#which has led to some very odd but also very entertaining paragraphs
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everybody in this au has gone from ‘a little bit silly’ to ‘quite unhinged indeed’
#i’m not particularly planning all of these shenanigans as i write#they’re just coming to me and i’m rolling with them#which has led to some very odd but also very entertaining paragraphs#au: general’s flying ship#33.6k words in but i’m still writing a bit more for today#so i’ll update the word count again once i’m done#jing yuan x reader
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Hi! I hope you’ll answer this question bc it bothers me quite a lot.. https://www.quora.com/What-does-it-mean-now-that-BTS-are-partial-owners-of-Big-Hit-Entertainment do you think it is true what the second person (Christine Herman) said? After reading this, i started to wonder…what if BTS does really have only profit in mind while doing new projects these days? Maybe they don’t really care anymore about creative and meaningful lyrics and sound? With Butter and PTD…all this generic music sung in English. Of course they say “we wanted to make fans feel good”, “butter and ptd represent who we are” and all these things fans want to hear but.. do you really think it’s true? moreover, don’t get me wrong, i don’t find product placement in their reality shows as something terrible, i believe this is a normal thing, however, nowadays the members really film ads and do marketing a lot. so yeah, for some reason i began to question their integrity dhsjjss i hope you will understand from where my concerns come from and won’t find this ask stupid sjdjjdjd
After reading that persons answer I can immediately tell you that I basically don't agree with an overwhelming majority of what she said (even more so since a lot of it just makes her sound like a manti that hates the company and basically would want them to make music for free or something). Generally I don’t agree with most of the opinions this person holds, and also Quora really isn’t a good source for info or good opinions, most of it is written by mantis, haters, and toxic shippers with an agenda so most ARMY will tell you to stay as far away from that website as possible.
Anyway, her focus in that answer was on money, since BTS are shareholders (and how that’s a conflict of interest despite other artists doing the exact thing but no one really cares or ever thinks about it), but what she failed to consider and note was that Big Hit Music, so BTS' label, isn't part of HYBE in the sense that shareholding has no baring on it since BHM is private. So while BTS profit off of HYBE doing well, and have a small percentage of a voice as shareholders, that has nothing to do with BHM in the classical sense, even if BHM's earnings reflect well on HYBE numbers and the shareholder money.
BHM was made private to ensure their artistry would remain untouched, that was the whole point of that.
Even if they weren't HYBE shareholders, take Namjoon as example. He has more than 170 KOMCA credits, is among the top 3 Korean artists with the most credits and is also the youngest of them all. It is said that his earnings from that alone can sustain his family for 3 generations over. Look at Hobi and Chicken Noodle Soup, that song was a hit and he paid the original creator of that song 2 million dollars upfront and earned a lot back due to how successful it was. Same goes for Hope World which, again, was and is still immensely successful. Look at Yoongi and his work both as prod. SUGA, featuring artist SUGA, and as Agust D, as well as the credits he holds for his work on BTS songs (giving him as well a total of over 100 KOMCA credits, just like Hobi). Bangtan have worked and continue to work extremely hard for their music, put their heart and souls into it, and it shows even if their style changed as they grew older and more mature.
Yes, money is a major motivator, but looking at the above paragraph, do you really peg the members as these corrupt money hungry sellouts with no music related integrity? Who would need to sign major deals and would throw away their passion to just release empty shells of music for the sole reason of money? Am I naive enough to believe that they don't care about money? Of course not, we live in a capitalist society and even if BTS wouldn't care about money anymore at this point, HYBE very much does, and yet still I can't find it in me to agree with any of what was said in that answer that person wrote.
More below the cut:
And that point about how Hyundai cars were sold out because of BTS, isn't that the point why literally any company ever hires celebrities to advertise and endorse their product? And sure, again, I'm certain they earned a lot on these deals, they aren't the first or last or only ones in the history of ever to do so. Besides, look at JK and what he's done for small companies, or Tae who wore a brooch made my a small creator at the airport which catapulted that creator into the eyes of millions of ARMYs enough so that they could move to a proper studio and earn money with their work. Or the modern hanboks JK wore which led to the brand being able to move into actual stores in malls because of their sudden new popularity and demand. Or him wearing a bracelet that helps whales with a percentage of the money from the sales of said bracelet. And for all of that JK and Tae didn't earn any money at all. JK himself said that he's more conscious of the brand he wears now because he wants to help smaller businesses in these trying times, not because they pay him to do so (especially since they would never be able to afford that), but because he's aware of the influence he has and how he can use it to help others. Sound very much like a capitalistic villain, right?
As for the product placement bit, have you been on YouTube recently? Have you noticed that many, if not most, YouTube videos by “bigger” creators (and by that I mean even people who are around the 100k subscriber mark) begin with them thanking whoever sponsored that particular video and give you a scripted minute to two minute long ad before getting into the actual topic of the video? And In The SOOP featuring Chilsung Cider, FILA clothes and the random mention of how good Samsung phones are isn’t much different from it, though really, if you’re not someone interested in fashion much, would you really notice or care that they wore FILA? It’s just...clothes? If it weren’t a BTS related show, would you even notice it much? And it’s not even like they mentioned those brands every five minutes or anything, just a few times, which sure sounded a bit out of place at times, but personally I thought it was easy to look past. That’s just how things work nowadays and it’s odd for people to behave like somehow BTS are the first and only ones to use product placements despite literally every movie and show doing it in subtle and less so manners.
