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shinygoku · 4 years ago

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Thunderbirds (2004)

A review by me, CutCat! This is 8-ish pages long!

Spoiler for the end of the film warning: Alan is in International Rescue. What a twist!

Totally Turbulent

Soooo, Tbirds ‘04 is one of those Infamous Adaptations, at least among those who enjoyed Thunderbirds (’65) and of more recent times, Thunderbirds are Go (’15). It’s one of those Bad Live Action Adaptations to a near sacred property, making it dubious contemporaries with Dragon Ball [Evolution], Avatar [The Last Airbender] and suchlike.

But wait, is it really That Bad?? Why is it as divisive as it is? What caused the film to be the way it is, and quite unpopular at that?

First I’m gonna make a long story very short by saying that a Live Action Thunderbirds movie was on and off production for many years, and that the script we ended up with is apparently better than another one that was pitched... but there are reports of cooler scripts further back that never made it, for various reasons. It’s almost a story of it’s own right but I’m only going by 2nd hand information at best, so I’d rather just link them at the end for Additional Reading if y’all felt so inclined.

With that out of the way, we have the Takes from the Andersons to look at. Sylvia had a very favourable reception to it:

"I felt that I'd been on a wonderful Thunderbirds adventure. You, the fans, will I'm sure, appreciate the sensitive adaptation and I'm personally thrilled that the production team have paid us the great compliment of bringing to life our original concept for the big screen. If we had made it ourselves (and we have had over 30 years to do it!) we could not have improved on this new version. It is a great tribute to the original creative team who inspired the movie all those years ago. It was a personal thrill for me to see my characters come to life on the big screen."

Whereas Gerry had a considerably blunter response at the opposite end of the scale:

"the biggest load of crap I have ever seen in my entire life."

As for me, a mere fan of predominantly the TAG series with limited but fond memories of the 90’s TOS reruns, I’d been inclined to ignore it and write it off as a DBE or TLA lost cause. But the combined effect of me deciding to check out unpopular media for myself, namely Dragon Ball GT and the live action Super Mario Bros. movie, and thoroughly enjoying both; and the other effect of TAG finishing but my fixation reawakening with the need to consume More, I dived deeper into the fan base than I had dared to before, in which I found more reasons to watch it and make up my own mind fairly.

Find out what I thought, and a review of the movie itself, below the Cut! ✂

Stormy Story

Ok, enough teasing, I see good things in the movie but not enough for it to be a secret masterpiece, not by a long shot.

1/3 Stars from Me. That’s Poor. (Compare with 2/3 being Good, and 3/3 being Excellent)

My main beef is unfortunately kinda the crux of the whole story, so while there were aspects I really liked, it had permanently set the bar low, and other issues were not helping matters. I’ll go into the problems after I sum up the plot.

[sitcom harp music]

14 Year Old Alan Tracy is stuck in a stuffy school with only his nerd friend to confide in. Something’s eating him up, and it’s jealousy over how his family are International Rescue, the secret rescue workers whole pilot the Thunderbirds, impossibly cool craft with capabilities vastly exceeding standard technology. Even when he’s allowed out of school and back to the Island, his envy and barely repressed resentment over not being a member himself causes him to go off and sulk and to try taking Thunderbird 1, the hypersonic jet plane, for a joyride.

His father and the leader of International Rescue, Jeff Tracy chews Alan out for almost compromising the need for the organisation to remain secret, lest their advanced technology falling into the wrong hands. Alas, said wrong hands are already working against IR: The Hood, a diabolical, cold blooded criminal with psychic powers and a grudge against Jeff. After successfully tracking the location of Tracy Island, he launches a missile towards Thunderbird 5, the Space Station where IR monitor potential disasters to prevent as much damage as possible, manned by John Tracy.

With TB5 crippled and John injured, Jeff and his other three older sons all scramble to the disaster zone via Thunderbird 3, the Rocket Ship. But with Tracy Island largely unmanned, The Hood moves in and aims to use the Thunderbirds to rob bank vaults while simultaneously smearing International Rescue’s good name. As the only Tracy brother left on Earth, it’s up to Alan and his 2 friends, Fermat and Tin-Tin, to foil the Hood and save his family, proving himself worthy in the process. He is also assisted by IR’s London Agent, Lady Penelope, and her driver/butler/lockpicker, Parker.

...

Ok, so that’s a summary you may read on the back of a DVD box, maybe it’s a bit long but whatever. Do you see what’s wrong with the story? The massive rift in the formula that should be within a template set by the hugely popular TV Series?

Critical Crux

For me, the main issue with the movie is that the Tracy family are thrown under a bus, or perhaps it’s more like being locked in a closet, in order for Alan to rise up and be The Hero. A show that was about each of them having different roles and personalities to the others, and the movie sees the best way to adapt the premise is to reduce 3 of them to cardboard cutouts who aren’t allowed to do or say anything meaningful, with the exception to this getting the dubious honour of getting a missile and exploding space station to the face.

I can’t clearly express how much this pisses me off! It’s downright insulting and baffling as well. They had pre established characters right there for the taking but go NO! Let’s make OCs to fill this newly created void instead and make the main Message of the film Friendship Teamwork.

Why does every child-skewed media hafta have the Friendship message? It’s a good one, sure, but nothing said in this film about it was fresh or original. Y’know what I see far, far less? Not just in Kid Flavoured Media, but all sorts? The importance of Brotherly Bonds between actual brothers!! I don’t subscribe to the massively misunderstood message version of ‘Blood is thicker than water’, but a story with the siblings actually pushed and stressed and coming out stronger at the end would have ruled!!

[For what it’s worth, the actual saying is “The blood of the covenant is thicker than the water of the womb”, i.e. the bonds you choose to forge are more important than happening to be born to certain people. This correct message is still compatible with literal siblings though!]

The other, somewhat lesser Large Issue with the movie is simply that we don’t see much in the way of Rescues with the titular Thunderbirds. We only get the tail end of the Oil Rig in Act 1, and then the ‘Birds are used predominantly to get to London and save 1 Monorail Car with TB4.

Watsonian Woes & Doylist Dilemma

When looking at Media, there’s 2 main angles to consider; Doylist and Watsonian. Doylist is the “real life / meta” angle, the structure of the story or interests of the author being in the plot, that kinda thing. Watsonian is the reason given within the story.

All stories have Watsonian and Doylist reasonings, the trick is to blend them in and not use a weedy Watsonian reason for something stupid happening.

Why bring this up? Because it’s still part of the Huge Problem I have with the film; the Doylist reason for all of IR being incapacitated so easily is so Alan can shine without fighting for focus in a large group. I don’t like it, but let’s go along with it for now.

Believe it or not, but I can accept that a Movie format isn’t going to be the same as an ongoing series. There’s way less time and you gotta hit certain beats. Ideally you also condense the essence of the show into the film while being more than just a long episode. They didn’t hit this note in my opinion...

But other than ‘It has to happen for he story to work’, there’s no damn reason for all the Non-Alan Tracys to be cooped up in the crippled TB5! They put all their eggs into one basket when a considerably more sensible choice woulda been to have a small crew, and the others remain on base. Because even without factoring in a worst case scenario where another missile hits them while in space, killing them all, which totally could have happened for all they know, there’s also the part about them being International Rescue! They gotta be ready to respond to other disasters should those develop. TB1, 2 and 4 were still available for use!

If I was Jeff making the boneheaded decision, I would have taken a second to think about it and have 1 of the Bros come up in 3 with me. Seeing to John shouldn’t be something 4 people are needed for, it would just get more crowded and the oxygen would be used way faster! Considering they all come close to asphyxiating, 2 less people would mean things weren’t so damn close to the wire! (Granted, the movie also has them falling into Earth’s atmosphere and burning up as a hazard, but the whole crew being there doesn’t affect that.)

Jeff! You’re the patriarch and supposedly most experienced dude in the whole movie! Why didja run into that trap with both eyes open? Stressful situation, sure, but in the Rescue Business you need to be able to listen to the cold, clinical angle. You’re risking more of your sons’ lives making such a rash judgement!!

Character Conundrums

This is the part of the review where I begin to really emphasise the differences between TOS and this movie. I’ll hold off TAG for now in the interest of fairness.

The movie is a mixed bag when it comes to the individuals within it. Some have been refreshing updates to stuffy 60′s tropes, but several draw the short straw, feeling even stiffer than their marionette precursors.

Alan - Hoo, boy. The plot follows Alan.... for the third time if you’re factoring in the Supermarionation movies, which was quite the baffling choice as Puppet!Alan is quite the obnoxious jerk. But whatever, new movie, new canon, new Alan. While the Alan of the 60′s was a bizarrely whiny brat of a character considering he was supposed to at least be in his early 20′s this Alan at least makes more sense to be annoying. But yes, he starts off as a sullen jerk with unclearly defined jealousy towards his own brothers and seemingly a lack of grasping the stakes behind International Rescue, viewing being one of the crew as a Cool Job rather than a gruelling, life-risking ordeal. Over the course of the movie (mostly Act 3) he becomes less of a berk and a better team player, even going as far as to save the Hood personally.

