#we ever get to see in canon. It is entirely possible there's a Marina song on there.

[shiverhohojiro]

sometimes I think it can be fun to incorporate both original names and localizations into lore... in the underground the band that makes all the stage music is known as OCTOTOOL but when inklings found the master recordings in a trash bin near Inkopolis Tower and decided to put them all together onto an album and release it (canon information) they called the artist Turquoise October because they had no fucking clue who made it but the name sounded pretty :)

[carbootsoul]

erika+ephriam+lyon for ask game 👀? and a witch hat character of your choosing if you like as well :3v

omg clint you're spoiling me :) also this is mostly unrelated but i was listening to kat flint today and a) her music is so good thank u for introducing it to me years ago and b) VERY witch hat atelier vibes which was fun. im putting my answers under a cut bc i am sooo verbose about characters

eirika: a song that reminds me of them: this is just the first that came to mind but oh what a world by rufus wainwright! oh what a world my parents gave me / always traveling but not in love. the rly interesting mix of idealism and pragmatism that she embodies- both being in awe of and in love with the world and the people in it but also not hesitating to accept that they are in a war and the tragedies that come with it what they smell like: i think for most of the game she smells like sweat and dirt an otp: eirika and l'arachel is actually the best ship in the whole entire world they're sooo funny. they keep meeting and every time eirika is like ???? and l'arachel is just falling head over heels in love a notp: eirika and lyon romance honestly very textually relevant in the game and adds to the story and whatever but they're both so absolutely homosexual that i can't conceptualize it favorite platonic/familial relationships: eirika and ephraim 🥺🥺 but also eirika and seth he's such a good big brother figure!! but also eirika and colm and eirika and tana and eirika and lyon. it's like.. rag tag army as family.. a headcanon that is popular in the fandom but that i disagree with: there are like two posts about her on tumblr dot com but her fire emblem heroes characterization makes me insane shut up about your brother shut up about your brother the position they sleep in: on her side one leg curled to her chest

ephraim a song that reminds me of them: omg lies by marina abt his relationship with lyon. you're too proud to say that you made a mistake / you're a coward till the end i really wish we had been able to see more of ephraims reaction to the true story of what happened with lyon, since he obviously forgives him but also seems to be angry about it and that's such a good dynamic. also oc can't let you go / i just want it to be perfect / to believe it's all been worth the fight. they make me... ugh what they smell like: he has also been living in tents for months so he probably also smells like horses and sweat an otp: ephraim and lyon do get to me... 🥺 also he and innes as a like teenage fling is hilarious to me they're so funny to each other i can't believe they don't have supports a notp: if i ever see another incest joke i'm killing someone favorite platonic/familial relationships: he and his sister are so good!! they're so siblings! a headcanon that is popular in the fandom but that i disagree with: again i have never rly interacted with the fe fandom but something from canon i disagree with is the assignment of the sun to him and the moon to his sister he is so obviously the lunar twin im furious abt this the position they sleep in: absolutely sprawled out. he takes up as much space as is given to him

lyon a song that reminds me of them: ache with me by against me just happened to be playing rn but it's very him. do you share the same sense of defeat / have you realized all the things you'll never be / ideals turn to resentment, open minds close up with cynicism / i've got no judgement for you / come on and ache with me. what they smell like: roses but in a fucked up revolutionary girl utena way like the roses symbolize something sinister an otp: lyon and ephraim.. admittedly lyon is kind of carrying why this ship is compelling with his tragic backstory but ephraim is such a boy so he's important too a notp: see eirika :/ favorite platonic/familial relationships: he and eirika and ephraim as a unit are so important to me they are so [unintelligible] a headcanon that is popular in the fandom but that i disagree with: i haven't rly seen this much but i guess any tendency to soft-boy him bc of his character design like this guy sucks a lot and he has a lot of flaws that almost ended the world :/ the position they sleep in: hugging a pillow

and for the wha character.. agott bc she's so girl :) a song that reminds me of them: pretty little things by the crane wives! but trust is now something i make people earn / so i'm not inclined to just give it away / to a pair of blue eyes with some nice things to say what they smell like: grass in the best way possible! an otp: she and coco are SO !! im in love with them. sasunaru dynamic but better in every way. all the panels of coco hugging or complimenting agott and agott blushing furiously are the new wonders of the world. shipping kids in media always feels a little weird but i think they're a rly cute like first crush dynamic a notp: i dont think she's been shipped with anyone else lol favorite platonic/familial relationships: agott and olruggio are rly interesting to me! i've probably just drawn lines between them because they're both grumpy but i could definitely see agott becoming for coco what olruggio is for qifrey and i love when children are friends with their adult narrative foil it's about helping the younger generation overcome the things that they couldn't! it's also about olruggio being able to connect with agott because they're both grumpy :) a headcanon that is popular in the fandom but that i disagree with: not a headcanon bc again the fandom is tiny but so much of her tag is ppl being mean to her about what she did in the second (?) volume like yeah that was mean but she's like 12! 12 year olds do fucked up stuff all the time they're still learning what interpersonal relationships are the position they sleep in: on her stomach clutching her pillow a crossover au i’d love to see them in: anything that would allow her to say swear words my favorite outfit they’ve ever worn: the like single panel where tetia is getting mad at her about not liking wearing costumes and it shows her dressed as a prince! she looks so good

djskflj i feel like i wrote a novel about each of them and tbh i do not know if u will make any sense out of it but thank u for sending this it was super fun to think about them for a while!!!

[vinspiration-book]

Son of Palaven, Daughter of Earth Playlist

Based on the story by miceenscene

Story Here

Spotify Playlist Here

Playlist Status: Synced up to ch. 47

This wonderful piece of fanfiction inspired me to create a soundtrack for it.  Here is a track listing and some thoughts about each piece.  I try to pick thematic tracks for each story beat, while still retaining a rhythm between each song.

1. The Arranged Marriage - Gavin Luke

An instrumental piece by film composer Gavin Luke is the overture.  Anxious and urgent, it depicts a quiet, unhappy uncertainty that is nevertheless peppered by bright chords.  Combined with the name, it sets the tone for Shepard and Garrus’ unwilling journey into matrimony.

2. I Still Taste Fire - Stephanie Mabey

“I woke up with ashes in my mouth”

Shepard’s beginning theme.  A dark and driving song of regret and grit.  Shepard feels that she, Flaming Death, has personally lost the war and didn’t even get to see the ending.  The line “Thought I'd always remember what it felt like / To want you / But it's all kind of hazy now / Almost like I burned it down” normally refers to a lover, but in Shepard’s case, the “you” is an end to the war that she thought she wanted.  Now that the price of peace is her freedom, it's a bitter thing to swallow.

