#where is my influencer brand deal fr

[blueskittlesart]

hit 10k on instagram earlier this week and did some requests to celebrate!! here's batch 1

[motorsportbarbie13]

The Accidental Influencer

In which you're reminded why you fell in love with Lando in the first place.

Warnings: nothing Pairing: Lando Norris x Influencer!Reader Word count: 1.5k(ish)

based on this request Master List

yourinstaname posted

598,029 likes liked by landonorris, charlottetilbury, kikagomes, and others yourinstaname 'tis the season and all that (tagged: charlottetilbury, landonorris) user444 love when we get @/yourinstaname and lando content >>>user837 for real. charlottetilbury so excited to see you tonight!!! user009 body goals fr landonorris hey cutie, you got a date for tonight??? >>>yourinstaname eh, just my boyfriend but i'm willing to ditch him if you're offering 🤭 >>>user928 their interactions are always so sickeningly cute. >>>user829 always flirting, never serious. my favorite F1 couple fr.

You hadn't meant to become an influencer. Honest to God, you really hadn't. But then your Get Ready with Me, Cheerleader Edition had gone viral during your senior year of college and that had been that. Even though you'd been in the influencer world for a few years now it was still a place where you weren't totally comfortable. Sure, you had made some really good friends and had even found the love of your life in F1 driver Lando Norris but there was still something about the parties and late nights that had you feeling anxious sometimes.

Anxiety that spiked on nights like this, despite the fact that you had brought said boyfriend with you as your plus one, where you found yourself just wanting to run back to Lando's apartment and snuggle on the couch.

It had been a few weeks ago when the email invite had landed in your manager's inbox inviting you to Charlotte Tilbury's annual Christmas party in the heart of downtown London. It was a big deal that you'd been invited, an American that had moved across the ocean 2 years ago, and your manager had insisted you go and network. You had been reluctant even back then though. It had been a difficult and busy year, with Lando's season being hectic and you trying to be there for him as much as possible while fulfilling the brand deals and obligations you needed to do. You wanted nothing more than to spend the evening alone in your flat hibernating with your boyfriend.

In the end, it had been Lando that had convinced you to go, offering to be your plus one. Which you were now regretting as you stood in the corner of the room near one of the giant Christmas trees watching the room buzz with activity.

Girls in tiny sparkly dresses stood in little groups, laughing and socializing. Girls that were dressed to the nines, makeup applied perfectly probably by professionals. Girls that kept tossing you glances every once in a while, as if they were wondering what in the world you were doing with someone like Lando. Fairy lights twinkled above, creating a soft ambient glow that you knew would create good lighting for some photos later in the evening.

Across the room, you spotted Lando standing at the bar getting you another French 75, your favorite drink of the moment. Lando stood behind another plus one date dressed in a charcoal grey suit waiting to order you a drink. As he waited, his head turned just slightly and you caught his gaze, the eye contact with you sending a cool shiver down his spine. You'd been dating for nearly two years now and the sight of you still set something squeezing in his chest you were just so pretty. But beyond your looks, you were authentic and felt everything so deeply and fully, something that he found was missing from a lot of people in your world. He knew you didn't like these kinds of nights but he was so proud you had put your anxieties aside in order to put yourself out there.

Once the drinks were ordered, Lando started back towards you, surprised to see you chatting with one of the other girls that had been invited. As he crossed the room, his eyes stay locked on you despite several women trying not so very subtly to get his attention. A few just simply called out his name, voices thick with flirtation and innuendo. Out of the corner of your eye, you saw your boyfriend approaching and also noticed how many heads turned in his direction, sending something painful twisting in your stomach. You struggled to keep the conversation up with the girl across you, someone who you'd met a few times before and genuinely did like, just watching Lando approach you with 2 drinks in his hands.

"Baby, look they put glitter in the drinks tonight." Lando gushes when he finally reaches where you're standing, handing you your drink before slipping his now empty hand around your waist.

A sharp streak of desire skitters across your skin at being claimed by Lando as he pulls you in for a quick kiss. The small reassurance that he's here for you and only you settles something in your bones and you don't miss the glint of jealousy in your friends face as she watches the two of you come together.

"You guys are so cute together." Fiona coos across from you. "How did you meet again?"

Your eyes dart over to Lando, and he winks at you, encouraging you to answer the question. A small smile plays on your face as you recount the beginning of your story with him. "I had been invited to be at the Miami race last year by Ferrari."

Next to you, you can practically feel Lando roll his eyes. 2 years later, he's still bitter you started off as a Ferrari fan and not in papaya. You pinch at his arm softly, knowing that he was shaking his head at the thought.

"And I was in the paddock when Fernando Alonso went flying down the sidewalk and nearly took me out. My knight in shining armor pulled me out of the way just before I was nearly made road kill."

