#what's most desired in a candidate is time management (because you will be juggling MULTIPLE tasks in a heavy workload)
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aquitainequeen · 2 years ago
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Applicants for the Editorial Assistant position: I love reading and literature! I spend a lot of time on BookTok! I'm passionate about exciting narratives!
Me, alternating between assessing candidates and scrutinizing a manuscript to make sure there are no nasty permission surprises: Oh, you are applying to the wrong department, my friend.
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laura-elizabeth91 · 4 years ago
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"Theresa May's Style: Put Your Head Down and Get to Work" By STEVEN ERLANGER for the New York Times JULY 13, 2016 LONDON — Her beloved father, an Anglican vicar, died in a car crash when she was 25, after she had been married only a year, and her mother, who had multiple sclerosis, died a few months later. For Theresa May, a cherished only child, the shock was devastating. It brought her even closer to her husband, Philip, two years younger, whom she had met at Oxford, at a Conservative Party disco. They bonded over cricket and silly university debates, like the one where Philip induced her to speak for the motion “That sex is good… but success is better.” Both became bankers, and Ms. May threw herself into the Conservative politics that had entranced her since the age of 12, when she liked to argue with her father and he asked her, in order to maintain neutrality in his parish, not to parade her Tory colors in public. “Politics captured me,” Ms. May said in 2014. “That sounds terribly trite,” she said, but “I wanted to make a difference, I wanted to be part of the debate.” On Wednesday, Ms. May, 59, became Britain’s prime minister, the last adult standing after other senior members of her party — the clever younger men from Britain’s elite schools, like her predecessor, David Cameron — schemed each other out of contention. For Ms. May, only Britain’s second female prime minister, it is a job she never publicly acknowledged wanting, until Mr. Cameron, bluff and self-confident, pushed his luck once too often,lost the referendum on keeping Britain in the European Union and quit. Ms. May, who had been home secretary, is considered “a safe pair of hands,” not flashy and even dull, who seems to be a candidate of continuity. But the country’s dire circumstances may demand more. And Ms. May, a traditional economic and social conservative in many respects, has signaled a desire to give her party a new focus on the need to build a fairer society. With Britain deeply divided over its decision to leave the European Union, its place in the world in flux, its unity threatened by calls for Scottish independence and its economy at risk, the times may require that Ms. May be both steady and bold. Her six-year tenure at the Home Office showed her to be a tough operator and put her in charge of a number of flash-point issues. She demanded police reforms to reduce racial profiling. She helped push through surveillance policies that had to balance fears of terrorism against civil liberties and confronted public pressure to reduce immigration, failing to meet government targets for doing so. If sometimes at odds with Mr. Cameron’s inner circle — she was a quiet critic of the government’s budget austerity — she nonetheless built a reputation as smart and competent. Damian Green, who worked for her as Home Office minister until 2014, said that “Theresa doesn’t do verbiage, doesn’t do speeches for the sake of making speeches. One of her virtues is that when she says something today she means it tomorrow.” But she will have to bind a badly torn party in which she has won esteem but few close friends. She will also have to juggle competing priorities in negotiating the withdrawal from the European Union under the watchful eye of Brexit supporters who remain wary of her commitment to their cause. Even though she publicly if tepidly supported remaining in Europe out of loyalty to Mr. Cameron, saying it would be best for the nation’s security, at heart “she is a Euroskeptic,” said Catherine Meyer, a former treasurer of the Conservative Party and a friend of the Mays’. “When she says Brexit means out, she means it.” While respected within the European Union as a tough and unpretentious negotiator, Ms. May will have to find the right balance between more controls on immigration that the voters demanded and at least partial access, if she can manage it, to the single market of the European Union. Friends say that her early religious upbringing — she is an Anglican but went to a Roman Catholic school — has given Ms. May a moral base, a steady personality and a feeling for the disadvantaged. “Her background has shaped her into somebody who is not going to feel sorry for herself or blame others for her mistakes, and who finds solace in moving forward, not to sit but to fight,” said Ms. Meyer, who worked with Ms. May on a charity for abducted children. A young woman who hunched her shoulders at school to seem less tall has grown into a proud master of her responsibilities. She lives for her work