Jeff - One of the stronger characters in the movie, even with this poor choice I’ve gone on about already, haha. You get the real impression the job means the world to him, but still secondary to his sons. An update and improvement to the sometimes stodgy and holier-than-thou character from the 60′s, plus his proactive role makes him way less of a backseat driver.

Lady Penelope - Best character and a splendid update to the 60′s Socialite. This Penny is always a delight to see, although her ability to change clothes offscreen sometimes pushes plausibility, haha. She and Jeff also have very natural and endearing chemistry, so for this iteration at least, I’m up for shipping them, something I can’t say for TOS.

Parker - Remarkably true to the beloved puppet version and another highlight. His interplay with Penelope is some of the best dialogue in the whole movie, and was written by Richard Curtis in an uncredited role, or so I’ve read.

The Hood - A shockingly sadistic and cold blooded so-and-so. His Psychic powers have been given a huge boost, and the depths of his spite generates all the tense scenes the movie has to offer. His performance may be the best in the whole film, simultaneously over the top while also completely deadly.

Tin-Tin - Y’know, Tin-Tin is a funny character, in how she’s very different in all versions. I enjoy her in TOS, but her potential as an engineering assistant, mathematician and member of IR are quickly discarded to make her a secretary, which is further demoted to bringing coffee. Ahh, The Sixties! One of her other defining features was the sometimes bickering sexual tension with Alan. Movie!Tin-Tin is still the implied love interest [and the same age] with him, but she’s also an Action Girl extraordinaire, with abilities bordering on metahuman. She can trek through the jungle without slowing down, she can dive underwater for prolonged sequences, and has a variation of her Evil Uncle’s Psychic capabilities, but used for good. Notably, the Kayo of TAG takes significantly more from this Tin-Tin to the original, sadly sans Telekinesis.

Fermat - The only OC I’m gonna dignify with a section here lol. He’s basically mini-Brains, complete with the way he t-ta-tal- -distinctive speech patterns. But yeah, as the hypersmart and nerdy pal, I feel that his role is pretty superfluous, though his performance in the movie got me to soften up, he’s a good kid. Just one who, like, is part of the deal breaking issue I have with the whole film. In a way I think he’d have made a better lead than Alan lmao

Brains - Not much to say here, he’s also a dude in distress for a majority of his screentime. Seems to be older than his TOS self and a bit less subservient to Jeff, but also a father ....or Fermat is his clone. They never make that clear. He’s hit on by the Hood’s Female Scientist and it’s played for comedy, more on that later.

John - In TOS, his role was infamously minimal, as Gerry Anderson took such a strong disliking to the John puppet and the TB5 model that he exiled both into space with a few token shots per episode. So in comparison, this movie is far kinder to John! He has a nice, genuine chat with Jeff, without any mission to initiate said videocall. The movie is also quite mean to John in how he gets bombed by the Hood, his space station in tatters, his arm hurt and then near suffocation with Jeff and most of his brothers. Ahh, the conundrum of being John.

Scott, Virgil and Gordon - No, they don’t even get their own paragraphs in my review. Their lack of presence and importance in the movie is my giant gripe (have you noticed yet?) and it got to the extent that I feel they could have been combined into one character to save casting money. They get maybe 5 lines each, if that. I literally can’t tell Scott and Virgil apart (I know they have name tags on their uniforms, but in most scenes I couldn’t even read that) other than knowing 1 of them is taller. Which that one is, is a mystery.

The only one with a slightly distinctive appearance and air is Gordon, which is another can of worms because he seems to be the designated Doubtful Jerk Brother and that drives me mad!! In TOS he wasn’t as main a character as Scott, Virgil or Alan, but he was still a defined person with his own abilities. And his personality was as a slightly mouthy but the most lighthearted character! Why didn’t they carry that over?!

And yeah, Scott and Virgil are pretty much the Main Two of the brothers in TOS, so their roles being reduced to 1 token act during the oil rig rescue each [Gordon didn’t even get that!] is all the more mind boggling.

Hood’s Minions - Can’t be assed to write their names out, I refer to them as Heavy Dude and Science Woman. Heavy Dude is the Heavy, and his character consists of Dumb and somewhat Sadistic Muscle. Science Woman is first objectified (we see her ass first. Yes, really.) but then it’s ‘revealed’ that as she has Austin Powers level teeth, she’s uuuuuglyyyyy and her otherwise genuine attraction towards Brains is played for laughs with this angle. And that’s still female on male sexual harassment, which doesn’t fly with me. Eeeesh. Bad writing! She does Science Things for Hood.

The Rest - Kyrano and his wife are in this. Wife is Original but basically Grandma’s role, though she doesn’t even get a single word to say. Rip. Also the Hood has a few more generic mooks from somewhere, but seemingly only for part of the movie. Kyrano didn’t do much in the show except get bullied by the Hood and little has changed.

Tone Trouble

I feel like the movie has a bit of an issue with balancing a consistent Tone. Again, let’s look back at TOS. It was a Family Show, designed to not just appeal to little kids, but to also keep their parent and other adult amused. Maybe some of it was also the result of the times, but striking to me is that they allowed the characters to get pretty hurt, complete with red paint being applied to look like realistic blood. Some of the criminals, including the Hood himself, would be very vicious, how he treats Brains in Desperate Intruder comes to mind. There was even firefights resulting in death, like the memorable climax of Operation Crash-Dive, where Gordon has to shoot a saboteur in the back, into the open sea below the compromised plane. He then proceeds to hold the cut wires together with his bare hands. Don’t try this at home, kids!

So while I can understand some of that being removed from the Movie (and TAG), there’s still the irritating going down to a perceived kid’s level for the majority of the film, which is probably also a large reason for the massive structural change. But then, there’s shockingly dark implications here and there, and the haunting sight of the crew trapped on TB5 floating lifelessly in the dark, asphyxiating. But then, again, we have goofy choreographed fight scenes with juvenile stock cartoon sounds. And then, we have Hood force choking Alan?! It has been mostly consistent until Act 3, then the tone goes up and down more than the flying machines.

Revamped Rockets

I’m mostly talking about the main craft here, though I know the Pod vehicles got modified too, I’m not sufficiently a TOS Pod Buff to go over them.

TB1 - Looks real nice! Maintains and even enhances the sleekness, and the idea of a glass cockpit is much better than having 1 tiny window and a dinky TV screen to see by. Oddly dark inside the cockpit considering how much glass there is, though. Probably my fav of the Movie Fleet.

TB2 - Oof. Looks bad, man. Like, really ugly. What have they done to the glorious design that was the Original Big Green? The unofficial mascot from her importance and unorthodox style? They turned her into a stubby, too glossy, chunky bar of green soap. The thick ass legs are a good idea but it sure ain’t enough. Also, she carries 3 smaller pods insteada 1 big one.

TB3 - Like TB1, pretty much the same design but streamlined a little. Docks with 5 sidewise instead of like pen going into its lid.

TB4 - I’m mixed. I like the idea of giving her a glass canopy and extendable arms, but the movie’s version is so boxy she looks more like a small yellow Greenhouse with the rear half of the old Four, haha. The arms also look a little stiff, can they bend? Now, if there was a sleek, glass hulled, variable armed, demolition charges-loaded Four, that would be my favourite possible version ;3 Four is my fav craft in TOS and TAG, for what it’s worth.

TB5 - I say it’s quite a visual improvement over TOS and the odds and ends jumbled look that had, though I do appreciate a bit of Chunkiness. This one really needs to have better defence too, TOS 5 may’ve been able to tank that missile lmao

FAB1 - I know that she would have been a Rolls Royce in the film, but BMW said no, so that’s not a point against the movie. And failing the classic image, it’s cute that it’s a Ford Thunderbird, though I’d have preferred one with those 50′s/60′s stylish fins personally lol. Her ability to fly is new here unless you count the Dream Sequence in Are Go (’66) and the water mode was also seen in that before this, and she gets the job done, though we don’t get to see as many gadgets and gizmos in the course of the film.

Unlikely Uniforms

I really don’t understand these. Why are they off white with minimal accent colours? What was wrong with the blueness of their suits and the broad stripe of a secondary colour? I sure ain’t saying the 60’s costumes were practical or even that fashionable, but they were very distinctive and striking!

Not only that, but for some strange unexplained reason, their uniforms all correspond not to their own speciality, but to which craft they’re currently piloting. Even if they’re all in the same Bird...! So like, four out of five are wearing identical looking red accented suits while locked in TB5. I already find the elder brothers to be the Similar Squad, and their microscopic name tags don’t help!