3. This Means War - Marianas Trench

“I hate to admit it but I miss the war”

Garrus’ beginning theme.  Whereas Shepard’s song was all seriousness and loss, Garrus can never quite be 100% sass-free.  So we get this jocular tune about having to play nice with someone even though you’d rather be fighting them.

4. Can’t Be Tamed - Miley Cyrus

“If you try to hold me back I might explode”

The wedding: Shepard’s view.  Deep in enemy territory, forced to participate in a ritual meant to demean her and her species, Shepard is nevertheless putting on a fierce display, just like the brash attitude of this number.  The irony of the song is that the singer keeps repeating over and over how she can’t be tamed; almost as if no one believes her?  Also includes the line “I'm like a puzzle / But all of my pieces are jagged” which has a double meaning that ties in to the story: as Garrus says much, much later both literally and metaphorically, “[A puzzle] is the best thing you could have gotten me”.

5. Love Runs Out - OneRepublic

“I'll be doin' this, if you ever doubt, / 'Til the love runs out”

The wedding: Garrus’ view.  Is this a romantic song, or a resigned one?  Or is it duplicitous?  Garrus may be a bad turian, but he’s still obedient to the Hierarchy, even if it’s only going through the motions and hoping for an escape.  The driving punch of the bass notes echoes this sentiment in a song that could be read as either loving commitment or bitter commitment.  It contains a lot of fire imagery too, especially the singer being someone to help someone else start a fire… perfect for being tied to Flaming Death. The song also mentions an (arch?)angel and the strong influence of the singer’s mother, both of which are important to the story.

6. Poker Face - Lady Gaga

“Russian Roulette is not the same without a gun”

Spying: Shepard’s view.  So Shepard and Garrus only ever play a board game in this story rather than poker, but come on.  It’s Poker Face.  It’s the best song ever about selfishly conning your partner to further your own high-stakes goals.

7. Fraud - Jonathan Coulton

“Sharp teeth test your skin / Too late, you let an angel in”

Spying: Garrus’ view.  This song takes a more meditative approach to being disingenuous, but just about every verse is packed with imagery that pairs perfectly with the story, from unwanted houseguests, to painting, fighting, and losing.  The refrain is even about an angel with fangs!

8. Didn’t Know You - Karmin

“Like a bird of prey / Out of nowhere you came / Do you always get your way?"

The reports: Shepard’s view.  An angry song about being the victim of deception and invasive tactics.  The singer talks especially about upending their entire life (setting “dreams ablaze”--fire imagery again) for the sake of someone who turned out to be a liar that controls their every move.  Turians are sometimes referred to as “birds” as a pejorative in Mass Effect, making the repeated line fit even more.

9. Can’t Go to Hell - Sin Shake Sin

“This romance with ignorance has left us behind”

The reports: Garrus’ view. Unlike Shepard’s reaction to finding the reports--which is very much about personal betrayal--Garrus’ reaction is a more public outcry about the situation going FUBAR.  One of the central tenets in ME canon about Shepard and Garrus’ relationship (to the point that even the characters themselves talk about it in these terms) is that he willingly follows her into hell every single time.  This makes the bitter anger of the chorus (“We can’t go to hell if we’re already there”) especially poignant.  The second verse evokes Shepard and Garrus’ situation closely too, mentioning being “blind by design” and stating “...history keeps getting paid to change its mind”, which is the purpose of the arranged marriage in the first place.

10. Home - Machine Gun Kelly & X Ambassadors

“Now tell me, how did all my dreams turn to nightmares?”

Shepard and Garrus: no extraction.  A rare male/female duet of frustration and longing for respite that neatly applies to the protagonists’ mindsets.  Both Anderson and the Hierarchy have turned away their soldiers, leaving them in this untenable situation.  Though they arrived at it differently--and aren’t commiserating at this point--Shepard and Garrus are feeling the same thing now:  They must continue to live together, but there’s no way this life can bring them any happiness or rest.

11. Hide and Seek - Imogen Heap

“Speak no feeling, no, I don't believe you”

Shepard is broken, and so is Garrus, a little.  This haunting acapella song (delivered in dual-toned overdub kind of like how a turian speaks, interestingly) was famously used by a TV drama for an overly dramatic murder scene, and then used again by Saturday Night Live to spoof that scene.  But Hide and Seek is technically about a divorce… and how a former home now becomes unrecognizably empty as the former couple moves out and apart.  Although they can’t separate, this is essentially what has happened to Shepard and Garrus.  Shepard tries to “live” as little as possible in the house while still being confined to it.  Garrus tries to escape to work.  

12. Rumble - Hi Fashion

“He said, she said / You better mind your space”

The alley brawl.  A complete turnaround from the previous song, this abrupt battle anthem (sung by dual tones again, and with a notable mention of a man and a woman both throwing the punches) is both high-energy, but also a slower tempo than you’d expect.  The effect is that of measured, precise violence rather than a chaotic frenzy; perfect for trained soldiers giving a beatdown.  Canon Shepard gets ribbed for being an awful dancer--outside of the battlefield, at least, giving an ironic twist to the dance imagery in the lyrics.  But this is technically the first time in the story that Shepard and Garrus are in sync: their first metaphorical dance together.

13. Hammer to Fall - Queen

“Tow the line and play their game / Yeah, let the anesthetic cover it all”

Medigel.  This story's version of Shepard loves Queen, and this song provides the title for the story’s later chapters, so it had to be on the soundtrack of course.  A disillusioned anthem to soldiers who are asked to fight wars for reasons someone else decided, it describes Shepard and Garrus’ situation perfectly--their lives have been ruined because of Fedorian’s unjust war.  Even though this is a small snippet of background to the story, it’s nevertheless a critical turning point, when Garrus realizes just how badly Shepard has been wronged… and that he himself contributed to it.

14. Karma - Marina

“So vicious, this cycle / When you live in sweet denial”

The apology: Shepard’s view.  Garrus apologies to Shepard, but she doesn’t know how to take it.  She’s skeptical, and with good reason.  Although this song is talking about a great deal of betrayal, the tone is less angry--or even melancholy--than weary and aloof.  The singer has made what peace she can with the situation, and is just waiting to see how everything plays out, rather than actively wishing harm on someone.  Karma is usually about an equal return of bad experiences, but Shepard is too defeated at this point to really care about that.  Garrus’ distress at his actions is actually better karma than if he himself were to be betrayed.

15. I Won’t Let You Down - OK Go

“Maybe all you need is someone to trust”

The apology: Garrus’ view.  Garrus is a man of action, and this upbeat track wastes no time in sorrow, instead attempting to reach out to the wounded party with a direct promise of support.  The lyrics talk about people who have every right to be distrustful, even using battle imagery (“no flag to fly”, “strap that armor tighter on”)... but rather than trying to get past their defenses, the singer encourages the downtrodden to fight harder--together.  A very Garrus point of view.

