#well guess that i'm too early to post about me being so joyful this 2 days as a sports fan because this include indy car as well
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was catching up on my dash especially for the indy 500 race just to found out tha pato had a bad race?? 🥲🥲🥲
#well guess that i'm too early to post about me being so joyful this 2 days as a sports fan because this include indy car as well#(even tbh i'm not even paying attention a lot about it and only cares about pato and some other drivers there)#but yeah at least i know who's one i can blame it for....that z*k beige forreal lmaoooooooo#anyways josef winning the indy 500 race that's good for him tho <333
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"Loki" Director Kate Herron Talks The Epic Season 1 Finale And The Easter Egg Fans Should Go Back And Listen For | Buzzfeed
Warning: There are MASSIVE spoilers ahead for Season 1 of Loki!
Welp, Loki Season 1 just came to an end and I think it's safe to say that the Marvel Cinematic Universe will never be the same. Following the Season 1 finale, we sat down with director Kate Herron to talk about everything — like how it felt introducing the multiverse and Jonathan Majors to the MCU, casting this incredible ensemble cast, Loki's bisexuality, and so much more. Here's everything we learned:
1. First, Kate has always loved Loki, so she knew she wanted to be involved in the "character's next step" in some way.
"Basically, I love Loki, and I found out they were making a show about him. As a fan, I was like, 'I need to know where he's gone.' Then, I just wanted to know what the story was going to be. I loved the character. I think Tom Hiddleston's performance is amazing. I really wanted to be part of whatever this character's next step was because I think Loki's had one of the best arcs in the MCU."
2. Directing all six episodes of the first season felt like filming a six-hour movie.
"Directing all six episodes was a really unique experience, right? Because normally TV is run through the showrunner system, and Marvel didn't do that on Loki. It was incredible. It was quite an undertaking to do six hours and run it like a giant film. I'm so grateful for the opportunity, and I'm really proud of what we made."
3. When Kate signed on to Loki, only the first few scripts had been written, the "rough shape of the show" was in place, and they knew Loki would be arrested by the TVA.
"When I started, Michael [Waldron] had written the pilot. Then, there was a second episode written by Elissa [Karasik], and Bisha's [Ali] episode was written. So, there was a rough shape of the show. It was already fixed in that Loki was gonna be arrested by the TVA and then it had this twist that he was going to try and solve the mystery of who this other Loki was, but then it pivots and becomes this love story about him falling in love with himself. I just thought that was so inspired and the message that had about self-love. I just really wanted to be part of that."
4. And they always knew the show would end at The Citadel at the End of Time and the multiverse would be born.
"As we dug into it with Kevin Wright, our producer, the studio, Michael, Tom, and also our whole team, I think it was always thinking like what was the best story, in particular during the second half of the show. We always knew they were going to The Citadel, something would happen, and the multiverse would be born, but we didn't necessarily know it would come out of Loki and Sylvie fighting. That idea came out of discussions with me, the writers, and the studio."
5. It was "always the plan" to introduce Jonathan Majors to the MCU during the Loki Season 1 finale.
"I think me and the writers were just like, 'Well, they haven't told us we can't introduce that character. I guess we're doing it.' It was really exciting and I felt really honored that I got to be part of it."
6. Kate was involved with Jonathan's casting for He Who Remains/Kang alongside Peyton Reed, who will direct Ant-Man: Quantumania, and Marvel Studios.
"Being part of the casting discussion with Marvel and Peyton was amazing. It was massive. I was just like, 'Wow, I can't believe I get to be part of this conversation.' Everyone was just so excited about Jonathan. He's one of the best actors. I just couldn't believe we got him."
7. Jonathan brought a lot of "cool ideas to the table" once he was cast, and Kate gave him "space to play."
"He just brought so many cool ideas to the table. I think when you're working with an actor like Jonathan, it's really just about giving him space to play, and let him find the character and give him a cool way to do that. I really enjoyed working with him. We finished the shoot filming in The Citadel, so it was really interesting that we finished filming with Jonathan. I just felt very lucky I got to direct him."
8. Jonathan actually voiced the Time-Keepers in Episode 4, which added to the Wizard of Oz homage.
"Obviously, the Time-Keepers were being made in post, and we hadn't cast anyone [for the voices] yet, and I thought, 'Well, Wizard of Oz. Like it should be the wizard, right?' So I thought it would be cool if it was Jonathan, and I think the key thing then was just working with him in a way that we could disguise his voice. I think the fun thing was, Jonathan is an amazing character actor. So we just sent him the art and he was sending audio clips to me and Kevin Wright and being like, 'What about this voice?' It was just so much fun to do that with him. I think that was just joyful."