The answer by that person you sent also mentioned the Hyundai song for their car IONIQ and, unsurprisingly, that person wrote it off as just some commercial jingle but I’d actually disagree with that. Not to sound like a Hyundai and Samsung stan, which I am neither of, but I actually think those two knew best how to utilize the artist they have spent millions on signing a deal with. Hyundai didn’t just write them off as pretty faces with a millions strong fan army behind them and that’s it, they remembered that they are musicians so they gave them a song and made a whole music video for it as well. And say what you will, it is a good song. Then, just a few days ago, Samsung stepped up their game and we were given Over The Horizon Prod by SUGA of BTS. For those who aren’t Samsung users, Over The Horizon is their signature ringtone and basically their company sound, and over the years different artists were asked to make their own version of it. And this time they reached out to Yoongi and asked if he’d like to do it as well. It’s kind of a big deal. Sure, Butter is used in one of their commercials much the way Dynamite was last year, but that’s beside the point. Would that person make the same claim about Imagine Dragons whose song Believer is also part of the ads for the new Samsung phones? I have my doubts.
Furthermore, and I don't want this to come across as mean toward you but, I think it is uncalled for to question their artistic integrity based on a total of 3 (three) English songs when last year alone we received 50+ songs, most of which were in Korean, among them the entirety of BE which was, according to the members, the album they were most involved in ever when it comes to both music and everything around it.
You can dislike their English songs, that’s more than fine, they have a very extensive discography you can listen to instead, but questioning their integrity based on them doing something that most, if not every, artist on their level does (as in sign ad deals with brands etc) is a bit much if you ask me. Does that mean indie artists whose songs get picked up for commercials (or for Netflix shows or movies) and thus it catapults them into the mainstream are also just money hungry people with no integrity and ones who don’t care about their music? Or is that, again, just a standard Bangtan is held to (as in that their integrity is questioned based on everything, even the most trivial/normal things) that only applies to them and no one else?
In the recent Weverse Magazine article about how Permission to Dance came to be there is a lot of talk about not only that song but also Butter and Dynamite, among the things being discussed and talked about they mentioned how the original lyrics for Butter were much more materialistic but that the members didn't like that so they asked for that to be changed. Likewise the original lyrics for Permission to Dance, as you'd expect from the penmanship of Ed Sheeran, were much more romantic, almost proposal like, which wasn't what the members wanted either so it was, again, adjusted in a way that would fit what they, as well as the A&R team, wanted. While you may not like these songs, they still had a say in them to a certain degree, could say yes or no and ask for adjustments. Why else would PTD take eight months?
While they might outsource their English songs, their main focus, so their Korean (as well as Japanese) discography is still centered around them, their lyrics, their songs, their sound. Of course you’ll also find outside producers and some lyricists on those as well, because that’s how music works these days, as in collaboratively, that doesn’t change anything at large. Their integrity is still very much there, their hearts are still in it, what other reason would any of them have to say that they want to continue for a long time, for Yoongi to say they want to figure out how to make their career last as long as possible, for JK to say that he wants to sing forever?
Admin 2 also wanted me to add that in their opinion, to a certain degree (though not fully of course), their English songs are like a way to laugh at and expose how shallow the English-centric music industry is. As in, while they made music in Korean with deep and meaningful lyrics, the US industry didn’t care but once they switched to easy to listen to sound with easy to understand English lyrics, they suddenly paid attention, are played on the radio, and even received a Grammy nomination which they wouldn’t have gotten for a Korean song ( A1: regardless how much Black Swan or Spring Day really would’ve deserved it...).
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(Analog) Preservation in the Age of (Digital) Decay: Save <cite>Chargeman Ken</cite>
Chargeman Ken, the resplendent, violent fever dream of 1970s toy shows, is too beautiful to not be saved. It's challenging to put into words the exact, specific nature of why Chargeman Ken is so beloved, so maybe it's best we start with the bare facts. Chargeman Ken is a 1974 short form anime by the enigmatic studio KnacK (as immortalised in the title cards) that aired 65 episodes from April to June of 1974. Heavily inspired by more well known contemporaries like the work of Go Nagai, Shotaro Ishinomori and Tatsuo Yoshida, Ken Izumi is an 11-year old with an array of futuristic powers constantly beset by the invading extraterrestrial force of the Juraliens. Each roughly seven-minute episode aired once a day Monday-Friday in a production schedule so clearly punishing to the staff that every episode bears the scars. It aired so long ago and was so thoroughly unnoticed that a number of basic questions about who made the show are lost to time. Almost entirely forgotten for the better part of 30 years, it was rediscovered in the early 2000s, when its unique visuals and madcap plotting made it an easy favourite of the online generations’ iterative remix culture and surrealist sense of humour. It’s now available on Crunchyroll and on home video from Discotek Media.