16. Rumors - Lindsay Logan

"You're probably gonna write what you didn't see”

The interview.  Ah, Khalisah.  A pretty straightforward song about paparazzi doing what paparazzi do, sung by the aggrieved celebrity.

17. One Shot - Rob Thomas

"We get one chance to make this kickstart”

Bottle shooting at the valley.  While Shepard and Garrus fire a lot of rounds during this little date, it's the final shot that's the most important.  Garrus' previous actions since their fight have been peace offerings, but this is his first actual gift to Shepard.  He gives Shepard his crown just to see her smile.  Essentially, his first romantic gesture is literally “one shot”.  The sentiment pairs perfectly with this energetic tune about starting something rare and good.

18. Souvenir - Johnnyswim

“It's those little things that I hold dear”

Terra Goods.  At this point, Shepard and Garrus are starting to do things to really support each other in little ways and in big ways, culminating in Garrus creating a whole souvenir trading company just to make Shepard happy.  This song, a duet that alternates between jaunty and staid, talks about a couple that had a brief good time, then separated due to some unnamed conflict.  Now they both think fondly of their time together, making souvenirs of the memories.  Both singers individually wish for another chance, while not realizing the other person does too.

19. DJ Got Us Fallin’ In Love - Usher, Pitbull

“I think I remember those eyes”

Clubbing with Solana.  This throbbing dance tune is simple enough that even Shepard could probably keep to the beat.  Seeing Shepard (attempting to) dance is one of the first moments where Garrus is physically attracted to her.

20. Bohemian Rhapsody - Queen

“Easy come, easy go / Little high, little low”

The walk back.  Shepard sings this most famous Queen song as she stumbles home under Garrus’ watchful eye.  It describes a murderer with a guilty conscience, which Shepard is somewhat.  She’s killed a lot of turians, but now they are people to her instead of monsters.  Shepard probably isn’t thinking about that, though… it’s just a fun song to sing when you’re drunk.  Or anytime.

21. Livin’ in the Sunlight, Lovin’ in the Moonlight - The Good Johnsons

“I’m right here to stay”

Splashing in the fountain.  This whimsical cover of an old song is just silly enough for Shepard’s drunken water foray.  Although it’s been building for a bit, it takes hard liquor for Shepard to admit she might be happy on Palaven.  But there’s a slight undercurrent of the singer not believing their own message.  The line “I’m as free as any daughter” is especially ironic in this context.

22. Mom - Meghan Trainor

“Ain’t nobody got a mom like mine”

Visiting with Galena.  Shepard’s relationship with Garrus’ mother is one of my favorite parts of the story, and it’s one of the things that cements Shepard’s feeling that she may just belong here.  It’s also significant that even though Shepard is starting to love Garrus, she can only express love towards his mother at first.  In a way, loving Galena teaches Shepard how to love Garrus.  Hence why this story beat gets its own song.

23. With A Little Help From My Friends - The Beatles

“Are you sad because you're on your own?”

The care package.  Finally, Shepard finds out that Earth hasn’t completely abandoned her.  This song especially talks about isolation when your lover is not there, and how friends can help you through it.  When Garrus isn’t there, Shepard is almost totally alone on the planet, so learning her squad still supports her is a huge relief.

24. Tongues - Joywave, KOPPS

“Tell me all the things I've missed”

Ashley.  This furtive song is about returning to where you are from, only to find out you are now a stranger to them.  While Shepard’s argument with Ashley is a little more circumspect than that, the gist is that Shepard learns that even though she now has this lifeline back to Earth, she’s not welcomed like she was before… which is just what she has been fearing since her interview with Khalisah.

25. Unbreakable - Jamie Scott

“I won't let you fall down now”

Garrus comforts Shepard and comes to a realization.  This song of gentle encouragement talks about a woman who has lost everything, and the man who wants to love her regardless.  It’s emotive and warm and seems to capture just what Garrus is thinking as Shepard cries in his arms.

26. War Paint - Fletcher

“I write the colors on my face”

The dress shop.  Keslia describes the Gala being a battle, and Shepard’s dress being her armor.  This song of self-empowerment uses loads of battle imagery and works in tandem with the previous one… Shepard’s been wounded emotionally but she’s still fighting.  Turians’ face markings have important meaning for family and home.  But for humans, the same sort of marks are called war paint and are used by warriors to represent ferocity and power.  Shepard turns an outfit that could just make her into the ornament that the turians want and turns it into a symbol of her survival.

27. Ballroom Blitz - Tia Carrere

“She could kill you with a wink of her eye”

The Gala, part 1.  A fun cover of an energetic song talking about a crazy party fight.  Between the turian generals and Cyntha, Shepard and Garrus really do have a battle on their hands.  While nothing violent actually happens, they have each other’s backs throughout the event, even standing up solo versus their partner’s enemies.

28. Blue Dress - Benjamin Franklin Leftwich

“I should love you better than that”

The Gala, part 2.  Shepard asks Garrus if her presence is harming his career, but he doesn’t reply.  This song is meant to be the answer he doesn’t say.  It’s an apology from a man whose work/travel has prevented him from participating in a relationship like he should.  Interestingly, in ME canon, it’s the opposite: the Shadow Broker notes that Garrus’ attachment to Shepard prevents him from being a better commander.  The line “But still my only weakness / Is you baby in that blue dress” fits nicely with the story, but funnily enough also with canon… as blue is the color of the Alliance uniforms that canon Shepard typically wears.

29. Vie En Rose - Pomplamoose

“It’s only him for me / and me for him, for life”

Dancing in the driveway.  This version of Shepard speaks French, so this slow, lilting, classic French love song is what I imagine coming out of the car stereo when Garrus teaches Shepard to dance.  Ok, so it’s probably more likely a turian song playing in this scene, but still.  I especially like the stanza that says “He speaks words of love to me / They are everyday words / And they do something to me” because unlike canon, where Shepard and Garrus’ bond is forged in battle, in this AU it’s built from all the little everyday things they say and do for each other.

30. Bad Liar - Selena Gomez

“If you're the art, I'll be the brush”

Painting.  Shepard and Garrus made that “100%” promise, but when it comes to feelings, they don’t exactly follow through.  This breathy song is about admitting--at least to yourself--that you were denying your emotions, and that your love interest seems to be as well.  Not that Shepard is clued in enough to realize Garrus feels the same way, but putting together the easel with Garrus also helped Shepard put together why she’s reacting to him the way she is.  Once again, they are in sync without realizing it, the dorks.  This song also contains numerous lines that fit the story nicely, such as talking about living arrangements, the battle of Troy (and isn’t that just the funniest view of Shepard’s infiltration of Palaven), and “feelings on fire”.