9. Kate's favorite Easter egg from Episode 5 was Throg — in fact, Chris Hemsworth recorded new lines and sounds for that small part.
"That one I was very proud of and it was very fun. I had that shot designed for a while. I think I'd seen it in Futurama, and a lot of animation does it, but I love the idea of going through the dirt and it reveals something. I always felt like that shot would be the place to insert an Easter egg. When we had Throg in there, it was so much fun and it was perfect. We also recorded Chris [Hemsworth] for that. It was just so much fun."
10. She also loved the Thanos Copter and said it was a "funny" detail the producers loved from the comics, so they had to include it.
"The Thanos Copter was great. Kevin Wright, our executive producer, was really obsessed with that copter, I was like, 'We have to put the helicopter,' and it was so funny. Episode 5 is our best Easter egg episode. There's so much deliberately because of the nature of The Void as a place where deleted things are sent."
11. There's one Easter egg/detail Kate hasn't seen fans catch onto yet, and it involves a "familiar" voice at the very end of the Season 1 finale.
"The one I would say is — it's less Easter egg and more cool story-wise. So, at the very end of the finale, when Loki is in this alternate TVA, there's a character that runs behind him and is going to the armory and people should listen to the voice. It's very quick, but it's someone familiar."
12. Loki was inspired by numerous iconic sci-fi movies, like Children of Men, Alien, Hitchhiker's Guide to the Galaxy, Metropolis, Starship Troopers, and more.
"Bisha, in the episode [she wrote], she spoke about Children of Men and also Before Sunrise as a reference, so I was really inspired by that and the idea of bringing these sci-fi things together. Across all the TVA, I wanted it to just be a big love letter to sci-fi movies, like Metropolis, Brazil, Hitchhiker's Guide to the Galaxy, [and] Alien. A reference I could never talk about early was Starship Troopers just because, obviously, the TVA are bad guys and in that movie they also use a lot of propaganda film and we had our Miss Minutes film. So, that movie played a hand. There was so much across the show. We had references from everywhere."
13. And the inspiration for how The Void would look in Episode 5 actually came from Teletubbies.
"I never really spoke much about it, but basically in Episode 5, The Void was originally written like a desert, but when I pitched, I said I thought it would be cool if rather than like a Mad Max desert apocalypse, it's more like an overgrown garden. Like, this is the place where the TVA throw their rubbish in. I just loved the idea of that. I think I realized as it started to unravel that I'd basically pitched the British countryside. As we were building it, I was like, 'Am I just homesick?' I remember trying to explain it to the visual effects artists who were making it, and I was like, 'You know, it's like the Teletubbies. You know, rolling hills just one after another.' So, yeah, the Teletubbies became a useful reference when describing The Void. So, that's how they played a hand in it."
14. Kate was the one who suggested Sophia Di Martino audition for the role of Sylvie.
"Sophia was in a short film of mine called Smear. I was very happy to pay her, finally, for her talent. When we were reading for the role, I was like, 'There's this actor I know and I think we should ask if she wants to read.' Everyone was like, 'Yeah, sure.' So, she read in these audition tapes, and we were all watching the tapes back and I remember everyone at the studio was like, 'Wait, who's that?' And I was like, 'Oh, that's my friend Sophia.' They thought she was amazing."
15. Sophia's audition tape was so good that she was immediately cast.
"Basically, everyone was really excited by her tape and I think she got cast in the room, which is incredible. I was excited because I got to bring my friend along. She's such a good actor. She's fantastic in Flowers and I was just so happy that she was coming along for the ride. I think she's done such a beautiful job with Sylvie."
16. One of the most important things when crafting Sylvie and the other Loki Variants was making sure they were their own characters, and not just Loki copies.
"I think the most important thing, minus just tiny little gestures, was really making it important that Sylvie was her own character and that all the Lokis weren't just 'faded photocopies.' They were all their own Loki. It wasn't even that they stood in a similar way or looked similar, but what in their soul made them a Loki. I love that line, 'Lokis always survive.' That idea goes across all our characters who are Lokis."
17. Casting Sylvie was one of the hardest things, and Sophia was able to bring her own spin to the character and she was the perfect "sparring partner" for Tom.
