#when people like them murder and ruin lives it is always detatched

[royalthorned]

i think we all need to start using “you’re not serious people” to seriously analyse the death eaters ASAP

[burnmarilyne]

✗✗✗ you see [ marilyne green ] around lately? yeah i heard that the [ cis female ] is up to no good. [ she ] has been here for [ two years ] now but they’re still pretty [ misleading ] which is fine because they’re also [ influential ] so it balances out. the [ thirty-nine ] year old [ real estate agent ] actually looks like a lot like [ marion cotillard ], don’t you think? it’s best to watch out, though, because it’s been said that they’re really into [ pyrophilia & being right ].

bullet introduction (tw: mental health issues, tw: delusions, tw: mental abuse, tw: murder, tw: arson, tw: weapons, tw: cancer mentions)

Marilyne’s Mom was a failed poet, raising her in the big bad world of New York City. She did anything and everything to keep them in the city, to pay the rent, to put food on the table. She kept them there, completely certain in the fact that her break was coming. Next poem, next event, next publisher, next year. Then she became ill when Marilyne was thirteen. Brain cancer. As her brain started shutting down, she started forgetting Marilyne, when she would come home from school, she would be asked who she was, why she was here. Occasionally, her Mom would think she was a real intruder, come to take her away. She would hit her, kick her out, and Mar would have to walk the streets for a while and then come back and try again. 

Where was her Father? Dead. Murdered when she was Six. The reason? Unclear, but her Mother told her that he was taken out, by the government, because he was too smart. He was a Wall Street broker, and the actual story was that he got into some gang shit and when he tried to get out, they didn’t let him. But, that reality would shatter her Mom, so... She made a new one for her and Marilyne.

When she was fifteen, her Mother passed away. She was taken and placed into foster care. She went from home to home, no family really able to get her because it was much easier to act out, to become a deliquent, to detatch from her reality and make herself up an entirely new one, like her Mom used to do. Oh, and she began to get this afflication for fire after watching her Mother get cremated.

She barely finished school, and that wasn’t because she wasn’t smart. Oh no, Marilyne Green is extremely, dangerously clever. But, not in the traditional textbook and exam way. She lost herself in her Mom’s old poems a lot, and in stories, and all kinds of media that just took her away in her mind. 

What did she do on graduating? What was her senior prank? Well, she set fire to the school. She was arrested, charged, and then sectioned. There were so many diagnosis’ thrown at her, schizophenia, bipolar, personality disorders, manic depression, ptsd, blah blah blah, she didn’t care she was just fascinated at everyone else in the psych ward. 

She began learning about people. About what made them tick. About how to manipulate them and change them and what made people do what they did. Was it random? Was it planned? 

The trouble was, she realised that her test pool was a bit... narrow. All of these people were interesting, but they were like her weren’t they? ‘Sick’. Not that Marilyne ever really believed she belonged in a hospital, there was nothing wrong with her. The problem lied in the world, in that nothing really mattered. Not in the long term. They were all like... Little simulations, no lasting cause... Stories to be played out. 

So, she got herself out. She played the game. She wrote the story. She was discharged at twenty six years of age having served her four years in secure hospital for arson, and then another three years of ‘therapy’. But, the only thing she gained from that place was an insanely talented giftset of manipulation, misleading behaviour, and storytelling.

She was put in supported housing, given a chance and a job as a waitress at a local diner. She lived that story for a while, but it just wasn’t good enough to see the same boring people every day so she wondered what she could do to really use her skills. Sales. Sales were just the art of manipulation, right? And what was a bigger sale than a house? What was a better story than someone, or a couple, or a family buying a house?

Buisness was slow for the first year, but by the time she was thirty she was always busy, but never really satisfied. There was just something missing in her own story, wasn’t there? A love of her own. A romance arc of her own. So, she began to look for a muse... That was when she met Hadley Hopewell. Oh, what a plot twist she was.

