#what a slap in the face to lose ur fantasy and also be forced to write tests at work tomorrow

[3-aem]

dont talk to me the cute apartment i wanted but knew i shouldn’t rent went off the market along with my cottage core fantasies im going to need 162818 gojo figurines to get over this one

[ka-za-ri]

Obey Me wants to do Too Much and in an attempt to please the fans, it’s failing them instead.

Based on the post @1abbie7​ made regarding the common complaints players seem to have with OM and its choices as a game. I just wanted to put my two (very long) cents in while looking at OM as if it is the gacha game it truly wishes it was.

MAJOR DISCLAIMER: this post is based on my experiences and is not a reflection of the community as a whole. These are observations and personal thoughts and should be taken with a grain of salt. Also, please feel free to discuss or correct me if I have any of the information wrong. For reference, I’ve reached 5-3 in OM!, 9-2 in AL, and 6-17 in AK.

Now that we have that out of the way… ON TO WHAT I WANT TO SAY. Buckle in folks, I’m rambly and I have a lot to say. Obey Me! Has a lot of potential, and it’s a shame that a lot of things Solmare does are not helping it grow in a way that it could.

So this post is MOSTLY going to be comparing Obey Me!’s (OM) gacha and gaming experience with Azur Lane (AL)  and Arknights (AK) since I feel like both those games have a very good f2p model and don’t really have any PvP/Ranking system that affects the main gameplay. I will have other examples from other games that I’ve played before as well.

Ignoring any issues with storytelling and plot holes, since I feel like there are people who are much more qualified to speak upon that than I am, I’m just going to look at the more game and gacha experience.

EVENT SPACING, GAMEPLAY, STAMINA REFRESHES:

OM! As far as I know, is marketed as an Otome game with gacha and … Rhythm??? Game??? Elements? (I’m not quite sure how to even describe the ‘battle’ stages tbh) to break up the story stages. With the battle stages being the main way you can farm for materials to power up your cards, the bottlenecks that are built into the game are surprisingly super frustrating.

OM! Does not have an auto battle option, but it does make up for it by allowing you to sweep the stage once you’ve received 3 stars. This does make resource farming much quicker, but this also means that your stamina will disappear faster than ice in a desert. Coupled with the fact that the battle stages don’t really have much interaction or strategy for a good portion of the beginning of the game, there’s no real replay value in trying for older stages unless they have the resource you want to farm.

I guess I can let this pass since interaction isn’t what’s really marketed, but it IS important to keep your audience logging in and eager to play. At Level 40-ish, my current stamina cap is around 70. WIth the average stamina cost of a regular stage being 5 AP, and the hard stages being 8. This means you’ve got 14 normal stages and less than 10 hard stages in a full bar of stamina. Assuming I log in twice a day to get the bonus AP, that’s really not a lot of stamina to work with and just enough to maybe get through my dailies. 

Having that little stamina makes farming resources exceptionally difficult especially for the high requirements needed once you get about half-way through a devil tree. Add that to dealing with farming event points almost constantly, with your limited stamina pool, you’re pretty much forced to purchase extra stamina to meet the requirements to finish said events to get the rewards. Assuming you spend all of your daily Devil Point reward on Stamina, that’s only 180 stamina a day which makes for a really tight run IF you’re aiming to get everything in an event. 

ADDITIONALLY, this is also the fact that events and new lessons don’t seem to be announced prior to them dropping. Almost every gacha  game I’ve played before will give you a few days notice before an event drops whether it be via Social media or through in-game mail. This is to mainly generate excitement and allows players some time to prepare, whether it be hoarding what stamina refreshes they have or saving premium currency for gachas to hopefully get the chase card/unit that they’re looking for. Not being able to prepare makes it difficult to stay engaged considering you CONSTANTLY have to have resources/stamina to partake in all the events and you can’t plan accordingly.

AK announcing the current event two days prior to it starting in game and on twitter:

AL’s announcement on the 12th, almost a week prior to it starting. Maintenance was on the 17th when the game reset.. (In game notices update regularly and I don’t have a screenshot of what it would look like since maintenance has already passed.)

OM! basically giving people on twitter about 24 hours notice of a new event dropping followed by announcing that the new lessons are available on the day it drops:

I understand that OM! Devs may want to keep the new cards a surprise to players. If stats and skills played a more prominent role in the game, maybe there would be a better way to tease these events to build up hype. As of right now though, it feels like a surprise slap in the face to force players to purchase currency in order to maintain that stamina requirement. IF Solmare is adamant about having back-to-back events, at least provide players with a roadmap or a calendar so they can pick and choose what’s important to them.

Just… Don’t let it become like the FEH calendar…

Please, do not let it become like this.

In my opinion, it feels like OM! Has a bit of an identity crisis. It sorely wants to bank on the money making powers of a gacha game while also clinging to the claim that they’re an otome game revolving around the plot. It’s hard to really promote the plot when it’s locked behind a power requirement that a majority of players will not be able to reach.

With how difficult it is at the end game, players are most likely going to look for transcripts or screenshots of new lessons instead of playing the main storyline in order to save what little they have for the constant limited events. Either give the players time to recoup resources to prepare for your events so they can pull for all your new cards or lower the difficulty cap to give players the story you’re emphasizing so much. 

Tl;dr: back-to-back events will burn out players and not announcing them prior does not allow players to prepare resources, forcing them to drop money on the game. The amount of stamina it takes to complete an event AND level your cards does not make it f2p friendly.

GACHA RATES AND PITY SYSTEM:

Call me spoiled, but I feel like OM! ‘S banner rates are too low. Consider the following image for the current banner pool:

That’s a combined 1% to get your UR and that’s still not going to be guaranteed to get what you want. Consider the following rates from other games:

Azur Lane:

(Ultra Rare was a new rarity that was added with this new banner. Before that the highest rarity you could pull is a Super Rare)

Arknights: 

Fire Emblem Heroes: 

Final Fantasy Brave Exvius: War of the Visions

For a game that’s always introducing new cards, you’d think that OM! Would maybe consider raising those rates so people won’t be so heartbroken when they don’t have enough currency for a 10 pull. (Especially if they have been spending what Devil Points they have on stamina to complete event stages) Yes, a majority of banners have bigger pools and  the chance for a specific 6*/UR/SSR is ultimately lower; but considering in OM!, you have stories and characterization locked behind devilgrams connected to these cards, the rates are pitifully low. At least in the other games listed, the units/cards/operators/ships aren’t tied to stories. 

I will say, the pity system isn’t absolutely abysmal. Keep in mind though, this is based on the assumption that you’ve saved up for 100 pulls. Considering how difficult it is to save that much currency while being f2p 100 pulls per banner is a tall order and impossible without the help of goldie or somethin. The frequency of new cards along with the difficulty obtaining gacha currency creates an extremely predatory model of currency purchase. With no guarantee of when event banners will be rerun, you’re pretty SOL if you make it half way through this pity system and you’re sitting on shards you can’t use. 