"Swept her right off her feet." Lando quips as he squeezes your hip, nostalgic smile playing at the corner of his mouth as he barely resisted the urge to kiss you right in front of everyone.

"He offered to take me to lunch in the McLaren hospitality suite after threatening to put Alonso into the wall as retaliation for nearly killing me."

"I was a goner the moment I saw her walking down that sidewalk and then Nando did me the biggest favor of my life." Leaning down, Lando nuzzles into your neck, not caring that your friend is right there, watching you both with an amused smile on her face.

"I somehow found myself in the McLaren garage a few weeks later in Montreal, which someone still refuses to admit he's responsible for two years later." You bump your hip against your boyfriends, grinning over at him like a lovesick puppy.

Lando just shrugs, "I had absolutely nothing to do with that." He says, faux innocence lacing his voice.

Which, of course, was been a total lie. Seeing you draped in Ferrari scarlet had jealousy coursing through his veins the entire time he had been with you that first day in Miami. Lando had fallen hard and fast for you, something that had taken him completely by surprise. The way you laughed so quickly and easily, the way you put your entire soul into anything you did, the way you loved so loud and so boldly had him craving time with you, no matter how short it was.

He had gone straight to the PR department the next time he had been at the MTC, requesting special VIP passes be sent to you to the next race you were available for. Gina, who was responsible for coordinating guest passes and celebrity invites, had been shocked at his insistence at inviting someone who didn't do F1 related content or anything but had, of course, complied with the driver's request and began working on getting you to another race.

When that invite had landed in your managers inbox, you had agreed nearly instantaneously, remembering how good it felt to have Lando's full attention on you even as briefly as it had been in Miami.

"God, you guys are so cute, it's gross." Fiona gushes as you two get lost in each other's gaze as if she's not even standing right in front of you.

Lando reaches in his pocket for his phone before handing it over to Fiona. "Would you mind taking some pictures of us in front of the tree?"

You glance over at him, somewhat surprised at his request. It wasn't that Lando didn't like taking pictures with you, most of the time he indulged your requests because he did love getting those pictures together with you and he knew it was part of your job, but you knew that he preferred his privacy when it came to his personal life. "You sure?"

Lando nods, no hint of insincerity on his face. Fiona takes Lando's phone without hesitation and directs the pair of you on the best angle to take advantage of the twinkling fairy lights above and on the tree behind you.

As you listen to your friends direction, enjoying the way Lando's hands sit heavily on your hips when he pulls you closer, you're filled with gratitude and appreciation for your boyfriend, glad he had insisted you come tonight despite your initial reservations.

yourinstaname posted

299,948 likes liked by therealfiona, landonorris, charlottetilbury, and others yourinstaname It's the most wonderful time of the year. thank you to @/charlottetilbury for inviting us out for such a lovely evening. (photo cred to @/therealfiona.) (tagged: landonorris, charlottetilbury) therealfiona I should look into a career as a photographer. lovely to see you babes, can't wait to see you for New Years!! >>>yourinstaname profesh photog material for sure! xox landonorris whoever had the idea to take these pictures deserves an extra kiss tonight >>>yourinstaname you're literally sat two feet away from me rn, come get your reward. >>>user938 i'm obsessed with boyfriend lando >>>yourinstaname me too! 😉

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(If you want to be added or removed, let me know! Also, if you’d prefer to only be tagged in certain types of fics, like just my Lando or just my max stuff, send me a message. I’m going to try to keep a better tag list organized going forward and I don’t want to keep tagging people who don’t want to be tagged 🥹)

[things-about-cars-in-posts]

Well, that's a tricky question to answer! You see, one aspect of this is that how much a car with two badges reflects either brand's qualities is determined by how much work each of the brands has put in it. For instance, see the Honda Crossroad. It's '93, and Honda is late to the SUV game and needs something to sell in Japan and NZ. Now, who could they strike a deal with to get an off-roader that will live up to Honda's spotless reputation of quality engineering with perfect reliability? That is just one of the many questions they did not ask when they made a deal with automotive-Happy-Meal-wristwatch Land Rover to slap some Honda badges on their Discovery.

Just as one example of how out of line this was, it's not just that Honda had never sold a V8 before (nor would since), it's that, well, Honda was selling: - a 0.6L 3 cylinder that made 64hp - a 1.8L 4 cylinder that made 197hp - a 3.0L V6 that made 270hp And how much power was made by this 3.9L V8, to date the largest engine and only V8 Honda would ever sell? 177hp. Are you kidding me.

An example of more effort is the Saab 9-2X Aero, from a weird couple of years where GM owned both Saab and a share in Subaru and tried to pad the Saab lineup by making them rebadge both GM products and some Subarus, like the Impreza Wagon. Saab did not just shove Saab badges into Subaru oval-shaped holes: outside, all the front and rear body panels were redesigned to look Saab.

