#we strive toward our ideals

[shattered-pieces]

Trump wouldn't answer when asked if it was in the USA's best interests for Ukraine to win.

I would like to show people why it is in America's best interests, anyone who isn't clear about it.

For one thing, to not be complicit in atrocities. There are other things, but for me it's on the top of the list. Siding with russia means being ok with war crimes. That's not the kind of America I want to live in.

Idk, maybe I'm in the minority and people are ok with torture and rape and people bombed apart if it is done to Ukrainians, by russians.

[kuwanxs]

jjk 271 has convinced me that no famous piece of media can ever have a tolerable fanbase.

To start off, Gojo’s death was actually very beautifully done and not once have i believed that he should’ve come back. One thing that Gojo strived for after Geto’s defection was to create a Jujutsu society that wouldn’t corner their sorcerers as mere weapons and take away their youth. He was a firm believer of the fact that honing strong students would reshape and shake the very foundation of jujutsu society.

We know of Gojo’s inherent weaponisation. But it is not only Gojo who undergoes this objectification and weaponisation, it is actually every sorcerer in the jujutsu society. We don’t see Nanami, Yuki, Gojo or even Yaga get a funeral. It is because of two prominent reasons. One being the fact that the jujutsu society was built upon such shallow beliefs that the death of these sorcerers was simply brushed aside as a common occurrence. They are not offered a “funeral” or a memorial simply because these sorcerers are mere weapons to the jujutsu society and the death of a weapon simply concludes its existence and its period of serving. It is to be discarded, not mourned over, for it is simply a weapon. But another, surprisingly kinder reason, is offered to us by the narrative. As Todo Aoi says, “Grieving over the departed can tarnish their memories. Instead we must carry their will forward.” Through this we are allowed to finally understand the reason for the innumerable Gojo flashbacks during these last few chapters.

Gojo is a character who suffered from loneliness and isolation in his own unique way. It was never something that held him back yet he expresses his want to not be forgotten in the last conversation he had with Yuji. He also expresses his firm belief in his students rather than himself because he is aware that even if HE loses his students won’t. This completely changes the meaning of the infamous “Nah I’d win” panel because he wasn’t talking about his solo victory, but rather his victory as a teacher who raised sorcerers to be stronger than him and of the victory his students would achieve for him.

For a character like Gojo who wants not to be forgotten, Sukuna offers him the much needed solace of remembrance. “I’ll never forget you.” Sukuna ensures that Satoru and the very narrative make note of his choice to remember the sorcerer for the rest of his life. The two strongest sorcerers who exist as complete anti parallels to each other in both ideals and beliefs find a common ground in their shared loneliness that comes with being the strongest.

Satoru’s death was a very deserving and beautiful end for his character. He died while being acknowledged and remembered. He passed on to go south, back to his old self where his happiest memories lay, no other ending would be greater for Satoru Gojo than this.

Secondly, the interpretation of Sukuna and Uraume’s relationship. There was no context given as to who they used to be or where their uncanny companionship stemmed from, throughout the story we only see them as entities of the present, not getting a look into their dynamic during the heian era. The only few panels we get during Yorozu’s part just reestablish Uraume as a dutiful and faithful servant to their lord. So to see Sukuna display such tenderness towards them in the last chapter kind of dismantles our idea of their relationship. Mahito says Sukuna sought revenge for the execution of “that wench.” Then further, Sukuna explains how he had two paths, one with a black haired woman and one with Uraume, he chooses the one with Uraume to begin their lives anew.

In the conclusion of their story, Gege’s choice to keep Sukuna and Uraume’s joint past unexplained was a clever choice to not tarnish the sanctity of their relationship. It allows the reader to interpret their dynamics in whatever way they wish to. Because what is more important than the nature of their relationship, is Sukuna’s openness to understanding and partaking in the act of “love.” You may see it as parental, familial or romantic, it is not the nature that holds significance, it is the act itself.

Personally I like to picture Sukuna as a guardian or authoritative figure who took in Uraume with a guardian like intent to raise them and in this new life, will be able to nurture them with love. But again, the ending is quiet open for everyone’s own interpretation. Its just that i feel for Sukuna, a character who refused to believe in the very concept of love, a guardian-like role would be truly grounding as it wouldn’t impose conditionality on them, like a romantic relationship does. However, as i said, the nature matters less than the act itself.

To argue over the nature of their relationship is simply stupid. People are allowed to have their own interpretations of unspecified relationships, and creating unnecessary arguments over the validity of your own interpretation of their relationship takes away from the very essence of Sukuna and Uraume’s ending.

[journeythroughtarot]

Walking your Path - Are you on the right path?

With so many things that could go wrong, we can often become restless at the thought of where we are going and if we have chosen the right path. It is important to remember that no path is the wrong path, as all parts of our journey are here to teach us something about ourselves and the world around us. But we can often become stuck on our journey or find ourselves going backwards, and sometimes we realise the choice we made is no longer serving us. Our uncertainty can also be our biggest obstacle, so if you are wondering if you are on the right path, this pick a pile is for you.

Pile 1 | Pile 2 | Pile 3

Remember to take what resonates with you and be understanding that the messages from these cards can be applied to all walks of life.

Pile 1

Your search for destiny

Destiny, Air 8, Air 12 - The Scribe

For this pile, there is one thing that is standing out amongst everything else and that is pride. Pride of who you think you are and pride of where you think you are on your current journey. You use your intelligence and vast understanding to further your knowledge of your current path, but you may do so to an extent of always staying on top of where you are instead of enjoying the present moment for what it is. I get this image of always trying to stay ahead, to control, to achieve and fix. These things make you feel better about yourself but they are actually standing in the way of your destiny. Destiny is not manufactured by careful planning and staying ahead of the lessons that are served to you. Destiny is fallen upon, guided towards you, and shown to you through the darkness. Squinting your eyes will not enable you to see it more. This may be a hard lesson for many who pick this pile as letting go and trusting the path that is served to you can be a difficult task. Learn to let go of your pride and acknowledge that you too will be in places of vulnerability and ignorance. Mistakes will be made, but they will not make you any less of a person. You have built these walls around you to stop you from feeling the pain and self-judgement that could await you if you acknowledged your hand in these mistakes. You are careful in your search for knowledge and self-development because you may have felt the fringes of these emotions in the past. Intellectualising your past and your feelings will not enable you to understand the heart of everything you have learned.

Trying to see if you are on the right path may be something you find yourself doing. Learn to let go and to trust all that the universe will show you. Barriers can only be broken if you allow yourself to walk into the unknown with the understanding that you have right now instead of the understanding you wish to have in the future.

Pile 2

Your need for order

Perception, Air 4, Thought

Your perception of where you are in your journey is being obscured by your thoughts and what you are allowing to take your focus. As you walk your path, your awareness and focus of what is playing out around you is being limited by negative thinking. I get this image of being pulled in multiple directions, by routines and timings, deadlines and tasks, making sure you get things done in the right way in the right time in the right order. Your focus on negative thinking - self-doubts, expectations, pressures, self-judgements, just to name a few - is pulling you away from what matters most. You may be always trying to harness productivity to make it work for you, but instead find yourself coming across obstacles. The path doesn't look right enough for you and you may have expectations of what it should look like. Your perception of yourself, your achievements, and your progress is being clouded by these thoughts, taking you away from the reality of your journey. This ideal of what you want your life to be like is only taking you further away from yourself. Striving for perfection in everything ignores the beauty of life and the work that goes into taking one step at a time. The fear of failure will only make you see failure in everything you do.

You may be looking for the right path, something glorious, productive, and easy going, but it ignores everything that is right in front of you. Life is much more than just sailing highs, it is also full of mistakes, grief, and pain. And these do not make the highs any less worthy or precious.

Pile 3

Your desire for safety

Queen of Earth, Water 6, The Maiden

You are aiming high for the life you want, aspiring towards the space you want to create for yourself, the beauty you want to cultivate, and the experiences you wish to manifest. You may have already dreamt about the abundance this life will give you and what it looks like in all its glory. What you may not have seen is that you are at the early stages of this journey, learning one step at a time and slowly taking all this abundant joy from creative vision into reality. You are on the path to independence and maturity, discovering everything that life can show you. What you need to remember is that you are not at the end of this journey. The joy of this is that there is much to learn, so enjoy the journey. You may be guarded over this vision, of this space, wanting to protect it from anything that might tear it down. Know that any intrusion will teach you something about yourself and the world around you, and some may end up changing your journey for the better. Something you need to remember along this path is to show yourself empathy and kindness, and perhaps this will enable you to do the same for others when it is needed. Grow your self-esteem and sense of self-worth like a seed that needs careful attention. Make a home for your vulnerabilities that is abundant in compassion and unconditional love. All the better to help you protect your space.

You are on your chosen path, but remember that there is much to learn and see before you reach your destination. Life will come in small steps with chances to grow, change, and develop your inner self.