Players will get tired of this model mega fast. Especially with these kinds of rates. Assuming that your luck is the worst on earth, you need 2,700 Devil Points to reach the pity breaker. That’s more than two packs worth of Devil Points. So we’re looking at over $160.00 USD to get a guaranteed UR. Seeing as new banners come what feels like every two weeks or so, you’re looking at over $300.00 USD a month JUST for the gacha. If OM! Was purely a gacha game without such a heavy emphasis on the characters and the stories/scenarios they unlock, I might be able to overlook it. However, since the cards themselves unlock cheats for events and outfits and devilgram scenarios, that’s a steep price to pay, so I kinda just have to say… Yikes.

Tl;Dr: For a game that has so much content tied to limited cards and events, gacha rates for OM! Feel too low. Pity system is average as long as you have the currency to complete all 100 pulls. The reason to purchase premium currency is predatory and likely will not be sustainable in the long run. 

MONTHLY PACKS AND PREMIUM CURRENCY

So, we can agree that if you don’t have some cash on hand, it’s not going to be a real fun time to play OM! So, where do you spend your money? Let’s take a look at what they offer in terms of premium currency and how far that will get you. It’s also almost 3AM here and I’m losing my patience and filter, so excuse me if I sound more angry here than in the rest of the post.

So, here’s the basic Devil Point Shop for reference: 

If we equate Devil Points to stamina, you’re looking at about 100 stamina per dollar you spend. But let’s be real, Solmare makes their money off of gacha and them pretty pngs ‘cause y’all want those spicy devilgrams and sweet outfits for your secretary.

To even get a 10 pull, you’re looking at $22.00 USD worth of premium currency. (Why they didn’t make the $19.99 pack a full 10 pull is BEYOND me tbh.) Now most gacha players that I know who are willing to go all in on a specific banner will want to spend a pack, which means they’ll go for the most expensive option as it is the most bang for your buck. That’s an $80.00 pack for approximately 4 10 pulls and some change. Let’s compare that to the price of some Originite Prime from AK: 

It takes approximately 33 OP for one 10 pull in AK. 1 OP = 180 Orundum (currency used for gacha) Keeping this in mind,  if you don’t count the first time purchase bonus, at first glance, it’s overall more expensive to purchase this currency SOLELY for gacha purposes.

Here are the packs offered for AL: 

If you’re using gems to purchase the cubes needed for the gacha, it takes about 600 gems for 1 10 pull. One pack will net you about 8 10 pulls. Out of all the models we’ve looked at, this is honestly the most value for your dollar specifically for gacha purposes.

Take into consideration what the premium currency is used for. As stated above, 1 DP = 10 stamina. 1 OP = 1 Full stamina refresh in AK, so that’s a pretty equivalent exchange rate. (I won’t go into the AL stamina and gacha system since it differs too much from OM! To really make a good comparison.)

But, what else can DP do? A quick glance under the “Items” tab in the shop, you’ll see that it can also purchase Keys to read your devilgram stories (integral to your gaming experience), Demon Vouchers for summoning, Glow Sticks to help you in battle (Integral to gameplay), and consumables for your Surprise Guests to raise intimacy (arguably connected to gameplay). Compare this to what you can purchase with your OP outside of summoning currency in AK: Furniture (cosmetic) and Skins (Cosmetic). That’s it. 

What I’m trying to say here is that Solmare has made DP the currency for so many things that affect the game itself. This subtly pressures the players to purchase DP in order to maintain the same quality of life that they might have experienced at the beginning of their gaming experience when the level ups came fast and when the rewards were plentiful for completing all the beginners quests.

“But wait!” you say. There’s ways to earn DP passively through dailies! You’re right! You’re given 18 DP per day for completing your dailies. That equates to 1 10 pull per 2 weeks if you’re diligent in keeping up with all your quests and log in daily. Comparatively, AK will give you 2,800 orundum per week for completing all your quests and the weekly annihilation runs, so just short of 1 full 10 pull in the game. However, AK gives you the specific currency used exclusively for gacha. This leaves your OP relatively free to be used for stamina refreshes, or you can hoard them for when new skins come out, or you can use a few to supplement your missing orundum for a banner pull.

Without knowing what could be coming up next in terms of events and banners, OM! Makes it very difficult for you to hold onto your DP due to the sheer stamina sink that events can be. Unless you’re really good at optimizing your resources, you’re likely going to be spending DP on things outside of gacha, making it difficult to save those 20 pulls in a month.

Tl:dr: DP is used for too many things that aid in gameplay which leaves less for gacha, forcing players to make a choice between moving forward in harder story stages or unlocking card specific stories.

Alright, but let’s say you don’t have enough for packs, but you still want to support a game. You don’t wanna whale ‘cause you got bills to pay, but maybe you’ve got enough to be a minnow or a very sad and small dolphin. For this, most people turn to those delicious monthly packs. Usually, the monthly packs or subscriptions are really a good bang for your buck. Usually, the bonuses that these packs provide will add up to a value that is much more than your initial investment in them. So, let’s look at what OM!, AK and AL offer, shall we? 

Let’s break down what the VIP gives you since there’s quite a bit and it’s presented in a less condensed format. So, at first glance, I have to ask… “VIP login bonus?” What does that even mean? When you look at the details the description is as follows:

I’m sorry, what? This vagueness will not help sell this pack to me. Most monthly packs will give you premium currency right away that is equivalent to the amount that you paid. You can see that both AK and AL list this and also let you know exactly what else you get for the next 30 days. There’s no vagueness in what these packs provide. 

Next thing to look at:

I’m sorry. What? I don’t understand why a max AP increase is the choice for a VIP perk here. This is banking on the fact that you’re going to be playing at max efficiency and will be under max stamina in order to take advantage of the refill timer giving you the extra AP. Why OM! Doesn’t just give you the stamina in your mail is beyond my comprehension. This is just saying “yeah, you could have more stamina if you’re playing this game and making sure you’re below your cap. I … no. Just why.

NEXT PERK: 

No. This is useless for higher level players. Perks should benefit all players, not just your new players that you’ve tricked into spending money ‘cause this pack is only $9.99 a month. I’m so angry at this I don’t want to look at this anymore. NEXT.

This is a fine perk. Paying for easier passive resources is fine. I don’t have anything to say.. Next.

Oh thank fuck. An actual good perk. Passively getting the harder to get resources which cuts down on your already limited farming? Hell yeah.  Also fine in my book. NEXT. 

“Spend money to spend more money! Because we know this monthly deal ain’t shit!” is all I’m getting out of this.

