#ween cameo

[1134soup]

assorted undertale drawings most are in MS paint

[knoggart]

Day 05: Phantasmagoria

With a little help and encouragement from a friend, I was finally able to put on this show!

[sawsily]

[thunderlina]

Within the files of The Show: Ween Edition there exists somewhat updated SVG files of Preshy and Rafferty. Neither of them have legs and Preshy has no mouth. Notably, both have been given eye shines and the shape of Preshy's dress has changed somewhat compared to Those Darn Cousins. I wonder if they were intended to have a more prominent cameo at some point.

I also took it upon myself to draw them some new legs (+ a mouth for Preshy) to see what they may have looked like had they appeared in more than just silhouette.

Also, in case you're wondering, no, unfortunately Champeen doesn't have any updated artwork, only these two :(

[svgoceandesigns1]

Are You Fall-O-Ween Directions SVG - Teacher Halloween SVG PNG, Cricut File

Are You Fall-O-Ween Directions SVG, Teacher Halloween SVG PNG EPS DXF PDF, Cricut File, Instant Download File, Cricut File Silhouette Art, Logo Design, Designs For Shirts. ♥ Welcome to SVG OCEAN DESIGNS Store! ♥ ► PLEASE NOTE: – Since this item is digital, no physical product will be sent to you. – Your files will be ready to download immediately after your purchase. Once payment has been completed, SVG Ocean Designs will send you an email letting you know your File is ready for Download. You may also check your Order/Purchase History on SVG Ocean Designs website and it should be available for download there as well. – Please make sure you have the right software required and knowledge to use this graphic before making your purchase. – Due to monitor differences and your printer settings, the actual colors of your printed product may vary slightly. – Due to the digital nature of this listing, there are “no refunds or exchanges”. – If you have a specific Design you would like made, just message me! I will be more than glad to create a Custom Oder for you. ► YOU RECEIVE: This listing includes a zip file with the following formats: – SVG File (check your software to confirm it is compatible with your machine): Includes wording in both white and black (SVG only). Other files are black wording. – PNG File: PNG High Resolution 300 dpi Clipart (transparent background – resize smaller and slightly larger without loss of quality). – DXF: high resolution, perfect for print and many more. – EPS: high resolution, perfect for print, Design and many more. ► USAGE: – Can be used with Cricut Design Space, Silhouette Cameo, Silhouette Studio, Adobe Illustrator, ...and any other software or machines that work with SVG/PNG files. Please make sDisney Father's Dayure your machine and software are compatible before purchasing. – You can edit, resize and change colors in any vector or cutting software like Inkscape, Adobe illustrator, Cricut design space, etc. SVG cut files are perfect for all your DIY projects or handmade businDisney Father's Dayess Product. You can use them for T-shirts, scrapbooks, wall vinyls, stickers, invitations cards, web and more!!! Perfect for T-shirts, iron-ons, mugs, printables, card making, scrapbooking, etc. ►TERMS OF USE: – NO refunds on digital products. Please contact me if you experience any problems with the purchase. – Watermark and wood background won’t be shown in the downloaded files. – Please DO NOT resell, distribute, share, copy, or reproduce my designs. – Customer service and satisfaction is our top priority. If you have any questions before placing orders, please contact with us via email "support@svgoceandesigns.com". – New products and latest trends =>> Click Here . Thank you so much for visiting our store! SVG OCEAN DESIGNS Read the full article

[m1kryn]

Without a Word - February 10, 2023

Track Listing Vega, Alan, Alex Chilton, Ben Vaughn. “Candyman.” Cubist Blues. Coyle & Sharpe. “Maniacs Living in Hell.” Audio Visionaries: Street Pranks & Put-Ons. Bubonic Plague. “Fun Grave.” No Bosses No Bullshit. Cameo. “Word Up!” Word Up! Ween. “Play It Off Legit.” Pure Guava. Savage Aural Hotbed. “Bong Hits at the Great Pyramid.” Pressure of Silence. Low. “Disappearing.” Hey…

[ink-and-dagger]

Whiskers cameo in a future dwm chapter? 🐈

Silco blocks out the incessant thump of the tuneless rubbish that blasts through the club, intent only on getting upstairs to where his bourbon and humidor awaits, along with the promise of relative peace and quiet.

He peers briefly over the balcony as he rounds it, as is becoming his habit. You’re bobbing your head along to the music as you pull a pint, completely lost in your own little world. The corner of his mouth twitches of its own accord, but he quickly intercepts.

Silco takes the first few steps up his stairwell before his brain fully registers what he’s just seen.

He pauses, before slowly backing down the stairs and casting his gaze over Vill.

The man is as expressionless as always. Still as a statue, hands folded at his front, staring dead ahead, guarding his post studiously.

The picture of hulking intimidation.

