#where he realizes that everything he's done is essentially pointless and has to deal with the emptiness of life
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zongzhii · 2 years ago
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just saw some passenger slander on reddit and man...
to be fair, it’s true that he did the whole “I infected myself because I got angry” thing but the best part abt his character is that he regrets the shit he did when he was young and stupid 22 years ago... The whole schtick in AWAITD was that he was a blooming prodigy, fallen from grace (so sexy of him) and damned to meet his end by oripathy. Passenger (operator) is so great because of that contrast, in 22 years he’s no longer the “Elliot Grover” of the past, abandoning everything down to his very nationality
Rather than loving him because of a meme I really liked him after I saw all the edgy sprites of Elliot, and I was like “damn what happened to this kid?” Cuz compared to most other ops I’m not sure if we’ve really had an op that’s just so... empty, after everything. Someone once described Passenger as the doctor’s yes-man and I think that’s a great description because to be fair, that’s basically all he is after joining Rhodes. He doesn’t have any great goals for his life, and he’s already finished his revenge, but rather than feeling satisfied all he feels is a cold, empty regret. Compared to other tragic ops like Phantom or Eben, Passenger is so empty he’s almost inhuman. I mean, even Mlynar has his nieces and Toland to care about, meanwhile Passenger has no meaningful relationships with anyone left. The Lone Soldier he is, he only has himself, all the lingering regrets and hatred, he associates with not only Sargon, but himself. 
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artdecosupernova-writing · 2 years ago
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Fictober '19 Prompt No. 12 — "What if I don't see it?"
Category: Original WIP: Drowning Future AU Rating: T Timeline: two years in the future from the end of book one, in an alternate universe where Thrive did not leave CW: none Word Count: 981 Additional Notes: these were the pieces that birthed the AU in the first place woweeee
***
PART II ➳ PART I
Chk-chk-chk-chk!
Warren's heart sank and he turned the rifle over, patting his chest pockets for more rounds. "Fuck," he yelled. "Oh god, I'm out!"
Thrive didn't hesitate, abandoning his fight with the Foremaster at the end of the sewer tunnel to sprint back over to where Warren was cornered by a Headmaster. He threw himself between them, swinging his hands up to lift a shield that caught the immediate swipe of a tentacle blade.
"Get through the grate!" he ordered.
Warren spun around to eye the mouth of another drain down the path, dark and damp and closed off with a few metal bars. "I think that's a dead-end..."
"It won't be for long."
Warren ducked out from behind Thrive's shield and ran as fast as his legs could carry him, feet pounding on the cement and through rainwater, dodging veteran rifle fire and swinging blades. A silver flash sliced through his left jacket sleeve, spraying a small amount of blood, but he ignored the sting to push forward.
With difficulty, he squeezed between the bars, standing back so Thrive could follow. Before he was able to ask what came next, Thrive raised his arms and yanked them downward, bringing concrete from the ceiling on the other side down on top of a Foremaster who let out a primal shriek before perishing under the weight and the trauma.
The eliyi attempted to dig through the cave-in but it soon became clear they weren't going to succeed anytime soon.
Warren tried desperately to ignore the sudden tightness in his chest as he realized they'd essentially buried themselves within a ten-by-fifteen-foot bomb shelter. Not a shred of light to be seen. He backed up as far as he could go and his back hit the wall behind him. He could feel and hear the water draining somewhere behind him but he couldn't see anything.
"I can sense you're starting to panic," Thrive said gently. "I'd like to remind you that I can see everything here and I know for a fact I can get us out."
The eliyi continued to attack the rubble to no avail.
Warren's fingers started to tingle. "This is pointless."
"Get a hold of yourself," Thrive said. "Our chances of survival here are massive."
"Well, what about everywhere else? We've been running for two entire years, and nothing's being done. We're not getting out of this."
Thrive paused, listening to the eliyi slowing down outside. When he spoke again, his voice began to move closer. "Warren…the worst thing you could do is to give up after all you've been through up to this point. You're much stronger than that."
"No, I'm not. I'm not! There's no point in running anymore, because where the fuck are we gonna go?! They're gonna be all over the goddamn country and then what?!"
"Then we deal with it, and we look to the future, where there has to be an end."
"What if I don't see it?" Warren retorted. "What if I can't even think of pretending to fathom an end to this horrific nightmare?! What if there really is no relief from any of this?!"
"Then I will give up right alongside you."
Warren fell silent. The unexpected desolation within those eight words made Warren's stomach do an uncomfortable dive. He was breaking, and he'd never thought he'd see that, and he didn't want to see it now.
"Hey," he murmured at length. "…Don't."
The eliyi appeared to have moved on. Thrive stepped noisily away, blasting the rubble clear and slipping through the bars into the spotlight from the open sewer mouth above them.
Warren followed him. "Thrive—"
He turned. Looked him straight in the eye.
"I just need a break. I just want…a day of nothing." Warren shook his head. "And I feel guilty as hell for even…dreaming of that. I'm not as strong as you think I am. I'm not as strong as you are."
Thrive's brow twitched. "What do you suppose went through my head when you were impaled by that eliyi last month?" When Warren didn't answer, he clenched his jaw. "Nothing. I didn't have the faintest idea of what to do. I was at a complete and total loss. For the first time in my eight thousand years of life, I had no plan to move forward. My brain had practically shut down. How does that equate to strength in your eyes?"
Warren's breath caught in his chest.
Thrive's gaze shifted from steel to molten heat. "…What are you doing to me, Cougar?"
It was Warren's turn for his brain to shut down. He dropped his rifle against the wall and Thrive met him halfway, gathering him into his arms, kissing him like tomorrow would actually never come, all but bruising their lips and their muscles as they held onto each other in grips that begged for life, for hope.
Thrive clutched Warren's face as he eventually broke from him. "Don't ever slip away from me again," he demanded, his voice wavering. "You are too priceless to lose."
Warren embraced him again, fighting the overwhelming emotion threatening to dislodge itself from the back of his throat. His heart soared and ached at the same time.
They found a safe place to stay until dawn in a pilfered gas station stock room. Thrive bolted the back door, set up a few emergency candles as the sun went down, and rolled out a few cheap blankets from their rucksacks. They held each other, let the passion and the heat of the moment take over, just for a while.
Warren awoke the next morning to find Thrive half-dressed and sitting with his legs folded under him in the wide-open door, letting shining sunlight inside the room and staring out into the deserted street behind the gas station.
They didn't move until Warren couldn't ignore his need for food any longer.
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cozymoko · 3 years ago
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How would yandere Kakashi, yandere Hashirama and yandere Tobirama deal with reader and her rival constantly arguing but her rival actually has feelings for her? Sort of like that from enemies to lovers thing?
Kakashi Hatake • はたけ カカシ
📚 Now this is something new, something new entirely. Kakashi isn't the most confrontational, primarily over matters like this. Likely, he'll just snoop around, probing your "nemesis" from afar. It'd be quite rude of him to not evaluate who his beloved has been rambling about for the past few weeks. Considering it took away much-needed time that you could've been doting on him in.
📚 Not impressed, a bit skeptical about them too. He almost knew something was off when he first laid his eyes on them. Making his eyes narrow quite a bit at his realization.
📚 Their little crush on you didn't go unnoticed, not by Kakashi at least. He could tell from the small stutters and the small boosts of energy they receive when you're mentioned. Kakashi cares little–well, nothing about their existence so why not play with their emotions? By purposely hugging and staying close to you, at all times might I add. It may be to the point that you begin to question his actions.
📚 This may or may not work, it's a hit or miss. But once he sees how persistent they are, sharing your attention and your oh-so-cute angry faces was no longer on his agenda. All good things must come to an end, this rivalry is a prime example. Soon Kakashi will close in on them, asking them to pick life or death right on the spot. There's only one winner to this pointless "love triangle" I'm sure you know the name dear.
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Hashirama Senju • 千手柱間
🌳 Hashirama is nothing shy of a charming man but even his boundaries can get crossed. He has no problem listening to your tirades about your days as it's essentially become a part of your routine. Although the word, "rival" did pique his interest in the worst way feasible. Various unpleasant scenarios played through his head as he thought of what they could have done to you or how long this little rivalry had gone unseen by him. He must greet this man of the hour.
🌳 Reasonably irked about all the bickering between you and your foe, it's certainly questionable. Their boasting about how they're "...so much better than you!" got old rather hastily. Watching them belittle you got old even quicker, he can only tolerate it so much. He's so good at restraining himself, too bad we all snap eventually.
🌳 The nicest of them all, in his approach and reaction. If anything it's likely that he wouldn't address them at all and let them crush on you. He's far more refined to not act on his emotions, even if they compel him to. As Hokage it's a must to keep his composure, correct? Well, that's only if they don't make any insignificant advances towards you.
🌳 Hypothetically speaking, let's say they did! That's such a tragic ending, it's almost as if they disappeared right from under our noses. You don't know? They went missing all of a sudden! Though I shouldn't be surprised that you were unaware, after all, Mr. Hokage swept it all under the rug.
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Tobirama Senju • 千手扉間
🌊 The whole ordeal is simply exhausting to him, if he wasn't devoted to you he'd certainly pass upon hearing any story. When you did tell him Tobirama was a little disinterested. You were past their status and to dumb yourself down to someone who doesn't correlate is disheartening. Why wouldn't he desire to meet this man who's successfully attained the title "competitor"?
🌊 When you introduced them to Tobirama he frightened them and I doubt it was unintentional. Perhaps it was the death glare? Moving on, the two of you were training and your partner happened to tag along. Just inspecting from the sidelines made everything click, they liked you, this was more like playful banter than fighting. It took everything in him not to tear that man apart where he stands.
🌊 As the assertive man, he is he'll stride up and demand that they tell him how they feel about you. Even if it's more than apparent. Once they've corroborated Tobirama will sternly spout, "Forget this little crush of yours, forget it all. If you do only good things will come of it...However, I can't say the same if you don't."
🌊 If they choose to test their luck, Death is the only solution. He can't have someone swoop in and steal his beloved even if they were inferior to him. The only civil idea is to get rid of them, leaving no trace of their existence, their voice suddenly becoming unheard.
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i-simp-for-gintoki · 4 years ago
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Itadori Yuji and Gojo Satoru thinking their s/o died
“Hey If you're comfortable can you do Reader with amazing regeneration power ( like deadpool lol ) For Yuji And Gojou? Like they don't know about their power tought they're dead but they just pop up back like nothing happens and explain their power to them? But if you're not comfortable it's okay! thank you” -anon
Sorry this took so long! I literally completely rewrote this like 6 times and decided in the end just to keep it relatively simple and not overly detailed. Gojo’s part includes spoilers from the manga (specifically the Hidden Inventory arc) only because thats the only time i could ever think of a situation where he would see and be near you when you get that injured.
Despite all these rewrites i still hate it-
Warnings: blood and injuries
Itadori Yuji:
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Gojo had arrived to the classroom 8 minutes late as usual
Instead of training, he decided to hand out some missions to you first years
“Nobara and Megumi, you two are gonna go clean up a hospital and the surrounding area in the xxx district. Meanwhile, Yuji and y/n are gonna go clear out curses from some buildings by a cemetery in the xxx district. Shouldn’t be too difficult”
“You’re not gonna tell us which buildings?” itadori asks and the blindfolded man simply shrugs
“Your lovely y/n can sense the curses out with the power of love” he explains
You sigh and get up from your desk
“Yeah yeah, lets go Yuji” you say pulling your boyfriend’s hand
“Aw, no cute nicknames?” “Shut up Gojo-sensei” you say making your teacher frown
‘Never should have let gojo satoru of all people know that me and yuji are dating’ you think to yourself
And so you and yuji went off to fulfill the mission
It took a bit to get there but luckily it didn’t take long to find the curses
You decided to stick together as you searched the empty buildings
There was a small handful of the usual low grade curses that you guys took out pretty easily
But just when you guys thought you were done, a high level cursed appeared
“Man, I really wished Gojo-sensei would let us know if theres gonna be anything thats grade 2 or above” you say growing nervous and yuji nods his head
“Don’t worry, i’ll protect you” he says giving you a reassuring smile
And so you guys got serious and fought the curse
You both received a few scraps here or there but nothing too serious
Its when the curse switched up its attacks that it got particularly tricky
Instead of throwing cursed energy around, it shot disc blades out of its arm
You barely had enough time to duck out of the way
It went clean through the wall
“Yuji leave him to me” you say but he immediately denies your request
“No way! I wouldn’t be able to forgive myself if you got hurt when I could have prevented it”
You were unsure but continued the fight anyways
After both of you sustaining many injuries, Itadori went for the final blow and ended it
Sadly before it fully faded away, it sent one final disc out
Flying straight past yuji, you didn’t have time to react and it went straight through your neck, essentially decapitating you
Your body falling limp onto the ground, the pink haired boy could only slowly turn around to face you
“...huh?”
Eyes wide as they could possibly be he called out your name and fell to his knees
“You’re joking right? Theres no way this really just happened...right?!” he yelled, voice cracking as he stared at your ‘corpse’
“Ooh such a shame. See if you just swapped places with me they would have lived. Atleast they wouldn’t have died to some low level curse” Sukuna said, mouth appearing on his cheek
“Shut up!”
At this point he was bawling
Tears were flooding out of his eyes even tho its only been about 10 seconds
As his shaking hands slowly picked your body up he mumbled a bunch of apologies but stopped when he saw something
Your head was beginning to regenerate
And he has to admit
Seeing your head fully regen like that was kinda disgusting
Opening your eyes, the first thing you see is a teary eyed boyfriend
“Yuji?” You ask and he pulls you into a very tight hug
“I’m so sorry y/n, I let you...I-I thought you died” he choked, still shaking as he held you
You sighed and returned his hug with as much love as possible
“I realize i never explained my ability to you huh? So you know reverse techniques? Its like that but much more advanced. Unless im completely blown away, i’m pretty sure I can’t die. I do however still feel the pain”
He nods his head at your explanation
You guys sit there for a bit as you quietly reassure everything is fine while rubbing his back
You kiss his cheek and stand up
For the rest of the day he is stuck onto you, just glomped on as much as you’ll allow him to be
It really scared him
It happened so fast and if you really had died...he doesn’t even wanna think about how he’d react
When you returned to the school, you didn’t bother reporting back to the principle or gojo and instead spent the rest of the day chilling with Yuji in the dorms
You could deal with the consequences later because for now
Loving yuji and making sure he’s happy is all that matters
Manga spoilers for Gojo under the cut
Second year!Gojo Satoru:
Its not completely accurate to what happened but shushhh
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You guys had just come back from Okinawa and despite being on a serious mission you guys had fun
Well you did stay an extra day solely to stay at the beach but no one needed to know that-
But now the fun’s over and you were back at Jujutsu high safe inside its barriers
You could tell Satoru was absolutely finished with this mission, he was completely over it and exhausted
“Im done. No more baby sitting” he said leaning onto you
Resting his chin on top of your head he let out a yawn which made you laugh a bit
“Suguru. You can do the rest with Amanai right? I wanna go sleep and cuddle with y/n” he complained while wrapping his arms around you but suguru snapped back
“Huh? You think you can just walk away with them before the biggest part of this mission??”
He wanted gojo to see the mission through to the very end and not just ditch to go ‘cuddle with y/n’
When the boys continued to argue, gojo unwrapped his arms from you as he stepped closer towards getou
Sighing you gave riko a look and apologized which she simply smiled at
You only meant to take a step forward to intervene
Only a single small step
But your instincts where screaming that you push Satoru away with no second thought
Why did you follow your instincts so quickly? Why shove him so hard that he almost fell over? And why was there a searing hot pain in your gut?
“Im surprised you managed to push him out of the way on time, makes this whole effort for assassinating pointless don’t you think?”
As you slowly looked down you finally realized a sword had been stabbed into you, and that there was a new face right behind you
Ah, thats why then
“Y/n!!” Satoru yelled, blue eyes widening as he saw blood seep through your clothing and onto the concrete
As he and suguru instantly went into battle mode, the sword was harshly ripped out towards your side and cut an arm off in the process
As suguru used curses to hold toji back, satoru swore he teared up a bit as he picked you up and moved to a more safer spot
He couldn’t lose you, literally anyone but you
He’d be willing to die if you got to live
“Y/n your stomach..and arm..!” he yelled watching the blood pour out of you and showing no sign of stopping
Which just made him grow more and more panicked
You could feel his arms tremble as he held you and see that it was taking everything he had to not let the tears spill
“I-I don’t--this..this is my fault! The second i stop using my power this happens to you!” his emotions where spiraling more and more out of control
He couldn’t even see that the blood had already stopped
“Nothing is your fault Satoru. You can deal with the blame game later and instead go deal with the situation at hand” “But-”
“Satoru. i’ll be fine, focus on the enemy and protecting Riko.” you say wincing, already feeling it everything heal itself
“Fine?? Those injuries arent a ‘im fine’ injuries--!” you cut him off by harshly placing your hands onto his face to help him snap out of it
“Satoru. Im perfectly fine okay? So stop panicking.” you say pressing your forehead to his, though it was a bit awkward since he was taller than you
(if your taller than 190cm props to you and just ignore that part)
“Huh? Can reverse techniques be this advanced for shamans?” he asked, eyes still wide as he gently placed his hand on yours
He was in complete awe that your arm was back and looked perfectly normal
“My ability is basically a more advanced version of Shoko’s ability. I can regenerate anything and will be perfectly fine even if i lose my head. So ignore me for the time being and go kick the intruders ass” you say and he takes a deep breath before nodding his head
“wish you could have told me this before so i could have prevented all this panic” he said making you feel really guilty
“sorry! it just never came up before” you say flexing your regenerated arm, seeing if it felt right or not
You watched as he took off his sunglasses and handed them too you and turned towards Toji who was busy slaying a curse suguru threw at him
“Suguru and I will take Riko to Master Tengens place, im leaving this guy to you okay? Not like he’d win anyways, since after all-” he cut off what you were saying with a kiss before smirking
“After all, Im the strongest”
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morgana-ren · 3 years ago
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if you'd be so inclined my dear, what are your thoughts on how Tomura's character has developed over the series' timeline? -☼
So, I think Horikoshi did an excellent job at character development- especially considering that he's a villain (not the focal point of the series) and he really didn't have to do that. He easily could have kept Tomura an impudent little man-child, but he didn't, and I truly appreciate that.