and her husband, a well-off investment banker, and their time together in their neat house in Sonning-on-Thames, in Berkshire, in the heart of her Maidenhead constituency, a village she shares with better-known types like the guitarist Jimmy Page and George and Amal Clooney. She likes to cook and owns more than 100 cookbooks, and will likely be glad that the Camerons took the heat for remodeling the ancient kitchen at 10 Downing Street. Mr. Cameron valued her workaholic talents, naming her Home Office secretary, one of the four senior cabinet posts, only the second woman to hold the job. Wary of her quiet ambition and wanting to protect his own favorite, George Osborne, the chancellor of the Exchequer, he never promoted her further. But he did not demote her, either, even as she failed to deliver on one of the government’s key pledges, to curb immigration. She was famous for fighting her corner, knowing her subject and keeping clear of the Cameron “chumocracy.” Ms. May is polite but not chummy, works late and does not hang around Parliament’s bars. Her lack of a “set of friends” was considered one of her great liabilities in the race to succeed Mr. Cameron, said Crispin Blunt, a Conservative member of Parliament who is one of her supporters. “There wasn’t an army of mates for her,” he said, but it allows her now to make appointments to her government on the basis of her own priorities and assessments. “In government, sometimes it’s difficult to be a woman surrounded by lots of men,” said Ms. Meyer. “Like Margaret Thatcher, she likes the company of men, but she’s capable of putting her fist down.” Ms. May was co-founder in 2005 of a group called “Women2Win,” to elect more women to Parliament and then nurture them, something that Mrs. Thatcher, the first woman to lead Britain, was often criticized for failing to do. In office, Ms. May has been rigorous, largely sticking to her brief, which she knew in depth, and not often consulting cabinet colleagues. One former minister, Kenneth Clarke, called her “a bloody difficult woman,” a description she embraced. She tends to work alone or with a small number of aides, like Fiona Hill and Nick Timothy, and has a tendency to micromanage, a senior civil servant said, asking anonymity. After two failed attempts, she was elected to Parliament in 1997. In 2002, when chosen to chair the party, Ms. May gave a speech about the need to reach out to the less fortunate. “Our base is too narrow and so, occasionally, are our sympathies,” she said. “You know what some people call us? The nasty party. I know that’s unfair, you know that’s unfair, but it’s the people out there that we have to convince.” In 2014, she again earned attention for taking on the powerful police union, the Police Federation, limiting “stop and search” because of racial bias and imposing elected oversight commissions on the police. To a stunned conference of police, shesaid: “The federation was created by an act of Parliament and it can be reformed by an act of Parliament. If you do not change of your own accord we will impose change on you.” Among her most controversial acts was helping to push through a so-called “snooper’s charter,” giving the police and security services new powers in a world of digital communications and terrorism. After criticism that the measure impinged too much on civil liberties and individual rights, she agreed to some changes. Ms. May has been compared to Chancellor Angela Merkel of Germany – both daughters of Protestant clergymen, both with quiet, private husbands, both without children, both hardworking and rather distant. Ms. May clearly sees the similarities, including being underestimated by men. “If you look at somebody like Angela Merkel and think of what she’s actually achieved, you know, there are still people who don’t rate her, are a bit dismissive, perhaps because of the way she looks and dresses,” Ms. May said in a 2012 interview with the Daily Telegraph. “What matters is, what has she actually done? And, when you look at her abilities in terms of negotiation, and steering Germany through a difficult time, then hats off to her.” She has only rarely spoken publicly about her personal life, though it briefly became a campaign issue when one of her challengers, Angela Leadsom, seemed to suggest that she had a greater stake in Britain’s future because she has children and Ms. May does not. “You look at families all the time and you see there is something there that you don’t have,” Ms. May said in the 2012 interview with The Daily Telegraph, when asked about not having children. “You accept the hand life deals you.” Ms. May took the same attitude to her diagnosis of diabetes, for which she said she gave herself four injections a day. “Just get on and deal with it,” she said. She has made a calculated effort to show some inner life and spark by her choice of clothes, especially her kitten-heeled animal-print shoes, which the British press chronicles avidly. “You can be clever and like clothes,” she has said. “One of the challenges for women in politics is to be ourselves.” When asked on Desert Island Discs what single novel she wanted as a castaway, she answered, “Pride and Prejudice.” And her single luxury? “A lifetime subscription to Vogue.”