Stalking was always a bit of a strong word for Mar, but, well... That is what happened. Then, eventually, they fell into this toxic dance with each other. Both of them as darkly fucked up as the other. Until, one day, Mar found a SOLD in the restaurant, and no one home in her apartment. Oh, boy did she spiral. That restaurant was quite quickly picked up by another aspiring Chef but in a tragic accident burned down a week after he brought it.

Marilyne then became her own fucking private investigator, and tracked every last bit of evidence she could find and manipulate out of people until she found where Hadley had moved to. It took the better part of year, but as soon as she found her in Santa Ysabel, she packed up and moved herself and her business across the country to California. That was two years ago now.

Mar loves it in Santa Ysabel... Everyone here is so fascinating....

She makes up stories for pretty much everyone she meets, everyone she sells a house to. There have been times when people stray away from her planned story for them, and... Well, she doesn’t take all that kindly to it. She may have, accidentally killed a few people who dropped out of housing contracts the last minute and ruined her stories for them... 

She’s extremely delusional in the sense that she really doesn’t believe anything is really real. Everything is just stories, and simulations, and nothing really matters other than the next plot. 

Will ask your muse about their childhood, about their life, about anything and everything they will tell her. Very curious.

Always has a notebook. Always writing in it.  Will probably stalk the people she finds the most interesting. Heavily invested in romance and people’s relationships. Generally a crazy daisy and has lots of scope for angst and pain and dark plots so come for me. Want someone to blow something up? She’ll do it. Want someone dead? She’ll probably do it. 

Fascinated by Mercy and Wynter, endocrinated herself in the mercinary life because wow what a story these people have. 

Has an extensive collection of lighters and lighter fluids. 

[holden-norgorov]

A seriously angry recap of all the things I hated in the finale.

Because I had to write down all the disappointment and outrage that I have inside, otherwise it will consume me until I die. I had to give vent to everything that disgusted me in a less-detatched, more personal way than the unemotional one my objective thoughts usually are expressed with. If you want to read highly pissed-off complaints for healing purposes, this is your post. 

Implying that discovering that your mother is also your step-sister is a more validating reason to commit murder than being yourself a victim of physical and psychological abuses for years during your childhood. Offensive, short-sighted, self-erasing. By suggesting that Wolfgang killed his father and uncle out of this revelation, the writers nullified the character’s self-worth, depth and integrity.

“I’m not worth it”. “Wolfgang, you are!” It turned out he wasn’t worth it at all because things didn’t change. Nobody had any kind of conversation and the result was that Kala was portrayed as happy staying in the loveless, unhealthy marriage she was already in and that Wolfgang kept being the “lover” who wasn’t worth being chosen. Rajan became suddenly so important that an entire two-seasonal storyline of the most epic love story of all time had to be thrown out of the window just to please him? Who the fuck cared about him? He was selfish and sexist for two seasons, and a lame, uninteresting character with no personality beyond being a kiss-ass.

Capheus being a clown for all the episode irritated the fuck out of me. He had always been particularly joyful, but 1) not at this ridiculous, over-the-top level, and especially 2) not under these circumstances. This is war. They are all risking their lives and could be found and killed in any seconds. He is risking his whole political career and has left all his loved ones home alone. One of his clustermates is imprisoned in a BPO facility and likely being tortured. This is possibly the worst you could get: this episode was not meant to feature lighthearted, careless people joking around and being idiotic. His behavior is completely inappropriate and disrespectful of the situation. Someone with a brain, in those circumstances, would have slapped him in the face. What the fuck.

Nomanita getting an entire scene exclusively used to provide a last-minute backstory capable of justifying Lana’s selfish decision of taking Paris from Kalagang and giving it to them out of nowhere and with no apparent reason. I am so mad about this, it almost seems deliberate from Lana. Paris was a turning point for Kalagang, a pivotal moment that represented their first and only chance in all the show to be finally happy and together. Nomanita already had it all. Nomanita have always been the healthiest, happiest couple. They could have married literally anywhere else and it would have changed nothing in their relationship, because they had already had 24 episodes of domestic and happy moments. Why Paris of all cities? This was an intentional betrayal to Kalagang fans and storyline.