"Sophia has this talent — and I think Tom has it as well — where she's so funny and naturally so witty and charismatic that you can't take your eyes off her. She's also really good at playing characters with a lot of anger, pain, and vulnerability. I just felt that those qualities were so Loki to me. She brought her own spin on it too. Tom's performance is so iconic, so Sylvie was a tough role to cast because you need to give him a good sparring partner, but also, it's another Loki and people love Loki. So, it was really making sure that she felt distinctive enough that she was different, but also that we gave Tom a really fun actor to play alongside. It was really fun watching them. It was really fun seeing their chemistry grow."
18. Sylvie's fighting style was actually crafted to have similar movements to Loki's, thus showing that they are basically two sides of the same coin.
"I know Tom and Sophia spent a lot of time together. I think the fun thing with Sophia was the little things, like the fighting styles. She has a very different life to our Loki. Loki is very balletic in his fighting style, because he grew up in the palace, whereas Sylvie grew up in apocalypses. So, she was going to fight a bit more like a feral cat. I thought that was fun to play with. We worked with Mo [Ganderton], our stunt coordinator, and it was really fun to find little mirror image stuff they would do when they fight. We did a little bit of that on Lamentis and there's little bits here and there where we've done that. There's also little gestures that they do that are quite similar."
19. Kate had a "four hour" phone call with Owen Wilson before he was cast. They talked about Marvel, Mobius, and Loki.
"Everyone was so excited to cast him. I remember, they were like, 'Kate, just call him and see if he's up for it.' That was a lot of pressure. But then, I spoke to him on the phone and we spoke about Marvel and Loki in Marvel. Also, we talked about what our show was doing, who Mobius was, and then just getting his take on it. It was a very detailed conversation. I think we spoke for like four hours. At the end, he was like, 'I'm in.'"
20. Wunmi Mosaku's role was originally supposed to be a male character, but Kate suggested having an "open casting" because she thought Hunter B-15 would be really great as a female character.
"When I spoke to the studio, I was like, 'This character is cool, but I just think it could be really interesting if this was a female character. So, could we do open casting? We'll have men and women read, and we'll just see who's the best person for the role.' So, Wunmi read for it and just blew everyone away. We were like, 'We have to cast this person!' So, we kind of remade the role, really, around her."
21. Kate loves the idea that Hunter B-15 joins this club of sci-fi female characters who were originally supposed to be men.
"It was cool because I love Ripley in Alien and I love Kara Thrace in Battlestar Galactica. In the original Battlestar, Kara Thrace's character was played by a man, and Ripley in Alien was originally written as a man, so I liked that Hunter B-15 was joining these badass women in sci-fi. That was really cool to me."
22. When Kate pitched her ideas to the studio, she include Gugu Mbatha-Raw as the actor she wanted to play Ravonna.
"Gugu was in my pitch when I spoke to the studio. I was like, 'I think she'll be really great.' I love her work as an actor. From Belle to the episode of Black Mirror she's in, everything she's in is so different. I think that's so interesting with Ravonna because in the comics, Ravonna's been good and bad, and she's such a big character. I was like, 'I'd love to see Gugu's take on that character.' The studio was really excited by that and so was Gugu."
23. Kate said it was "important" to recognize Loki's bisexuality in the show, and she loved how it was naturally worked into a conversation between him and Sylvie.
"It was just important for us to do it in a way that made it canon, acknowledged it, and also done in a way where like, if someone asked me, I would just be matter of fact about it, like, 'Yeah, I'm bi.' I think that was the important thing for it and building it into the conversation. It was important to the whole team and the way that it was written was really beautiful. It felt like the right place to do it because these two characters are starting to open up to each other and are being a bit more honest about who they are. So it felt like the right place to have that moment."
24. The TVA weren't always going to be Variants/humans. That idea was born out of conversations with Kate, the writers, and the rest of the Loki team.
"When I started, I think it was a bit more up in the air with like, who are the Variants who work for the TVA? Are they Variants? They actually weren't Variants when I first joined. Casey was an alien, for example. I think something we all locked onto was it was more effective to make them more human. It was already in there that the Time-Keepers wouldn't be real and that would be a big Wizard of Oz rug pull. But the extra rug pull we added was that, on top of all of that, the TVA don't realize that they're actually Variants."
25. One of the things Kate enjoyed the most was figuring out the "inner workings of the TVA," like how the Minutemen would operate.