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haulix · 6 years ago
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Music Industry Job Board (September 24, 2018)
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New openings:
Assistant Product Manager (Stage - Los Angeles, CA 
Due to growth and demand for our services, we are in need of an Assistant Product Manager. This role is perfect for a high-energy, creative, and ambitious person who thrives in a collaborative, fast-paced environment, and wants to make a large impact. If you are interested in joining a forward-thinking team that is pushing the envelope of innovation and quality then apply immediately.
Product Line Manager (Skullcandy - Park City, UT) 
Skullcandy is seeking a Product Line Manager for our core audio product lines. The core audio products are central to Skullcandy's "Music You Can Feel" north star, and core to our customer's experience of music and other content. As part of the Skullcandy product management team, you will be responsible for defining, driving, and shipping consumer-leading audio products for Skullcandy customers and mentoring and coaching at least one associate product line manager.
The Product Line Manager quarterbacks complex projects from idea to concept and prototyping through development and delivery. The successful candidate will use "design thinking" and "voice of the consumer" to align our product strategy to the northstar and bring our design pillars to life. The winning individual will lead through influence to align the entire organization around product roadmaps and launches using our NPI stage gate process to successfully execute against our opportunities
The product manager's closest allies are the Product Marketing team and Product Development team. The successful candidate will partner closely with the Product Marketing team to create detailed product requirements and work closely with Design, Engineering, Quality and Sales and Operations teams to build and deliver the product.
VP, International Marketing (Studio Entertainment - Burbank, CA) 
If you want to help tell compelling, enduring stories through movies, music or stage plays, then we want to hear from you. In this critically important senior leadership role, you’ll be part of the dynamic Walt Disney Studios’ Theatrical Marketing team, bringing to life the strategic vision for each film released outside North America across all of our film brands—Disney Live Action, Marvel Studios, Lucasfilm, Disney Animation Studios and Pixar Studios. This executive will need to have strong creative experience and great relationship-building skills, balanced with the pragmatism and cultural sensibility needed to make film marketing campaigns work in a myriad of territories around the globe. 10+ years of marketing experience Extensive direct knowledge of the creative elements required for theatrical film releases Fluency in marketing research, insights and analytics; marketing budget management, Flexible and adaptable social skills to navigate relationships with filmmakers, talent, studio executives and your team Willingness to engage with partners in time-zones around the globe Ability to travel internationally frequently Develop international creative materials for film campaigns across all brands (Disney Live Action, Lucasfilm, Marvel Studios, Disney Animation and Pixar Studios), as well as film titles acquired for international-only release. 
Music Marketing Manager (Amazon - Seattle, WA) 
As a Label Marketing Campaign Manager you will own campaigns that increase overall market awareness of the brand, drive partnerships, and grow consumer engagement. He or she will be will be a self-starter, comfortable with ambiguity in a fast-paced and ever-changing environment and operate with a high attention to detail – they’ll sweat the small stuff. The ideal candidate has experience working closely with label and artist partners, working across teams to manage and execute multiple competing priorities simultaneously. They are highly organized, have a passion for social media, an understanding of influencer best practices and a desire to teach. The successful candidate has proven experience in executing campaigns from inception, to execution, to recap and everything in between. They are passionate about diving deep, measuring results and finding opportunities in the data.