So, in season one, we get his debut as USJ, and it became quickly apparent that he was... disorganized. Intelligent and dangerous, clearly, but not quite there yet. He essentially threw money at a pack of sell-sword villains, had a basic plan for how he wanted things to go, and relied on his Nomu to do the majority of his work for him. He didn't even consider variables and other things he couldn't have foreseen- he took Master at his word and just went for it.
He makes a multitude of mistakes during this attack, and it's part of why he fails so hard. Underestimates the kids simply because they're young, not factoring in that these are to be the nations top heroes. Even young, each one is sporting a power that puts them at the top of the class and above the rest of the nation. He basically goes "Fuck it, just scatter them and have these no-name villains kill them. No way that could go wrong." not considering that these children have been learning from the best of the best and are clearly already intelligent of their own accord.
He doesn't take into account that these heroes actually care for these kids and that feeling responsible for them works in their favor as opposed to being a detriment. They fight harder and take more abuse to keep them protected (Aizawa getting absolutely demolished but still persisting to defend the children even as he bleeds to death with a broken body.)
The intel wasn't wrong, per se, but he took it at face value, not even bothering to consider that All Might would push far past his limit to keep these kids safe. For someone as obsessed with felling All Might, he certainly didn't really know a thing about him. His genuine goodness and character would not allow him to fail when their lives were on the line. And then there's the matter of Midoriya, and while Tomura had no way of knowing that he's inherited All Might's power, he should have been able to account for wild cards like that from valiant children dedicated to heroism.
More under the cut because I’m just rambling.
I think this defeat humbles him. For most of his life, things have gone his way because of who is backing him and because he is extremely dangerous with a powerful quirk- this teaches him that raw strength and basic strategy won't be enough.
He watches Stain take the country by storm, and he can't understand it. Doesn't get what the big deal is- he believes he and Stain are mostly cut from the same cloth because of their penchant for violence and murdering heroes, totally blind to the convictions behind Stain's actions. He's incapable of thinking outside of his own view points, and it cripples him. These are his first few steps outside of his own comfort zone and where he begins to grow.
He's forced to consider not what he wants, but why. He resists this every step of the way, but ultimately realizes that paying off little bastard villains to work in his name isn't enough. He needs players under his command that will fight for more than money- and sell swords are loyal to nothing but that. He needs to find a conviction (even as he ends up stealing the mask of one and using it as a facade at first) that others can relate to and be passionate about.
So he does.
He steals Stain's ideology for his own and uses it to recruit some of his top members- even if he is a right little bastard about it at first. While he throws a tizzy fit because they aren't "perfect" (his standards are very high despite the fact that he's arguably not a very effective leader) but eventually ends up utilizing them regardless.
It's around here that he starts sharpening his instincts and learns what it is to be a true leader. He learns he cannot casually throw around his pawns because ultimately, he cannot win this war by himself. 'The enemy of my enemy is my friend' and while he isn't as enchanted with Stain's entire gimmick as his comrades are, he still wields it effectively.
He's still learning, however, as we learn when he takes Bakugo. Had he gone to the effort to get to know a single thing about him, he would have learned very quickly that trying to recruit him would come up completely pointless. He just saw untamed anger and unrestrained violence bordering on unhinged and thought "Ah yes, he's powerful and very much like me- he'll do nicely" and put together a whole plan to kidnap him. I think the vanguard's success in capturing him shows Tomura just how useful it is to have clever little birds under your command, and that sticks with him.
Losing his Master, like AFO says, forces him to become his own man. He loses the cushy abode he'd had for most of his life, loses many of the benefits afforded to him by being AFO's protege. He and his ragtag team of villains live in squalor, almost entirely destitute, and are forced to survive- but they stay loyal, and that means something to him. I think it’s around here where he actually begins to care about them. 
We see how he reacts to Magne’s death. I don’t think for one second he aided in destroying Overhaul simply because he was a threat. If that was the case, he would have stopped once he was arrested. He risks everything to get vengeance. Cuts his limbs off and renders him completely helpless as payment for what he did to Compress and to avenge Magne’s wrongful death. 
Over the course of everything, he’s become more patient, more cunning, more dangerous. He’s learning quickly from his mistakes, how to command his ranks in a respectful, effective way, and how to keep them safe. He learns their strengths and weaknesses, and while he’s still a bit thorny, it’s very apparent he does care for them. He’s on his own now, and knows he needs greater power, greater numbers to achieve his goals. He is ruthlessly ambitious, willing to endure ungodly amounts of pain to meet his ends. 
So now we have this season (which I haven’t actually watched, as I’m just waiting for disappointment because I fucking know Bones won’t do him justice) and he’s seeking out both Gigantomachia, a former ally, and the PLF. Both things that could be of great value to him. His leadership skills and ability to command will be put to the test, but so will his endurance, his willpower, and everything else. This is the beginning of him as a truly devastating threat. 
He’s growing into the villain I think he deserves to be. He’s facing down the very bones that comprise him and learning why he is the way he is. What his convictions really are and how far he’s willing to go to achieve his goals. HIs past, his life as he knows it, what needs to be done to put a pretty little ribbon on everything. He is, in a way, shedding like a snake- ridding himself of weaknesses, growing into his strengths, and evolving into a more capable predator. 
If you ask me, realistically, I think Shigaraki would actually win. When it’s all said and done, I think his arc is far more compelling than any of the heroes or their children. I think he has more drive, more wit, more raw power and more reasons to keep fighting. A lot of the kids, while cute and the main characters, are quite hollow. But over the course of all these seasons, we get to watch Tomura’s metamorphosis and his evolution into a purer, undiluted evil. He transforms into something truly sinister- a literal manifestation of all of the flaws and pitfalls of society and hero culture as it exists. He is undeniable proof of the toxicity and that the way things are cannot be allowed to stand, and the fact that so many people resonate with him and follow him loyally should be the ultimate clue-in. 
I think if the heroes weren’t blinded, they would look at Shigaraki and his league and consider it. Wonder if, just for a moment, there was something there that they should pay attention to. A cry that they should hear rather than be willing deaf to. But they don’t. 
Gran Torino is a prime example of this. So are all the other so called ‘heroes’. Calling him evil. Underestimating him. Considering him someone who just woke up one day and decided ‘I don’t like this so I’m going to kill a lot of people’. You’d think that they’d recognize that a drive like his does not come from nothing. If they sat down, shut the fuck up and listened for ten seconds, maybe they wouldn’t be dying by the dozens. 
I’m not saying that they should allow him to continue to trample the world and kill at will. But what I am saying is that part of how they’re fighting him and how they’re viewing this in terms of black and white and good versus evil is exactly the fucking problem, and it’s that kind of bullshit that birthed the villain we know as Tomura Shigaraki to begin with. 
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msyuksanh · 5 years ago
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“The Brush” | Leona Kingscholar x Reader
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Just a bit of a silly story set within the events of episode 3, so there are minor spoilers ahead if you’ve not reached that part of the game!
Summary Ruggie has some tasks for you and Grim to do. One of which involves braiding a certain irritable lion’s hair...
Rating: G Characters: Leona, Ruggie, Grim Location: Leona’s Room
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“Before we go for breakfast we need to do a couple of things first,” stated Ruggie standing before you with his hands on his hips.
You and Grim were dressed and ready for the day while Leona was just about coming into the land of the living. He lazily slipped on his orange waistcoat over his white shirt.
“We’re not your slaves.” retorted Grim.
You elbowed him gently to remind him they were doing you guys a favor letting you stay at the Savanaclaw Dorm, or more specifically Leona’s room. Also, not forgetting that in return for their kindness you guys were the new temporary servants.
“What would you like us to do?” you asked with a bright smile trying to make up for Grim’s remark.
“We just need to collect some clothes for laundry, and one of you will need to braid Leona’s hair.”
The was a short silence as you and Grim exchanged a look.
At this point Leona was still fixing his uniform and putting on accessories, seemingly completely oblivious to what was just said.
“As much as I would like to try not to rip out that guy’s hair I don’t have opposable thumbs so good luck,” Grim held up his paws and shrugged. He patted you on the shoulder before flying over to Ruggie who had been piling up Leona’s clothes in a weave basket.
An “Ah-” escaped you as your hand stretched out in Grim’s direction.
“Leona! Don’t go back to sleep!” Ruggie tutted and sighed, putting down the basket and pulling his prefect up into a sitting position. When did he go back to sleep!?
Leona growled. “What’s 5 more minutes? It’s not gonna kill anyone,” he grumbled, to which Ruggie rolled his eyes.
“We’ll be back in about 10 minutes. Come on Grim, I’ll show you the laundry room.” Ruggie strolled out with his hands clasped behind his head.
“Hey, you! Why am I the one carrying this heavy basket?!” yelled Grim as he struggled to keep afloat in the air while trying to follow Ruggie’s quickly disappearing form.
Now with them gone uncomfortable silence fell in the room. Leona sat on the edge of his bed, hunched over with his elbows on his knees and smartphone in hand.
You let out a quick sigh but found your energy after a deep breath.
“Okay, let’s get started shall we?” you said with another bright smile.
You walked towards Leona who strangely straightened up obediently and turned the screen off on his phone.
“So…is there a special style you have for your braids?” you inquired as you leant over him to inspect his luscious dark brown locks. His twitching ears sparked a curiosity in you. How you desired to just reach out and touch them!
“No.” he replied bluntly.
“Does Ruggie do anything special or-?”
“Hurry up and get on with it,” he growled out. The King of Beasts closed his eyes with what you assumed to be annoyance.
“Okay.” Your face and shoulders dropped indicating your motivation slowly leaving you.
You understood Leona wasn’t exactly in the mood for small talk. Then again, when ever was he?
You positioned yourself to his side, picked up a good amount of hair and tentatively dragged your fingers through it.
Leona was back on his phone endlessly scrolling from the fast motion of his thumb swiping up and down the screen.
“Hold on a minute,” you mumbled. You crawled on your knees onto his bed and appeared at height behind him bringing all his hair to the back. You tried combing through it all with your fingers again but found it difficult with the tangles and knots.
You got off the bed abruptly, now filled with a burst of excitement. After rummaging through your belongings you returned back to the bed with a hair brush in hand. Luckily you’d cleaned it!
“What’s taking so long!?” Leona only saw you bolt across the room and back from the corner of his eye. One thing he knew for sure was this was taking too long and he was going to murder someone if he didn’t get any food soon.
“I’ll be done in two minutes, don’t worry!” you exclaimed happily.
“Make it one,” was his irritated response.
Upon hearing his words you started brushing out the ends of his wavy hair quickly and gradually worked your way up. You got to the top of his head and made sure to be careful brushing around his ears. They twitched when the brush was near and Leona’s tail swished in a carefree manner, hitting your body and arms softly at times. How you wanted to touch that too!
Were your ears deceiving you? You swore you could have heard a small purr come from the Savanaclaw Dorm Leader.
Gasping at how smooth his hair had become you grinned seeing your fingers run so effortlessly through.
“Okay, braid time.” You left the hair brush on the edge of the bed and moved from behind him to his side with one foot planted on the floor and your other knee still on the bed. You stood tall so you had better height to do your work.
Slowly but surely you finished the first braid and felt proud of the end product. It didn’t turn out too bad between the nerves of touching a stranger’s hair and being so close to someone with such a strong personality.
All of a sudden you heard a clatter. Puzzled, you looked down to see Leona’s phone had fallen out of his hand. What?
As if in slow motion you saw him about to fall forward. Was he asleep!?
“No-n-no-no-!” You swung your arms around his wide shoulders in a panic and threw all your strength against him to stop him falling. Thank goodness your foot was on the floor otherwise you wouldn’t have been able to hold him back. And you knew he was more than likely going to fly into a blinding rage and kick you and Grim out if he had found himself woken up by faceplanting his own bedroom floor.
His head fell toward you and rested on your chest. His breathing was deep.
Oh, my goodness.
The panic set in wondering if Ruggie and Grim were to come back at any second. What would they say if they saw you both like this right now!?
“Hey, Leona, it’s time to wake up…!” You sang shakily, gently jostling him.
Nothing. You sighed forcibly. ‘Okay, let’s try something different.’
You sunk down onto your knee on the bed so you were at least able to see his face properly. In doing so Leona’s head fell into the crook of your neck.
Oh, my goodness(!)
Your eyes widened in shock. In that split second you felt his breath on your neck shivers ran up and down your back, but you swiftly shook your head to get rid of any strange thoughts.
“Leona! Hey!” You were confident he wasn’t going to fall forward anymore with his weight somewhat balanced by your arm around the back of him. You cautiously took your arm from across his chest and pulled his head away by cupping his jaw.
“Hello!? Please wake up(!)”
Nothing. You closed your eyes and pointed your face to the ceiling feeling everything you was doing was pointless.
Of course, the cruel hand of fate decided to deal you another card of misfortune right there and then, didn’t it? Of course your arm, the one essentially supporting his entire weight, gave out and you both fell backwards onto the bed.
Uh-oh.
As luck would have it you were stuck.
“Leona(!) Wake up! Why do you like sleeping so much!?” You questioned with exasperation in your voice.
You tried pulling your arm out from underneath his back but to no avail.
Feeling a mixture of annoyance, desperation and dread, you decided to just give in and wait for Ruggie to find you.
You facepalmed so hard you could cry. ’All I had was one job’
Why were things always happening to you? You couldn’t go one day, it seemed, without some kind of crazy event involving you and Grim. Not to mention this insane contract you believed you could fulfill to free Deuce, Ace and the other students trapped under Azul’s unique magic. But, how else were they going to get free? Who else was going to help them? Even if you had no magic, and you didn’t really know who you were or where you came from, you felt such a pull to help those in need.
Wow. Thinking about your friends really helped calm you down.
You turned your head to find Leona’s sleeping face in your direction. You paused. If it hadn’t have been for this pampered, arrogant lion-man and his straight-laced wolf and snarky hyena, you’d be god knows where. Your eyes roamed over his features taking them in slowly. You’d never seen him up close like this before.
Long eyelashes, sharp nose, lips always seemingly set in a frown, but luckily not right now. Your eyes wandered to his scar and you grew curious about its origins. His hair framed his face so well anyone would fall for him.
He was so stoic, so strong, ego the size of a galaxy, and yet in this very moment he was so gentle...
Leona’s eyes fluttered half-open and you held your breath. What would he think about this situation? How would he react!?
You couldn’t tell if his emerald eyes had focused enough to catch you staring back at him. Was he going to yell? Would he think you did something weird to him?
The answer was no. He went back to sleep.
You laughed suddenly finding the situation incredibly absurd yet hopelessly entertaining.
“What are you doing?” asked Ruggie from the door.
Relief washed over you and you’d never been happier to see the young hyena. “Oh, thank goodness you’re back!”
“What happened?” questioned Grim as he flew into the room. He gasped loudly.
“I’m stuck” You waved your free arm about to show the predicament you were in.
“How did this even happen?” Grim flew around checking you guys out. Ruggie laughed his signature snicker as he pulled his phone out to snap a million photos.
“The great Grim will get you out!” The furry demon grabbed your free arm and started pulling.
“No, Grim-wait-ow-ow-ow!” You cried in pain.
Ruggie lost himself to his laughter but never missed a beat with his photo-taking.
Grim gave up when he realized he couldn’t actually pull you out. You directed a death glare at him.
Ruggie’s laughter subsided and he wiped the tears out of his eyes. “I wouldn’t expect anything less from the Ramshackle Dorm even if I tried”.
“Can you just get him up, please?” You pleaded.
“Alright. Leona!! Wake up now!” Ruggie sighed, grabbed Leona’s wrists and pulled him up into a sitting position; the same move he’d made before.
Leona stretched his arms above his head and let out a long, hard yawn. “Why is everyone so loud!? You’d think I could get 5 more damned minutes of sleep”. He stood up and twisted at the waist working out the cracks in his back. You quickly followed suit getting up off the bed as you rubbed your slightly numb arm. Leona didn’t even seem to notice you were on his bed let alone him crushing a precious limb of yours.
“So, what happened? All you had to do was braid his hair... Was that too hard a task?” asked Ruggie condescendingly.
You ignored his patronising question.
“Well, I managed to get one braid done”, you professed kinda proudly, “but I decided to detangle his hair because, you know, I wouldn’t want to hurt him while braiding so I got my hair brush-“
Ruggie sharply inhaled.
At this moment Leona had wandered out onto the balcony, presumably, to get a moment of peace.
“A brush?” questioned the hyena. His eyes searched and fell upon the offending tool that laid abandoned beside the bed. He shook his head.
“What’s wrong with that?” Grim tilted his head in confusion.
“Look: when you brush a cat-“
“Lion” Leona interjected with a death stare. He’d come back to join the group and narrowed his eyes at Ruggie having heard him call him a ‘cat’.
“Fine. When you brush a…lion, they get comfortable. And when they get comfortable, they…” Ruggie gestured with his hands to coax the answer out of you.
“…fall asleep?” You questioned as you furrowed your brow wondering why he trailed off when he knew the answer.
Within a split second you gasped loudly; eyes widening once the realisation had dawned on you.
“Oh…” You looked over at Leona apologetically who only looked back with a bored stare.
“Yeah…” Ruggie agreed with a scrunched nose. He grinned making a mental reminder to show Jack the photos later. Oh, what juicy, juicy blackmail he now possessed.
“I don’t care what you’re talking about and I’m not standing around here waiting for you to finish.” The King of Beasts ‘hmphed’ and headed out of his room at warp speed.