Finally, I need to talk about this: 

So… you’re telling me that for $10.00, I’m going to get $6.00 worth of DP and I won’t get the full value unless I STAY subscribed? If I cancel and then resubscribe, will that go back to 60 DP when I subscribe later? Why would you do this other than to give your players less than what they deserve? These packs are supposed to be designed to give you the value of your purchase and some extras as incentive to keep playing and coming back to pay. This just… as a first impression leaves a bitter taste in my mouth.

Also, let’s talk about the fact that you’re BILLED MONTHLY? Listen, I get that they’re trying to be ‘convenient’ so you can set this up and forget about it and reap the benefits, right? It’s about the same cost as a Netflix subscription, no big deal. But listen, that means they’re also banking on you to forget you even have this subscription if you’re a casual player and you’re going to continue to give them money Stop that Solmare. Bad.

I’m too tired to look at sales. Just as a quick glance. the discounts and deal are meh at best.

Tl:dr: Monthly pack is underwhelming and likely not worth it. Automatically being billed monthly is the worst thing I’ve seen all week and this was written in 2020. 

SOME SUGGESTIONS? IT’S NOT ALL BAD, I PROMISE.

So, how can Solmare improve? OM! Is honestly one of the most stylish otome games I’ve seen and has a lot of potential to continue growing its player base if the devs directed their energies in the right direction. Right now, OM! Suffers due to the fact that it’s trying to do too much in too little time. For a game that’s less than a year old, it’s pushed out enough content in the last three months to last six. Dialing back the gacha and collecting elements to focus on the story and a slower pace would really help, if you ask me. 

OM! Really needs to slow its roll. Events are losing their impact from being rolled out at such a quick pace on top of current pop quizzes, new lessons and banners. Every week I feel like I’m watching the more hardcore players yell at having too much to do when everything is layered on top of one another. This is not inherently a bad thing. Having a lot to do keeps the player base engaged and excited for your game.

The problem arises when you’re not giving your players any time to recover from events and just throw things at them all the time. Finding a good balance between events and downtime is difficult and it likely won’t happen overnight, but it would be nice to see them maybe give a week or two to really let the impact of events sink in and let players really find time to nurture or use the new cards/rewards they just got.

First step in the right direction would be giving more notice prior to events and lessons. Just something more than 24 hours before, or the day of. Not providing a notice makes it feel like these things are being rushed. 

If Solmare is adamant about keeping the pace it’s set up, then give us a roadmap or event calendar of when new lessons or pop quizzes are coming. They can keep the details of the lessons and quizzes limited until closer to the actual dates, but at least this will let players prioritize where they want to put their resources.

Gacha rates for URs being raised to 2% would likely make a reasonable difference. When so much story and cosmetic content is tied to a UR or SSR cards along with their frequency, it serves to likely benefit them to make it more accessible to players. Locking so much behind luck and a paywall makes it more obvious that they only care about the money that they can get from the diehard collectors in the game.

Make skins obtainable by DP. Stop locking them behind event cards. Allow players to have easier access to cosmetic features. It’s a less predatory model than what they’ve got right now. Granted, Lonely Devil has sort of helped this issue considering they’ve grouped event reruns all in one place to play at your leisure, and if I remember some of the event cards have skins tied to them. Still, just… idk sell the skin on its own. It makes more sense than to pray that you roll that UR with the one 10 pull you have. 

Make resources easier to obtain passively. I’m sure I sound like a broken record, but limited resources make this game difficult to enjoy. You’re barely through doing one thing to level up a card and you’re met with a giant wall of requirements for the next step. AL has commissions and the dorm, AK has the base. OM! Has Jobs, which gets you grimm and some items if you’re lucky, but it definitely needs expansion considering the power checkpoints late game.

Hell, just making some of those DP purchasable items actually farmable might help.

Get a publisher to work with you. I know Solmare has been around the block and this isn’t the first otome game they’ve made, but I definitely think working with a publisher who’s familiar with the ins and outs of a proper gacha helping them will benefit them. Having a publisher will help ensure that there’s adequate funding for the game to be as good as it can be. Not only that, you’re looking at a better social media presence which the player base can interact with and get more attached to.

 Literally, having a publisher could solve so many pacing and announcement issues since they would be in charge of when events come out and likely has a better eye on how players react. This way, Solmare can concentrate on making the content as quality as they can and not inundate people with a new lesson or event as soon as it’s done.

Tl:dr: Solmare, please get a proper publisher so they can help with quality control and balancing your game. Please. I’m begging you. You have so much going for you please don’t let this game die before it turns a year old.

Ok. it’s 4 AM and I spent most of the day writing this post. If you’ve made it this far, congrats and I’m sorry for being so rambly. I’m so sorry if none of this made any sense in the end.  I’m sure there are points that I’ve missed out on like stage replayability and a more engaging battle mode, and the lack of any sort of meta which makes the lower rarity cards you pull feel completely useless…  but uh… I can’t think anymore and I haven’t had time to farm in my horny ship girl game. Feel free to let me know your thoughts or discuss! 

Thanks for your time and I hope y’all have a good day. Happy romancing some demon boys!

[serpentsapple]

(This post includes major spoilers for The Grisha Trilogy and the Shades of Magic series.)

@dykeblight replied to our introductory post with the following:

alright bud since u decided to put this in the main tags of the books ur critiquing ur ready to hear my take on this. first of all the wording in this post is pretentious as hell and it bothered me all thru out reading it. second of all, let’s lay some shit down: the only books ive read discussed in this post are adsom and tgt, and while i agree that tgt isn’t the most radically feminist book series out there, i have to ask: why are u focused on women writing this? why is this post generalizing

horrible male authors but name dropping female ones? alinas journey was largely about her realizing that she could make her own choices. about her not needing to be queen or supreme ruler or some shit. about how she could literally settle down with the worlds most boring dude and still be happy. anyways, beyond that: adsom. first of all, whenever someone pulls the “not like other girls” card for lila, i have to pull the “she’s genderfluid” card. it wasn’t Explicitly stated in the series, and v

has expressed regret for that, so it’s probably going to be more obvious in the next series. also, adsom is very much a period piece. you couldn’t be a woman in the early nineteenth century doing what lila did without like, yknow, *not being a woman.* the threat she got on that first ship— a period piece! if it was a male author, then that’s gross. but it’s not, a woman wrote it! lila also proceeded to burn the whole goddamn ship down. sometimes authors don’t want to write traditionally feminine

characters!!! sometimes women want to write about what THEY can relate to! and ve schwab, as a queer woman, probably did that. so now we come back to the question of WHY are you calling out only female authors for this? you could have accomplished the same goal by just including books and authors that you deemed Respectable. not to be that bitch, but there was literally no reason for you to post this lmfao. i think we should first tackle the issue that is men having access to keyboards, and

maybe then we can broaden our horizons by critiquing everything women do thats decidedly not perfect.                            