"I think it was really fun, in terms of the bigger structural stuff, to work with everyone. Also, figuring out the inner workings of the TVA, like every squad of Minutemen would have a hunter and they'll be little details sprinkled across all the world building in the show. Generally, we always looked at the characters and what was the best story and how to get to the end goal in the most effective way."
26. The season finale intro — which included seeing space, the sacred timeline, and hearing quotes from the MCU and history — was an homage to Contact.
"Basically, Eric Martin, our writer, he'd written in this amazing idea that for the opening we do an homage to Contact, and kind of move through space to the end of time. Then, we'd see the physical timeline, and then we see The Citadel. I love Contact, and I was like, 'Oh, that's so cool.' We took that idea to Darrin [Denlinger], our storyboard artist, and me and him just nerded out about space and about how we wanted to pay homage to Contact but not be completely the same.
So we played with the idea of time and he was bringing in so many cool ideas. But then, the amazing pitch he had as well was like, 'What if when we pull out at the very end, the timeline isn't a straight line like how you guys have been showing it in the show? What if it's actually circular?' I thought it was such a good idea."
27. Kevin Feige helped come up with the idea to include Marvel quotes over the Marvel logo because it was something the MCU had never done before.
"I had this weird idea where I remember saying to my editor, Emma McCleave, I was like, 'Oh, can we add a baby crying or the sounds of the city? And it's like we just hear life.' So her, me, and Kevin Wright got really into that. So we were adding all of these different sounds into the timeline. We also had quotes from just life, not Marvel. Then, we showed that cut to Kevin Feige and the rest of the team.
They all thought it was cool, and then Kevin Feige was like, 'Oh, do you know what? We've never done quotes on the Marvel logo before.' So, we thought that was cool and we added the quotes to the Marvel logo intro. Then, me, Kevin Wright, Emma, and Sarah Bennett, Emma's assistant, decided to just put the MCU quotes across the whole thing."
28. Going from hearing all of the voices in the season finale opening to utter silence in The Citadel was also a way of learning something about He Who Remains.
"I loved the idea of all the noise and this Greek chorus building because when you finally pull out and see The Citadel and how isolated it is, it tells you so much about He Who Remains' psychology because he's surrounded by all this brimming life, but he's completely isolated and alone. I thought it tells you a little bit about his character and who he might be before we see him."29. Kate loves that the season finale opening is a "beautiful handover" from the previous phase of the Marvel Cinematic Universe into this one with the multiverse.
"It was a real group effort, and we were just really excited at the idea of it being this really beautiful handover from the previous phase of Marvel. Also, we get to encapsulate a little bit of our world as well, which was really fun. The editing team put so much time into that. I really want to watch it in a planetarium or something."
29. Kate loves that the season finale opening is a "beautiful handover" from the previous phase of the Marvel Cinematic Universe into this one with the multiverse.
"It was a real group effort, and we were just really excited at the idea of it being this really beautiful handover from the previous phase of Marvel. Also, we get to encapsulate a little bit of our world as well, which was really fun. The editing team put so much time into that. I really want to watch it in a planetarium or something."
30. And finally, even though Loki sets up a lot of upcoming MCU projects — namely, Spider-Man: No Way Home, Doctor Strange in the Multiverse of Madness, and Ant-Man: Quantumania — Kate didn't have a lot of conversations with other MCU directors and writers.
"Kevin Wright and Stephen Broussard from Marvel were our producers on Loki, and they worked with Kevin Feige, Louis [D'Esposito], and Victoria [Alonso]. They always steered us in terms of the Marvel big picture and let us know if anything was off base. It's so secretive at Marvel, so I only spoke to Peyton just because our timelines crossed [with Jonathan]. Generally, Marvel manages everything internally and keeps us all in check."
#loki#loki series#kate herron#interview#article#buzzfeed#loki spoilers#spoilers#loki series spoilers
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No All Might? That’s Alright Prt3
Izuku Midoriya Fanfiction
A/N: In all honesty this took me way too long just to finish writing this chapter, but I pushed through so I guess it’s fine. I’ve created a AO3 account recently and I’ve posted all of my previous fanfictions there so if you want to check me out, you can find me as SatansChild
Hope you all stay safe and wear a mask if you can't physically distance.Hope to update soon!