“How are you not annoyed you only have one braid?” You heard Ruggie ask coming to the side of his prefect. He threw a cheeky grin back at you over his shoulder.
“I got to sleep more. I don’t care. It’s just hair,” answered Leona nonchalantly. The young hyena couldn’t really argue with that.
“I’ll put the other braid in later” said Ruggie. That poor boy probably knew Leona long enough that the lion would be bothered about the lack of braid eventually.
You let out a big sigh and let your body relax now that you were out of that situation. You followed behind the two Savanaclaw boys at a distance.
“Huh…” Grim flew beside you slowly with a paw rubbing his chin in thought.
“What’s wrong?” You asked.
“If all it takes is one brush to knock him out, we could steal A LOT of rich boy’s stuff,” pondered the small demon loudly with a nodding motion.
You laughed dryly. “Come on, don’t you get any funny ideas”
And with that, off you all went towards the school cafeteria, and towards what would be another crazy day at Night Raven College.
---------
(I’ve been watching cat videos lately on YT and the inspiration came to me! Our Leona is a big kitty after all!
I’ve not written in a long time so there are mistaaaakes, but thanks for reading!)
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xlady-saya · 5 years ago
Text
I want this touch to be familiar [fic]
Relationships: andrew/neil, side aaron/katelyn
Summary: Deep down, Andrew knew he would always reach this crossroads, a time where the thought became too strong to ignore.
Going all the way with Neil. It's not something he can continue to avoid thinking about. When Andrew looks back to the days where he held Neil's hands down, when he never got off with him in the same room, he's forced to acknowledge how much he's allowed.
Not allowed. Welcomed. Wanted.
But that’s not all there is to it, and the desire to make a decision finally makes itself known.
Tags: first time fic, p*rn with feelings, relationship study, fluff and communication, multichapter 
Read on ao3! 
They're having a movie night when the idea sinks its hooks into Andrew's brain. He’s not blaming the Foxes, but their bad choices in films is the catalyst to a milestone Andrew didn’t think he’d have to deal with so soon.
In a swift motion, he brings the hand that's not on Neil's thigh to itch at the back of his own skull, unsettled. He almost thinks he should ban himself from these get togethers, if only to avoid these ideas from taking root. Though, if he's being more honest with himself for once, he'll admit it's not the first time it crossed his mind.
It's possible that's the problem entirely.
No, this idea is more comparable to a mosquito, swarming around in his head and beating against the grooves at random points in the day. It's so powerful, so persistent, it's like this one mosquito is a whole swarm, poking around the ridges in an indecisive process to figure out where it finally wants to dig in.
The movie night is just the point in which it finally latches on and doesn't let go.
It's a predictable action film; Andrew doesn't understand why every director in Hollywood keeps trying to recreate James Bond, but he stopped caring about the movie two minutes in. Neil is boneless and relaxed from the shower they shared after practice, fingers drumming beats against Andrew's wrists while his brow furrows at the film. It has enough explosions and suspense to keep Neil somewhat entertained, though Andrew suspects the focus is mostly due to Neil trying to pick apart the inaccuracies of it all.
Most of the time, Neil ends up staring at Andrew for a majority of the film. Andrew finds it easier to not mind in the darkness, where he can feel the brightness in Neil's eyes instead of actually seeing it.
Essentially, this is the only reason he comes to movie nights.
He's almost at the point where he's ready to ignore the thing completely, along with the Foxes’ scathing commentary, but then the scene comes on.
It's not hard to see coming, but as crude and rough as the Foxes are, their movies don't often include sex scenes. Andrew isn't usually bothered by this type of thing, but it does nothing for him. He's neither repulsed or intrigued; the man isn't his type (or Neil, his brain says, unhelpfully), and the scene isn't aggressive enough to feel like assault.
No anger or heat surges under his skin as the slow orchestra plays, the woman's dress falling to the floor in what he's sure is supposed to be a good shot but has been so overdone it's pointless. Suddenly there's skin, and chests, and the actress' loud gasps turn into louder moans.
It's obnoxious, how fake it sounds, the camera angle cutting to show just enough in between movements.
"Ughhh," Nicky groans, and Allison turns to give him a look. Nicky sags in his chair even further just to spite her, almost falling out of it. "Why do they always do this? I don't need to see two straight white people suck face and bone in every movie! What is this doing for the plot?"
Aaron's head perks up, and he pauses his mid mouthful of those stupid chips Katelyn got him. "What's wrong with straight white people?"
"Everything."
Matt raises his third beer of the night. "Cheers bro, I'll drink to that."
Aaron looks to the wall, as if it will offer him anything better than his current company.
Andrew's eyes fly back to the television, right at the moment the hero slots himself between the actress' legs.
The swarm in his head digs in.
Andrew's hands tighten in the couch cushion, but he keeps the hand on Neil's thigh steady so he won't notice. Neil can be so perceptive when he wants to be, when it comes to Andrew specifically. It's infuriating, sometimes. Andrew never asked to be known so well, yet here they are.
Neil cracks a smile at Nicky and Aaron's fighting, more fond of it now than anything, and Andrew tracks the curve of it with his eyes. On screen, the spy starts thrusting.
"It's romantic!" Allison counters Nicky's claims, and he chucks a pillow at her with a surprising amount of force. Some of the feathers float out.
"They met not even a day ago!"
Aaron's chips are forgotten, which is about as serious as his brother gets nowadays. "I think you've hooked up with dudes you've met within an hour, you asshole."
"This ain't about me."
It's at this point Neil decides to speak, his brow arching in a way Andrew is pretty sure he didn't do prior to starting their this. Andrew's eyes fly up to catch it, and he realizes he'd been admiring the slope of Neil's neck, the discoloration where his hair meets his nape. "Honestly Nicky, what right do you have to talk about plot? Didn't you make us watch that terrible beach movie last week just because you liked the actor?"
Off to the side, where they're trying to become siamese twins, Dan and Matt chime in with some 'ooo's and air horn noises. They’re loud enough to startle Kevin from whatever he’s texting Thea about, and Allison’s cackle follows. Renee’s smile has a slight sharpness to it, the evillest she can look nowadays.
Andrew can't be bothered by the antics; his focus keeps returning to the movie, and the fact is nearly enough to startle him. But he stays still, calm, and doesn't give anything away. It's the best defense he has for the war about to rage inside him. His mind, two seconds from overdrive.
"Et tu Neil?" Nicky sniffs, and then the actress has some kind of orgasm, since she makes a noise akin to a dying bird.
And, because when is it ever about the love interest, the man keeps going, chasing his own release. Andrew's throat feels scratchy.
Andrew spares a look at Neil's face, and finds the striker's attention divided between the screen and Nicky's ramblings. Andrew doesn't care about whatever Neil says in return, he's too set on the slide of Neil's tongue over his bottom lip, the heat of his skin under his palm. Andrew moves his hand more towards Neil's inner thigh, and his breath hitches when Neil's legs widen on instinct for him.
The idiot isn't even aware of it.
Andrew would only need to slide his hand deeper to graze the place where he and Neil could be connected, as close as they can get. He'd be able to work Neil open, savor the twitch of Neil's hips.
Neil is mouthy enough in bed with how they do things now. Would he be louder? Uncontained?
Andrew allows himself to watch the rest of the scene play out on screen, the two rehearsed 'rough' thrusts, the groan of pleasure. But this time, it's hard to be disinterested. It's hard to not let his mind, so gifted with spinning fantasies on account of his cursed memory, put him in the spy's place.
What would Neil feel like, he wonders. Tight and warm probably, strong legs locking around Andrew's hips until his ankles are crossed and knocking against his lower back. Neil can get so greedy sometimes, even with his obnoxiously high consideration for Andrew's boundaries. When he's allowed to take, he's desperate about it.
Would Neil let him go that far? No, would he want to?
Does he want--
Andrew stops the train of thought there, but doesn't cut the journey short. He has no choice but to be stuck here now, and thus, Andrew can no longer swat the idea away like the pest it is.
Going all the way with Neil. It's not something he could avoid thinking about after a certain point. When Andrew looks back to the days where he held Neil's hands down, when he never got off with him in the same room, he's forced to acknowledge how much he's allowed.
Not allowed. Welcomed. Wanted.
Bile rises in his throat on instinct, and he squashes it down. Sex with Neil is not something he needs to feel terrible about, and he doesn't. It feels the opposite of terrible, and Andrew hasn't worked through all those troublesome thoughts yet. He can't pin a label to it.
He remembers when jerking off in the shower, mouth pressed to Neil's, had felt like a huge thing to give. Now it wouldn't be enough.
Neil touches him now, Andrew asks him to touch. He's used to Neil's weight on top of him and his hands sliding suggestively over his abs, his biceps. His hands are used to resting comfortably over the curve of Neil's ass, grinding against him.
And it hasn’t stopped there. He's had Neil's mouth on him, his blue eyes on every part of him as the striker sucked him off after a particularly good game.
Andrew had shut down the goal, and the look in Neil's eyes had made him feel far too much. Overwhelming, dizzying.
So they'd taken the next step, not without hiccups, not without caution, but they'd done it.
And that's the thing with Neil; once they cross a certain line, it's a snowball effect. They're incapable of going back.
Neil blew him then for the first time and suddenly Andrew couldn't get the image out of his head, Neil's lips around his cock, trying to adjust to get the best reactions out of Andrew, to make it feel good.
Neil, so stupidly determined about everything he does.
And Andrew, the fool he is, got used to it. He never expected it, because routine was not a yes, and some days he preferred to not be touched at all.
But now, when Neil sinks to his knees or asks to jerk Andrew off, the initial anxiety Andrew might've felt months prior isn't there. It's been burned away into something more concerning, addictive.
Because Neil will stop if he needs him to.
So, Andrew let go, and the floodgates opened.
Shared handjobs turned into frequent blowjobs, which turned into heavy petting without clothes. Andrew feels stripped down, raw, with how much trust he's given this single person.
Every now and again, he searches deep in his soul for some ounce of disgust, regret for any of it, and it makes him angry to find none.
The only thing that does make him angry is how good it feels, a natural reaction Andrew can’t just drop cold turkey. Yet, his body doesn't just enjoy the progressions he and Neil have made together, so does his mind.
Again, he derails the train there, not willing to admit it, and returns to the thought of plowing Neil into their mattress.
It was only a matter of time before he ended up at this crossroads, only so far he and Neil could go before reaching the logical 'next step.'
But, it doesn't have to be a step at all if Neil decides against it. If Neil doesn't want to, they won't. The itch in Andrew's brain is mostly due to the fact they haven't discussed it. He has no idea how Neil feels, if he even thinks about it in the way Andrew does.
There hasn't been time, but Andrew knows if he's reached this point he has to bring it up.
He's not afraid to; he and Neil aren't like that. It's about framing it in a way Neil's exy-only brain won't read into it wrong.
He needs Neil to be able to say no if that's what he needs, he doesn't want to imply he wants this from Neil, that there's a pressure to take it there. Because as stubborn and rebellious as Neil can be, unwilling to be pushed around, Andrew is a weakness.
So, Andrew won't accept anything from him other than the absolute truth. 'Always' doesn't exist with things like this.
The movie turns back into a mindless explosion show while the fantasy in Andrew's brain is paused, mostly because indulging in it feels wrong at this point. If it's something that'll never happen, there's no point letting it play.
What he already does with Neil is enough, more than enough. Andrew never thought he'd ever be like this with anyone, and he's still not used to it. His pleasure during sex came from control in the past, on being able to dictate how it all went, to touch without being touched and have the person like it.
Neil turns everything upside down; where control once stood undefeated, something else sits, unmovable. White-hot, blinding desire.
A danger, unacceptable.
Andrew's eyes rest back on Neil and the heat coiling in his abdomen subsides, softened by the unruliness of Neil's bangs and the glow against his cheek. That's another problem too, about Neil. Desire isn't alone.
But, Andrew sets that issue aside for now.
Feeling Andrew's pensiveness, Neil turns his head, blinking so slow Andrew can see the flutter of his lashes. He nearly pushes his face away.
He's not sure what Neil sees in his analysis; Andrew knows he can't read minds, but it's unsettling and calming all at once to watch him trace the wrinkles in Andrew's face. He asks himself if maybe Neil can feel the itch too.
Neil hooks his fingers over Andrew's lightly, and Andrew realizes all too late how tight his grip on Neil's thigh had gotten.
"Okay?" Neil asks, and fuck him for doing so, for catching Andrew slip. He curses himself for slipping at all, or maybe the better term is falling.
Andrew taps Neil's hand once, twice, three times, and squashes the urge to kiss him.
"Yes," he says, and it's not a lie.
It's not a lie, and he doesn't have the energy to think about why that is. He just knows that soon, it will become a bigger problem. He puts it to rest.
Instead, he watches Neil nod and smile, and when Andrew finally turns back to the television, his brain gets to work on the words he needs to say, and knowing how they’ll probably come up short.
--
Andrew's mind is a vault mechanism. When one part of the lock is cracked, there's usually another waiting behind it.
He hasn't realized it yet though, couldn't possibly, with Neil rutting in his lap.
Andrew grunts as his nails dig into Neil's hips, where the brunet's sweatpants are dipping dangerously lower by the minute, a consequence of the force of their dry humping.
He's not quite sure how they got this carried away in the span of ten minutes, but all Andrew knew then was this wasn't a bad day, this was a day where Neil could pin Andrew to the couch without consequence.
So he let him.
Neil is shirtless, scars on display along with hard nipples and a twitching abdomen, the heat building and building.
Because of Andrew.
The position should feel stupid, immature, maybe even high school, but Andrew's brain is swimming with a pleasure comparable to nicotine.
It's nothing he thought he'd feel before, because the weight of someone on him never used to lead to good things.
"Fuck," Neil breathes, hips stuttering against Andrew's and wiping the dangerous path away before Andrew can even take a step towards it. Neil gives a rough jerk, barely able to fight Andrew's grip, but he prefers when Neil works for it. He doesn't let up, because he knows the striker is nothing but determined.
Neil whines, surging forward to pant into Andrew's mouth. He growls; part of him was enjoying the show and doesn't appreciate the interruption. The other part of him can't get enough of Neil's mouth, the wicked tongue pulling his out and sucking on it like it's another part of Andrew's body.
Neil is always so scatterbrained; he'd do it all if he could.
Andrew's breathing comes out heavy, wet, and they've fallen out of position quite a few times as a result of their desperation. Neil's clothed cock is barely grazing Andrew's now, but he doesn't have the will to stop Neil from moving so fast, so needy. There's a small wet spot forming against Andrew's pant leg, and he watches Neil fight to keep his head from lolling back from the dizziness of it.
It makes something smug burn through Andrew's chest, seeing Neil sigh and whisper incoherent nothings which don't amount to much more than 'yes' and 'more, Andrew, more.'
Andrew leans back into the couch cushions and bucks up, earning him a sound so Neil he can't take it. It's a cross between a gasp and a groan, devolving into another string of curses. At this point, Neil's pants are low enough to reveal the coarse hair of his groin, the criss crossing scars almost as tantalizing as the hardness pressing against Andrew's leg.
Andrew suddenly doesn't have enough hands. He's torn between pressing his palm over the scars, keeping Neil under his grip, or digging into Neil's hair to expose the column of his throat.
This is why this kind of thing can still get a bit overwhelming, but not in a discomforting way like it used to.
It's still fairly new, the dry humping. At first, it had started as slow and experimental grinding in the morning, Neil pressed up against Andrew's front while he rocked forward. The first time, Andrew had to stop, too taken by the newness of it, the unfamiliarity.
He hadn't had time to really pick it apart and think about why he was doing it or if it made him anything like them. If pressing Neil down and chasing his own relief didn't reveal something uglier about him.
By that point, he'd had Neil's hands on him on a regular basis, jerking him off and pulling him into his throat. Those things were becoming less daunting.
He's used to letting Neil get him off now, to getting off in front of him with his own hand. It's just...this is so much more shared, intense. Andrew isn't quite used to it, but the movie night sits heavy in the back of his head still, and he thinks it might make a little more sense now.
The process to get here had been the same, a slow evolution; they'd use grinding as a means to get worked up, to cause friction before moving onto blow jobs or heavy makeouts. It turned into a thing when Andrew didn't have the patience to separate from Neil for even a moment. Humiliating, but in the heat of the moment he hadn't thought twice. He remembered asking for his yes between biting kisses before humping Neil into their bed, and when he came, the rush had been blinding. The heat running through his veins carried all through his spine and down to his toes, intensified even more by Neil's body jerking against his.
Close, intimate.
And so very, very close to the real thing.
Before that thought threatens to ruin everything, Andrew bucks up again and Neil's moan blocks the path again.
Andrew is so hard it's painful.
Before Neil can press down in kind, Andrew tightens his hold until Neil can do little more than squirm, leaving them stuck like that, with Neil's hands making a mess of Andrew's hair and unable to give them the sweet friction. Andrew rubs circles into Neil's hip bones until he hears the sigh he's looking for.
Watching Neil blink, eyes blown wide in a desire fueled haze, makes Andrew lick his lips in anticipation.
Neil blinks down at Andrew, not really seeing, breath stuttering as he fights the grip. "H-hey--"
"Hey," Andrew replies, feigning innocence. It's not effective, when one of his hands snakes around to Neil's back, looking for any trace of discomfort or even a silent 'no.' When he finds nothing but want, he presses his fingers down onto Neil's lower back to force him forward. Neil's back arches like a cat, like Andrew pulls all the strings. "Move up."
Neil exhales shakily as he shifts, legs spreading and putting him back to where they initially started. Andrew takes the time to rid himself of his jacket, way too warm, and unzips his jeans to help the tightness.
Neil's gaze flies to the prominent bulge under Andrew's boxers instantly.
