#what a sentence but i think it works grammatically
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crazy how almost all of my mutuals’ mutuals who aren’t also my mutuals have me blocked
even crazier is that i was gone for literally 2 years and havent been back a month yet
#what a sentence but i think it works grammatically#i also havent even said anything actually controversial yet
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more!! again!! for the nico after blood of olympus fic!! actually I thought of this while writing the last one but I just finished it.
His elbows buckle and he lets himself fall into Will, snorting at his theatrical groan under the weight. They lay there for a second until Will shoves him gently, and Nico lets him manoeuvre them into a more comfortable position.
"Hi," he whispers, moving a curl away from his cheek. The greenish tint of the loft window casts a weird shadow over Will's face.
"Hey yourself," Will murmurs back, winking.
Nico rolls his eyes. "You look like Apollo when you do that. Please stop." Will squawks in protest.
"I do not! Also, since when do you remember what Apollo looks like? Actually, no, don't answer that, you can't bring up my dad while we're in bed, Nico, why would you do this to me?"
Now it's Nico's turn to sputter and whack Will in the chest - getting another dramatic oof and a laugh in return - before turning around to face Hazel's bed. He's not sure when he'll ever be able to sleep facing the wall. Will can't do it either.
As Will's arms curl around his waist and draw him back against him, just like they did back in the infirmary that one day, he thinks maybe he'd be okay trying that with him sometime. One day, in a house with gates, no longer wary of monsters.
Will noses the back of his neck, causing him to twitch. "What is it?"
Will's answering smile presses through the rough cotton of his t-shirt. "Nothing, sunshine."
Nico frowns under the covers. "Hey, what do you think of houses with gates?" He whispers.
"Gates? Well, it'd be safer, I guess, but we'd lose the neighbours coming over -"
"As if you want to see random people at the door anyway. What if they're monsters?"
"Oh, come on, darlin', I'm from Austin. Of course I gotta keep space for the neighbours to come knocking."
"…Fences? Actually, hey, why'd you assume I was talking about us? Obviously - Obviously I was talking about random. Random houses. For architecture reasons."
Will muffles his laugh into the back of his neck, again. "Oh, my bad. And I'm only here because you ripped a stitch on the lava wall yesterday."
Nico feels his ears warm.
"Shut up."
"I didn't say anything."
"..Still."
Will reels him in closer until his back hits his chest and he can press a soft peck to Nico's still-red ears. "I think a fence is a great idea, by the way. We could ask Hazel for help with some ward stones too, like you have in the cabin. Gotta make sure we've got at least one window and standing space in every direction, though, or at least in the east, because you know my dad would sulk if he didn't get to scream me awake in the morning."
Nico's blush gets worse.
"Now who's talking about your dad in bed?" He gives up on pretending. Will sees him through every time, anyway. "Also, shrines, obviously, and we need a spot to stargaze."
"Yeah, shrines, obviously. Maybe just yours, mine, and Lady Hestia's though, or else everyone else is gonna get pissy."
Nico barks out a laugh like it's shocked out of him. "Pissy? Don't let them hear you say that."
Will holds him tighter and settles against the pillows. "Sure thing, sunshine. Now can we sleep?"
"Yeah, yeah."
It's not long after that that Will's breath evens out behind him, his muscles untensing. Nico knows he's got a few minutes yet, so he thinks.
Today was…. good.
Today was nice. Normal, even. Just a day of camp schedules, working in the infirmary, an admittedly short campfire, and this. No monsters, and no mistakes. No deaths, but..
Unbidden, the moments in the infirmary come to mind. He thinks of helping Will scrub in for his one surgery of the day, a kid that had gotten parts of an arrow stuck in their leg a week ago and hadn't noticed til yesterday. He thinks of yesterday during capture-the-flag, stepping in and desperately trying to copy what he'd watched Will do, because Lydia was hanging crooked from a tree and there was no one else around but him-
He thinks of Patroclus tying the straps of Achilles' armour, watching his lover sleep peacefully. He thinks of what Connor had told him about at the campfire weeks ago, of Silena Beauregard taking on a drakon when Clarisse declared the Ares Cabin wouldn't be fighting.
He thinks he might understand.
Lydia wasn't the same (thank the gods), but if there was something to be done that only Will could do right, yet couldn't, and the only way Nico could take up his mantle would be to die trying - then, yeah. He'd do whatever it would take for these kids. To do what Will would do. He's gone to Tartarus already, hasn't he? At worst, he'd try his best and greet his father early if he failed to survive. Nico could even give Charon a tip on the way in for the hell of it, why not?
If there is a luxury that comes from being a child of Hades, after all, it is that dying is not the thing that scares him.
There's a brazier still lit outside the window. Its glow falls in slits across their bed.
Will grumbles, pushing his feet forward until their ankles are wound together. The sheets shift.
Nico smiles into the dark, into the chirping of crickets and the soft glow of the fireflies out the window, and falls asleep.
more for this fic:
scene 0 - prologue-ish scene 1 - the library of social awkwardness or here (or in my heart, 'kidney function is not a right, it's a privilege' lol)
general writing directory
also lmk if you want more lore. I am so down to talk about this fic + the worldbuilding ideas I have for it in the notes it is unreal
#writing process#nico di angelo trying to make friends#when the characters start doing their own thing and you're just along for the ride#would y'all help me choose a fic title if I asked?#will solace#toying with a chb fic about nico and grief and what three days in the infirmary actually looks like#plus my healthy nico agenda and a healthy dose of solangelo obv#nico di angelo#riordanverse#pjo fic#worldbuilding my beloved#they're teenagers your honour#I loved writing this scene TT#maybe a timeskip idk#solangelo#solangelo fic#pjo#hmmmmMMMMMMM you tell me which cabin lydia is from#she's like less than 14#lydia morrin is a young sweet spunky child that thinks she's a genius (like we all did) with a companion lack-of-confidence a mile wide#gotta say i am LOVING this new writing technique i am trying out with just writing scenes as I go#and creating this story trail I can actually trace and work with bc i have smth on the page now#like just from this I already have three more scenes I could write and I love it#thw you're writing and the sentences sounds a bit off grammatically but every other option you can see is so much worse
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Do…. Do people actually have an issue with stuff being written in present tense?
#I’ve heard of POV preference but seeing all these posts about how much people dislike present tense#maybe I’m just not an observant reader but I can count the number of times I’ve actively noted a book/fic’s tense on one hand#and almost always it was because I liked how it worked with the author’s writing style#you’re telling me people will consider dropping something JUST because it’s in present tense??#genuinely can someone explain this to me?#I know some people don’t like first person pov because it feels too close and ‘I’ didn’t do anything. the character did#(I don’t really see it that way and don’t mind first person though I prefer third person)#and second person pov is rare and people don’t like it for the same reasons (being told what they as a reader ‘did’)#(I personally like second person pov a LOT but also prefer it to be a little treat actually suited to the story)#but verb tense?? as long as it all works grammatically I don’t see an issue#a lot of the examples I see of how present tense doesn’t work is showing two paragraphs side by side in the past and present#and I will agree that the present reads worse comparatively#but also it’s because the sentences were obviously (at least imo) written and structured for past tense first#and then ‘translated’ to present tense if that makes sense#I personally like how present tense lets me play with my sentences#but also I know that when I play with time and have a character recount past events within their own internal musings I switch tense#which I would think is allowed?? but maybe that’s bad form and I’m proving the point why past tense is ‘superior’#(I don’t really care for fic writing purposes as long as it flows and isn’t distracting but who’s to say)#anyways this was long but yeah. genuinely curious about this one#white weasel talks#tbd probs
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first fall of snow
how spencer guesses you're pregnant before you actually tell him
fluff word count: 1390 warnings & tags & stuff: pregnant reader, slight issues with mother mentioned?, non-graphic vomiting, mentions/allusions to winter holidays being celebrated, kinda spencer's pov but still 2nd pov, reader is scared spencer will leave her lol, anxious!reader in general, mentions of death?, probably medical inaccuracies ive never been pregnant author's note: hiiii i'm forcing myself to post this because if i don't then i'll never post and i'm being BRAVE. i hope it can be a little comforting maybe. i've realllyyyy been struggling with my take on spencer's characterization lately soo this was kinda like a bootcamp/exercise situation into his mind and less an expression of my writing skills, iykwim. let me know your thoughts if u have any! i love you & have a splendid day!!
Spencer is walking—speed walking—toward his car, away from the case he just finished, away from serial killers and guns and geographical profiling and death.
He places his feet carefully on the snow-covered sidewalk with each step, the cold air biting at his face. He barely notices it, absorbed in the path ahead, as the snow provides a satisfying crunch underfoot—a nice background to his perpetually racing mind.
He doesn’t like the winter. It’s always too harsh outdoors, and too stuffy indoors, and he’s trapped in a suffocating haze no matter where he goes.