Inside, there was nicer trim hear and there, better sound deadening, more options like fancier seats and a sunroof, and the rustproofing was upgraded from "Subaru rustproofing" to "rustproofing". And the handling was tweaked to try and deliver an experience more befitting of the role further up the market Saab had carved for themselves. Many questioned whether what was done was enough to make it worthy of the Saab name (I mean, hell, the key wasn't even behind the shifter!), but you know (wait wait y'all may think I was joking, I was not joking, Saabs actually had the ignition behind the shifter), it is clear that (that's why you had to put them into reverse to take the key out, because instead of a steering lock you had a shifter lock) some effort was made to integrate the car into the brand and infuse it with its values enough to justify the badge. Saab could not claim to have fathered the car, but tried to be a good stepdad. A stepbrand, if you will.

And an example of full-blown involvement, group project, Simon & Garfunkel performance, Penn & Teller show is what Subaru made with the company GM sold their shares of it to, Toyota.

Toyota GT86 (also known as 86 in Japan and FRS under Toyota's late fellow-kids-brand Scion) and Subaru BRZ were a completely joint effort in which each manufacturer put in work both in form of engineering and of components.

And the Aygo/C1/107 is this last kind of deal.

But the other aspect of answering your question is that there are many factors that influence reputation, and reality is just one of them. Especially because reality can only influence reputation if you know it, and not even I knew, say, whether they used Toyota engines or PSA ones. Turns out both! The petrol is Toyota and the diesel PSA! But the petrol engine was developed by Daihatsu, which, wait, is a subsidiary of Toyota? I somehow either missed or completely forgot that! And also, that diesel engine was codeveloped by Ford's European division and Mazda so that should factor in as well! It's one of those frustrating situations where the more you know the less sure you are. Because of course, most people will not hear about the news of a Toyota-PSA joint venture and, while it may defy my belief, many people are genuinely not going to notice that those three are in fact the same basic car, so some people will have gone to a Toyota dealership because they heard they were reliable cars and oh look a small little car that is the kind of thing I want yeah that'll do, never even knowing Citroën and Peugeot were also selling it. Hell, some people may even have cross-shopped it with the PSA cars and figured that the Aygo must've had some more Toyota in it than the others so Aygo it would be. You know, sometimes you've gotta stop and recognize that, for how hung up we get on reputation, it is just meant to inform us of what really matters, the truth. And apparently reliability surveys rated them best in class. How great.

P.S. for those wondering what a "56 plate" is: Non-custom UK number plates specify the year of the car they are assigned to. While from 1983 to 2001 they used a letter in front, skipping some for special cases (like I and Z for Northern Ireland or Q for unknown date) or to avoid them being misread (O could've been 0 and U could've been V), from then on they used two numbers corresponding to the year, 02 for '02 and so on. Which would date @izzydeadjet's car as a 2056. Hm. Oh right, to be more specific cars made in the later half of the year add 5 to the decade, so 06 for early 2006 and 56 for late 2006, 16 for early 2016 and 66 for late 2016, so on. As you might notice, however, this system will become ambiguous in the 2050s. Normally I could accept that whether a car has x years or 50 more than that is something you could ascertain by just looking at the damn thing, but Morgan and Caterham show that if there's a country where that may not be obvious it's Britain.

See, this is why y'all follow me. Where else are you going to see a lapse in foresight from the UK?

so, I found out about the fact that apparently the fiat panda, has been getting 4x4 variants today.

and I thought them to be too interesting not to share them with the world. Which was the moment I realized that you may be the best way of doing that, as you probably also have some cool, and weird facts/opinions about this weirdly amazing, and surprisingly cool looking car.

Indeed I do, and I wrote them up in this post! And if you feel bad about not having seen that post and/or thought to search for Fiat Panda on my blog (we are assuming that the search function would work, though, which as I found is not at all a guarantee even when you explicitly search for a tag I have used verbatim), worry not - as not only are you going to get more Panda words out of me than you could possibly have asked for, but you gave me the chance to post about an incredible detail about the original Panda I had forgotten to mention there!

See, there are cars where the front and rear windows roll down electrically (not electronically, by the way, those are two different things) as standard. There are cars (yes, even today) in which the front windows roll down electrically as standard, but the rear windows that roll down electrically are an optional extra. And then there was the Mk1 Panda, in which... all the windows were manual only, you might guess I'm going to say. But no: surprisingly, they were offered with optional electric front windows. The rear windows though?

You got a hinge that opened up this much. Now, I should note this is not that unique, such windows have been used by cars as upmarket as the Accord Aerodeck and as modern as the first generation Toyota Aygo/Peugeot 107/Citroën C1 (they were the same basic car), and even some minivans for the third row seats - it's what you do when space or other constraints make rolling the window into the body impossible; and having been in the back of an Aygo I can also attest that they are reasonably effective. So no, the Mk1 Panda is not the only car that had such a rear window. However it is the only car I know of in which it wasn't standard. That's right, the Fiat Panda was so goddamn basic that a manual rear window that didn't roll down was an option. Absolutely amazing. I love this car.

