#what da hell is going on...

[14dayswithyou]

tell ren to turn his location on👉👈

I saw one of the posts of how ren does get jealous of pets being loved over him and alll that so now I have the thought of the one meme of ‘ah yes, me, my partner and their [enter normal pet size] foot [pet]’

I don’t have anything else, it did pop into my head though and I thought I’d share with the class.

⌞♥⌝ ItsNotVivy on Twitter actually made that exact meme with Ren a looong time ago!!

[kalidels]

a selection of anders dragon age i've drawn over the past… TEN YEARS? guess i'm nothing if not committed to his cringefail self ✊😔

[b4kuch1n]

glorioso from last years twitterin

[raineandsky]

hi! i love ur work! i was wondering if you could write something about two enemies (hero x villain) that are undercover as civilians and begrudgingly working together? and somehow villain witnesses an interaction between hero and someone that clearly makes the hero uncomfortable, and realizes his hero has some trauma there? thank you!

ooooh i love this!! thank you for the request, hope you enjoy :D

tw: stalking

“Huh,” someone says flatly from the tills. “Long time no see.”

The hero’s gaze is turned very pointedly to the screen in front of them. “Yeah.”

The villain glances up from where he’s more or less fighting a stack of baskets. A woman is letting herself into the hero’s space, her arm resting casually on the counter and a smug smirk playing at her lips. The hero is leaning as far away as physically possible from her, looking anywhere but her face.

Ooh, drama. The villain can’t deny a little excitement in this bland little life.

“You’ve been avoiding me,” the woman continues. Her voice is much too loud for what she’s saying. The hero winces. The villain edges curiously closer. “A talk is long overdue, ain’t it?”

“I’m working,” the hero says weakly.

The hero has a fatal flaw. The villain positively delights in the fact. As if the hero can feel the joy radiating off the villain, they shoot him a desperate glance.

“You’re helping a customer, honey,” the woman says brazenly. “Now tell me why you’ve been avoiding me.”

“Sorry.” An older man pulls the villain’s attention from the unfolding show in front of him, much to his dismay. “I’ve been waiting a while. Is that the only till available?”

The villain groans inwardly. This bit of fun will have to be for another day. “Sorry. Let me sort that for you.”

He makes his way to the tills, where the hero is trying—and failing, by the looks of it—to shoot down the woman’s questions. Villainy has given him an extra lack of care; he shoves himself straight into their conversation without a thought.

“Hi,” the villain cuts in smoothly, “hi—sorry, you’re holding up the queue.”

A queue of one, mind. The woman gives him an incredulous once-over. “They’re helping a customer, honey.”

“They’re chatting on the job.” The villain shoots the hero an annoyed glare, which they return, stupidly, with relief. “You’re preventing our staff from working. I need you to pay and leave, please.”

The woman smirks like she’s about to win an argument. “I’m not paying for anything.”

“Oh, cool.” The villain returns her smugness with plain annoyance. “You can just get out then.”

“You—! Ugh, fine.” The woman sneers at him before turning her gaze back to the hero. “I’ll see you at the end of your shift, honey.”

The hero positively pales. “Oh, uh—”

The woman saunters for the doors, clearly disinterested in an answer, and the hero watches her go blankly.

“Alright.” The villain ushers the old man ahead. “Do your job this time, or I’ll have to smite you into next week.”

The literalness of the sentence is lost to the old man, but the hero smiles slightly at the threat anyway.

He leaves after what feels like an eternity, and the villain pounces on his opportunity for gossip instantly. “Well? Make this dead-end job worth it, please.”

The hero’s face hardens into an irritated frown. “Is there a reason you’re so interested in my life?”

The villain graces him with an innocent smile. “Blackmail.”

The hero stares at him for a long moment before deflating with a sigh. They start folding a plastic bag more carefully than the villain has ever had the displeasure of watching. “She’s my ex.”

“It’s always the ex!” The villain laughs, giving the hero a light punch in the arm. It’s a lot calmer a gesture than he’ll be giving them later, but he doesn’t need the entire shop knowing he could burn this place to the ground. “What’d you do to piss her off?”

The bag gets lovingly placed on the folded bag pile the hero apparently has. The villain’s never been close enough to this till to have noticed it before.

“I didn’t do anything,” the hero says defensively. “She’s the one who couldn’t let it go and thinks following me around is going to fix anything.”

The villain gapes openly at the hero. The hero pointedly turns away to fiddle with something on the register next to them.

“Oh my god,” the villain says in the tones of a dramatic schoolgirl. “You have a stalker.”

The no I don’t the villain was expecting doesn’t come out. The hero carefully adjusts the register screen, the angle way more important than it should be. “Oh my god, [Hero],” the villain repeats, “you have a stalker.”

“I don’t see why that’s such a crazy concept to you,” the hero snaps. “I thought you’d have loved the thought of someone creeping around after me.”

“I’d love it if it was me creeping around after you,” the villain says with a scoff. “I know what I’d be doing if I was doing it. What’s she doing?”

“Hoping I’ll talk to her.”

“She’s insane.”

“That’s well established by now.”

“Okay, well…” The villain wrings his hands awkwardly. “If you, like, want me to smite her or anything, y’know…”

“What is with you and smiting people?” The hero laughs, kind of, and the villain hates that he’s glad they do. “And why would you do it if I wanted you to?”

The villain shrugs. He’s the one turning his face away now, picking idly at some of the vinyl peeling off the counter. “It’s a nice excuse for me to go after someone who clearly deserves it.”

“And I don’t?”

“I’m trying to be nice for the first time in my life, [Hero],” the villain snaps sharply. “Stop making it so difficult.”