That describes what the show is, but doesn't at all capture why it’s so beloved. You’ll find very little to entertain you if your ideal anime is a list of staff, a Shounen Jump-style adventure, a turgid and creaky robot show. Similarly, despite being riddled with errors, if pointing out flaws in “bad” media is your thing Chargeman Ken isn't for you. No, the real appeal of Chargeman Ken is, as I'm so fond of saying, you could never make something this good intentionally. It's the kind of thing that can only come from an earnest and misapplied effort succeeding in a way the creators didn't ever intend.
Ken's powers are wonderfully, gloriously unexplained (beyond having some kind of connection to light itself). Every single episode, you hear the theme song in the opening, and then again as Ken performs his “Charging Go!” transformation to turn regular Izumi Ken into Chargeman Ken. The threadbare 5-minute plots rely heavily on you having an existing familiarity with other media to fill in the gaps and despite being incredibly formulaic, you truly never know what's going to happen in any given episode. It contains incredible contrast after incredible contrast: An inspirational children's choir promises us Earth is our utopia, just a town in the universe, as Ken mercilessly kills sentient creatures over and over. The Juraliens, led by off-brand Braiking Boss, seek to disrupt Ken's life in bizarre and elaborate ways but rarely have a plan more sophisticated than “just attack him”. The oil crisis era-paranoia, a perfect middle-class existence horribly interrupted by some malignant outside force. The oddness of the nuclear family plus a sentient robot with the personality of a middle-aged man.
Left: Braiking Boss from Neo-Human Casshern. Right: The Juralien’s leader.
Chargeman Ken is loved as disposable ephemera, it’s flaws elevating to the level of high art by successive generations who have known nothing but a broken society. It resonates with people in the same way any openly flawed work resonates sympathetically with a viewer who sees their own flaws and failures in it. Sadly Chargeman Ken in its original form, the last-century medium of celluloid, is decaying, as are so many things expected to last forever. The chemicals used to make the miracle of sound will inevitably decay into acetic acid, permanently ruining film unless it's stopped and preserved from the original negatives. Which is where you and I come in.
In this episode Ken fights human flesh-eating butterflies. How can you not want to see that in glorious HD?
Editor’s Note: The following paragraph was written before the crowdfunding campaign closed with well over it’s original goal. Personally, I think it adds to the pathos of this piece.
The former studio Knack (now ICHI Corporation) recently launched a crowdfunding campaign which easily sailed over its goal with just over a week left, as of writing. ICHI have been making Chargeman Ken more easily and widely available/shamelessly profiting off of it's unlikely popularity. Crowdfunding campaigns by corporations are not new or unique, per se, but it is a fascinating contrast to the constant struggle to piece together a more sustainable living for those who work in the industry, even if KnacK and/or ICHI haven't animated anything in over a decade. It's also somewhat rare for a company to be interested in this kind of historical preservation, even if it is their cash cow. However, and regrettably it's a pretty big however, it is also the only way to preserve this unique little show for however many years civilization has left. Hell, you can get your name in the credits if you want, along with a ton of other goodies on offer.
The word “cult” is over-used to describe anything that lacks the following of whatever American television program or film is currently occupying your coworkers, but does genuinely capture something about the fans of Chargeman Ken. The rapturous love it inspires in people. It's almost a feeling, obvious on the surface to everyone in the know and oblique and peculiar to everyone else. Chargeman Ken has inspired countless fan works, meet-ups, lasting relationships and even an extremely fun-looking stage musical.
The same online era that rediscovered Ken’s ultraviolent adventures has been similarly terrible for preservation, and digital culture itself frequently simply ceases to exist. But Ken deserves to be saved in the same way that all ephemera deserves to be saved, and not just because it clearly resonated with so many people years after it was first created. It's not just the most popular works by the most famous people that deserve preservation. Every crazy frame of Chargeman Ken preserves a specific moment in the lives of its creators and every one of them is worth saving.
(Analog) Preservation in the Age of (Digital) Decay originally appeared on Ani-Gamers on September 6, 2020 at 4:00 PM.
By: Inaki
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How Will History Books Remember the 2010s?
New Post has been published on https://thebiafrastar.com/how-will-history-books-remember-the-2010s/
How Will History Books Remember the 2010s?
Illustration by Max-o-matic; Photos: AP/Getty
We aren’t just approaching the end of a very newsy year; we’re approaching the end of a very eventful decade. To mark the occasion, Politico Magazine asked a group of historians to put all that happened over the past 10 years in its proper historical context—and literally write the paragraph that they think will describe the 2010s in American history books written a century from now.
Will the seemingly significant events we have lived through this decade be important in the grand scheme? Are there powerful historical forces playing out that we’re missing? Where will Black Lives Matter, the social media revolution, #MeToo, climate change, Barack Obama and Donald Trump fit into the history books?
Many described the 2010s, in the words of Andrew Bacevich, as an era of “venomous division,” characterized by massive racial, economic and political divisions. Some saw hope in the discord—as a catalyst for much needed reform, soon to come. Still other historians pointed out less-noticed trends—in technology and foreign policy—that will resonate far into the future.