Links in blue are posts of mine about the topic in question - if you liked this post, you might like those!

[paigelev]

( SCARLETT LEITHOLD, CISFEMALE, SHE/HER ) – wait a minute, wasn’t that 20 year old PAIGE LEVINSKY walking through the town square? i heard that they’ve been living in augusta for THEIR WHOLE LIVES and they live at #12 SYCAMORE WAY i often see them IN THE MAGAZINES  where they spend their time as A SOCIALITE the people closest to them say that they are MAGNETIC &  LIVELY but can also be DETATCHED & RECKLESS 

hllo folks! im sage pronouns are she+her and im coming 2 u live frm the est tz.  im so happy that i found this cute lil group!! anyways, im the worst at intros so pls let me jus jump right into my child below !!! if u wanna plot give this a like and i’ll come sprinting ur way fr plots n stuff 

okay, so paige is a brand new muse of mine so pls forgive me if this is rough™

I have her pinterest board here if u wanna take a peak at her 

SO the levinsky’s come frm old old old money tht.. people dnt even know what they do.. or where their money comes frm at this point. they jus know their rich af and  are one of those prominent families in the business world, political world n any other kind of world that breeds nepotism 

they attend events and galas and sponsor them on a monthly, sometimes weekly basis, donating heaps to keep their family name pristine & relevant

paige ws born and raised in augusta. everyone knew the levinsky’s, the family that sped around town with shiny cars and bright smiles, blonde locks fluttering in the wind like they’ve got a wind machine following them. 

12 sycamore way was the house tht caught everyone’s eye as they drove past the street; with the beautiful french inspired architecture and bright red door tht hid a family tht was known for their looks and social status

i’ve kinda based her on serena van der woodsen frm gossip girl mixed with marissa cooper frm the oc aka ... sis is a mess

her dad is buried with work, n is off running one of their businesses over seas, basically an absent father who she can’t help but still idolize. her mom travels a lot, attending events n jus spending money n trying to buy happiness bc the love between her mom n dad is nonexistent at this point

paige is rlly outgoing n jus has sort of tht magnetic personality that draws people to her. rly charming n just easy to get along with

 things come rly easily to her..which is probably annoying bc she’ll try half as hard and probably get twice as much. 

she had everything going fr her.. yale ws in the horizon but the day before graduation paige literally jus dipped n didn’t tell anyone 

i’ve got a few reasons on why she left without a word, but im going to.. hold off on exposing tht bc 1. i cnt make up my mind on which one i wanna do and 2. if anyone wants some drama pls hmu if u would like ur character to be a big reason why paige left!  we can brainstorm 

anyways she left three years ago n nw she’s finally returned to augusta - the producers of the show caught wind of this and probably have made a big deal abt it ... the golden girl returns or smth like tht lmao

but she’s come back and she’s kinda changed, a lot less wild as she used to be.. and tbh it won’t take much to coax her into turning back into her former self tht jus liked to hav a buckwildT time

she’s trying to be good but she’s never been rlly good at tht. 

she’s living at the red velvet at the moment bc she rly does not want to live with her mom or be known as the girl behind the red door bc it frnkly just all feels like a completely different lifetime ago and one that she isn’t that proud of

some connections i’d love 

friends !! ..she most likely didn’t keep contact with a bunch of them but i feel like she probably did with a few that she was v close to n texted every nw and then. friends that she lost touch with so now its kind of awkward, a best friend who feels like she ditched her so now there’s drama between them n paige is rly nervous to see her again (the blair to her serena, the summer to her marissa)

enemies!! she probably had quite a few so i reckon there’s a lot of side eyeing now tht shes back. she has 100% stolen someone’s bf only to grow bored of him after 3 days n ditch him.

exes!! maybe a boyfriend tht she left behind without saying anything to .. perhaps shawn mendes wrote where were u in the morning for her lmao maybe a fling she’s had n they still have lingering feelings, exes tht absolutely despise each other bc paige jus fuked them over, or vice versa

 someone to corrupt her n bring out her wild side again

someone who is a good influence for her

i cant think of anything else but kno tht i am dwn for jus abt anything!! 

