#well technically the last Dream tweets were on the 1st of December for me

[thal-ent]

November was a wild month uh.

[rubyjcat]

[Behind-the-Scenes] HELIOS Rising Heroes: Animation Showcase

“HELIOS Rising Heroes: Animation Showcase” is an English voice fan project I worked on all by myself (barring voice actors) that took five months to make.

The original plan was to make just one video, but it ended up being eighteen of them!

Link to YouTube playlist:

https://www.youtube.com/playlist?list=PL0UbdFyWSx0n_ewcd-t0iAB0adGe5lghH

In this write-up, I’ll be discussing details about the response to the project, recording all the footage, video editing, voice acting + audio processing, script translations + rewriting, which fonts were used, and even the emulator used. I’ve organized it into sections to make it easier to find certain things. Also, this is directed to English-speaking readers since I’m not gonna bother translating the entire thing to Japanese.

THE DREAM

I wanted to make this fandub ever since the game was released (in Aug 2020). I just knew that English voices would be extremely fitting to the world of HELIOS with a setting inspired by America and characters, places, and terms mostly in English. I was disappointed to hear that the studio behind the game, Cacalia Studio of Happy Elements K.K., had no interest to localize their games outside of Asia, which meant the chances of an English dub, let alone a global release were close to zero.

I was able to understand how to play the game thanks to the fan translators, some of which came from other Cacalia Studio games, and got inspired to continue learning Japanese (there was a previous attempt to translate Japanese lyrics years back).

What I thought was just the silly dream of one overseas player’s became something much more!

THE TIMELINE (BRIEF OVERVIEW)

I played the game for about two months prior to working on the project. Before starting the project, I had to sort out graphical and technical issues on my end first as I was unable to play the game smoothly until November.

November 2020

Finding all the in-game battle lines

Writing transliterations (romaji) of lines by ear

Learning and translating lines to Japanese

Started recording footage

December 2020

Further translation revisions

Held a casting call

Script rewriting and finalizing

January 2021

Completed casting

Started video editing (learning process)

Started audio processing

Recorded more footage

February 2021

Recorded more footage

Japanese script revisions

Finished working with VAs

Finished audio processing

Continued video editing

Published Preview video

March 2021

Recorded the last of the footage

Japanese subtitle revisions

Finished Showcase video

Finished Individual battle clips

Gave recommendations to VAs

The exact start and end dates were Nov 1st, 2020 to March 31st, 2021. Pretty neat.

RESPONSE TO THE PROJECT

I was absolutely shocked with the response to the preview video, which at the time of writing has just hit 10K views and almost 600 likes on Twitter and YouTube combined. Not bad for an unpaid hobby fandub (a joke only I find funny...) of an otherwise “niche” Japanese-only mobile game.

As of Apr 4th, 2021 - Thank you so much. This is more than I could’ve asked for.

The preview video blew up way more than anticipated, setting up for a bit of disappointment when the Showcase video was released.

The amount of views I expected for this project within its prime were a couple hundred views, so I’m content that the Showcase video reached that amount (it had ~500 by the end of March).

The expectations for the battle clips were an average of 100 views and a handful of likes - and each one got roughly that amount (or more) - so I’m also content with that, especially for something that’s just “bonus material”.

I tried my best to promote this project on Twitter with three main tweets. My one regret with promoting the project was making the second tweet after publishing the Showcase because the Japanese I wrote there was pretty terrible (as I was all worn out from editing and was in a haste to tweet about it). I tried to make up for it in a follow-up reply the next day, but it was too late. I was satisfied with how my third and final tweet and thread of battle clips turned out, but it sadly didn’t garner much attention. A reason for this was probably due to bad timing. I knew that the timing of the last tweet was awful as HeliosR did something special for April Fools��� day, plus the Easter event was being hyped around the same time, but I really wanted to finish up the project within March (my timezone, at least. It was already April 1st in Japan).

It was important to also make the videos accessible to the Japanese audience as they were a large portion of the viewers. This proved to be a challenge as my knowledge of Japanese is limited - at least for me, it’s easier to translate grammar-correct Japanese than it is to write my own sentences.

I ultimately decided against posting any of the videos on NicoNico because I wasn’t sure about Japan’s laws regarding copyrighted material. I knew it was already risky enough posting on social media and didn’t want to take any additional risks.