31. Anne of Green Gables - The Charlottetown Festival

“Anne of Green Gables, sweet and strange, / stay as you are today.”

Reading to Galena.  Oh, boy, here we go.  Get those tissues ready, it’s coming soon.  This simple song from the Anne of Green Gables musical doesn’t say much, but it has a sorrowful timbre that speaks of heartache to come.

32. I Think I Love You - The Partridge Family

“Do you think I have a case? Let me ask you to your face”

Happy Anniversary!  In canon and most fanon, Garrus is slick as oil until comes to telling Shepard how he feels, and then he gets adorably pitiful and nervous.  While at this point in the story, Garrus himself is probably not ready to call it “love”, this anxiety-ridden song still captures that fragile state of mind.  Sadly, Garrus gets interrupted before he makes it as far as the singer does in his confession.

33. Galena - Kerri Sherwood

Galena’s passing.  Did you know there are a lot of songs called “Galena”?  But though I searched and searched--and quite a few of them were sad songs--none of them had the right words.  Because there aren’t any right words for this, are there?  And so, a solemn, sad instrumental piece describes Galena’s last day.

34. In My Arms - Plumb

“All I can do is hold you tight”

Garrus’ breakdown.  This song is from a mother who wants to protect her child from the harshness of the world.  But Garrus’ mother is gone, so Shepard has to sing it instead.  Growing up is hard, and the very last and hardest part of growing up for most people is losing your parents.  As a side note, the song starts by mentioning blue eyes--one of Garrus’ most notable features.

35. Calling All Angels - Jane Siberry, k.d. lang

"Don’t leave me alone"

The Vigil, part 1.  A song imploring various spirits and saints to help guide you through a trying time.  On Palaven, where they ask the Spirits’ help for everything, this would probably be especially appropriate.  Granted, this song gets used in A LOT of soundtracks, but that’s because it’s so perfect for when you’ve lost someone.  More than just loss, this song also says that you know life will go on... but those first steps afterwards are the hardest.  It’s like the MVP of movie funeral songs, and Galena deserves the best, dammit.

36. Hope Will Lead Us On - Barlow Girl

"Become the flame / That shows us the way"

The Vigil, part 2.  Shepard steps up wonderfully for the Vakarian family and helps them heal.  This song, sung almost from a sort of battle commander’s perspective, mixes strong, driving beats with inspiring statements… while still having an underlying piano refrain that is haunting and forlorn.  It doesn’t try to move past the pain, but rather keeps it as a foundation for a new beginning.

37. That’s How You Know - Amy Adams, from “Enchanted”

"It's not enough to take the one you love for granted"

Operation Two Turtle Doves.  Shepard’s getting ready to meddle with Solana’s love life.  So we have a cute song from a cute movie on that very topic.  I wish the pronouns were correct for a wlw relationship like in the story, but what can ya do.  The line “Don’t treat her like a mind reader” made me laugh, because… Keslia literally is one, being an asari and all.

38. Can’t Help Falling In Love - Elvis Prestley

"Shall I stay?"

Kissing in the study.  One of my favorite parts of the story… a tired kiss that’s all about love and comfort rather than passion.  When Shepard and Garrus are both drained emotionally and physically from the Vigil, all that’s left is a quiet gravity that draws them together.  There are many versions of this song, but Elvis’ gentle crooning rendition is all about slow movements and tender questions.

39. Love Of My Life - Queen

“You don’t know what it means to me”

Singing to babies.  Shepard’s still singing Queen, so here is her next solo.  This is such a heartwarming scene, plus we get a bit of sibling slapstick for a laugh.  The funny part is that even though Shepard is the one singing this song to the babies, the lyrics are really describing what Garrus is feeling in this scene.  It works as a cute lullaby, in the way that lullabies often are kind of dark for some reason.

40. Heaven Is A Place On Earth - Belinda Carlisle

"When I feel alone, I reach for you / And you bring me home"

Going to Earth.  There Garrus goes again with the grand gestures.  Not just anybody can say they gave their partner the world.  As much as this Shepard likes Queen, I bet she also likes other 80’s classics like Belinda Carlisle.  This song represents Shepard’s response to Garrus’ gift.

41. Girl On Fire - Alicia Keys

“Everybody stands, as she goes by / Cause they can see the flame that's in her eyes”

Arriving at Earth.  This song is meant to be from Garrus’ perspective, seeing Shepard in her natural habitat, and is particularly inspired by the story’s description of Shepard being “swallowed by sunlight” as she leaves the ship...which would make her look like she was on fire.  It’s a song of admiration and wonder over the power of this one woman who stands out from everyone else.  P.S. Did anyone else imagine the spaceship was the Normandy, even though it wasn’t?  I did.

42. Wannabe - Spice Girls

“If you wanna be my lover, you gotta get with my friends”

The Squad.  Ok, so this song is not serious at all, but Shepard’s squad are a bunch of goofballs anyway.  Although at this point Shepard probably wouldn’t tell Garrus goodbye if he bugged her like the song mentions, she does state that it means a lot to her that Garrus makes friends with her group.

43. Where Everybody Knows Your Name - Gary Portnoy

I initially added this song for Hudson’s, as it’s the theme song from the sitcom Cheers, which is all about this type of bar.  HOWEVER, there are verses in the full song that you never hear in the tv show, including one that’s a bit of toxic masculinity bordering on transphobia.  So, this song can just go in the trash where it belongs.

43. Home - Edward Sharpe & The Magnetic Zeros

“Home is wherever I’m with you”

The broken nose.  Shepard’s gotten another reminder that she doesn’t quite belong on Earth anymore… but that ends up being okay, because Garrus is her home now.  This fun duet talks about how even if you travel and have a variety of experiences, you can find that the person you shared it with is what’s really important.  This is in direct contrast to the song of the same name earlier in the playlist, which talked about needing Home to be an actual place.  In the middle of the song is a spoken-word section about the man realizing he’s in love with the woman only when she gets injured… which is so Shepard and Garrus it’s funny.  I thought for a long time that the woman’s name in the song was “Jane,” which would have made an even better fit, but it turns out it’s “Jade”.  Ah well.

44. Soft Kitty, Warm Kitty - Chris & Pui

“Purr, purr, purr”

Mr. Biscuits.  A children’s lullaby about cats napping and purring.  The main verse mentions London, which is just a coincidence as a significant location for canon Shepard & Garrus. But really I just wanted a song that Shepard could tease Garrus with.