Campaign Marketing Manager, North America (Festicket - San Francisco, CA) 
As a Campaign Marketing Manager, you will play a critical role in supporting the success of some of Festicket's most renowned festivals.
Reporting directly to the President - North America. You will be responsible for supporting the Campaign Marketing team in optimizing sales and visibility for our festival packages through a combination of diverse tools and methodology.
Digital Marketing Manager (Velvet Hammer - West Hollywood, CA) 
Velvet Hammer Music And Management Group, a boutique artist management, record label and publishing company based in West Hollywood, CA, is looking to hire a full-time Digital Marketing Manager, who will report directly to senior management. The Digital Marketing Manager will have strong relationships with media partners (Facebook, Twitter, Instagram, YouTube, Apple, etc.), seek new and unique digital partnerships and foster existing relationships to remain on the cutting edge. Ideal candidates should have a strong understanding of analyzing user data in order to increase engagement on digital platforms and sales of client’s products.
Direct Marketing Lead, Music (Santa Clara Valley, CA) 
Do you have a passion for thinking creatively as well as strategically? Can you put the magic within each product we build into words? As part of our Internet Software & Services (IS&S) marketing group, you’ll uncover human insights to craft messaging that shows what Apple services, Apps, and Music and can really do for people. You’ll create and manage direct marketing campaigns that form the voice and spirit of Apple to our customers, acting as the brand identity customers interact with at every touchpoint. You and your team’s work will have a powerful impact on the way people see and use their Apple devices. That’s because every piece of communication you create will reflect the essence of our products: simple and beautiful with iconic personality. As a Direct Marketing Lead focused on Music, you will team up with IS&S business counterparts, the Direct Marketing team, and Business Analytics and Intelligence teams to develop a CRM strategy, manage the program, and be responsible for achieving the goals set for the group. You will take part in a dynamic marketing team where strong business strategy and excellent communication skills are critical to success.
Email Marketing Manager (ArtistWorks - Napa, CA) 
As our Email Marketing Manager your work will be front and center for ArtistWorks! You will work with video production, technology and marketing peers to develop and execute opt-in and revenue generating programs for ArtistWorks online instruction. Your primary responsibility will be the creation, execution and management of all email campaigns within the Hubspot platform that drive first-time conversions, lead nurture, cart abandonment conversion, automations and retention of our customers over time.
Head, Mobile Acquisition Consulting (Google Play - Mountain View, CA) 
About the Role As the Head, Mobile Acquisition Consulting, you are a subject matter expert in all areas surrounding both the acquisition, retention and reactivation of users in mobile apps & games. This includes search engine optimization (SEO), search engine marketing (SEM), paid user acquisition, app store search optimization (ASO), and in app virality. Your knowledge extends to both the product and strategy sides, as well as an expert level ability to use data to identify opportunities and deficiencies.
Ideally you bring experience in user growth across all lifecycle stages (pre-launch, newly launched, growth stage, etc.). This includes a strong understanding of how developers determine acquisition budgets, and how best to allocate spend across acquisition/reactivation channels. Additionally, your expertise includes maximizing both paid and organic acquisitions including strategies and product features to increase virality. As the resident expert, you will partner with developers to help increase their sophistication and the performance of new and existing users in their apps & games. This will include reviewing partner performance data to identify opportunities, as well as extended consulting engagements focused on increasing partner sophistication. The role works with both apps and games, and the ideal candidate will understand the nuanced differences between acquisition strategies for both types.
Digital Marketing Manager (Napster - Seattle, WA) 
Napster is seeking a motivated and enthusiastic Digital Marketing Manager to join our Napster Music team in Seattle, WA.