Why don’t they wear their own coloured uniforms all the time? Then ya don’t need the name tag at all! And the silly implication from the way there’s apparently a whole set of Craft Specific uniforms is that there’s piles of clothes that ain’t getting used in all of them, like the tiny TB4 probably having 6 whole sets on board at the end of the film.

Between that, no blue and the outfits looking like Generic Sports Wear, the only nice thing to say is the THUNDERBIRDS down the sleeve is a cool touch. Which should really say International Rescue or IR...

Mingled Misc.

Yeah, The conflation of Thunderbirds and International Rescue is a tad irritating but it’s actually something I can overlook. It’s not a dealbreaker and it makes sense the Dumbass Public would misunderstand and call them the wrong thing.

Jeff refuses Alan early access into IR and cites “No shortcuts”. Then at the end he echoes this when he is making Alan an official member, saying he did it with no shortcuts. The whole faffing scenario was a giant shortcut!!! Fuck training and being a suitable age, am I right?!

Amazingly I didn’t cover this already, but when Alan shortcuts his way onto the team he’s made pilot of ... TB4. That’s why he’s in yellow accents in the pic. Gordon is seemingly the main pilot of TB3 instead, but the movie doesn’t deign to make that clear. While I appreciate that the 14 year old with no Astronaut training isn’t put in charge of 3 instantly, I resent the careless removal of characterisation. Obviously movie Gordon never served with WASP or won the gold medal in swimming or had a massive hydrofoil crash to nearly kill him but ggggghgggaaahhhhhhhhh

Also what’s with the implication that Four is the Babby’s First Machine? She’s a highly specialised craft that would require different training to flying or Space shit! How dare you?! The most charitable link is that Alan stood around in 4 as Tin-Tin did most of the work herself, but I guess it coulda as some level of experience.

Ford Sponsorship - Gets a bit much! It’s one thing for all the cars to be Ford, but them seemingly owning the News is like an unpleasant look into a world where corporations run everything.... hahahaahaaaaaa........

Marvellous Music

Something the movie really excells at is the tunes! The remix of the Thunderbirds March is good in it’s own right and very welcome, and the new music is all solid. Special mention to Busted’s outro song for slapping so hard even people who hate the movie leave warm youtube comments about the song. I have a habit of listening to it set to TAG footage myself, haha

Sincere Summation

Look, I’ve come off negative in this, but I honestly have a lot of respect for a lot of the parts of this picture. Hood, Penelope, Parker and Jeff are fantastic, the physical models and sets have a lot of care and loving detail poured in, the music is all bangers and other little nods and homages to the show shine brightly. The director got a lot of good work in and I hold him no ill will.

I think the problem is in the Writing and probably Studio Mandates, I’m not 100% sure, but things often get snaggy when the studio you’re working under gets bought out by a bigger company partway through. Again, I’ll refer to the info I’ve seen instead of trying to relay it in my own words.

And they made a real bad call snubbing Gerry as a Creative Consultant. Some of his venom towards the film may be from that, as well as his alleged preference to Team America: World Police as a theatrical homage. And I’ve seen that before and wouldn’t really say that’s true to the spirit of Thunderbirds, but yeah...

I’d be interested in any future Thunderbirds Movies, if that’s ever on the cards again. I’d probably be even more up for continuation of the TAG series, or newer new Captain Scarlet with International Rescue involved. Either way, I want new footage of the Birds taking off again, be it puppet, people, CGI, or something new~

Extra Reading

https://securityhazard.net/2017/05/19/thunderbirds-2004/ Full movie review, warm reception. Contains photos of set pieces and costumes.

http://groovyfokker.blogspot.com/2013/02/thunderbirds-arent-go-unfilmed-versions.html Insight into some of the past issues developing a Movie, but gets some basic information wrong (Since when is Gordon the youngest and TB3 orange??)

Thanks if ya’ve been reading the whole thing! <3

#Thunderbirds 2004 #Thunderbirds #Thunderbirds TOS #Thunderbirds Movie #Movie Review #can't really tag it with TAG because I deliberately kept that minimal lol #I care so much about Tbirds so I had much to say #I hope the links don't mess up it appearing in the tags :v

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tigerlover16-uk · 7 years ago

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Goodbye, GT

This is a very personal post written mostly for the sake of posterity and closure. You're free to read it if you really want, but I'd rather nobody comment or make a big deal out of anything I say here, I just needed to get my thoughts written out for the sake of moving on. So I'd rather people just scroll past.

Well, I finally finished watching Dragon Ball GT subbed. Thank goodness.

I have a lot of complex thoughts on GT, many of them very negative. I've made it no secret that I hate this series, and I have a lot of reasons why I hate it. The complete refusal to do anything meaningful with the vast majority of the supporting cast (With the things they actually do end up being very minor stuff, or downright insulting), especially the complete mishandling of Pan and Uub's characters. The boring stories, the bad designs and the general aesthetic of the show. The unengaging fights, and that utterly STUPID ending!

There were a few things I liked here and there, but in general I have a lot to complain about. And maybe if people ask me I will talk more about the show, but since this will likely be the last time I ever watch it, I felt now was a good time to really wax poetic about why I really feel so negatively about it.

Because after really thinking everything over and my experiences with GT and the franchise in general, I think I've found a more deep-seated reason besides it's own admittedly poor quality as a show. And I just wanted to get it all out for posterity's sake and so I can really move on.

I watched GT as it was airing on Welsh television as a kid, the Blue Water Dub specifically. It aired right after Dragon Ball Z finished, and the original Dragon Ball started airing after GT wrapped up. Like with DBZ, I watched every episode as it aired, and in general my childhood self enjoyed it. I was too young and stupid to really think critically about most of the media I consumed, so I never tended to notice any flaws in the shows I watched.

And Dragon Ball Z was my favourite growing up, alongside Spider-man The Animated series, so naturally I was inclined to think of everything GT did as being amazing and cool. And to be fair, yeah there is some cool stuff here, I can see why I enjoyed it. Even though now that I look back, a lot of it didn't stick with me the same way the stories, action and characters of DBZ and later Dragon Ball did.

I was confused and uncertain about the ending, but given that the original Dragon Ball started airing soon after I was never much concerned with it. Dragon Ball couldn't really be over, here was more of it showing me all that backstory and stuff that was always hinted at or flashbacked to in Z but I never saw for some reason. I quickly fell in love with OG Dragon Ball the same way i did with it's sequel series.

It was soon after that series finished airing, however, and I came to accept that Dragon Ball was over... that a powerful, uneasy feeling started to set in. While I know I hadn't actually been watching it for ALL of my life, it really did feel like Dragon Ball had always been there. A constant, welcoming, wonderful presence in my life that made everything feel so much cooler and life in general so much more fulfilling. Something to always look forward to...

I didn't dwell on it too hard at the time, but as time passed, and life generally got harder and more miserable as time went on (I'm pretty sure I was in secondary school when Dragon Ball finished, and that was one of the worst parts of my life, let me tell you!), I started to feel very alone and wistful.

To give an idea of what I was going through without giving too much away, I was losing friends, with my longest friendship ending in a great personal betrayal, my home life was an utter mess right up to and through my parents divorcing.

And between school work, undiagnosed aspergers that my teachers refused to acknowledge might be a possibility, and just realising how harsh, cruel and kind of miserable the world really was... let's just say that I became a pretty closed off, miserable person for a while.

I got better when I started going to college and life in general became more stable, but through all of that, and for the next several years after it even... the thing that made it especially unbearable, was that through it all, I felt like something was missing.

Something important, something grounding. Something that had helped carry me through life prior to all that, and give me something to always look forward to and find comfort in whenever things seemed rough.

It felt like a part of my soul had been missing for a long time, and I never understood why.

I think it was during my later years in secondary school that my family got a computer for the first time. I can clearly remember spending so many hours of my life browsing through wiki's of all sorts of shows, games and movies I liked.

One day, I inevitably started looking up Dragon Ball stuff.

I went all in trying to find as much information as possible about this series. I read all up about the behind the scenes information and Akira Toriyama's writing process. I read up on all the characters, the manga prototypes of Dragon Ball, and the reasons for why Toriyama wrote a lot of things the way he did.

I learned about all of the dub changes, and the various dubs that were out there for that matter. I used to have a laugh about some of them. Learned about a lot of the movies, games, Specials and other stuff I hadn't been aware of because I'd never seen them before.

While I didn't have any DVD's for the series available for a while and felt uncomfortable pirating the show (Didn't stop me from looking at some other things on YouTube, I notice though... I'm a weirdo :p), but I did frequently refamiliarize myself with stuff that had happened.

And when Dragon Ball Z Kai became a thing, I watched that, and I kept up with animated specials like the Yo! Son Goku and his friends return! special or Episode of Bardock (Which I actually watched before I even watched Bardock: Father of Goku, despite knowing about that special and everything that happened in it for a while, for some reason...).