45. I Want To Break Free - Queen

“I've fallen in love for the first time / And this time I know it's for real”

Operation I Want To Break Free.  Another of Shepard’s Queen-inspired choices that of course had to be on the soundtrack.  This rock anthem has several elements that apply to the story, including falling in love in a strange circumstance, and trying to escape from an oppressive situation.  The song is not necessarily addressed to the singer’s lover though, so the “you” referenced is more likely the outside oppressor.  As Shepard is planning this operation without Garrus’ help, it would make sense that this not song is speaking to him directly.

46. Aurora Borealis - Bohnes

“I saw with my own eyes something beautiful”

Seton Lake:  Garrus’ view.  This location actually exists in real life and is worth googling an image of!  This breathy ballad is an ode to love that is as sublime and ineffable as the northern lights.  With lyrics that talk about stellar phenomena and our place in the universe, it’s especially poignant for lovers from different planets.  The line about “a beautiful coincidence that causes love” also fits pretty well, since the arranged marriage turning to love was all unplanned.  There’s also a line, “the world inside your eyes is more than black and white to me,” and one of Garrus’ most famous lines in canon is about how he’s unsure how to operate outside of black and white morality… but as it turns out, when it’s Shepard, he’s okay with it.

47. I Choose You - Sara Bareilles

“I believe in something again”

The Mark.  While this chapter is explicit, it’s also really charming, humorous, and emotional.  So this light and breezy song about choice and beginnings fits well as Shepard’s perspective.  This story is largely about Shepard having her autonomy taken from her, with the course of her entire life decided by others.  But when she is finally in a position to do something about it--and when Garrus even offers her an out--she chooses him.  The song mentions outside influences trying to convince the singer that her love is impossible or wrong, which is again something that Shepard has had to deal with.  But Shepard now willingly accepts the mark from Garrus that she once rejected… As the song says, the mark is a visible symbol that will “Tell the world that we finally got it all right”.  The line “I will become yours and you will become mine” sounds like a wedding vow, which seems especially appropriate.

[TO BE CONTINUED]

[citrus-feline]

So I know what being sanitized is but noticed that places you can look it up like the wiki don’t go deep into detail about the specifics, so for my own pleasure I am going to write it out here (and maybe help others understand it along with myself).

Being sanitized is, in canon, what happens when you are covered in the “primordial ooze” that Tartar created.

As Inkipedia describes it: “These Octarians have been sterilized with a type of primordial ooze created by Commander Tartar. The process of sanitizing results in the Octarian losing all sense of free will, allowing them to be controlled similar to robots as seen with the dialogue from Sanitized Octolings. Marina notes that the sanitized Octarians appear to have no pulse or signs of life.”

Said primordial ooze is, in a sense, what you get from blending up countless Octarian lives into a paste. Like, literally. The best test subjects Tartar could get were all blended up into that ooze and then still living Octarians were “sanitized” in it (implied to be in test tubes from the way you create your characters in Octo Expansion). Tartar killed hundreds if not thousands to get this all, and there’s no telling how long he has been doing it. the 80s / 90s themes in Octo Expansion imply its been a long enough time for society to evolve past those trends; as in a decade or two, possibly longer (as Splatoon is set in the far future; I’m basing these assumptions by comparing Inkling culture to our own. The aesthetics can be completely irrelevant for all its worth).

It’s hard to say how much “ooze” a single Octarian life can give, but based on body size, I’d say it’s probably not that much... The test tube you are shown floating in for character creation has more than enough ooze to be equal to just one or two Octarians, in my opinion.

Look at all of that! There’s no way that isn’t several Octarians! It seems to require quite a lot for being sanitized, even if one might argue that isn’t all primordial ooze based on the bubbles. Perhaps it’s a watered down version or is mixed with some other types of chemicals to contribute to the process? It’s hard to say.

In the original Splatoon and later reinforced by Splatoon 2′s single player, it is pretty obvious that the large majority of Octarians seen are under some type of mind control. In Splatoon 2, Callie was under the same control. The difference with this and sanitized Octarians is that those under control by DJ Octavio seem to still have personalities and some sort of free will, even if it is not very prevalent. The cure to this has been proven to be hearing the Calamari Inkantation, which has shown up in both games and had lots of lore based off of it’s affects on Octarians and Inklings who hear it.

What a powerful thing!! So we have a cure to DJ Octavio’s meddling, which is great and is how Octolings like Marina were able to break free and truly be themselves under no one else’s control. I believe it is mentioned in Octo Expansion that Agent 8 recognizes this song, and it may even be the reason they were able to break free from being sanitized in the first place. It may be safe to assume this happened at the end of Splatoon 2′s single player, but I’m not sure enough to say that with total confidence.

So everything was getting better. But DJ Octavio was far from the biggest threat to Inkling and Octoling lives. He had power to control, but not strip away humanity completely. All he wanted was control fueled by his hatred, but Commander Tartar had WAY more extreme intentions. This is shown pretty strongly with the fact that DJ Octavio used his music and high-tech goggles to control, not something as extreme as blending up Octarians and bathing live ones in what remains. That’s just gruesome. So that hopefully demonstrates just how different the two “evils” are.

As shown in Octo Expansion’s final battle, Commander Tartar looks to destroy the entire world due to his hatred towards Octarians, Inklings, and both societies (Inkling society seems to be focused on here, considering what Commander Tartar says in his speech. But with his treatment of Octarians so far it’s pretty obvious he is fine killing them all as well.) While DJ Octavio’s intentions are definitely NOT good, it is much more tame compared to this.

So that is the motivation. Even using the “best and brightest test subjects”, Commander Tartar is still willing to do this gruesome task.

He believe all evolved lifeforms on the planet where Splatoon takes place are disgusting. The “best” of these disgusting lifeforms isn’t even enough for him to show mercy. He uses it for his benefit, that being his goal to destroy everything. How awful must an evil be to want to destroy everything...

But what exactly HAPPENS to the Octarians sanitized using this “supreme DNA”? We first learned of this with the creator of the music playing the the test facilities throughout Octo Expansion, Dedf1sh.

When sanitized, an Octarian will lose all free will and memory unless it is deeply ingrained (this is usually in reference to music). Dedf1sh was sanitized for reasons not exactly explained, just mentioning in her pursuit of music excellence that she came across the test facilities, and by proxy, Commander Tartar. Tartar’s goal for Octarians too mix into the ooze all seemed to have proficiency in the tests, and Dedf1sh probably wasn’t mixed because her heart was dedicated to music, even after being sanitized. Which is really impressive. She has lost almost all free will, but still somehow retains the drive to make music. So we know that there are circumstances where not all free will and memories can be completely lost, but Dedf1sh is obviously somewhat of an outlier there. No other sanitized Octarians or Octolings seem to have even a portion of their old selves. Dedf1sh and he dedication to her music has carried over, even if it’s just some sort of muscle conditioning. It shows its possible to not be completely gone, but even with this amazing example, she’s still VERY far gone from what can be understood. To retain any of your old self after this process must require outstanding circumstances.