We created this blog to discuss these topics, so we welcome other opinions and interpretations!

To reiterate our goal and perhaps clarify... male authors already receive enough publicity and analysis - to the point they eclipse, at times, their female peers, even when it comes to writing female characters. How wonderful of them to treat fictional women as fellow human beings! (How shameless of others to treat them as their personal sexual fantasy!) Yet we would like to hear what women have to say about themselves. It is why we focus exclusively on their works.

Furthermore, we believe these works as worthy of analysis as any text written by a man. And it is precisely because of this conviction - their books potentially as grandiose, as mediocre as any man’s - that we will not refrain from criticising them. To treat them differently would be implicitly agreeing with the notion they aren’t as intellectually engaging as men’s writings.

Moreover, we are not advocating for “feminist” books from women. In fact, we dislike this qualifier: too often misattributed, rarely useful, always commercial. We desire convincing female characters, as talented as they are flawed, as just as they can be immoral. Thus, while we have grown tired of uncreative, unnecessary sexism in fantasy, we are not expecting perfect little militants in every story. We expect to be moved and stunned, to be left inspired or reflecting on what we read.

I hope this has cleared up our intent with the blog. Now, for the specific series discussed...

While I could see this be Bardugo’s aim for Alina’s journey, I disagree with it being well executed. Narratively speaking, I do not think Alina was treated fairly and was able to make true choices. Throughout all three books, Alina remained unobservant and somewhat self-centered, never challenging the affirmations of others and instead regarding them as truth. Let’s take the example of the Darkling: she accepts his supposed initial good intentions and views him, to the very end, as some kind of lost and anguished “boy”. Yet that isn’t what the text shows - on the contrary, the Darkling is a hollow character that spent centuries sitting on his behind, doing nothing for his fellow Grisha. Alina is never given the chance to realise this and reevalute what happened to her.

Beyond this, I feel like Alina’s journey was contrived from the start. Bardugo does not allow her to see beyond the words of others, nor does she allow her to actually grow. Alina’s crush on Mal and her fixation on remaining with him - despite him disliking what she is! - stems from a child’s anxiety and solitude. Instead of becoming her own woman, making her own choices and yes, having to face losing relationships, Alina regresses to the safety of her childhood, powerless and normal, just like Mal. Let us remember that, to remain with him, she sealed her powers within herself, endangering her health! So symbolically, it is a slap in the face: just when she embraced her powers - meaning letting go of her fears, of Mal -, she loses it all and go back to square one.

This is why I don’t find Alina’s journey satisfying. Even if it hurts, I wish to see female characters confronted to their fears and their flaws, and grow from them*. That is not what we witnessed with Alina. And: why is it that female characters must be “depowered”? Why does the Darkling (and Ilya Morozova) get to keep his immense powers, must live with his guilt, yet Alina loses every and any scrap of magic? Why is she punished for her greed so much, when she hardly is the greediest? (This echoes also Genya’s “punishment”, so heavily tied to her being a beautiful woman and beauty being, in Bardugo’s world, a key quality for women. Nikolai’s monstruous transformation is cruel but never specifically targeted at his sex.)

Why is it female characters only whose “happy” ending involve going back to their boyfriend’s house, complete with potential children? In a fantasy world, is it the best we can offer to these characters? Why does “making her own choice” usually involve them being unambitious and - I am barely caricaturing - happy housewives? Where are the female characters being greedy, powerful to the point of madness, and fascinatingly ruthless? Where are the genius, the good but scheming inventors and princesses? Where are the female Darklings and the female Nikolais?

Yes, it may not be Alina’s story and that’s alright. But reading the story she received, I could not help wondering: is it truly her story, or is it her story in a narrative unfair to women?

As for Lila... what Schwab stated confusingly in interviews or twitter threads cannot be used to analyse the text itself, though it may help. In this case, it holds a very different perspective from what she may affirm outside of it, so let’s keep close to what she wrote.

I disagree that it is a period piece. Her series is firmly set in a fantasy version of our world, with four alternate but equally real Londons, and with interactions between them that differentiate her England from ours. She chose to keep this England similar to ours, so the departure from it could be obvious; she chose, again, to have Lila threatened with rape by sailors even in Red London, her full invention. She chose, still, to never mention the miserable reality of lots of poor women like Lila in our England - namely, prostitution. She picked what suited her, as authors do, yet could not come up with any other plot than sexual assault. That she is a woman does not excuse her utter lack of imagination on that front! I find the notion that female characters are condemned to sexual threats depressing, on top of insulting towards authors who still strive to be creative.

And this is all ignoring what Schwab forced her other female characters to endure, which is sexual slavery, somewhat coerced pregnancies and social isolation, plus being sexist caricatures and butchered so men could be sad about it. In that context, what is Schwab exactly saying about women, if even her heroine is misogynistic and desperately trying to escape this reality? If Lila isn’t a woman - which she is in the text, she never denies being one, she only affirms being different, meaning a full human being! -, does that mean women’s place is in caricature and distress and death? If she is, then must they reject their womanhood and deride other women to be in the spotlight?

And this is all, again, ignoring that Schwab who, yes, admitted wanting to write a female character she wished to see in fiction, that resembled her... had Lila’s whole development derailed in favour of male characters. Lila’s ambition and excessiveness vanished in a third book dedicated to temptation! Lila’s anger and recklessness receded in front of Holland, all so we could learn about his sad backstory. Which involved, as salt to the wound, the stereotypes of a greedy girlfriend and the ever failing mother Schwab is so fond of.

Our post never suggested that women should not write non traditionally feminine women. Rather, that would be quite refreshing! I would love to read about these women that we hardly see.

Is it what Schwab wrote, though? Lila indeed crossdresses and appears androgynous enough to sometimes pass as a man (not always, in a manner that is most convenient to the author). Yet: she constantly mocks other women for being vapid, gossiping, feminine, in a word weak. Yet: Schwab has her, in the second book, attend a ball dressed femininely and feeling insecure about it, all to state she is - quoting! - “not most girls” and have Kell, her love interest, compliments her. She has the happy tomboy reaffirmed as able to be feminine and beautiful that way! How is that not depressing for every woman and girl who never want to be feminine? Why did Schwab choose to have her in a dress instead of a suit, like Lila would probably have preferred? Why did Schwab choose to strictly divide women and men into two categories, dress-wearing and not-dress-wearing? Why is Lila alone in her plight as an androgynous woman? Why didn’t this fantasy world have women and men dressed in a way they felt comfortable with?

This isn’t a period piece. Schwab was free to make that choice... and she did not. I would add, too, that women in real life have always struggled and fought against misogyny. They were women and they were still complex human beings and they still tried to live as comfortably as they could. Sometimes they failed, yes, because society wouldn’t want them to. But women like Lila have existed, and behaved like her, and dressed like her, and dreamed as big as her. Why should not we expect as much of fiction, then?