Were it not for the tiny cream and peaches head poking out from his shirt pocket. A kitten, too young to have been suitably weened from its mother. Fuzzed chin resting on the hem of the fabric, and pink nose in the air; fast asleep despite the noise of the club.

Silco raises an eyebrow, gaze flicking up to his henchman.

Vill doesn’t pull his attention away from the middle distance.

“Found her abandoned on the street, Sir. Too little to leave alone.”

Always succinct when he does bother to speak.

Silco considers the picture before him a few seconds longer, before allowing it with a small Hm.

“Don’t let Jinx see it,” is his only request, before he leaves the man alone with his pet.

[click here if you have no clue what I’m on about]

[thatonceandfutureprat]

I feel honoured that this robin let me close enough to film while it was singing 😀🎶❤️

[starrysupercell]

I would very, very very very, like to know the context to Crow's Barley-phobia.

Thank you so, so much for giving me the excuse to talk about this. And showing interest too-- I love typing out stuff like this..! :)

Love that term, btw. I'm gonna use that as this topic's tag, if you don't mind. 😊

~

So it starts with the good ol' classic animation: Wizard Barley.

Yes I had to use this silly in-between. Swoos.

Canonically, Barley saw Crow, skidded to a stop, then took cover in the time it took Crow to see him and attack. So already, this bartender has faster reflexes than the skilled, highly trained Hitman. (hitbird?)

Barley gets a powerup out of nowhere, and takes it as it is whereas Crow is stunned.

"What in fxckville?" Says Crow as Barley grins at him and lunges.

To be honest, I'd probably be scared too.

He then freezes in place, gets the knives knocked out of his feathers (dang Barley perfect aim?), and he flees because he knows he's outmatched against this cold, merciless killer.

So if that's all, it's good right? Just one bad match. In this Park where fighting is the norm, that's nothing.

Then we get to Barley's Last Call.

From Crow's point of view, he just went berserk!! Others are also shown with fear, but they don't have the same history as Crow does with Barley, so they're fine with being near him later. (Shown with Bibi and Mortis.)

Next, I want to make it a point that up to this date, Barley has not gotten knocked out in animations as of today. (08/06/2021) he's been sniped, hurled back and scared away, but never down for the count or defeated on screen.

(Examples include Goldarm Gang, Amber's Brawl-o-ween, and Buzz's First Day.)

Imagine Crow hearing the rumors that Barley is always left unscathed every time something in the Park goes down.

This one he cameos in, he fearlessly takes a selfie with Loaded Rico, celebrating their newfound riches and immortality, probably.

(Sidenote: Get yourself someone who pays 100% attention to you on a date. Monster attacks? That's nothing when I'm with you! <3)

Crow is prominent in this animation, so there's a chance he could have seen that fearless display of invincibility from afar. Barley is NOT scared of the giant destroying the city that he's struggling to fight against.

I'd also like to call attention to this picture. It's generally well-lit and Crow is on the prowl. Why isn't he calling attention to Mortis, when the Retropolis Gang clearly want to protect the trophy? Well...

You don't want to mess with any potential friend of the mad-bot, do you?

Lastly, it's also canon that Retropolis is apparently right across the street from Barley's, since in China's Anniversary Special, there's a celebration set up at his place.

He takes the picture (which, if this sweetheart usually agrees to take group pictures that means he's hardly in any. 💔), and we all know how it ends up. In typical Brawl Stars fashion. A big explosion!

...Guess who can see it from the glass window of Bull's Diner?? An alert bird who's always on the look-out for trouble?

Imagine being in Crow's boots. The robotic harbinger of fiery destruction with an ever-present smile... is within walking distance of you. Every day.

And you threw knives at him once.

Thank you for coming to my TED-Talk. ¤}

[numbtothelung]

my top 3 people i would purchase a cameo from are randy travis, dean ween, and the bear from bear in the big blue house

[chiseler]

Beatrice Lillie: Get Her

When it is said that someone lives in their own world, it is often not meant kindly or admiringly, but Beatrice Lillie lived and worked very much in her own world like a child does at play, seemingly impervious to outside reaction or convention. If you “got” her no one was funnier, and in her heyday she was actually billed as “The Funniest Woman in the World,” all by herself. Why is someone funny, especially if you are not an easy laugher? Because of an element of surprise, or the swift introduction of something unexpected, and Lillie’s comic style was nothing but unexpected, aberrant, capricious.

She was born in Canada in 1894, and she started performing early with her mother and her sister Muriel. Lillie’s mother would sometimes sing an “art” song called “There Are Fairies at the Bottom of Our Garden,” and later on Lillie was persuaded to try the “Fairies” song for laughs, as can be seen in an appearance on The Ed Sullivan Show in 1952. When she sings, “And the queen, well can you guess who that may be?” the word “queen” comes out as “kuh-ween,” and Lillie is the ultimate in pansy flair here, using a feather fan as a self-delighted child would.