Lito’s freak-out about the carbs is beyond any fucking comment. It vividly looks like they all are on camping, or taking a funny, enjoyable trip. The writers should be ashamed of themselves for cheapening such a beautiful show and such wonderful characters with stupid moments like this and so many others (such as: Nomi’s coffee moment, Wolfgang jokingly pointing the rocket launcher on Capheus, Rajan asking Kala to teach him to use a gun as if they were not in a dangerous, life-or-death situation but just having fun, Puck with Sun’s hair and so on: there are a lot).

Sun and Mun being OOC as fuck and acting as if they were old acquaintances was just ridiculous and forced to an exponential level. This is entirely the writers’ fault and has nothing to do with time constraints, because the writing was just cheap and the characters unrecognizable. They had only met twice before this phone call (and both times by mistake). Sun here was weirdly intimate and emotively open despite having been closed and guarded of her interiority for two seasons sometimes even with her other selves. Mun was the very definition of cringe. “I think those two words might have made getting shot worth it.” Give me a fucking break. Who are these people? And don’t even get me started on the inconsistency with the line “I am not very good with words” that goes directly against the very reason why Sun was interested in him in the first place (i.e. the passionate way he talked about her to her teacher and the cautious but accurate analysis he provided of her psychology while fighting in the graveyard). Here they were odd and extremely cliché to the point of contrasting with their very essence.

Capheus greeting Rajan in that way was so wrong and insulting both to attentive viewers and to all the people in this world unable to obtain proper medications for themselves or their loved ones. It disregarded and destroyed everything about Capheus’ character and almost made me vomit. Rajan embodied all the socially powerful people directly responsible for Shiro’s improved sickness that almost caused her death in S1. Rajan’s unethical business was the very reason why Capheus had to be involved with Silas Kabaka in the first place, resulting in all his S1 storyline that almost led him to his death. Do any of you remember Capheus and Kala’s expressions when Rajan revealed this? Both of them had never been so hurt and incredulous during all the show. Capheus’ blind forgiveness of someone who was the ultimate reason of one entire season of his suffering and fighting for survival left me utterly speechless and offended. The writers turned all of this into a joke, especially considering Capheus storyline in S2: he had decided to politically represent his country, his own people, exactly because of the injustices they had to face on a daily basis because of poverty and unfair hierarchy. Welcoming Rajan, the symbol of this hierarchy that basically made his whole life a living hell, in that way was incredibly unbelievable. I was seriously shocked by this.

Kala’s behavior when Rajan arrives in Paris can be explained only in two ways: a) either she was on drugs all the time, which means she was capable of making them using her knowledge as chemist and then taking them because she was so desperate for Wolfgang that she wanted to be high, or b) she was just under a love spell. These are the only explanations to the way she behaves here; in both cases, she clearly wasn’t herself. Logic, continuity and coherence were all non-existent. The facts: Kala had made promises to Wolfgang both in 2x10 and 2x11 and the only reason why she hadn’t explained things to Rajan yet was that he had shut her off and sent her away without giving her the opportunity to do so. But her mind was crystal-clear and she was finally ready (in fact, her entire storyline had been built in order to make her brave enough to finally make this decision). But in here, she betrayed every promise she had made to Wolfgang and basically became a lying coward, erasing all the character development she had been through. She acted as a bitch. This confrontation was unavoidable at this point. She let Rajan believe that the real problem in their marriage was her nature as a sensate, which actually has never been a source of conflict at all (she didn’t want to marry Rajan even before realizing what she was). I wanted to slap her for how she acted in this whole episode. She also really felt under a love spell because for 23 episodes she had never spontaneously kissed Rajan before out of sincere will. In 1x02, Rajan kissed her and she didn’t even return the kiss (the only reason why she didn’t break it was that they were at their engagement party and it would have been highly inappropriate); in 2x01 she kissed him out of pity and guilt because she felt responsible for breaking his dick and ruining their honeymoon. And that was it. So, witnessing her starting a kiss to a man she spent two seasons being uncomfortable with (especially physically) and feeling objectified by felt really wrong and unexpected and utterly unreasonable. She seriously looked like she was on drugs, I was in disbelief.