I remember hearing about Dragon Ball Online and all the stuff about it's lore, and being utterly fascinated by the prospect, since I had never imagined another take on the series post-EoZ other than GT actually being presented, even though I REALLY did wish we had more.

Over time as I was doing this, the feeling of wonder and fun that I had always felt watching Dragon Ball as a kid started to come back, and I remembered why I loved this series so much. How much it meant to me... and how sad it made me that it seemed the series would never come back.

Oh, don't get me wrong, I appreciated that we had stuff like the video games, or the occasional specials, and even the SD manga when that became a thing was something I frequently read synopsis for since I didn't know where to actually read the manga for a while. I was glad there was content being made... but it was never nearly the same thing as having a proper continuation, you know.

And a lot of the stuff we got, like the YO! special, was pretty mediocre fluff in the long run. It was fun, but it didn't fill the void. And I thought nothing ever would.

I had begun to realize what that missing part of my soul had been.

I was excited when I heard about Battle of Gods being released, but I also assumed it would just be a one-off thing, something that would be great to pass the time and give me another chance to see all those characters I loved again, but it wouldn't lead to anything bigger. And despite stuff like the hints of there being multiple different universes, I was still certain by the time Resurrection F was announced that an occasional mostly self-contained movie would be the best we could ask for in terms of new Dragon Ball content.

I can't even begin to tell you how shocked... and how darn HAPPY I was when Super was announced. I never expected it to happen... I couldn't believe it was. For the first time in years... a new Dragon Ball series. One that ignored GT's continuity, and thus it's definitive ending, and opened up the possibility of more new Dragon Ball stories for many years to come.

I wanted to cry.

I didn't start watching the show until it was part-way through the Champa saga... mostly because there weren't legal ways to view it until part-way through the Future Trunks saga, and I thought I'd wait for the dub at first. but keeping up with news and spoilers about what was happening, and browsing the tv tropes pages for Super every day and watching clips on YouTube, I just couldn't control myself and started looking up episodes of the Champa saga myself.

And oh God... I felt at home. I mean, it wasn't a perfect story, really, but... it was good. And it was new Dragon Ball. Watching things unfold was such a magical experience, and when it got to the Hit fight... HOLY COW, was my mind blown. THAT... that was Dragon Ball, through and through! And then we got the Baby Pan episode, and dear God that was adorably perfect and I love it to bits. And then we found out that Future Trunks was coming back for a saga, and the new villain for it and, OH GOD THE EXCITEMENT!

Having Dragon Ball back in my life again was just... it felt just so... right. The missing part of my soul was restored. I had my childhood... I had my best friend back.

I suppose by now you're wondering about how all of this relates to GT. You're probably thinking "Oh well then, you only hate it because you blame it for ending Dragon Ball for so long!" and... well, okay, that's kind of on point. But I didn't hate it for that until after I actually re-watched the series not too long ago.

Truth is, I've always defended GT. I mean, I knew it had problems just listening to people talk about it, and remembering it for myself. I definitely agreed the ending was wrong. But... I remembered liking it as a kid. Even loving it.

I remembered there were ideas and a few characters I really liked. People complain about a lot of things in DBZ as well, yet whenever I re-watch that and the original Dragon Ball, they both hold up exceptionally well despite some issues. Better than so many things from my childhood.

So, why shouldn't GT hold up the same? I always told people that GT was okay, that a lot of people overreacted and that it wasn't anything offensive. People were just overreacting.

I strongly believed that for years. I was glad it was non-canon, because that meant there was another chance for another, better post-EoZ series that utilized the next gen characters (And the long standing supporting cast, for that matter) better, and I didn't want Dragon Ball to have a definitive ending. But I stubbornly refused to have negative feelings about GT.

I started re-watching GT when Super was about half-way through, out of curiosity and because I wanted to have an actually up to date, informed opinion on it. Especially where comparisons to Super came up.

I didn't go into the series intending to be negative, I went in with the intention of DEFENDING IT. I knew there would be stuff that would annoy me or that would be frustrating, but I wanted to enjoy it like I had as a child. I wanted to be able to say with confidence that despite it's faults, GT was a worthwhile addition to the Dragon Ball franchise and that I liked it.

And for the first two to five episodes, I did kind of enjoy it, despite some things I took issue with...

But the more I watched and was bored of the first saga, and the more I started looking ahead and really dwelling on what went on in the show. How it used the characters, how the stories were written and how it ended... after a while, I started to doubt it. I started to dislike it more and more.

While I had made up my mind about GT not being a good continuation of Dragon Ball Z by the time I finished the Baby saga, I still mostly enjoyed that saga at least, despite some glaring issues that bothered me. I was willing to say that was mostly fine. I hated the Super 17 saga a lot, but even going into the Shadow Dragons saga, I expected to like that. I tried very hard to be positive going into it... and then it kept spitting in my face.

And by the time I got to the penultimate episode, I was sick of the show and glad to stop watching it. I did something I never expected myself to do, and declared it horrible, a blight on the franchise! And I meant it, because after experiencing such a disappointing let down, and especially after that insulting final episode when I did watch it... I felt betrayed.

THIS was the show I had been defending all these years?! It was trash! People were right, GT WAS an insult to the franchise... it was an insult to me as a fan, as someone who loves this series.

And I feel this way because it feels like the series is specifically designed to annoy me. The first saga is a boring slog where it feels like nothing of actual value happens after our heroes leave earth, all for a stupid contrived premise. The only really notable episode is episode 15, and for ALL the wrong reasons! Goku is turned into a kid for no reason, which just feels wrong at this point in the series, Pan is derailed into an annoying brat for no good reason, and the only other character that comes along for the journey is Trunks. Who is one of the few characters I don't really care that much about, and he's blander here than he was in DBZ.

We get one half-decent story after that, one horrible trainwreck of an arc that did NOTHING right apart from a funny gag with Chichi and Videl, and a saga that sounds on paper like it should be the greatest thing in the world... but everything apart from Nuova and Eis Shenron's episodes was handled in the WORST WAY POSSIBLE.

The fights range from passable, occasionally good, to just BORING. While there were good jokes sometimes, the humour was usually dull. The many characters I loved either barely showed up and then only to get fodderised, have a lot of their personality drained away so they're just kind of dull, or in the cases of Piccolo and Majin Buu, get POINTLESSLY KILLED OFF! And in Piccolo's case he got shoved into freaking Hell for his troubles and never got out! What were you thinking, writers! That is NOT how you treat one of the greatest anime characters ever created!

Everything I felt could have potential to be interesting felt like it was deliberately sabotaged. Uub was shoved aside in the first episode and didn't show up until it was half over, and then despite getting a transformation all he does is have a fight with Baby that's way too short and anti-climactic and then stall the villain later on in the saga, otherwise he's so insignificant to the show he might as well never show up.

I always thought his character was very interesting and I wanted to see him be at least the co-protagonist and actually do stuff... and GT just bent over backwards to make him irrelevent, give him almost no personality or real purpose, and just generally undermine the entire point of the ending of Z...

Pan got off almost worse. She was never allowed to go super saiyan, only useful a few times throughout the show and didn't defeat anyone that mattered on her own. She got no real character development, and was mostly just a damsel in distress... because the writers LITERALLY ADMITTED that they only kept her around so she could get beat up by the villains so Goku could look better by comparison. But oh I've already made some long posts on how badly Pan was used, so I won't go on now.

Bulla and Marron barely existed as far as the show was concerned. Krillin was basically a prop that was there to be a butt monkey who disappoints his family in the Baby saga, and his only notable contribution to the story was to DIE to move the plot along.

Android 17... oh God, the poor guy. He barely had any personality left when he showed up inexplicably under Dr Gero and Myuu's mind control, that whole Super 17 fusion was stupid as all heck, and then they senselessly killed his character off for real without ever doing ANYTHING of interest with him in a really insulting manner.

Despite the brilliant premise of having all the past villains invade from hell, the show did NOTHING with ANY of them, apart from turning Frieza, my favourite villain of all time, and Cell, into a couple of jokes who are defeated in an embarrassing way.

As cool as the Shadow Dragons are in concept, not only does their explanation and build up make no sense, but only Nuova and Eis are worthwhile characters. Haze and Rage Shenron were absolutely pathetic, Oceanus Shenron felt like a monster of the week from an earlier point in the series and not suitable endgame villain material, Naturon Shenron was annoying and lost because he was the BIGGEST IDIOT in the entire franchise, and Omega Shenron was the most disappointing final boss possible with no personality beyond "Evil bad guy" and a dull final fight that just poorly rips off stuff that happened in the Buu Saga, as well as that one episode that was just pointless padding that existed to tease people who liked Nuova Shenron by bringing him back only to have his contribution mean nothing (Kind of like how Vegeta going super saiyan 4 meant nothing thanks to Gogeta being a time wasting idiot and Vegeta not even putting up a half-decent fight against Omega).

