#which I would instantly join except the organizer is apparently using this edited version???
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oh my godddd, if you’re going to read Moby Dick why would you read a “contemporary readers” version of it? Look at this nonsense:
I really don’t think it’s much easier to understand than the original, and it’s much, much less memorable. No “damp drizzly November in my soul”!! No “coffin warehouses”!! And this really plays down Ishmael’s unreliable narrator qualities, and gives him so much more... determination, I guess is the word? He comes off as a guy who knows what he wants, instead of dude who’s passively suicidal enough to drift into whaling as the better option.
Anyway, the original for comparison:
Call me Ishmael. Some years ago- never mind how long precisely- having little or no money in my purse, and nothing particular to interest me on shore, I thought I would sail about a little and see the watery part of the world. It is a way I have of driving off the spleen and regulating the circulation. Whenever I find myself growing grim about the mouth; whenever it is a damp, drizzly November in my soul; whenever I find myself involuntarily pausing before coffin warehouses, and bringing up the rear of every funeral I meet; and especially whenever my hypos get such an upper hand of me, that it requires a strong moral principle to prevent me from deliberately stepping into the street, and methodically knocking people's hats off- then, I account it high time to get to sea as soon as I can. This is my substitute for pistol and ball. With a philosophical flourish Cato throws himself upon his sword; I quietly take to the ship. There is nothing surprising in this. If they but knew it, almost all men in their degree, some time or other, cherish very nearly the same feelings towards the ocean with me.
#post inspired by a new MeetUp group in my area that's going to do a read-along of moby dick#which I would instantly join except the organizer is apparently using this edited version???#it's not even 200 years old. the issue isn't the 'modernness' of the language. it's that Ishmael is a deliberately flowery dude#moby dick
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You can ignore this if you don’t have any thoughts but what your ideal new young avengers run look like? Who would be on the team, what would you even call it now that they’re all adults (except Cassie I guess?)
One of my favorite things about Young Avengers, which I think is often underplayed to the detriment of the characters, is that the team is routinely forced to operate outside of the law and against the wishes of their elders. In the core YA books, the kids are more often working in opposition to the Avengers rather than in cooperation. These are characters whose methods and motives are not usually aligned with those of the established superhero organizations, which is also reflected in many of their appearances beyond YA-- Strikeforce and Empyre are great examples, as are Cassie's adventures in Astonishing Ant-Man. This rebel element is often at odds with the fact that many of the characters admire the Avengers, or have close personal relationships with individual Avengers members. The dissonance becomes especially strong when Billy and Teddy, who have the most reason to distrust and resent them following Children's Crusade, are consistently characterized as Avengers fanboys.
That's not to say that I think the Young Avengers should, like, hate the old Avengers, but I do think that this tension is a key part of the series. The 2005 run was about a group of kids who stepped up, at a very young age, to do a job that wasn't getting done because the previous generation had failed, only to get shot down by the people who had failed them in the first place. It's about a group of kids grappling with complex and painful family histories, and, in many ways, they're foils to the Runaways, which is why I don't really like it when they play junior Avengers or emulate the traditional superhero team structure-- WCA was really fun, but I'm not going to pitch a second volume, you know? I much prefer them operating as an ad hoc group, mainly because they each come from different backgrounds, have different goals, and work in different fields. They're not people who work together because they're part of an organization, they're people who show up for each other because they're friends and they care about one another. That is, in my mind, a more effective approach to a team book with such disparate characters than what the typical Avengers title tries to do.
So, anyways, that's what I think makes Young Avengers special and it's why I think the book still has a place in the Marvel world. Pitching actual story ideas is hard now because Teddy and Billy are, apparently, living off-world and very busy being royalty. In my previous post, I outlined an older idea for a BillyTeddy ongoing series that could have easily functioned as a third volume of Young Avengers, but would require some editing to work in a post-Empyre world. The idea was for Billy and Teddy's apartment in New York to act as a base of operations for a revolving cast of their friends, who come and go over the course of various story arcs. The two of them are presumably living full-time in space now, but it's also been established that they're magically anchored to each other in a way that makes it easy for Billy to warp between New York and the throneship-- anywhere Teddy goes, Billy can instantly follow, and vice-versa, which means that the series could still use Earth as a main setting without pulling the royal couple out of their other storyline.