How will the future remember the 2010s? Here’s what the experts had to say:
The innovation of white supremacy
Marcia Chatelain is a professor of history and African American studies at Georgetown University.
The 2010s were characterized by the seeming dissonance of the 2016 presidential election. In that election, Donald J. Trump expertly galvanized racial resentments, manipulated a bifurcated media landscape and utilized his alliances with foreign governments to become president. Although it was unremarkable for a racist to become president of the United States, the election of the former reality television star immediately after former Senator Barack Obama, the first black man elected to the office, led some observers to believe that his presidential win was a sign of racial backlash, a phenomenon repeated across American history since the end of slavery. Trump’s election was distinct in that it helped highlight the centrality of technology in the efficient reproduction and circulation of racist ideologies, and it forced the public to confront tensions between an expanding public sphere and its ability to galvanize narrow-minded and socially dangerous thinking. On the cusp of 2020, Americans alarmed by the spread of falsehoods via the Internet and the radicalization of racists through social media channels realizedthat the ideology of white supremacy—with its longstanding ability to shapeshift to meet the demands of the day—had innovated alongside the technology industry.
The end of privacy
Vanessa Walker is the Morgan assistant professor of diplomatic history at Amherst College.
At the close of the 2010s, political polarization, reactionary nationalism and escalating public conflict over systemic racism, gender inequality and climate change dominated characterizations of the decade. Less noticed, the decade marked the end of privacy. State surveillance was nothing new. The war on terror in the aughts had already ushered in new invasive profiling practices. But the pervasive, hyper-individualized, corporate-based collection and aggregation of personal data in partnership with government marked a new frontier in surveillance. The collection of personal information through individuals’ phones, computers and virtual assistants—and the social media and online platforms they utilized—informed almost every aspect of social and political interactions. Over the decade, these instruments insinuated themselves into peoples’ everyday lives for convenience, for entertainment, for basic daily information and communication in a way that made it difficult to imagine functioning without them. Like the proverbial frog being boiled alive, people became accustomed not only to trading their personal information for basic services, but also the idea that they were always being watched. Appeased by the pretense of being able to “opt out,” consumers accepted vague assertions that data collection was consensual, anonymous and secure. Yet, as the decade drew to a close, law enforcement officials, political campaigns and foreign governments increasingly used information gathered for commercial purposes in ways completely at odds with the assurances of privacy and consent. As scandals like Cambridge Analytica revealed, the data usagewas also at odds with the integrity of democratic institutions and confidence in the electoral process. Big data clearly contained potential benefits for society in terms of health innovations, service optimization and energy efficiencies. However, without meaningful transparency over what was collected, who had access and how it was used, the looming surveillance state’s threat to individual freedom and collective security dwarfed those potential benefits.
A democracy grapples with its success
Tom Nichols is a professor at the U.S. Naval War College.
FromA Century of Change: The United States from 1945-2045:
Historians have struggled to explain the paradox of the 2010s. On the one hand, it was a decade of economic and military recovery that was by any standard peaceful and prosperous, even under two very different American presidents. And yet, it was characterized by a poisonous anger and extreme polarization that is normally the hallmark of defeated and bankrupted states on the verge of collapse. In retrospect, the 2010s represented an unexpected and politically destructive synergy between peace, affluence and technology. Despite skyrocketing income inequality, for example, an array of technological advances narrowed the daily living standards between rich and poor compared with even a few decades earlier. These advances, in turn, spurred increasingly unattainable demands from the public on both government and industry for even higher living standards and more consumer choices. Universal education produced unprecedented levels of literacy, but electronic entertainment and media undermined the ability of literacy to create informed citizens; by 2020, it was fair to say that never in modern history had a more educated people rejected science and rationalism in such numbers. Abroad, America was still supremely powerful, with interstate war nearly unheard of, and terrorism mostly contained at great distances (albeit at great cost). Yet this increased security reduced the sense of shared threat among Americans and thus dissolved any chance that foreign affairs might prove to be an arena of common interest. And the “era of social media,” as we refer to it today, not only allowed Americans to peer into heavily edited versions of each other’s lives—thus fueling huge social resentments—but encouraged them to voice their views in the most extreme manner, with each citizen offered a chance at notoriety if even for only a moment. By their end, the 2010s raised a question which remains unanswered as America heads toward completing its third century of existence: Can democracies cope with success?
Populist threats to the social order
David Greenberg, a professor of history and media studies at Rutgers, is a contributing editor at Politico Magazine.
The 2010s posed resonant rebukes to established authority the world over. The decade opened with an eruption of grassroots social movements in the U.S. and abroad—the Tea Party, Occupy Wall Street, Black Lives Matter, the Arab Spring—and continued on through the anti-Trump marches, #MeToo and 2019’s Hong Kong, Iran and India uprisings. Though typically short-lived and sometimes unsuccessful, these movements and their underlying discontents destabilized political structures everywhere. Anti-establishment politics also fed the rise of outsider candidates and populist demagogues, left and right, and dramatically weakened venerable political parties in many countries. For many people, this upheaval offered hope for the advent of a more equal and just society—but as Donald Trump’s presidency and other right-wing nationalist regimes held fast to power, there seemed at least as great a chance that it would fatally undermine the liberal international order that had underwritten peace and prosperity for so long.