And besides that, there were only two new characters in the show besides Nuova (Who was killed off way too soon, IMO) and Eis (The only character used as well as he could have been, probably) that were any good, them being Baby and General Rilldo. And Baby devolves into discount Frieza with none of the charm halfway through his saga, and Rilldo only gets a mediocre at best fight and then gets a bridge unceremoniously dropped on him.

And apart from them? Giru/Gill was an occasional nuisance and as interesting as drying paint. Valese was awkward and pointless, Dolltaki was the WORST character in the franchise, Dr Myuu/Mu was a boring dollar store Dr Gero with a stupider moustache and nothing interesting to him at all, and none of the other few characters were anything worthwhile.

And it's not like the show did a lot of interesting stuff with the characters it already had, half the characters are barely around, with several being only silent cameos, and they don't get any development from when we last saw them. Even 18's highly touted contribution in the Super 17 saga just involved her conveniently showing up to shoot energy blasts at Super 17, allowing Goku to then do all the hard work necessary to defeat him. It was kinda cool, but it was barely anything and it still comes at the expense of wasting 17 completely.

And then that ending... that above all insulted me, because after the show went out of it's way to wreck up so many of the characters, and treat us to mediocre to horrible stories, destroy any of the potential that Dragon Ball Z left open for future stories... after all that, it had the GALL to offer up what it intended to be the definitive, no going back ending for the ENTIRE series... an ending that was out of nowhere, depressing, and overall just kind of pointless... I was so angry.

THIS SHOW... this show is the reason we went so long without another Dragon Ball series for almost two decades, outside of Kai being just a re-cut of Z. And it went out of it's way to be the worst possible send off for the franchise imaginable, and try to cut off all avenues for future series.

I was so angry over this! All those years wistfully longing to have Dragon Ball come back... all those years that I felt incomplete, like I'd lost my anchor to make life feel more bearable when things got bad... like I didn't have a lot to look forward to... all of that was GT's fault, and it was TERRIBLE to boot!

And I DEFENDED this show all that time, because I was just so clueless... I felt sick.

And yes, I know I can't blame GT for how bad life got for me, that's childish... but I really do feel like having a little hope that Dragon Ball would continue with more series would have helped through it.

Dragon Ball is not just a show or manga to me. It is my favourite media franchise of all time. The series, it's characters and it's world resonate with me like nothing else. Nothing makes me happier than watching Dragon Ball, nothing else gets me more excited. The magic I felt watching the show as a kid is something I have yet to experience from any other work of fiction, despite trying my hardest to find it elsewhere in the time since. Maybe Pokemon comes close, but it's not quite there.

Dragon Ball is an integral part of my life. And GT tried to rip it away from me. To torch the franchise and run, as tv tropes would put it.

That is why I was so happy to have Super come into my life.

Dragon Ball Super is not a perfect series, as I have stated many times before. It has plot holes, inconsistent animation quality, especially earlier on. It occasionally screws up writing certain characters like Vegeta or Goku (Even though I don't think the latter's portrayal overall is anywhere near as bad as people blow it out of proportion to be), and there are plenty of missed opportunities. The Future Trunks Saga's ending was a complete mess, some of the things it introduced didn't really pay off. It has problems...

But at the same time, it's given me more joy than any other series of the past decade. Because when Super is good... oh my God, is it good.

The best fights from Super are honestly some of my favourites in the entire franchise. Goku vs Hit, the big fight with Goku Black and Future Zamasu in episode 57, Gohan vs Lavender, Gokus first fight with Jiren, Android 18 beating Ribrianne... there are SO many good ones, and the best are so much better than any of GT's action scenes. Heck, just watching the clip of the last bout of the fight between Goku, Frieza and Android 17 against Jiren did more for me than the entire final battle against Omega Shenron did.

There are so many good jokes and funny episodes, I think I've laughed more watching Super than any other Dragon Ball series. The slice of life episodes and moments scattered throughout are wonderful, and give me such an unbelievably pleasant feeling. We see so much more of the supporting cast too, and while the show struggles with a lot of characters especially early on, they all ended up getting so much good character moments over the course of the show and especially in the final arc. It was so wonderful just to spend more time with everyone.

There were so many cool new concepts thrown in. The 12 universes, the integration of the Galactic Patrol from the Jaco manga, the super dragon balls.

And there were so many new characters that I'm actually interested in.

Obviously we have Beerus, Whis and Jaco carrying on from the recent movies, and I love them so much. But in Super we got to meet Hit, Champa, Vados, Cabba, Frost, Magetta, Goku Black, Caulifla, Toppo, Ribrianne, and so many awesome and intersting new characters, many of whom I desperately want to see fleshed out and get to do more in future series. I didn't care about anyone from GT NEARLY as much as I care about half of these new characters, except maybe Nuova.

There's just so many amazing things that have happened that I never dreamed I would experience.

I never thought Android 17 would not only come back and be developed more, but that he'd go on to be one of the best characters in the show and one of my new favourites. I never thought Frieza would make a big comeback either, but oh God was he so perfect in the Universe Survival Saga and I think I love him even more now than I already did! I never thought I'd see Master Roshi getting to be cool again and have what felt like an even better send off to his time as a martial artist than the original Dragon ball gave him, but oh lord was episode 105 so good and got me emotional.

I never even knew I wanted Pan the adorable super baby to be a thing, but oh God is she wonderful and perfect in every way and I just love her so much! Ahhh!

Already I have so many fond memories of watching Super. Sure, it's done things to upset me from time to time, but when it's good, and it is most of the time, it does more for me than most other shows I watch. When Super is at it's best, I feel the same magic that Dragon Ball Z made me feel as a child.

A feeling I never once got from watching GT.

And as much as I panicked when I heard the show was ending, we got confirmation soon after that Super would continue through the upcoming movie, and all signs pointed to a new Dragon Ball series being produced in the near future. When the final episode aired, I felt a great sense of satisfaction in how it concluded... and also excitement and hope for the future, because that last episode made it so clear that there was much more to come.

Dragon Ball GT's ending threw me out of the house, slammed the door in my face and flushed the keys down the toilet. But Super left the door open.

It wasn't a goodbye this time. It was a "See you later"

A promise from my oldest, most dear friend that we would meet again.

It was such a beautiful feeling. And I cannot wait to see what the future holds for Dragon Ball. I'm sure there'll be bad stories now and again, every franchise has those from time to time, but Toei seem to be making all the right moves to get things stable to better produce future dragon ball works. The movie seems like it's having a ton of effort put into it, at least. So I have faith. Now my dream where Dragon Ball can go on forever might finally be coming true, and I couldn't be happier.

And after all is said and done, looking back on GT... I can't help but resent it for trying to deny me that.

I can't help but hold GT responsible for all of the years where there were no new Dragon Ball series. All the years it felt like Dragon Ball would never come back for real. And for all the loneliness that caused me deep in my heart.

It had some good points. Bad as it truly was, I can't say it was the worst sequel or show ever produced, there are many works of fiction that are objectively far worse than GT, and stuff that has caused actual harm to the world.

It'll never be One More Day or Holy Terror levels of bad... but on a strictly personal level, GT causes me more anger than any other fictional work I have encountered.

Why did I bother watching it again? That was a question I found myself asking as I was binging the subbed version. Obviously the reason I started doing that was because I have a personal goal of watching each Dragon Ball series both dubbed and subbed, and I thought I might as well get GT out of the way since I'd watched it all dubbed not too long ago... but why did I keep going as quickly as I did, when watching it just caused me so much frustration to the point of feeling actually painful?

I don't fully know, but maybe deep down I just really wanted to convince myself that I was being too harsh. That it wasn't all that bad, that I could go back to liking it somewhat. Because I really didn't want to resent it so much.

Guess that didn't work out, since honestly I think the only thing it accomplished is making me all the more aware of why I dislike it.

But you know what... whatever. I could keep being angry about GT until I'm blue in the face, but it's really not worth it. Because it's not relevant anymore. As much as it still bothers me we don't have another series set post-EoZ yet, GT has officially been replaced regardless by Super. It's clear that the franchise is back, and here to stay. Hopefully for good, this time. So really, what do I have left to be worried about?

I've got what I wanted all this time. GT's attempt to end Dragon Ball failed, the story goes on. And now that I've watched it both ways, I have no reason to ever come back to GT, or worry about it ever again. I have closure.

The show is still there for people who do enjoy it, for whatever reasons I'll never be able to relate to again. But I'm free from having to worry about it getting in the way of more Dragon Ball stories.

Now I have hope again, hope that a new Dragon ball series where Uub and Pan are treated with respect will happen down the line. Hope that I'll get to see more good character development and cool moments from all the characters I love. Hope that Launch might come back, or that underdeveloped characters might get to come back and be made a thousand times better like Android 17 was.