[slimfitdiets-blog]

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[ofoatd]

Tomlinson's TV talent, Panic! At The Disco's plight to high heights & Fall Out Boy's 'Thnks Fr Th Mmrs' Llama led rip off

Tomlinson's judging talent, Payne's premiering EP, One Direction's eight year 'History', Fall Out Boy's 'Thnks fr th Mmrs' lama led rip off and Panic! At The Disco's daredevil plight to high heights. One Fall Out At The Disco's fortuitous hiatus has halted, honing in on music happenings from Malik's sonically startling 'Sour Diesel' to Panic! At The Disco's pious 'Pray For The Wicked Tour’ trail. Coming back from a break like Twenty One Pilots' sabbatical suspension over One Direction's cry out for a comeback, One Fall Out At The Disco's reformed and restored, magnifying music most missed matters.

Louis Tomlinson the TV talent X Factor judge

Honing in on unblemished boyband harmonies to tearing up the table as a esteemed musical magistrate of the newly designed panel, Louis Tomlinson's lustrous leverage to the heritage of TV talent The X Factor, has been an burning notion put into motion years heretofore.

The 'Back To You' singer is going back to where his life full and long living career conspired into a spiral of One Direction domination, music mogul imprints, solo success and judging jobs upon cultured acquaintance of the panel position and being a ratings boosting figure boasted by philanthropist and public personality Simon Cowell, utilising the former boyband segments popularity purposefully to revive a dying British singing show which cultivated in collecting the worst ever final ratings in its 14 year stint, prioritising Tomlinson's tactile public marketability moreover that's the northerners notorious charismatic persona was a seamlessly shameful statement surrounding Cowell's integrity and intentions.

Whilst conference communications broke of the 26 year olds artist management role, speckles of scepticism surrounding Louis debut record release unofficially branded as LT1 fretted fans over his prioritisation of music over contest commitments with the solo singer suggesting the shows help not hindering covenant commenting "The album is still definitely my priority it doesn't change any release time me doing the show. Having come from the show it made sense to me to go on, I've always been interested in mentoring that's why I've done things in the past with my imprint label. It's something that has been on my mind".

Rolling up in a Mercedes-Benz company car stepping out from the suburbs of a renewed vintage esque Burberry check craze, the 'Just Like You' lead infiltrated into the SSE Arena Wembley situated adjacent to the worldwide wonder Wembley Stadium who hosted One Direction's three date term ‘Where We Are Tour’ in 2014. Sitting in the cushion stacked hot seat for the discovery arena auditions, cautiously crying over a returning contestant and being timidly confident within his critiques plus the stressful six chair challenge mentoring the boys bracket.

Tomlinson took time to spontaneously meet smiley faced fans fighting to stay in their seats subsequent to staff brutally blacklisting and barbarically banning fans from floor perspectives, reigniting former boyband memory flames and jettisoning James Grant Management Group and moving to Mark Gillespie and Matt Vines WMA Management after a two year time with the initial leading agency providers the Syco spin off label imprint individual is moving on, maximising his music mogul mind nostalgic to Plain White T's and Toms.

8 years of One Direction

Primary vanguards of 21st century boyband unprecedented hysteria, X Factor  graduates One Direction have been masters of pop culture craft for an existing 8 years. Sitting on stairs to selling out stadiums, singing saccharine sugar coated bubblegum pop bops apropos to endless promises of partying all night, making malcontent 'Midnight Memories' stomping upon the streets of centralised London and mulling over fornoon favourite a.m conversations to a cultivation of a dedicated demographic of assured adolescents, placid parents and benevolent boyfriends of fangirl girlfriends growing and grasping mainstream music eminence, eventually evolving as one of the highest earning boyband in history eternity.

"#8YearsOfOneDirection where has the time gone!? Thank you so much to every single person who’s ever supported us. Big love!" tweets Tomlinson the 1/4 of One Direction bio beholder, taking time  aside from audition allegiance alongside Liam Payne addressing the boyband as "Brothers" simultaneously splashing in the oceanic seas from the probably private yacht on Payne's sunny staycation, Niall Horan penning homage to "Amazing memories with the lads" and Harry Styles stating the fan support system saying "Thank you for all the love, thank you for all the support. Thank you for everything" signed off with his signature H dismissal.

Meanwhile the One Direction official outlet monotonously recalled lyricism from the 4 piece's repertoire, fan frenzy was a flurry when supposed superfan speculation sparked an outpouring in overwhelmed apocalypse of panic, pandemonium and perturb as dates for a post hiatus 2020 tour to represent and fly fifth album Made In A.M mellow ambience, the cliffhanger of an album left on the indefinite break of the 'Story Of My Life' singers surfaced upon ticketing sales service Ticketmaster's Australian December dates listings, deflecting the doubt of an unreleased 'Infinity' music video and playlists reputedly lead single 'Lucky' a potential promotional lead for a group reformation of raging proportions.

Fall Out Boy "Bishops Knife Trick" music video

A manic mayhem of memories of peculiar primates to a pity party of chaotic camelids. A lama tinged ode to 'Thnks Fr Th Mmrs' Fall Out Boy's brand new animated animal endeavour 'Bishops Knife Trick' is one of the top rock selling record of this year, its MANIA's answer to Infinity On High's Kim Kardashian cameo curation.  

