#what if the plan is not just to produce banger seasons but to craft 5 shows that somehow tell a grander narrative for sentai

[the-tubort]

OKAY INTENSE SENTAI CRACK THEORY THAT DEFINITELY WONT HAPPEM BUT WHAT IF:

Okay so I'm rewatching the last episode of Zenkaiger for Reasons and the way that the ending was handled with God promising to take better care of his worlds and such and were seeing from King Ohger the space bug guys are basically also bored gods who are aiming to entertain themselves through well. Essentially watching genocide they created but what if, now stay with me, somehow, this all links back to zenkaiger in the world's most insane cross season storyline.

They've mentioned that essentially they're in a 5 year long plan to bring sentai back to a new age of awesomeness or whatever and even if the connections aren't super apparent in donbrothers, the kaito in that show at times acts however he needs to in order for their world to keep functioning. Taro almost DIES MID SEASON but he brings him back and it gives him the omikoshi Phoenix which allowed the team to reach their ending, thus peace was brought to the world. Whether it was God or not, its clear that there's almost something afoot.

AND THEN with the confirmation that fucking KING FROM KYORYUGER is coming back FOR SOME REASON in the second half of king ohger when the threat has just so happened to turn intergalactic space bugs or whatever, what if God is playing a small hand in ensuring peace for these worlds he created?

There's no clear limit to how big these parallel worlds can be and no limit to what can exist in them so what if these space bug guys are things that the God from zenkaiger feels the need to correct with the help from another hero who also fought off aliens?

This again is definitely not even close to real at all but like. What if? What if this is all building to the hypest 50th anniversary with God at the helm to try and maintain the peace as he promised for his worlds?

[geneticandunattainable]

We’ve finally come to the top ten songs of 2017, and it’s been quite a ride.  My apologies for the delay in getting these published, but I remain convinced these next ten songs are well worth the wait.  Surprising no one, women dominate the top of this year’s list, with seven of the top ten songs featuring or led by female artists.  A surprise to many, including myself, is that four of the ten songs also come from artists with ties to North Carolina.  It would not have been possible for me to survive 2017 without these songs, and I’ve listened to all of them hundreds of times. You may have different reactions to this batch, but I have a hunch you’re going to be blown away.

10. Now, Now – “SGL” Minnesota is underrated as an incubator for music, but Now, Now is an exciting duo coming out of Minneapolis.  Cacie Dalager handles the vocals, guitar, and keyboard, while Bradley Hale focuses on the drums and backing vocals, but this is just the latest iteration of a band that’s been around for fifteen years.  Dalager and Hale famously met as classmates in high school marching band, but the sound on this record is light years beyond the work of teenagers.  They hadn’t released any new material in five years before last May, so music blogs were excited to have this slice of musical brilliance come out of nowhere.  “SGL” was a burst of fresh air right in time for summer last year, and it’s pop music at its absolute purest.  This is the kind of music that gets your heart pumping, music that’s meant for summers at the lake or bonfires on the beach.  The acronym from the title refers to “Shotgun Lover,” and has nothing do with marriage or firearms; Dalager is looking to put some heat on a relationship that started off as a simple fling.  Many of the elements on display here likely come across as familiar, like the clipped acoustic guitar progression, the slowly-building layers of atmospheric effects, and the subtle vocal manipulations. But when the drums kick in and she hits the chorus, you can’t help but find yourself swept along for the ride - perhaps sitting shotgun?  