Here's to a bright future for Dragon Ball, the story that never ends.

And so, with all that out of the way... I guess it's time to say goodbye.

GT, you were a frustrating experience. I will admit, a part of me will always cherish those good childhood memories you gave me, even if they've been somewhat tainted. I will always love Super saiyan 4, and Nuova Shenron, and there's probably some good moments I might watch again through clips if I'm bored. I'll certainly listen to that english opening song again.

As bad as I make you out to be, in the end you weren't a complete disaster, since Dragon Ball ended up coming back anyway. And while I can never say I enjoyed watching you, part of me is glad there are others who feel differently, because people do deserve to be happy, even if I can't share the experience.

Because I'm not coming back. Because unless some exceptional circumstances happen, like I somehow become a big-name internet critic and I decide to review you for views, I highly doubt our paths will ever cross again. And I think that's for the best. I am sorry we grew apart so much, but I'm much happier where things are now.

Goodbye, GT. May your memory fade with time.

#personal

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silversunshine2012 · 6 years ago

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..okay this sounds like more of an “anti hero” thing or smth like a turning point for the character where it’s more about practicality than the “goodness of their heart” type deal

And.. honestly? ..this is probably what would be the most common outcome when dealing with superheroes

Like, okay, (I’ve been watching matpat on FT and GT so bare with me okay djm) imagine this. Person with good intentions gets powers, then wants to do smth good with those powers. But like the scene above said, the government, the press, the public, etc all hate them for trying and they never get paid they’re only doing it out of a personal desire to help that quickly becomes an obligation after a while.

Now suddenly they have a chance to get paid for using their power that they don’t know what else to do with other than “hero work” Well- yeah. Actually seems far more logical than just, yknow, thrusting ones self at danger in the hopes of fulfilling some personal, moral goal or social obligation and getting shit on for it instead? Not to meantion all the other shit they go through, like if we’re talking Spider-Man then he’s not exactly the epidemy of “livin large”. If it weren’t for uncle Ben then.. he would’ve turned out like most of the supers for hire we see in a lot of super hero stuff.

Id honestly love to see this play out in media more often, showing the difference between the ideal “moral compass” of selfless ambition and showing the practicality of having to actually eat and sleep and make a decent living without adding on stress and taking away from your success in life outside of the hero-ing around town which we see time and time again causing supers to almost lose their jobs and risking relationships and friendships and big opportunities for themselves just by being a “hero” for zero pay

I mean it’s actually detrimental to themselves to always be saving others all the time without some sort of actual financial or legal backing like the police/military/fire department/medical and emergency medical stuff/etc, or even just some gratitude and pats on the back from the press like when you hear a story on the news of a stranger saving a child or dog from a river??

So it honestly makes more sense to use it for their own benefit. Even though it would cause a lot of non-powered people a lot of problems, and it’s not always the best selling movie trope that the hero doesn’t put down their own wants and needs and life in order to save the rest of humanity (even while there are ppl out there questioning said super’s own humanity physiologically) and instead tries to use this power for their own benefit and gain and actually trying to make a living from it instead of just doing it bc it’s “the right thing to do”.

TLDR

Because sometimes the “selfless” thing to do, isn’t actually always the “right” thing to do. And superheros need to eat too. (Esp the flash, poor guys metabolism is insanely high like holy fuck)

The villain gives their customary “join me and we can be great” speech. The hero accepts.

#sunny blabbs #about superheroes #been watching too much film/game theory XD

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reivenesque · 8 years ago

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Tagged by the awesome @imyourliquor-youremypoison (you’re my flawfree tagging buddy too and no wonder we get along so well. 5/10 of your favourite characters are also my favourite characters and for the rest it is shows I don’t watch)

This is in no particular order, just fandoms I’m currently more involved in is more to the top, followed by characters and fandoms that hold a special place in my heart

1. Chris Schistad (a complete surprise I’m sure)

(You can’t ever convince me that that gaze and smile isn’t of genuine fondness)

• This was the answer I gave to someone who asked why I and many other people like Penetrator Chris. First and foremost I love his friendship with William and I also love the progression of his character’s relationship with Eva, If nothing else, I like that Chris is loyal to William and his friends and ultimately the shady thing he had with Eva turned into someone really cute. The shallow answer would be, hello have you seen Herman?

2. Alec Lightwood (another unexpected addition)

• Not going to lie, I started watching Shadowhunters for of Alec and Matt and while I have gone on to love all the other characters, Alec Lightwood still and will always hold a special place in my heart. My gorgeous non-drinker, empowered by virgin Shadowhunter energy bb who only wants to do the right thing, protect his family, his Parabatai and the people he cares about and orchestrate sneak smooch attacks on his bae. Also Matthew Daddario and Alec Lightwood is as close to my ideal type as they come, both in appearance and personality

3. Zude – Because they come as a packaged deal.

• The fact is individually; both Jude and Zero aren’t the best people. Jude is self-conscious and desperate for the approval of a terrible man, which makes him to terrible things. Zero is over confident and will do pretty much anything to get his way. Both when they’re together, the make each other better people. Zero is someone who gives Jude the confidence and love that he so desperately wants and needs and in return Jude gives Zero something he’s never truly had: a home, both in the material way, but also in his own constant presence.

4. Dean Winchester/Alec McDowell

• I don’t stan Dean Winchester as much as I should considering how much I love him. I haven’t seen a few of the recent seasons and truthfully while I still enjoy the show, at this point I’m only watching because I love Sam and Dean and I love Jensen and Jared and it has nothing to do with the gripping plot or brilliant writing of the show. Personally, the show’s best seasons were the first three and those were when my love for Dean was at its peak.

(Alec ‘I’m always alright’ McDowell, even though he’s not always alright my secretly suffering boo)

• On the flipside there’s Alec McDowell, the character Jensen Ackles played on Dark Angel; in a way I love Alec a little bit more than Dean because I always imagined his character as a younger Dean in a different timeline of Supernatural. Also I just have a thing for the name Alec.

5. Eliot Spencer

• Another characters I don’t stan nearly enough considering that I love him so much it almost hurts. There’s nothing I can say that can do justice to Eliot Spencer and how perfect I find him as a character, so instead have these snippet of that explain maybe 10 percent of the reason why I love Eliot Spencer so much:

“In other words, what makes Eliot a compelling depiction of masculinity is how he turns all of the usual tropes of tough guys in action movies on their heads. He's just as likely to identify a form of gun just from the sound ("It's a very distinctive sound.") as he is to pick out a designer dress by the draping ("It's a very distinctive draping style."). The joy of Eliot is that he doesn't view one of those skills as better than the others, and he never pretends that he's somehow less of a man because of it.” - xx

“His appearance is much more traditionally feminine than any other character except Sophie. Eliot is the only character on the show except for Sophie who goes in for pretty accessories. Earrings, rings, bracelets, necklaces…. He not only wears his hair long, but puts little beads and braids in it. Not even for a con. Just because.” - Eliot Spencer and female-coding.

7. Brian Kinney

• The numbers on this list don’t at all represent the ranking of my faves because Brian Kinney is hands down my most favourite character of any television show ever.

Brian Kinney does what he wants, who he wants, when he wants and where he wants always and that’s pretty much sums up his whole character. He’s unapologetic and absolutely confident in himself and he has every reason to be. But deep down when Brian Kinney loves (which is not often) he loves with all his heart, see Lindsay, Michael and Justin and eventually everyone in their little rag tag group, even though he’ll deny, deny, deny everything.

8. Tim Riggins.

• I looooooove my poor baby Riggins who’s always had destiny stacked against him; a useless absentee father, an idiot brother who means well but always ends up making the worst decisions and in the end it’s Tim who plays the ultimate price for it. But on the football field, Tim Riggins is hands down one of the best and I forever mourn everything Riggins could have been.

9. Mirai Trunks

• My first crush ever and still my most favourite anime character ever. I have so, so many feelings about Mirai Trunks (and also Chris Halliwell though I didn’t include him in this list, mainly because they had the same kind of character arc) and because both of them left me a crying mess at the end. I also need to mention that Mirai Trunks is not the same as present Trunk or GT Trunk and I don’t love the latter two nearly as much as Mirai Trunk and I don’t think that will ever change.

10. Max Black

• Max is the closest to my ideal female character both in looks and in personality, if not the fact that I outright want to be Max Black or be with her because, lets be real, just look at her. I don’t think I’ve ever seen anyone as perfect. Also her personality and her comments about life, nothing has ever represented my feelings as well as Max Black’s entire character. I am still devastated that she and Randy broke up.