Aunt Kirsty overtaking a whole team of BPO soldiers supposedly using her unknown superpower ninja abilities was so ridiculous and cheap that it was like the writers themselves wanted to prove us that they could do everything they wanted and ruin all the show’s credibility as they pleased. Seriously what the fuck was that. Sense8 became a cartoon for kids and we didn’t know? God.

The complete lack of Wolfgang’s PTSD was absolutely unforgivable and unrealistic. We are talking about a man who spent all of his life building several walls to protect himself from the outside, trying to keep everyone at distance exactly because of the traumas he experienced since childhood that he couldn’t recover from. He has always been emotionally secretive and unavailable to everyone except Kala (and she took two seasons of serious efforts to make him finally open up and expose himself). He was tortured daily several times when he was under BPO’s captivity: he had and needed to show both physical and psychological scars in the aftermath. PTSD was a natural response that inevitably had to happen and be shown both for credibility and for a matter of character’s coherence and integrity. Wolfgang being rescued from this severely traumatizing condition and not showing the slightest consequence of it was beyond idiotic. And worse: from that moment he actually started acting more carefree and behaving in the exact opposite way than the one that should logically be expected from someone with his personality going through an experience like that. He started joking around and taking everything lightly and in a more emotionally invested way than he had ever done even before this imprisonment. It was like watching a fairy tale of stupid bullshit. What a fucking mess.

Rajan’s evident privileged treatment from the writers was so obvious and cheap that it ended up being nausea-inducing. He was literally everywhere and for no reason at all since he had no abilities. In the club, he is the only sapiens being close to the physical exchange. Why on this planet should this be safe or acceptable or even convenient since he is incapable of doing anything? Every other non-sensate was far away, even members of the Cluster such as Lito who could have been useful through sharing. Instead Rajan was on the front. Ok. And the idea that Wolfgang, a taciturn man who spent two seasons being jealous of Rajan, would spontaneously approach him and thank him for doing absolutely nothing is hilarious. Rajan didn’t save Wolfgang. Kala was the one who intervened to prevent Lila from shooting him. Rajan stepped in only to save Kala and was able to steal Lila’s gun just because she was already being attacked. And as soon as that happened, she took the gun back because Rajan obviously didn’t have a clue on what he was doing (which is acceptable, because he just wasn’t suitable for that situation: the mistake was including him there in the first place). Daniela herself had been previously shown to be comfortable in using a gun. Why not exposing her to the physical place of the exchange instead of Rajan? I seriously don’t get it. Which advantage could Rajan provide to the situation? The writers were so transparent. The same can be said with the Napoli’s scene. Rajan is the only sapiens entering the camorra building without any reason or combat skill. WHY. Not only he is untrained and incapable, but he also doesn’t even know the plan (Kala has to explain it to him while already inside and targeted by enemies!). It’s like they did everything in their power to include Rajan everywhere and let him be some kind of saver or hero that he clearly is not. The writing was insulting. Rajan mistakes a taser for a gun but then uses that same taser to save Kala’s life? How stupid do the writers think we are, exactly? Not to mention that Wolfgang being unable to treat Kala’s stomach wound was completely OOC, but then again, Kala and Wolfgang were both RAPED as characters in every way possible in this episode. Wolfgang was able to canonically treat a much worse wound when Felix was almost killed despite being in evident pain. This was all ridiculous. And what about Lila shooting Kala in the stomach? In this very episode she was able to shoot dead five people at a great distance without even trying when stealing Whispers. She was a hired gun, and here Kala was literally in front of her. Nothing in this scene makes the slightest sense, I swear.