You are creative and have a passion for music and currently live in the greater Seattle/Tacoma area. You are highly organized with a can-do attitude and a friendly, open personality who easily connects with people. You are a hands-on, scrappy marketer who gets excited about telling the world about the next big feature you’re rolling out. You are an experienced social media communicator who understands how to “fight above your weight” on Twitter, Snapchat, Facebook and more. You’re equally comfortable talking to customers, executives, developers and industry partners. Juggling multiple tasks at the same time is something you enjoy and are good at. A small dynamic hands-on team environment is a good fit for you but you also like working with international colleagues and partners.
Technical Designer (All Access Staging and Productions - Los Angeles, CA) 
All Access Staging and Productions seeks a motivated, detailed oriented Technical Designer with CAD experience looking to work long-term in drafting and design for the entertainment industry at their headquarters in Torrance, CA. This is a non-exempt hourly position, salary DOE, eligible for PTO, health insurance, and 401k program after a probationary period. A qualified candidate will work closely with other technical design staff, sales associates, and rental leads to produce detailed 3D drawings, layouts, and custom equipment for live events and productions all over the world.
Music Journalist (College Media Network - Austin, TX) 
If you obsess over singers and bands, and are one of those people who make a playlist for every occasion, this is the opportunity for you.
CMN's 8-week music journalism course takes the writing skills you already have and combines them with your passion for music. After eight weeks, you will have all the basic skills you need to start getting paid to write about music, it’s that simple.
You will get a minimum of 16 bylines in multiple styles of music writing — all of which will be aggressively edited — and be a part of seven exclusive video chats with professionals in the field. You will learn why live show reviews and album reviews do and do not work, and how to actually write a good one.
The CMN staff will also help you find paid writing gigs, internships in the music business, and professional opportunities as long as you want to be a part of our team. Think of this program as buying a lifetime membership to a music journalism resource center.
Head of Music and Voice (PHMG - San Francisco, CA) 
The Head of Music and Voice is a unique role that requires an exacting combination of commercial ingenuity and artistic flair. With previous experience in the creative music industry or in an advertising agency, you’ll equally balance the needs of the business, the client and the creative talent. And as a true people person, you’ll have the innate ability to liaise with people at all levels – as well as the confidence to present to leading company figures.
You’ll be responsible for the delivery of our unique Brand-Sound™ product, visiting clients across San Francisco to conduct the interactive Music and Voice Workshop. This will give you a unique insight into their brand – allowing you to effectively brief our composers. This role represents a unique opportunity to spearhead the success of the Brand-Sound™product in the US, and expand the Music and Voice team in this territory. Therefore, it offers strong potential for movement into management, so experience in this field would be desirable.
Senior Recording Engineer & Audio Designer (Pandora - NYC) 
We have an exciting opportunity for a seasoned audio professional to join us in New York. In this role you will bring sound to life within multimedia projects to create and promote engaging content such as; exclusive music and live performances, hosted stations, artist and internal interviews, and social media. In addition to managing our in-office recording studio, you will work with our on-site content team on projects for location sound and post production. The content created drives new users to Pandora, as well as expanding listening experiences for our existing users.
We are looking for someone who can overcome creative obstacles in a deadline driven environment while remaining pleasant, focused and inventive.
Imagine Music Festival Parking/Traffic Department (Aligned Traffic Management - Atlanta, GA) 
We are looking for individuals who want to be part of the 2018 Imagine Music Festival experience.
Job duties would be directing guest in a rightfully matter. Making sure all vehicles get to their correct location. Aligned Traffic Management will provide all equipment and safety wear needed.
Marketing Director (Soundboks Inc - Los Angeles, CA) 
As our Marketing Director, you will lead the team that is currently positioning SOUNDBOKS to be the king of all Bluetooth speakers. You will work closely with our global marketing team to execute our brand strategy in the United States. From leading marketing campaigns to discovering new territory for us to conquer to fiercely maintaining brand-quality across all US touchpoints; you will be on the frontline of our brand as we continue to grow.
Freelance Music Producer / Beat Maker (Ladale Productions - Detroit, MI) 
Currently seeking a talented, hard-working beat maker to craft an instrumental background track for a children’s web-series. Client will be responsible for creating 4-5 distinct beats that will be featured throughout episodes.