Sidenote: I am especially critical of that awful “tomboy turns into a lady” trope that fandom will seize it and run. It is disheartening to see countless edits and fanarts of Lila depicting her as feminine instead of androgynous as she was written, and often in feminine clothing at that. So if even the narrative later ends up confirming it...

*Or perhaps spiral down, willingfully blind. Alina’s story isn’t supposed to be a tragedy, however, so this does not apply here.

(If you don’t mind, I would like to hear why you found the post’s wording pretentious?)

[rainydawgradioblog]

Rainy Dawg Radio’s Best of the 2010s!

ALBUMS

Palberta - Bye Bye Berta

Palberta is a band that somehow manages to scratch almost every musical itch I have. Nowhere else have I heard a band successfully hold three part harmonies over squeaky atonal guitar riffs and abstract drum thrashing. Although I wouldn’t categorize them as twee, noise rock, post-punk, indie pop, no-wave, or any other genre name for that matter, they distill everything I love from all these types of music and mush it into something beautifully stinky. In my eyes, their 2017 album Bye Bye Berta stands as the definitive statement of what Palberta’s all about. With 20 tracks clocking in at under half an hour, the album wastes no time on filler. Skronky punk riffs burst apart at the seams and a sweet little lo-fi love song comes out of the wreckage, only to be replaced by an abstract tape sample collage. The band also has an incomparable mastery over lyricism, as evidenced by such classics as Finish My Bread (Finish my finish my finish my bread, finish my finish my finish my bread, etc…) and Trick Ya (HEY! Don’t trick me, I’m gonna trick you! HEY! Don’t trick me, I’m gonna trick you!). Highlights include the endearingly ramshackle and stupid pretty “Honey, Baby” and their cover of “Stayin’ Alive” (Jenny’s eating burgers and everybody’s shakin’ and stayin’ alive!)

- Elliott Hansen

Alex G - DSU

Shit if you know me you know I live for that sad bastard indie music. That’s exactly what DSU does best. Probably my most played record of the 2010s, this album’s lo-fi indie rock overfloweth. The opener, After Ur Gone, is on the noisier side of the album’s spectrum along with the squealing guitar of Axesteel and Icehead (peep the scream vocals in his live performances), while songs like the instrumental Skipper exemplify why Frank Ocean tapped Alex for the Self Control riff on Blonde. The emotional core of the record, Sorry, gets right back to the Elliott Smith comparisons that we know and love: lyrics of trauma, drugs and apologies included. My favorite song is Harvey; it smacks me right in the younger brother emo spot, with “run my hands through his short black hair I say / ‘I love you Harvey I don’t care’”. While not as chaotic as House of Sugar, twangy as Rocket, or psychedelic as Beach Music, this record is Alex G comfort music at its finest.

- Max Bryla

Flying Lotus - Cosmogramma

Picture this: J Dilla, Madlib, and Aphex Twin all come together to create an album with little more than some old Coltrane records and an original Xbox at their disposal. The end result is like a trip through the universe. Yet the album comes from the mind of a single individual, who sits in the cockpit with a mischievous grin on his face: Steven Ellison, known professionally as Flying Lotus. The opening track, ‘Clock Catcher’, feels like Ellison slamming his foot onto the ignition so hard that it snaps out of place, shooting into the heavens at the speed of light before the listener can even strap in. Whirling through the stars, the rest of the album is the journey home from the expanse, often melancholic, often wondrous, always changing. From the punchy, off-kilter rhythms of tracks like ‘Nose Art’ and ‘Computer Face//Pure Being’ to the fat synth melodies of ‘Dance of the Pseudo Nymph’, ‘Recoiled’, and ‘Do The Astral Plane’, Flylo is always striking the listener from a different sonic vantage point. You can tell he’s having the time of his life with each of these songs, wanting to share every bit of it with our eardrums. After countless listens, I’m still finding new things about this album to appreciate. A complete masterpiece of cosmic epiphany fuel.

- Trey Marez

Ott. - Fairchildren

People throw so much music at me. And I remember this album was recommended to me back in high school, and I listened to it for the first time in zero-th period -- I think it was someone who went by the name “phryk” on IRC. And dang, it’s still such a good album! In what sense? It’s so well-mixed; that’s the first part. Secondly, it is just a wonderful listening experience from start to finish. If you need a good album of reggae, dub, electronic, here it is. One thing you shouldn’t do with this album: use it to test out speakers at Goodwill. The bass of this album was so good that I bought home a pair of speakers that turned out to be so bad.

- Koi Nil

Car Seat Headrest - Twin Fantasy

Bandcamp has been known for hosting some of our wildest dreams this decade, and when 2011 lobbed William Toledo’s first rendition of Twin Fantasy down my ears my life changed. Emotions are crushed to death in the back of parking lots, the lo-est of fi’s, and lyrics that trigger far and melancholy memories of the early 2010 zeitgeist swarmed with insecurity and Skype calls. The album is Toledo’s first cohesive piece, finally creating work with developed central themes, dedicating the first concept album of his life to falling in and consequently out of love. The album speaks as a mirror to itself, reflecting Will’s own joy and confusion towards falling conservatively and completely in love, until the sobering downward spiral back into isolation. I was only eleven when I let the album own me completely, and am only nineteen as I hold onto it for dear life. Twin Fantasy was never a perfect album, and Toledo recognized this as he re-released Twin Fantasy (Face to Face) in 2018, reinventing the album’s sound with a much higher fidelity, lyrical updates, and redone instrumentals that turn the original into an overture or prologue to be enjoyed separately for more context. Searing solos, cute doo-wop moments, sentimental lyrics, slap-happy drums, fish wearing business suits, dogs, coming out over Skype, smoking, not smoking, nice shoulders, waitresses, the Bible, the ghost of Mary Shelley’s frankenstein, cursive, they might be giant’s rip offs, not knowing SHIT about girls, stealing alcohol from our grandparents and grandparents, bruised shins, cults, fish, getting the spins, and being really really really sensitive to the sunlight. I’d fight for this album, listening to “Cute Thing” as I get RKO’d. Take the time to enjoy the ride, I wouldn’t miss it for the world. (It technically used to be a gay furry album, but now it’s techincally a straight trans furry album.)