"Right there," Andrew says with his hands back on Neil's ass, squeezing the muscled flesh greedily and trying hard to avoid the thought of spreading him open like this. He aligns Neil so their cocks are settled against each other again. It's a struggle for them to stay still; Neil leans forward so Andrew's neck muffles most of his groan, and sucks on his pale skin. Andrew's voice is nothing short of strained when it comes out. "That's it."
Neil smiles when he pulls back, and Andrew has to look away. Idiot, always so pleased with proof of Andrew's unraveling. "Can I--"
"Yes," Andrew growls, and he meets Neil halfway. One hand flies to the back of Neil's neck, digging into the hair at his nape to pull him close again. His skin is scorching to the touch.
Neil doesn't hesitate. His hips move fast as his hands dig into Andrew's biceps, intent on chasing the orgasm for both of them. Small, jagged whimpers leave his mouth with every thrust, his cock brushing right against Andrew's. Neil is practically bouncing, and it doesn't take long for Andrew to realize he's moving too, just as fast, just as rough. The head of his cock pokes out of the slit in his underwear, smearing precum on Neil's pants.
"Oh fuck, fuck," Neil moans at the same time Andrew starts grunting with each jerk of his body, unconcerned with the volume. If anyone knows what's good for them, they won't be back early. Andrew's vision starts to blur, his movements less coordinated, breathing loud. He's close, so close and the heat pooling in his abdomen makes his head swim.
It should unnerve him, this lack of control, this animalistic urge to keep going, take and take. But Neil looks the farthest from afraid above him; he's matching Andrew in his entirety, grunting loudly and rotating his hips in just the right way for them to feel every inch of each other. His hands are dutifully clutching Andrew's shoulders, unwilling to move. Because Neil knows, he knows this is Andrew's most vulnerable moment, seconds from orgasm. No matter how close to the edge they are, Neil won't risk Andrew's discomfort, he won't let Andrew's pleasure be overridden by shock or the disregard for his boundaries.
Andrew hates him, he hates how Neil is the only one who will ever make him feel this way, because now no one else is good enough.
In more ways than sex.
Andrew snarls from the anger of it all, from how inaccurate it feels to call it that. He brings a hand up to wipe the sweat off Neil's brow, pushing aside his bangs so he can see those eyes for all they are, the ring of blue a bottomless pool Andrew no longer tries to escape.
Neil's mouth falls open from whatever look is on Andrew's face, and he's no longer able to keep his eyes open, throwing his head back as his orgasm rips through him. He trembles in Andrew's arms, and Andrew feels the warmth of Neil's cum against his cock, even through his sweats.
Andrew's arms lock around Neil's waist as he thrusts up harshly, and in the last split second before he comes, he imagines they're not just dry humping like dogs in heat. He allows himself to imagine he's inside Neil, that they're as close as they can possibly be, and it makes Neil feel good instead of pained.
Andrew comes, but it's with an unexpected dose of shame. Despite that, he comes hard. It's full body, enough to make his shoulders shake, his breath hitch. It's that same tingling sensation running over him, stronger at the points where he and Neil touch.
It doesn't make sense to him.
He hadn't meant to let his brain go there, to let the fantasy rear its ugly head again, but it had felt so...
He didn't have the right to think about it without Neil's yes, not in this case. Because it means some fucked up part of him craves it, needs to take it.
He won't, he won't do that. He knows he won't, but then why does it make his stomach swirl?
Andrew sighs before going rigid, and Neil must take it as his cue to separate. That's one thing which hasn't really changed, Andrew's need for space. It's gotten better, he can normally stay pressed against Neil for ten or so minutes, and it's weirdly comfortable. However, eventually his brain will begin to overthink or itch with a need for room, and he'll have to push away.
This immediate stiffness is unusual though, and Neil catches it so fast Andrew should feel vulnerable about it.
Neil goes still as soon as he senses something is off, and removes his weight from Andrew in a blink. He's never seen Neil move so fast away from him, not out of fear, but concern.
Neil is mistaken here though; he's not the one who's done something wrong.
Neil puts as much distance between them on the couch as he can, bringing his knees to his chest and only grimacing at the wet squelch of his pants.
His chest is still heaving, and part of Andrew finds excitement in that. He made Neil feel good, it's proven by his mussed up hair and swollen lips, the high blush. Neil waits, eyes scanning the lines of tension in Andrew's body, the soft parts of his face.
Andrew watches him for a long time as he thinks, trying to find evidence he's right, that he took it too far. Neil can't read his thoughts, but for a moment Andrew worries he can.
Did he feel it, Andrew's body claiming him, using him in a way Neil maybe has never thought of?
Andrew glares, but he knows Neil will be able to tell it's not at him.
Andrew is usually able to begin the long dissection of these issues in his own head, revealing the threads he can offer to Bee to pull at and untangle into something more manageable. But right now, he's at a loss.
They sit like that so long their breathing evens out, and only at that point does Neil reach out. He extends his hand forward, not commanding, but offering. Yes or no. "Andrew?"
Shit.
He hasn't moved in minutes. Time is never something he managed well in his head, always pulling him back to the past in a blink while the future pulled apart like dust, disintegrating before taking a full shape. He inhales shakily; Andrew hates to show so much, but this is Neil. They're alone. He scrubs a hand over his face in frustration, trying to bring it back to its blank state before he reaches out to pull Neil closer.
They're still not touching anywhere else, Andrew can't handle that yet, but it's enough of an acquiescence for Neil to understand the problem isn't him.
He moves to the cushion next to Andrew, his bare feet settling against the carpet as he waits for Andrew to say something.
And well, this is where he brings it up. There's no point in waiting, beating around the bush is useless and pointless and not something they're capable of doing.
Andrew's words come out blunt as ever as he stares into nothingness. "Before I came I thought about fucking you."
The harshness of the words, and how removed they are from any emotion should probably make any normal person flinch. Neil isn't just anyone.
Neil, for all his usual drama, doesn't react to that, and Andrew feels the ghost of relief. Once, Neil told Andrew his lack of reaction to otherwise terrible events made Neil feel better about them. Andrew hadn't really understood, but now he just might be seeing the logic.
Neil's gaze on him during their vulnerable moments typically makes Andrew want to jump out of his skin, far too exposed, but with this it's less difficult to plow forward. Neil stares at Andrew, as blank as he can manage, while still letting the curiosity furrow his brow.
Andrew wants to wipe off the sweat there.
He cracks his knuckles, mulling over the words and trying to find a way to say them where he won't have to admit too much. Unfortunately, it's impossible.
He scowls at the coffee table as he speaks, like the words are vile. "I've been thinking about it a lot lately. I haven't been able to stop."
Why can't he stop?
Because part of him can't help himself, is that it? He can't control himself, even after years and years of limiting every possible stimuli so he could.
If he sounds angry it's because he is; how dare Neil push him this far, so unintentionally. Yet even then, Andrew knows the blame is all on him. The irritated tremble in his voice should not fucking be there, just like the thoughts shouldn't be. He shouldn't have given ground enough to make such a confession, to make Neil think he's torn up and ugly.
Andrew should be a blank slate, but Neil is chips in the stone, splashes of paint which Andrew cannot scrub off.
He told Neil what he's always told Neil: the honest version of how he feels, even if he wishes he felt nothing.
Long before the movie night, long before he cares to remember, and he    remembers everything, he's thought of slotting their bodies together, of pulling Neil impossibly close so they're intertwined in every way.
At Andrew's aggravated scowl, Neil finally chooses to speak. The confusion is more obvious on his features now, the ring of blue reappearing and threatening to wash Andrew in waves.
"You don't have to stop," Neil says, like it's the simplest damn thing in the world.
What the hell does he know? He's not in Andrew's head, he's not--
"Neil--" Andrew almost growls, a warning Neil should be all too familiar with. Stop while you're ahead.
Neil is a very bad listener, with a short fuse to match.
"I think about it," the striker bites out quickly, almost challenging. Those blue eyes widen with the admission, rocking on the balls of his feet. Andrew's entire body freezes up, hell the world might have stopped for all he cares. Even Neil bites down on his bottom lip, as if to cut the words off, before realizing how stupid that would be. He knows how Andrew feels about regret, and he's not lying in this moment. Andrew would be able to tell. A few seconds of quiet pass, they hear some muffled music through the windows. Neil's voice is a silky whisper to his ears, despite how cracked it sounds. "I think about it too. So...there, stop putting this just on you. I think about it a lot so, you don't have to do...that."
It's so stupid, how Neil can remain so interesting even when Andrew's feeling this on edge. It's a welcome distraction for a second, before the words really sink in.
Neil thinks about it.
Viciously, Andrew steps on the small slug which resembles hope as it crawls through his brain. He ignores the mess in his pants as he turns to face Neil, sitting cross-legged on the couch.
Andrew raises a brow, daring Neil to elaborate on the that he's referring to.
"Hide it so I don't have to know," Neil supplies, waving his hand in the air. "Shoulder it all yourself like you always do. This way I've made it both of our problem."
Neil winces, no doubt scolding himself for the poor choice of words.
Andrew's face is back to a blank slate. "A problem, is it?"
That's certainly how he saw it, but having Neil echo the sentiment makes him feel more, which would be terrible enough, but the feeling isn't even good.
Neil's gaze is a freshly sharpened blade. "No. Not to me," Neil says, firm. "You know we don't have to, but--"
"But you think about it," Andrew echoes, unable to help it. The coils he tries to wrap around the realization are slippery and can't get a grip, so he repeats it. Neil thinks about it, the desire is shared.
What is he supposed to do with that information now? One step forward, two steps...somewhere.
Neil swallows, and the redness on his cheeks is oh so appealing to even Andrew's hazy mind.
Neil thinks about it.
But that doesn't mean they can just...do it. Andrew doesn't know if he can; the disconnect between what his body wants and what his brain can manage is a minefield and he's never wanted to scratch at gray matter so badly.
Briefly, he understands why Aaron values normalcy so much. Normalcy would allow Andrew to just be the horny college student he could've been, instead of having to deal with all these speed bumps and cones in the road to get to the ultimate goal. And even if he were to get there, there's a big chance he'd decide it's better to turn back around to prevent a crash.
But he is not Aaron, and he does not value normalcy.
He values--
"I do," Neil states, so understanding, and maybe a little flustered. Flustered, not scared, not unsure. "I like doing that stuff with you Andrew, but how it is now is good, more than good. Hell, that was so...wow. You know I've never felt this towards someone."
Neil's smile is so far away from what Andrew can handle he has to ruin it.
"Horny?" He says, and hates how even when he's deflecting the thought sends a shiver through him. The thought of Neil only wanting him, only giving himself to him. Andrew squashes the possessiveness, uncomfortable.
Neil gives him a look for that, but isn't deterred. "Technically yes, but you know what I mean."
Unfortunately he does, but that's even more uncomfortable to think about than the physical desire. Neil has never been shy about his feelings for Andrew, not since Andrew actually acknowledged their this and showed how he was going to make zero moves to push Neil away. Even if Neil did hold back his bluntness, he gives Andrew those fucking looks like he's the most amazing thing he's ever laid eyes on, not some delinquent with a crooked nose and a hostile disposition.
And still that can't be it. Neil's desire, like his feelings, are so intense they can't possibly be fake. The eagerness, the desperation with which he receives Andrew's advances...it's not the issue. Neil is trying to tell Andrew he doesn't need to feel pressured, like Andrew doesn't already know that.
He thinks he's getting closer to what his real problem is with it, but it's just out of reach. It's a shared desire, he checks that off. Neil thinks about it, another check. And Andrew...
No matter how he tries to kick it aside he wants it. His body craves it and his mind can't let it go. He wants and it's so nauseating in how it's not, instead it's light and tender and all things he is not supposed to be.
So, where is the issue? It's him, it's--
"Stop avoiding the truth," Neil says, and when Andrew looks back at him those pale blue eyes are intense, almost deadly. They pry Andrew apart, flaying the flesh from bones and seeing the rawness inside, like Neil has managed to pin down the anxious animal inside him with talons sharp as knives.
The words 'shut up' die on his tongue; what truth? What can Neil see that he can't?
Andrew doesn't have fears. He briefly entertains the idea that what bothers him is the fact Neil thinks about it and that means one day he'll really want it and won't be able to hold the urge back. If Andrew can't give it to him, if he decides he can't go through with this, Neil will be like everyone else, just someone who wants more than Andrew can offer. Then he'll leave.
But Andrew doesn't fear. And it would be stupid to fear; anyone who would leave for something like that simply isn't worth the time of day. Yet...yet...
Andrew thinks of life without Neil, and he remembers emptiness crashing down, an empty stadium, and true darkness.
Frustrated beyond all reason, Andrew retreats into the bedroom to change into clean underwear and sweats. There are no footsteps behind him, no annoyed sighs or disappointment in his wake. He hates how Neil knows how long he needs before following, how trusting he is, because he changes right in front of Andrew a few moments later, needing no boundary.
"There's no 'truth' in this to avoid," Andrew answers, delayed, as he tracks the curves of Neil's body, the scars making him feel safe and angry all at once. Angry at those who would hurt his person, safe knowing Neil doesn't shy away from the ugliness.
Neil shrugs as he sits on the bed, beckoning Andrew over. He follows, of course he does, it's automatic.
What he says isn't a lie; he hasn't figured out the truth of this. Neil grins at him, infuriating. "No, I just think you're avoiding thinking about it. Don't get me wrong, I have no idea what you're actually thinking about, I'm not a mind reader. But if something else weren't bothering you I don't think you'd be this antsy."
"I'm not antsy."
"I told you, I'm the better liar so you should stop trying," Neil says with a smile, kicking his legs out in front of him. There's bruises on his knees from their last game. Andrew reaches out to press his palm against them, frowning at the yellowish color; there was no helping the fall, but Andrew had still checked him out afterwards. Neil sighs into the touch, leans into it, and it hits Andrew that this level of vulnerability he's been given is not something he's ever asked for, but he couldn't let go of if he wanted to.
Can’t let himself betray.
"I haven't made up my mind," Andrew says, not like he has to. Neil is normally good at knowing when Andrew isn't ready to give his final answer, but something about this feels different. It makes Andrew say as much as he can. "I don't know yet if I can do it."
What he thought would be devastating to admit aloud feels more like one weight has been shed. Neil doesn't even react, apart from prying Andrew's hand off his knee to trace the veins on his wrist.
"That's okay," Neil whispers, and there's enough encouragement in the tone to make Andrew growl.
"Shut up."
Neil freezes, his fingers hovering over Andrew's knuckles, and has the audacity to squint at Andrew. The man always did have a death wish. "It is."
Andrew turns away, in what to others would read as a clear dismissal, the cold shoulder. Neil has never cared to accept those things.
"Andrew," Neil says, and it's with conviction this time. No gentleness. "I'm not going to...leave if we never do it, I don't care about that, I just care about you. But if it is something you want, it's a yes--"
Fury spikes.
Andrew bites back the auto-response of 'I don't care if you leave' because it's a deflection he won't bring into this. He doesn't have time to keep that wall of his intact during a conversation like this. Neil will fight it and see through it and it'll waste their time.
But honestly, screw Neil for seeing through Andrew so easily. For pulling out fears that shouldn't be there and aren't, they aren't.
When Andrew turns his scowl on Neil, the striker doesn't so much as flinch. Andrew is here, giving away too much, showing too much, and Neil takes all of it.
"That doesn't have to be your final answer," Andrew stresses, voice tight, and this time Neil does have the decency to look surprised. Those pretty eyes soften with it, and Andrew sees the exact moment he puts something together which Andrew hasn't yet touched. "We don't have to. That goes both ways, I won't take that from you unless you're 100% sure so you better be and fuck you if you don't tell me the truth when the time comes. And it's not going to be you letting me, or doing it for my sake, or some other half-assed reason. If you don't want to, we won't. "
If I can't, I won't.
And the only reason he wouldn't be able to is if...
Andrew feels a stone settle in his stomach, and almost grins from how amazingly stupid this all is. Bee would be so proud, him getting to this point, on the cusp of figuring out what the hell is going on in his head.
All of a sudden Andrew is tired, too much energy pulled out of him, a war of emotions, all for him to come to the obvious conclusion.
It always comes back to Neil.
And Neil seems to have figured it out too; he stares at Andrew for a long time, scanning his face, giving him that look, the one which burns Andrew from the inside. Warm.
"The next time one of them says you're soulless, I might have to fight them."
All Andrew's words, and Neil manages to find the sliver of realness buried in it. For a moment, Andrew thinks Neil will let it go, for Andrew's sake. But, he should know better. They're no longer at that point, and Bee would call that progress, but Andrew doesn't know what to do with it yet.
All he knows is that if Neil thinks he can soothe any of Andrew's thoughts, he will, no matter how many times Andrew tells him he doesn't need it.
It's quiet, when Neil finally speaks. "You wouldn't hurt me," he whispers into the small space between them. Andrew hadn't realized they'd gotten so close, but there's his forearm, pressed right against Neil's. No wincing, no queasiness.
Andrew starts to turn away, and Neil risks blocking him with his hand. Andrew's vision is all blue, Neil's bangs such a mess he wants so badly to push them back again. "You wouldn't hurt me Andrew, if that's what you're worried about. You couldn't. I trust you. Of course I want to, but it's not a deal breaker. Stop treating it like one."
Andrew doesn't move, it's amazing he can even look at Neil, but he can't stop. There's so much he could argue in return, lots to prove wrong. Neil doesn't know anything about this, he can't possibly get it, or know what he's really giving Andrew, or what he’ll want in the future.
Their future; another subject to flood Andrew's brain. Too much at once, too much.
And yet, Neil is a deadly weapon, except with Andrew the slicing wounds give way to blooms instead of blood.
Neil strikes. "If you decide it's a yes, and I come back and say no, would it be a deal breaker for you?"
Andrew twitches from the mere thought, which is as good as a full body jerk. Neil could say he never wanted to have sex again and Andrew wouldn't push, he'd stay. "No," he seethes, unable to keep it out of his voice. Neil goes right for the throat every time, making one of Andrew's arguments null.