Compensation: minimum of $20-$25 per beat. Prices are subject to negotiation.
Additional incentives: Client will receive free publicity for work, which will be showcased to a wide diverse audience through this project.
VP of Business Development (RetroActiveMedia - Scarsdale, NY) 
Position involves recruiting small businesses, groups and affiliations to partner and join our free platform, which is designed to increase engagement with their patrons/members. Your time will be divided between utilizing email and social media campaigns along with telephonic outreach as well as well planned client site visits in the tri-state area, driving a vehicle provided by the company. A high level of social interaction and creativity are required. We are a startup, so sometimes, it will be all hands on deck. It would not hurt for you to be a lover of music. Short sighted or unmotivated applicants need not apply! This is a "roll up your sleeves" and get a little dirty type of position, which will inevitably involve some rejection, so have a thick skin. As we are a startup, there is tremendous room for growth.
Sound Engineer (JOHN W. ENGEMAN THEATER - Northport, NY) 
The John W. Engeman Theater at Northport is seeking a Sound Engineer for our Youth Theater, Educational Theater and Special Event productions. Must have knowledge of wireless microphones, Qlab operation, understand audio patching as well as ability to run and program a digital console. This is a part-time position. Must have a flexible schedule.
Multidisciplinary Recording Engineer (Nashville, TN) 
Home Studio is currently looking for Multidisciplinary Engineers, who are currently working towards or have an interest in the career field of audio engineering. Home Studio is a collection of progressive home recording studios based in Nashville Tennessee.
Music Business Admin Position (TAXI Music Independent A&R - Calabasas, CA) 
FULL-TIME STAFF ADMINISTRATIVE POSITION available at a well-established, Music Company for an intelligent, hard-working self-starter that wants a “starter job” with growth potential. Strong verbal and written communication skills are critical. Experience with basic (but meticulous) data entry and MAC OSX is required. Knowing Film/TV music licensing jargon is a plus!
Are you star that’s ready to shine given the right opportunity? Are you ethical, personable, and articulate? Do you live within 35 minutes of Calabasas?
This is a Full-Time position: Monday - Friday, 9:00 am - 6:00 pm, with an hour lunch. Hours are not flexible. Small, friendly staff, and a great work environment. Paid vacation and sick time. Health insurance offered after successful completion of the probationary period.
Please submit an engaging cover letter and list some impressive references. No phone calls, walk-ins, mailed, texted, or faxed resumes will be accepted.
Executive Assistant to CEO (Rochester Philharmonic Orchestra - Rochester, NY) 
Administrative support for President & CEO. Duties to include:
Handle calls to the office of the President.
Draft business correspondence for the President as directed.
Maintain precise calendar of President for all meetings, appointments, business commitments, etc. Schedule and make arrangements for meetings, appointments and conference calls as directed. Support the President in preparing materials for upcoming meetings and appointments.
Work closely with the President on any special projects as directed.
Marketing Manager (TripleYoThreat - Northridge, CA) 
I have a need for a Marketing Manager for myself and other artists I work with, yet primarily focusing on myself.
About myself, I'm a full-time musician who dropped out of UCLA to pursue a career in music. My music is published on Apple Music and Spotify, under 'TripleYoThreat". I have released 4 EPs, 2 albums, and plenty of other singles. Music is very serious to me and my team, and we would love to add another member.
You would be in charge of bringing in impressions, marketing, and overall promoting media content. This isn't limited to social media, I am open to all kinds of marketing. Generally the content is music, but sometimes videos or short clips. The target is to promote the music, and my image as a whole.
Sound Engineer for Weekly Podcast (NYC Company - NYC) 
Our weekly music podcast needs a reliable sound engineer to record and edit podcast. Some on air talking required. We have state of the art sound equipment. We record in midtown Manhattan every Monday night near Grand Central. We have listeners all over the world and have been recorded over 125 podcasts to date. Please respond with cover letter and experience. Pay is $30 per podcast.
