk of blips is lower and the repeatability is high. You can quickly measure the moisture of grain with an accuracy of ±0.5% for normalized grain.
Grain temperature is also an important factor for moisture measurements and TwistGrain pro is thus equipped with a digital temperature sensor (built in the measuring chamber) to ensure a very accurate measurement (accuracy: ±0.5°C). TwistGrain pro has an automatic temperature compensation mode.
Importantly, DRAMINSKI S.A. devices do not require periodical calibration service checks.
CORRECT SAMPLE PREPARATION
You can fill the measuring chamber without any additional tools or special medium. Simply, grasp some grain with the device, push away any excess towards the edge of the chamber and tighten the cap.
When screwing the cap, the acoustic signal will indicate that the grain sample is adequately squeezed. Since keeping the device comfortably in your hands (tightening the cap does not require using much force) it is not tiring even after many measurements.
RESULTS ARE EASY TO READ
A large graphic and LED- illuminated display allows reading the result in any conditions (field/warehouse, full sun/night). The menu enables the user to adjust the display settings: illumination time, illumination intensity and contrast.
RESULTS ARE RECORDED AND STORED
The TwistGrain pro device is equipped with the real time clock, which, together with huge data storage capacity, allows recording 50,000 moisture measurements and temperature measurements from the external probe (records with date and hour).
The data storage mode covers up to 400 species and 20 language versions and makes the device a very useful and universal tool for each farmer, expert, drying room operator, gardener, barista or entrepreneur for the food and agriculture industry.
SOFTWARE FOR DATA TRANSFER
The TwistGrain Pro moisture meter comes with free, multi-language software for data transfer to PCs.
The software generates Excel sheets and measurement reports (by species and by measurement date), presents the moisture changes in time on the graphs, filters the results by date, allows browsing the stored data, has archiving functionality limited only by the hard disc capacity, saves the documents as PDFs, prints, and has many other useful functions.
EXTENSIVE CALIBRATION LIST
The regular model of TG pro moisture meter has a list with 30 grain species (as detailed below). However, if required by the client, we can load more species before delivering the device. If the list does not feature a species you are looking for, please. TwistGrain Pro will accommodate up to 400 species.
All available calibrations can be found in the “Available species” bookmark.
The TG Pro display allows you to conveniently read the full name of a given species without any abbreviations or symbols (the long name scrolls automatically on the display).
REMOTE ACTIVATION OF NEW SPECIES
Do you want to check the moisture of a species that is not put on your device? This is not an issue with the TG Pro moisture meter.
All you need to do is to select the option “Add species” and then enter a specific code that permanently activates the required calibration of the list.
Thanks to such innovative solutions, a user can, in just a couple of minutes and without going out or sending the device to the service section, add a new species to the list of available measurement options or deactivate the species they want to delete.
GAIN MORE ADVANTAGES FOR YOUR BUSINESS
A quick check of moisture and temperature will help you manage, store or sell crops more efficiently, which will quickly translate into increased profits for your business.
USB PORT
The TG Pro comes with a durable mini-USB port that is used to connect an external temperature probe and transfer the data to the PC, automatic updates and moisture curves. That’s why the DRAMINSKI TwistGrain Pro is simply unmatched!!
SO MUCH IN SUCH A SMALL DEVICE
Twist Grain Pro has 4 buttons on the keyboard for comfortable and easy operation (the OK button is to confirm, the ESC button to cancel, and the arrow keys ↑↓ help with intuitive navigation).
To ensure full satisfaction, TG pro has many options that are accessed from the menu, such as:
the option to choose the number of measurements that are used to calculate average moisture,
the option to record the results of single measurements or calculated mean,
possibility to make modifications of readings separately for each species (the outcome of modification is seen while measurements are being taken),
the option to add new species remotely with special codes,
full regulation of display settings,
possibility to set the automatic switch-off time,
management of external temperature probes (adding, editing, deleting),
management of data storage (free space checks, formatting, date and time setting),
the option to choose the language interface
the option to change the temperature range,
and many other useful functionalities with unrestricted access
MEASURING METER – A LONG-TERM INVESTMENT
The robust casing, made of shock-resistant ABS, metal elements and purpose-braced, non-cracking cap guarantee extreme durability.