As for the other...
"I want to," Neil says, and for once, he seems embarrassed. It's a rare thing on Neil, the worried lip, the giddiness. Like he's excited. It's not even about the sex, he's pretty sure Neil did this when Andrew first held his hand too. Andrew's stomach flips itself over in half, the bastard.
"You wouldn't be taking either," Neil says, and Andrew flinches internally. Hurting Neil...he could hurt Neil, he could-- "We'd be...sharing, like we always do. So you can stop beating yourself up over my decision, and think about yours."
In Neil speak: Do whatever you need to do to figure out what you need, I'll be waiting.
Andrew hates the assumptions, mostly because they're right. This is not something he can resolve with one conversation. The thought of somehow ruining this for Neil, for making his first time something horrible, is too much for him to unpack this quickly. Who knows how long it will take him to reach a decision, or what the decision will be.
Yet, Neil's here, telling him he doesn't care how long it takes, or where Andrew lands at the end of it. He'll be here, now and after.
What percent is Neil even at? The millions maybe. Andrew's blood boils before it comes down to a simmer, then fades completely. Andrew never asked to feel, but Neil is wearing him down everyday.
The thought repeats: Andrew doesn't know how to stop.
He clenches his fists, grabbing Neil's shoulder and forcing him down onto his side to lie next to him. Words won't work for him anymore, and he's not capable of touching or even kissing right now. But it's a concession, a thing he is learning to give without despising the weakness of it.
Neil gives a small yelp but goes with Andrew willingly, not resisting. His curls fan out on the comforter, one decorated with cats that Nicky gifted them. Andrew sighs; Neil has yet to make any sense to him, even when the entrance to the messy path ahead of him has cleared.
He'll need as much rest as possible to figure this out. It's too early to go to bed, but after all this Andrew needs sleep, and he hates how Neil being next to him has become the new normal.
"I fucking hate you," he says in the small margin of space between them, and closes his eyes before he can be blinded by Neil's idiotic smile. "Go to sleep junkie."
Andrew's memory feeds him Neil's smile anyways.
Neil sighs across from him, and Andrew immediately feels drowsy, like it's a spell over him. He falls into it, not resisting.
As the world fades in and out, the most important thoughts stay afloat, and he embeds them in his head. They're less like mosquitoes now, more like additional grooves.
Neil wants it, Neil is ready. There's no sense in Andrew dwelling on that issue further for now, so he bypasses the first lock of his mind. Of course, he was never so optimistic to think that was the only thing holding him back, and Neil pulled that out of him too.
The big issue, the one holding Andrew back. The striker's words flood his mind, blurred and echoed. 'You wouldn't hurt me.'
But is that the truth? There's only one way to find out, and Andrew isn't sure if it's something he's willing to risk. Neil never was and never will be someone fragile, but that’s not the point. That’s not what Andrew means.
Just the realization he has the power to hurt Neil with this, the way Andrew was hurt…it makes him shy away from any attempt.
After all, he decided long ago he wouldn't risk losing Neil, not for anything, returning words said on rooftops. And yet…Neil makes him itch to prove those things wrong.
He's not sure yet where to go from here, but he pushes it aside to think about later. He has as much time as he needs. With the first lock conquered, the tension in his shoulders relaxes. Neil thinks about it, wants it. So can Andrew.
Just like that, Andrew finally concedes; he lets the idea of want flood in.
This time, there's no guilt to be found. Neil, with all intentions, made sure of that.
--
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qqueenofhades · 4 years ago
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I was hoping you would be able to help me form a response when my family says they're sick of hearing of systemic racism and white privilege because THEY have had to work for everything and believe nothing got handed to them (true in the way they're thinking, but you know what I mean).
Welp. First, I applaud you for taking the initiative to engage in difficult conversations with your family, since the only way embedded racist ideas are going to get confronted in white society is if racist white people hear it from their friends and family. They are going to cheerily ignore protestors, academics, newsreaders, popular culture, and certainly politicians who say anything to the contrary, but it’s harder to ignore and brush aside when it’s coming from people who are directly within your own family group. They can still then ignore it, but at least you’re trying to do something that is not at all fun but which is deeply necessary, and good for you.
First, there are a few things for you to consider. Is this a case where they actually don’t know the difference, but are willing to learn, or is this essentially sealioning (where they act like they don’t know the difference, but they absolutely do, and put the emotional labor on you to extensively define and explain and educate while never intending to change their stances on anything). If it’s the former, then there is some point in engaging in dialogue with them. If it’s the latter, it’s a giant emotional trap that you are within your rights not to engage with until they signal that they’re willing to engage productively. You don’t have to educate someone who is categorically unwilling to be educated (especially when it’s often deliberate ignorance). As people like to say, Google is free, and it’s their responsibility to take the first steps to change. You can continue to talk with them, but yes, that is contingent on them actually standing a chance of listening to you and not just you wearing yourself out on something that they don’t want to actually hear (because it threatens them and makes them feel Personally Wrong, and white people don’t like that).
There have been various books written on why it’s so hard to talk to white people about racism, which you may be interested in checking out, not least the book "Why I’m No Longer Talking to White People About Race” by Renni Eddo-Lodge. Ibram X. Kendi has also written “How to Be An Antiracist,” one of the bestselling books of this summer, either of which would be useful either in shaping your own arguments or (if they’re receptive) giving to your family. Once again, this is contingent on them signalling that they’re actually willing to listen, and not just to make you do pointless emotional labor. These books are probably available from your public library (though there’s probably a waitlist) or in other easily available formats.
Next, it’s a basic tenet of an anti-racist education that white people have never had to do this kind of reckoning, and thus get whiny, defensive, guilt-tripping, and “it’s not about ME I’m a GOOD PERSON” when it comes up. This also rests on the damaging and deeply intertwined effects of racism and classism, which has to be understood if you’re going to talk about it. One of the greatest tricks that racist capitalism ever pulled is convincing poor white people that they had more in common with their filthy rich white masters (people whose way of life will never in a thousand years be anything like each other’s) simply because they shared the inherent racial “purity” of being white. There have been political studies written on how poor/undereducated/working class white people have become such a reliably Republican constituency, because they have been successfully manipulated to believe that the white overlords are their “people” and they will constantly vote against their own economic, social, and cultural interests in favor of enriching amoral white demagogues who beat the populist xenophobic drum. Then they blame black and brown people for society’s ills and for the reason that they stay poor, rather than the rampaging oligarchs awarding themselves massive tax breaks and billion-dollar bailouts and refusing to extend unemployment benefits in case people “make too much money” from not working, just to name the most recent example. They are so poisoned on populist politics and white supremacy, which assures them that they’re better than anyone else by virtue of being white, that they actively attack politicians and policy platforms and other social welfare initiatives that would materially improve their own lives as “un-American.” This is maddening and sometimes baffling, but it’s how it works. Whiteness trumps all, currently literally thanks to the Orange Fuhrer. Problems in life are the fault of the Other.
This isn’t to say that poor white people are “dumb” and just unable to realize it, because they’re caught in a system that has done this literally from the start of America. In the early 17th century, indentured laborers and slaves in the American colonies were in fact more likely to be white. (The word “slave” comes from “Slav,” since that was the predominant ethnicity of slaves in medieval Europe; i.e. white eastern Europeans.) But even despite the fact that they were unpaid laborers, they were still white and thus recognized as human by their white masters, and thus when slave ships began arriving, it was easier for everybody to simply outright demonize and dehumanize the black African slaves. The poor white indentured servants got to feel better than the black slaves simply for the fact of their whiteness. Their lives obviously sucked, but their whiteness was in fact a mitigating factor in the suckiness that it involved once it was easier to use “animalistic” black people. And we wonder why America can’t ever confront its racist history properly. As Kendi calls it in his other book, it is stamped from the beginning.
As it has been put before, white people can and often do have difficult lives, because late-stage capitalism devours its workers no matter what color they are, but their whiteness isn’t a factor in why their lives are difficult. They will never encounter racial prejudice, race-based hate crime, discrimination for housing, education, employment, bank loans, daily microaggressions and identity erasure, constantly racist tropes in the media, politicians fingering them as everything wrong with America/the world, casual prejudices or assumptions even from close friends, assumed criminality based just on their race -- etc etc. The list goes on and on. Just because you have a hardscrabble economic background does not mean that your life has been made harder by your race -- because if you’re white, it hasn’t. (And as noted, poor white people have consistently voted for megalomaniac white men who don’t give a shit about them but promise them that everything is fine or should be better for them because of their whiteness, and then blame minorities for being the source of their problems.)
I honestly wonder if racism would still be such a problem in America if we had a remotely more equitable economic system, because when you’re well off and have your basic needs consistently met and don’t need to worry that you’re one paycheck away from disaster, it’s harder to constantly be paranoid that your differently colored neighbors are stealing everything from you and the cause of all society’s ills. The historian Patrick Hyder Patterson wrote a very interesting book on material culture in Yugoslavia in the 20th century, where he basically argued that despite the spectacular collapse of the federation into the Yugoslavian wars of the 90s, things didn’t really go to hell until after the economy crashed following Josip Broz Tito’s death in 1980. While there were obviously ethnic fault lines and conflicts between Serbs, Croats, Montenegrins, Bosniaks, Albanians, etc, when there wasn’t any money and any jobs and everyone thought everyone else was to blame, THAT is when the whole thing blew up into a genocidal civil war clusterfuck. Food for thought.
This is why people talk about economic justice and racial justice as going hand in hand. When there is a scarcity of resources and no social safety net, people are obviously more inclined to look for scapegoats and to blame someone for taking their entitlement (while still somehow refusing to blame the billionaires and corporate oligarch who are ACTUALLY stealing from them). They indeed actively resist any attempts to make their own lives better as being “socialist” or “un-American” and take pride in the fact that there’s absolutely jacksquat nothing (until of course, something like the coronavirus pandemic hits and it’s revealed just how many of us were always one missed paycheck away from disaster). Then when they need government assistance (while disdaining the government as tyrannical the rest of the time, unless it’s Trump’s actively tyrannical lot, but hey, we don’t have time to unpack all that) it’s still shameful and something they shouldn’t be using, instead of their basic entitlement to a decent life.
This country is poisoned on a lot of toxic beliefs, but this is one of the deepest-running one, and which will always get in the way of poor white people dealing with racism: their lives suck, but they have ALWAYS been told that despite that, they’re still better just for being white, which is their consolation prize for supporting white populists who actively rob them, and they haven’t even always consciously registered that. They just feel that if they’re “fine,” even if they’re not fine, then black people are just malcontents and criminals who can’t hack it. In 2016, there was a lot of ink spilled over how poor white people felt a sense of economic grievance and being left behind, which was why they voted for Trump, but... Trump was never going to do a damn thing about that??? He doesn’t actually do anything for his supporters except feed them his jingoistic Orange Nazi stump speeches. They voted for Trump to feel vindicated, not to actually improve their lives, and it’s damn clear by now that not only has he NOT improved their lives, he has no desire to do so. He just wants them to cheer for him and feed his ego, not fix any problems.
Basically, racism and capitalism and the American political system intersect in multiple deeply toxic ways to do precisely what you’re talking about; producing poor white people who feel that they shouldn’t be included in the reckoning with racism because if THEY worked hard and they don’t live in a mansion, somehow racism is fake and black people should just shut up and get a job etc etc. This is because poor white people have been systematically conditioned to support white supremacy at the direct expense of their own economic and social interests; it’s terrible, but that’s how it functions. They will never in a million years have anything in common with the (white) ruling class, but they still instinctively identify with them rather than people in their own deprived economic class who are different races or colors or religions. That is how white supremacy has supported the hyper-inequality of the industrial age, and vice verse, and it is one of capitalism’s best functions for survival, so it’s in the interests of the overlords to maintain it. Stop the workers from recognizing pan-racial solidarity based on economic grievance, and compete with each other and blame each other rather than the overarching system, easy!
Anyway. Once again, this is long. But in short, the attitudes your family are exemplifying are a direct result of both racism and classism as they have been deliberately cultivated in the American social and political system, and the interlocking causes and symptoms of both have to be recognized (and acknowledged) before they can get to dealing with that. I don’t know how that will go, and I don’t have an easy shortcut. But I’m glad you’re trying. Good luck.
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gothamsnightmare · 4 years ago
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List of Gotham/Valeska twins stuff I’ve been writing on that I might consider sharing some day
Note: So far, all of my stories are reader-inserts. I found that to be a lot easier to write when I started out, also, I’ve always sucked at coming up with names. I have been thinking about possibly turning a few of them into OC’s later on however, especially since it’s starting to look like in at least one story it will actually require me to have a specific name for the reader character at some point, so there’s always the chance I’ll re-write some of these later. Can’t say for sure though, cause I’ve been looking up names and now I’m having the problem that a name that spoke to me as a gf’s name, but also really sounded great to me for a sister character, so, now I can’t decide what to use it for.
These are the stories I think I might like enough that I would feel comfortable sharing them one day, although I can’t say for sure cause I really haven’t finished any of them yet and many of themdon’t even have a beginning with, so I could possibly really only do a preview for most of them so far, cause even though I tried really hard over the last couple of months to finish at least one of them, I just keep getting more ideas for them but never for the parts where it matters
Long story short, I might post some previews from some of these stories soon, especially if there turns out to be some interest (which I hightly doubt, since there wasn’t any so far). So on to what will be a long and pointless post about some of my stories:
Family Ties
I have to thank @sunlitroom for making this post, the first picture in it inspired me to write this story.
I don’t know why, but I always loved the idea of a sister for Jerome and Jeremiah that ends up being kind of torn between the two of them because of their hatred for each other.
When I first played with the idea for her, I imagined her only a few years older than them, like in my first story ‚Hands off‘, but this post gave me the idea: what if Jerome and Jeremiah had a sister that was several years older than the twins, and by that, already old enough to have moved out and left the circus when Jerome killed their mother, and she always had to look after them when they were younger because of their mum not bothering.
Basically, the moment I saw the first picture of this post I thought: I could totally imagining the twins and their sister being part of their mothers act at the circus when they were little, like that she had a different act back then. That she wasn’t an exotic snake dancer yet, just a regular snake artist, and her children were essentially the main focus of her act, like an idea of the owner of the circus, you know, cute kids and deadly animals, guaranteed crowd pleaser.
This is the first story that is going to be different than my other stories, in the way that it doesn’t take place in one time line, but it jumps around between various stages of the Valeska siblings life, starting out with when the twins were around 5 and then as they get older at the circus, on to when Jerome kills their mother and ends up at Arkham, all the way to when Jeremiah is reunited with his sister again for the first time after he was changed by Jerome’s laughing gas.
The story is perhaps a bit heavy at times I guess, because I really decided to dive into how hard it was for the Valeska siblings at the circus with the on-going abuse, and I let them deal several times at various ages deal with the aftermath of these moments. Most of these so far I made up, but I am also planning on including pre-existing things from the Gotham canon, like the story Jerome told about him having his hand boiled in a pot of soup I’m currently trying to write something with, so yeah, it is definitely a bit rough at times.
This story also deals with why the twins’ sister decided to leave the circus and her brothers behind even if she can’t look out for them anymore then, why his sister is the only one who Jerome still trusts after Jeremiah left, what might have played a part in Jeremiah later turn into a villain that has a habit of manipulating people and why it’s so difficult for their sister to navigate her relationship with the twins. Also Jeremiah and Jerome always have their problems getting along in this one, even when they’re little, because they’re just so very different. 
Sleepless Nights
This is a story that takes place over Seasons 1 to 3 (but will likely just brush Season 2 briefly). It starts out shortly before Jerome kills his mother as he sneaks over to his only friend at the circus after a night of torment at his mother’s. She’s the only one who he’s able to talk to about what he has to go through at home because he knows he can trust her, although he’s starting to reach a point where he’s done going into the details every time. She cares a lot about Jerome, and the more she has to see what’s happening to him, the more she’s starting to see things his way. So she gradually doesn’t just grow into the only person he will ever care about, but likely his future partner in crime.
Arkham 
Title is a bit misleading now because it doesn’t just primarily take place at Arkham anymore, but I had intended it to take place at Arkham in Season 4 originally and end with the breakout, hence the title. But once the ideas for it really hit me, I realized it would go way beyond it. Now it starts at Arkham and goes all the way to the end of Season 4
This is to date my longest story (almost 32,000 words at this point and I’m still nowhere near done yet).
One day, I had an idea where I wanted to write just a story about Jerome hanging out with someone at Arkham, but it ended up not really anywhere cause I couldn’t really think of anything, the idea seemed to random.
Then I came the old discussion about how many Jerome fic writers tend to write about the exact same themes on here on tumblr again and before I knew it, I suddenly had my idea. Since my goal with any of my art has always been to try to be different, I hope I kind of managed to accomplish it with this one.
Essentially, the original story idea turned into a story about a woman that Jerome meets at Arkham that instantly becomes not only the only person who cares about him, but is everything he never thought he would ever have in a person and he ends up opening up to her more than he ever intended to when he first decided to talk to her.
Basically, she ends up becoming the only one who Jerome tells the real reason behind his plan to break out of Arkham, however, despite how close the two end up with each other, since she gives him a lot of freedom and never pressures him to do something he doesn’t want to do, and this kind of backfires on her a little because she ends up never being 100% in the loop about his plan despite how much he shares with her. And in case your wondering, yes, this is going to go all the way to the very end of Jerome’s story in Season 4.
Note: This is the female character I mentioned above that I might rewrite from reader insert some day because she needs a specific name at a certain point.
Fights at Arkham
This is another story where the twins have a sister, this time, it’s more like an AU where Jerome didn’t die but still managed to change Jeremiah with his gas, and now they currently happen to be stuck at Arkham at the same time as their sister.
This turns into a huge problem for all three of them, because since she still loves both of her brothers, she expects them to act as civil as possible when around each other, which they will have to do if they want to spend time with her, as she’s fed up of having to put up with their fighting by now and doesn’t want to switch between having to spend time with one of them at a time.