The collapse of vital infrastructures
Sarah E. Igo is a professor of history and political science at Vanderbilt.
In the 2010s, Americans reckoned with their neglect of vital infrastructures: political, technological and environmental. Their constitutional democracy was the most obvious system in disarray. Vulnerable to Russian cyberattacks during the 2016 election, U.S. political institutions suffered equally from the unchecked flouting of governing norms by the reality-TV star president, Donald Trump, who was the beneficiary of those attacks. Americans’ communications infrastructure also proved precarious. As news and exchanges of all sorts moved onto electronic platforms in that decade, they became ever-more captive to corporate profits, eroding individual privacy as well as the means for achieving verifiable facts. Finally, in common with people around the world, Americans grasped in that decade the potentially irreversible harm humans had done to the natural systems supporting life on the planet. Raging fires, hurricanes and floods; attacks on democratic processes; social media surveillance and fake news. These were the shocks that exposed the fragility of the systems Americans depended on—but that also galvanized citizens to repair them in the 2020s.
The emergence of an Obama-Trump foreign policy
William Inboden is associate professor of public policy at the LBJ School and executive director of the Clements Center for National Security, University of Texas at Austin.
During this decade, the United States elected two presidents who could not be more dissimilar in temperament, character and background: Barack Obama and Donald Trump. Yet as history unfolded, it turns out that Obama’s and Trump’s different personas and governing styles obscured what were similar policy choices and convictions in the realm of American foreign policy. Both Obama and Trump disdained the foreign policy “establishment” and its prescriptions, trusting instead in their own instincts; both expressed skepticism about American exceptionalism; neither president forged close personal relationships with other foreign leaders. Both Obama and Trump voiced vexation with America’s allies and weakened America’s alliance commitments; both sought to reduce the American presence in the troubled Middle East; both were ambivalent about free trade agreements; both downplayed the promotion of human rights and democracy; and both attempted to reorient the United States away from being the dominant global superpower to instead adopting a more restrained posture in the emerging multipolar world. The Obama-Trump era of international politics, as it came to be seen, recognized correctly the need for a recalibration in America’s international role, especially given public discontent and the upsurge in global populist movements. But in time it proved to be the wrong prescription. Malign powers such as China and Russia filled the void left by American international leadership, contributing to the increase in global conflict and instability that characterized the unhappy decade of the 2020s.
A spotlight on state-sanctioned violence
Keisha N. Blain is an associate professor of history at the University of Pittsburgh and president of the African American Intellectual History Society.
On July 13, 2015, Sandra Bland, a 28-year-old Black woman from Illinois, was found dead in a jail cell in Waller County, Texas. Only three days prior, Bland had been stopped by a white officer while driving in Prairie View, Texas. The tense exchange between the two, which was recorded on the officer’s dashboard camera and on Bland’s cellphone, circulated widely across the nation. Thousands decried the circumstances that led to Bland’s tragic death, questioning the stop, the detainment and the officer’s repeated threats. Bland’s life and untimely death cast a spotlight on one of the social issues that dominated public discourse during the 2010s: state-sanctioned violence. The public awareness around this issue can be attributed to Black Lives Matter (BLM), a nationwide and global movement to end state-sanctioned violence. What began as a hashtag on social media—launched by activists Alicia Garza, Patrisse Cullors and Opal Tometi in 2013—following the acquittal of Trayvon Martin’s murderer evolved into a protest movement that shook the nation to its core. After the 2014 police shooting of Mike Brown Jr. in Ferguson, Missouri, BLM rose to national prominence, demanding justice for Brown’s family and the thousands of unarmed Black people murdered by the police. From uprisings in cities across the nation to organized acts of resistance on college campuses, BLM compelled Americans to acknowledge the systemic problem of state-sanctioned violence and take steps to bring about necessary changes. Despite backlash and a host of internal and external challenges, the BLM movement, led by young radical activists, transformed the American political landscape, shaping national discussions on race and policing, and forcing several presidential candidates during the 2016 elections to confront the issue.
The two faces of American democracy
Peniel Joseph is a professor of history and public affairs at the University of Texas at Austin.
The story of the second decade of the 21st century is one marked by the Janus-faced nature of American democracy. Barack Obama, the nation’s first black president, ushered in his own version of Lyndon Johnson’s Great Society through passage of sweeping health care legislation. The promise of a more just and fair society proved elusive however, undercut by growing disparities between the rich and the poor; the rise of mass incarceration; racial and economic segregation in neighborhoods and public schools; and an assault on the concept of American citizenship and democracy fueled by right wing social media, white nationalism, anti-immigrant and anti-Muslim sentiment. President Donald Trump’s ascension represented the literal and figurative inversion of the grand hopes of the Obama Era. Whereas Obama offered the hope of racial reconciliation based on a democracy expansive enough to embrace the historically marginalized and oppressed, Trump’s electoral coalition resounded with Americans longing for the sepia-toned past, one suffused with white supremacy. These dueling narratives of American democracy reverberated globally as well. The Obama Doctrine vowed to end international war through peace efforts (including the Iran Nuclear Deal) that at times upset allies. In contrast, the Trump Doctrine touted “America First” as a slogan that signaled the abandoning of longstanding alliances in favor of a more insular foreign policy—one that saw an American president openly courting authoritarian leaders in North Korean and Russia.