His phone starts to vibrate gently in his pocket, interrupting his racing thoughts for a split second. His pace falters as he pulls it free, a quick smile tugging at the corner of his lips when he sees it’s your name on the screen.
“Hi. How are you?” he asks after picking up, watching his breath come out in puffs of vapor in the cold air.
Winters, however, have gotten progressively better each year he spends with you.
“...I’m okay,” you say, though the crack in your voice reveals the all-consuming ache in your bones and mind.
“No. You’re overwhelmed,” he guesses in his matter-of-fact way, voice gentle. You huff out a soft laugh at his ability to read you, never getting old.
“Yeah, I guess. A little. The holiday season, you know. Are you on your way home?” you ask, voice softer now. You’re sitting on the couch of yours and Spencer’s cozy apartment, wrestling with a blanket to cover your lap, and bouncing your leg relentlessly.
“I’m walking to the car now. Hey, have you done the crossword today?” Spencer asks, words a familiar, tender remedy for your nerves. You told him a long time ago that hearing his voice makes you feel better, and there are times, like these, where he just knows it’s what you need. You rest our head on the arm of the couch, curling up.
“No, I didn’t have the time. Why?”
“There was an interesting question about causes of death in Shakespeare plays, but they completely messed up the part of speech. It read, ‘Popular ways to die by the hands of England’s national poet’. I thought it was ‘poisons’ at first, but it was actually ‘stabbed’, even though the correct answer grammatically should’ve been ‘stabs’ or ‘stabbings’,” he says, his car now in sight through the steady sprinkle of snow coming down. “Do you think I should send an email to let them know? I guess stabbing does make more sense, though, versus poison, because throughout his works, thirty characters out of his 74 that died were stabbed compared to only four that were poisoned. Three were stabbed and poisoned. Did you know that two were actually baked into pies, which is a-”
“Oh my god, the pie,” you groan, cutting him off mid-sentence, sitting up hastily, the blanket falling to the floor.
“Pie?”
“Yeah. My mom coerced me into making it to bring tomorrow.” You pad over to the kitchen and crouch down to peek through the hazy glass of the oven, inspecting it. “Oh,” you murmur. “It’s…not pretty.”
He sandwiches the phone in between his ear and shoulder, gently opening the door to his car to sit down as he listens to you. He turns the heat on, exhaling in an exhausted relief, hovering his hand over where the air comes out.
“Can you tell me what it looks like? Maybe I can help,” he suggests, leaning back against the headrest and letting his eyes close for a second. You put the phone on speaker, setting it on the counter as you bend down to take it out. “Don’t burn yourself,” he adds, hearing what you’re doing.
“I’m not going to burn my-” you cut yourself off with a huff. “Whatever. It’s just really messy. There’s like… liquid overflowing where the lattice should be.”
He hums. “How long has it been cooking for?”
“45 minutes. My mom sent me this one ancient recipe that I had to use written on parchment paper from like 70 years ago, and it does not have a bake time listed, so I’m just eyeballing it.”
“Okay. You could either put it back in the oven in hopes that more of the liquid will evaporate, or you can leave it out to cool down and hopefully thicken,” he says.
“What do you think I should do?”
“I think you sound exhausted and need your sleep.”
You sigh, staring at your mess of a pie, hopes that you’ll appease your mother this year slipping further and further away, soon to be completely buried by the snow.
“Hey. I’m sure it’ll taste really good. Besides, people still liked Shakespeare, and he wrote about much worse pies than you could ever make.”
A smile pulls at your lips.
“Yeah. Okay. I’ll just leave it out to cool and head to bed. Will you stay on the phone a little longer?” you ask, padding over to your shared bedroom.
“Of course.”
He doesn’t start driving as you talk, not when nearly 2000 people die per year due to driving on icy roads, and two thirds of them were people who were reported to not be paying close enough attention.
And especially not when 54 hours ago on your last phone call, he noticed a drastic shift in your behavior, and was quickly able to tell that you were pregnant.
He had too much waiting for him at home to be spinning out on black ice because he was talking to you and not watching the road.
He chooses instead to look outside at the falling snow, blanketing the city, his city, the very first for D.C. to have this winter out of the septillion snowflakes planet earth receives each year.
…
Spencer gets home a little later that night, holding another pint of cherries in his hands. Not for the pie—which he turns to see resting on the stove and winces slightly at—but for you.
Cherries, with their 342 mg of potassium per cup, help replenish lost electrolytes and can soothe nausea.
He’s expecting it to start any day now.
He quietly steps into the bedroom, setting his bag by the door to be dealt with tomorrow. The soft glow of the lamp that was left on, presumably for him by your endlessly considerate heart, provides just enough light so he can get changed. He then finally clambers into bed next to you, one hand reaching out to lace in your hair, moving his fingers to gently scratch by the nape of your neck. He lifts the other to rest, like you're made of a delicate china, on your lower stomach, sighing in pure relief the second it makes contact.
You turn sleepily, humming when you’re met with the sight of him. “Spence,” you murmur, contented.
“Hi. I really didn’t mean to wake you up. I’m sorry,” he says, so quietly.
“I'm glad you did. I like it when you wake me.” You tuck yourself closer to him. “I love you.” His hand comes to trace gentle patterns all over your back and arm, and he gives you a little kiss, adoringly.
“Go back to sleep. I love you.”
You let your eyes shut once again, this time much easier now that he’s with you. You inhale his scent, which you swear could repair anything broken or lost in this world. You exhale, wondering if he’d still hold you the same way after learning that you’re carrying his child.
It’s a scary thought, but you’re comforted by his warm touch, pushing you farther out into the deep sea of sleep.
Once your breaths get steady and your mouth parts slightly, he adds, in a whisper, “Both.”
…
The next morning, when you’re hunched over the toilet bowl, Spencer is there with you, rubbing your back and wiping your teary eyes. You look up to him after brushing your teeth, and no words are exchanged. He tugs you into his arms, silently quelling any of the countless anxieties swarming your mind, at least in this moment.
His hand comes up to tuck a strand of hair behind your ear. He lets it rest there, cupping your jaw.
“Let’s go shopping after breakfast today, okay? You need prenatal vitamins.” He presses a soft kiss to your forehead.
“And a new pie.”
#spencer reid#spencer reid x reader#spencer reid x fem!reader#criminal minds#criminal minds x reader#spencer reid fluff#spencer reid imagine#fanfic#piper’s works
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90% of the time when i see reviews and posts saying "this book needed editing" i don't think the reader have any idea what editing actually entails. usually this is actually code for one of several "problems" with the book:
it's too long, or it's slower paced than this reader's preference. they believe "editing" would mean making it shorter
it has a heavily descriptive style, which the reader doesn't like. they believe "editing" means paring every sentence down to hemingway-style prose with no adverbs
it doesn't follow the very rigid "save the cat" style 3-act story structure, disrupting the reader's sense of narrative tension. an editor, they believe, would've made sure it did
there were a few typos or formatting errors, and they believe it's the editor's job to catch these (it's not, it's typically the proofreader and the typesetter who have responsibility for that kind of thing)
and finally, most often:
the author had different narrative priorities than the reader, who thinks an editor would have made the author change their priorities.
the thing is, there are actually issues with editors in trad publishing being overworked to the point where things aren't getting the thorough, thoughtful editing that they need to be the best version of themselves. there are plenty of badly-structured, poorly-researched, and clumsily written books out there. moreover copyediting is typically freelance and perhaps because of that, this is the area where i see the largest number of issues: continuity issues, grammar issues, factual errors etc that someone should've spotted and didn't.
but this is not typically what people's "this needed an editor" reviews are focusing on. most often it just means they didn't like the book and they've decided editing is an all-powerful force that would have transformed it into a book they liked. but that's not how it works. and disproportionately what this comment means is that the book doesn't match what current fashions have decided is The Correct Style to write in
"this book needed an editor" if it's traditionally published, it had one. like. by definition. it was an editor who bought the book. that doesn't mean the editor did a great job but they definitely existed. there were probably at least two (acquiring editor who does the dev edits; copyeditor who does copyedits), and the proofreader, and a bunch of other people besides.
also i think people think editors are the ones who like. implement the changes. but they don't. they give comments and recommendations and ask questions and the author is the one to act on them. the editor will not rewrite the book. they will not fix the problems themselves, they will highlight the problem and the author will figure out a fix for it, or they will decide they don't agree that it's a problem and leave it as it. and a lot of the sentence-level style stuff is entirely on the author so if they don't have an ear for the rhythm then nobody's going to fix that for them. editors do a lot less than people seem to imagine they do, tbh
anyway
for reference—
structural/developmental edits: is this chapter in the right place and does the plot make sense and is the characterisation consistent and effective
line edits: is this sentence in the right place and is it as stylish as it could be
copy edits: is this sentence grammatically correct and consistent/factually correct within the story/its world and do the spellings follow the publisher's stylesheet
proofreading: are there any typos in this sentence and was the formatting preserved correctly when it was typeset
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in the club just doing this to everyone's conversations I overhear
guys be honest. in another life would you diagram sentences with me
#sats speaks#grammar#QUITE GENUINELY I think doing this in school was extremely beneficial in teaching me how sentences work#what parts are essential grammatically and which ones are non-load-bearing fluff#but i also was known 2 have fun with it#English
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Whatever you're trying to do right now, you don't have to do it alone.