Available species:
CEREALS
Variety wheat 9% – 30%
Common wheat 9% – 30%
Rye 9% – 30%
Triticale 9% – 30%
Spring barley 9% – 30%
Oats 9% – 30%
Maize 10% – 25%
Maize 25% – 40%
Sorghum 6.5% – 29%
Millet 4% – 20%
Buckwheat 10% – 30%
Paddy rice 8.5% – 33%
Brown rice 8% – 25%
White rice 8% – 25%
OILSEEDS
Canola 4.5% – 25%
Unhusked sunflower seeds 4% – 27%
Flax seeds 5% – 16.5%
LEGUMES AND INDUSTRIAL
Blue lupine 7% – 30%
Soya 7% – 25%
Pea 10% – 17%
Horse bean 8% – 30%
Red beans 8% – 22%
Mung beans 8% – 20%
Chickpeas 8% – 20%
COFFEES AND COCOA
Cocoa 4% – 20%
Green Coffee Robusta 8% – 30%
Green Coffee Arabica 8% – 30%
Parchment coffee Arabica 8% – 39%
Dry coffee cherry 6% – 21%
SPICES
Mustard 5% – 18%
White pepper 7.5% – 16%
Black pepper 6% – 16%
OTHERS
Peanuts 3% – 20%
What is next?
Order your Grain Moisture meter now under most profitable conditions.
Description
Moisture meter for all cereals, maize, grass seeds, oil seeds, and legumes seeds.
No. 1 among the moisture meters equipped with grain compression modality.
*Thanks to the grain twisting the measuring is fast and precise, and its ergonomic body and small dimensions guarantee comfort of use in any conditions!
Thank you for allowing Accurate Weighing Scales (U) Ltd the privilege to serve you in advance.
For inquiries on deliveries contact us
Office +256 705 577 823, +256 775 259 917
Address: Wandegeya KCCA Market South Wing, 2nd Floor Room SSF 036
Email: [email protected]
https://heathscales.wordpress.com/category/industrial-scales/
https://barcodescalesuganda.wordpress.com/category/bag-closers/
https://barcodescalesuganda.wordpress.com/category/baby-weighing-scales/
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Agricultural grain and seeds moisture meter shop
DRAMINSKI TwistGrain Moisture Meter Ugandan Farmers & Stores DRAMINSKI TwistGrain Pro Electronic Grain Moisture Meter for Ugandan Farmers Unique on the market: handy, small and professional. Invest in a high-tech moisture meter!
The device will increase the profitability of your business:
You will be sure to sell cereals with the best moisture level,
You will save time and money by avoiding buying deductions,
You will safely store even large quantities of cereals for a long period of time,
You will prevent heat damage of grain in silos,
You will reduce the risk of mould contamination in cereal batches,
You will know the quality of your grain,
By investing in purchasing the moisture meter you will also have an accurate agricultural thermometer with intelligent/high-tech functionalities.
Why choose DRAMINSKI Moisture meter (TwistGrain pro)? – the decision is easier than ever before COMFORT AND SAFETY
As the manufacturer, we offer our moisture meter with a 3-year warranty. Before sending to the client, each device is checked for quality of the manufacturing process and correct measurements.
Our Service Unit will do their best to repair and check your device as soon as possible from the delivery date. In cases with a more complex repair process, whenever possible. Our company is certified with two rigorous Quality Management Systems: ISO 9001 and ISO 13485, which proves our professionalism and the highest quality of our products.
TWO OPERATIONAL MODES TO CHOOSE
The moisture meter has two operational modes that are tailored to the needs of a user and can be easily changed on the menu:
Basic – for a quick and accurate moisture measurement (intuitive and very convenient handling, even for non-experienced users).
Advanced – activates many additional functionalities that will be appreciated even by the most demanding clients. This mode allows for recoding the moisture and temperature measurements with date and hours, data transfer to the PC, temperature measurements with an external temperature probe and many other options.
ACCURATE MEASUREMENT
Four frequencies ensure that the measurement is steadier and its result is less susceptible to unusual samples, the risk of blips is lower and the repeatability is high. You can quickly measure the moisture of grain with an accuracy of ±0.5% for normalized grain.