I spent a ridiculously stupid amount of time on this long as shit list cause I’m meticulous like that. But anyway, a few of the other ones I also like, like Jughead, Bucky Barnes and Draco Malfoy was mentioned by @imyourliquor-youremypoison

Tagging @alyxhavok @sfjessii @aliciaaanne14 @hikaru9 @sehrgutpeter @j2asndh @isntshethequeen @shadowinthebackgroundofmorgue @sharona1x2

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laughingpinecone · 6 years ago

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Chocobox 2019 letter

I am laughingpineapple on AO3

This year’s theme is, apparently, out-of-left-field intra-party interactions (plus the occasional ship). For any of these, I’d be thrilled to get any small situation or event that highlights the dynamic you see between these characters - show me what ties them together, what could make them drop their barriers with the other person. Or a big situation! I like plotty fic too! But especially if we matched on some bizarre “&” combo that never even interacted in canon, I’d love to simply see what a scene between them could be like.

All requests are art or fic - for art, my fave kind of fanart is based on interaction. It can be super simple - one character makes a face and the other one emotes accordingly, or they’re having a cup of coffee together, walking together, chatting, that kind of stuff. Anything that shows that they enjoy each other’s company, or have each other’s back, or get on each other’s nerves but with gusto. Slice of life fanart, if you will.

Likes: worldbuilding, slice of life (doubly so if the event the fic focuses on is made up but canon-specific), missing moments, 5+1 and similar formats, bonding and emotional support/intimacy, physical intimacy, lingering touches, loyalty, casefic, surrealism, established relationships, future fic, hurt/comfort or just comfort from the ample canon hurt, throwing characters into non-canon environments, banter, functional relationships between dysfunctional individuals, unexplained mysteries, bittersweet moods, journal/epistolary fic, dreams and memories and identities, canon-adjacent tropey plots , outsider POV, UST, exploration of secondary bits of canon, leaning on the uniqueness of the canon setting/mood, found families, characters reuniting after a long and/or harrowing time, friends-to-lovers, road trips, cuddling, wintry moods, flannel, ridiculous concepts played straight,sensory details, sickfic

Cool with: any tense, any pov, any rating, plotty, not plotty, gen, shippy, IF, nerdy canon references, unrequested characters popping up

DNW: non-canonical rape, non-canonical children, unrequested ships, canon retellings, consent issues

Final Fantasy VI

Gogo & Cyan Garamonde

Mog & Terra Branford

Sabin Rene Figaro & Celes Chere

Sabin Rene Figaro & Cyan Garamonde

Strago Magus & Celes Chere

I recently replayed FFVI and truly fell in love with it for the first time. The game does a wonderful job of juggling such a big party but I spent all the downtime daydreaming about all the intra-party dynamics I could think of - these characters are all so cool and should talk to each other more. Worldbuilding also very welcome if that’s your thing. I don’t have any strong shippy feelings here but if you want to background something, I do dig Celes/Terra.

Gogo & Cyan: ascetic Gogo leaves their cave to fight for a higher cause. What’s it like, being a hermit but having a skillset that is literally based on other people? Something something abnegation of the self? What’s it like, suddenly being among so many loud, unique people? Do they and Cyan meditate together and find a moment of respite from the crowded mess that is the Falcon, what does Cyan think about them, what does it feel like to see Doma’s otherwise lost sword techniques mimicked on the battlefield? (I default to they for Gogo but he or she work just as well. I’d just like them to be their own person, no identity reveals. And a pretty big person at that, going by Amano’s artwork, regardless of gender!)

Mog & Terra: fae folk bonding, basically? It’s such a central aspect of Terra’s character but I saw it in Mog too - the way moogles break the fourth wall, how they help her at the beginning like an aid from the earth itself, and Mog’s own Geomancer skillset, his dances that draw from the power of the earth... so maybe some cute friendship between these two otherworldly characters, each in their own way?

Sabin & Celes: Celes could use some friends she could rely on and Sabin always felt so... safe to me. Good bear. So when they got their moment to shine in the World of Ruin, I was overjoyed. Sabin’s comforting presence was just what she needed to find first! And that long chocobo ride along the serpent trench, chasing hope, seeing the cultists’ tower from afar...

Sabin & Cyan: Sabin’s leg of the journey is something else and I’d love to know more about his adventures with Cyan, or their feelings about their homes, one lost, one left behind. They’re both pretty emotionally charged at that point and I think it’d be interesting to explore. They also share some form of martial training, making imho for an interesting common ground.

Strago & Celes: descendant of the mage knights & artificially infused magitek knight, what does magic feel to them? Does Strago’s odd family have space for an added granddaughter (especially if Cid died on the island, but Strago was the Coolest Grandpa anyway, no offense to Dr Del Norte Marquez and his magnificent banana coat)?

Ghost Trick

Cabanela & Pigeon Man

Jowd & Lynne

Jowd & Pigeon Man

Jowd & Sissel

Alma/Cabanela/Jowd

Jowd/Alma & Cabanela

Alma & Cabanela

Cabanela/Jowd

Lynne & Memry

Lynne/Memry

Pigeon Man & Memry

Cabanela & Sissel

Jowd & Yomiel

Open to AUs here, especially for generic fantasy or sci-fi settings or the Final Fantasy ones I prompted for Yuletide. GT is one of my forever fandoms, I love all about it, especially how heartfelt and over the top it manages to be at the same time.

Cabs & PM: how do they meet in the new timeline, what makes their odd friendship stick this time? I love how they play off each other, with Pigeon Man’s snark bouncing off Cabs like water off a duck’s back...

Jowd & Lynne: please show me the Worst Mentor doing his Worst Mentoring? How is chicken involved? (this one would lend itself particularly well to a Jedi AU, I suspect) Or does Lynne’s optimism save the day on one occasion when Jowd is doing his cheerful nihilist thing?

Jowd & PM: anything about their friendships from back in the day when Pigeon Man was still Jowd’s coroner to a new timeline where PM is still fascinated by meteors/astronomy/alien conspiracies and Jowd humors him...

Jowd & Sissel: oh the shenanigans. Some clever communication between them, on a case or otherwise? Sissel doing cat things? Gossiping through the ghost world?

Alma/Cabanela/Jowd: what’s a hobby one of them has that the other two are dragged into? How about a day at the beach? Or in a cabin? I’ll take hot springs or basically any standard anime filler plot too. Unless you want to write about their get-together, which will never get old for me.

Jowd/Alma & Cabanela: see above but with INTENSE found family instead. Cabanela finding a place where he belongs, two people who feel like home. I can totally see it not being romantic at all and just as intense. When did it click for them?

Cabanela/Jowd: please no infidelity, I only like the ship without Alma during the canon times when Alma is dead or at most a what-if where she’s not around. Did Cabanela lower his mask for a hot minute during their walk to the minister’s office? What if he’d stayed dead and tagged along with Jowd and Lynne after 15? What if no-reset scenarios? Or office shenanigans where Alma is backgrounded by virtue of not working there but she’s okay with what’s going on.

Lynne & Memry: next generation detectives! Action! Ridiculous murders! Secret ghost cats! A little bit in the future maybe? Odd girl & odder girl teaming up and leaning into each other’s quirks... maybe undercover?

Lynne/Memry: same as above but they kiss - and Memry trying to get through Lynne’s obliviousness sounds like my kind of fun.

Pigeon Man & Memry: please evacuate everyone else from the expected blast radius when these two start talking. But she’s a detective - Special Investigation Unit, at that! - and he used to be a coroner and still has several aces up his sleeve, so who knows what could get them working together...

Cabanela & Sissel: let Sissel have his fun. He’s been eyeing Cabanela’s quirks since that fateful night, please let him tag along and enjoy the eccentricities. He can do the whole noir detective narration and Cabanela (who, lbr, would jump at the chance to be even more extra) can act accordingly...

Jowd & Yomiel: the PTSD team. Even beyond the experiences they have in common and the memories they can’t share with anyone else who’d truly understand them, there’s something about their approach to life that makes me think they’d bond quick and be able to get over the respective atrocities. They also share Sissel! What do they talk about in jail, or what do they do on a day off once Yomiel is out (cat dads’ cat date!!)?

Pyre

Big Bertrude & Volfred Sandalwood

Celeste | The Gate Guardian & Tariq | The Lone Minstrel

Sir Gilman & Jodariel

Vagabond Girl & Tariq | The Lone Minstrel

Volfred Sandalwood/Tariq | The Lone Minstrel

Hedwyn & Jodariel

Any cutesy activity lifted from the game would be great, like X doing laundry with Y. Any postcanon very welcome with any combination of endings as long as the revolution was peaceful. I love everyone so much. Good with background Volfred/Oralech, Bertrude/Pamitha if applicable.

Bertrude & Volfred: something nice Volfred does for Bertrude? Some mild adventure as he brought her to the Nightwings? A bizarre request for her shop? That dialogue about their relationship slew me dead - friendship through unrequited love is one of my rare tropes, so I’d like to see any aspect of their bond. Or epistolary with an ending that splits them, either way?