Since the twins just hate each other so much by now, she can’t really prevent the fights from constantly happening, the only thing she can do is try to make sure their fights don’t turn violent, something that is often a bit of a challenge for her
However, since she knows her brothers way better than they would probably like to acknowledge, she also knows a thing or two about how to keep them under control.
Unfortunately, I’m still massively struggling to find a way into this story, it requires a the random argument between the twins that is supposed to turn into a bigger fight, so I could only give you a preview of what happens once their fight is close to getting out of control.
Mad
Simple premise, Jerome’s girlfriend is mad at him after one of their crime sprees, and after giving her some space, he decides it’s about time to make her get over herself.
Partners
Jerome inadvertently develops a crush on his partner in crime when he looses track of her during a crime spree. When he confronts her about it, she doesn’t really know how to handle it
Chance meetings
A story that unfortunately so far only contains a few segments that don’t really connect with each other yet, which is a shame because the basic idea would be based on another attempt of writing something a little different.
We all know the old idea of course that Jerome is definitely the kind of guy that would likely end up stalking a girl when he takes a liking to her, and while I could totally see him do that, I suddenly thought: what if it was the other way around and it happened to him?
This is not exactly a stalking story per se, but essentially, one of Gotham’s female criminals (not one from the Gotham canon) is so impressed by Jerome and the way he does things that she shows up out of nowhere one day while he’s out killing people, and from that day on, she just keeps popping up everywhere he goes, until the point comes where he almost expects her to be there because she can’t seem to stay away from him.
And at the end, this story ended up giving an idea at the end that led to another story called:
Nightly visits
While thinking about the fact that Jerome would not be above stalking some woman he’s obsessed with, I suddenly realized I could also totally see him just crashing at a woman’s place at night that he took a liking to without her knowledge, you know like secretly staying on her couch every night and leaving before she wakes up in the morning.
And that thought turned into: what if she knew about it though. And what if she just lets him do this while pretending not to notice? And this leads to eventually them both becoming aware of it and finally starting to acknowledge it and start talking to each other.
So basically Jerome turns into the crazy guy who keeps showing up at her apartment every night to spend the night and leaves again in the morning, but once they get to know each other better, they get closer and he ends up staying longer or showing up earlier than he had originally meant to when he had decided to hang out at her place.
There’s another story that I’m thinking of sharing that doesn’t have a title yet, but I’m worried it might be to plain and cute. In it, the twins have a sister that is a little bit younger than them (cause I figured the way the behave towards her might work better if she’s not the older one this time) who suffers from nightmares because of the abuse in the family, and it started to become so bad for her, that she now spends the night sharing a bed with one of the twins to cope. But, since Jerome and Jeremiah are at a point where they already constantly fight with each other, you could say they end up in a little bit of a competition with each other about who’s better at comforting her after a nightmare.
And, in a similar type of premise, also without a title so far, Jerome is at Arkham at the same time as his sister (this time she’s older again), and he goes to visit her at night in her cell, seemingly for no particular reason, but since she knows how to read him way too well, she figures him out pretty quickly and they have a little bit of a late night talk about growing up and how things have changed now (or how they haven’t really)
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fae-fucker · 4 years ago
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Zenith: Chapter 68-71
Chapter 68
Andi remembers how Kalee gave her a tour of her home and bragged about how she’d be ruling the place someday. Andi asks why her and not her brother.
Oh, Androma. Kalee had laughed then, tossing her head back in that glorious, carefree way that made everyone around her want to come closer. You and I both know that a woman can rule better than any man ever could. And I’ll look twice as good doing it, too.
Shinsay, voices muffled as their heads are stuck up each other’s asses: This is definitely, 100%, one whole, bona fide, authentic, organic, home-grown feminism that we just put in our book.
Also ... take a look at that weak-ass description that’s supposed to show us how good and cool Kalee is. When she laughs (in a way that tbh have you ever laughed? be real with me now), people want to ... come closer? 
Wow! That’s like saying ... when I scratch my face, people want to call their mom. When I brush my hair, people may spontaneously feel the need to take a slightly deeper breath.
Talk about low standards. Hey fellas, you ever see someone laugh and just kinda sorta want to approach them but not really? Yeah, that’s the stuff.
Andi thinks about how Kalee would’ve been a better ruler than her dad, who doesn’t even bother coming down to meet his tortured son because that’s how incompetent and evil and heartless he is. I mean, Andi doesn’t know that Valen is the result of rape, but still. Idk if I’m on board with how the book demonizes the hell out of the General but tried to make whatsherface sympathetic. And by “I don’t know if I am” I mean “I’m definitely not what the fuck is wrong with these people.”
Dex tries to make some conversation and Andi says that nobody befriended Kalee, that only super duper special people were CHOSEN by her to become her friends.
I’m ... not sure how this is supposed to be better. In fact, I’d say it’s worse?
“Kalee chose the people she wished to let into her life. I was honored that she allowed me to be assigned to her.”
“Honored?” Dex asked, raising a bruised brow. “Or damned?”
“I’ll let you know after we talk to the general,” Andi said.
I’m gonna fiking piss. “I’ll tell you whether this important life event was honor or damnation, but like, later, after we have this appointment, ok?” Why is this so funny. Have I fully lost my marbles?
Andi foreshadows some escape tunnels that are hidden all around the estate so Dex has a logical way to save them at the end of the book. I’m sure there is a more elegant way of setting that up, but I can’t be bothered to find one, so let’s call it acceptable and move on.
They arrive at their destination and Andi notices that Alfie seems bummed out. She muses that he’s “capable of far more complex thinking than she’d originally guessed,” which, DOY, but ok, and then thinks about how he’s saved her crew and remembered Gilly’s Marketable Space Pet, which implies he has some “understanding of feelings and attachments.”
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That hamster wheel do be spinnin’.
The “head Spectre” comes out to meet them and ...
It took everything in her to speak as the truth struck her.
“Dad?”
DUN DUN DUUUN, it’s Andi’s dad! Also, “the truth struck her?” What truth? That it’s your dad? Was that in doubt? Did you really need a moment to connect the dots, to realize this is your dad? Was there a moment where you saw this man, who is your dad, and thought that this wasn’t your dad, only for the truth to strike and OH SHIT THAT’S MY DAD!! WOW HOLD YOUR HORSES EVERYONE I NEED TIME TO PROCESS THAT THIS IS INDEED MY DAD.
Tbh if you strapped knives to a roomba it’d have more charisma and presence as the protagonist than Andi. And let’s be real, more intelligence.
Yet another chapter ends on a pointless cliffhanger only for the scene to continue exactly where it left off!
You’re just full of surprises, Shinsay.
Chapter 69 (nice)
Andi recaps everything that she’s gone through after the Kalee crash up to the fight with the big alien dude who got deus ex machina-d by Alfie and how she nearly kissed Dex, which gets written as extra special, just so she can make this point:
But this...her father, as General Cortas’s head Spectre?
This might actually kill her.
And aside from how generically melodramatic it is, I can’t help but recall this, from chapter 7:
The man in front of her was a victim of her foolishness. Beside her was the man who’d rejected her love.
The two of them, together? It was nearly enough to shatter Andi.
Andi has the same reaction as I do when in a room with multiple men. Except in her case I think it’s supposed to be deep and personal.
Anyway, self-plagiarism aside, Andi thinks about how her dad was always there for her but then one day wasn’t when he didn’t support her on her trial and how conflicted she feels about him, both wanting to demand justice but also wanting comfort. This is actually quite touching and feels very grounded and realistic.
General Cortas rubs it in that Andi’s dad, “Comander Racella”, has been very loyal and hardworking since he was promoted after Andi’s trial. Andi hopes that her father actually hates the general and was forced to work for him as some sort of punishment for what happened with their daughters.
The general says the situation on Adhira has been taken care of, and when Andi asks whether Xen Ptera attacked because of Valen and her crew’s presence on Adhira, the general says that’s classified. For reasons? Idk. Seems pretty obvious to me, or maybe he just doesn’t know?
Dex tries to yap but Cortas flexes his big dick and reminds Dex that he’s a Guardian now, and Dex is too much of a baby to risk his regained status so he shuts up. This is all spelled out for us by Andi’s inner monologue, because we’re idiots.
The general claims the Xen Pteran forces have been wiped out, saying how it’s probably all they had since there’s few able-bodied and willing people to recruit for war after their planet got fucked, and when Andi presses him for why the attack happened now and on Adhira, he says:
“War never really ends, Androma. The desire for revenge is often too strong to forget.”
“War never ends ... But me and my crew totes ended that war just now. They don’t have any more soldiers so this war is over.” Makes sense, sir. 
Cortas says that queen Alara is safe and will be at the Peace Summit, which Andi immediately tells him to cancel because it would be the perfect opportunity for another attack. Cortas replies by saying that Arcardius is impenetrable and that the day the Olen System successfully invades will be the day “stars fall from the sky” which is a very poetic and not at all natural way to say something like this, so it’s there for ... idk dramatic irony? He also reminds her that the Summit is important because it celebrates the peace after the war and the unity between the systems and I’m here like ... for a guy who says war never ends, you sure seem happy to celebrate a war ending and don’t believe one is going on right now. But I guess these characters just exist to spout meaningless yet deep-sounding nonsense at each other.
Dex reminds the general that they’ve done their end of the deal, at which point the general conveniently decides to prolong it out of nowhere and essentially forces Andi and Dex to be Valen’s bodyguards at the Peace Summit by holding Andi’s crew and ship and Dex’s money and status hostage. Thanks for ensuring the main characters are there for the climax, sir! Appreciated!
Dex and Andi leave in a huff.
Chapter 70
We’re in Lira’s POV as she reminisces about her childhood with Lon while he’s recovering from his near-death-experience.
So she sat by [Lon’s] side for endless hours, until the warm clutches of sleep stole her away.
She dreams about flying on an “Adhiran darowak” but then DUN DUN DUUUN Adhira below turns into Xen Ptera and it’s horrible!
“No,” Lira gasped. Her heart began to crack. Fissures spread through it, reaching cold fingers through every valve until Lira felt darkness stealing her away.
So the editor just left that in, huh? Just let Shinsay use the exact same wording in less than 200 words? Must’ve been stolen away by the editing fairy for editing crimes while reading this.
Lira is woken up by Alara, who got here so fucking fast she must be part-Sonic on her father’s side. You’d think a planetary leader would have more to do after a sudden and deadly attack on her home planet, but I guess Adhirans are so chill they’ll just let their leader fuck off to take care of her angsty teenage niece instead.
Lira says that she’ll do anything to make up for bringing Valen to Adhira, to which Alara says that the only thing Lira will do is “follow her heart,” which is sweet of her to say but also really convenient and makes this whole decision easier for her.
I mean, it’s nice that Alara is so supportive, but 1) narratively, it removes the conflict that was introduced only a few chapters ago 2) it makes Alara seem like she’s only there to be the supportive cool aunt and the Good Queen, without any expectations or wants of her own. Like, wasn’t the pressure from Alara something that gave Lira actual conflict? Idk. Seems too easy, is what I’m saying.
Lira didn’t let go of her aunt until the tears dried up. Until they sat down on either side of Lon’s bedside, held his hands and spoke of happier times. The beauty of a family that could come together, broken, and still find a way to become something whole.
You’re one step away from “Ohana means family” over here, Shinsay. Stop spelling shit out. WE. GET. IT. Also, whose narration is this? We’ve mostly stuck to third person limited, so ... is Lira thinking this? Is she thinking this shit while it’s happening? About her own family and situation? What the fuck?
Shinsay couldn’t keep their suspiciously sticky fingers out of their own writing and let it breathe so it comes out looking like God’s mistake.
Anyway, Lon wakes up and Alara tells him what went down on Adhira.
Chapter 71
We’re back with Andi, who just got out of a bath and is bitterly admiring her “private quarters” when she’s interrupted by DUN DUN her dad! He’s been waiting for her!
It’s all very tense. Before they can really start talking, though, we get a flashback. No, really. This whole tense reunion between father and daughter is interrupted by a lengthy flashback brought on by Andi watching her dad and Remembering.
Because Shinsay.
It’s a flashback to Andi in a cell, the day before she was supposed to be executed. Her dad tells her that her mother is "not well” and we find out his name is Oren. As they’re saying their tearful goodbyes, Oren slips Andi a key and tells her “Bay Seven. Tomorrow at dawn.” 
The flashback ends with Andi’s cell standing empty the next morning.
Very cool and all that.
Back in the now, Andi rightfully chews her dad out for being a cowardly little bitch and throwing his teenage daughter under the bus for the sake of status. Something he freely admits to doing. He says he and her mother had to struggle to rebuild their reputation after she ruined it, and that he believes his daughter died with Kalee and that whoever he saved in the cell was already the Bloody Baroness even if she didn’t know it yet. Then he fucks off.
It’s all extremely silly. It would’ve been heartbreaking in any better book, but instead, it just feels like it’s tacked on for the sake of adding even more angst to Androma’s character. In fact, she’s not even upset at this. Instead she just carves some more tallies into her swords, dances some more with the dead, and then sneaks out.
No really, it’s written like a list.
She waited for the tears to come. But they never did.
Instead she sat alone, adding more tallies to her swords. Dancing with the dead inside her head.
Why is this so funny! I think it’s because both the tally-carving and the ghost-dancing is supposed to be these deep and haunted things she does that’s given a fair amount of weight and focus, but then it’s just written out like this like it’s just some generic routine shit she does like brushing her teeth or wiping her ass.
Yup, there she goes, doing her generic angsty shit one after the other. Emotional whiplash glossed over for the sake of moving the plot along. She’s in such a bad mental state that we simply MUST ignore it and move on.
Also, I want to highlight how convenient it is for Shinsay to already have Andi suspect and previously coming to terms with how her parents don’t love her before this confrontation. Like, we see her father save her tearfully, yet Andi has almost no hope that he still loves her. Or, she does, but when it’s squashed, she just ... accepts it? Because hey, she already processed that trauma years before! Makes it easy!
Wouldn’t it make it more impactful if all these years, she’s hoped that she has a home to come back to? That her father’s final act of saving her meant they love her still and want her to come back? And now she finds out that they never even mourned her loss? Wouldn’t that be heart-wrenching? And also add to the idea that Andi wants to return to Arcardia, both because it’s her home planet but also because that’s where her parents are? Instead we’re led to believe Andi wants to return, but when she does, she hates it here, she knows nobody wants her here, and she wants to leave immediately.
I seriously question the inclusion of this subplot and these characters. It adds nothing, changes nothing, and is just there to make Andi more angsty, which she already is, so ... why is this here lmao?
Shinsay really went “let’s squander all our potentially interesting ideas and concepts for the sake of more cheap angst and making our protag a cool emotionless badass who don’t care for no thing.”
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tsuki-chibi · 5 years ago
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Marinette March Day 26: Comfort
Behind? Catch up on AO3: Under My Umbrella
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"It's time," Plagg announced.
Marinette's heart turned over. "Is it really?"
"It's 1:45am," Plagg replied, glancing from her to her computer. Adrien turned around, looking pale. He'd been officially working on homework, but Marinette suspected that he had gotten as far on his homework as she had on her design for Jagged. Which was to say, they had made no progress at all.
After she'd talked to Chloé, she'd realized that going back to Alya's was pointless. Her parents and sisters would be home soon, which meant that Nino, Adrien and Marinette couldn't hang around for long without some uncomfortable questions being asked. So Marinette had gone home, figuring that it couldn't hurt for her parents to see her face for a bit. She’d pretended that she’d slipped out early that morning to meet Alya before school before rushing up to her room.
Because Adrien couldn't go home, of course - even if he'd wanted to, none of them would've felt comfortable with Adrien or the Black Cat miracuous being under the same roof as Hawkmoth. So Chat had been waiting for her on her balcony, and she'd slipped him into her room with her parents none the wiser. They had shared Marinette’s supper, and otherwise wiled away the time as best they could.
"Are you sure you're ready for this?" Marinette asked, twisting to get a better look at her partner. He looked as tired as she felt, but sleep had been out of the question for both of them.
"As ready as I'll ever be," Adrien said, very quietly. Plagg and Tikki exchanged worried looks, and Marinette bit her lip. Chat had always been much better at words than she was. Whereas her tongue twisted and stumbled around, he seemed to know what to say to make every situation better. It was frustrating to know that she couldn't comfort him the way he deserved. Then again, was there anything anyone could say that would make this situation better? Probably not.
"Okay," she said finally, deciding that now wasn't the time. "Tikki, spots on!"
"Plagg, claws out!"
It was very strange to see Chat standing in her bedroom and know that Adrien lay beneath the familiar mask. Ladybug held her hand out to him. Chat closed the distance between them without hesitation and took her hand. Rather than leave, she took a moment to pull him into a hug. Remembering her earlier desire to give him more hugs made her feel both sad and determined, because it turned out that Chat got even less hugs than she could have ever imagined. She hugged him tightly for as long as she dared before reluctantly letting go.
"You get the miracle box. I'll get everyone organized?" she said, touching his cheek.
"Right. I'll meet you at the school," Chat said, and she nodded and stepped back, searching his eyes. Transforming and the hug seemed to have calmed him down a little, which was good. She wished she could say the same for herself.
They went their separate ways once they were outside. She, Nino, Adrien and Alya had talked it over and ultimately decided against inviting the police along. Adrien had pointed out that it was dangerous to have what were essentially civilians along when dealing with Hawkmoth and Mayura; if something went wrong, the battle could turn nasty very quickly and the Agreste mansion, while not small, would still be a confining space. Alya had promised to bring her phone along so that she could take some incriminating pictures just in case the word of Paris's superheroes wasn't enough.