The scene where Will asked where Sun was, as if he wasn’t able to mentally connect with her was absurd. And Nomi actually taking five minutes to visit her was just a cheap way for the Sun x Mun exchange to happen and was incoherent. “I found Sun” doesn’t make sense because they are telepathically connected and Nomi shouldn’t need to find her. Cheapness for everyone.

Kala spontaneously kissing Rajan again when she finally has the occasion to physically be with the love of her life after he was tortured and nearly killed is probably the most absurd and embarrassing moment I have ever seen in television. It’s beyond any rational comment at this point. I was about to throw something at my screen. And Wolfgang accepting this despite probably believing that Kala and Rajan had already talked things through was incoherent, unthinkable and hysterical. WHO-ARE-THESE-CHARACTERS. This moment destroyed me more than I can convey with words. It was a betrayal to two seasons of marvelous Kalagang growth and development. I could ramble about how much I hate this moment for pages, but I already wrote a post about it and it would be better for me not to stop too much on this because it literally broke my heart and enraged me more than anything else ever did. Kala and Wolfgang were entirely different characters.

Jonas and the Mother talking like walking encyclopedias contrast so heavily with the cheap writing of the episode that their scenes end up being really laughable and impossible to be taken seriously.

The song sequence was completely useless, pure fanservice garbage that stole real usable time that was very much needed since many storylines were left entirely open without justifications. The “What’s Up” moment in 1x04 became iconic because it conveyed a precise message that was the core of all the show, was a set up for everything that came after and had also the purpose to show the ability of each character to connect all together for the first time. Instead, the song sequence in this episode was obviously insert only because the first one really gained a huge success in the fandom and they simply wanted to reply it for fanservice purposes. But this was entirely pointless and the very definition of a waste of time. The characters felt very much like the actors themselves goofing around, and there were also completely avoidable coherence mistakes (Felix and Rajan on the train) that cheapened the already-compromised credibility of it all. The editing of all the episode was bad, especially in this scene.

Other time gets wasted showing characters eating pizza without a tie to the plot or anything at all. Were the writers deliberately trying to make the worst choices possible? They basically did everything wrong and handled the time horribly.

I already talked about the bullet scene, but Kala being able to visit Wolfgang while unconscious was another cheap mistake. I’m particularly angry because for 23 episodes Sense8 was able to be almost flawless in coherence, but this episode is just a giant mess. This moment is OOC and simply wrong on every aspect, and who wrote it surely must have been a stranger to the show.

The last half-hour of the Special is so weird. It’s like the writers suddenly forgot that the main characters are sensates. Will asking Kala what she wants was another ridiculous moment that was so incoherent with their scene in 2x08 that I seriously considered this to be an intentional way for the writers to let us know that they willingly fucked up with Kalagang. The main peculiarity of their interaction in 2x08 was that Will was able to read Kala’s emotions without asking and state out loud what she was afraid to admit to herself: that she loved someone else. Their interaction in 2x08 was based on clarifying that Kala was not suffering from a feeling indecision but a morality struggle, and that Will exactly knew what she wanted. Their moment in 2x12 disregards everything about it. Will acts like he doesn’t already know what she feels and asks her questions as if he couldn’t read her emotions, and Kala is supposed to show signs of romantic indecisiveness despite her troubles were never feelings-related? In 2x08 Kala couldn’t stop talking haphazardly (as she always does when concerned about something) and here she just silently shrugs? This moment is beyond laughable and goes against everything established before, and the characters are frankly unrecognizable.

It’s unbelievable the idea that two whole seasons of perfect Kalagang development led to a conclusion where Kala holds hands with Rajan and Wolfgang sits behind them as a complete stranger. It feels like a nightmare. I am homicidal about this. They really destroyed them, both as a couple and individual characters.

 Amanita clearly states in 1x07 that she is afraid of and hates fireworks because they symbolize war and are a failure. So why is she perfectly happy here when they are used during her own wedding? It wasn’t that hard not to be OOC. The writers really wanted to discredit the canon in every way, I’m incredulous.