9. K. Flay – “Blood in the Cut” Talk about the unlikeliest path to music - rapper/artist K. Flay started life as Kristine Meredith Flaherty in Wilmette, Illinois, a wealthy commuter suburb of Chicago before heading off to Stanford for undergrad.  While she was there, Flaherty cracked a joke to a classmate about how the hip hop songs she heard on the radio were all "simplistic, misogynistic and formulaic,” and that she could easily write similar songs without any issue.  Once she got on stage, she realized that she really enjoyed performing, and started shifting toward a full-time focus on music.  She’s been releasing music for years, but my favorite track by far has to be “Blood in the Cut” from last year’s Every Where Is Some Where.  Featured prominently during the end titles of a season four Bojack Horseman episode, the menacing lyrics practically growl at the audience, and there’s an incredibly cinematic tone to the entire song.  This track doesn’t sound it was crafted for television, but there’s a drama inherent in Flay’s lyrics - “Say a word, do it soon/It’s too quiet in this room” - show the boiling tension inherent in her vocals.  Every chorus is such a release, but she builds that tension to a raucous ending that captures you, heart and soul.  This is an angst anthem, a textbook entry for your workout playlist, and one of the best damn songs in years.

8. Sylvan Esso – “Die Young” When you grow up in North Carolina, you have a special place in your heart for artists from the home of Cook Out and Cheerwine.  This duo from Durham consists of Amelia Meath and Nick Sanborn, and they took over my phone, my car, and my brain this year with “Die Young,” an epically lush tribute to unexpected love.  As Meath coos in the lyrics, she had “it all planned/You ruined it completely;”  you see, she was going to die young in a blaze of glory so people would remember her forever.  Now that she’s fallen in love, her next chapter has been replaced and she wants more time with her partner rather than become a member of the 27 Club.  Make no mistake, Meath has written a love song, but there’s a funereal quality to the proceedings that syncs up flawlessly with the detached, synth-heavy production from Sanbord.  The looped samples work so well with the moody keyboards over the chorus, and you know I’m a sucker for a song that builds to a truly cathartic bridge.  At no point does “Die Young” disappoint; it’s the kind of instant classic that feels familiar the first time you hear it.  If Kesha hadn’t placed higher on my list, I’d make a snide comment about her own song “Die Young” being left in the dust.  If you’ve known me long enough, you know the thought remains regardless.  Ten years from now, we’ll still be listening to this haunting Southern banger.

7. Sampha – “(No One Knows Me) Like the Piano” If you’re going to make a long-awaited debut, you might as well lead with a hauntingly gorgeous song like this. London-based musician Sampha built his career for years behind the scenes as a producer, songwriter, and backing vocalist for artists like Kanye and Jessie Ware.  As he shifted toward fronting his own music, he sat down to craft an ode to the power of music itself, and knocked it out of the goddamn park.  There’s an entire narrative at work here, as Sampha spills his heart out about using music - and his mother’s piano specifically - to navigate through tough times.  As the song progresses, beyond the austere keys and euphonious vocals, a low key beat emerges, and he shifts into subtle electronic tinges, eventually closing out the song with the sounds of birds chirping in the forest.  Clearly he’s using the song to step into the spotlight, so to speak, but I think it’s more than that; this song brings peace, serenity, and a calming nature unlike anything I’m used to hearing.  What an amazing accomplishment.

6. Kesha – “Praying” I’m not exactly one to drop names, but I was living in Nashville around the same time as Kesha, as she grew up in the suburbs of Music City.  I’d heard some not so pleasant rumors about her behavior and the way she treated other people in the local scene, so when her debut single “Tik Tok” took over the world, I made a decision to sit her career out. I simply couldn’t understand why such a strong and intelligent woman - she was accepted to Barnard, people - was singing about getting black out at a club with the truly misogynist 3OH!3.  My heart went out to her when she sued Dr. Luke, though, and I quickly became riveted with the story.  As a fellow survivor of sexual assault, I found myself rooting for Kesha and eagerly anticipating new music.  While her latest album Rainbow was scattered, it could brag some absolute jams with “Woman” and “Learn to Let Go.”  That said, few songs in 2017 had the emotional impact for me of “Praying.”  This Grammy-nominated lesson in forgiveness is blistering, still bringing me to tears after hundreds of listens.  Kesha knows how to write her own songs, and it’s a thoroughly documented fact she’s been doing it for other artists for more than a decade.  That killer lyrical mind is on display here, too, but the background leading up to the song and the vulnerability on display here is nearly too much to handle.  I’ve heard mixed reviews of that whistle note, but you’re a total robot if you don’t respond when those drums kick in about two thirds of the way through “Praying.”  2017 was a year we’re all desperate to forget, but I’ll leave you with this: consider listening to “Praying” again, but imagine it’s Hillary Rodham Clinton delivering those lyrics instead.  I dare you not to weep.