Catch you on the flip side ~ Em
Photo used in this fic was referenced from original picture from anime, I did draw this photo jtlyk
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@random-fandom-girl-24
Tags for some wonderful feedback😘: @trashys-things @pink-imagines @marvelmymarvel @shikigami-the-paper-spirit @spaced-out-imagines @marvelmymarvelmain @writingfreakk
Trigger warning: Talk about death
Word Count: 2633
Part 1 Part 2 Part 3
After making sure all of the blood was no longer on his uniform, Closing his eyes, Izuku steeled himself to walk into the All Might shrine that was his room. Sure, he still wanted to be a hero, and he admired All Might’s strength, but he couldn’t stand to be surrounded by posters and figurines of a man who couldn’t offer any sort of encouragement to a child who clearly needed it. Izuku pulled some cardboard boxes out from his closet and started filling them with everything All Might. Oboro didn’t make a sound during the time he cleaned out his room, which he was grateful for. Even though he could just feel Oboro wanting to ask questions.
“So what are you going to do about all this stuff?” Oboro asked as Izuku changed his All Might sheets with regular black ones “You seem like such a big fan...it just seems like a waste just to keep it all in boxes.”
Izuku shrugged his shoulders.”I’m not much of a fan anymore.” he lied to mostly himself rather than to Oboro, “I guess I’ll just donate the stuff later.” Once his walls were finally bare, Izuku stuffed the now full boxes to the back of his closet and flopped onto his bed. The room stayed silent for a moment until Izuku broke the ice, “I don’t want to intrude on your personal life…but can you tell me about yourself?” he asked
“Well for the fact that I witnessed and helped you with some pretty deep stuff, it sorta would be rude if I didn’t tell you something about my previous life,” Oboro said cheekily
“H-how long have you been...you know…” Izuku paused not really wanting to complete the question.
“...dead?” Izuku nodded “I was in my second year of high school when I died and I would be 29 by now so...close to 12 years I think?” Izuku sat there on his bed frozen
‘12 years is a long time to be a ghost or spirit to not have passed on, that is if people actually pass onto another place once they die’ Izuku thought to himself
“I was patrolling around Tasomiya Ward with one of my best friends when there was a villain attack...I was working on saving some kids when debris fell on top of me...when I woke up I was like how I am now, I couldn’t find my body anywhere so I just...travelled around…” Oboro seemed to quiet down at mentioning that he never found his body to move onto another life, so Izuku thought of ways to change the current mood of the room.
“So you were a hero in training or something?” he asked, face full of wonder, Oboro hummed in affirmation “What school did you go to?”
“I went to U.A”
“Wait really?!” Izuku exclaimed excitedly, “that's so cool!”
They continued talking and asking questions back and forth, before falling into a comfortable silence. A few minutes past before Izuku took a deep breath
“I...I’m sorry,” Izuku said quietly, slowly curling into himself
"Why would you be sorry kid?" Oboro’s voice was full of confusion. But Izuku only curled in on himself further.
"If it wasn't for me you wouldn't be stuck here." As if anyone wanted to be bound to some stupid Deku...like him. And here he thought it was a whole coincidence that Oboro was with him. But instead, he just took whatever type of freedom he had to begin with.
"Hey, no! Stop that. Izuku that's not true! I'm here because I want to be!" The warmth spread all over him and he couldn't help but lean into it. “I said I'd make a hero out of you and I still plan on it."
Izuku looked up only to see the ceiling of his room, lifting his arm up to the sky and let it just float there (like what every kid does while laying on there bed contemplating on what to do next). "I wish I could see you again."
Oboro hummed. Seeming to think something through. "I don’t think there’s much out there since I was only a second-year when I died, but there could be some photos of me with friends or an article"
Izuku seemed to take that as a challenge as he went to his computer. "What did you choose to be your hero name?"
"Loud Cloud."
After scouring the web for a couple of minutes nothing showed up except for an old article from the Nikkei Shimbun newspaper, reporting the death of hero-in-training Loud Cloud. Izuku quickly exited that site choosing to search for something different. “What’s your full name Oboro?”
“Oh that’s right I didn’t tell you my full name, it is Oboro Shirakumo” Oboro replied
“Oboroshirikumo...oboroshirikumooo….here!” Izuku exclaimed pointing at the monitor’s screen. “This photo was tagged saying ‘Curry eating competition at U.A’s School Festival. Winner Hizashi Yamada from class 2-A!’ it also says the names of the people in the photo are; Shota Aizawa, Hizashi Yamada, and Oboro Shirakumo.”