But that aside, Dedf1sh still doesn’t have free will. She may be making music, but it is still all for the benefit of Commander Tartar, even if it may not seem that important. The importance of music and its meanings is one of the biggest themes in the Splatoon series, so there very well could be much more to her and what her music has the power to do.

What is even more worrisome about the products of sanitization is actually brought up by Marina briefly early in Octo Expansion. She mentions the affected Octarians not showing any pulse / sign of life. So are sanitized individuals ACTUALLY dead like Dedf1sh’s name may imply? I hope not. But looking at the facts, I’m going to say... Yes. Most likely. It may be more accurate to say they are undead. Personally, I believe the primordial ooze is like that of a parasite that uses the dead bodies of Octarians to follow Tartar’s will. I have no idea how any of Dedf1sh’s personality, even as small as what is seen, could survive that.

Now... All of the test subjects killed by Tartar had similar intentions, and practically identical skills. The skills are what seem to be what have translated in this mixing of DNA; the skills of battle. But the host body could very well still be a big part of this, as unbelievable as it seems. With different types of Octarians (like Octo Snipers), they still act like they do when not sanitized, generally. Perhaps host bodies can’t go past their physical limitations, even with so much “prime” DNA mixed into them. I doubt all of the ooze used for every creature you battle in Octo Expansion is separated by type of Octarian, so it makes me wonder if the ooze from Octolings are mixed in with other Octarians and that somehow causes unrest. If there is still some sort of sense of self even when being blended, I can’t imagine how awful it would be to be stuck in the mind of a creature that cannot physically do most stuff you could in life. But this is all ramblings. I still believe all individuality is gone when the ooze is made. It is just interesting to consider if maybe that wasn’t the case.

What I really want to know is if sanitized Octarians can be saved. They CAN be saved from mind control like DJ Octavios, but this literally takes away life. Will they just die without the ooze affecting them? Will the host bodies just be left lifeless? That’s my best guess, because HOW could you undo something that is almost certainly death? Perhaps something to do with “respawning” could come into play here if the Splatoon team really wanted to address the sanitized Octarians. What I worry is exactly how that would work. When Inklings and Octolings are splatted, we see little “souls” or “ghosts” rise from their bodies. I think it’s safe to say any creatures turned into ooze cannot be saved, ever, as all remnants of self are gone. But perhaps those like Dedf1sh and other sanitized Octolings who still somehow hold onto their old selves would still be able to come back? It’s hard to say, especially since it seems weird to even attempt to set lore to a game mechanic like respawning. It seems like a stretch, but I wouldn’t doubt the Splatoon team doing it if they really wanted to address this (which I hope they do). If that ever did end up happening, we would have a whole bunch of more implications for simple Turf Wars. I’m not sure Nintendo would be down with something like souls and possibly the afterlife being brought into this all. They can definitely be dark, but that’s kind of a rough topic as it can be associated with religion.

Upon close inspection, it seems that the little “souls” DO rise from splatted sanitized Octolings. That is definitely something to think about! Even being sanitized, Octolings affected STILL wear hypnoglasses, which itself may be a very good way to tell just how strong the minds of Octolings are! Who knows, maybe without the glasses and being washed of the ooze they could “respawn”. A neat thought, as unlikely as it is!

Anyways... I probably have more to say that I can’t think of at the moment. But I just needed to get this all down. I’ve had these thoughts jumbling around for a long time now and usually it helps me focus on other things if I write it down.

[movietvtechgeeks]

Latest story from https://movietvtechgeeks.com/supernatural-big-win-comic-con-2017/

A 'Supernatural' Big Win at Comic Con 2017!