5. Rhiannon Giddens – “At the Purchaser’s Option” Who knew that a guest star from Nashville was going to release one of the best songs from last year?  Even more surprising?  It’s a heart-wrenching tale of a slave woman’s refusal to fall apart in the face of some truly traumatic experiences.  For Giddens, an alumna of Oberlin’s Conservatory of Music, the Carolina Chocolate Drops, and the New Basement Tapes, it’s never really been a question of whether she has the talent.  At the ripe young age of 41, she’s already been inducted into the North Carolina Hall of Fame.  Some of us have been following her career for years, and were just waiting for that one break out song.  In a more ideal world, this exquisite nod to slave songs would have resulted in massive recognition for Giddens.  According to Giddens herself, the song comes from reading an advertisement for a 22-year-old slave woman, whose 9 month old baby comes with her “at the purchaser’s option.”  Her reaction to something so ghastly inspired her to write the song.  She recounts the life of a woman abused by the world of slavery who refuses to lose her soul in the process.  Again, for those of us who listen to the lyrics, she takes you through some heavy shit, including the rape of a young child.  If you’re one of those people who doesn’t really notice lyrics, though, there’s still plenty to love.  Guitar, banjo, percussion, vocals - everything is at the top of the game here.  In a song that could have easily been a theme for Lupita N’Yongo’s Patsy from 12 Years a Slave, Giddens proves she’s an artist that wants her career to mean something.  She’s already earned such an incredible legacy, and “At the Purchaser’s Option” shows she’s just getting started.

4. Rostam – “Gwan” It’s no secret to anyone who read these lists in years past that I have a massive crush on Rostam Batmanglij.  You may not agree that he’s a handsome fella, but I don’t really care, because so much of my crush originates in his musical genius.  Rostam’s career - starting as a core member of Vampire Weekend and moving on to producing artists like Carly Rae Jepsen or collaborating with Hamilton Leithauser - has been nothing short of phenomenal.  It almost seems like the man cannot stumble.  “Gwan” feels like a song that cannot be classified; some people hear Irish influences in the second half’s string breakdown, while others swear he’s alluding to more Eastern sources.  The Iranian-American artist, born in the D.C. area, has intentionally alluded to various cultures throughout his career.  As long as his music sounds this gorgeous, I have no horse in the race when it comes to the cultures he’s referencing.  Rostam’s lyrics reference an unspeakable connection, a relationship that defies explanation.  Ever since I first heard this song, it’s made me think of my best friend.  It certainly doesn’t hurt that said friend lives in New York, given the obvious Manhattan references in Rostam’s lyrics.  “Gwan” could be the soundtrack to a cinematic montage, it could be the first dance at a wedding, or it could accompany you for a walk downtown.  Regardless of how it infiltrates someone’s life, there’s little argument to be had here that Rostam remains at the absolute top of his game.

3. Kate Rhudy – “I Don’t Think You’re An Angel (Anymore)” Just because the top ten has a third act from North Carolina doesn’t mean I’m playing favorites here.  Kate Rhudy is only starting her career with the album Rock N’ Roll Ain’t For Me, but you wouldn’t be able to tell when you listen to this stunning track off of her debut.  She’s a recent graduate of Appalachian State University in Boone, a town known for its particularly crunchy hippie scene.  Despite the psychedelic tinges that signal the local sound, Kate stayed true to her roots, describing her own music as “sad river folk.”  People seem awed by the fact that Taylor Swift writes some of her own songs, but I prefer an artist who can write her own songs, sing them well, and even accompany herself on an instrument or two.  Rhudy puts Swift to shame with a slowed down Southern ballad about losing trust in your partner.  Do you want crystal clear vocals? Check.  How about a truly beautiful showcase for guitars and mandolin? She’s got that, too.  The entire album is jaw dropping as a debut, but “Angel” buries itself within you, it burrows deep into your soul in a way that few songs do.  As Rhudy herself has said about folk music, “It’s music that’s meant to be felt, not heard.”  She’s clearly accomplished that goal with this achingly bewitching song; in a weaker year, it easily could have been the best song overall.  For now, though, it will have to settle for years of inclusion on my favorite playlists.