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Happy New Year's Eve, Slay the Princess community!
A long, long message and credits to the designs are under the cut.
[Please excuse any awkward sentences, weird repetitions, and grammatical mistakes, I've been awake for 20 hours or so]
I cannot describe how much joy I feel right now, finally getting this drawing done. I feel nothing but joy when I think about Slay the Princess, and I feel nothing but pure adoration when I think about and spend time in this community. This game and this community truly brought a lot of happiness to me and made this otherwise unremarkable, maybe even depressing, year that much brighter. I wish I had more and better words to describe what I'm feeling right now! Genuinely, I don't have words to describe how much gratitude I feel right now.
And so for my final piece of 2024, I wanted to make a thank you drawing to this community and hopefully express the fraction of love and gratitude I feel right now. And I decided to make that drawing a group photo of 30 different Heroes! It ended up being 29 Heroes and one Opportunist, but I promise there is a reason for that-
If I had more time and energy, I would've included even more people, there are so many skilled artists, writers, and wonderful people in general who ended up excluded, especially due to this drawing being a voice-centered piece. But I'm glad I at least get to highlight some of the wonderful creators and artists in this community! Please check them out and support their work! They are all amazing <3
If you wanted to know who is the author behind each design, I made an annotated version! Sorry if the text is too small, I tried my best to write it as large as I could T-T
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Now onto the message to the people in the drawing:
First! I sincerely apologize if I missed some details with your Hero design, or if I used an outdated version of it. I wanted to keep this a surprise, and for some of these, I had to dive into the depths of Tumblr to find (hopefully) relevant references. And yes, if you've received a DM from me about your Hero in the past few weeks or so, this project was the reason why! And if you've received an anonymous ask about your Hero, there is a quite good chance it was from me, too <3
And second! I have a message for each and every one of you:
@acethekenku: Your designs are so well-made and awesome! Especially adore your Broken and Contrarian, there's something about them that just immediately catches my eye! Your Contrarian's fashion and DIY skills are also immaculate :]
@artificial-radiance: Your art is absolutely wonderful, whether it's Slay the Princess, Destiny 2, or sonas! I wish I had a better word to describe your art, but the best I got is "delicious" /lh
@beartitled: I adore your StP comics! I adore your drawings of male!Princesses! I adore your non-StP work! Everything you make is so charming, and it's always a joy to see your work <3
@bubblybloob: One of my favorite fanart memes, to this day, is your old "I do not control the speed at which princesses die" meme. I still go re-read it sometimes when I'm not feeling great, it always puts a smile on my face (yes, this is my kind of humor). Though, your new voice designs are SO creative and unique! Love the fluffy Para and the prophetic cage Skeptic especially, but they are all so good <3
@coldranger: Your lads! So simple and yet so well-designed and expressive! That roadrunner Hunted you shared yesterday is so adorable, I can't with him! It is always wonderful to see more of your drawings. Also thanks for gushing with me over mod Owl's designs <3
@cookiealchemieart: I recently mentioned that you are one of my first Tumblr follows, and it's for a good reason! You made a lot of wonderful illustrations, and your three fan princesses are some of my favorites of all the ones I've seen before! And your voice designs, gosh, I am hugging your Contrarian-
@dampfur: Your art is unbelievably charming! And when I saw your Burned Bridges post with redesigns for Cold and Smittten, I absolutely fell in love with them. I will use this space to gush about just how simple and yet adorable and recognizable they are!
@glitchh1337: Always love seeing what you are up to on Discord! Whether it's design concepts for voices or little pixel art animations, they are all wonderful :]
@justcherryqwq: Your animations!!! Cherry, your animations are pure gold. The way you draw voices as little guys flying around the scene/the Long Quiet is just too perfect. I am also grabbing and petting your Paranoid, gently, of course!
@occatorcreator: You have one of the most unique voice designs/representations I've ever seen! Especially in that one post where you drew voices taking over Long Quiet's body, the way you drew the "possession" is just... so unique, so cool! I wish I had better words!
@orcatnip: I cannot describe how much delight your sketches bring me whenever they show up on my dash! And the way you wrote about voices appearing as fractures in Long Quiet's soul! Oh! Genuinely obsessed!!!
@pareidolla: Your voice designs are very pretty and very adorable! As you can see, I immediately had to try drawing your current iteration of Hero because he is SO PRETTY! I couldn't help myself. Sorry if I was too hasty in my decision to include an in-progress design, but I wanted you to be included here-
@remaking-machine: Rema!!! Your voices!!! They are so precious and charming! Love your Cheated, love your Hero, love your Skeptic! You were one of the first people I found & followed on Tumblr, and it's been such a joy to see what you're up to <3 [Also, I still would like a tray of Hero cookies-]
@salty-an-disco: Your writing, at least from what I've seen of it, is awesome! I genuinely wish I had the attention span to read your Heathens AU because whenever I see you talk about it, or draw anything for it, I love it a lot! Hopefully one day I will, but for now, I am here to admire your art :]
@sorry-not-feeling-it-right-now: Hey, who let this bird-fox into this gathering of Heroes-
Jokes aside, I am absolutely obsessed with your voice designs, and I really, really wanted to include you in this drawing, despite the fact that you are still working on your Hero design. Thank you for letting me include your Opportunist in this drawing, I cannot WAIT to see your Hero design <3
@tai-janai: Your drawings are so delightful, and I love the way you draw your voices! Your voice shipping sketches are also so adorable, and your HeA-inspired ParaHero sketch sometimes decides to show up in my head and not pay any rent (I love it a lot)!
@voiceofthebroken: Remember how I mentioned that your Cheated post inspired one of my upcoming projects? Yes, it was this one. You are responsible for this /lh
Don't want to repeat myself too much from the ask I sent yesterday, but I will once again say that I love your voice designs, and I will once again compliment your Cheated and Hunted. They are precious! <3
@wysteriaisapenguin: Your art is so charming and so recognizable! Your most recent HeA drawing is absolutely stealing my heart in a way that I cannot describe!!! I also really like your Hero design, he was an absolute joy to draw <3
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Oh look, there's more, too!
@sonjalikestodraw: Sonja! Oh Sonja, everything you make is just SO PERFECT, your pieces are always so stellar and carefully crafted, and your voice designs are so thoughtful and so iconic, I love it every time you make a post with a little write-up of your design notes! It's always such a joy to read!!
0th: To say that your designs and your writing inspired my own would be saying nothing at all, they were some of the first I've seen! They will always have a special place in my heart as "the designs" that greatly contributed to my own final designs! And your Swap AU still is one of my favorites in the whole fandom, love all the unique designs you made for it!! Noble my beloved <3
@itsonlypolite: The way your voices ingrained themselves in my brain, I cannot describe it! Your designs are truly some of the most unique, most recognizable designs in the fandom. You deserve every single positive comment and compliment on your art and designs!!! I also love how you reply to people's asks with little drawings of your own. It's so charming and welcoming <3 It's also always pure joy talking to you!
@cammie-yammie: I am very glad that I got over my anxiety and started talking more and hanging out in your thread! I love your art, always so charming, so distinctly you, just such joy to look at, and I'm glad I got to engage with it more, and with you as a person!!! Damn, these sentences are confusing lol Long story short, love your art, love talking to you, and it's just pure joy either way <3
@lavb-b: I am not kidding when I say that your Businessman animation rewired something in my brain, whenever I watch it, I cannot stop myself from laughing, even though at this point I've seen it like 20+ times already. Besides that, your art in general is just such high-quality work, and I love talking to you on the Discord server! Welcoming you with open arms to EG's Yap Central Station /lh
@phantasmatoucan (mod Owl): OWL HOW DO YOU KEEP GETTING AWAY WITH THIS- You have no idea how obsessed I am with your art, you have SUCH a distinct, awesome style, and the way you designed your voices brings me so, so much joy. And not only are you a skilled artist with amazing voice designs, but you are also just such a positive person, too!!! How is this possible!!! What's your secret!!!