[weecherylita]

Thoughts on the Neil Gaiman Allegations

I followed Neil Gaiman on tumblr not because I'm a massive fan of his work (I've read two of his books, and one of those he co-wrote with someone else) but because it was interesting to get behind-the-scenes info about Good Omens.

Because he seemed, for the most part, to be a pretty affable and interesting person.

Because it was nice to see someone so prominent be willing to assert the rights and dignity of lgbt people, and most especially trans people in this era where they are being consistently vilified and used as a political punching bag in my own country and elsewhere.

Because his writing advice was decent, and he seemed to value and support artistic endeavour in all its forms.

Because the stories from readers talking about what his work had meant to them were a consistent reminder of the power of art to connect us all and transform our lives.

Because he consistently advocated kindness.

(I know some people have been saying he couldn't handle criticism and he bad-mouthed other public figures, but I think I must have missed those incidents - my impression was that he was very often complimenting and defending people).

It was a horrible shock to learn that (yet again) a creator I respected fell so far short of embodying the values he spoke up for. When things like that happen it can make you question human decency itself, especially when it just seems to keep happening again and again; public figures who seem so progressive turn out to be abusers. Is human goodness just a story we tell ourselves? Is genuine progress even possible, when those who speak up for it prove themselves to be so incapable of living by those ideals?

I don't know how much of Gaiman's public persona was genuine and how much was just a front for some consciously manipulative and predatory behaviour. To be honest, I'm not sure I care if we ever find out how much of what we saw was real. He's lost our respect - most likely forever, and he shouldn't be put in a position where he can abuse people's trust again.

I'm sorry for the people he hurt, and I hope they get time to heal.

And I think those values that I saw in him are all still true, even if he is false.

Kindness and decency is still something to live by, even and especially in times of darkness.

Art still has the power to move, connect and transform us, whether you want to keep reading Gaiman's works or not (and if you're finding it tough because you've lost that enjoyment and connection to stories that meant a lot to you, know that there WILL be other works out there that can make you feel it again).

Creative endeavour IS still inherently valuable.

Transgender lives and identities still matter. Transgender people are still deserving of dignity and respect. There may be plenty of transphobic people out there who feel emboldened by this, and I'm not gonna pretend to understand exactly how scary and horrible that must feel. All I can say is that there are other people out there who still believe in you, and still want to support you.

Human decency is not a lie. I guess we need to be wary of public figures who come across as too good to be true and remember that everyone has capacity for both good and bad, but not everyone fails as badly as him. Not everyone succumbs to their worst instincts. Not everyone is an abuser. Human goodness is still alive, and something to strive toward and take comfort in.

[incorrect-hs-quotes]

ROSE: That dream you had is very interesting, Dave.

ROSE: Freud would say it's indicative of intense sexual repression due to dealing with your brother so often, and having little physical freedom.

ROSE: Although Jung would say that it has nothing to do with sex, and simply indicates that you want to be a person with more of a purpose in life.

ROSE: Then Freud would say, "No, that's stupid. Purpose is so vague and hardly means anything about the patient or the dream. The interpretation of the genital fixation makes far more sense."

ROSE: Then Jung would retaliate with, "Not everything is about sex, you idiot! He's a teenager! How much could unconscious sexual desires affect him? And purpose just means that there is a lack of direction in his life. He wants something to do, something to strive for! Shouldn't we try to help him find that purpose instead of just attributing everything to this reductive view of human psychology?"

ROSE: Then Freud would go, "Perhaps you're right. But you can't deny that something is being repressed here. Maybe not sexual desire, but there is certainly a desire for something other than purpose."

ROSE: Then Jung would say, "Not really. What else could it be? Love? That's just an offshoot of sex in your view. I don't get what it could be at all."

ROSE: Freud would nod sternly and say, "Perhaps the patient desires connection. Not necessarily closely tied to purpose, but connection to others in the world is something he needs. That's what the globes in the dream represent. Connection to the world, something other than the living space he is stuck in. That's certainly a major effect of having no mother figure in childhood."

DAVE: rose

ROSE: Jung would sigh and say, "Connection. I see. Maybe that's something we all desire innately. We need to connect to each other and the world in order to understand what we need to do."

ROSE: Freud would take a step towards Jung and reach out a hand, saying, "Jung. We disagree so often that it feels there is no connection in the world. But I know we know each other. We can understand what we mean. If we all desire connection, that includes you and me. Let's try to connect more with each other, okay?"

DAVE: rose

ROSE: Jung would take Freud's hand and pull him close to his face, just inches apart from each other, and softly whisper, "Freud, you know that when I disagree with you, it's more because I envy you. I want to connect with you more, we can satisfy our... deepest desires, as you say... and become the ideal people we want to be if we are closer."

DAVE: ROSE

ROSE: What?

DAVE: shut up

DAVE: i did not sign up for your psychologist fanfiction

DAVE: tell me if im gay or not

[cyberclouddream]

Fixed Signs through the Angular Houses

our drive to stabilize

The Fixed Signs

Taurus: our drive to seek stability and comfort; the need to create and maintain a solid and pleasurable environment; to establish security and material satisfaction. Taurus preserves through persistence and practical efforts, focusing on building lasting value and comfort

Leo: our drive to seek recognition and self-expression; to create and maintain a vibrant, fulfilling environment; to establish confidence and personal significance. Leo preserves by staying true to their passions and building a legacy that commands respect and admiration.

Scorpio: our drive to seek depth and transformation; the need to uncover hidden truths and wield powerful influence; to establish profound connections and personal empowerment. Scorpio preserves by harnessing inner strength and building lasting, unshakable bonds.

Aquarius: our drive to seek innovation and rebellion; to create and foster a progressive, open environment; to establish community and shared ideals. Aquarius preserves by embracing individuality and championing unconventional thinking that inspires change.

Core Similarities: fixed signs are driven by persistence and focus. They work to create and keep stability, resisting changes and sticking with their plans

Core Differences: Taurus stabilizes by sticking to what’s familiar and comfortable. Leo stabilizes by seeking recognition and establishing their presence. Scorpio stabilizes by committing to transformation and change. Aquarius stabilizes by innovating and bringing about positive change.

The Angular Houses

These houses are the foundational pillars of our life, representing where our identity, responsibilities, and interactions play out. They indicate how we navigate public and public roles, and how we structure our experiences and ambitions.

1st House: how we present ourselves to the world and how we perceive our identity; our default mode for operating, the inherent traits and qualities that define our approach to life; our general attitude towards new experiences; how we want others to see us; how we initiate and sustain action

4th House: the roots of our upbringing and the foundation of our emotional security; how our family background impacts our sense of stability and security, along with our worldview; how we experience the end of our life; how we create our own home life, how we wish to live our later years and what we wish to leave behind; where we find solace

7th House: our approach to cooperation and conflict; the kind of people we attract in our lives and qualities we seek in others; how we handle interactions with significant others; how we engage with romantic partnerships, business alliances, or close personal relationships; our approach to formal agreements

10th House: our approach to authority and our reputation; how we plan for our future concerning society dynamics; our drive for success and our long-term goals, ambitions, and achievements; challenges we face in our professional life; how we strive to make a mark and achieve recognition; how we handle responsibility and how we’re perceived in the public sphere

Through the Rising Signs

Taurus Ascendants project a calm and steady demeanor, but deep down, they crave intellectual stimulation and variety [ Gemini IC ]. They attract partners who are intense and transformative [ Scorpio Descendant ], challenging them to embrace change and let go of their need for stability. In their careers [ Aquarius MC ], they are less concerned with conventional achievements and more focused on pursuing innovative or unconventional paths that align with their unique vision.

Leo Risings exude charisma and confidence, yet they deeply need emotional depth and security at home [ Scorpio IC ]. They attract partners who challenge conventions and provoke thought [ Aquarius Descendant ], pushing them to explore their own individuality and embrace change. In their careers [ Taurus MC ], they seek stability and material success through practical means, valuing enduring results over fleeting recognition or risky ventures.

Scorpio Ascendants project intensity and depth but need a home that offers intellectual freedom and unconventional thinking [ Aquarius IC ]. They attract partners who are steady and reliable [ Taurus Descendant ], grounding them. In their careers [ Leo MC ], they crave recognition and the chance to make a dramatic impact, channeling their passion into roles where they can shine and lead.

Aquarius Ascendants project a quirky, progressive image but secretly need a solid, reassuring home base that provides stability and comfort [ Taurus IC ] to balance out their eccentric nature. They often attract partners who are dynamic and attention-seeking [ Leo Descendant ], pushing them to be more expressive and confident. In their careers [ Scorpio MC ], they are driven by a desire for deep, transformative impact. They seek out roles that allow them to explore powerful, often hidden aspects of their field, preferring significant, intense work over conventional or superficial success.