ABOUT THE FOOTAGE (1) – HEROES & ATTACK ORDER

HeliosR uses a gacha system, so to be able to even make something like this, you’d first need access to all 16 ★4 OG Heroes in the game.

I had them spread across five different accounts, four of which were reroll accounts. Asakou from the Cacalia RPG server gave me two of those accounts, and I rerolled myself for Keith and Ren during their Birthday Orders (one free 10-pull per account). Every account is also given a free ★4 selector ticket which I made good use of.

3,000 rubies (in-game currency) were sacrificed to pity the ★4 OG Dino when he was released in December just for the sake of the fandub!

Besides covering all of the Heroes, I also needed to play through each account to unlock certain story chapters, event stages, and evolve the Heroes for their shiny evolved CG art. Some of the Expert event stages (that had the Nighttime backgrounds) proved difficult to clear with a new account.

When using skills, the order of the Heroes were edited such that everyone was able to have the majority of their lines used at least once. All Heroes had two “receiving support” lines, two or three “supporting” lines, and two or three “skills against the enemy” lines. Some of the extra lines didn’t make it into the Showcase, so they were used for the individual clips instead.

I should’ve used Gray instead of Marion for the account that had Billy because you can see Marion’s sprite in Billy’s image. xD

In the Showcase, you may notice that the "Union Attacks" consist of all the ★4 CG images. These were spliced together; I never had all four Heroes of the same sector on the same account. For example, I would have Gray, Asch, and Jay on one account and Billy on another account, recorded their ★4 Bursts separately using the same background (from unlocking the Expert stages on both accounts), and then edited all the footage together.

Jay’s Burst was later re-recorded with a different attacking order so that he wouldn’t link to Billy.

It was also important to keep the same order of Bursts as well as use all four Bursts in the same turn. The ★4 Burst order was usually determined by who didn’t link skill with one another (with the exception of East sector as I was still figuring things out) because I didn’t want the link skill activation getting in the way of the animations.

As a little bonus, I also showed off the exclusive damaging skills of the Chapter 6 and 7 ★4 frames that I was lucky enough to pull from the gacha: Marion’s "Invitation To The Dance“ (roses), Faith’s “Synthetic Vibes” (beats), and Dino’s “Crow Mark Dead End” (claw marks).

ABOUT THE FOOTAGE (2) - BACKGROUNDS

Since I didn’t want to use the same battle music and backgrounds for all of the videos, I decided to use some of the themes from the limited-time events which went as far back as Nov 2020.

Each background has three variants (Daytime, Afternoon, Nighttime) and so I carefully picked them based on the colours. I ended up using mostly Expert stages - or Nighttime backgrounds, since Daytime versions were only used for Normal difficulty stages (which are too easy to clear).

The backgrounds used for the Showcase, all from limited-time events.

I decided to mix up some of the Heroes from other sectors in the individual clips for fun, basing it off of their relationships with each other. Using South sector’s background for Gast’s clip was a purposeful choice because I already used the North sector’s background for the other three North sector Heroes. I made sure to include Akira and Will of the South sector in Gast’s clip so it didn’t feel too random!

The only default background I didn’t use was Chapter 2’s because I already made use of the Casino theme for OG West sector’s individual clips. (...Plus I didn’t really like that background :p)

Here’s a list of all the backgrounds I used:

Escape the Prison (Nov 2020) - used for Showcase [EAST]

Mission of CASINO (Nov 2020) - used for Junior, Faith, & Keith clips

HAPPY NEW YEAR SHOW! (Jan 2021) - used for Showcase [SOUTH]

Help! Cooking Hero! (Jan 2021) - used for Will and Oscar clips

A Sweet Spell Garnished With Chocolate (Feb 2021) - used for Showcase [WEST]

Grandiose Chinoiserie (Mar 2021) - used for Showcase [NORTH]

The Hero Is A Detective!? (Mar 2021) - used for Billy and Jay clips

Default backgrounds: Chapters 1, 3, 4 (shared with 7), 5 (shared with 6) - used for all other clips

The Christmas event was the only event that went unused during the Nov 2020 - Mar 2021 period.

I didn’t record the East sector event (Christmas) in Dec 2020 because I was actually too busy with the casting call! I also didn’t think I would make use of it after already recording the Prison event intended for East sector. The project ended up taking so long that it actually benefited from having a wider selection of events over the months, which also showcased the beauty of the game.