@hello-universe-lovers: Your reblog comments always make me happy, and I absolutely love chatting with you!!! The little interaction you wrote between our Cheateds brought me so much joy as I was finishing this project <3 And even besides that, your art is so charming, and also apparently you are a wizard who draws everything with your finger- I cannot understand such witchcraft /lh
@neverpathia: You are the reason I QPR-ship ParaHero! You got these birds in my brain, and I can't get them out, how dare you (/lh). Jokes aside, I really like your writing, especially the way you write voices, and your art is also very pretty, I love it a lot! It's also such a joy to have you hang out in my art thread, thanks for doing that :]
@disarraydoodlez: Jam! And Kiri! Your art is so iconic, Kiri's desire for perfection never goes unnoticed, and Jam's chaotic silly ideas are always such a highlight (I'm still waiting for you to finish that one Den idea. The one we kept laughing about for like 30 minutes. That one). Thanks for inviting me to the PotC one-shot, I had a lot of fun playing it, and I'm glad we still hang out and chat sometime! Love everything you make, regardless of the fandom, and I can't wait to see what you both will make next <3
@s3viien (they mostly exist on BSky, check them out there!): Sev! My partner in crime! One of my biggest cheerleaders, you have no idea how much how dearly I appreciate it. I love sharing all my random ideas with you, and I love hearing about all of yours! Your art, your videos, and your music are all PEAK, and I'm always happy to see what you've been up to! To our friendship for as long as it lasts <3
@inkedout: And last but certainly and absolutely not least, Ink, my friend, you are one of the big reasons why I feel as comfortable writing all of this right now as I am right now. I cannot put into words just how much I appreciate you as a friend!! it is always such a joy to talk to you, whether it's about StP, or ATR, or a different fandom, or just life in general! I love seeing all your art, your OCs, and anything else you might have <3
Also voice shipping. There are certain ships, you probably know which ones, that are now stuck in my head because of you. I blame you /lh
-----
I believe that should be all I have to say! Happy New Year's Eve again, and I will see you all in 2025!
#slay the princess#stp#slay the princess fanart#stp fanart#stp voices#stp hero#voice of the hero#stp opportunist#voice of the opportunist#<- he shouldn't be here but he is#art#fanart#other people's voices#eg chatting
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A Comprehensive Guide to Writing Gina Dialogue!!!
Do YOU like writing tgaa fics, but find yourself struggling to understand the speech habits of Gina Lestrade? Well, fortunately for you, I love linguistics and accents almost as much as I love Gina - so I've compiled a breakdown of every quirk in her speech!
(Full analysis under the break!)
Most of Gina's speech patterns can be broken down by three fundamental facts:
She speaks with a thick Cockney accent
She's uneducated, which leads to various grammar troubles
She uses a lot of informal cockney terms/slang
Let's get into it section-by-section!
(Note: Formatting looks a lot better on mobile!)
Section 1: Cockney Accent
So I’m an theater kid, and I've done dialect training for Cockney accents before - it's one of my best ones imo - so that certainly helped me write this section! Even without that, though, it's pretty easy to identify how her accent appears in her speech. Let's break it down!
Drop h's
Example: Here becomes 'ere
Drop g’s at the end of words
Example: Going becomes goin'
A few other word ends that get dropped:
Of becomes o'
And becomes an'
Th changes depending on the word - Thank you to annoyingloudmicrowavecultist for properly explaining how this works in the tags!
Voiced th becomes v
Example: With becomes wiv
Unvoiced th becomes f
Example: Nothing becomes nuffin'
For writing purposes, if a word would become unrecognizable with this change, it's left the same (but in actual speech, it would be pronounced differently)
Example: Father remains as father (but would be pronounced like fovva)
Th always remains intact at the start of words
Example: Thing remains as thing (but would be pronounced like fing)
Miscellaneous word changes
Something becomes summat (but other times is just somefin' - she's not consistent with either)
What becomes wot, whatever becomes wotever
Tomorrow becomes tomorra
Because is often shortened to 'cause, which becomes cos
Isn't almost always becomes ain't
Thank you / no thank you becomes ta / no ta
Some words spill together or are slurred
With that becomes wivvat, with it becomes wivvit (This one isn't actually used in-game, so you don't have to use it either, but it reflects how she'd actually be pronouncing it)
Isn't it becomes innit
Doesn't it becomes dunnit
Suppose becomes s'pose
Don't know becomes dunno
Probably becomes prob'ly
You might change - Another loose/inconsistent rule. Can depend on how the sentence would be pronounced out loud, but mostly is just a vibe
You becomes ya
Your/you're becomes yer
Yourself becomes yerself
Section 2: Grammatical Errors
Gina is an uneducated East End orphan, so it should come as no surprise that she makes mistakes here and there. Here are her consistent ones! Some of these are confusing/hard to explain, so I included specific examples.
Will say me instead of my, and meself instead of myself
Example: "I dunno much about guns meself."
Incorrect tense usage of was/were in negatives - Instead of I/it wasn’t, she’ll say I/it weren’t
Example: "I was up in a balloon, weren't I?"
Incorrect tense usage of does/do in negatives - Instead of he doesn’t, she’ll say he don’t
Example: "Somefin' wot 'e don't want people readin'."
Double negatives
Ever becomes never in negative statements
Example: "I swear on my life, I ain't never laid eyes on that dandy before."
Never + anything becomes never + nothing
Example: "I never done nuffin' o' the sort!"
Never + anyone becomes never + no one
Example: "All me life, growin' up in the slums, I've never trusted no one."
Haven't you ever becomes ain't you never
Example: "Ain't you lot never gone over an 'ouse lookin' for dough when the owners are out o' town?"
The word that or who in the context of ascribing a feature to a subject is replaced by the word what
Example: "She's always goin' on about all them cases wot Sholmes is lookin' into."
Other example: "I think I wouldn't fancy me chances wiv a lawyer wot lives in a place like this."
Will say them instead of those
"All them skylights open, dead easy."
Will say no more instead of anymore
"Ya dropped it, so it ain't yours no more."
She’ll sometimes mess up bigger, unfamiliar words. This one's entirely in your discretion what words she might mess up. Some canon examples:
“Supperment” instead of supplement
“Mantlescript” instead of manuscript
On a similar note, she'll sometimes confidently get sayings wrong and think she sounds smart
“Toby's...'ow did they put it...? ...Oh, yeah! A 'bone-fide' detective!”
Section 3: Cockney Terms/Slang
In addition to her thick dialect, growing up in the East End means Gina has also adopted a plethora of unique words and phrases. This'll be more like a vocab section!
Cockney rhyming slang - Some words are replaced with phrases that rhyme with them. She uses a few in canon:
Instead of believe, she’ll say Adam an’ Eve
“Would you Adam an' Eve it, eh?! Wot a mug!”
Instead of face, she’ll say chevy chase
“Yeah, I can see it written all over yer chevy chase!”
Interjections/Exclamations
Blimey - Express surprise or shock
"Blimey, yer right! That streak o' light in the photo looks just like an arrow, dunnit?"
Cor - A general interjection, kind of a euphemism for god
"Cor, listen to you! Ya stumble across a bit o' balloon an' suddenly yer the best investigator in the world!"
Oi - I doubt I need to define this one, but it's basically the equivalent of "hey"
"Oi! That's off limits up there!"
Words for people
Cove, bloke - A boy or man. Gina tends to use cove more often than bloke.
"That's where the cove ended up after 'is 'instant kinesis' or wotever they call it."
"When I lifted the last bloke's purse, 'e got wise to me."
Dandy - A conceited, fashionable upperclass man. Can be used as a noun or adjective.
In reference to Ashley Graydon: "I swear on my life, I ain't never laid eyes on that dandy before."
Dee - Thank you to uzukirie for figuring this out in the replies of this post - dee is short for detective!
To Sholmes: "I don't need no 'elp from some stuck-up dee!"
About Gregson: "Yeah, the dee let me keep it. After I looked daggers at 'im for long enough."
Swell - A wealthy or elegant person. In canon, Gina uses this exclusively in reference to McGilded.
"It's because o' that, this swell found me. …'E did 'elp me get away, mind."
Miscellaneous vocab
Dodgy - Suspicious
"It was amazin' when you showed that dodgy professor's dodgy experiment was a total fix!"
Rum - Odd or strange
"I mean, wot's the point of spendin' a joey to make a few bob, eh? That's a rum idea, innit?"
Coppers - Cops
"If you do wot the grown-ups tell ya, it'll get yer mates dragged off by the coppers. Or worse."
Scarper - Flee/run away/leave in a hurry. Also comes from rhyming slang - Scarper = Scapa Flow = Go
"If I did that, 'e said 'e'd let me scarper before the coppers showed up."
Have a butcher's - Take a look. Also comes from rhyming slang - "butcher's hook" = look
"Most days I push the cushion up wiv me 'ead an' look out the crack. Then I can 'ave a butcher's at who I'm gonna fiddle."
Rude words/phrases :)
Gordon Bennett - Expresses surprise or contempt - kind of a euphemism for goddammit.
"Gordon Bennett! You lot!"