For the past decade, there’s been one show that has inspired me to brave the insanity that is San Diego Comic Con again and again. That show is Supernatural. In 2007, it was the prospect of seeing Jensen Ackles and Jared Padalecki in person that made me throw caution (and possibly good judgment) to the wind and fly all the way across the country with almost no notice just to hopefully sit at the feet of the two actors who brought to life the characters that had entirely captured my heart. My friend Kathy and I slept on the sidewalk to get in early and raced through the hallways to the room where the Supernatural panel was, breathless but triumphant. This was long before SPN had proven itself able to fill the gigantic Hall H, so they were relegated to the much smaller Room 6CDE. Little did Comic Con know, Supernatural was already a fan favorite, with the line of SPN fans wrapped around and around the building and many disappointed fans unable to get into the room. Jared wasn’t able to come that year, but Kathy and I made it in and sat there beaming at Jensen Ackles and Eric Kripke sitting right in front of us. I managed to snag an autograph ticket through all sorts of machinations, and thus had my first actual conversation with Mr. Ackles, after which I found Kathy and immediately burst into tears. Fangirl problems, what can I say? I’ve been back to Comic Con almost every year since, in the audience for the Supernatural panel as others began to notice the show’s passionate fan base and move the panels into ever larger rooms, until finally, we were in Hall H itself.  If you’ve never experienced Hall H, it’s something to behold. The first time I walked in, my jaw dropped – the sheer size of it is overwhelming. I felt a swell of pride the first time Supernatural was deemed worthy of Hall H, and that feeling has never gone away. This year was no exception. The lead up to Hall H is an event in itself. Thousands of fans camp out overnight (or possibly multiple nights) to get a good place in line. Back in the day, fans were on their own – we sat on the sidewalk that first year, wrapped in blankets and grateful when someone came by with some coffee and donuts. Then fans camped on the grassy areas on the side of the convention center, a few with sleeping bags. Now everyone knows that for Hall H, if you want to be sure you’ll get in and get a decent seat, you camp out. Comic Con has moved the line, first to the walkways along the marina, and then to the line tents constructed for just that purpose. My more intrepid friends slept relatively comfortably in inflatable beds that looked like giant orange kayaks or lounged in deck chairs. Many fans had pop up tents. On Saturday night, it was like a giant Supernatural slumber party, and fans woke up to Misha Collins bringing them donuts in the morning. A few years ago, I spent Saturday night with Misha and Osric Chau delivering pizza to the Supernatural fans waiting in the Hall H line, Misha merrily pedaling along in a pedicab festooned with multicolored lights and fans’ jaws dropping when they saw who was thoughtful enough to bring them dinner. But that’s how unique this SPNFamily is – the fans care, the cast cares. And Misha, frankly, is awesome. This year, the Supernatural panel was the first of the day in Hall H, and anticipation was running extra high. Many of us had heard that they had something “special” planned, but no one knew exactly what it was.  There was a keyboard and drums on the stage, so fans were guessing that we might be treated to a Louden Swain performance – I’d chatted with Richard Speight Jr. and Rob Benedict on Friday night, so I knew they were there to probably host the panel, but maybe the rest of the band was too? There were other theories, but no one knew for sure. Anticipation was running so high, in fact, that they let everyone into Hall H extra early, the gigantic hall filling up as fans flooded in and grabbed seats. I caught up with lots of fellow fans, with hugs and excited exclamations all around, then finally it was time for the panel to start. WB publicist Holly took the stage and again told us we were in for a treat, and then the lights went down, and the show began. And OMG what a show it was! Hall H is surrounded by 3 gigantic screens that travel the length of the entire hall, which means they are MASSIVE. As we all watched in awe, Sam and Dean appeared in Baby, of course, traveling – where else? – to Comic Con. Seeing and hearing Baby roar around Hall H with her boys was absolutely awe inspiring, the Impala’s familiar rumble shaking the entire hall and thrilling us to the core. Then we heard the familiar chords of Supernatural’s unofficial theme song, Carry On Wayward Son, booming into the hall. Suddenly the lights went up and there on the stage was the band who made that song famous, Kansas! OMG, I have no words. The screaming was deafening, and then everyone – the tens of thousands of people packed into Hall H – started singing along. Kansas belted it out like the rockstars they are, and the emotion in the room was probably enough to fuel a small city for a very long time. I’m getting emotional again just thinking about it. Jared, Jensen, and Misha snuck out into Hall H and stood in the back watching along with the rest of us. Jensen later put it best in a tweet: Mind blown.  I’ll say. After that unbelievable beginning, Rob and Rich took the stage. It’s an unusual thing to have the Comic Con panel moderators be actors who are actually ON the show, but Supernatural is the very definition of an unusual thing. Anyone who has ever witnessed Richard Speight Jr and Rob Benedict hosting a Supernatural convention knows how ridiculously talented they are and just how quick on their feet. They are not only naturally hilarious, but they KNOW this show inside and out. They know this cast. They’re part of the family. Which all means they are the most fantastic panel moderators anyone could ask for. Showrunners Bob Singer and Andrew Dabb, along with Jared Padalecki and Jensen Ackles, took the stage next. Jared and Jensen shared their customary fist bump that starts and ends most of their panels, and Jared pulled off his often present beanie to show off that glorious mane of hair that Richard had just joked would qualify for its own spinoff. Jared and Jensen had apparently tried on masks to go out into the crowd to watch Kansas, but couldn’t find any that worked. Richard: Can’t hide the hair and the bowlegs. He’s right. Talk about iconic… Misha Collins was conspicuously absent for a few minutes. That gave the others plenty of time to mock lament Castiel’s untimely demise. Bob Singer: We have to go where the story takes us…and I think the guys will agree that frankly, Misha had become a bit of a prima donna… (Jensen making a face) At that point they were joined by Misha Collins, who ambled onto the stage carrying his own tiny chair. Misha: No one told me to come out, but I heard my name, so… Rob: This is awkward… It was a hysterical bit, and Misha made the most of it, looking unexpectedly adorable in his tiny chair. Andrew Dabb joked that they made way too many good things happen in Season 12, so Season 13 will basically be death and sadness (but then again, what season of Supernatural hasn’t been that??) Conversation turned to Lucifer’s son Jack curled up naked in the corner at the end of Season 12, which led Jared to ask if a character died (cough Cas cough), would he come back naked? Andrew: I’m not sure we could afford the blur effects. Misha: Oh, because it would take up so much of the screen? Richard: Well, we all know that Jared has been very… accurate… on his twitter feed… In other words, the panel devolved into a discussion of penis size. As you do. Misha eventually reminded Jared that last year at Comic Con, Jared grabbed his phone and tweeted for Misha. Misha: Yeah, and apparently I tweeted I hate fans. Which is a great thing to post at Comic Con! They did manage to talk about the coming season too. A major theme of the early episodes is apparently that Dean and Sam disagree on how to deal with Jack, with Dean wanting to take him out and Sam being more optimistic. In other words, Supernatural tackles the nature versus nurture argument.  