ABOUT THE WORK & VIDEO EDITING

Hardware:

A decent computer.

A pair of no-name earbuds I found while cleaning out some junk.

Software:

All FREE!

*There’s a catch

NoxPlayer* emulator (debloated, read more about in its own section) and Open Broadcast Studio were used to record game footage and sounds.

Davinci Resolve was the main tool I used to edit the videos. A very demanding program that I only recommend using if you have a mid to high end computer.

MediBang was used to edit some of the art like the logos, but I ended up using Resolve for the majority of the graphics, including the thumbnails.

Audacity and Cakewalk were used to edit audio.

Many aspects for this project took longer than I had hoped because there was a learning process with using Resolve for the first time. I’m also a bit of a perfectionist, re-exporting videos tons of times just to fix small mistakes. Lastly, the time it took to make all the fancy effects was longer than I’d estimated. As the project dragged on, there was pressure to not delay the release of the videos any longer than I had to. A lot of this was self-imposed though.

There were days where I just did something else other than work on the project, which helped re-fuel my motivation when I decided to pick it up again.

Pretty much everything in the videos were taken from the game itself. The only graphics that were taken from the official website instead were the Substance symbols (the pictures with HERO at the bottom).

Additional overlay graphics were custom-made. It took two whole days to make the 3-second long sector intros and another two days to create and animate the arrow graphics for the credits. These were made using Resolve’s fusion and colour features. Much of the edit was inspired by the official HeliosR designs.

Left: Official in-game graphics // Right: My fanmade video (sector intros)

Sector intros were inspired by the four Heroes version of Union Attacks in-game.

Left: Official HeliosR video // Right: My fanmade video

The Preview video took after the ★4 Burst mini-previews as part of HeliosR’s promotional campaign, uploaded before the game was released.

Left: Official HeliosR video // Right: My fanmade video

The credits at the end of the Showcase were inspired by a different video, this time being the Half-Anniversary video.

The Showcase - which had a duration of 29:07 - was 11.5GB large in size. It took almost three hours to render (which I re-rendered to fix things) and two DAYS to upload to YouTube because I experienced multiple uploading interruptions. It’s a good thing you can re-upload the same video to continue where you left off without having to restart the entire process.

The individual hero clips didn’t take as long to make (but they took a while anyway as I re-uploaded some of them to fix minor mistakes). The recommendations for the VAs that were given alongside the publishing of each clip also spanned over another five days as I wanted to personalize and think about each one carefully.

A pretty frustrating part of the project was the prevalent lag when recording footage, which may have been due to the emulator and/or some technical things on my end. The Prison event used for the Showcase was the very first one I recorded when I wasn’t as aware about the lag, and so it suffered a bit as a result. The Union Attacks were the worst offender. I re-recorded the same battle scenes several times each just in case, then went through the footage frame-by-frame in Resolve and chose the ones with the least amount of lag. If all of the recorded footage suffered lag at different parts, I would even compare and splice together parts of them that didn’t lag. There was also audio lag (a known issue of NoxPlayer) so I had to move all of the audio forward by 1/3 of a second.

By the end of the project I had over 200 videos of game footage with a total size of over 24GB and a total duration exceeding 9 hours, not even counting all the ones that went unused.

The Heroes weren’t the only ones who evolved. MS Paint not recommended for thumbnails.

Overall, (despite the few mistakes here and there that nobody other than me would notice) I was happy with how everything turned out, down to the gorgeous thumbnails! I am an artist, after all~ :^)

I also have much more respect for video editors. They should be called VIDEO ANIMATORS!

ABOUT THE VOICES & AUDIO PROCESSING

When making a dub, it doesn’t mean we want to replace or best the original language, we just want to give it a new interpretation. In fact, the characters’ voice descriptions and direction provided in the scripts were heavily inspired by the seiyuu (Japanese VAs) and how they performed their lines.

Honestly, this was THE dream cast!! Some of the VAs had comparably similar voices to the Japanese ones which was an amazing coincidence. The ones that may not have sounded as similar had unique interpretations that I felt still suited their characters well. I also chose actors based on their performance, and everyone delivered!