“Oh, I remember that!” Oboro cried out laughing “The curry was soo spicy I was freaking out because I couldn’t find anything to soothe my burning throat!”
“So that’s you in the back then?” Izuku asked pointing towards a teenager who seems to be freaking out.
Oboro chuckles “Yep, the other two were my best friends!”
“Yamada looks sorta familiar what’s his hero name?” Izukku asked, curious on why the 16-year-old looked so familiar to him
“Unless he changed it before becoming a pro, which he probably would not, his hero name is Present Mic.”
Izuku sputtered “W-wait you were close friends with THE Present Mic?!” Oboro hummed in agreement while Izuku had his miny freak out “
“Oh my god that is socool!Ilistentohisradioshoweveryday,andhe’ssuchanamazinghero,likeevenifheisdeafduetohisquirkhedoesn’tletitbotherhiman-” He stopped hearing the sound of laughter coming around his room and his lamp flickering
"Aw jeez, that’s amazing Hizashi got to get that radio show he wanted." There was a quick blast of warmth flooding around his back and chest resembling a hug. "Well anyway, you should probably head to bed. You have a busy day ahead of you tomorrow and a long way to go before you can have a chance at being accepted into UA!"
"What are you going to do while I sleep?" Izuku asked, eyes slowly drooping.
"I'm going to see how far I can go without being next to you, and have a look around and exploring a bit. No need to worry. I'll make sure to be careful and be here in the morning." He seemed to pick up on his anxieties. Izuku felt warmth as Oboro slowly pet his hair back. "Goodnight, Izuku."
The next morning Izuku woke up to warmth pulsing on his right cheek. "Hey kid it’s time to get up! You have training to do! Up and at ‘em!" Oboro’s voice was overly joyful and Izuku felt very unwilling to get out of bed.
"Mm...just a bit longeeeer." He groaned turning himself over facing away from where he guesses Oboro is standing (floating?).
"Fair warning Izuku my jokes are terrible, everyone at school would always runaway once I started and I haven’t been able to talk to actual people in so long! If spaghetti were to have it’s own action movie, what would it be called?.... Mission im-pasta-ble. What did the pot eat on it’s birthday?....pancakes. What do you call a camel in a drought?....A dry hu- "
Finally, Izuku jerked up, covering his ears. “Okay. Okay, I’m up! No need to finish that.” His face started to burn a light pink across his face, (knowing what the end of the joke was) as he started to kick the blankets off only to turn towards the window and see barely any light outside. "Wha- Oboro!! The sun isn’t even out yet!"
He turned glaring into thin air hoping to make contact with him.
"Yes, it is, Izu. It's just reeeally early in the morning. There is plenty of time for you to get ready and eat before we go out for a morning run!" He was being weirdly energetic about the whole ordeal, but Izuku knew he wouldn't take no for an answer.
Heading to the bathroom, Izuku ran a brush through his wild curly hair and brushed his teeth. Going back to his room, Obroro pipped up. "It's a bit cool outside so I suggest you wear some long sleeves."
The entire way to his closet Izuku muttered incoherent things. In the end, he opted to wear a plain black shorts and a long-sleeved shirt with written kanji saying 'tank-top' with his old dusty sneakers because his red sneakers were still on top of the roof.
Before heading out Izuku ate some toast and an orange. If he got hungry later on their run he could always eat more when they got back. As Izulu started to leave the apartment Izuku tripped over an unmarked box that was just left in front of the door.
"Ooo I wonder what it is!” Oboro seemed quite enthusiastic as Izuku went to open the box revealing his faded red shoes and yellow backpack.
"Wai-how-who found my stuff?" Izuku asked immediately putting the bag by the door and quickly changing between uncomfortable and comfortable shoes.
"I don’t know, when I got back from wandering around the package was just...there."
"Maybe someone found it and found out where I live from my contact info and address was written inside…?” Izuku wondered out loud.
“I guess so,” Oboro said looking to the bright sight of things.
‘But what if it was...All Might. Yeah, I’m glad that I don’t have to go back up there to collect my things but...I don’t want to have to depend on All Might to help me with my own problems.’
“Hey don’t think like that Izu! I know you’re not a huge fan of the guy, but you don’t have to beat yourself down like that. I know you’re better than that” Oboro spoke sternly trying to make a point, but that soon backfired as warmth spread through his body.