Polarization and the rise of politically active women
Heather Cox Richardson is a history professor at Boston College.
The perfect symbol of the 2010s came in February 2015, when an image of a dress went viral on social media as Americans fought over whether its pattern was #blackandblue or #whiteandgold. America was divided in this decade, with splits over economics, politics, religion and culture exacerbated by social media. A set of increasingly extreme Republicans stayed in power by convincing voters that Democrats under biracial president Barack Obama, whose signature piece of legislation was the Affordable Care Act making health care accessible, were intent on destroying America by giving tax dollars to lazy people of color and feminists who wanted to murder babies. And in 2016, Republicans leaders weaponized social media with the help of Russians to elect to the White House Donald J. Trump, who promised to end this “American carnage.”On the other side, in 2013, the rise of the Black Lives Matter Movement helped galvanize those who believed the system was stacked against them. And in January 2017, the day after Trump’s inauguration, the Women’s March became the largest single-day protest in American history. By the end of that year, the #MeToo Movement took off as women shared their ubiquitous experiences with sexual harassment and demanded an end to male dominance. In 2018, when Republicans forced through the Senate the Supreme Court nomination of Brett Kavanaugh, who had been creditably accused of sexual assault, they helped convinced voters to elect a historic number of women and racial minorities to Congress in in the 2018 midterm elections, almost entirely on the Democratic side. The story of the 2010s is of increasing American polarization, but also the rise of politically active women to defend American democracy against the growing power of a Republican oligarchy.
Globalization as uniter—and divider
George H. Nash is a historian and the author of The Conservative Intellectual Movement in America Since 1945.
The 2010s were a decade in which the forces of globalization pulled the nations of the world closer together—and began to drive them apart. It was a period in which more people were on the move in the world than at any time in the history of the human race (and more and more of them made America their destination). This unprecedented intermingling not just of goods and services but of peoples and cultures was accompanied by a revolutionary transformation in the structure and velocity of mass communication. The pace of life—especially public life—accelerated. Tribalization, polarization and combative populism permeated the political systems of many lands. In America itself, the apocalyptic language of war—even civil war—increasingly marked public discourse, and serious observers began openly to question whether the United States of America would remain indivisible in the years ahead. As the decade ended, no one could say with certainty whether the worldwide ferment was a passing spasm of discontent or a harbinger of deeper upheavals.
A period of paralysis
Kevin Kruse is a history professor at Princeton University.
The 2010s were a period of paralysis. From the Tea Party protests in 2010 through the impeachment of President Donald J. Trump in 2019, the American political system staggered from one partisan showdown to another. Amplified by the growth of partisan media, both on cable and the internet, Americans increasingly lined themselves into hostile camps with all political progress stalled. The federal government shut down three times due to funding impasses, while routine matters of housekeeping like the debt ceiling became, in the words of Senate Minority Leader Mitch McConnell in 2011, “a hostage worth ransoming.” As the government gridlocked, little progress was made on larger social concerns. There were, to be sure, notable changes such as the legalization of same-sex marriage in 2015, but on other issues little progress was made. The increasing crisis in climate change, which manifested in record temperatures and alarming levels of hurricanes, flooding and wildfires, only continued to worsen. Mass shootings accelerated as well, with four of the five deadliest incidents in U.S. history taking place in the decade, with little substantial action. The optimism over race relations that had marked the election of the first African American president, meanwhile, became dashed with the revival of white nationalist extremism and divisive fights over immigration from Muslim-majority nations and a proposed border wall with Mexico. By the end of the decade, the United States seemed more deeply divided and directionless than it had been in a half century.
The backlash against elites
Geoff Kabaservice is the author of Rule and Ruin: The Downfall of Moderation and the Destruction of the Republican Party, from Eisenhower to the Tea Party.
Decades rarely begin at neat decennial intervals. The 2010s, in hindsight, began with the 2007-08 financial crisis. The inability to foresee and prevent that crisis, combined with the subsequent lack of punishment for anyone behind it, served notice to much of the population that the establishment (whatever that was) was no longer doing its job (whatever that meant). As the crisis led to economic collapse in rural and formerly industrial areas, working-class and lower-middle-class citizens responded angrily to what they saw as a broader failure by elites (not just in politics but also in the media, think tanks and academia)to respond to the problems of globalization (including trade, immigration and crumbling communities) that primarily afflicted the left-behind regions. The result was a furious populist backlash—one that played out in country after country across the developed world, with movements that were more or less alike in their grievances and lack of coherent solutions. The real question of the decade was: Why did elites fail to see the reaction coming, and what would they do about it? The shape of the next decade was thus determined by whether parties of the center-left and center-right could revive anything like the post-World War II social unity and capitalism that produced steadily rising living standards for all, or whether the 2020s would look more like the 1930s.