Ladybug landed just inside of the gates of the school a couple minutes later. Alya and Nino were already there, and so were Kim and Max. Seeing them helped to ease Ladybug's nerves and she smiled as she walked over. Before she could say anything though, Luka and Kagami emerged out of the shadows and came over. Right on their heels was Chloé, who crossed her arms as she approached and looked like she was trying very hard to pretend that she had accidentally stumbled upon their meeting as opposed to having received a direct invitation. Everyone looked expectantly at Ladybug, who swallowed.
"Thank you for coming. I appreciate it more than you know," she said softly. "We're just waiting for two more people."
"Wait, two?" Alya said, looking confused. "I know we're waiting for Chat, but all of the other miraculous holders are here."
"Uh, I've only used my miraculous like once," Kim said, half-raising his hand.
"Me too," Max admitted, straightening his glasses. "I don't know how helpful we'll be."
"Hopefully, everything will go smoothly and Chat and I will do the bulk of the work. You're all here for back-up," Ladybug reassured them. "And if you don't want to be here, I understand. None of you are under any obligation to stay."
Chloé scoffed. "I want my miraculous. I'm not going anywhere."
"Of course we're going to help," Luka said, giving her a gentle smile. "Hawkmoth has put everyone in this city in danger. The least we can do is support you and Chat Noir now that you're finally getting the chance to take him down!"
Kagami nodded her agreement. "I would be honored to help," she said quietly.
"That's great and all, but who else are we waiting for?" Nino said.
"Uh... me?"
Several people jumped, which had Ladybug biting back an amused smile. Alix, for all that she was loud and sassy, was very good at sneaking up on people. Judging by the smirk on her face, she had done it on purpose. Alya looked utterly baffled by the sight of her, and Ladybug could tell that Alya was running every akuma battle through her head in an effort to figure out where Alix had come into the picture. Of course, that was something Alya wouldn't be able to figure out no matter how much she thought about it: the future Bunnix had, for the most part, only interacted with Ladybug, Chat, and Alix.
"Alix? Wait, what?" Alya said finally.
"Dude, you never told me you had a miraculous!" Kim exclaimed.
Alix rolled her eyes at him. "That's because I technically didn't. My future self has one."
"Your... future self?" Max repeated, eyebrows furrowing.
"Alix is, or will be, the holder of the Rabbit miraculous. Much like the Snake miraculous, it deals with time," Ladybug said, figuring that she'd better explain before everyone got even more confused. Luka suddenly looked very interested in the conversation.
"The Rabbit miraculous, huh? I haven't heard of that one," Alya said, frowning.
Alix shrugged. "Like I said, I've technically never held it. I always knew that I would someday, but I didn't think it would happen so soon."
"From what I can tell, Bunnix is usually our last line of defence," Ladybug said. "I asked her to come here tonight as a precautionary measure. If something goes wrong, then Bunnix can go back in time to tell us not to do whatever we did that made things go wrong."
Nino squinted. "I hope that sentence made sense to you, because it didn't to me."
"I get it," Luka said, and of course he did. Ladybug shot him a smile.
"I get it too," Alix said. "And I can definitely do that." She looked small but determined, standing there with her hands shoved in her pockets.
"That's good, because we're going to need all hands on deck," Chat said as he dropped down next to Ladybug. He had a bunch of miraculous in his hands, which he quickly passed out: the Snake to Luka, the Dragon to Kagami, the Monkey to Kim, the Horse to Max, the Fox to Alya, the Turtle to Nino, the Rabbit to Alix, and lastly, the Bee to Chloé. Ladybug watched closely as Chloé affixed the Bee miraculous into her hair.
The street lit up with an array of brightly colored lights as the kwamis appeared. Over the general murmur, Ladybug couldn't hear what Chloé said to Pollen. But whatever it was made Pollen smile, and then Pollen flew up and kissed Chloé's cheek. Ladybug didn't think it was her imagination that Chloé's eyes looked a little shiny as Chloé brought her hands up and hugged Pollen close.
“Okay, everyone. You know what to do,” Ladybug said.
“Trixx, let’s pounce!”
“Waayz, shell on!”
“Sass, scales slither!”
“Longg, bring the storm!”
“Xuppu, showtime!”
“Pollen, buzz on!”
“Kaalki, full gallop!”
“Fluff, clockwise!”
Alix was last, her voice uncertain, but she was swallowed up in the same light as the rest. When the light faded, Ladybug was left looking at several different superheroes. Seeing them all in one place was a little overwhelming. She had never given out so many miraculous before, and suddenly she understood why Master Fu had always been apprehensive about letting too many miraculous be active at once.
But then Chat’s hand settled on her shoulder, giving her a comforting squeeze like he could sense exactly what was going through her head. He smiled at her and she smiled back, reminding herself that there were their friends. She trusted every single person here – even, she realized, Queen Bee. They were all united over a common goal, and they wouldn’t let her or Chat down.
“Okay,” she said. “Here’s what we’re going to do. Pegasus, you’re going to create a portal into the Agreste mansion.”
“The Agreste mansion? Wait, is Hawkmoth –” Ryuko’s eyes went wide.
“Hawkmoth is Gabriel Agreste,” Ladybug confirmed grimly. “And Mayura is Nathalie Sancoeur.”
“Oh my god,” Queen Bee said quietly, and Ladybug knew she was thinking of Adrien. She thought, glancing sideways at her partner, that it probably wouldn’t be long before Chat told Queen Bee the truth about his identity.
“Focus,” Ladybug said, clapping her hands lightly. “Queen Bee, Ryuko, Viperion, you’re with me to go after Hawkmoth. Rena Rouge, King Monkey and Carapace, you’re with Chat Noir and you’re going after Mayura. Bunnix and Pegasus, the two of you are going to wait in the hall. If something goes wrong, you’re our back-up. So Pegasus, make sure you feed up your kwami if you have to.”
“Right,” Pegasus said.
“Everyone ready?” Chat said. His grip on her shoulder now was tight; he didn’t like the idea of them splitting up, but it made the most sense. And there was no way in hell she was letting him go after Hawkmoth. Not after what had happened in the alternate timeline.
Hearing the agreeing rumbles, Ladybug took a deep breath. “Then Pegasus… do your thing.”
“Voyage!”
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cheryls-blossomed · 4 years ago
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this is gonna be a mini-rant. while i love the flash so much, despite its occasional cheesiness and its tendency toward melodrama (but these aspects also make it really endearing to me) was i the only one that was like WTF to whatever 6b was. like the I/B storyline was the only thing interesting and keeping me watching even tho parts of it were really annoying. i could count 3-4 different b-plots and c-plots like it was honestly incoherent. there was no real story arc tbh {part 1}
{part 2} the first 3-4 seasons of the show were stronger storywise. even s5 had a good premise but maybe s6 was too ambitious while seemingly dropping important foundations of the show (i.e. the handling of the man in yellow, crisis). it's just lazy writing imo. what frustrates me the most tho, is that i feel like i care about these characters wayy more than the writers do as the show has become far less character driven and just seems to do stuff just to do it. i could go on but okay, rant over
Yeah, you make a lot of good points, especially about the earlier seasons of the show. Say what you will about how season 3 constructed the big bad arc (and yes it was very messy and very clear they were winging it where Savitar was concerned towards the end), but what it did extraordinarily well is that it honored the most important relationships on the show. There was no greater Team Flash; there was very little of what frustrates me most about later seasons, namely writing to a plot instead of writing for the characters. We got to see the West-Allen family at the heart of the show, whether it was in Flashpoint or otherwise. We saw the bonds between the Wests: between Joe and Iris, between Iris and Wally, and between Wally and Joe. Barry and Wally’s dynamic was fleshed our and better developed. Westallen’s love story was at the forefront of the season, and the writers made the effort to write them sweet, meaningful moments even when they’re relationship was not the focus of the episode. Even with regards to Caitlin and Cisco, as messy as the Killer Frost arc was, the show focused on Cisco and Caitlin’s relationship. And Julian was a solid addition to Team Flash, honestly. He was seamlessly written in; he didn’t overtake the narrative, and he simply enhanced the existing dynamic at STAR Labs. Truly, the back half of season 3 especially struck that balance perfectly, even though the season was messy in terms of plotting. However, I am of the opinion that messy plotting, but meaningful character development is far better than over-planning, writing to a plot, and neglecting the characters completely. When was the last time we had a a really nice Iris and Joe scene? I don’t even remember, quite frankly. 
Admittedly, season 5 is still my least favorite season, and the one I find the most boring. I agree with you, though, that season 6B was trying to do way too much, and it became frustrating very quickly. Season 6B is far better than season 6A, but I think the issue is that season 6B tried a new formula with the big bad. Eva is stuck in a mirror for a great part of the season, and while she does have Mirror Iris, Mirror Singh, and Mirror Kamilla working to liberate her, Team Flash isn’t focused on them, because they don’t even know that these mirror minions are not the real Iris, Singh, and Kamilla for most of season 6B.  And that, in itself, was not the issue. The issue is that because the plot necessitated that the reveal as to who Mirror Iris is needed to be dragged out, the writers needed to write plots for the rest of the characters, mostly Barry, to pass the time, essentially. So Barry gets this whole plot about losing his speed. As an isolated episode, “Death of the Speedforce” is great, but we subsequently have episodes with this whole creating an artificial speed force, which is still not even built by the end of the season. Meanwhile, Nash is possessed by Eobard, but this doesn’t exactly go anywhere, because he’s essentially exorcised. All of this just served as hints as to what’s to come for Thawne, but now we don’t even know what the original cliffhanger is. Carver and Black Hole serve as an interim hindrance to Team Flash until Eva is liberated, at which point Carver is killed, because he no longer serves his purpose. We also have three episodes of saying goodbye to Caitlin and dealing with Frost’s mommy issues. Then, there’s also Sue and Ralph, and the apparent necessity that Sue suddenly get a story-line connected to Black Hole. Cisco gets shipped offscreen frequently, because apparently the show doesn’t have a place for him despite the 5,000 ongoing story-lines. Add to this, Nash and Allegra’s pointless arc, and Chester being integrated into Team Flash in an episode.
And the fact of the matter is, nothing was accomplished by the time 6x19 aired. The only important plot developments were that Barry figured out Mirror Iris was not Iris and Eva was freed from the mirror. Iris is still stuck in the mirror with Kamilla and Singh; she’s undergoing extreme neural dissonance, and she vanished after pushing herself to locate Singh. The artificial speedforce is still not built. Team Flash went against former Black Hole agents and failed miserably; they also failed to protect the horrible, villainous white man they apparently chose to expend their energies protecting. Allegra still hates Nash. Eva frames Sue for Carver’s murder. Cisco isn’t back from Atlantis yet. Joe was sent to WitSec for two episodes, and he is now back (which tells you that the show wasted episodes on new story-lines for the sake of filling episode quotas, instead of advancing the plot of any of the 5,000 other ongoing story-lines). 
Everything I like about season 6B is pretty much relegated to Iris’s story-line, and the brief Barry vs. Thawne showdown tease we were promised, but which never came to pass. That’s why 6x10 and 6x17 are easily my favorite episodes of the season. I think there was an attempt to really give Iris a fascinating arc, but the show was doing way too much, and so Iris’s story in the mirror was heavily neglected. Indeed, Iris and Eva’s dynamic was also neglected, which is frustrating, because for the first time, we have a Big Bad who is Iris’s nemesis first and foremost. But instead of showing us Iris’s investigations in the mirror and showing us how Iris and Eva’s dynamic develops, the show focused on nonsensical side plots. 6x17 was obviously fantastic for the Barry vs Mirror Iris content and for the Westallen content, but also for Iris and Eva’s acquaintanceship and camaraderie disintegrating. Candice and Efrat have great chemistry: that scene where Iris realizes that Eva is losing control of Mirror Iris and she starts taunting her, and in turn Eva grows more and more agitated, losing complete control of Mirror Iris, was such a great scene. As was the portrayal of Iris’s fury at what Eva had done to her and to Barry. There was so much here: so much more potential that could’ve been tapped into. And that’s what’s perhaps most frustrating about season 6B: it had the potential to arguably be the show’s strongest run ever, but they completely dropped the ball, choosing to focus on nonsensical plots, and then they didn’t even resolve those plots, before they introduced even more side plots.
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waezi2okko · 5 years ago
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The difference between Boxman and Venomous AKA an analysis of a dastardly duo.
Sure, the difference between them is rather obvious. Venomous is a power-hungry jerk while Boxy is more or less just an angry child. But I would like to dig a little deeper.
The two of them makes a great villain duo as well as a couple for the simple reason that they enjoy fighting heroes and are not as interested in the profit and respect of peers that follows. But their reasons for fighting heroes are different and it is essentially why they ended their partnership close to the shows finale.
Boxman doesn’t like heroes. At all. He downright despise them for their selfless nature. But he also have major anger issues. So he takes his frustrations out on the people around him. Not just the heroes he attacks, but also other villains who doesn’t respect him as well as his own children. It is quite possible that he has confidence problems as well since he builds robot kids who loves him unconditionally and he is rather clingy when it comes to Venomous. He is an angry little man who essentially wants to be loved. And as the series progress, he becomes nicer to his family after realizing that he might be the reasons to his own problems. He eventually gives up his company to his kids and let them do their own thing. This is a big deal since Boxmore is what creates the robots he needs to let out his frustrations. That means that he doesn’t NEED to do that anymore.
Venomous is a bit different, yet somewhat similar. Even back when was a hero, he felt entitled. He was not satisfied with the powers he already had and worked on ways to somehow get more powerful. That essentially became his undoing since he lost his powers to the very same research. Then he wasted years trying to get his powers back when he could have done so much good with his intellect and finally came to the conclusion that he wanted to be a villain because of the power and influence he could get by being evil. And since he already was all about proving that he was better than everyone else, fighting heroes was essentially a power fantasy come true. But he was never satisfied, which is why he allowed his greed to turn him into the monster Shadowy Venomous by making a compromise with his darker alter ego, becoming an even more twisted creature who attacked heroes and villains alike and laid waste to everything around him while Boxman was more of a classic bad guy who just build robots to attack one target.
What I think is interesting about Shadowy Venomous is that even though he destroyed everything around him with TKO, he never harmed Boxman or Fink. Sure, he destroyed the factory, but that was because he did not see it as important anymore since he did not need robots or science to wreck havoc. But what surprised him was that Boxman told him that he did not want to be part of it. That he didn’t think it was fun. That SV had crossed a line. Notice that SV is stunned for about a second when Boxman tells him to leave... and then he flexed his muscles by reminding Boxy that HE actually owns Boxmore and then kicked him out with his robot brats.
Venomous most likely lost control over the situation when he turned turbo permanently, but it was his choice to do so to begin with unlike KO. Venomous wanted it so badly that he didn’t care about the consequences. And sure, he didn’t do anything to Boxman and Fink directly, but he alienated them completely for the sake of getting power.
To put it shortly: Boxman is a villain, not a monster. But Venomous is a complete self-serving anarchist.
Boxman might have been a bit more like PV at the start of the series, but he actually got nicer to his own family and even learned to respect his son Darrell after admitting to himself that he is a VERY imperfect person. Venomous didn’t. Some complained about the President of the Universe sending him to a planet where PV could be the strongest being(by being the ONLY being) since they felt it butchered his character. I disagree, I think the President did so because PV needed a timeout of a sort before he could live his best life. Remember, KO wished for everyone to live their best lives. But for Venomous, he could not do so before working out his issues just like Boxman did. So he was sent to a place where he could be the strongest being, have his fun... and then probably realize that it was kinda pointless and not what he wanted. So he returns to Earth, fight KO and the Plaza heroes... and most likely realizes that it is not the same without Boxman, leading us to the apology-cake moment.
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lesbianrobin · 5 years ago
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oh.... yes..... as an adhd steve-lover (and person who has a history of unknowingly crushing on adhd characters) i beg to hear ur reasoning......... please...
alright so a lot of this is gonna be like projection ddnkjcn and it turned into more of a general character analysis than an adhd analysis and i’m sure that some things i describe will differ from your personal experience so feel free to critique me but here goes:
Why Steve Harrington Has ADHD
Steve struggles in school, yeah, but that’s not really… crucial to my reasoning? I personally did pretty well in school despite having difficulties with getting work done on time and understanding certain things. The fact that he clearly tried to do well and just couldn’t is what’s important. That’s a classic ADHD thing, feeling like there’s some kind of invisible block making it impossible to think the way you’re supposed to be thinking and do the things you’re supposed to be doing. We see him studying a few different times with Nancy (though he’s reluctant to focus on the task in s1), it’s implied he’s written multiple drafts of the essay that he shows Nancy in the beginning of s2, meaning that he wants to do well. After Nancy critiques his essay, he basically decides to give up because he’ll never be able to make it good enough, and he probably shouldn’t even bother applying to college, and he’ll just end up working for his dad anyway. It’s a bit of an extreme jump from the relatively mild criticism he receives, but it seems to me like the kind of mindset that I (and others with ADHD) fall into constantly. First of all, rewriting something you’ve already written when you have ADHD can be… torturous. It’s impossible to focus because you’ve done it already, it feels pointless and boring, and your brain is just done with the topic. To Steve, there’s no point in even trying because he’s never gonna get it right, and he’d rather not even try than apply to college and have to suffer rejection. ADHD isn’t laziness or apathy. People with ADHD actually tend to care a lot about their performance in various aspects of life, and they care so much that it can often either propel them to excellence or drive them to depression over failure (whether that failure is true or perceived). Spoiler alert: we’re about to get into rejection sensitive dysphoria, folks!