[etz-ashashiyot]

I admit, I don’t personally think it’s possible to truthfully combine a worldview that the Torah is divinely inspired, or at least any worldview that involved an all powerful g*d as a source of morality, and slavery.

I don’t really see how an all good all powerful g*d would send plagues to free one people from slavery, but could not even order those people not to keep shaves within their own kingdom

I’m sorry if this comes across as me shitting on your beliefs, evidently you have them so I can’t claim to don’t exist and they’re also very important to you. It simply seems logically inconsistent from my point of view. Although I may also be misinterpreting your point as well.

Hi anon,

Is this in response to this post? If so, I'd ask that you read it again, as that drash explains it far better than I could.

In my experience, Judaism is a very practical religion, with an eye towards elevating the physical by imbuing it with the spiritual. It's why we keep kashrut, it's why we observe the holy rest of Shabbat, it's why we sanctify sex and menstruation through taharat mishpachat. We say brachot over food, but also over sights, pleasant scents, and extraordinary natural events. We even have a bracha for after using the bathroom!

It's a very enbodied, earthy religion.

And because of that, it is typically very pragmatic about how people live and in trying to meet people where they're at, in the society they live in, in the time they live in. That does not mean that this is Hashem's ultimate ideal for us, but rather follows the principle that a middling step that will be followed is superior to an idealistic rule that will be ignored.

See the thing is, we weren't freed just because freedom is good. (Obviously freedom is good and slavery is bad.) Bnei Yisrael were freed specifically in order to become the servants of Hashem and entering into the Covenant of Torah. Their freedom is immediately qualified by the brit.

And the other thing is that we are all given free will. Hashem gives us free will to do what we want. We can make good choices, or bad. We can do good things, or bad things. An oftentimes, what is good and what is bad are less than obvious, and we find ourselves trapped into deciding between two or more bad options, trying to find the least harmful.

If Hashem takes away our free will, sure He could impose upon us a perfect, ideal world.

But that's not what we were made or set up to do. We were given choices and instructed to continuously learn and strive to be better.

So yeah! Yep! The Torah has a lot of things in it that were made for a different society with things we have since learned from and have moved past. We don't stone people to death for violating certain mitzvot. We don't burn adulterers alive. We don't engage the sotah ritual in the case of suspected infidelity. We don't keep slaves, and don't support any model of society that relies on slavery. These are all difficult, painful lessons that we have learned, collectively, over millennia. But they are very human lessons, lessons that we only learnt because we as human beings have the free will to create interpersonal harm and structural inequalities as well as to improve.

People think that just because G-d is all powerful, all-knowing, and all-good that this means Hashem will do all the hard work for us. That G-d will prevent bad things from happening to us good people and deliver divine retribution to bad actors, and are disappointed when it doesn't work like that. It's certainly caused a lot of people to struggle with and even give up their faith. People will ask "where was G-d when— " instead of asking "where was humanity"?

Show me whatever "it" is for you — and lord knows the Jewish people have a small multitude to select from — and I'll show you the ugly and tragic human acts behind it.

"Where was G-d when— " where were you?

[balancedearthylioness]

Libra Rising: The Charm of a Celestial Dawn

As a first house libra rising with black moon Lilith forming a conjunction with my ascendant, heres what I know from personal experience...Do you share these astro placements with me?? The first house not only influence but also presents a unique outlook on how the world perceives you. For those with Libra rising, the aura they project is that of charm, diplomacy, and a deep yearning for beauty and harmony.

Libra Rising: The First House and Its Significance

In astrology, the first house is an area of the chart that signifies one’s identity. It is the lens through which we view the world, our self-image, and the impressions we leave on others. With Libra ruling the first house, your approach to life is colored by themes of relationships, aesthetics, and a strong desire for equilibrium.

Imagine waking up every day driven by a need for balance—a delicate dance between your desires and those of the world around you. Libra rising individuals tend to prioritize social harmony, valuing partnerships and communal experiences above all. The key phrase for a Libra rising individual is often, "What’s in it for us?" This perspective extends beyond mere selfishness; rather, it reflects an inherent instinct towards collaboration and shared experiences, emphasizing that life can and should be better when it is lived together.

The Libra Personality Traits

Individuals with Libra rising are often seen as graceful and sociable. Their charisma lights up a room, drawing people in and making them feel comfortable. They possess an innate ability to relate to others, often finding common ground in almost any conversation. Here are a few hallmark traits that characterize those with Libra rising:

Diplomatic Nature

: Libra’s desire for harmony resonates deeply within these individuals. They often act as mediators in conflicts, keen on ensuring that all voices are heard. This diplomatic prowess enables them to navigate complex social situations with grace.

Aesthetic Sensibility

: People with Libra rising are often artistically inclined. They have an eye for beauty, whether in art, fashion, or interpersonal relationships. Their surroundings often reflect their taste and an appreciation for aesthetics.

Affectionate and Romantic

: Libra rising individuals cherish relationships, often forming deep emotional connections with others. Their romantic ideals are high, and they seek partnerships that bring balance and fulfillment to their lives.

Charming and Charismatic

: Naturally engaging, those with Libra rising often come off as charismatic. Their warm demeanor and polished communication skills make them easy to connect with, attracting friends and acquaintances alike.

Indecisive

: On the flip side, the need for balance can lead to indecision. Libra rising individuals may find it challenging to make choices, particularly when those choices can affect others.

Black Moon Lilith in Libra: An Intriguing Aspect

In astrology, Black Moon Lilith represents a unique aspect of feminine energy, often linked to themes of independence, rebellion against patriarchal constraints, and embracing one’s primal energy. When Lilith is placed in Libra and occupies the first house alongside your Ascendant, the dynamics of relationships and the search for balance take on an intriguing intensity.

With Black Moon Lilith in Libra, the interplay between partnerships and independence becomes complex. While Libra rising embodies socialization, harmony, and collaboration, Lilith pulsates with an appeal to assert personal freedom and explore one's darker instincts. Here are some key elements that illustrate their coexistence:

Magnetic Presence

: Individuals with this placement often exude a magnetic quality. While they strive for social harmony, there's an underlying sense of mystery that draws others in. The Lilith energy adds an edge to their charm, making them intriguing figures who keep people guessing.

Struggle for Equality and Independence

: The desire for balance can sometimes clash with the need for independence. Libra rising individuals with a Lilith influence often grapple with the tension of wanting closeness while simultaneously needing to assert their individuality. This dynamic can lead to struggles within partnerships, causing them to oscillate between wanting to connect and seeking freedom.

Exploration of Relationships

: Relationships become a fertile ground for personal exploration as they navigate the realms of unity and independence. Many encounter provocative experiences in their partnerships that push them to confront their own desires and boundaries.

Emphasis on Authenticity

: Lilith in Libra can foster a desire for authenticity in relationships. These individuals are not content with superficial connections; they seek depth and meaning, valuing honesty and transparency as they navigate romantic entanglements.

Challenges with Trust

: The juxtaposition of Libra's idealism and Lilith's chaotic energy may lead to a wariness in trusting others. This placement can result in a precautionary nature, where they may unconsciously push back against vulnerability, fearing that such openness may jeopardize their independence.

Navigating Life as a Libra Rising with Lilith

Living with Libra rising and Black Moon Lilith in the first house translates into a rich, textured life that can be both rewarding and challenging. Here are some ways to navigate through the complexities of this unique combination:

Prioritize Self-Awareness

Understanding your motivations and desires is key. Reflect on your relationship patterns and how they align with your need for both partnership and independence. This insight will guide you in making decisions that honor your inner needs while still appreciating the essence of connection.

Balance Independence with Togetherness

Embrace activities that allow personal space within relationships. Consider deepening your individual interests or hobbies that positively challenge partnerships. Finding time for solitude can recharge your spirit and enhance your ability to engage with others.

Foster Authentic Relationships

Seek connections that nourish your soul. Surround yourself with people who respect and cherish your individuality while encouraging emotional depth. These interactions will fuel your inner desire for authenticity.

Trust Your Instincts

Developing trust—both in yourself and others—is vital. While the push-and-pull of your energies may induce moments of hesitancy, learning to listen to your instincts will promote growth. Embrace vulnerability by opening up to those who have proven themselves trustworthy.

Embrace Your Chaotic Energy

Rather than shying away from Lilith's chaotic influence, lean into it. Explore creative outlets, engage in self-expression, and allow your inner rebel to thrive. This authenticity not only enriches your life but enhances your presence among others.

Libra rising individuals exemplify the art of relationships and diplomacy, weaving a path of charm and beauty in the world. The presence of Black Moon Lilith in Libra adds an exciting dimension to their journey—inviting exploration of the delicate interplay between partnerships and individual identity. Understanding and harnessing these energies allows Libra rising individuals to navigate the world with both grace and authenticity.