A pathway to a new beginning
Jeremi Suri is a professor of public affairs and history at the LBJ School at the University of Texas Austin.
The decade began with the nation’s worst recession since the Great Depression and it ended with the worst political divisions since the close of the 19th century. The inherited institutions and practices of democracy in the United States took a repeated beating. In the last weeks of the decade, the House of Representatives impeached President Donald Trump while his supporters defended near-monarchical powers for the commander-in-chief. Nonetheless, the crises that dominated the decade were transitional. They marked the demise of a still white, post-industrial, baby-boomer society filled with men and women resisting their decline. The decade opened a new America that was more racially and ethnically diverse, more feminine, led by millennials, and organized around artificial intelligence technologies. 2020 was a powerful new beginning built on the destruction of the previous years. The United States renewed its democracy through a messy, prolonged and ultimately productive generational change in leadership at all levels— from local businesses and schools to the White House. It was an ugly time that generated bright reforms thereafter.
An era of competing populist movements
Claire Potter is a professor of history at the New School.
The partisanship, and the populisms, that came to characterize the 2010s were already coalescing as the ball dropped in Times Square on New Year’s Eve 2008. As Barack Obama, the first African American president, prepared to take office, disgruntled conservatives and libertarians began meeting in small, community groups—eventually forming the populist Tea Party movement, devoted to limiting the Obama legislative agenda to the expansion of public health care. By 2010, Tea Party-endorsed candidates were preparing to take their oaths of office in Congress as part of a new Republican House majority. By 2013, as many as 10 percent of Americans were said to identify with the movement. Fueled by similar grievances—economic despair, frustration with government, and the ability to organize and share ideas on social media—left populisms also flourished in the 2010s. By September 2011, protesters who identified as the Occupy Wall Street movement had established a self-governing encampment in Lower Manhattan, protesting economic policies that privileged the “1%” over the “99%,” forcing issues like student debt, workers’ rights and climate change to the center of political conversation and reviving the United States’ long-dormant socialist politics. In 2013, angered by the failure of a black president to stem violence against their communities, populists who were queer and of color coalesced under the hashtag #BlackLivesMatter to renew the struggle for racial civil rights. By the 2016 election, centrists in both parties suddenly found themselves besieged by new candidates who represented these competing populist movements. Socialist Bernie Sanders battered presumptive nominee Hillary Clinton, nearly costing her the nomination; on the right, real estate developer Donald Trump recast himself as a man of the people, wooing nationalists and corporate America with conspiracy theories, and the promise of a country renewed by wealth and whiteness, to defeat Clinton in the general election. The final four years of the decade would see a United States defined by the collapse of the political center, by the consequences of moving conservative populism to the center, and by the determination of left populists to remake the Democratic Party—and retake the government.
The privileged strike back
Judy Tzu-Chun Wu is a professor of Asian-American studies at the University of California, Irvine.
The 2010s, a decade that concluded the three-part movie trilogy of Star Wars, could be understood as an epic battle between good and evil, the small and seemingly insignificant against the dark forces and the imperial. There was the rise in protest movements for social justice: Occupy, #BlackLivesMatter, #MeToo, Standing Rock, Mauna Kea, youth against gun violence and Greta Thunberg. Standing in opposition were those with privilege and power, who continued to consider themselves the victims and the marginalized. Their fears about having to share their society and the possible loss of authority generated hate violence, mass incarceration, the detainment and abuse of refugee children, and self-righteous anger. As the U.S. approached 2020, the 100th anniversary of the 19th Amendment and the 150th anniversary of the 15th Amendment, the nation had elected its first African American/multi-racial president but had yet to elect a female president. In fact, the backlash against President Barack Obama and what he represented led to conspiracy theories about his birthplace, a new visibility and escalation of racialized police brutality, voter suppression laws and the confirmation of questionable nominees at all levels of the political system. The 2010s was a decade of civil war in the United States. How did this battle end? Was it possible to resolve the conflicts, given the historical depths of these divisions? Might a sense of compassion and a belief in justice lead to a renewed society, one that built bridges and not walls? The 2020 brought the possibility of a faint, new hope.
An era of venomous division
Andrew Bacevich is professor emeritus of international relations and history at Boston University.
By the second year of Barack Obama’s tenure in the White House, it had become apparent that his presidency would fall well short of transformational. While Obama’s two terms were not devoid of accomplishments, they tended to be incremental, for example his healthcare reforms, or short-lived, such as his efforts to stem the further proliferation of nuclear arms. Events quickly dashed expectations of the nation’s first black president ushering in a new forward-looking era of American politics. Instead, racial and cultural cleavages deepened, egregious inequality persisted and futile wars dragged on. Obama managed to prolong the life of the political consensus that had formed in the wake of the Cold War. Yet with the race to choose his successor in 2016, that consensus collapsed, the political novice Donald Trump prevailing over the far more seasoned Hillary Clinton. Former Secretary of State Clinton stood for unchecked individual autonomy, globalized neoliberalism and militarized U.S. “global leadership.” Although himself utterly devoid of principle, Trump presented himself as intent on repudiating all of these things. His election thereby brought to the fore divisions related to class, race and ethnicity that had been latent or ignored. A very considerable portion of the electorate wasted no time in dismissing his presidency as illegitimate. The signature of the ensuing Age of Trump was venomous division. In terms of policy, the theme of the 2010s became drift, with issues such as climate change treated as an afterthought, if at all.