Ticking off one less task on his comprehensively seventh studio album branded list, Pete Wentz writes off the music video of the Island Records/DCD2 recent record release penultimate track ahead of the Reading and Leeds Festival headline, homecoming Wrigley Field gig, mixing and mastering Lamamania plus renovating Folie à Deux's demo Lake Effect Kid extension, a symptomatic culmination to a MANIA era that has dished up a final frosty serving of demanding director Stump and unbeknownst animal oppression in 'Bishops Knife Trick'.

Trading in a monkey obstructed madhouse for a llama centric landscape, big boss Patrick Stump verbally browbeats working living organisms curious on curating a picture perfect Patrick paradise of fedora furry friend fashionistas and check mate chess games of a talentless wack llama ensemble. Overlaying a spat between the species, chillingly deep dark blues and animal like entrapment elevate writer Wentz' candidly confessional dealing, with dejected depression and evoked emotions of a mental mania battle of a disconnect of the ordinary world brought back to earth by the glow of the city of Chicago.

Getting a grip of reality and breaking out of the domesticated cage of a state of suppressed sadness, Stump soaringly sings subjected to sweeping sounds and climbing chimes of piano melodies amongst mid tempo strikes of the snare reinstall instrumental talent amongst a catalogue of crisis amid MANIA's repository recalling lyricism of "I got a feeling inside that I can't domesticate/It doesn't wanna live in a cage/A feeling that I can't housebreak" hones in on the entertainment exploitation of llamas laundering away over musical instruments, seeking the idealistic project of Patrick's "film school" wonders.

Liam Payne First Time EP

Stripped back sounds, sultry lyric lines and smoothly tamed tones. Liam Payne's album filler EP First Time steps in for the September suspension of an inaugural record and steps up as a tetralogy of tracks, transforming the remixing maestro into a solo singing virtuoso. Post dropping a successful string of singles, collaborating with a cultivation of reputable recording artists in the realms of Migos' Quavo and Columbian crooner J Balvin, for radio friendly feats ‘Strip That Down’ and the flamboyantly bilingual bop 'Familiar'. Surrounding the latter's release, Payne hotly hyped up the anticipation of his fully fledged step out into the solo spotlight LP momentarily dulled by the determined decision to push back the records release, following in the footsteps of Fall Out Boy's belief battle with MANIA a setback suggestive of re-defining songs that feel so differently distanced as false representations of artistry with the 'Bedroom Floor' singer stating "I looked at some of the songs on my album which were done a while ago and they felt from another age. I'm determined for my debut album to truly represent me. In the meantime, this EP is a collection of songs that I'm really proud of" launching into the era of the EP First Time.

Title track 'First Time' fuses fragments of a "Familiar" fiery and fun filled tones picturing a Payne on the prowl to follow his feelings for an elusive female fabricate themselves throughout the thrill of the chase chronicle, a typical songwriting style the 25 year old adheres to. Exploring the realms of relationships over friendships besides production work from Di Genius' repertoire with Latin esque R&B influences simmering their way slowly throughout the monotonous platforms of the lead single, spiked by a pick up of vocal hooks and lyrical lulls of Payne's palatable projections and artist come label institutor French Montanas musky melodies.

Sophomore song 'Home With You' hones in on Liam's leap into the Urban and R&B region of music considerately comparable to fellow former One Direction division Zayn Malik's mellow material, with the sophisticated sleekness of 2010's electronic pulsating drum machine moments and stylistic vocal arrangement introducing the track as a nonchalant number, none the wiser to its upbeat metronome ticking chorus and lyrically expressive 3 liner pre-chorus "Too many cooks in the kitchen/Too many fools here listening/Why don't we find somewhere quiet". Quintessentially embodying the entire archetypal narrative, where spending the night away from "Yelling to you over music" clubs in homely comforts with a newly significant other are free from the eavesdropping ears of unbeknown fools.

Musically minimalistic ballad 'Depend On It' dabbles with a tender provoking genre palette Payne sonically is a solo stranger to, amongst an array of danceable discography destined for the fm radio waves. Worlds apart from the clichéd addictiveness of pop boyband ballads, a pleasant place in unforgotten memories Liam is persistent in revitalising to the present, as the singer was pictured seizing a sentimental embodiment of One Direction artwork adorning the original ensemble apace with Up All Night and Take Me Home songwriter Savan Kotecha esteemed for penning popular pieces by Ariana Grande and Britney Spears. Perpetual piano instrumentation pays homage to 'Home With You' minor chords transformed into a pivoting arrangement of piano melody interludes, lonesome towards the climax of the third track cohesive with the upper register of Payne's vocal expansion, expressing the love hate state of a relationship dialogued rendering "I'm not ready yet, there's still a thread left/If I could just hold on onto unravelling hope/Give it one last go, I don't know why, just need us to try" compromising the succinctly short track, yet the upmost stand out of the upbeat outnumbered EP.