♎⚖️🐚🖤

Ultimately, life as a Libra rising with Lilith is a continuous dance—a harmonious interplay between the longing for unity and the passion for independence. By embracing their complexity and navigating it mindfully, they can create profound connections and live a fulfilling life that honors their unique essence.

[tytarax]

This gave me brutal Luffy and Hancock vibes lol

fem reader

Zamasu gazed out over the peaceful landscapes of the 10th universe from the Sacred World of the Kais. He found solace in the serenity and order he dedicated his existence to maintaining. Beside him stood Y/N, the Destroyer of their universe.

Despite her formidable title and immense power, Y/N had a heart deeply entwined with Zamasu's. They shared a sense of duty and a profound connection that surpassed the usual boundaries between a Supreme Kai and a Destroyer.

Things that shouldn't be allowed

"Zamasu," Y/N spoke softly, "you've been standing here for hours. Are you worried about something?" Zamasu turned, his green skin glistening softly under the light. "Just contemplating the balance we strive to maintain. The universe is at peace, but I cannot shake off the feeling of an approaching storm."

Oh, Zamasu, always so poetical...

Y/N stepped closer, her presence being a comforting shield around Zamasu. "Whatever comes our way, I'll make sure to handle it. You don't have to worry."

Despite being an excellent supreme kai, Y/N was aware of his thoughts toward the mortal races, and the problems that Zamasu's way of thinking could bring.

A few days passed, and a small incident occurred in which Zamasu killed a mortal in self-defense, something that Y/N did not give importance to, however… someone else found out.

The Grand Priest, Daishinkan, summoned Y/N to discuss recent concerns. She arrived at Zeno's Palace, the grand hall echoing with silence as she approached the central dais.

"Y/N, welcome," Daishinkan greeted, his serene demeanor masking the gravity of the situation. "There have been concerns raised about Zamasu's views on mortals."

Y/N knew what he was talking about, still, she asked, "Concerns? With Zamasu?" She continued without letting him answer. "With all due respect, Grand Priest, Zamasu's dedication to maintaining balance in our universe is unparalleled. His concerns about mortals stem from a desire to protect and preserve the cosmos, not to harm."

Daishinkan nodded, but his eyes held a trace of doubt. "While I understand your perspective, Y/N, it is essential to ensure that such thoughts do not lead to actions that could disrupt the harmony we strive to maintain. For example, an incident that took place a few days ago… I'm sure you heard about it."

Y/N's eyes narrowed slightly. "Yes, I heard about it. Zamasu acted in self-defense. The mortal was threatening against him, and Zamasu's actions were necessary to preserve peace."

"Nonetheless," Daishinkan replied, "such incidents can raise concerns about a Supreme Kai's intentions. It is crucial to address these concerns to prevent any potential misunderstandings."

"I assure you, Daishinkan," Y/N started, "his intentions are to uphold the peace and balance of the universe. He has no desire to cause chaos or destruction. Zamasu has my full support and trust. I'm sure we will ensure our universe remains in harmony just as the gods should"

The Grand Priest studied her for a moment before nodding. "Very well. I trust you will keep these concerns in mind and continue to work towards the greater good."

---

"Wait... you're not in trouble because of me, right?" Zamasu asked in a worried tone. Y/N turned to him. "Don't let this bother you. I know your heart, Zamasu. You are dedicated to your duty, and I will always stand by you."

As night fell on the Sacred World of the Kais, Y/N and Zamasu sat together, watching the stars twinkle in the sky. The tranquility of the moment wrapped around them like a warm blanket, a stark contrast to the earlier tension.

"Zamasu," Y/N began, her voice soft and filled with affection, "I want you to know that no matter what happens, I will always protect you. Your ideals and dreams are important to me."

Zamasu turned to face Y/N, his eyes reflecting the starlight. "And I cherish you for that, Lady Y/N..." Y/N leaned in closer, giving the first step knowing Zamasu was a bit shy, and she gave him a peck on the lips. To which he was left in shock and a blushing mess.

Zamasu's heart swelled with emotion. "I... I've been wanting to... to say this for a while now... I really like you... lady Y/N." Y/N giggled at Zamasu's awkward confession, "I love you too, Zamasu."

I think you are my only vulnerability

Masterpost

DBS Masterlist

[crazyringo]

Okay. Since I've started playing HSR, I hardly surfed Tumblr for any theories. Mostly started doing so 2.0 onwards, and most of them are pretty interesting reads. However, one theory for 2.3 has me lukewarm since it first started... And that's Sunday potentially becoming a Stellaron Hunter.

While interesting in theory, I honestly don't really see it happening. Yes, Elio is indeed striving towards the Script that displays a better future for everyone. And yeah, okay, Sunday wanted to ensure everyone's happiness within the dreamscape and with this line of thinking we can assume he'd want to ensure the best possible future for everyone being a Stellaron Hunter. And while we can all agree that he's a misguided good boy with good intentions, I still don't see him joining the group.

Here's why (my opinion): He'd be leaving Robin behind.

His beloved sister who, despite his betrayal (and by that I mean being the cause for Robin's singing voice), still hugged and forgive him for his mistakes. Despite the fact that he had failed to achieve his goal, he was still loved by the one person he cared for most. I honestly don't see him leaving her behind...

And if he did join the Stellaron Hunters, who by the way are considered to be dangerous criminals/terrorists among other things by the IPC and the rest of the cosmos, it'd be damning for Robin's career as a renowned songstress since she's related to Sunday, who's a family head and most likely a well-known authoritative figure outside of Penacony. I wouldn't be surprised if Robin had mentioned his name every so often whenever she did her thank you speeches in interviews on radio and/or TV

Moreover, before his boss fight, he did say that he wanted a fair fight with the Trailblazer. He wanted to see whose ideal was stronger. Clearly, it was the Trailblazer's. Personally, I see Sunday being a man of his word. He's confident, righteous, and very clever for his age. I don't see him being a sore loser. And since Robin forgave him, I'd like to think that he would no longer push himself as hard as he did before. For me, Robin's hug tells Sunday he's no longer alone. That no matter what happens next with the Family they will still have each other to rely on. I really adore/admire their bond as siblings and the theory of Sunday potentially becoming a Stellaron Hunter kind of saddens me if they're going to be apart

Now, if Hoyoverse DOES go through with this theory... Fine. I will accept it for what it is, but they better do a damn good job of it narrative wise. And if he doesn't, that will be great for me because the Halovian siblings will be together.

Not to mention, story wise, Firefly has mentioned more than once that the reason why she's in Penacony is to guide the Astral Express to the truth of what's going on. There was no mention of potential recruitment concerning her Script. Who knows? That might possibly change in 2.3, but with everything else going on story wise with Sparkle, the IPC, and the Family I highly doubt it's going to happen.

Don't get me wrong. I love Sunday's character, and I'm sure that he'd be a great asset to the Stellaron Hunters if he becomes one. I just don't see it. If anything, I'd rather have him be a new member in the Astral Express. Robin could be calm and pretty much be free of worries if her brother is surrounded by people she can trust. And they could communicate on the phone and write letters to each other when they have the time/arrive at a new planet. She'd be worried sick if Sunday was with the Stellaron Hunters, and of course if that were to happen there's hardly going to be any communication between them. I'd like our chicken wing siblings to be in a safe environment, thank you! 😤

Overall, the Penacony storyline has been awesome. Though, admittedly, I was kind of disappointed on the lack of Silver Wolf. Was hoping to see more screen time with her since she's paired up with Firefly for this assignment but~ nope! Our Wolfie, yet again, works from the sidelines. Other than that minor complaint, it's definitely been an emotional rollercoaster for me as I played through the story. And while I am excited for 2.3, I am also apprehensive about it...

Something deep down in my gut tells me that we're going to lose someone in the finale. And if not our precious Firefly, then it's going to be our good boy Sunday.

I really don't have much thoughts for Firefly aside from I obviously don't want her to die, so I can't speak much there. For Sunday, on the other hand, I can. I am scared for this boy. Fear has gripped my heart the moment I heard his voice line on that clue we find on the Grand Theater.

Sunday. Is. Scared.

Since the moment he's been introduced, he's been nothing but cool, calm, and collected. Now, this poor boy is scared. Considering he had failed miserably on what the Family had been planning for years, I would not be surprised if they throw the poor boy to the wolves. The wolves being the IPC. Since Jade is now in Penacony... I predict that this will not end well.