Grain temperature is also an important factor for moisture measurements and TwistGrain pro is thus equipped with a digital temperature sensor (built in the measuring chamber) to ensure a very accurate measurement (accuracy: ±0.5°C). TwistGrain pro has an automatic temperature compensation mode.
Importantly, DRAMINSKI S.A. devices do not require periodical calibration service checks.
CORRECT SAMPLE PREPARATION
You can fill the measuring chamber without any additional tools or special medium. Simply, grasp some grain with the device, push away any excess towards the edge of the chamber and tighten the cap.
When screwing the cap, the acoustic signal will indicate that the grain sample is adequately squeezed. Since keeping the device comfortably in your hands (tightening the cap does not require using much force) it is not tiring even after many measurements.
RESULTS ARE EASY TO READ
A large graphic and LED- illuminated display allows reading the result in any conditions (field/warehouse, full sun/night). The menu enables the user to adjust the display settings: illumination time, illumination intensity and contrast.
RESULTS ARE RECORDED AND STORED
The TwistGrain pro device is equipped with the real time clock, which, together with huge data storage capacity, allows recording 50,000 moisture measurements and temperature measurements from the external probe (records with date and hour).
The data storage mode covers up to 400 species and 20 language versions and makes the device a very useful and universal tool for each farmer, expert, drying room operator, gardener, barista or entrepreneur for the food and agriculture industry.
SOFTWARE FOR DATA TRANSFER
The TwistGrain Pro moisture meter comes with free, multi-language software for data transfer to PCs.
The software generates Excel sheets and measurement reports (by species and by measurement date), presents the moisture changes in time on the graphs, filters the results by date, allows browsing the stored data, has archiving functionality limited only by the hard disc capacity, saves the documents as PDFs, prints, and has many other useful functions.
EXTENSIVE CALIBRATION LIST
The regular model of TG pro moisture meter has a list with 30 grain species (as detailed below). However, if required by the client, we can load more species before delivering the device. If the list does not feature a species you are looking for, please. TwistGrain Pro will accommodate up to 400 species.
All available calibrations can be found in the “Available species” bookmark.
The TG Pro display allows you to conveniently read the full name of a given species without any abbreviations or symbols (the long name scrolls automatically on the display).
REMOTE ACTIVATION OF NEW SPECIES
Do you want to check the moisture of a species that is not put on your device? This is not an issue with the TG Pro moisture meter.
All you need to do is to select the option “Add species” and then enter a specific code that permanently activates the required calibration of the list.
Thanks to such innovative solutions, a user can, in just a couple of minutes and without going out or sending the device to the service section, add a new species to the list of available measurement options or deactivate the species they want to delete.
GAIN MORE ADVANTAGES FOR YOUR BUSINESS
A quick check of moisture and temperature will help you manage, store or sell crops more efficiently, which will quickly translate into increased profits for your business.
USB PORT
The TG Pro comes with a durable mini-USB port that is used to connect an external temperature probe and transfer the data to the PC, automatic updates and moisture curves. That’s why the DRAMINSKI TwistGrain Pro is simply unmatched!!
SO MUCH IN SUCH A SMALL DEVICE
Twist Grain Pro has 4 buttons on the keyboard for comfortable and easy operation (the OK button is to confirm, the ESC button to cancel, and the arrow keys ↑↓ help with intuitive navigation).
To ensure full satisfaction, TG pro has many options that are accessed from the menu, such as:
the option to choose the number of measurements that are used to calculate average moisture,
the option to record the results of single measurements or calculated mean,
possibility to make modifications of readings separately for each species (the outcome of modification is seen while measurements are being taken),
the option to add new species remotely with special codes,
full regulation of display settings,
possibility to set the automatic switch-off time,
management of external temperature probes (adding, editing, deleting),
management of data storage (free space checks, formatting, date and time setting),
the option to choose the language interface
the option to change the temperature range,
and many other useful functionalities with unrestricted access
MEASURING METER – A LONG-TERM INVESTMENT
The robust casing, made of shock-resistant ABS, metal elements and purpose-braced, non-cracking cap guarantee extreme durability.