Flamin', bleedin', - General emphasis. Pretty much just gentler ways of saying fucking.
Note!! You might be tempted to make Gina say "bloody", since that's well-known British slang, but she never says that. She says bleedin' in its place.
"Don't be so flamin' rude, 'Oddo!"
"It's lies every bleedin' place ya look in this world, innit?"
Bleedin’ Nora - A variation of "Bloody Norah", a surprised/irritated interjection.
"Wot the bleedin' Nora, 'Oddo?! Wot 'ave you gone an' done?!"
Bogtrotter - A derogatory term for an Irish person. She uses this to refer to McGilded.
"Look at the mess it's got you into, believin' in that bogtrotter!"
Mug - An idiot.
"You can't do it from inside, you mug."
Blue blazes - An alliterative exaggeration of "blazes". A euphemism for hell.
"Where the blue blazes 'ave you been, eh?"
Cobblers - Rubbish/nonsense. Literally, it means testicles - derived from Cockney rhyming slang, where "cobbler's awls" = balls.
"All this nonsense about the boss plannin' to kill people… It's cobblers!"
And 1.2k words later, that's pretty much it! Now you can write Gina dialogue spot on <3
Feel free to suggest anything I'm missing/got wrong - I come back and edit this for accuracy's sake every time I notice something I left out, or when people in the replies/tags point things out!
#tgaa#dgs#ace attorney#the great ace attorney#gina lestrade#dai gyakuten saiban#gaac#tgaac#the great ace attorney chronicles
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insecurities , — Nagi Seishiro ! anon request :3
sypnosis whereas reader is feeling insecure about her body weight.
warnings . mentions of slight trauma, vulgar words, fluff, angst, nsfw, not proof read yet , all characters used are aged up. note ⧽ some parts may seem rushed or ooc in other peoples opinion. english isn't our first language, so please bare with oncoming vocabulary or grammatic mistakes. (๑°⌓°๑) authors note . the ending was kinda rushed, and sorry this was late. But hey, please enjoy reading !
You nervously stood on the scale, watching the numbers go up as your manager stood ahead of you. Your eyes widening slightly as the numbers went up from the usual limit.
" Ms. [ last name ] , we've talked about this. Have you not been doing the... diet that we've told you to do? " She then said, stopping in the midst of the sentence to look at the scale, then to you.
"I- " You stuttered to defend yourself , voice almost visibly breaking. You were embarrassed. Yes, you were nervous about checking your weight, yes you had doubts about your body; but there was a small glint that wanted you to atleast hope that you weren't doing anything wrong.
" I think not. " Your manager said, raising a brow. " You will not be walking on the runway, and Miss Mikage will be taking your place "
"But I worked hard for that position! I spent nights prac-"
" You are dismissed. " Said your manager, cutting you off.
You walk away in defeat, sadness washing all over you. You worked hard to be in this position, you've gotten rejected multiple times, cried over this multiple times, and the year you finally have gotten chosen to show the talent you've been working hard for— this is what you get?
"She finally got woken up to reality." ,
"She thinks she's all better than us when the reason she got in here was because of her connections." ,
"I heard the only reason the company accepted her because she's the wife of a famous football player."
The people surrounding you murmured in a secretive tone, despite you hearing them loud and clear.
Instead of lashing out your anger, you wouldn't want to risk your job even further. So you chose to be the 'bigger person' and walk away.
You reached your house, opening the door as you found a pair of mens shoes placed hastily on the floor. You sigh, fixing them up as you took yours off and placed it beside neatly.
You went to the sofa, not bothering to greet your now husband– Nagi since you were too stressed with all the things going on.
I mean, you couldn't understand. Sure, you were the wife of a famous football player. But you worked hard for this position, you went through those interviews, questions, and so what if you were only accepted because of your 'connections' ?
Is it so wrong that you eat like a normal human being?
You DONT understand. Is this what you've been dreaming of? Is this the dream that you wanted so badly, is this the feeling of achieving the dream that you've worked your ass off?
You started to overthink, you started to wonder— am I not enough? Is this what everyone thinks of me? Do I even deserve this life? Do I even deserve Na-
"Baby?" A familiar voice questioned, his tone more of a hum.
You know, Nagi really cares about his games. He'd choose to slump all day if he could. Actually, if you were to describe him– hell he'd probably care about nothing at all.
But the moment he hears the front door creek, the sound of your shoes tapping as you place it on the floor— even though your usual 'Nagi, I'm home' wasn't heard, he was sure it was you.
His eyes perk up ever so slightly, still, he focused on his game; but this time, with the thought of you coming to greet him in his mind. He waited, and waited, but to no avail. And once he fully takes his headphones off, he hears– muffled sobs?
Ah, that's it. It was your voice. But, why does it make him feel so.. so hurt? Getting up is a nuisance, greeting you is a nuisance, but what's this? The moment he opened the bedroom door to see your crying state, it was automatic.
He walked towards you, sitting down the couch as he sees your heartbreaking state. "[Name] ? .." he asked, pausing– it was his first time seeing you like this. "Huh? What happened?" He said, reaching out his hand
As much as you wanted to bawl out crying into his arms, you couldn't shake the worry that echoed through your brain. "Go away." You retorted, voice almost breaking.
'huh?'
Was what Nagi thought at the moment. What'd he do wrong? Why are you being like this? Why are you acting like this? Why why why why?
"I don't deserve you." You muttered out.
"Huh? t're you talking about?" He said, in actual confusion — head tilting slightly to the side.
"I don't deserve you. Let's end this." You said, getting up.
Then a hand pulling you back down.
"What are you—"
Your eyes soften as he cuts you off with a kiss.
You wish you could've resisted, but your body just reacted. The way his tongue slowly slid in your mouth, kissing you in that same lazy pattern. How could someone resist such thing?
"Ah, what a hassle." Nagi says, pulling away.
" You don't have to console me if I'm such a hassle " You retort , looking away.
"Mmm, you being sad is a hassle. I don't like it." He says, head snuggling to your chest. He stays silent for a quick second, thinking of a a way to have you feel better. "You can tell me what happened if you want, I don't think of it as a hassle when it comes to listening to you."
Unknowingly once again, tears welled up your eyes from hearing his words. Do you really deserve someone like him? And when your tears stream, so did your feelings. You unconsciously let your mouth run about how shitty your boss was and your surroundings, how you felt, and everything else that bothered you.
And there was Nagi.
Nagi who would've fallen asleep if it were someone else speaking
Nagi who would've chosen to play his games and put on his headphones rather than to listen to some girl crying
You know, ultimately — Nagi never thought he would be the type of person to really care. But when he saw you crying, talking about the things that bothered you; it bothered him too.
Just as you thought he fell asleep listening your rants as you muttered 'what'd I expect' , you see him suddenly look up. "I'll tell reo to transfer you to a different company tomorrow.. but first, I need to remind you something, 'kay?"
He leans in once more, his lips lazily moving against yours as he almost effortlessly changed your positions, his slim hands holding your thighs as you wrapped your arms around his neck.
He suddenly stood up, a slight gasp leaving your lips as you felt him move. Nagi interrupts your attempt to speak once again with a following kiss as he made ilis way to your joint bedroom, carefully placing you down on the bed.
He pulls away, finding you already unbottoning your blouse as he removes his shirt. And when you do take off your clothes, he stares at your body for a while— the thoughts of insecurity in your mind growing as you see his lips move to speak.
" s' pretty.." He said, hands giving a quick run on your waist down your thighs as he spreads them. "Mm, I think you shouldn't listen to what they say. They haven't seen how pretty you are."
Nagi added, his fingers slipping down your underwear as he puts two digits inside of you. You let out a strained moan, hand quickly covering your mouth as he curled up his fingers, pushing them in and out swiftly.
He takes your hand off your mouth, snuggling his face onto it slightly. " wanna hear you moan out my name "
He says, removing his fingers as he pushes his tip against your entrance— then almost slamming it all in, causing you to jolt. "Sei—" You moan out, followed by another as he went on to steady his pace.
"Need to remind you how perfect you are" He mumbled, lips on your neck as he leaves a mark, his free hand spreading your other thigh slightly further to angle his hips up to that spot.
"Fuck. Y' feel so good." Nagi added, ramming into you continuously, his grip on your thigh. "Sei, 'm close!" You whimper out in response your head moving back as you gripped on the sheets.
After a few final thrusts, you both reached your high as you lie restless.
"I love you." You mumble out as Nagi basically collapses on you.
"Again."
"I love you."
"Again"
"I love you."
And the cycle repeats until he falls asleep.
#x reader#rsventhesecondd#anon request#bllk x reader#bllk#fem reader#angst with a happy ending#fluff#seishiro nagi#nagi seishiro#nagi x reader#nagi smut#x reader smut#nagi seishiro smut
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I directly translated Astarion's back scars
I'm a language nerd (even when the language is fictional), so I decided to directly translate the sigil that Cazador carved into Astarion's back.