Voice actors were not expected to imitate the Japanese voices and lines. They were provided direction and reference videos to help time their lines, but were otherwise given liberty when it came to their own interpretations.

You shouldn’t hear any jarring differences between the voice actors’ microphones and setups. That’s because I took the time to process the audio. Faith’s audio was submitted to me post-processed so it was used as a guideline for what the audio quality should sound like. Some of the others had comparable quality to Faith’s, so I only added compression to balance their volumes. Most of them benefited from equalization of various levels - this took some experimenting back and forth with the frequency spectrum. Lastly, a couple more benefited from clip fixing, noise gate, de-essing and/or click removal. It was very important for VAs to have at least decent room treatment; while small differences between mic frequencies can always be altered, echoes are difficult if not impossible to remove completely.

I feel that audio engineering is highly underrated and more important than ever as voice actors continue to record from home studios.

And in case it wasn’t already clear, this was purely voluntary work. No VAs or myself were paid to contribute anything for the project. Though, the experience alone was worth more than any amount of money.

ABOUT THE SCRIPT & TRANSLATIONS

HELIOS Rising Heroes「エリオスR」English Translation - Battle Lines

https://docs.google.com/spreadsheets/d/1ImWrAfvS_hgp6qr5qt30vCP63uHEk2o79uqY0h-3wL4/edit?usp=sharing

This spreadsheet consists of the literal translations for all the battle lines I could find in the game (it still isn’t done -yet-, plan to finish it when I get the chance). These are only fanmade and are not guaranteed to be accurate, especially as I wasn’t able to find another translator to help or proofread it.

After translating the lines, I made many additional revisions from the literal meanings such as changing the intention of the line slightly to flow better, having extra words added in to provide more context, or changing them completely. Thus, the lines used in the video are NOT literal TLs!

Another thing of note that may not seem apparent, but is what I feel an important aspect of character writing, is to remain completely unbiased towards all the characters. Personal favourites aside, I ensured that every Hero had their own spotlight as well as lines written in a way that remained faithful to their personality, no matter how unlikeable they were (looking at you, Asch Albright).

Even after giving voice actors their scripts, I made another revision in February after the release of the aforementioned Half-Anniversary video with the transcriptions for the ★4 Bursts, which is when I discovered a couple of mistakes with my transcriptions. This resulted in me having to edit out a part of one of the voice actors’ lines (Billy’s “String Show” line in his ★4 Burst) because of a translation mistake! I’m really glad I was able to double-check the correct lines before releasing the Preview video, or it would’ve looked pretty silly to Japanese viewers.

The last set of revisions were just minor edits to the subtitles (such as using kanji instead of kana) while I was working on subtitling all the videos.

Notable changes included:

WILL SPROUT

During attacking combo

Original line:

tanonda zo... ike! / “Counting on you... Reach!”

Rewritten line:

“I’ll become stronger... For everyone!”

The rewritten line is a condensed version of one of Will’s ★4 Evolved CG lines (“For everyone... I’ll become more and more stronger!”). He had “Reach!” in both his attacking combo and regular Burst, so I gave him an extra unique line.

★4 Burst

Original line:

warui kedo... kore de oshimai da! / “Sorry, but... it ends with this!”

Rewritten line:

“I’m sorry, but... it’s over for you! HAAAH!”

There were a couple of oversights I made with the script, and this was one of them that didn’t fit the animation properly. Props to Ryan for coming up with the extra shout at the end! So yeah, we kinda winged this line.

OSCAR BALE

When using skills against the enemy, during attacking combo, and in the ★4 Burst (repeat line)

Original line:

osoi! / “Slow!”

Rewritten lines:

“Too slow!” / “You’re slow!” / “Over here!”

Rewritten simply because I wanted to minimize repeated lines and change things up.

GAST ADLER

When supporting an ally, and during attacking combo

Original lines:

tetsudau ze / “I’ll help (you).”

itchouagari / “All done.”

Rewritten lines:

“I’ve got your six.”

“Target eliminated.”

I wanted to add in a few military terms to reflect Gast’s background.

FAITH BEAMS

★4 CG line (for the credits)

Original line (literal TL):

“It’s not terrible or evil, right? Surely this isn’t punishing... I guess?”

Rewritten line (with “mistake”):

“I’m not doing anything horrible or evil, alright? This is just business as usual... I suppose?”