- Cooper Houston

Sabaton - The Last Stand

Sabaton is every history teachers dream band. These Swedish power metallers educate the listener about the history of war by discussing various battles, conflicts, and figures. They do this through anthemic choruses, riffs that make your fist pump, and oddly enough synths that work surprisingly well. Since history interests me and I really like metal, Sabaton was pretty much made for me. This album will always have a soft spot in my heart and evoke fond memories as it was one of the first CDs I picked up after getting my license back in 2016. As I gained more independence and freedom as I approached adulthood, this was my soundtrack. This album lived in my CD player during this time as I listened to it over and over again, never once losing its replayability. Ranging from the American battalion that got lost in the Argonne Forest during WWI to Allied and Axis forces joining together to fight at the end of WWII, this album tells of various historical last stands. While this is certainly isn’t the best metal release of the decade, it’s still an extremely solid album. In this case, the sentimentality plays a larger role than anything. While it may not be found on any “Best Album of the Decade” lists, Sabaton’s The Last Stand will always hold a place in my heart and in my car’s CD player.

- Jack Irwin

CONCERTS

07/20/19: What the Heck? Fest @ Croatian Club, Anacortes, WA

Choosing a single favorite concert from the entire past decade seemed insurmountable until I decided to define it by the overall experience rather than exclusively the music. This past summer, I was lucky enough to be one out of barely over a hundred people at the first What the Heck? Fest in 8 years. The festival took place annually from 2001 to 2011, featuring PNW indie legends, K records icons, and all manner of dorky indie folk kids. WTH laid dormant until this past spring, when Phil Elverum (Mount Eerie) announced its return along with the revival of his long-dead initial moniker, the Microphones. I made the trip up from Seattle alone by train and bus, spent a little while wandering Anacortes (the Business was closed :( ) and made my way to the repurposed church which houses the Unknown and the Croatian Club. I ended up seated a few feet from Calvin Johnson in one direction and Kimya Dawson in another. I felt a little out of place at times, like a stranger in the middle of a 90s indie family reunion, but the atmosphere remained consistently welcoming. D+ opened the show, fronted by Bret Lunsford (formerly of Beat Happening), the founder and main organizer of WTH, and backed by Phil Elverum and Karl Blau, who played their own sets later in the night. K Records mainstays Lois and Mecca Normal were on next, delivering stripped down, socially-driven whisper punk/indie pop. Karl Blau led an outdoor sing-along and covered a Pounding Serfs song, who played the next set (their first in [a lot of?] years) for a total of two renditions of “Slightly Salted,” a song I could have listened to in every set that night. Phil hopped back onstage again alongside Lee Baggett to back Kyle Field from Little Wings, an indie-folk favorite of mine, with rambly half-nonsensical lyrics and plenty of soft strummed warm twangly guitars. Black Belt Eagle Scout delivered (comparatively) heavier sounds, coupling slow, soft sung melodies with fuzzed out shoegaze tones, building tension until the Microphones (Phil backed by Kyle, Karl, Lee and keyboardist Nicholas Krgovich) came out for the final set of the night. They opened with what I interpret as a 25-minute rendition of the then-unreleased Belief, which was later shortened to 7 and a half minutes as the opener to the new Mount Eerie record, Lost Wisdom pt. 2. Phil then played a handful of old Microphones tracks alone, including a version of The Glow pt. 2’s title track with reworked lyrics, as well as its closer, My Warm Blood, excerpts from the final Microphones album (confusingly titled Mount Eerie), and what I believe to be another unreleased song. I left with the most limited merch I’ve ever managed to snag: one of two Ziploc bags of lettuce with “the Microphones” and a small K records logo sharpied on the front. I felt bad eating my merch, but it sustained me through the cold Anacortes night as I wandered to and from poorly lit parks, killing time until my 4AM bus back to Seattle.

- Elliott Hansen

03/09/19: Clap Your Hands Say Yeah (Solo) @ Vermillion Gallery, Seattle WA

Was really not sure what to expect from this one going in, but CYHSY’s s/t from 2005 has always been one of my favorite records. I hadn’t ever been to Vermillion in Capitol Hill, but it was hosting CYHSY on a “living room tour”, where Alec Ournsworth (vox, guitar, harmonica[!]) hit tiny spaces around the country. Vermillion sat 40 at most, and I got to check out some cool local art in the space as well. Alec’s trademark voice that (according to p4k) sounds “as if someone were pressing his vocal cords to a fret board and bending them” which is pretty damn accurate. Amongst CYHSY’s greatest hits (In This Home On Ice and Cool Goddess in particular), he also covered Pixies and Tom Waits through lively and exciting banter. Great dude, great music, great venue. My favorite of the 2010’s for sure.

- Max Bryla

11/14/18: Milo @ Vera Project, Seattle, WA

Milo, and the ruby yacht house band are poetic alchemists that constantly dish out hefty servings of succulent syllables with each new release. Kenny Segal who does the beats for a few of Milo’s songs (and other hip hop artists) opened by transporting the crowd into the ethereal realm with a few classics from his album: happy little trees. Once Kenny Segal finished, Milo accompanied by the ruby yacht house band jumped on stage. I was close enough that I could make out Milo’s squirtle tattoo on his bicep and waited for his vivid and veracious vocabulary to leave me in a state of decapitation. Crispy, potato chip like static (a Milo-live signature) was consumed ferociously by the crowd as he hit us with one banger after another. About halfway through the set Milo dropped the mic and went off stage into the back room. The ruby yacht house band was left Milo-less; their beat lingering in the air, festering with each hit of the snare. Milo returned a while later, wielding a pair of tap dancing shoes in one hand and a ukulele in the other. He put on the tap dancing shoes on stage, everyone in the audience screaming with his return. Donned with the tap dancing shoes and positioning his ukulele on his chest; he began to dance. Holy shit he was good too. Strumming the uke and tap dancing away I was utterly mesmerized. My eyes glued to his performance. Suddenly, as if stricken by some divine intervention, Milo seized the ukulele by the neck and smashed it against the ground, splintering into a thousand pieces. After his destructive fit, he picked the microphone back up and whispered into it emotionlessly: “Think about that”. I did. The whole experience was transcendental and instantly triumphed as my greatest concert of the decade. You KNOW I snagged a sliver of uke on my way out.

- Rocky Schaefer

08/07/17: Metallica @ CenturyLink Field, Seattle, WA

While Metallica has had its ups and downs throughout their career, they do one thing well, and that is putting on a damn good live show. Metallica built the best line-up I have ever seen, given the popularity of the bands they chose. With them they took Avenged Sevenfold, who I greatly dislike but are still a huge band, and Gojira, one of the best modern death metal bands on the scene. The sheer size of this concert was absolutely and extremely inspiring as Metallica was able to fill up CenturyLink Field, a venue usually reserved for pop artists who draw in thousands of attendees. The amount of people that attended signaled to me that metal is far from dead. While this tour was in support of their newest album Hardwired to Self Destruct, Metallica made sure to incorporate classics into their setlist including “Seek and Destroy,” “For Whom the Bell Tolls,” and “Battery.” James, Robert, Kirk, and Lars delivered a killer concert will tight playing and outstanding individual performances. Being able to see my music hero, James Hetfield, play live was truly a special experience. The one thing that stood out during the performance were the visuals. Each song had a unique and individual video effect on the large screens behind the band which made each song special and memorable it its own way. While I wasn’t close to the stage by any means, the crowd interaction created a unique experience that made me feel much closer than I really was. This concert wasn’t just a concert, but also a life-changing experience. Seeing the band that truly got me into metal, the thing that I rest my individuality on, is something that defined the decade for me and will live with me forever.