The consequences of deregulation
David A. Hollinger is the Preston Hotchkis professor emeritus at UC Berkeley.
The deregulation approved by many Democrats as well as Republicans in previous decades resulted in a series of seismic transformations of the life of the United States in the 2010s. The deregulation of the communications industry led to the tribalization of the news media, most prominently in the creation of Fox News as a semi-official propaganda organ of the wealthy, extremely conservative Republicans who rallied around President Donald Trump in 2016. Fox News and its smaller counterparts cemented the loyalties of millions of voters by disseminating a steady stream of deeply misleading and often downright false accounts of virtually every issue being contested in public life. The deregulation of the financial, fossil fuel and other industries had similarly transformative consequences, facilitating economic inequality on a scale unknown for many decades and contributing to global warming on a scale scientists found apocalyptic. President Barack Obama tried to reverse these developments when he first came into office, but it was late in the day, and too many of the leading Democrats refused to support the policies Obama tried to advance. Ultimately, it was the Democratic Party’s failure to use the political and cultural resources available to it to enact and maintain an appropriate regulatory structure as late as the mid-1990s—during the neo-liberal administration of Bill Clinton—that did more than any other single factor to determine the course of American history in the 2010s. Rarely in the history of industrialized societies had a political leadership equipped with such magnificent opportunities squandered them so spectacularly, and thus betrayed the nation of which they were entrusted to be the stewards.
Democracy under siege
Nicole Hemmer is author of Messengers of the Right: Conservative Media and the Transformation of American Politics.
Bookended on one end byCitizens Unitedand on the other by a president impeached for inviting foreign interference in U.S. elections, the 2010s were the decade of democracy under siege. Red states instituted strict voter ID laws and purged their voter rolls, while the Supreme Court gutted the Voting Rights Act. Super PACs fueled dark-money politics. State-house Republicans stripped power from their rivals, and congressional Republicans broke every institutional norm in an attempt to thwart a popular Democratic president. And social media, which techno-optimists hailed as a force of democratization at the start of the decade, ended the 2010s as a dystopian hellscape crawling with wannabe Nazis and disinformation campaigns. It was also a decade of grassroots pro-democracy movements, from Occupy Wall Street to Moral Mondays to Black Lives Matter to the Women’s March to March for Our Lives, reminders that some Americans were resisting democratic decline.
Groundwork for a Constitutional revision
Jack Rakove is a professor of history and political science, emeritus, at Stanford University.The decade of the 2010s placed the American constitutional system under the greatest stress it had known since the New Deal crisis of the 1930s. President Donald Trump demonstrated that he felt none of the “veneration” (to quote James Madison’s 49thFederalistpaper) required to sustain the norms of constitutional governance. Worse still, however, was the behavior of the Senate and the Supreme Court. Under Republican control, the Senate blithely ignored the well-documented charges under which the House of Representatives had impeached Trump. For its part, the conservative-dominated Supreme Court fulfilled its long-frustrated agenda: In two leading decisions in June 2020, it gutted the Affordable Care Act and authorized individual states to impose severe limits on the right to choice secured in the 1974 decision inRoe v. Wade.
The events of the 2010s thus set the stage for the Great Constitutional Revision of 2024. Although Joe Biden defeated Trump in the 2020 election, Republicans held on to the Senate and the Supreme Court retained its conservative majority. With the national government in a state of near paralysis, a coalition of blue states coalesced to demand a constitutional convention. A phalanx of 18 solidly red states, representing less than a fifth of the nation’s population, quickly rejected this proposal, keeping it two states shy of the two-thirds margin that Article V of the Constitution required. Invoking the precedent set in 1787, when the first Constitutional Convention threw out the amendment rules laid down in the Articles of Confederation, the blue states insisted that the meeting must be held. Rather than side with the smaller bloc of solidly red states, the now hotly contested states of Texas and Florida sent delegations to the Chicago convention.The dominant theme of the Convention was to make constitutional decision-making directly responsive to the one person, one vote standard. That was also how votes were allocated in the Convention itself. The resulting deliberations led to a radically revised Constitution. Among other changes, the president would now be elected by a single nation-wide popular vote. The House of Representatives was enlarged to 600 members, with all its districts designed by an AI process to be as competitive as possible. The Senate became an advisory body that could no longer vote down legislation enacted by the House, and senators were now elected on a regional basis, rather than by individual states. The Supreme Court was enlarged to 15 justices, who would serve 18-year terms on a staggered basis. When the bloc of small red states balked at ratifying the results, they were told they could form their own separate confederacy. A few months of considering how costly it would be to sustain their states government without the financial support of the far more economically productive blue states quickly led them to abandon their position.
Trump’s one inadvertent contribution to American history was to make these changes possible.
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