I think this describes Steve perfectly. He wants to be the best at everything (Prom King, anyone?) and he cares a lot about what people think of him (to the degree that he spent three of his four years in high school behaving specifically to avoid the possibility of Tommy H and others making fun of him). Rejection Sensitive Dysphoria, or RSD, is a condition which impacts almost all people with ADHD. This means that they are far more sensitive than most people to what others think about them. Think about Steve’s entire character arc: he essentially spends season one chasing the approval of Tommy, Carol, and Nancy. When Tommy and Carol’s desired behavior differs from Nancy’s, causing conflict, he’s forced to take a look at himself and decide what’s more important to him: pleasing his friends, or doing what’s right. Since Steve is a certified angel, he goes with what’s right, and from there goes on to apologize to Jonathan and help him and Nancy fight the Demogorgon. (Sidenote: the fistfight with Jonathan could definitely be considered as further evidence of ADHD! RSD can cause extreme emotional reactions when the person in question feels that they have been hurt or rejected, such as Steve believing that Nancy cheated on him with Jonathan. The fact that Steve resorted to cruel insults that he clearly doesn’t believe shows that he was acting out of his own hurt and anger, not out of true hatred for Jonathan.) 
Anyway, s1 Steve’s entire life is built around seeking approval from his peers. He realizes that his desire for approval has turned him into somebody that he doesn’t like, so he makes a change, and by s2 we see that he’s shifted somewhat: Now, he wants to please Nancy. He’s able to handle being mocked by Billy and Tommy H because he no longer puts any stock in their brand of approval, but being told by Nancy that she doesn’t love him elicits another (somewhat) extreme emotional response: he immediately leaves her at the party with Jonathan and doesn’t pick her up for school the next morning. He’s upset with her. Later on, he goes to her house with flowers intending to apologize, though he doesn’t actually know what he’s apologizing for. All he wants is for Nancy to be with him and like him again, because he can’t handle feeling unloved and rejected. S2 is also where we see Steve’s academic insecurity, and he hints at issues with feeling like a failure in the eyes of his father. By the end of the season, he’s able to handle not being loved by Nancy because he’s found a new source of self-esteem and approval: Dustin and the rest of the kids. Through acting as their “babysitter,” Steve’s found something to take pride in that nobody can take away from him. Billy may have overshadowed his basketball stardom and broken his keg stand record, but Steve no longer needs these shallow achievements to feel a sense of self-worth. 
S3 shows that, although he’s moved on from seeking approval from specific peers, Steve is still stuck searching for validation. He flirts indiscriminately hoping for anybody to respond positively, and he gets a job to appease his father. Here, I’m gonna jump ahead a little bit (because that’s just the way my brain is saying it’s gotta be lmao) and talk about a few of Steve’s other canon traits, then circle back around to how we see his ongoing struggle with RSD manifest in s3.
Now for the trait that people more commonly associate with ADHD, especially in men and young boys: hyperactivity. This one is a little more self-explanatory so I’m not gonna spend as much time on it. Steve excels in situations with clearly defined rules and expectations where it’s easier to stay on-track, as well as in high-pressure, fast-paced environments. This is why he succeeds in basketball and why he’s such a big damn hero every season. He thinks on his feet and steps up in intense situations without hesitation. Steve is the one who wedged something under the elevator door so that everyone could escape, he’s the one who took out a Russian soldier before he was able to alert anybody else, and when he saw Billy about to ram into Team Griswold Family, he crashed into Billy’s car. Part of this is the fact that it’s a sci-fi action horror show, and there are going to be dramatic action-packed situations, but it’s telling that if Steve is around, he’s almost always the one leaping into danger and adapting to the situation to deal with it quickly. Speaking of s3: The conversation Steve and Robin had on the floor in the Russian torture chamber!
This feeds into an even more elaborate Steve meta theory of mine about how he basically lives his life as if it’s a play and there’s a script and a set of rules that he’s gotta follow to please the audience, so I’m not gonna go into ALL of it, but this conversation is also important to the idea of Steve having ADHD and struggling with RSD. Steve says, “It just baffles me. Everything that people tell you is important, everything that people say you should care about, it’s all just… bullshit.” When Robin says that she feels like her life has been “one big error,” he agrees. So far, Steve has lived his whole life according to one set of rules. If you flirt with girls and go to parties and play basketball, you’ll be cool and popular. Now that he’s graduated, he’s floundering. The structure of high school is gone and everything he worked for doesn’t actually matter in real life. People with ADHD often struggle more than others with the transition from high school to either college or the working world. Loss of familiar frameworks, routines, and actions can hit the ADHD mind hard, and this is pretty clearly happening to Steve in s3. In the beginning of the season, he can’t even manage to have a decent conversation with a girl without bringing up school and his own perceived failures. Sidenote: Robin also mentions that Steve was late to class every single day, which is both extremely relatable to me and the most ADHD thing I’ve ever heard. I knew exactly how long it took me to get from my house to the school, and I woke up with plenty of time to get ready every single morning, yet I somehow managed to be late so many mornings that I got multiple detentions and ended up having to skip a couple of classes entirely because another tardy would have fucked up my disciplinary record.
Later on in the bathroom scene, when he’s talking about why he didn’t talk to Robin back in school, Steve says, “…maybe ‘cause Tommy H would’ve made fun of me or I wouldn’t be Prom King. It’s stupid…” and it’s somewhat of a continuation of the earlier conversation. Steve is expressing the same sentiment. Now that he’s out of high school, everything that he once used to measure his success and self-worth is just stupid. This is another classic RSD thing! People with ADHD/RSD often set impossibly high standards for themselves and then struggle with self-hatred and doubt when they cannot live up to these expectations. Robin kind of inspires and encourages him to set new, more attainable standards for himself. Spending time with Robin makes Steve happy in a way that he’s never really been before, and he realizes that all of the benchmarks of normalcy and success that he’s been striving for don’t guarantee happiness like they’re supposed to. Instead of finding happiness in academic, romantic, or athletic success, he finds happiness in an unlikely friendship. His whole arc for three seasons has essentially been a big struggle with RSD and impulsivity where he learned how to handle social rejection and place the needs and feelings of others before his own.
There’s also a ton of little things in Joe Keery’s acting choices that support ADHD Steve, like his near-perpetual motion and the way that he’s gotta pace and eat a damn banana (both the traditional way and the no-homo breaking it into pieces way, might I add) so he can listen to Dustin talk about the Russian code. I personally relate to a lot of things he does, like mixing up basic names and facts (like Nazis/Germans in s2 and Gumby/gumbo in s3), and needing to explain a whole situation out loud before he really gets it (like when he runs down the entire monster situation in the mall in s3). I don’t know if those are ADHD things but they make me feel Seen. 
Anyways. That’s about it!! Thanks for asking lmao
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blowingoffsteam2 · 6 years ago
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Part 1: I would like to apologize ahead of time, this might be a bit long. I can't help but feel a bit confused by Square Enix/Nomura as well. For me, it is pretty clear that Sora's feelings for Kairi were not much more than a crush, and it did not really become much more than that. As of Kingdom Hearts III, it seems that Sora's feelings are starting to change, that he possibly does not feel that way for Kairi anymore/he is getting over (or has gotten over) that crush.
Part 2: Or, at least, Sora is not sure of his feelings yet (for Riku or Kairi), and he is starting to figure it out. I hope that this may not mean anything, but I heard that at one of the Kingdom Hearts Orchestra shows recently, there was an encore performance of Don’t Think Twice. During the encore, they showed footage of Sora and Kairi from KH1 to 3, ending it with Sora fading away. I honestly do not know what Square/Nomura is trying to get at when it comes to Sora’s “relationships.”      
Part 3: There has been major development and build up involving Sora and Riku’s relationship throughout the series as whole. Sora and Kairi’s “relationship,” not so much. Riku’s character grew more (in KH3) by expressing and accepting his feeling for Sora for what they (taisetsu na hito), Sora’s heart lead him to the worlds he was visiting in KH3/he went to these world to learn things about himself and his true feelings.      
Part 4: Then there are Riku’s actions he has done for Sora prior to and during Kingdom Hearts III. (His sacrifice for Sora cannot be downplayed as not an act of true love, especially with that focus in KH3 itself). Sora is now close to to realizing the things (for the most part) that Riku has done for him, how Riku feels about him, that Riku is Sora’s light, and how Sora might feel for Riku. I refuse to believe that all this was for nothing. 
Part 5: I understand that KH3 was for wrapping up the Xehanort Saga, but, before Sora went to face Xehanort, he went on this journey of self-discovery for a reason. I do not want Square to pull the rug out from under our feet and say Riku recognizing his true feelings for Sora and Sora’s journey was pointless in the end.       
Part 6: Besides Xehanort’s story arc coming to a close, if Sora’s adventures and soul searching leading up to that  moment is (possibly) not going to amount to anything, then why would Square even have Sora go on this journey to realize these things about himself? To have us, the audience, pick up on non-verbal cues and a deeper meaning to what is presented to us, for it to mean nothing? Don’t get me wrong, I love the Kingdom Hearts series.  
Part 7:  I loved and enjoyed KH3 and discovering these things involving Sora and Riku on my own, through you, databoy-reekoo, and the Sleeping Realm Theory, etc., but if it possibly amounts to nothing in the end, then is KH3 only good for wrapping up Xehanort’s story and not Sora’s “self discovery” journey in between? I know you don’t have a full answer yourself (since we can’t look into Nomura’s mind), so I guess I am just wondering what you think?
Part 8: I also cannot help but be a bit concerned over how SENA will handle Sora and Riku’s possible relationship from here on out. For Riku’s true feelings getting extremely downplayed and with the romantic angle between Sora and Kairi that is still being pushed in the English version, in which these aspects were going relatively untouched in the Japanese version. Things are not quite as “romantic” for Sora and Kairi and Riku was free to express his true feelings.
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I understand it can be confusing when we can’t know exactly what Nomura is planning, and for so long we’ve all been under the impression that while Sora and Riku’s relationship was developing beautifully, we all expected it would never lead anywhere more explicit, while the main games continued with a mediocre,undeveloped straight romance.  After all, we have seen this pattern many times in media, haven’t we?  As I’ve said before, the bar for straight romance is so low it’s in the ground, and I honestly thought this was what we’d have to deal with in KH in the end.  But then KH3 came, and boy was I wrong.  Almost everything Nomura had been setting up thematically, primarily since the end of KH2 (but some things even from the very beginning), culminated in KH3.  The question of “what is true love”, what is light, what is the power that comes with being able to protect someone precious to you (the power of waking).  These were things Sora himself was learning in KH3, and will continue to learn.  But for Riku, KH3 was the result of having learned those things- he reached the break of dawn when he realized the strength to protect his most precious person came from love.  And the climax of this was his sacrifice.
So, Nomura knows very well how to set up themes and follow through with them even across multiple games (even through the mobile game!).  We have no reason to think that he would all of a sudden do a 180 on everything he’s been building slowly and deliberately between Sora and Riku.  If Nomura really was as bad at writing romance as people like to say he is, there’s no doubt in my mind that he would have confirmed a romance between Sora and Kairi in this game. It was what everyone was expecting anyway, and being so bad at romance, would he really care that he hadn’t properly developed their relationship, that Kairi had been virtually absent from all the games since KH2?
Yet instead what we got was very transparently uncomfortable and hesitant looks from Sora in the paopu scene, where he didn’t move to take the paopu until she essentially downplayed it as “just a lucky charm” (in jpn), and very big parallels on the themes of separation and fading connections.  Which, again I have to remind everyone that Nomura explicitly stated it was his intent to show how childhood friendship change and don’t stay the same as we grow older (And specifically with Kairi, the theme of friends growing apart has been on his mind since KH1, as shown in the KH2 Ultimania). So we can at the very least know without a shadow of a doubt that changing connections (or rather, fading connections, taking into account the Pooh parallel) was a theme of the game and 100% intentional.
My point here being that I would be very shocked at this point if all of this was thrown down the drain in the future, as long as KH is under the direction of Nomura.  Could it happen?  Sure. But I would say it’s not a 50/50 chance if we are taking an honest look at everything.  Not even close.  But hey, that’s just my onion :)  All we can do is wait and see to be sure.
As for the orchestra encore, I’ve said this elsewhere but having watched the montage myself, it really does come across as a heartfelt farewell montage. It starts off with the ending scene, up to Sora and Kairi on the tree, then cuts to scenes of them together through KH1, KH2, and KH3, and ends with Sora fading away. Certainly doesn’t end on a happy note.  And important to know: the tunnel scene is not included.  What an odd choice this would be, if that scene were really meant to be Sora’s grand realization that she is his light and if those flashbacks to “true love” were really about her.  (and don’t forget that Sora and Riku got their own montage during the “Always on my Mind” section of the KH1 medley- which was actually just the Dearly Beloved part).  In any case, the orchestra is nothing to be concerned about.
And as far as the English translations go in the future, all we can do is hope that Nomura and team have a sit down with them and make it clear what their intent is.  And hopefully not have such a haphazard process with translating as we know they did with KH3.  Besides…if things keep progressing, there will only be so much they could do to obscure the truth.
So yeah, I guess those are my thoughts.  So much is continuing to be uncovered about kh3 and Sora and Riku’s relationship, I can’t wait to see what comes next.
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hellanoragami-blog · 5 years ago
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Chapter 83 Thoughts
After a few days, this is finally out! I had to take a lot of time to actually discern intentions, for this one. And I may have spent way too much time thinking about what could happen, in future chapters.
So, this lovely chapter starts out showing Yukine, tailing Father. We’re not made to focus on it much longer, because we’re soon moved on to a meeting between the Gods. (Introduced by Ebisu, looking disheveled from trying to dress himself without the help of his shinki.) Tenjin is the one to bring the topic to attention, which is: deciding how to handle Yukine, who has been touched by the God’s greatest secret.
It seems as if most of the Gods are in favor, save for Takemikazuchi. Though, it appears that he wouldn’t be willing to do the job personally. It leads me to think that even he doesn’t really want Yukine dead, even though he’s talking negatively about him in the next couple of pages.
Kofuku goes absolutely feral on him, unleashing a ton of bad luck and promising him the death of his financial assets should anything happen to Yukine. Ebisu brings up a good point, though; to do nothing would mean that the covenant was essentially a pointless sacrifice. The majority of them reach a mutual decision: they have to eradicate the sorcerer themselves. Heaven won’t help them, so they have to act solo.
This reminds Ookuninushi about something Kagutsuchi told him; that Amaterasu is going on a personal hunt with a select few Gods, and no shinki are allowed to know. Soon, they come to the conclusion that it is Yato that Amaterasu wants to get rid of--or maybe all of them, with Yato being their main target. (Also I just want to note that I was REALLY confused as to how Ebisu was that tall in pages 13 and 15, but then I realized that he’s probably standing on one of the structure’s platforms to be more at eye-level.) We then get Take’s extremely inaccurate depiction of Yato, the war god only mildly upset that he couldn’t defeat Yato himself.
C’mon, my guy; whose side are you on?
Speaking of Yato! We’re switched over to him and Kazuma. Yato appears to be trying to avoid being seen by Yukine--with Kazuma, specifically. (Which, of course he denies when Kazuma confronts him about it.) Kazuma then feels the serpent move, literally dragging him in the opposite direction; signalling that Nora is close by. And wherever Nora is, Father is. After a short conversation about whether or not Yato’s ready to face his dad, he gives Kazuma a look that indicates nervousness, determination, and resignation wrapped up in a neat little package. Of course he isn’t okay with it; but he made a vow to Heaven, and he has to go through with it.
So! Off they go to follow the serpent that will lead them to Father; unbeknownst to them, they have already been seen by none other than Yukine. The pair find Father, sitting defenseless in the park. However, Yato is still feeling a bit reluctant. Even seeing his father defenseless like that, he can’t confidently aim an attack yet. He instead thinks about his friends and found family, and wonder what kind of faces they’d give him if they knew what he was doing. He decides to just do it, and takes aim. But the attack is blocked by a borderline, who they first suspect as being Nora.
They’re both wrong! It’s Yukine, who had followed them to their hiding spot. Honestly? They both seem shocked to see each other! Yukine guesses pretty quickly that Yato is using Kazuma. He’s definitely not in his right mind it seems, especially since he’s being tormented by the God’s secret. He’s bothered that Yato is lying, or what he perceives to be a lie. Knowing that Yato knows his past now, and hasn’t told him--it’s made him angry.
And this is where the desperation and panic starts to set in. Yukine stings Yato, and Yato tries to go after him and talk to him, but Yukine wants none of that. He draws a line between them, overwhelmed by the torment of his own past and struggling with who he is and who he was before. I think, at this point, he’s having a major identity crisis; as the boy who died.
The fact of Yukine’s death is more prevalent than ever. He feels like everything he’s lived for as ‘Yukine’ has been a lie, and coming to terms with that is enough to make even a regular person freak out--much less a child. Desperate to separate himself from it, he throws the hat Yato made him on the ground and starts scratching at his name; trying to get rid of it.
Meanwhile, this is having a profound impact on Yato’s health, and despite him trying to tell Yukine that he’s hurting him, the teenager is simply way too overwhelmed with his own grief and anger to listen. And then, he seems to recall something.
His name.
At the exact moment, Yato collapses. It’s hurting him both physically and mentally, no doubt. He’s spent almost a year with this kid, his pride and joy not only as a hafuri, but as his friend and, in a way, his son. It’d hurt to have your child denounce the name you’ve given them. To see them so desperate to separate themselves from you.
Seeing Yato on the ground seems to jar Yukine out of his mental state, just a little. You can see his gaze clear up, but he’s so devastated by what he’s done to him now. Feeling scared and not knowing what else to do, he runs away.
We see Father soon after, musing that Yato and Kazuma seem to be serious. He resolves to take Yukine then, and we also see Nora with him--kind of confirming her involvement in the plan. However, she looks none too happy to be doing this.
It’s a good time to remember that if a name breaks, or if a shinki is released, they cannot be named by the same God twice. It’ll be interesting to see how this plays out, in that case. Will Yukine’s name break? And if so, does that separate him from Yato forever? I feel like things will only get worse from here, before they get better.
I also definitely want to know Nora’s thoughts on the situation, and what route she’s going to take. To help Yukine reunite with Yato, or aid Father in convincing Yukine to fight against Yato? And if Yukine has truly remembered his name, will his past be sure to follow? And how will he deal with it?
More than ever, I wish Hiyori were here to help.
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