I'd love a Young Avengers/Runaways crossover set in space-- their previous crossovers mostly have to do with alien drama, after all, and I've been itching to get Xavin back on page. I'm very serious when I say that I want Xavin, Teddy and Noh to be best friends, and I think they'd be fun leads for a miniseries, or even the opening arc of a limited run that eventually folds in the other YA and Runaways characters. I'm imagining an extended version of the interstellar road trip from YA (2013). Maybe Teddy will recruit his two closest alien friends to go on a sensitive diplomatic mission where he can only bring a small party, but it turns out to be some kind of trap and they end up stranded somewhere and have to, like fight their way out of hostile territory and make their way back to the Alliance with no ship. Billy can reach Teddy, obviously, but he can't just warp the whole party home because the distance is too great or they're in an alternate dimension or something, so he rounds up a rescue party and Karolina insists on coming along because, I don't know, the Light Brigade is mixed up in this and she feels like it's her responsibility to help Xavin even though they haven't seen each other in years. Nico obviously comes along with her, and can help Billy with tracking spells.
I'd also like to see a YA book led by the series' most under-served characters-- Tommy, Eli, and Cassie. Building off of Cassie's capers in Ant-Man, I'd be very into a heist or espionage story about the three of them, probably joined by Kate because she'd add a lot of cohesion to the cast and is so well suited to this type of adventure. Maybe they're undercover, and they have to, like, fake-fight some of the other Young Avengers, but they all join forces once the misunderstanding is cleared up. I'm picturing a cold open where the whole first issue is made up of, like, security camera footage of three masked figures breaking into a high-tech vault at AIM or Roxxon, and they steal a bunch of weaponry and fight their way out through a bunch of goons, but then it's revealed that the whole thing was a distraction to cover up a fourth intruder who moves too fast for the cameras to track. At the end of the issue, it's revealed to the reader that the intruders are the Young Avengers, and the real prize was a computer holding the last backup of Jonas's AI. The rest of the first arc is about them trying to rebuild Jonas with help from Vee, but they have to keep it a secret from the Avengers because they're planning an even bigger heist against, like Kate's dad, and they need to keep the whole operation under wraps because he's got eyes and ears all over.
I'm not particularly eager for another fantasy story after CC and YA(2013), but I'd be into a cosmic-fantasy arc about America solving some sort of inter-dimensional crisis or chasing a villain across worlds with Tommy and Billy's help. I really want more development between America and Billy, but I also think that she'd be really funny friends with Tommy and I want to see more of him playing off of magic characters. Maybe Leah (the one from Earth-15513 that's living on Earth-616 now) receives a mysterious message from Loki and asks the Young Avengers to help her track them down. America and Billy volunteer and Tommy tags along. Along the way they end up discovering some sort of evil curse or spell and go on a quest through various dimensions in order to break it. In the end it turns out the whole thing was set up by Loki to manipulate them into defeating an evil alternate-universe Loki-- maybe the one from Leah's native dimension-- because Evil Loki had used an enchantment that made it impossible for 616-Loki to harm them, which includes allies who are knowingly fighting on Loki's behalf. Better yet, it's a proxy war, and Evil Loki has recruited pawns of their own-- including Sylvie and Lisa from the Young Masters! 616-Loki does come clean when the dust is settled and finally reconnects with the Young Avengers. Loki is glad that Leah found a way to escape her destiny, but they admit that they don't feel they've succeeded in breaking out of their own cycle, to which America and Billy are like "we've seen how far you've come, but you need to remember that people care about you and stop bailing on us when we actually want to talk it out with you," which Tommy backs up because, like, he's been that person. Friendship! Character arcs that don’t fizzle out when a book wraps in under twenty issue!
Anyways, if we got a third Young Avengers volume, I'd prefer a limited run with a cohesive story, but all of the ideas I just outlined would probably work better as smaller arcs in an ongoing series. I have a lot of ideas about tying up loose threads and continuing arcs that are already in motion, but I'm hesitant to plot out what the next big step in these characters' lives should be. I definitely think it's time to give Tommy and Cassie another shot at the spotlight, and I want Eli to come back with a new costume and codename.
At this phase, it's just really hard for me to land on any larger, deeper stories because I'm so unsure of what the next few years will look like for Billy and Teddy. There's also an America title that's been in production limbo since the pandemic started, and I feel like there's some kind of drama on the horizon between the Maximoffs and Krakoa which would theoretically impact the twins as well. I also anticipate editorial pushing for Kate in a Hawkeye book when the tv show comes out.
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