I know you do find out the gist of what the scars mean in-game, but I wanted to translate it letter-by-letter, and then word-by-word.
We know that its a poem written in Infernal, which is the language of devils and the hells. If you translate it from Infernal, you get the following:
"Hoc inferius non iurare per ignis
Haec verba loquor
Et hoc mundo mutat"
As you can see, this is not English; its Latin, which makes sense since its a "magical language". Now, if you translate the Latin to English and fiddle with the grammar a bit, you get something like this:
"This I swear by the fires below
I speak these words
And this changes the world."
Obviously this ties in very closely with Astarion's backstory and I think its very cool that Larian took the time to actually make the scars real text instead of just random texture.
ETA: I want to point out that the "non" in the first Latin sentence doesn't actually make grammatical sense. I think its probably there to look cool/fill in the physical design, because excluding it makes the sentence itself make sense, and its exclusion works in the context of the sigil's purpose. So that's why I omitted it from my translation.
#baldur's gate 3#bg3#astarion#larian studios#your local tiefling bard is here to translate infernal#the infernal language also looks cool as hell#almost like the letters are calligraphic ambigrams
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hihihihi i hope ur having a very good day and that this request is even understandable and grammatically correct!!!!!! this thought has been plaguing my mind sososos much but i reallyreallylyly want just a short drabble or anything w jjk (any character u find that fits best idm) of them like drawing a bath n washing your hair after a long day or smth smth (nooooottttttt in a suggestive way plsplsplspls)
okay thats it >3< !!!! im praying this doesnt come off as pushy T_T
PAMPERING YOU AFTER A LONG DAY
fluff | satoru gojo, toji fushiguro, kento nanami x reader, stress, frustration, running you a bath, washing you, no suggestiveness just pure fluff and comfort <3 | word count. 1.7k ◦ notes. hihihihi nonnie!! don't worry your grammar is fine and you didn't come off as pushy at all, i hope you enjoy mwah
SATORU GOJO.
Satoru can tell something is up when you toss your decently-expensive blazer haphazardly on your desk, showing little care when it inevitably slips and falls on the ground. He doesn’t need you to tell him, he picks it up in an instant and throws it on the back of your office chair.
“I would ask how work went but you don’t look like you’re in the mood to answer questions,” he huffs, somewhat amused. “Don’t worry, I’m pretty sure today was a universally terrible day at work. Everyone on the street looked miserable as hell,” he assures you through the kiss he places to the top of your head.
“Oh I’m sure,” you mumble, recalling the frustration you experienced facing your arrogant supervisor. “Sorry, that tone wasn’t aimed at you.”
“I didn’t think it was, dove, but thank you for the reassurance,” he laughs softly, the breathy sound evidence of his own exhaustion.
Satoru starts to head out of your office to let you settle down, but pauses in the doorway. You barely pay him any mind other than a small smile as you pull your laptop out of your bag and place it on your desk, and mutter incoherently about how disgusting the five empty snack wrappers in your bag are. He continues to watch as you let down your hair from its bun toss your hair tie beside your laptop.
“Come to the bathroom in ten. Vanilla or floral?”
You squint. “What?”
“Scent. Pick.”
“Why are you talking in half-sentences? And vanilla.”
“Why aren’t you used to it? And alright,” he retorts with a long finger pointing at you, before narrowly dodging the pen you throw at him by rushing out the doorway and seeking refuge in the bathroom.
The bathroom that, ten minutes later, you find yourself being pampered in. Satoru is sat on a stool beside the bathtub as you soak in the water, stretching your legs and fluttering your lashes at the therapy the hot water provides to your aching muscles. Speaking of, you don’t have to strain a single one as Satoru doesn’t let you lift a finger. He’s massaging your shampoo into your hair, gently scratching your scalp and inhaling the sweet scent of vanilla.
The water reaches your chest and provides the perfect height for you to make shapes with the bubbles and bring them close to your face to inspect before blowing away. He watches as you repeat this process with multiple shapes, some more recognisable than others, and feels himself desiring to kiss you.
“Do you think–,” the moment you turn your head to ask, Satoru’s lips meet yours quickly yet so dreamily and so gently. You practically whine into the kiss, both because he cut you off and because you’re caught off guard by how intimate the moment suddenly becomes.
So much so that you’re left panting by the time he pulls away and flashes you a faux innocent smile, to which you glare at him and tense up like a cat when he starts rinsing the shampoo out your hair. After he applies a mask in your hair and clips it up, Satoru struggles to maintain a healthy heart rate when you rest your arms on his knees and your head on them, eyes lowering with the appearance of tiredness.
“I can’t wash you like this, baby.”
“Just for a bit.”
A minute goes by. “How long is a bit?” He finally asks.
“A lot.”
TOJI FUSHIGURO.
“I can finally show you what I’ve been workin’ on,” Toji smirks, taking your hand in his after you manage to shove your shoes off by the door. He’s been working on the spare room you had for a month now and would refuse to let you even peek any time you asked. You assumed that your husband had finally resorted to illegal money-making tactics to fund your lifestyle, but he was (suspiciously) quick to shut that idea down.
When he did need help continuing the project, he had called in a few men you weren’t familiar with to assist. You’d complain about the random men in your house, to which he’d pull you in for a kiss on your temple and insist that it’s worth it.
He unlocks the door to the room and rushes behind you to cover your eyes. “Is this necessary? You’ve already made me wait a month.”
“A few seconds more can’t hurt,” he retorts with a snicker at your enthusiasm. He uses his elbow to push the door open and only when he guides you to step into the room and close the door behind you does he lower his hands from your eyes. “Surprise.”
Surprise was an understatement. Toji had renovated the room to almost appear bigger and function as a spa, with extensive windows along the top of the walls that are big enough to let fresh air in but small enough to not actually show the interior of the room from the outside. A massage table stood in the middle of the room with two tables at either side of it, both neatly organised with numerous body oils, lotions and Vogue magazines.
“If you don’t say something in the next second I’m gonna assume you’re plotting to kill me.”
“I love it.”
“Thank God.”
You giggle at his exaggerated exhale and turn to tackle him in your embrace, wrapping your arms around his neck and pulling him down to your height for your own comfort. Toji smiles into your neck, resting his hands on your lower back and letting himself inhale your scent and delightful aura.
“Now,” you start as you break away from the hug, “I believe I’m in need of a masseur.”
Toji - or your masseur - is quick to have you strip down and lay you on your stomach with a white towel over your backside. He laughs at your heavy sigh and the way your head flops down onto the table, simply letting him work one of the oils on your skin and tense muscles. Every so often, when he feels you drifting off to sleep, he’ll bend down and place a kiss on your hairline, sometimes hearing you mumble in response.
His fingers are calloused enough to draw you out of your slumber after a minute or so, but you don’t complain since they’re the same fingers that ward you into that sleep initially. You don’t talk at all aside from a few incoherent murmurs, ones that even when Toji responds with “hm?” to, you don’t repeat or say any clearer. He has to contain the soft, breathy laugh that threatens to escape at your dazed, drowsy state - he doesn’t want to disrupt your peace.
“You good, mama?” Toji asks breathily, slowing his movements momentarily.
You groan in response. “You better keep those hands moving, boy.”
“Yes ma’am.”
You can hear the grin in his voice but can’t find the strength to glare at him for it let alone lift your head to do so.
KENTO NANAMI.
The first thing you notice when you walk through the front door is the delivery bag by the bin. You wonder why it’s not in the bin, but also why it’s here in the first place. You’re certain you have leftovers that are enough to feed you two for the evening. However with closer inspection of the bag, you realise it to be of a bakery that is very much raved about, both at work and on social media.
I’ll be damned if I let this man finish these sweets without me.
“Kento! I’m home!” You call out, expecting a prompt response from the kitchen or living room. Instead, you hear some shifting and clanging upstairs, likely in the bathroom, and hang your jacket up before trotting up the stairs. “Are you okay? What was that sound?”
“Ah, I’m fine, sweetheart. I didn’t anticipate making this much noise, though,” he replies sheepishly just as you push the bathroom door open. Once you do, the aroma of something you can’t quite place your finger on caresses your senses, making you shut your eyes to fully indulge in it. Nanami chuckles at your rapidly relaxed demeanour and dries his hands off before coming over to embrace you.
“Hi,” you smile into the crook of his neck.
“Hi,” he reciprocates, sighing contently at the feeling of your hands roaming the expanse of his back. He shifts you in his arms so that his left is swung over your shoulders, while the other motions towards the relaxation project that is your bathroom. As you let yourself admire the filled bathtub, lit candles and rose petals decorating both the water and some of the floor, you’re reminded of the sweets.
“Do I also get a cake?” You stare up at him pointedly.