2. Rose Cousins – “Freedom” Canada strikes again.  I have a deep-seated love for Canada that stretches back for eons, but I never really expected to find the Great White North’s answer to Patty Griffin.  Rose Cousins, who calls Halifax, Nova Scotia home, has a more soothing voice than Griffin, if not quite as distinctive. Her songwriting skills, though, are evidently on par with the folk/Americana legend, and I find myself blown away by the sheer scope of what Cousins has achieved with “Freedom.”  Every moment that you think you have your head wrapped around this song, it shifts from beneath you, transforming in real time.  It shifts from a slow tempo acoustic jam to a raucous breakdown, from Cousins’ lower register to true vocal fireworks.  She’s always been known for her clear-eyed melodies and the poetry of her lyrics, but I find “Freedom” to be a new height in her achievements.  It’s about the double-edged sword called choice that we navigate all too often, as she realized in a relationship, we often must give something up to achieve what we truly want.  Whether that means compromise, or leaving something behind entirely, the lyrics here are enthralling: “Well I pride myself in letting go/I'm better off and stronger alone/I've got my freedom from choices made/And freedom from being brave/Freedom.”  Yet her tone throughout is bittersweet.  I can acknowledge with far too much experience of my own that being on your own can vacillate between crushing loneliness and exhilarating levels of autonomy.  What Cousins has achieved here is a song that speaks to both sides of that coin at the same time.  There is acceptance here; acceptance that your choices have consequences, and that you’ll likely be fine in the long run anyway.

1. Ryan Adams – “To Be Without You” There are few memories from last year that I cherish more than the 14 hours or so I spent in Nashville on my cross-country move from Houston to Boston.  I was so excited to catch up with my good friend Maggie over sweet tea and queso at SATCo, and felt right at home in the town of my graduate school alma mater.  It had been far too long, and one of the most vivid parts I remember is pulling away from Maggie’s house the next morning. Facing down a stretch of winding mountain roads and another ten or eleven hours on the way to Richmond, I thought about my soundtrack.  With a cool, foggy November morning soaking my bones, I put on the one man I knew could keep me company over the next several hours of driving through autumnal Tennessee: Ryan Adams.  There’s something truly incredible about his consistency; the man’s released over a dozen albums, whether it’s solo work or paired with groups like the Cardinals or Whiskeytown.  His latest album follows quickly on the heels of 2015’s full-album cover of 1989 and his eponymous album in 2014, completing an arc of sorts with Prisoner’s clear 80s inspiration.  It was easily one of the year’s best LPs, and Adams’s first album of original material to follow his publicly painful divorce with actress Mandy Moore.  Without a doubt, “To Be Without You” jumped out of the speakers on my first listen back in February.  The song is deceptively uptempo since the lyrics are heartbreaking, leaning into the despair Adams felt after the dissolution of his marriage.  His arrangement is relatively subdued and radio friendly, utilizing guitar, percussion, and little else to focus on the true heart of the song: his pain.  “I feel empty/I feel tired/I feel worn/And nothing really matters anymore” are not the lyrics you’d expect from a song so melodious, but Adams is an expert at crafting songs and subverting expectations at this point in his career.  “I think the theme of this record is that we’re all prisoners of some desires, in that the very things we love are the things that hold us hostage and keep us trapped,” he told NME. “Either we are the cage or we’re in the cage and it’s trying to figure out in every situation which of those things is real.”  The themes work perfectly for life, love, and surviving 2017, and he created another instant classic with “To Be Without You.”  Hundreds of listens later, I still get completely sucked into it; clearly, that’s the true mark of the best song of the year.