Faith’s CG line had a mistake when I first translated and handed it off to his actor. I accidentally wrote “oshigoto” (work/business) instead of “oshioki” (punishment). The original has him pretty much saying the same thing twice anyway, so I would say the intention was still retained.

KEITH MAX

When supporting an ally

Original line:

gambare yo~ / “Do your best~.” or “Hang in there~.”

Rewritten line:

“Stay alive, would ya~?”

I know Keith’s meant to say “serious” things in a sarcastic or snarky way, but I just had to add in this fun line!

DINO ALBANI

Using skills against the enemy

Original lines:

haa! / “Haah!”

hei! / “Hey!”

Rewritten lines:

“I can do this!”

“Leave it to me!”

The Japanese lines for Dino’s offensive skills were rather basic, with the third and unchanged line “Here goes!” being a repeat line Dino also says when attacking. I wanted to give him some more lines - as standard as they are - to show his personality a bit more, along with having an additional fun West sector interaction. The changes fit the animations better too. (I actually had his VA say the "Haah!" line, but ended up using a different take of “Here goes!” in place of it.)

ABOUT THE FONTS

Fonts were taken from various sources and were either FREE for personal use or had an open font license. I didn’t have access to the commercial fonts (such as Futura) used in-game, so these were the following fonts I made use of:

Techna Sans looked similar enough to Futura when capitalized, and still looked decent in lowercase.

Jost* is a font that was derived from Futura. Some of its uppercase letters are sharper than Futura's, but it worked pretty well for the text in the credits.

Gau Font Over Drive was used for the ANIMATION SHOWCASE text.

Gen Jyuu Gothic LP was used for the majority of the Japanese text and its English letters were also used for the battle clip subtitles on Twitter.

Meiryo UI (default font) was used for the Preview videos’ subtitles.

Noto Serif JP (default Google font) was used for the serif Japanese text in the credits.

ABOUT NOXPLAYER ANDROID EMULATOR

ETA: AS OF VERSION 1.1.18 (04/23/21), EMULATORS NO LONGER WORK WITH HELIOSR (AS WELL AS OTHER CACALIA STUDIO GAMES). THE BELOW INFORMATION IS OUTDATED.

If, for whatever reason you’re interested in using NoxPlayer, you should take caution when installing it onto your machine. I don’t advocate for or recommend installing Nox. I had to resort to emulation so that I could record the footage and sounds directly from my computer using OBS. The reason why I used Nox specifically is because Cacalia Studio doesn’t like emulators, blocking most of them from running their games. I found further instructions on how to run the game in Nox from the Cacalia RPG Discord (via Twitter @HeliosR_en).

First, not all Nox versions are safe. It should only be installed from the official website, Bignox. More recent versions (I believe from 6.3.0.6 and up) may contain malware such as Segurazo and Chromium packaged with the installer which can be annoying to remove. The version of Nox I used was 6.3.0.0 (you can install older versions, then just don’t update it), which has Android 7 and doesn’t contain packaged malware (AFAIK).

Second, NoxPlayer may be “free” to use, but it comes with bloatware and profits off of its users’ data by collecting and sending it to many different servers. The below guide is what I used to debloat Nox and minimize communication to these servers. Scroll down the comments for additional domains to add to the hosts file.

Debloating & Optimizing Nox:

https://gist.github.com/Log1x/12d330ef7685d6fbc611d1d57efb5c29

This is another good guide that makes use of command prompt to remove additional bloatware from the emulator.

How to Remove Bloatware on Nox and LDPlayer Emulator:

https://codefaq.org/emulator/how-to-remove-bloatware-on-nox-and-ldplayer-emulator/

ENDING NOTES (TL;DR)

Images of the first and last video for the HeliosR project. We’ve come full circle!

One very tired and average person decided to translate, script, cast, direct, and edit an ambitious project all by herself using only FREE tools, and ended up taking too long to finish it. But at least she finished it, right?

Translators = RESPECT

Voice actors = RESPECT

Video editors = RESPECT

Audio engineers = R E S P E C T (their work is especially behind-the-scenes)

Hell, I even like Asch now.

During my time working on this, there was one question I always had in mind: “What would the fans want?”

I hope this follow-up has given you a bit of insight into the makings of the HeliosR project. Thank you for reading!

~RubyJCat