Program Director (Pacific Media Group - Kahului, HI) 
Pacific Media Group is looking for an experienced radio Program Director. Responsibilities are as follows:
Monitor and adherence of commercial log and protect company from FCC violations
Perform Live Shift M-F.
Determine play lists with assistance from Programming Consultant.
Schedule programming, manage/update programming logs.
Operate and fully understand Music Master, Avair and all other on-air software needed for broadcast and station scheduling.
Interview, hire and train on air talent-making sure talent’s on air and personal appearances and behaviors are in the communities and PMG’s good taste and follow company policy guidelines – Talent needs to know that once they are out in the community as a PMG staff/talent member whatever they do will affect how listeners view the station.
Marketing Coordinator (Tilgham Academy of Music - Oceanside, CA)
 I own a new local business in Oceanside, CA. It is a music school that offers services in private and group lessons. It is also a shop. I am looking for someone to head over some marketing campaigns and bring fresh ideas. If you are interested, please address the points below and you will be contacted if our team likes your proposal.
Filmmaker in Residence, Sound (Interlochen Center For The Arts - Interlochen, MI) 
This position requires teaching one section of Production Workshop and one section of a cinematic arts course in Sound developed in conjunction with the director of Motion Picture Arts. Seeking candidates with skills in one or combination of the following: location sound recording, post-production sound design, and mixing. As a part of Production Workshop, the FIR is also responsible for weekly Thesis Advisor meetings with a share of Thesis Students’ student productions development/guidance from script to screen. Candidates should have experience in narrative visual storytelling. Other responsibilities include scheduled tutorials with students, department activities, regular meetings, and daytime/evening rehearsals, casting and location productions. Professional behavior and appropriate use of facilities/equipment required.
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aquitainequeen · 2 years ago
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#no part of publishing is glamorous but this section is especially un-glam #Also in this job you will not enjoy reading for long #Some advice for anyone wanting to get into publishing: #what's most desired in a candidate is time management (because you will be juggling MULTIPLE tasks in a heavy workload) #communication (with your team; with other departments; and with authors/editors) #(in editorial especially we are the authors' first point of contact. their travelling companion; their taxman #their confessor; their therapist and their punching bag) #admin capability (you're going to be using Word Excel and Adobe a lot; along with any database the company uses for their records )#and actually knowing what the company publishes #show us that you've done your research!!! #go on the website. find a few books that you like. mention them. #or just do your research on us and say what you like about us! #The sort of things that we publish and the direction we're going #I KNOW it's horrible applying for jobs and you're often applying to lots of different places at the same time #but you have to tailor your application to fit #You have to show that you understand the sort of company or imprint that you want to work for #and yes previous publishing experience is very desirable as well #that's always been much harder to get though
I replicated the tags for accuracy, but I retracted the bit about not enjoying reading. You likely will still enjoy it, but maybe not on week nights.
And I'm being too harsh on these young'uns for being so passionate. After all, I wasn't initially enthralled by my press' subject matter when I applied for the job; I applied because I was paranoid about how much time had passed since my last job and I didn't want too large of a gap on my CV. But I also did my research to make sure it was somewhere I'd actually want to work, and made notes so that I had things to talk about for my interviews, like recent books that they'd published and the press' digital focus. Interviewers want to make sure you're a good fit for the job, but they also want to be sure that you're aware of what you'll be working on.
So, again, if you're applying to work in publishing, mention specific books from the company/imprint that you're applying to. It will definitely make your application leap out at us, and we like to hear that you've enjoyed our books and that you think we're going in exciting directions!
Applicants for the Editorial Assistant position: I love reading and literature! I spend a lot of time on BookTok! I'm passionate about exciting narratives!
Me, alternating between assessing candidates and scrutinizing a manuscript to make sure there are no nasty permission surprises: Oh, you are applying to the wrong department, my friend.
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