Aside from attempting to reclaim Penacony for the IPC, I wouldn't be surprised if Jade mentions about Aventurine's mistreatment during his stay with one of the Family heads to get a word in edge wise. To which, they would simply say, "We know. He's no longer one of us. Do as you see fit." Giving Sunday over to the IPC in exchange for Penacony's independence in the name of "Harmony" so that said "Harmony" would be restored on both sides. If that line of thought more or less happens on 2.3, I sincerely hope that the Astral Express will be able to save him before it's too late. That, or maybe the Family will use Sunday as collateral and force Robin to cooperate with their plan B to ensure Sunday's safety (I really hope not)

Something also tells me that we as the Trailblazer are going to be forced to make a very, very difficult choice for 2.3... As in, one or the other kind of scenario. And, of course, there's only ONE right answer in said choice and I really hate those...! *Glares at Black Swan, who forces you to hear out Aventurine's truth, despite me not trusting him (still don't tbh. I'd rather trust Sampo, and that's also bad lol)*

But yeah, those are my current thoughts as of now. Might be wrong on some things, but I at the very least wanted to put my thoughts out there before 2.3 arrives. I'm looking forward to the next update, and I definitely can't wait to bring my darling Firefly home! I'll finally have a full Stellaron Hunter team~! Jade, too. Me love evil gorgeous lady! 💕

Good luck on your pulls everyone~!

[sensualnoiree]

astro notes: daily transits 6/15

Saturday, 6/15, we continue to experience an ability to be quite forthright in our discussions, really driven by the supportive sextile between the Gemini Sun and Eris from the day before. The Libra Moon further enhances the day’s focus on collaboration and balance in interactions, despite not making any significant aspects.

Key Influences Gemini Sun Sextile Eris:

Forthright Discussions: The Sun in Gemini, a sign known for its communicative and intellectual energy, forms a harmonious sextile with Eris, a dwarf planet associated with discord and challenging the status quo. This aspect encourages open, honest, and possibly provocative discussions.

Intellectual Courage: There is a boost in intellectual courage and a willingness to address difficult or controversial topics. This is an excellent time for addressing issues that require directness and bravery in communication.

Libra Moon:

Collaboration and Balance: While the Libra Moon does not make any significant aspects today, its influence still supports a collaborative and balanced approach to interactions. Libra, ruled by Venus, values harmony, fairness, and mutual give-and-take.

Supportive Interactions: The energy of the Libra Moon encourages working together, seeking compromise, and ensuring that all parties feel heard and respected in discussions.

Integrating the Influences

Leverage the Sun-Eris Sextile: Utilize the supportive energy of the Sun-Eris sextile to engage in honest and forthright discussions. This is an ideal time to address topics that may have been avoided previously due to their challenging nature.

Encourage Intellectual Bravery: Encourage yourself and others to speak up about important issues, even if they are controversial or difficult. This aspect supports intellectual bravery and the pursuit of truth.

Harness the Libra Moon’s Energy: Even without significant aspects, the Libra Moon’s influence promotes a balanced and collaborative approach. Strive for harmony in all interactions, seeking to understand and integrate different perspectives.

Facilitate Mutual Give-and-Take: Focus on creating an environment where everyone feels valued and heard. Aim for mutual give-and-take in discussions, ensuring that all parties can contribute and benefit equally.

Practical Applications

Schedule Important Conversations: If there are important conversations or meetings that need to take place, today is a good day for them. The Sun-Eris sextile supports direct and honest communication, while the Libra Moon promotes balance and fairness.

Encourage Open Dialogue: Foster an environment where open dialogue is encouraged. Allow space for different viewpoints and strive to reach collaborative solutions.

Use Intellectual Courage: Approach problems with intellectual courage, addressing underlying issues directly. The supportive sextile between the Sun and Eris can help illuminate innovative solutions and perspectives.

Seek Balanced Solutions: Aim for solutions that are fair and balanced, taking into account the needs and perspectives of all involved. The Libra Moon’s energy can guide you towards harmonious resolutions.

follow for more astro insights like this and support me over on yt @quenysefields or instagram sensualnoiree

[balioc]

Holiday Engineering: The Most Wonderful Time of the Year

I wasn't actually planning to make a dedicated post about Christmas. In most ways, it isn't a helpful reference point for a would-be holiday engineer. The things that make Christmas really noteworthy, and most of the things that make it really good, are not things that are within your power to replicate.

But, judging by the notes on my last Holiday Engineering post, it seems clear that my take on Christmas is a thing that is worth discussing and explaining. And, moreover, this is probably a fine pretext for some discussion of what it means for a holiday to be good or bad.

To start with: no holiday is for everyone. No thing is for everyone. No matter what kind of festival you make, a lot of people are going to be annoyed by it, and a lot more people are going to be pretty indifferent.

That basic truth has a number of ramifications. One of them is that -- as with any other kind of design -- when you're thinking about holiday design in abstract conceptual terms, it behooves you to distance yourself from your own preferences and passions at least a little bit. The best thing for you isn't necessarily the best thing in general, and vice versa. It's important to be able to understand when your own idiosyncrasies are pulling you away from good craftsmanship.

I have a strong antipathy towards Halloween, for Reasons. But I have enough perspective to be aware that those Reasons aren't going to be relevant to most other people, no matter how important they seem to me; and, in fact, I believe that Halloween is generally a very well-constructed festival in an "objective" sense.

Whatever else you want to say: there are definitely a lot of people who really don't like Christmas. And it's worth talking about why that is, because some of those reasons are widespread, and they matter. But that, in itself, is not an indication of bad design or low-quality content.

So, without further ado: I believe that the modern Western instantiation of Christmas is probably the greatest holiday of all time.

The core of the holiday's excellence is its theme. The short and simple version of that theme is peace on earth and goodwill towards men, which is -- pretty much the best possible theme that a holiday can have, A+, no notes. It is a high ideal of human living, so obvious that anyone short of a Spartiate can appreciate its value, rendered so straightforward that a tiny child can understand it. But in fact the situation is more complex than that, because Christmas is a complicated holiday, and it's worth digging a bit deeper.

Christmas is, in theory, God's birthday. Which is to say, it is a festival celebrating the entrance of the sacred into a profane world. It is something more than the commemoration of a mystery or a miracle; it is a commemoration of the fact that we get to have mysteries and miracles. And so the essential nature of the holiday is a fully-general "this is the special-time and the sacred-time," but that thing isn't just a bare assertion, it's fully rooted in the myth. The holiday spirit of Christmas is the spirit of everything that humans really think a holiday ought to be, put in a blender. Which tends to work out to something like, well, light and love and joy, letting our worldly strivings and animosities fade away in the face of the celebration, peace on earth and goodwill towards men. Christmas truces can develop spontaneously because Christmas is the festival, the moment at which it becomes powerfully obvious that there is something more powerful and more profound than whatever-you're-fighting-over-this-week.

And, crucially, this is framed in a deeply universal way. At its deepest roots, Christmas is all about Jesus, which just by itself raises a lot of hackles in certain quarters...but who is the Jesus of Christmas? He's not arguing with Pharisees or cursing fig trees or talking about how he came to bring the sword. He's not even tending to the poor, or dying horribly for your sins. He is a baby. The cult figure of the festival has no agenda, no politics or judgments, only wonder and potential and promise. The miracle of the season is often described as "a child is born," which is the most universal kind of celebratory event known to humanity.

----------

At this stage of its development, Christmas-as-she-is-practiced is really three almost-distinct holidays, each with its own vibe and its own canon of traditions.

Christmas A is the religious festival celebrating the birth of Christ, the one with the angels and the magi and the Latin. Christmas B is the not-necessarily-godly-but-solemn-and-sacred festival of peace and togetherness -- the Christmas of A Christmas Carol and "Good King Wenceslaus," the Christmas of fetishized family dinners. Christmas C is the tinsel-y consumerist holiday, the one that's all about how winter is fun and magical, with "Frosty the Snowman" for the kids and "Santa Baby" for the grownups and big holiday-sales displays for everyone.

(Crucially: Christmas C is still a real holiday, even just taken on its own terms, and has its own sacred narratives etc. Often these are weirdly romantic, but, well, at least in America, courtship is more sacred than pretty much anything else. See: appx. one hojillion Hallmark Channel movies.)

(There are also some more-minor quasi-independent holidays kicking around in there, like the remnant pagan stuff that you see in "The Holly and the Ivy." These are outside the scope of this discussion, but, y'know, they're interesting.)

This weird structure gives Christmas a lot of flexibility, because these three pseudo-holidays are capable of functioning more-or-less independently, but each of them is strongly connected to the others and therefore capable of providing reinforcement. If you don't want Christmas to be about Jesus, then fine, forget about him, there's still a practically-infinite amount of Christmas in which you can participate. But if you do want Christmas to be about Jesus, then your celebration of the nativity borrows sparkle and mojo from both Charles Dickens and the Coca-Cola Corporation. I myself have a strong dislike for the tinsel-y kind of celebration, for "Jingle Bells" and "Rockin' Around the Christmas Tree" etc. -- but not only am I capable of enjoying Christmas A and Christmas B, I am capable of enjoying a world made Christmassy in large part by people who are doing the Christmas C thing, and their celebrations are constantly shading into the things that I like more.