Nanami recalls the delivery he made and rubs your left shoulder. “Also isn’t the right word here, I swear I haven’t had any yet,” he laughs breathily, letting you strip while he positions the small tray table on the edges of the bathtub. When you’re finally relieved of your clothes, you practically squeal at the sight of numerous cakes, brownies and fruits decorating the wooden tray, barely giving Nanami enough time to stand before you’re crawling into the tub and snuggling under the warm water.
“Now I know you washed your hair yesterday,” he says as you start to feel his hands gather your hair and clip it up, “which is why I want this to be focused on easing your stress. Both physical and mental forms.”
You’re practically gaping at the rate at which he’s making your heart race from simply his words and gestures. Reluctantly you are to admit that perhaps Nanami deserves to have some of your sweets. Realistically, it would be days before you’d finish them all. “Come here and give me a kiss, you,” is all you respond with, to which Nanami complies eagerly and results in him groaning under the soft feeling of your hands rubbing the back of his neck.
Your hand trails up to scratch his scalp and he shivers in delight, allowing his hand to grasp your jaw gently but with enough grip to make you shiver and smile into the kiss. The kiss that inevitably ends because you need to breathe and let Nanami tend to you.
When he reaches for your body wash, you grab his arm and insist that you eat first. You need some sugar in your system before you crash from sheer relaxation under your husband’s attention.
“Feed me, husband.”
He smiles and shakes his head. “As you wish, my wife.”
sweetfushi © do not modify, repost, translate, copy or use my post. all that is included in this post, aside from the photos, fictional characters and universes, belong to sweetfushi (zee).
#jujutsu kaisen#jjk#jjk x reader#jjk x you#jjk x y/n#jujutsu kaisen x reader#jujutsu kaisen x you#jujutsu kaisen x y/n#satoru gojo x reader#gojo x reader#satoru x reader#toji fushiguro x reader#toji x reader#fushiguro x reader#kento nanami x reader#kento x reader#nanami x reader#jjk fluff#jjk fic#jjk headcanons#jujutsu kaisen fluff#jujutsu kaisen fic#jujutsu kaisen headcanons
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🟡 "Bubble & Squeak" (working title) | Part 1
Currently thinking about best friend/roommate Soap.
Characters: best friend/roommate!Soap, Gaz, Gender neutral Reader. CW: sexual themes, profanity, snark, sarcasm, childish name-calling, immaturity, bickering, overly-long sentences, a general disdain for grammatical rules, butchering of the Scottish language and slang. PG-13 at best. Word Count: 891
Johnny gets plenty of action, of course; he’s an attractive guy. Lots of fun.
Not that you care. Pointedly.
He's just letting his latest fuck buddy out of the apartment when he notices you sitting on the living room sofa, a mug of hot coffee in your hands.
"Och, didn't see ye there, chum."
Of course he didn't. "No worries, Johnny. Have a good night?"
"Had an excellent night," he says as he drops onto the couch next to you, looking quite pleased with himself. You can tell that he wants you to ask. He is practically vibrating with the need to brag, waiting to tell you all about his sexcapades, but you leave him hanging in anticipatory gloating mode because, quite frankly, the walls are thin, and his partner was LOUD AS FUCK. (As per usual.) Because of them, you were kept up most of the night and are cranky, something Johnny seems to notice with a small twinkle in his eye because he's an annoying bastard.
"Cool," you deadpan, taking a sip of your coffee.
Johnny purses his lips when he realizes that that’s the end of the exchange. “Someone’s a wee bit crabbit today.” Then he pauses, that infuriating spark of mischief coming back into his baby blues. “Ah ken why.”
You level a look at him which you hope, deep down, incinerates his balls, but he just laughs, throwing an arm over your shoulder. For whatever reason, being touchy-feely with you straight after fucking all night was always high on Johnny’s list the morning after. He’d been like this for ages, but you could never quite figure out why. “Yeah? Enlighten me, since you obviously know everything.”
“Ye get all jealous when I invite people home, don't ye?” he teases. “Maybe it bothers ye when ye know that they're in my room, having a good time while ye're alone in yours…”
“I didn’t realize this was a competition, Johnny.” You probably should have. “But since you’re so concerned for my wellbeing, I can assure you that I'm just fine, thanks,” you say with a pleasant smile that doesn’t quite reach your eyes.
“Sure ye are,” he says. “I mean... I'm nae calling ye lonely or anythin’," he says, shifting and squeezing your shoulder a little bit. "But maybe, ye want what they're gettin, hm?"
“I'm not lonely,” you say, ignoring the rest of his bullshittery. Standing up and draining the rest of your coffee — you’re not escaping, you’re just getting some space, that’s all — you head into the adjoining kitchen to wash your mug. “Your friend says ‘hi’ by the way,” you call over your shoulder.
He rolls his eyes, leaning back against the sofa. "Yeah? Which one? I've had a lot come through lately," he says with a laugh.
“Not one of your ‘night friends’,” you retort, “One of your work friends.”
He raises an eyebrow, clearly taken off guard. "Really? One of my military pals came by? Who?"
“Kyle,” you say, trying to think of his nickname, but failing. You opt for his last name instead. “Kyle Garrick. And he didn’t come by, we’ve been texting.”
"Gaz?? You've been talking to Gaz?" He asks in surprise, making a face you want to slap. "Really? Damn, I didn't think he'd be interested in talkin' to you."
Your eyebrows threaten to launch into orbit as you face your soon-to-be-dearly-departed best friend. “Excuse you? Why not?”
He shrugs, leaning back against the couch and stretching. "He's a bit of a…" Sweetheart? Gentleman? Absolutely gorgeous? Sex on two legs? After watching him struggle to come up with literally anything bad to say about Kyle, he gives up, settling instead for, “Just surprised he'd talk to you, Tattie."
You glare. Of course he’d pull out that old nickname at a time like this. “I thought I told you to stop calling me that.”
The smirk he wields at you is rage-inducing. “Aw, but the potato is such a noble food.”
“Yes, that’s exactly why you decided to start calling me that way back when: because I’m so noble.”
He hums, that delighted gleam in his eyes saying he loves getting a rise out of you. "So, when did this start?” he asks with a little too much nonchalance. “And what have youse been talkin' about anyway?”
“A couple of weeks ago and none of your business, Mr. Bubble.”
As you take a jab at his precious callsign, his smile squashes into flattened lips, and internally, you feel vindicated.
“He wants to take me out,” you say as a peace offering.
“What, with his rifle?” he chuckles.
You smile sweetly. “If he’s lucky.” Watching the myriad of emotions play across his features, you continue, “He’s taking me out on a date. Going out for a nice Sunday brunch. Said he wants to get to know me better.”
Once again, an insulting level of surprise lights Johnny’s face at your words. “A date?” he asks, dumbfounded. Rude, really. “You and Gaz… on a date.”
“Congratulations, you’ve passed your hearing test.” You check the time, realizing that you don’t have much left before Kyle gets there. “Shit, I have to get ready. Can't talk now, gotta shower!”
You disappear down the hall, completely missing Johnny's look of dismay as you lock yourself in the bathroom to get ready for brunch.
author's note: is this a fanfic, or a drabble? part 2 will be from johnny's pov. thanks for reading!
#call of duty#cod#john soap mactavish#johnny soap mactavish#gender neutral reader#best friend!soap#roommate!soap#cod fanfic#cod drabble#kyle gaz garrick#gaz x gn!reader#soap x gn!reader#this may end up being a love triangle i don't know#laughroditee
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I personally know there are multiple types of editing but I've never seen anyone explain it in a way that actually made me understand what the types of editing actually were (yeah cool that you say {}editing is different from []editing but *how*). So if you wanna explain, feel free to.
Your handy-dandy guide to different types of editing
disclaimer: writers, you can literally edit however works for you. these distinction can be useful to your process, or just if you're looking to hire an editor. Not all editors make distinctions in this way; there are various ways of dividing. But no matter what vocabulary you use, it's best practice to start with broad, big-picture stuff and move towards narrower issues. Some editors do all levels of editing, while some specialize.
Developmental Editing (Is it a good story?)
Developmental editing has to do with the content. For a novel, that means working on the bones of the story. The plot. The pacing. The characters. Do their motivations make sense? Can the reader understand why things are happening? Does the story drag in places, or seem to brush past important elements? Do all of the subplots get resolved? etc. etc. (At this stage an editor is mostly going to be offering suggestions, pointing out issues, and throwing out potential solutions. Beta readers can also be very helpful at this stage to get a reader's perspective on the story beats and characters.)
Line Editing (is it well written?)
Sometimes called substantive editing, line editing is zooming in a little bit more to focus on scenes, paragraphs and sentences. Once we've decided that a scene is going to stay, lets look at the mechanics of how it plays out. Does the scene start to early or too late? Does the writing style communicate the emotions we want the reader to feel? Does the dialogue match the characters' voices? do any of the sentences sound awkward or ugly? Is the movement being bogged down by too much purple prose anywhere, or is there not enough detail? (This can get pretty subjective, so it's important that the writer and the editor are on the same page with taste, style goals, etc.)