- Jack Irwin

SONGS

“You Are Here” - Yo La Tengo

This one I don't think I can fully explain. By miles, this is my most played song of all time. It is the opener of Yo La Tengo’s 15th album, There’s A Riot Going On. The album, and song, starts with the meditative synth line that builds into a pulsing rhythm over the course of the first minute. The rhythm maintains through the rest of the song, as casual guitar strumming is added and another synth that doesn’t sound all that dissimilar to Jonny Greenwood’s Ondes Martenot. My favorite part of the song, though, are the drum fills of the latter half: they crash and roll like the ocean. With or without the title of the song, the audio conveys a degree of presentness and contentedness that I haven’t been able to find elsewhere quite yet. I’d recommend it.

[gaymafia]

I’m legitimately curious why people didn’t like the last Jedi? I saw it and thought it was okay? Is there something I missed or? Like it wasn’t great but it was passable?

ok so i wasnt gonna do this here bc nobody fucking asked but u asked so thank u but also strap in ur ready for a while ride

TLJ spoilers, obviously. also my issues are going to be numbered in no particular order bc my thoughts on this movie are so fucking scrambled but here we go

1. Kyle Ron. First of all fuck Ryeanne for making me see so many goddamn closeups of Adam Driver’s ugly ass face. I did not need to see all that he is so goddamn ugly especially that fucking shirtless scene where he looks like a block of pasty ass pale wood.

But for real, Kylo Ren. I don’t actually take issue with his existence, because Kyle really does excellently represent rich ass white boys who have everything handed to them but throw a hissy fit when they face the slightest adversity an throw tantrums all the time. It’s nice to see a villain that represents most people real-life nightmares instead of like, a Sexy Temptress or Old Evil Man or whatever. That being said, kyle is not given the villain’s treatment in this movie. if you cut out all the scenes where ryan is not actively sucking adam driver’s dick and jizzing all over himself over kyle’s angsty white boy angst, the movie has virtually no real plot (”oh no we are in space with no fuel, nobody is going to do anything except get mad at each other, miscommunicate, and deliberately make all the characters of color worthless while separating Finn and Poe bc fuck the gays”). So much of the movie is spent not just establishing how kyle became kyle (which is good! backstory for villains is good!), but trying to get us to like, sympathize with him? which is the shitty part. I dont care that Luke “”””tried to kill”’’’ (he didn’t) kyle. kyle had turned to the dark side before luke’s mistake. kyle had a million and one chances to change his mind from the start of TFA to the end of TLJ, and he never did. Kyle is an evil guy. We need one of those. He’s a great evil guy bc he’s got so many shitty qualities. But ryin doesnt want us to hate kyle, even tho hes the villain. why the fuck doesnt reean want us to hate kyle? bc rayan is also a shitty little man who thinks giving ur white boy a sob story makes him a sympathetic villain and sidelining ur characters of color will help.

also again the fucking shirtless scene what the shit man that was so gross

2. Will be broken down into A, B, C, etc. bc TLJ treats its characters of color like SHIT. 

2A. Finn. Finn gets put in a coma bc why would anyone want to write anything interesting for john boyega its not like hes the MOST BEAUTIFUL MAN and the MOST TALENTED ACTOR who is being sidelined bc ryun hates black people. Yeah Finn is totally into Rey and he wants to save her and is willing to desert the rebellion for her. that happened in the first movie but why give your characters real arcs when you can recycle old ones to jerk off to kyle ron. the rose thing happens, shes like “we can disable the tracking” and like TWO SECONDS after he was dead set on desertion he’s totally down to risk his life for the rebellion at rey’s expense? that sure is a quick 180 with no real reason why and no writing to explain it! then there was the whole “separate finn and poe” thing ryain pulled for the shits and giggles.

2B. Rose. I was pretty chill with Rose, she had a dope backstory, her sister was badass, and I liked that they made that connection off the bat. I’m not mad about anything rayn did with her character but i genuinely believe thats only because i havent thought about it enough yet. give me a week and i’ll figure out how rain fucked it up. open to suggestions.

2C. Poe. Full offense but was I supposed to be mad at Poe for coming up with a plan when that bitch Holdo was like “I’m not gonna tell you my plan sit tight and be convinced we are all going to die :)” i legitimately did not understand how I was supposed to be mad at poe for doing what he thought was best for the rebellion after he asked holdo what the plan was and she was deliberately obstinate and refused to even be like “dont worry i have a plan” she was just like. so dumb. Also poe got thrown around a lot and i am A Little Suspicious of how much physical violence he experienced compared to many other characters.

2D. You guessed what was next! The slaps! Super awesome how the two men of color were slapped by white people!!!! So deep!!!!!!! For real tho uh the second time i saw this movie someone in the audience laughed when poe got slapped by space hitler hux and uh??? not funny. not funny or cute or clever to use the guy you built your entire nazi imagery on to slap the one black man on your cast. i dont care if it was supposed to make us “hate hux” or whatever more. i already hated hux reyn. you could have used that screentime in your 3 fucking hour long movie for something valuable, like giving finn a character arc, or literally anything else besides that goddamn slap. i was livid watching that.

and then with leia and poe? i get that part of the conflict was internal in the resistance and one of the major themes was how failure is the best teacher and all that but like? maybe stop physically assaulting all your characters of color? maybe uhhhh at least think about that first??

2E. like i mentioned before one of the obvious themes was how failure is the best teacher so naturally all the major characters had to fail at something, and then learn from their mistake to be better next time. with luke it was fucking up with kyle, with rey it was being naive enough to think kyle could turn, with poe it was the dreadnaught thing, finn was left out of this because raan dooesn give a shit abt finn bc hes a racist bastard, etc. but it was incredibly transparent how all of the white characters’ mistakes meant either personal losses or something small scale with one person, while the mistakes of the characters of color (poe/finn/rose) were all ones that cost the rebellion the vast majority of their forces. rey got out of her fight with kyle and snoke unscathed. luke got a lot of guilt and character development. What did finn poe and rose get? the deaths of like 99% of the resistance on their shoulders. A little too coincidental that even though rey LITERALLY GAVE HERSELF OVER TO SNOKE she was totally fine a-ok no real scars, finn and poe and rose doing their best to save the rebellion while admiral holdo refuses to tell them anything costs the resistance so fucking much. rey does the DUMBEST FUCKING THING with no real consequences and finn and poe and rose try their best and are punished severely for it.