“Hold up- could you always hear my thoughts?” Izuku questioned as he started to jog away from the apartment.
“So far I can heat some things. Like your thoughts that way heavily on you emotionally. But it could possibly work to talk to me through your mind. So you don’t look like a freak talking to themselves.” Oboro quickly informs Izuku as to not worry him.
Sighed Izuku. That was true. Though he kept thinking about it as he jogged. As they passed Dagobah Municipal Beach, the sun had started to rise. Taking in a deep breath was the wrong reason as Izuku cringed from the awful smell of garbage. Despite the smell, Izuku took a break, taking a seat at the entrance.
"Oh gross. What is this place?" Oboro asked with a clear sound of disgust in his voice.
"Well," Izuku started."This is Dagobah Municipal Beach Park. It has accumulated trash coming from the sea for years, turning it from a beautiful beach spot into a trash heap for everyone's unwanted or broken belongings." It was really a shame. As a kid, Izuku recalled going to the beach. Lie under a beach umbrella, making sandcastles. But by the time he was tall enough into the water, it was already flooded with trash by then.
"That's terrible." Oboro seemed deeply upset about this actually. It made Izuku want to do something about it. But before Izuku could voice his thoughts Oboro spoke up.
“Hey Izu, could we make a quick visit to a convenience store?”
“Sure...what exactly do you want me to get?” Izuku asked, despite having an idea what Oboro was thinking.
“Well...you’re going to need to get some garbage bags and some gloves.”
Izuku then dashed towards the nearest convenience store with determination in his eyes. A frail-looking lady turned the key to open the doors as he walked by. Causing her to recoil in slight shock, Izuku realized that with his rapid approach he had frightened her. "I'm sorry, ma'am. I'd just come to purchase some garbage bags and some gloves.
The older woman seemed to soften something about his face as she smiled and opened his door. "Sure thing, they’re both in the last aisle on your right."
Before she went inside, Izuku thanked her and smiled back. He quickly found what he was looking for and brought a box of trash bags and a pair of workers gloves onto the counter.
"What's the hurry, son? Why do you need trash bags this early in the morning? You aren't trying to cause trouble are you?" the old woman pointed to Izuku with an accusing finger, and he shook his head quickly.
"Oh no, ma'am! I thought that I could just try and clean the beach up! I passed it while I was on my morning run!" Izuku assured, voicing Oboro’s plan
At this, the elder woman gently smiles while scanning the items. “Wow, is that right?” she said astonished, “ You know how long that place has been a mess? What makes you believe you can do it all by yourself?"
Her words weren't really painful, she was just being realistic. He knew she was right. He certainly had no obligation to clean up the beach. He could have just ignored it and easily went about his day. But he knew if he wanted to be a hero then he would need to start off the roots of how heroes came to be. How they used to work. Heroes in the beginning didn’t do what they did for fame. No. They didn’t care for the recognition they would get. They did it because they just wanted to help.
“That’s the thing, ma’am. I thought that it wouldn’t hurt to try. It’s also a great way to work out, instead of having to buy workout equipment or get a gym membership!” Izuku brightly smiles towards the lady as he handed her the money to buy his items.
“Well, I wish you luck, kid. I’m guessing that you’ll need a place to put the trash you collect.” She stated, Izuku smiling sheepishly at her rubbing the back of his head she continued, “There are two dumpsters in the alley behind the store, they get taken every Monday.”
"Thank you, ma'am!" Izuku said genuinely as he headed for the door. He didn't think too much about how he would dispose of the garbage, so it was good to have one offered.
Oboro began to laugh as Izuku jogged back towards the beach. "Cheaper than having to buy workout equipment or get a gym membership! Man, how true that is nowadays!”
The first garbage bags were packed very quickly. broken bottles, cans of beer, old and rotting newspaper, all of it was poured into the trash bag. Plastic, paper, glass, etc. Izuku could take them to a recycling center! He was already pumped about this new project when Oboro spoke up.
“Hey, Izu, before you toss that into the bag” placing his hand on Izuku’s making him feel warmth blossom closest to the soda, can packaging he was holding in that hand. “make sure you cut each circle so if they end up in wildlife again then animals won’t get their heads stuck inside.”
Izuku's eyes lit up as he started to tear apart each loop before placing it in one of the bags used for recycling. Soon Izuku had used up a quarter of the box of trash bags gone and only had 6x5 feet rectangle cleared of the beach.
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