Copy Editing (is is correct?)
Copy editing is all about the details. Think grammar and punctuation. Do the sentences make sense? are they grammatically correct? Is the dialogue punctuated correctly? Any misspellings? Should this be hyphenated? Should this be capitalized? Should we use a numeral, or write out the number? etc etc. A significant part of copy editing is matching everything to a style manual (like Chicago or AP) a house style guide (individualized preferences from a publisher, for example), and a project's own internal style sheet (are the character's names spelled the same every time? if we used "leaped" in chapter 4, we shouldn't use "leapt" in chapter 7) Copy editing is still subjective, but less so than the earlier levels, so a copyeditor will be more likely to just go in and make a bunch of (tracked!) changes without consulting the author for everything.
Bonus: Proofreading (did the copyeditor catch everything? are there typos? formatting issues? have any errors been introduced?)
Lots of people say editing when they really mean proofreading. Proofreading is the absolute last thing to get done. It's the one last pass just before something is published. It's important, but as you can see, there's a whole lot more to editing than just checking for typos.
#editing#writeblr#editing process#writing process#editors or writers who have worked with editors feel free to chime in! we are not a monolith lol this is just they way I've learned
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Protip for when you can’t write anything properly:
Open a new doc.
Pick a character. (Doesn’t have to be yours. Any character works.
Think of a silly thing they would do. Write a sentence of that. (Ex. “Muu ate 25 crepes in one sitting.”)
Then write whatever the fuck you want, just any words you think of, whatever bullshit, WRITE THAT SHIT DOWN.
Here’s what I made:
By now you’re either
A) thinking about what you just wrote
B) doesn’t really care.
If you’re on option B, go back to your original doc. Usually, by now, writing should be easier. If it doesn’t, try option A.
If you’re on option A, go below that paragraph and write a story out of it. IT DOES NOT NEED TO BE GRAMMATICALLY CORRECT NOR COHERENT. you can also change the details from what you’ve written before, but just write something based off that.
Example:
Now jsut write and write until you either get:
A) Bored
B) Entertained
For A, go back to your original doc and try writing again. It should work by now.
For B, continue to write this until you either get to A or write something that can be considered a chapter, before moving back to your important doc.
This always works for me so tell me if it does for you :D
#writing#ao3#ao3 writing#writer#ao3 writer#writer problems#writing problems#burn out#writing burn out#writers block#writing struggles#writer things#writing inspiration
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Cale with someone who has blood manipulation and can make their blood explode on command once it touches the enemy, but they have to cut themselves up first in order for the power to work. 💀😀
It's either they think it's super duper helpful or they become extremely concerned
Let It Run Through Your Veins (Not Out!)
tags: blood, both cale and reader are idiots, gender neutral reader
English isn’t my first language so there will be grammatical errors
Pls don't repost my work anywhere without my permission
Constructive criticisms and any kind of interaction are more than welcome
Requests are open and welcome
Buy Me Dessert
Navigation Masterlist
“You said you have an explosive ability right? Now’s a good time to show it off.”
Another day, another attack from one of many Cale’s enemies. The forces from the other side were more overwhelming than he thought. The young master had not expected the enemy to pull all the stops here.
Good thing his significant other said they discovered a new ability they can do.
Or was it?
“What the hell are you doing? I told you to help us not injure yourself.”
Cale stopped controlling his fiery rain for a moment to look at _____ cutting their arm.
“That’s what I’m doing just watch!”
“How the hell am I suppose to watch you doing something–”
He couldn’t help but stop in his tracks when he saw what happened.
_____ had manipulated their blood and flung it towards the enemy. As those red splotches hit the enemy they exploded on command.
“Human! _____’s power is amazing! It’s amazing but dangerous! They’re losing too much blood!”
Raon didn’t know if he was impressed or scared for the now blood manipulator's well-being.
“_____ stop already. I’ll handle it from here.”
“And overuse your ancient powers and faint? No way.”
“Then what do you want? For you to lose too much blood and die?”
At this point, the two are arguing with each other without regard to their enemy.
“Just what do you think you’re doing being distracted–”
Sizzle
Boom!
The arrogant enemy couldn’t even finish his sentence as Cale’s Fire of Destruction and _____’s blood manipulation rained down on him.
“See I can handle it just fine.”
“No, you can’t. You should see how pale you are right now.”
“You can’t talk Mr I-Look-Like-I’m-About-To-Faint”
Everyone around them just shook their heads at the arguing. To everyone else, the two look like they are about to faint and would probably stay unconscious for at least three days.
It doesn’t help that they haven’t stopped using their powers while arguing. No, in fact, they were arguing while swiftly taking out the enemy.
That was why the rest of the group decided to move faster and wrap things up as quickly as possible.
Or else those two might just faint for three weeks from overusing their powers.
Surprisingly they didn’t. The couple was pale and they were staggering at the end but they persevered and didn’t faint. However, they were both extremely hungry.
Hence why they are currently eating in Cale’s room. A delicious feast was laid out in front of them thanks to Beacrox’s hard work.
Cale and _____ were silent as they ate. No traces of them arguing could be seen. It was as if it didn’t even happen.
Well until Cale opened his mouth to speak.
“You’re going to be the death of me.”
#trash of the count's family#lout of the count’s family#tcf#lcf#cale henituse#lotcf#totcf#le asks#cale x reader#cale henituse x reader#tcf x reader#lcf x reader#lotcf x reader#totcf x reader#lout of the counts family x reader#trash of the counts family x reader#x gn reader#x reader#gn reader#gender neutral reader#manhwa x reader
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Learning Together (Lamine Yamal.)
Summary: Lamine struggles with math homework until Y/N steps in to help. Together, they tackle problems and switch to English grammar exercises, making learning enjoyable. Y/N's support strengthens their bond, leaving Lamine grateful for her presence and assistance.
Lamine sat at his desk in the cozy corner of their living room, surrounded by scattered papers and open textbooks.
He had been struggling with his math homework for hours, feeling increasingly frustrated as the clock ticked closer to midnight.
Y/N, his girlfriend, noticed his struggle as she passed by, heading to the kitchen.
"Lamine, are you still working on that math?" Y/N asked, concern lacing her voice.
Lamine sighed and nodded.
"Yeah, these problems are really getting to me. I just can't seem to figure them out."
Y/N walked over and leaned against the edge of his desk, peering at the textbook.
"Mind if I take a look?" she offered.
Lamine shrugged, handing her the open page. "Sure, maybe you'll see something I missed."
Y/N scanned the problems quickly, her brow furrowing in concentration.
"Alright, let's tackle this one step at a time," she said, pulling up a chair beside him.
Together, they dove into the math problems. Y/N guided Lamine through each problem methodically, explaining the concepts and demonstrating the steps clearly.
She encouraged him to think critically and apply the formulas they had reviewed earlier. Whenever Lamine felt stuck, Y/N provided gentle prompts and hints, nudging him in the right direction without giving away the answers.
As they worked through the problems, Lamine began to feel more confident. Y/N's patient approach and clear explanations helped him grasp the concepts he had been struggling with.
With each problem they solved together, Lamine's frustration gradually melted away, replaced by a sense of accomplishment.
Once they finished the math problems, Y/N noticed a grammar workbook on the shelf nearby.
"How about we switch gears and work on some English?" she suggested with a smile.
Lamine chuckled softly.
"Sure, why not? I could use a break from numbers."
They flipped through the grammar exercises, focusing on topics like sentence structure, verb tenses, and punctuation.
Y/N's enthusiasm for language was infectious, and she made learning grammar feel engaging and fun.
She quizzed Lamine on various rules and offered explanations whenever he had questions, making sure he understood each concept thoroughly.
Throughout their study session, Y/N's support never wavered. She celebrated Lamine's progress and encouraged him to keep going, even when the material seemed challenging.
Their shared laughter and occasional playful banter lightened the mood, turning what could have been a daunting study session into a rewarding learning experience.
By the end of the evening, Lamine felt grateful for Y/N's unwavering patience and dedication.
She had not only helped him tackle math problems and improve his English skills but had also strengthened their bond through shared learning experiences.
As they tidied up the desk together, Lamine wrapped his arms around Y/N, feeling incredibly lucky to have such a supportive partner by his side.
"Thank you for helping me tonight," Lamine said sincerely, pressing a kiss to Y/N's cheek.
Y/N smiled warmly, her eyes reflecting pride and affection.
"You're welcome, Lamine. I'm always here to support you, no matter what."
And as they stood together in their cozy living room, Lamine knew that with Y/N by his side, there was no problem-mathematical or grammatical-that they couldn't solve together.
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