2F. Really convenient how everything finn, poe, and rose did ended up being useless and just cost the rebellion lives, whereas at least rey’s mishap got snoke killed and taught her a lesson. reeeeaaaalllllyyyyyy convenient how finn, poe, and rose’s plan was a huge waste of time. it would have been much better for us to see an actual plot line with them that contributed to the story and their characterizations instead of “send them on a goose chase, make it pointless in the end, physically brutalize them along the way.

3. R*yl* bullSHIT: ryyn had a really fun time with a lot of very rape-y scenes in this movie. the whole force-connection thing with kyle and rey was soooooo uncalled for, it reeked of non-con fantasies, catered to the r*yl*s like nothing ever before, and was so goddamn gross. the obvious invasion of privacy and lack of consent was nasty, using it as a shitty device to make rey “come around” on kyle was NASTY and that whole thing was nasty. i know im not articulating this well but there was so much about that whole thing that bothered me. i just know reyhan was so fucking into it, inserting kyle into rey’s life, forcing her to completely drop all of her characterization in the first movie to suddenly thing kyle can be good, acting as if rey hasnt seen all the shit and known what hes done. the whole thing was gross and a really obvious example of why men shouldn’t be allowed to direct movies.

4. killing snoke was a dumbass fucking mistake. kyle is a tantrum-throwing temper-losing toddler. snoke was evil and mysterious and shit idk. we knew he was powerful as fuck, he looked like a testicle which is a great villain imo, he was the darth sidious and they killed him off while kyle is still in like. ep2!Anakin levels of angst. i get that kyle is already powerful or whatever but like. hes not cold and calculated the way snoke was. kyle is a good villain, but a weak main baddie bc hes dumb as fuck. he let the rebellion get away bc he was pissed at luke. that was dumb as fuck. kyle is ruined by his emotions, and snoke was a scarier main baddie bc he wasnt so fucking dumb lol

5. it was so fucking long. there were so many scenes that could have been cut or shortened. why did we need to see luke milking the tiddy of that weird alien cow thing. why did we need to see kyle ron shirtless. why did we need so many goddamn shots of the fucking porgs.

6. ya the porgs are cute or whatever but like. that whole “look at how sad the cute big-eyes porg is when chewie is eating his friend” thing was so dumb. i dunno why but i hated that the most. that was the worst thing the porgs did. they were cute but like chill disney u know they like ran algorithm after algorithm to make that porg the cutest it could be with science or some bullshit and like? thats dumb.

7. i get that the humor in star wars movies is shifting but i felt like there was too much of it and it was dumb. a lot of the riffs werent funny and there were too many of them for a star wars film. star wars usually doesnt take itself too seriously, but this one was a little too much for me.

8. there were too many plot twists for shock value. the story went on too long. it should have ended earlier but it didnt. i dont know why ryenn decided to have like 6 different climaxes but it was too much. should have let there be one climax buddy. thats it.

9. holdo. besides holdo being the white feminist icon why didnt she just fucking tell poe the plan. why. why was so deliberately obstinate when it was doing no good. like yeah of course poe sent out a crew to try to save the rebellion all u told him to shut up and let you handle it! obvously what she did in the end was badass or whatever but like uh hun next time dont be a piece of shit and then get mad when people react to you being a piece of shit. i would have been okay with all that happening if holdo wasnt treated like some hero who never made any mistakes. she did make a mistake, and that was refusing to tell poe what her plan was when she knew he was absolutely the type to do whatever he could to save the rebellion whether he had her permission or not. also apparently holdo is a lesbian or bi or not straight or something in like the comics or whatever and like 1. classic bury ur gays but also 2. no more word of god gay characters if a character is not gay in the movies i will not give you the gay cred for it sorry homophobes

10. i didnt buy the story w luke and kyle at lukes jedi training facility or whatever. surprisingly, i was ok with lukes story line and character development, and actually agreed with it for the most part, but i just like. i dunno i didnt feel like that was something luke would do. not because luke is infallible (even tho he is my gay dad who has never done anything wrong ever) but because the entire original trilogy is luke believing darth vader could be saved. and while im not opposed to luke changing his mind about whether or not everyone could be turned away from the dark side (luke was young and optimistic in the original trilogy, and as he grew older he would learn more about the jedi and their history like the whole speech he gave rey about how the jedi have to end bc theyre lowkey shitty). i actually kind of liked luke’s hot take on the jedi, because it was lowkey my hot take on the jedi (esp the prequels jedi who were shitty as Fuuuuuck but we are ignoring the prequels for now lbr) but also because i could believe it was a view luke would come to as he aged. but impulsively drawing his lightsaber to kill kyle before he had actually done anything bad, after suspecting that kyle had darkness in him for a while, even though he felt like he had failed? it just didnt feel like luke to me. i felt more like raeyn had chosen that particular backstory to try to make kyle a more sympathetic villain rather than give a believable and in-character back story for the characters. i understand that luke’s failure ultimately has to lead to the creation of kyle ron in this story line, but that didnt feel like the right failure to me. maybe this is just me being nitpicky but that felt off to me too and i dont know if i can quite pinpoint why.

11. rey was a dumbass fucking bitch in this movie. rey could not be a dumbass fucking bitch to survive as a scavenger who was orphaned at birth on jakku. rey would have had to be smart and not as fucking DUMB as she was in this movie. now im getting heated so i cant articulate this well but she just did so many dumb things that anybody who had to raise themselves would have never done. she would never have delivered herself over to kyle ron like what a dumb fucking idea. who wrote this goddamn movie. fuck u ryeen.

12. why did yoda come back as a force ghost. where is anakins force ghost. he would be so fucking pissed at kyle right now. he would be mad as hell. he would have ended this thing. he would have called kyle out like the shitdickbitch he is and put him in his place. i get that yoda is more like ancient and orginal star wars jedi knowledge shit or whatever and like more of an authority on the jedi but like anakin is off in like force ghost hawaii drinking force ghost martinis while his shitty fucking grandson is being a piece of shit?? nah man anakin would have shut that shit down they better bring him back for ep IX and i expect hayden christensen himself to show up to bitch at kyle about what a fucking dumbass he is.

tbh theres probably more like i know there’s a ton of little things i hated but as scathing as this review is there were things i liked. visually speaking it was a very beautiful movie when we werent getting atrocious close ups of adam drivers ugly ass face. i originally hated but have come to appreciate the darker tone, since it mirrors the mood of TESB in that the rebellion seems dead but obviously isnt bc this is star wars. i liked luke. i dunno. i had a lot of issues with the movie obviously. to be quite honest i cant actually think of anything else i liked atm which is telling.

anyway if anybody actually reads this long ass fucking post feel free to respond with what you hated abt TLJ