Conclusively 'Slow' signifies a contradicted balance between saddened lyricism and sprightful production with a negative tinged track telling the tale of a cracking and crumbling connection, purposefully moral uplifting via mediums of a selective sense for sniffing out sounds that make 'Slow' electro melodies the core carvings the 'Get Low' vocalist craves to create a chart hit wonder. Recorded in the confines of the West London located Wendy House Production Studio's a place of musical residence One Direction inhabited in their 6 year indefinitely suspended career Liam Payne, levitated by a venerated troup of songwriters including The Ordinary Boys frontman Preston and Sylvester Sivertsen who posted a behind the scenes picture of the pair in 2016. 'Slow' lyricism is the utmost suggestive and scandalous story of breakdowns and breakups throughout the EP's entire narrative elaborating on "Got me pretending' you ain't done with us/It got me runnin' round the obvious" closing simplistically on "Let me down, let me down slow" with First Time featuring a collaboration, conventional characteristics and collection of charmingly cool crusades that lulls the listener on a trip down Payne's publicly pronounced past relationship at the different stages of love, lust, spats and separation, enhancing catchy rhythmic arrangements and an aura of perspectives of Payne's personal anecdotes.

Panic! At The Disco Reading & Leeds Festival 2018

Glistening glows of luminosity embossed with a scintillating showman style, Panic! At The Disco's co-headlining call crafted the shimmer, shine and sophistication of an otherwise damp, drunken and devil-may-care merrymaking weekender. Stemmed from a Saturday of female pop frontiers 'Strangers' singer Sigrid and Brit beauty Dua Lipa, Panic! At The Disco dazzled deftly with a type of timeless sumptuous sentimentality.

"To the old, and to the new/We dedicate this song to you" allures the retro soul sample of 'Silver Lining' as glitzy garmented and gold microphoned Brendon Urie bouncily bursts onto main stage Reading, to the rebellious satisfaction of young adults supposition supported by the bands backing of shifted member swaps, loosing Dallon Weekes who took to The Pit/The Lock Up stage showcasing 80's unearthed endeavour I DON'T KNOW HOW BUT THEY FOUND ME and gaining bassist Nicole Row in March 2018 filling in for the female representation against a 14 year long male amassment.

Sounds of steampunk victorian picturesque imagery illuminated 'The Ballad Of Mona Lisa', with organically engineered vintage instrumentation of sinister patters of the piano and creeping pounds of the percussion, portray a dynamic duo of moral dilemmas in confident company with Urie's dark dingy lower register. Welcoming the colossal crowd to the land of Pretty Odd, a stellar song of festival festivities manifested itself in the fields of Richfield Reading chiming in with charming melodies, feeling so good with out of mind optimism side to side with spiritually earth endearing attitudes.

From the sprightly smiles of frontman Brendon Urie transitioning between latterly acquired additions "Dancing Is Not A Crime" and 'High Hopes' in which a faithful figure displays themselves amongst a sea of singing sinners to lasting setlist staples Queen's 1975 classic covering 'Bohemian Rhapsody' prescriptively performed for heritage act admiration. Transitionally taking on Too Weird Too Live, Too Rare Too Die's! triennial single 'Girls/Girls/Boys', pigmented pops of rainbow refractions, self proclaimed extravagant exclamation points and imposing iridescent sparkles lit the product ionised representation of the outright freedom of fondness for all orientations including + communities, a core creation for the efforts of the Highest Hopes Foundation set up in support for discriminated and disregarded segmentations of society.

Encore items illustrated a bouncing back and forth between the ever evolving dosages of conviction, carefree and ceremonious crusades from wickedly weekend worshipping 'Say Amen (Saturday Night)', sonically unambiguous crowd pleaser 'I Write Sins Not Tragedies' to the confidentially conquering 'Victorious' as Urie confesses his state of euphoria before launching into the high intensity hit, highlighting the brightly belting pulsating vibrato vocals of the 31 year olds articulating "I've never been happier in my life and that's all because of you. You are important, you have an impact” illustrating an important imprint for a Saturday night of the retrieval of reminiscence and the making of matchless memories.

Fall Out Boy Reading & Leeds Festival 2018

Glaring in the glory of double zero’s rock reminiscence Reading and Leeds long timers Fall Out Boy headlined the main stage, showcasing a spectacle of sets reinforcing pop-rocks reputation amongst an evolutionary shift of a festival blurring the genre identity boundaries. From a Friday fronted by American rappers Post Malone and Travis Scott to the publicly prophesied secret set of Bring Me The Horizon, Fall Out Boy waved the white flag in sheer satisfaction far from the symbolism of surrender to be sitting as sixth time servers to the British bank holiday bash.