Available species:
CEREALS
Variety wheat 9% – 30%
Common wheat 9% – 30%
Rye 9% – 30%
Triticale 9% – 30%
Spring barley 9% – 30%
Oats 9% – 30%
Maize 10% – 25%
Maize 25% – 40%
Sorghum 6.5% – 29%
Millet 4% – 20%
Buckwheat 10% – 30%
Paddy rice 8.5% – 33%
Brown rice 8% – 25%
White rice 8% – 25%
OILSEEDS
Canola 4.5% – 25%
Unhusked sunflower seeds 4% – 27%
Flax seeds 5% – 16.5%
LEGUMES AND INDUSTRIAL
Blue lupine 7% – 30%
Soya 7% – 25%
Pea 10% – 17%
Horse bean 8% – 30%
Red beans 8% – 22%
Mung beans 8% – 20%
Chickpeas 8% – 20%
COFFEES AND COCOA
Cocoa 4% – 20%
Green Coffee Robusta 8% – 30%
Green Coffee Arabica 8% – 30%
Parchment coffee Arabica 8% – 39%
Dry coffee cherry 6% – 21%
SPICES
Mustard 5% – 18%
White pepper 7.5% – 16%
Black pepper 6% – 16%
OTHERS
Peanuts 3% – 20%
What is next?
Order your Grain Moisture meter now under most profitable conditions.
Description
Moisture meter for all cereals, maize, grass seeds, oil seeds, and legumes seeds.
No. 1 among the moisture meters equipped with grain compression modality.
*Thanks to the grain twisting the measuring is fast and precise, and its ergonomic body and small dimensions guarantee comfort of use in any conditions!
Thank you for allowing Accurate Weighing Scales (U) Ltd the privilege to serve you in advance.
For inquiries on deliveries contact us
Office +256 705 577 823, +256 775 259 917
Address: Wandegeya KCCA Market South Wing, 2nd Floor Room SSF 036
Email: [email protected]
https://heathscales.wordpress.com/category/industrial-scales/
https://barcodescalesuganda.wordpress.com/category/bag-closers/
https://barcodescalesuganda.wordpress.com/category/baby-weighing-scales/
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"Ten stories from africa" neat how can I, an African watch it? Oh, what's that? It's on disney plus?? A streaming service that's not actually available in a lot of African countries??? Wow!
I hate to be duch a negative Nancy but it's always disappointing when there's movies that are "made from Africa" that aren't for us in any way. I know Black Panther is important to a lot of people but that movie didn’t feel representative of what goes on lmao. It's set in east africa, which is literally where I live but I didn't feel any of the cultural markers that make it feel East African. It was just a fantasy setting TM with Africa as the back drop. And the movie's ending had such a 😒 message in the context of an African king that fucking hell it REALLY wasn't for us lmao
I really hope this series is different 😭 imo the fact that it's in english with accents instead of in each countries language with subtitles is an immediate red flag. Like let mfs read subtitles lmao. I get actively bullied here for not speaking luganda and yes ofc different countries have different beliefs in that kinda thing but why is it that the African thing has no specific language dub but ya'll can watch anime with subtitles 🙄 I know the reason is marketability but it pisses me off cause the marketing also says it's "Ten stories from Africa" 😭😭😭
I'm Ugandan so obviousnly my experience is skewed to Uganda like shit is really different in most countries so I could be so off base lmao. I don't doubt the staff really tried their best and that a lot of the "western friendly" vibes I'm getting are disney mandate or maybe my own pessimism but it's hard not to be pessimistic lmao. Africa literally never gets shit ever (and that's as a whole, not even individual countries) so for every single "African" piece of media to not feel African at all... that shit's annoying lmao
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Uganda’s Anti-Homosexuality Act of 2023 violates numerous human rights laid out in the Universal Declaration of Human Rights. Article 2 of the UDHR grants all people, regardless of their status (which I interpret to include sexual orientation) the human rights set forth in the UDHR. One of those rights is the right to “life, liberty and security” as stated in Article 3 of the UDHR. Yet, this new Ugandan law is not only denying people the right to choose who they love, but it’s also criminalizing same-sex conduct to the extreme of life imprisonment or the death penalty. In addition, the law contains discriminatory language towards people who identify as disabled, implying in the law that a disabled person cannot consent to sex. It’s frustrating to see the world continue to discriminate against marginalized communities—this act alone discriminating against both LGBTQ+ individuals and not able-bodied individuals.
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