The conclusive physical, actual orgy which includes also non-sensate characters sends a horrible message. First, it goes completely against the symbolical meaning of the previous orgies (which were meant to show the sensates’ ability to share sexual arousal every time someone in the Cluster was having actual sex; it was nothing physical or carnal but purely abstract and metaphorical). Second, it’s highly offensive to asexual people, because sex is conceived here as the highest expression of love and the only way to resolve untouched confrontations (instead of having actual conversations). Third, it provides sexual erasure to Lito (canonically gay), Nomi (canonically lesbian) and Kala (canonically demisexual). Fourth, it goes against the well-praised theme of inclusivity and diversity of the show because everyone at the end turns out to be the same (pansexual), thus erasing every single representation provided in the previous episodes. Fifth, it portrays an unfair and insulting view on how sexuality actually works. The idea of a man — whose entire storyline is built around the fact that he is completely, exclusively gay and couldn’t manage to even fake a relationship with a woman — willing to have sex out of the blue with someone of the opposite sex is gross and actually sick. Sexuality is highly intimate and personal: it’s not about open-mindedness, but about self-comfort. It’s disrespectful to think that a gay man would be okay to get laid with a woman, because he just is by nature not comfortable in that situation. I am a straight guy and I could never picture myself with another man, it would make me unhealthily uncomfortable with myself. This applies to everyone’s very own sexuality. The same can be said for Kala, who here is depicted as a promiscuous woman willing to share her body with the very same man who she couldn’t bring herself to feel comfortable with for two seasons. Kala was a very moral person described as demi-sexual and she could only be comfortable in a sexual scenario with Wolfgang because they are sensates and their level of trust and connection is unparalleled. If Wolfgang and Kala hadn’t been sensates inside each other’s heads and feelings, Kala would have never slept with him: she needed that kind of intimacy and closeness to open up sexually. The Kala who pulls Rajan down and gets almost hungry of being used as a sex object here is not the usual Kala from the first 23 episodes, it’s another character entirely who sends a conservative and sexist unacceptable message.

Wolfgang’s sudden bisexuality is not representation, nor something to be proud of: it’s just an offensive, out-of-nowhere twist created only for shock value. One of the first traits that we understand about him in the show is that in order to avoid opening up emotionally, he constantly sleeps around with women only. This is canonically confirmed in two occasions: first, in 1x04, when he and Felix talk about their teenager adventures, nothing is mentioned about them being open to relationships with other boys (and if Wolfgang had been bisexual, it would have surely been pointed out in this moment); second, in 2x01, we canonically see him picking up girls using a date-app which features women only. This highly indicates that he is not into men, because if he was, he wouldn’t hide it at all. Also, if he had really been sexually attracted to men, he would have surely fallen for Felix because of how close they are, and this didn’t happen. This is not to say that sexuality is permanent or unaffected by change. But if Wolfgang’s character arc had really been about a sexuality struggle, an appropriate path of self-discovery should have been shown and developed carefully. People just don’t wake up and decide to change sexual orientation out of the blue. These things require internal process and self-questioning. This sudden twist is a joke to people who really have to face a complex self-examination in order to understand whether their sexuality is changing or evolving.  

Wolfgang touching Rajan’s lips before kissing him is a slap on the face of Kalagang’s fans because that was THEIR intimate gesture, and theirs alone. 

Wolfgang and Rajan barely know each other. Wolfgang would NEVER perform that private gesture with anyone but Kala, and the idea that he would make love to her with her husband included is pure nuts. This was the ultimate bullshit from the writers who managed to annihilate everything about Kalagang. It’s almost as if Lana had personal reasons to sabotage them in every way possible, because the result is just too heavy-handed and transparent not to be intentional. I seriously hope that she didn’t feel the need to ruin them just because they are a straight couple, because that would make her discriminatory and petty as fuck. This moment was seriously unwatchable and unbearable. I don’t have the proper words to describe the utter disgust I really experienced.