Lillie had her hair cut short in the 1920s and kept it that way, and she often did trouser roles on stage in the 1910s for her showman mentor André Charlot because most of the male actors were off fighting in World War I. On the cover of the album Thirty Minutes with Beatrice Lillie, she is turned to profile with this severe brush cut and looks very chic lesbian, but she had several male lovers. In 1920 she married a tall man named Sir Robert Peel, and so Lillie could call herself Lady Peel for the rest of her life, mainly for a gag. Peel was a gambler who put her deeply in debt by the time of his death in 1934, and so she had to keep working and commanding large fees on stage to pay these off. Her son with Peel, who was also very tall and good-looking and named Robert, died during World War II, and her anguish over this is made clear in her autobiography Every Other Inch a Lady, which was published in 1972.

Lillie appeared regularly in revues in the theater, and she made a film debut in Exit Smiling (1926), in which she plays Violet, a drudge-of-all-work behind the scenes in a repertory theater company who wants to play a vamp on stage and gets to dress up in male clothes to threaten the leading man of the troupe, played by swish expert Franklin Pangborn. The gender signifiers are all over the place here, and Lillie gets her laughs with some physical comic business and even gamely sells an unrequited love theme when Violet falls for a young actor (Jack Pickford).

Lillie did a sketch with Frank Fay in The Show of Shows (1929) where Fay keeps interrupting her as she tries to speak about a girl who was a “sailor’s delight,” and here she utilizes one of her sharpest weapons: the unexpected pause. Her lost feature Are You There? (1930) seems to survive only as a few songs without picture, but that was a perfect title to express her restless weirdness. It isn’t easy sometimes to get on Lillie’s wavelength in what remains of her work, but then that was always the case; you either “get” her or you don’t, and “Get her!” was her favorite camp phrase.

In the Bing Crosby picture Doctor Rhythm (1938) she plays Mrs. Lorelei Dodge-Blodgett, a society woman who does Lillie’s noted “One Dozen Double Damask Dinner Napkins” routine with Franklin Pangborn. At 44 here she is dry and naughty-ish and hard and oblivious, and some of her effects are clearly long-practiced and set, yet the result is fresh because she seems so easily bored and prone to yawns. She gets some of her biggest laughs by acting suspicious at random, which is why everything she said or that people said around her began to sound like a double entendre. Lillie often seems demanding, but demanding what?

Her face says, “Now, no nonsense!” and yet she is pure nonsense, and such purity can be more than a little intimidating. She wears “funny” clothes and carries a bent walking stick in Doctor Rhythm, but these are superfluous because it is Lillie herself who is bent. When Kenneth Tynan profiled her in the 1950s, she told him that maybe people laughed at her because of her nose, as if searching for a simple explanation. Tynan himself felt that Lillie wanted to do without language entirely, which is the point of her dinner napkin routine where she makes comic hay out of “danner nipkins” and “nanner dimkins.” It is easy to imagine Lillie playing with dolls for hours, or getting caught in the revolving door of a hotel and staying in there for a half hour because she liked it, just as Zelda and F. Scott Fitzgerald once did.

On Approval (1944) is her masterpiece, and it is shared with her co-star and director Clive Brook. On Approval is not just a film that Lillie is in, as her others are, but a real Beatrice Lillie film that seems to take its irreverent tone from her. It mines the recent past (the 1890s) for laughs, and it is high comedy, whereas Lillie herself was neither high nor low but somewhere off to the side. Her Maria Wislack makes jokes and waits for her laughs as Beatrice does in Much Ado About Nothing, and she keeps saying the non-word “Ho!” as an all-purpose exclamation until the film itself takes her up on it and becomes obsessed with it. Maria has a managing and bossy manner, but she is very silly underneath, and this is a strange combination.

The height of Lillie’s art on screen comes in the way On Approval has the 41-year-old Maria at the piano singing a song that begins, “I’m just 17, and I’ve never been” only to cut her off to show other cast members before going back to her singing “I’m just 17” twice, and then making us wait quite a while until she goes back to the piano and finally sings the whole first line: “I’m just 17, and I’ve never been, to any stately ball!” The visual nightmare towards the end of that film suits Lillie’s sensibility perfectly, especially when she is done up in Grecian garb and holding poses.

It seems a shame that Lillie didn’t make a few more films as a friend to screwball comedy heroines of the 1930s, or maybe an appearance or two in some Warner Brothers adventure movies of the 1940s (imagine Bea confronting Bogart) or some specialty cameos in Technicolor MGM musicals. She stuck to the theater and capped her career with a show called An Evening with Beatrice Lillie in 1952, for which she won a Tony award and which she toured in extensively. Lillie did many of her best songs here, including the very camp “Maud,” where she talks to a female friend about how she and their set are all “rotten to the core,” and the Ivor Novello ballad “There are Times,” which she sings fairly straight.