Celeste & Tariq: something completely alien set at any point before the ending, showing how inhuman they both are (but maybe Tariq picked up /something/ during his travels?) or, on the contrary, figuring out humanity as they travel together as a mysterious indie duo?

Sir Gilman & Jodariel: On war, honor, the Bloodborder... Sir Gilman is in awe of her, obviously, but is she in a state of mind where she can be boosted by his unrelenting energy?

ae & Tariq: Moon Moon! And Tariq looks like someone who knows a whole lot about the Scribes, so I think she might try to figure him out at some point, in her own way... but mostly, moon connection...

Volfred/Tariq: All I know is Tariq of all people fell and fell hard - he makes it sound like Volfred is the biggest deal ever and he's some servant... but he's the herald and Volfred is actually some dude who got kicked Downside (albeit a particularly charismatic and idealistic dude). And I like this dual imbalance very much. What happened in the woods during Volfred’s self-imposed exile? Or do they find each other again after the ending, in the Union? If you want to lean on how alien Tariq is and/or how tree Volfred is, please do!

Hedwyn & Jodariel: (I see them as brotherly more than mother-and-son, fwiw) what was their reunion like? How much did Hedwyn find Jodariel changed, horns and dramatic makeup aside? What about fic where her transformation recedes in the Union? Or their early days in the blackwagon - or their late days in the blackwagon when it’s not just them anymore? What can she absolutely count on him for?

The Last Guardian

The Boy & Trico

The boy & the very good boy... I’d like to read about a distant reunion. I was surprised by the boy being the combo breaker after the former Ueda protagonists cast their societies behind. He gets to live his life with his people, apparently, but what makes him leave and find Trico again? What’s their bond like, years later? Or is it Trico who comes back to search for him?

The Last Remnant

David Nassau & Allan

David Nassau & Duke of Ghor

David Nassau & Emmy Honeywell

David Nassau & Roberto

Emmy Honeywell/Glenys

Pagus/Maddox/Sibal

David/Rush is a welcome exception to my “no unrequested ships” DNW. I’m mostly interested in post-game exploration, which means either a David who has lost his bf or fic set further in the future where Rush has somehow come back.

David & Allan: Allan is tsundere enough about Torgal (not necessarily in a romantic sense!) and enough of a stuck-up cat in general that I think it’d be fun to throw a skilled diplomat at him, and one who knows Torgal very well at that.

David & Ghor: I like the Duke of Ghor a lot, and the more well-adjusted Yama characters in general. Politics talk? Or something more personal? What’s Ghor’s position in the new political landscape, what would David’s visit be like?

David & Emmy: if David was Emma’s filial figure and Emmy her actual daughter, did they perchance grow up together before Emmy left for her journey? How about some reminiscing? What did Emma teach them, how are they coping and moving forward?

David & Roberto: Can someone please adopt the good Marquis - celibate Roberto, for example? I imagine they could feel at ease with each other, got each other’s emotional back covered...

Emmy/Glenys: Sword lesbians? With very different hangups about proving themselves... if you want to go full weird with Glenys, especially wrt her mysterious connection to the homonymous kingdom, be my guest!

Pagus/Maddox/Sibal: old men being together like they couldn’t be in their youth when life got in the way, please? Get-together (who makes a move...? or established Qsiti triad would all be amazing...

Twin Peaks

Harry Truman & Garland Briggs

Albert Rosenfield/Harry Truman & Frank Truman/Doris Truman

Gordon Cole & Constance Talbot

Gordon Cole/Phillip Jeffries

Maddy Ferguson & Audrey Horne

Dale Cooper & Laura Palmer & Wally Brando

Dale Cooper/Albert Rosenfield

Albert Rosenfield/Harry Truman

Dale Cooper/Harry Truman

Dale Cooper/Albert Rosenfield/Harry Truman

Bobby Briggs & James Hurley

Chet Desmond/Sam Stanley

The mystery of the woods. How do they relate to the woods, what do they gain and what do they lose in the woods. Case fic but they don’t find out jack shit, someone disappears, David Bowie was there, it’s complicated. Fragmented, shifted, mirrored identities. New Lodge spaces. The risks of staring into the void for too long. Gentle illusions. The moon. Static buzzing. Any title from the s3 ethereal whooshing compilation used as a prompt, actually. AUs and fusion AUs are great for this fandom! I have Final Fantasy on my mind a lot recently so any FFVI, VII, T, IX, X, XII or XIII reimagining would be fantastic, but also regular fantasy, space opera, sci-fantasy… anything fancy!

Canon-specific dislikes: any singular Dreamer being the ‘source’ of canon, BOB (let alone Judy) being forever defeated in the finale, Judy being an active malevolent presence in the characters’ lives, ‘Odessaverse’ being the reality layer, the Fireman’s House by the Sea being the White Lodge, Gordon being a harmless, fun dad or conversely having the worst intentions. Clear explanations for canonical ambiguities.

Harry & Garland: Bookhouse Boys&Bue Rose-adjacent friendship, quietly aware of the mysteries that surround them? Or, as per Mark Frost’s AMA, Harry finding out important info throughout the 25 years and passing them to Garland - but Garland isn’t conventionally alive and physical throughout the 25 years, so did he travel through strange places to reach him?

Albert/Harry & Frank/Doris: Albert needs someone to shout AT, Doris needs some to shout BACK, I think. It could be therapeutic for both of them. Could they meet through the Trumans? Frank and Doris’ relationship can be as complicated and probably doomed as we saw it - I do feel that they care for each other and I’m really invested but it’s too strained, too sad.

Gordon & Constance:is she involved in some new strange case or is Gordon cleaning up the Briggs mess? What’s it like, sparring with someone who still has the fire of a young Albert? What does she suspect? (no Albert/Constance, please. Albert&Constance otoh I’m interested in)

Gordon Cole/Phillip Jeffries: does Gordon eventually manage to throw himself into the void (that’s one way of considering a retirement plan!) and reach Phillip? What’s left inside that teapot alembic, or is he the smoke? How did Gordon even get word from Phil - in his pt17 infodump, he seems perfectly aware of the other’s status - what kind of contact have they kept? I love all the fanon I’ve seen for them, if you want to lean into it.

Maddy Ferguson & Audrey Horne: looking for Laura in each other, finding out they’re not Laura through each other? It’s a shame that Maddy and Donna never really got to explore this angle in canon and it’s an even bigger shame that Maddy and Audrey, also on her path toward Laura-ification, didn’t even meet! Or, if you will, wild postcanon meeting. Mfrost said Maddy is alive now, so...!

Dale Cooper & Laura Palmer & Wally Brando: I have a soft spot for Dale and Laura traveling through strange spaces, lost, slowly healing. On this background, imagine, if you will: Wally speeding by on his bike. I need this meeting...

Dale Cooper/Albert Rosenfield: fiery early days? Dream meetings that Albert will inevitably write off as a product of his aching subconscious? Post-finale where Albert has made his peace with Coop not being part of this world and not even deigning to greet him, except one day Coop is back - with apologies? Post-post-finale where they’re peacefully living out their days as best as they can?

Albert Rosenfield/Harry Truman: did they tragically fall into each other’s arms in the wake of Coop’s disappearance? Did they realize they’re so good for each other, but neither of them was willing to give up their life? And/or was the wound of Coop’s disappearance too fresh for them to try to heal? Do they keep in touch throughout the years? Does Albert resign on the spot with a resounding fuck it after the s3 finale and rush to see Harry? Does he stay this time?

Dale Cooper/Harry Truman: Harry seeing his Coop again… somewhere, somehow. Maybe he perceives him in the woods, maybe Coop isn’t all human now. Monster cuddles very welcome. Could be canon divergence but could very well be post-s3. Harry getting closure for waiting all that time in front of Glastonbury and never giving up on Coop… they can live in the woods together…

Dale Cooper/Albert Rosenfield/Harry Truman: basically the sum of the three sides of this triad… give them peace, given them nice things, give them so much love… Coop finding his place in the world and making up for lost time… give time to these old wounds…

Bobby Briggs & James Hurley: once Laura stops being a burning wedge between them, could they maybe... begin to get along? There’s something to be said about their complementary approaches to the bad boy image - besides, Shelly thinks that James was always cool and Bobby does value her opinion! Could also be Bobby/Shelly & James, if the Briggs manage to reconcile... maybe through James somehow?

Chet Desmond/Sam Stanley: reunion fic! Chet’s been AWOL for years, Sam has fallen through the cracks, how do they find each other again and why do they choose to remain off the grid? I would also like to read about them in the present day-ish, handwaving the return and reunion. Maybe they made a new life for themselves. If Sutherland were to play Sam again, Sam would be… notably more buff. What caused that change, was it traveling with Chet, what kind of person is he now? Could they be in Buenos Aires, investigating on their own whatever that shrinking box was?

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