Smashing through a stellar setlist subjected to an in with the old out with the new Folie à Deux dash down wistful album avenue in affair to the forth records decade duty to the quartets discography, of the madness mantras of messed up romantics in 'Disloyal Order Of Water Buffaloes' to the misery mindset of selfish meanness throughout 'I Don’t Care' flippant middle finger montage deceased video platform Vine would have been pleasantly pleased witnessing.

Upbeat anthems from the post hiatus period 'Centuries' and 'My Songs Know What You Did In The Dark (Light Em Up)' tinged the dark dusk skies in bursts and bangs of a 5th of November celebratory serenade succumbed to the pyro below of Wentz' fire blasting bass, betrayed by its toned down display of 2016's flame eating females, with Wentz wise words of wisdom reflecting penchants of pure honesty rendering to the adolescent audience "They tell you along the way that you need to fit into a certain mould, but be you, do you as loud as you can, stay dangerous!”.

With the dimming down of danger, poised piano ballads 'Save Rock And Roll' alongside MANIA's bright beacon of artistic hope levitated from a lacklustre LP 'The Last Of The Real Ones' shone Stumps soulfully sonic singing before storming into a powerfully propelling galactic gathering of rip roaring bass grooves and glistening electrical guitars.

Long gone the lectures of wolves and dunking the basketball and long live the king of pop culture covers and ones for the mosh pit, Fall Out Boy's headlining slot staged the rightful return of Reading champions and pensive mmrs of a marked musical legacy.

Panic! At The Disco 'High Hopes' music video

Stranger setbacks, scaling skyscrapers and rooftop recitals. Panic! At The Disco's extortionately elevated vast visionary for 'High Hopes' holds back on self sceptical hesitancy and hones in on obtaining a dream like optimistic outlook.

Recently revealing eminently awaited European and UK Spring 2019 dates for the capacious continuation of the 'Pray For The Wicked Tour' that triumphantly teemed with death walks and wayward Amazing Beebo's, the trials and tribulations of Panic! At The Disco touring members dropping have surfaced, after the axing of touring musician Kenneth Harris subsequent to supported allegations of inappropriate misconduct between the 37 year old with of age and underage female fans soared. With speedy removal of Harris post the 'I Write Sins Not Tragedies' songwriters high note hitting IHeartRadio Festival performance, a succinct 13 song set compromising of current core classics 'Say Amen (Saturday Night)' and 'High Hopes'.

Gazing up to the sky high structure situated amongst the neighbouring streets of Downtown Los Angeles, subsequent to a borderline civilian belabour painting battle to the trails, tribulations and setbacks Brendon Urie has unambiguously endeavoured under the Panic! At The Disco music moniker, the self confessed London west end wannabe supernormally sets upon scaling the side of a modernist American sky high complex congregating a confounded crowd on earths gravitational ground.

Pushing on with anew sense of captured power, purpose and perspective Brendon beckons down to the solid surface below, as a building bridge and prompting pre-chorus builds up to spur the singer on into "Stay up on that rise and never come down" simultaneously pushing the Panic! frontman on to prove the fallacious critics untrue chiming "They say it's all been done but they haven't seen the best of me/So I got one more run and it's gonna be a sight to see" speculating the singular ensemble spearheads longevity, concealed by the cohort Panic! At The Disco and comparatively not soloist Brendon Urie, with sixth studio album Pray For The Wicked being the band's "One more run" record.

After a fast flicker and fierce flashback of pedantic belief that Panic! has exhausted entire repertoires of musical material, a moment of dignified realisation of accomplishment, achievement and appreciation is alluded to from the expressions of 'High Hopes' own 'Hey Look Ma, I Made It" moment Brendon and backing band burst into a sonic celebration, categorically evoked out of emotions of opportunity, outlook and optimism.

Watch Panic! At The Disco and Fall Out Boy's Reading and Leeds Festival Sets including the music video for 'Bishops Knife Trick' and ‘High Hopes’ plus listen to First Time by Liam Payne on all major music platforms here:

Fall Out Boy Bishops Knife Trick Music Video - YouTube

Panic! At The Disco Reading and Leeds 2018 - BBC

Fall Out Boy Reading and Leeds 2018 - BBC 

Liam Payne First Time EP - Apple Music/iTunes

Liam Payne First Time EP - Spotify

Liam Payne First Time EP - Amazon

Liam Payne First Time EP - Google Play

Liam Payne First Time EP - Deezer

Liam Payne First Time EP - Tidal

Panic! At The Disc High Hopes Music Video - YouTube

(All photographic content curtesy of One Direction/Columbia Records/The X Factor (Instagram)/Capitol Records/Jake Chams/Panic! At The Disco/Elliott Ingham/Fall Out Boy)