By the 1960s, Lillie’s wits were getting fuddled by Alzheimer’s disease, but she appeared as Madame Arcati in High Spirits, the musical of Noel Coward’s Blithe Spirit, and she was the wicked Mrs. Meers in the heavy-going musical hit Thoroughly Modern Millie (1967), where she is finally vanquished by another camp performer of a very different stripe, Carol Channing. Lillie lived for over 20 years more after that, but in decline, and she was cared for by her long-time friend and companion John Philip Huck, who died the day after she did in 1989.

Her memory has been perpetuated by Bruce Laffey, who wrote a book about Lillie and his friendship with her, and John Ellis, who has lovingly presented all manner of droll Lillie-ana on YouTube and elsewhere. The meaning of Lillie’s life and art might remain obscure or at least hard to pinpoint, but that’s the fun of her, and the danger too, for she had an edge that admitted only initiates for play.

by Dan Callahan

[ducksstab]

DEAN WEEN DOES CAMEOS??

[shrimpkardashian]

I’m doing fine, really good

The absence of Ween’s It’s Pat cameo from the www has definitely not shaken me to my core! Thanks for asking!

[savetopnow]

2018-03-16 07 MUSIC now

MUSIC

Brooklyn Vegan

Culture Club, Thompson Twins, ABC, Midge Ure & more new wave stars on tour

Lorde played the Staples Center w/ Run the Jewels (review, setlist, videos)

'Legion' Season 2 premieres in April (watch surreal teasers)

Beth Ditto & SSION @ Brooklyn Steel (pics, videos)

new Times Square venue Sony Hall opening this spring (MGMT playing Grand Opening)

Consquence of Sound

Consequence of Sound seeking intern to work out of our Florida office

QOTSA, Florence + the Machine, Q-Tip contribute to Elton John tribute album, Revamp

Vic Mensa and Valee dine on “Dim Sum” with new song and video: Watch

Portugal. the Man brought a marching band for their “Live in the Moment” performance on Ellen: Watch

Neil Young responds to NRA spokesperson’s obsessive hatred of his music: “Why doesn’t she just shoot me?”

Fact Magazine

Inga Copeland releases new Lolina album The Smoke

Visit MJ Cole’s gin factory-turned-studio in east London

Influential South African artist DJ Spoko has died, aged 35

Behringer shares prototype of Sequential Circuits Pro-One synth clone

Google has designed a DIY controller for its AI synthesizer

Fluxblog

Took Me For A Ride

At My Leisure

What Is This Force

Hopes Or Holidays

An Emotional Sexual Bender

Idolator

Apology Unaccepted: Rihanna Responds To Offensive Snapchat Advertisement

Jennifer Lopez Defies Gravity On The Cover Of ‘Harper’s Bazaar’

Charlie Puth Recruits Kehlani For His Feisty Anthem “Done For Me”

Sophia Black Returns After 3-Year Break With “Real Shit”: Premiere

Lady Gaga, Pink & Miley Cyrus Contribute Songs To Elton John Tribute Albums

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Ryoko -- 小夜子/Evening Child [Acoustic] (2016)

Phum Viphurit - Lover Boy [indie-rock](2018)

The People Brothers Band -- Money Goes [Funk/ Soul] 2017 - Recorded live at Down On The Farm Music Festival

Popjustice

Louisa Johnson interview: “We went, ‘oh, fuck it, let’s just get drunk’”

Popjustice’s Spring Statement: Key Points

New Music Friday: Vera Blue’s Lady Powers are still strong

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Important service announcement for anybody intending to travel on today’s M-Train

Reddit Music

This is Morgan Page, DJ/Producer/Remixer - come ask me anything!

The Bravery - An Honest Mistake [Rock]

Ween - Captain Fantasy [rock]

New York Dolls - Personality Crisis [glam proto-punk]

The Rolling Stones -- Can't You Hear Me Knocking? [rock]

Rolling Stone

Rihanna Condemns Snapchat's Offensive Advertisement: 'Shame on You'

Roger Daltrey Previews New LP With Soul-Rock Cover 'As Long as I Have You'

Watch Chance the Rapper's Cameo in Vic Mensa's 'Dim Sum' Video

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Slipped Disc

A woman composer who died 100 years ago today

Biz news: Eric Whitacre upgrades his concert profile

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Spotify Blog

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Spotify Announces Launch of Line-In

John Hancock and Spotify Give Runners Everywhere Access to Custom Playlists and Tips from Some of the World’s Fastest Marathoners

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Spotify’s Electrifying Concert Series “RapCaviar Live” Returns with a New Tour Lineup featuring Migos, 2 Chainz, Tory Lanez, DJ Mustard, Lil Pump, and more

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