----------

Relatedly: Christmas is one of the vanishingly-few modern holidays that is capable of feeling like a festival in the old sense, in a more-than-tiny-and-localized context. By which I mean that it consumes and alters the entire world. It's not just a thing you might choose to do, it is a thing that is happening around you, it is a season of the world. It feels real, to me and to many, in a way that most lesser holidays don't, because it pervades.

----------

...and we haven't even yet touched on the actual-factual nature of Christmas's power, which is just pure snowball effect: because Christmas is what it is, because it is the biggest and most important holiday, it is constantly becoming more that thing as ever more people add to it.

I said in my last Holiday Engineering post that Chanukah had two decent songs. You could possibly talk me into raising that number to five, maybe even ten if you're willing to accept some real deep cuts. Christmas has amazing songs, and it has so fucking many of them, because "writing new Christmas bangers" is a thing that medieval monks did and it's a thing that top-shelf musical geniuses are still doing today. You can fill days' worth of soundtrack with excellent Christmas music even if all you like is sacred stuff in Latin, and the same thing is true if you hate sacred stuff in Latin but you love Mariah Carey and Taylor Swift.

"Classic Christmas movie" is a genre, and not a small one. Practically every noteworthy long-running TV show made in the West has done a Christmas thing at some point, and many of them have done Christmas things every season.

Christmas is not particularly a sweets holiday, but nonetheless there are a million Christmas candies and Christmas cookies etc., because 'tis the season and it's worth randomly doing that thing, in a way that it is not worth randomly doing that thing for any lesser festival.

Even myths and rituals accrue in this way. Eight flying reindeer with cutesy names? Awesome, that poem was cool, let's make that canon. A ninth reindeer with a light-up red nose? The kids will love it. Krampus? Sure, why not, let's (twist the Alpine tradition a bit and) give Santa an evil opponent in the form of a goat demon with a taste for kidnapping.

And all of these things provide foundation for future ones.

----------

(I am not going to spend a lot of time listing high-quality Christmas foods and drinks, explaining why Santa Claus is a punchy and compelling bit of myth, etc. I think you can probably construct those points on your own.)

(...I suppose I will take the time to point out, briefly, that in additional to everything else, Christmas has so many good and distinctive symbols. The manger scene, the magi on their camels, the Christmas tree, Santa in his sleigh, the wreath, the wrapped gift box, the colors red and green...)

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It is true, of course, that Christmas is a family holiday. And that alone is enough to ensure that many people, especially around these parts, despise it.

There is, of course, a version of Christmas suitable for wholly-independent adults. Which matters. You can have a very Christmassy Christmas, full of lights and festival music and gifts and myth, celebrated entirely in the company of your peers. But, yeah, the world kinda expects you to Go Home (if your family celebrates Christmas) and you'll have to deal with various kinds of trouble if you choose not to do that.

I refuse to deduct points for that. It is not inherently bad to be a family holiday; in the end, holidays are probably more important for kids than for anyone else; if for some diabolical reason I had to choose between having only family holidays and having only independent-adult holidays, I'd choose the former, even though I personally enjoy the latter more most of the time. The fact that you don't like spending time with your family is not a knock on the holiday, any more than your being allergic to cheese is a knock on cheese.

----------

It is also true that Christmas is kind of inescapable. As I said above, it pervades. Which means that, if you don't like it, you still have to deal with it quite a lot, and that's probably going to make you like it even less.

I don't blame anyone for feeling that way. But, like, that is inherently an outgrowth of the holiday's success and popularity.

Being popular doesn't necessarily mean that something is good. You can even be legitimately annoyed that something is over-popular or overhyped. In the end, however, anything is going to cater to the people who love it and not to the people who hate it, especially if catering to the people who hate it primarily means "existing less." This is double-plus true for a holiday, where (as discussed above), being really widespread and close-to-universally-adopted provides a power and a value all its own.

[hero-nerd]

The Symbol of Peace: An Analysis of Masculinity in My Hero Academia

Izuku Midoriya runs through the city toward the site of a villain attack, excitement on his face as he knows what this means. He elbows his way to the front of the crowd and up to the very front line the heroes set up as they battle their foe, watching in awe and excitement as the heroes he looks up to are locked in battle.

This scene plays out in the beginning of the hit anime series My Hero Academia. Set in a fantastical version of Japan in which heroes are a part of every day society, the series follows the story of Izuku Midoriya, also known as Deku, as he strives to become a great hero using the power passed on to him by Japan’s number one hero, All Might. The first chapter of the manga series was published in Shonen Jump in 2014, and was adapted into an anime in 2016. Both the manga and anime are still in progress, and have a great level of popularity. According to Parrot Analytics, My Hero Academia is “ranked at the 99.9th percentile in the action genre, indicating that it enjoys exceptional demand compared to 99.9% of all action titles in the United States” (My Hero Academia YTV). Due to its outstanding popularity, I believe this is a relevant text to analyze.

From the very beginning scenes of the series, as Midoriya watches this battle unfold, the audience is shown what the image of a hero looks like. They are strong and powerful, with physiques that look like action figures. They are something for the ladies to swoon over. Notably, they are men. It is not until the very end of the fight we see our first female superhero, who is shown as “stealing the spotlight” from the men in her skintight suit, and immediately subject to objectification and sexualization by the media on the sidelines. To those who know comics and superheroes, these types of hegemonic masculine messages are to be expected. While these messages are seen as such a norm that it’s just a part of the superhero genre, there are real impacts to this. In a study conducted by Coyne et al. about the effects of superhero media on kids, research found that “early superhero exposure was indirectly associated with weaker egalitarian attitudes toward women and greater endorsement of the muscular ideal” (Coyne et al. 634). This shows that superheroes have a real impact and are worth studying. This analysis will look at masculinity in the world of My Hero Academia, as shown through the lens of All Might, the Symbol of Peace.

Who is the Symbol of Peace? All Might is one of the top heroes in the version of Japan this story takes place in, and has been for years by the time the series starts. He is rated the number one hero in the in-universe hero popularity polls, and has one of the greatest powers that citizens in that world have ever seen. As such an important cultural figure in this world of heroes, he is the ideal, the standard, the one everyone looks to when they want to see what it means to be a hero, and we know that what it means to be a hero in this world is to be masculine. That is why I have chosen All Might as the subject of this analysis, and to begin I would like to look at Kimmel’s tenants of masculinity. In his documentary Guyland, Kimmel breaks down four basic rules of masculinity: “No sissy stuff”, “be a big wheel”, “be a sturdy oak”, and “give ‘em hell” (Kimmel). Let’s explore what these mean, and how they are evident in the character of All Might.

When Kimmel says “no sissy stuff”, what he means is that there can be no sign of femininity or weakness. In societies where masculinity is seen as the ideal, femininity and weakness have become synonymous with each other when it comes to the measurement of masculinity. This is apparent in All Might’s appearance. He is the perfect picture of the classic superhero, with bulging muscles and a towering, hulking figure. When he speaks his booming voice resonates and shakes you to your core. It is not just his appearance that this is evident in, however. We can see this line of thinking, “no sissy stuff”, in the way All Might acts, especially toward the beginning of the series. In season one episode 3 “Roaring Muscles”, All Might passes on his power, known as a “quirk” in this world, to the protagonist Izuku Midoriya. As he does this, Midoriya’s eyes welled up with tears as the emotions of all of his dreams finally coming true overwhelm him, All Might says “Seriously! You gotta stop crying so much if you want my quirk” (My Hero Academia). This is a common theme, as Midoriya is very outwardly expressive with his emotions while All Might begins their mentorship with a much more hegemonic view of masculinity.

To “be a big wheel” means to have lots of money, power, and status. This is probably the tenet that All Might intentionally goes after the least, but that does not change the fact that he fully embodies it. As the number one hero in Japan he holds a very important status, and the Symbol of Peace is a name anyone in the world of the show knows. In season three episode 49 “One for All”, All Might is fighting against the main antagonist of the show in a large display that is being televised to all of Japan. He has lost the last of his power that allows him to stay in his superpowered form, but he continues to fight on despite this. His mentor urges him to stay strong, saying “No matter what you look like, you’re still everyone’s number-one hero!” This is just one of many illustrations of the status All Might holds in the eyes of the citizens of Japan.

Arguably the most prevalent of the four tenets in All Might’s story is “be a sturdy oak”. All Might specifically created the idea of the Symbol of Peace to be an unwavering force of help to those in need. This is evident even in his catchphrase. We see him use a variation over and over, a common theme throughout the series, going all the way back to his first appearance as a hero: “Fear not, citizens. Hope has arrived. Because I am here” (My Hero Academia season one episode one “Izuku Midoriya: Origin”). When Midoriya is talking about what he looks up to so much about All Might he says “There’s always a smile on his face, no matter how bad things get. Even when things seem impossible, he never gives up” (My Hero Academia season one episode one “Izuku Midoriya: Origin”).