The hero rolls their eyes. “Sorry, sorry. Go ahead. I’ll be reporting this to the first journalist I see though. Ah, I can see the headline already.” They grin at the villain’s growing scowl. “Evil villain turned good by a hero's personal problems. They would love you.”

“And I’m going to love kicking your ass so hard tonight you won’t be able to sit for a week,” he retorts. Then, after a moment’s deliberation, “do you need me to walk you to your car?”

“Aww, you’re so—”

“Okay, no, nevermind. Walk yourself.”

The hero smiles lightly. “If you don’t mind. It’d help a lot.”

The villain nods shortly. He turns back the pile of baskets and makes a mental note to add an extra round to his smiting machine later.

[kodirox]

so. um. that new sound euphonium episode, huh

[kainebell]

book 2 chapter 1???? is this supposed to be a wide release sequel to make that date??? a book that general audiences have not had the chance to play??

[denkisauce]

literally when has another ship given as much as bakudeku has. when has another ship encompassed so many tropes all at once while also having the relationship develop the way it has???? sometimes i’m just like dumbfounding by the depth that exists between them like they’re not just childhood friends, they’re not just rivals to lovers they’re not just starcrossed they’re not just punk x nerd or jock x jock or nerd x nerd or whatever the fuck they’ve gone from best friends to broken to fixed to i would die for you x i would kill for you like????? the nicknames???? the fact that katsuki has never told deku to stop calling him kacchan even when their relationship was at their lowest???? the fact that he was carrying his all might card with him the whole time???????????? the fact that izuku is so defensive he unlocked new powers multiple times because of kacchan and katsuki is so defensive he was willing to die TWICE for izuku?????? even the smaller things, all might rooting for them, aizawa saying his whole thing about how the two of them push their entire class to go above and beyond,, house arrest boys???? ohhh my goddddd like i know we all know but i can’t stop thinking about all of this all the time 😩😩😩

[th3e-m4ng0]

In worlds where OP has a trailer do you think Megs ever uses it as a nap hideout

ohh totally !!!!!!! since op doesn't use it often, might as well yknow

[1mm4d13]

My sister just showed me all of Dan Da Dan and the first 6 episodes are a cock-and-ball shonen with staggeringly good chemistry between two neurodivergent people…

Episode 7 is a FUCKING claymore

[dandelion-roots]

[ID: a digital drawing of Riz Gukgak from D20 fantasy high from the waist up. He looks like he's holding onto sanity by a thread and is covered in blood as he attempts to sew a finger back onto Biz's hand and says, ha ha, oopsie! End ID]

Damn man being 14 sure is tough... It's all just pimples this, brutally shooting off a classmate's fingers before figuring out he wasn't the mastermind and then immediately regretting it that...

[uorufein]

blink (you're) gone

[cyberdragoninfinity]

i finished arc-v :]

[chlorophyll-tints]

turn your grief into rage

[heich0e]

my life is a greek tragedy u literally cannot make this stuff up

[churbo]

i was paid 30 cents to draw this

[cowardlybean]

ok so

beyond being gross and weird I think there’s something to be said about the lack of literary analysis in proshipping (this post is about mp100 in particular but this can apply elsewhere)

there’s two points I’m getting at here: lack of understanding of the characters being interpreted, and intent of author

first of all, the common rebuttal to “he would not fucking say that” is “it’s just fiction and for fun” (which is just a really common rebuttal for everything but that’s beside my point). But that point lacks acknowledgement that their interpretation isn’t based on the source material. For example: Reigen, the guy who notoriously stood up against a terrorist organization to keep kids from being in danger, being interpreted as a pedophile (there’s no soft way to put it). It’s going directly against what is set up in a (in my opinion) disrespectful way. Also there’s a point to be made about trampling over platonic relationships for the sake of shipping and how that applies to proship but i digress!

There are methods to have characters act in ways they would not normally. In fact, most of my favorite fics across all of my fandoms do this!! What they all have in common is an understanding of that character that explains what pushed them to the point of deconstructing their own morals and values. “Wouldn’t it be fucked up if this happened?” works so much better when you can see how it led to that point. And even then I’d venture to say there are some lines that shouldn’t be crossed, knowing these characters do in fact belong to the author, but me drawing lines in the sand isn’t going to be accurate to everyone’s view. It’s always going to be a nuanced topic!

Second of all is the importance of authors intent when reading. Rather than applying this to the base media, however, I’m pivoting focus onto those creating proship content. What is their intent while writing? Through unfortunate exposure in Multiple fandoms I see these common reasons: fluffy content with or without acknowledging the ship being (for lack of a better word. i wish i knew a better one) problematic, dark content such as gore or rape, or (there’s no way to put this lightly) jackoff material. Keep in mind these are generalizations, but im also not giving some of these people the time of day to add defenses.

The “fluffy” content I can sometimes see as the author of the content not understanding the consequence of the ship itself (incest and pedophilia bad) due to a multitude of factors, and I genuinely do think there are learning experiences for them in non negative or aggressive ways. Dark content I can make a case that this is a form of self harm whether intentional or unintentional, however for some this gets looped into the last category. Finally, it’s pretty obvious some people just yank their shit to incest and pedophilia and I REALLY don’t think I need to explain why that’s bad. Point is, it’s important to consider proshippers intent, and how it’s more complex than just gross people who are intentionally malicious. I think there’s learning experiences here for every proshipper, however those who refuse to acknowledge that their actions have consequences (entirely different post to make there about how proshipping can in fact have real life repercussions) I hold a special vendetta against.

To conclude I’ll say I’m not someone who calls myself an “Anti”. Do I hate proshipping? Yes, absolutely I do. But I also enjoy fiction with darker topics that are handled in a critical manner!! Think Oyasumi Punpun. Good manga btw, absolutely horrifying though. I don’t think dark subjects should be kept out of fiction but I do think they should be handled with care.