The last of the tenets is “give ‘em hell”. This comes down to a reckless sense of daring, always throwing yourself in no matter the danger and being willing to do things no matter the risk. This is seen as bravery, the opposite of being a “sissy” as mentioned in the first tenet, even at the cost of the person performing these acts. We see this in All Might’s willingness to throw himself into any battle, no matter the cost to himself, and how he sees that as admirable. In his backstory preceding the events of the show, All Might was injured in a battle with All For One that left him only able to use his power for a finite amount of time each day. During the time All Might first meets Midoriya he has reached his limit on his power use for the day when a villain attacks a student. All Might is on the sidelines in his disguised form, watching this go down while cursing himself for not being able to help because of his limit. When he watches a powerless Midoriya rush in to help, All Might says “I have to do something, no matter the cost” before pushing past his limit to use his power. He tells Midoriya “Pros are always risking their lives, that’s the true test of a hero!” (My Hero Academia season one episode two “What It Takes To Be A Hero”). He uses his great power to blow the villain away with a single hit. After things have calmed down from this battle, All Might talks to Midoriya about this and what it means to be a hero. He tells Midoriya “There are stories about every hero, how they became great. Most have one thing in common. Their bodies moved before they had a chance to think” (My Hero Academia season one episode two “What It Takes To Be A Hero). This becomes a recurring line in the show when people talk about what it means to be a hero, and it truly highlights the reckless and daring action described by the tenet “give ‘em hell”.

These are only a handful of examples of how All Might embodies the tenets of masculinity in each and every episode. However, these tenets do not go without cost to All Might. We can see as his adherence to these tenets broaches the realm of toxic masculinity-”a particular version of masculinity that is unhealthy for the men and boys who conform to it, and harmful to those around them” (Flood).

In season four episode 67 “Fighting Fate” All Might tells his protege about that time from his past. His sidekick, a hero named Sir Nighteye with the power to see the future, warned All Might that if he were to keep fighting, he would die a horrible death at the hands of villains. All Might acknowledges this, but he presses forward despite the warnings in an attempt to uphold the Symbol of Peace. He says “For the sake of this world, I have to be able to say that I am still here” (My Hero Academia season four episode sixty-seven “Fighting Fate”). As he tries to uphold the tenets, particularly “be a sturdy oak” here, he only begins to break himself down and harm himself as he exacerbates his injuries and puts himself at risk again and again. This is often rewarded in the show, saying he is a good hero for doing these things.

This line of thinking gets passed down to his protege Midoriya as All Might trains him to become the next Symbol of Peace. Here we can see the effects of gender socialization on the story. As defined by Dipti, “Gender socialization is a process by which individuals develop, refine, and learn to ‘do’ gender through internalizing gender norms and roles as they interact with key agents of socialization” (Dipti 9). All Might passes down his ideas of masculinity, such as in the “no sissy stuff” point when he tells Midoriya he needs to stop crying so much. In season two episode 19 “The Boy Born With Everything”, Midoriya is competing in his school's sports tournament and is nervous for his upcoming battle. In his pep talk, All Might tells Midoriya “Whenever you’re scared or nervous about a fight, just try to deal with it by smiling!”, passing on the ideals of being a “sturdy oak” that never wavers even in the face of fear.

Midoriya internalizes these messages, and it all comes to a big culmination in season six. The main antagonist appears to be on the winning side, the world has fallen to ruins, and Midoriya is working as a vigilante trying to take on the world and save everyone himself. All Might was initially in contact with him during this, until Midoriya runs off leaving All Might behind to fight the main antagonist alone. In doing so, Midoriya embodies the traits of “be a sturdy oak” and “give ‘em hell'' by rushing off without regards to himself to take everything on his own, and makes sure there is no “sissy stuff” as he insists he is fine, shoving down any emotions and refusing to ask for help. These are all traits he learned from All Might, and in season six All Might has the realization that the messages he passed down to Midoriya were toxic. As Midoriya speeds away, too fast for All Might to catch up, All Might cries after him, saying “I get it! I know what a heavy burden this is to carry alone! Which is why I want to scream at you, ‘Don’t work too hard. It’s okay to take a break when you’re tired.’ Young man, I’m sorry” (My Hero Academia season six episode 135 “Friend”). Later that same season, Midoriya is confronted by his classmates and close friends in a stunning display of emotional vulnerability that warrants an analysis of its own beyond the scope of this paper. Toxic masculinity is broken down as the characters show that it is leaning on others and being vulnerable that shows true strength.

The vulnerability in this show was not lost on viewers. One article details the reaction audiences had to this scene on social media as people shared their thoughts and breaking down their own toxic masculinity. The article states “Many users openly expressed how much they sobbed wholeheartedly alongside Deku and the gang during this segment of the storyline, without a worry in the world about how ‘unmanly’ their confession may be perceived” (Chester-Londt). It is clear that audiences hold a place for this type of breakdown of toxic masculinity, even in superhero stories where that is perceived to be the default.

For a long time superhero stories have been a place of traditional, hegemonic masculine ideals, and My Hero Academia is no exception to that. The leading figure in the hero society, the Symbol of Peace, exhibits clear signs of all four tenets of masculinity talked about by Kimmel. He passes on these masculine ideals to his students, as evident through the character of Midoriya, and the strict adherence to these ideals proves to be quite toxic. What makes this series unique for a hero story, however, is the recognition of that toxic masculinity and a changing of messages saying it’s okay to rely on others, ask for help, and not always live up to unattainable ideals. We know from audience reactions that there is a want for these types of stories, and I hope to see more like it in hero media going forward.

Works Cited

Chester-Londt, Levana Jane. “My Hero Academia Is the Cure for Toxic Masculinity.” Game Rant, 1 Apr. 2023, gamerant.com/my-hero-academia-is-the-cure-for-toxic-masculinity/.

Coyne, Sarah, et al. “Making Men of Steel: Superhero Exposure and the Development of Hegemonic Masculinity in Children.” Sex Roles, vol. 86, no. 11/12, June 2022, pp. 634–47. EBSCOhost, https://doi-org.dmacc.idm.oclc.org/10.1007/s11199-022-01293-2.

Dipti. “Gender and Socialization.” International Journal of Recent Research Aspects, vol. 9, no. 2, June 2022, pp. 9–12. EBSCOhost, search.ebscohost.com/login.aspx?direct=true&db=asn&AN=158174861&site=ehost-live&scope=site.

Flood, Michael. “'Toxic Masculinity': What Does It Mean, Where Did It Come from – and Is the Term Useful or Harmful?” The Conversation, 21 Sept. 2022, https://theconversation.com/toxic-masculinity-what-does-it-mean-where-did-it-come-from-and-is-the-term-useful-or-harmful-189298.

Kimmel, Michael S., and Media Education Foundation. Guyland : Where Boys Become Men. Media Education Foundation, 2015, http://www.kanopystreaming.com/node/144408.

My Hero Academia, created by Kohei Horikoshi, Bones, June 2016.

“My Hero Academia (YTV): United States Daily TV Audience Insights for Smarter Content Decisions - Parrot Analytics.” Parrot Analytics, tv.parrotanalytics.com/US/my-hero-academia-ytv. Accessed 24 Apr. 2024.

I hope everyone enjoyed!! I have so much more to say about this topic that I didn’t get to due to the page restraints on the paper. This version already goes over the page limit and still manages to cut out about two thirds of my initial points. So if anyone wants to discuss further with me, please do!!!! I love talking about this stuff!!

And for those who asked to be tagged:

@steh-lar-uh-nuhs

@anna-pre

@0im-kinda-dumb0

@ghostspace37

[aita-blorbos]

AITA for disappointing my fans by hiding the truth behind one of our group members’ voices?

I, S (17 M), am the leader of a group of idols. I always strive to have a perfect performance, and one of our members, let’s call him N (18 M), has a high voice that is ideal for the vision of our shows that I have. He is a spectacular dancer as well and always plays his parts perfectly. However, eventually his voice started deepening, and he could no longer do the parts that I wanted him to do. To deal with this setback, I compromised by having him lip sync to a pre recorded audio of him singing. This went well until the self proclaimed emperor of the school, E (18 M), sabotaged one of my largest shows by shutting down the electricity. I should mention here that our group prides ourselves on the effort we put in the special effects and ensuring that everything looks immaculate. A large portion of our funds go towards setting up our stage, and for E to just go ahead and shut that off! I cannot ever forgive him for this. All of us froze, unsure of what to do. Then, N started singing to try and salvage the show, and my other groupmate and I joined in. We finished the song, but the damage had been done, and now everyone knows about how we had been hiding N’s real voice, and there has been a lot of controversy regarding that and our group. So, AITA for disappointing my audience?

[velvet-vox]

Oropo; the ideology of power behind being god: Part 3

Doing an analysis on Oropo proved to be a messy, disorganised process, not all that different from the actual character's actions themselves.

Every time I have tried doing this, I ended up saying nothing worthwhile and mostly just rumbled for a bit without reaching any meaningful conclusion; but I feel like I've finally found something that's actually important and can help the discussions surrounding the character.

Buckle up cause it's time for me to introduce to you all a little something also known as:

The complex of Oedipus

Conceived in 1909 by the Austrian psychoanalyst Sigmund Freud (1856-1939), the Complex of Oedipus is a section of the written paper "Analysis of a Phobia in a Five-Year-Old Boy" in which Freud outlined the fear of horses of a boy known as "Little Hans".

The psychoanalyst determined that the boy's terror was due to feelings of anger he had internalised. According to Freud, all small boys choose their mother as their primary object of desire. They subconsciously wish to usurp their father and become their mother's lover. These desires appear between the ages of 3 and 5, when a boy is in what Freud defines as the "phallic" stage of development.

This stage represents an important point in the formation of sexual identity. The analogous experience for girls is known as the Electra complex, in which girls feel a desire for their father and jealousy of their mother. The child, however, suspects that acting on these feelings would lead to danger, thus he/she represses his/her desires. This leads to anxiety.

In order to resolve the conflict, the boy then identifies with his father and the girl with her mother. It is at this point that a superego is formed; it becomes an internalisation of the parental figure that strives to suppress the ID's impulses and make the ego act upon these idealistic standards.

The ID, ego and superego are, as described by Freud, the three main parts of the human mind that develop our personality through their interactions.

The ID is the most primitive. Within the ID are all the inherited components of personality we are born with, including the sex instinct, the Eros and the instinct towards aggression. The ID operates entirely unconsciously; it does not change with time or experience, since it is not related to the external world.

The ego is the rational, pragmatic part of our personality. It's less primitive than the ID and is both conscious and unconscious; it represents what may be called reason and common sense. Freud used the word "ego" to mean a set of psychic functions such as judgment, tolerance, reality testing, control, planning, defense, synthesis of information, intellectual functioning and memory.

The superego is concerned with social rules and morals, and covers what many would refer to as "conscience". It develops around the age of 3-5 and it consists of two systems: the conscience and the ideal self. The conscience is a part that can punish the ego by making it feel guilty. The ideal self, on the other hand, creates an imaginary picture of how you ought to be, and deals with ambition and social behaviour, including how you treat others and how to be a useful member of society.

According to Freud, the ID, ego and superego, are in constant conflict so that adult personality and behaviour are directly from the results of these internal childhood struggles.

The parallels

So, now that we have established what the Complex of Oedipus is, it is time to see how it connects back to our deranged owl man and to the entire race of the Eliotropes.

At this point though, I have to make a brutal yet sad confession: I have not watched the fourth season of Wakfu nor the Oropo special with all of the new Eliotropes, so all I'm going to focus entirely on Oropo for this analysis and hope that somebody else who has watched season 4 can piece together what aspects of Freud research are present in which Eliotrope and how it all ties back to Yugo.

For now, we can see how the first four paragraphs of the document have unsettling similarities to the entire concept and actions of Oropo and the Eliotropes.

Now, we need to consider that Freud at the time probably didn't take bisexuality and other gender identities as things an individual was born with; because in the case of the Electra complex we need to remember that all female Eliotropes are canonically lesbians, as reiterated by @cocogum in this post , thus, the more modern (or at least the most Wakfu relevant) interpretation of the two complexes that we should consider is: "the child wish to usurp the parent whose at the recieving end of the kid's sexual attraction, and to overcome said urge, identifies with that parent". I could make a different case for bisexuality, but it's not relevant.

The important thing about these two complexes is explaining why Oropo feels so much attraction for Amalia to not be able to contain himself even with Lady Echo. The entire concept behind the Eliotropes is that they were incomplete parts of Yugo that came into existence by accident and couldn't survive nor have an identity of their own without Yugo.

For how much Oropo plays himself up as this secretive master planner, he's actually a mere sexually repressed clone-child that's unable to grow up due to the very nature of his existence.

Finally appreciating canon Oropo: the trilogy's finale.

I feel like, once I learned about the connection between Sigmund Freud and Oropo, I finally started to care a little bit about the guy and the entirety of the Eliotrope's race. Granted, this analysis does fix the many problems and qualms I have with the character; like, if his writing problems limited themselves to the season 3 finale then I could pass it off as just the sad, miserable conclusion of a doomed existence, but no. Unfortunately, Oropo has problems even in the manga and ova created solely to expand on his character, it's like Tot is completely unable to give his writing pet the necessary traits to make him an antagonist worthy of the Wakfu's standards, and instead just uses him for cool visuals and to fill in the untold parts of the lore.

He came up with a truly brilliant concept reminiscing the psychoanalysis of the 19th century, and couldn't find a way to explore said concept in a meaningful way because he had to turn it into a fight. Naturally, this isn't just a Wakfu problem, this is an anime and media problem at large, where we necessarily have to resolve conflicts into a battle because otherwise the audience could feel bored and disinterested in the final product.

This is a problem that carries over to the Avatar franchise, where the creators tried to have meaningful political commentary and couldn't find a meaningful way to have it that didn't involve a fight, because, if they don't turn it into a fight of good and evil, then the audience could feel scared at the prospect of such a challenging, morally compromising story.

To me, Oropo would have been a far more interesting character if he just wanted to overthrow the gods for their selfishness and wanted Yugo to approve his decisions because he was his creator and he loved him.

Could have made for a far more interesting story than just simply going back to the status quo and compromising it only through the inclusion of the Necromes, who pretty much just sought destruction and didn't really change the hierarchy in a meaningful manner.

<<<<Previous part

Nox analysis

Qilby analysis

[luimnigh]

So, Day Two of New York! Well, actually, I crashed when I got back to the hotel again (is this that Jet Lag stuff?), so I'm writing this on Day Three, but here's the recap:

So my Aunt accidentally booked the Statue of Liberty ferry for 9am instead of 2pm. At 7.30am. We ended up having to rush to Battery Park to catch the boat, using the Subway. No pics of that, too many people's faces everywhere.

What I did get a picture of was this:

Apparently, a Church.

Anyway, while we were waiting for the ferry I saw more helicopters than I usually do in a year (my helicopter diet is mostly made of Search and Rescue ones), and the Disney Cruise Ship Treasure passed and played "When You Wish Upon A Star" on the horn.

But yes, Lady Liberty:

Managed to finally have some breakfast, of mediocre lukewarm pizza.

What can I say? It's a fun and interesting experience to see this literal icon of America up close. It's a little bittersweet, given that America has never fully lived up to her promises, both the original idea of her creator (Liberty and Justice for all) and the reinterpretation by Emma Lazarus ("Give me your tired, your poor, your huddled masses yearning to be free"). But she was always supposed to be ideal to strive towards.

Also I got to see the bolts that hold her to the pedestal!

It was like 30 cents and another security screening to go up the Pedestal, would recommend. Great view of Manhattan from there:

Also, the original (though heavily modified over the years) torch is found in the nearby museum.

After that, we went to Ellis Island, because it's on the same ticket. Actually, that ticket's great value for money, €25.30 for Liberty and Ellis.

I didn't take many pictures, but it was a very interesting experience. Irish emmigration to America has never really stopped, but I am of a generation where it slowed to it's lowest levels. If I had been born in any other generation, it's likely I would have had to leave myself for America.

Case in point, my Aunt who's with me on this trip did emigrate to America. She spent a decade in California, before being able to come back to Ireland in the 90s.

So after we got back on dry land, we made our way through the Subway to the Oculus, the big fancy Mall:

Grabbed some lunch in a nearby deli my Aunt likes.

And then we went into the 9/11 Memorial Museum.

...so. I have a complaint. And it feels shitty to be complaining about a memorial, but I swear it's a fairly serious complaint.

We were ushered into a theatre, where we were told we were going to be shown a 26 minute movie before experiencing the exhibit. We assumed it was going to be a film about the events of 9/11.

We were wrong.

It was a very detailed film about hunting and killing Bin Laden. Like, animated diagrams of troop movements during the raid.

It felt celebratory and congratulatory and the CIA director was grinning and saying people were chanting "CIA! CIA!" in public when the news broke.

It was a propaganda film and incredibly clashing with the tone of a fucking memorial.

The rest of the museum is well-done and appropriately sombre except for the section where it goes back to the topic of fighting Al-Qaeda with ever mentioning the millions of Afghanis and Iraqis that died-

Sorry. Yeah. Mostly well done except for those two sections and the random brick from the Abbotabad compound. Just sitting across from the exhibit on the long-term effects of the dust clouds.

Yeah, that kinda threw me and my Aunt. That felt inappropriate and not in keeping with the intended tone.

And after that we went back to the hotel.

Yeah. Bit of an awkward one.