Andrew pointed out that Sam can put himself in Jack’s shoes, as someone who was once believed to be ‘destined’ to do something bad. Andrew:  And Jack himself will continue to struggle with that in our version of “Hell’s My 2 Dads”. Which really sounds more like fanfiction than canon, gotta say. The brothers also differ in how they view Mary’s future. Dean is pretty sure it’s curtains for Mom, and is ready to accept that even though he’s bereft. Sam is holding onto the hope that she could still be alive, which causes some problems between the brothers in deciding what they do next. Bob Singer: Spoiler alert, Mom is not dead. Jensen: WHA?? Jared (channeling Sam): I told you! There was lots of discussion about what the AU world beyond the rift could offer as far as Season 13, including the possibility of bringing back other characters, like they did Bobby. Rob: So could that open up the possibility for other characters to reappear in the same way? Bob Singer: You have anybody specific in mind? Rob: Am I coming back?? Bob Singer: Well you are God… Singer then joked that Gabriel wouldn’t be back, much to Richard’s dismay. He then went on to say that they love to tease Richard, but that they think his directing on Supernatural has been just fantastic, and they’re so happy with him. There were lots of cheers at that from the audience, because YES. Richard, in turn, complimented Jared and Jensen on keeping the show fresh and high quality with their performances for all these years. We learned that there will be some characters returning, including Missouri Mosely and of course Jody and Donna. Andrew: And some of the people who are dead in our world are very not dead but very different in the Apocalyptic world. The possibilities are endless! Jared gave a shout out to the fandom, saying that it was a lot harder when they began the show because they didn’t have “this badass family” to support them. Jared, Jensen, and Misha also talked about the eventual end of the show (something that I don’t want to think about, btw…) – Jensen had a very powerful dream about the end of the show and Sam’s death, and the three of them were talking about it recently, and all got choked up. Their characters are so much a part of them that they feel real, and the thought of Jensen as Dean losing Sam is now heartbreaking to Misha. Which is pretty amazing. Bob Singer told a story that he feels crystallizes the relationships they have all developed. One day Jared and Jensen came to him at the eleventh hour and said that they felt that Dean and Sam’s lines on that episode should be switched. When they rehearsed it, they were tripping over the dialogue and realized that it worked better with the parts reversed – and it worked. Bob: And I heard it and said yeah, that’s right. But the idea that they feel comfortable enough to want to make this honest change, and we’re comfortable enough with the actors to know this is not about ego, it’s about making the show better. Those relationships are why I’m still here. Jared: As much as we tease the short guy at the end [i.e., Misha], we all enjoy each other as people. We have a legitimate friendship outside of working together. And we have a lot of trust in each other. Richard: The show is about family, but it has become family. And the other members of the family? The fans. (Which is why the book I just published is called Family Don’t End With Blood, and why both all the actors and many of the fans wrote chapters about how this extraordinary show has changed their lives). One of my favorite answers was when a fan asked about favorite props. Someone in the audience yelled out “Baby!” Jensen (indignant): Baby is not a prop. Baby is a part of me. Awwww. Misha (smirking): My favorite prop is Dean. Jensen (deadpans): And that’s why he’s no longer with us. A fan asked what their biggest fears were, and Misha joked that it was sitting on stage in front of a large group of people while his friends made fun of him (i.e. exactly what was happening). Bob Singer promptly got up and took Misha by the hand and put him over in his chair, and took the tiny one himself, which was all kinds of sweet and prompted Jensen to give Misha a big hug. Richard: Misha, you are so fired for accepting that kind gesture… Jensen shared what he wrote about in his chapter in Family Don’t End With Blood – that 13 years ago, being in front of all these people would have terrified him. Jensen: It’s daunting, to get up in front of all these people and not trip over your words – or just not trip! There was a shout out to the Wayward Sisters spinoff, and then Richard asked if anyone had any parting words. Jared: Yes. Thank y’all. We wouldn’t exist like this if you didn’t exist like that, so this is 50/50 here. Thank you all for giving us a chance to play these characters and tell this story. If that’s not a classy way to end a panel, I don’t know what is. I had the chance to ask a few questions of Jared, Jensen, Misha, Andrew, and Bob later that afternoon in the press room. Both the cast and anyone who had been at the panel were still sort of blown away by the fact that Kansas had played for us, so spirits were high all around. I had done press rooms years ago, but it had been a few years, so I was busy worrying about my brand spanking new tripod being able to hold up my phone without tipping over when suddenly Jensen Ackles appeared at our table. That caused some minor panic and equipment fumbling on my part before I regained my composure, but that’s not exactly a rare occurrence for me and Mr. Ackles. However, I got a nice wink of acknowledgment so maybe he didn’t notice the fumbling. I’m going with that. Jensen started out still talking about Kansas. How adorable is Jensen fanboying over the band? Jensen: They were like, we’ve wanted to do this for years! And I was like, you mean they didn’t somehow con you into this?? You didn’t lose a bet? And then the lead singer said would you like to come up and join us onstage, and I think I had to change my pants. Jensen had a lot to say about the new season. He’s clearly excited about the Scooby Doo episode, joking that at some point Dean may try to put the moves on Daphne. Most of that episode takes place in “Scoobyland, self serving” and I can’t wait! It was interesting to hear Jensen say that he thinks that Dean always perhaps recognized that there was a bit of good in Crowley, so that even though his eventual sacrificeself-serving, it was also on behalf of the Winchesters in the end. God, I’m gonna miss Crowley! It sounds like Dean starts the season feeling overwhelmed, with too much to process, so Dean just wants to fall back on doing what he knows best and blowing something away. Sam jumps in to stop him, and Jensen acknowledged that there’s a bit of a struggle there. My question will surprise absolutely no one – I wanted to know how different it felt with the brothers not exactly being on the same page, since last season they mostly were. Jensen: It does feel different, but it’s certainly not going back to like seasons where they were completely at odds. Me: That’s good! Jensen: It’s more let’s figure out how to handle this situation. Sam wants to deal with it one way; Dean wants to deal with it another. They’re not gonna argue about it; they’re gonna eventually get to the same place, it’s just how they get there is a little different. Have to say, I loved what Jensen had to say about the brothers – and I loved what Jared had to say up next too. Jensen ended his chat with our table by saying that this crazy wild ride on Supernatural is not even a dream come true, because he could have never dreamed this. Me neither, Jensen! I had a few minutes to try to reposition my camera a bit closer so it would pick up less of the room noise and more of just the person talking, and then Jared took a seat at our table.  Someone jumped right in and asked a rather deep question about whether or not Sam realizes how much Dean had to be a parent to Sam as well as his brother. Jared: Sam does know. Sam and Dean love each other as much as two human beings can love each other, truly. Me: (silently from directly across the table) OMG my heart! Jared: That also means they’re going to hate each other and piss each other off sometimes. But it’s forgiven, between Sam and Dean. And Sam has been what Dean needed too…. They are there for each other, and Sam realizes it, and Dean realizes it. I don’t think either Sam or Dean doubt that the other loves them. Seriously, my heart. This show, damn it. Jared said there’s a bit of a role reversal this season in that Sam is overwhelmed by the situation with Jack – Sam sees a lot of himself in Jack, someone who was destined to be “bad.” He even wonders sometimes if Dean feels that way about him. (Nawwww, Sammy…) I asked Jared if it felt good to be playing Sam as the optimist this season. Jared: Yes, it does, but I think we both know he’s probably hiding some things in his optimism as well.  He’s not really dealing with some things. Me: A little bit of a defense? Jared: I think so.  And if there weren’t things to deal with, he’d be a weirdo, because he’s dealt with a lot in 13 years. Me: That’s true! Someone at the table asked about the eventual end of the show (which I didn’t want to think about right then, thankyouverymuch!). Jared got a little choked up imagining the very last time there will be a Supernatural panel at Comic Con, and I got a little choked up right along with him. He also talked about the day Jensen came to set after having that powerful dream about the show ending. I’ve also talked to Jensen about that dream, which had a big impact on him and was full of evocative images about something that clearly will be a very emotional time in his life. Jared: I remember the day he came to set and he kind of seemed shook up, and I thought maybe it’s something with the kids. I left him alone for a second and then finally when we had time to talk about it I was like dude, you all right?  And he told me the dream, and he was like shaking it off, it really affected him. It’s gonna be really difficult; I love these guys. I love these characters, and I love this family. Luckily in this Supernatural universe that we’ve created together, it won’t be over. Misha was next at our table and immediately made us all laugh. Someone asked what they’d given him to prep for these interviews. Misha: Jack shit! We usually get this paper, single spaced… (Interrupts himself to say hi to me, since he wasn’t expecting to see me in the press room, which kinda made my day) Misha: … that delineates the DNRs – the do not reveals, not the do not resuscitates – Everyone: cracks up Misha: And then there are bullet points of what we should talk about for the coming season… And for this year for Castiel it’s just ‘well, no one stays dead forever on Supernatural’ and I’m like thanks a lot for throwing me to the wolves! So I’ll just tell you everything that happens in the first eight episodes to spite them. Never change, Misha. He said that the most relevant aspect of Cas’ death is actually how the boys process his death. Sam and Dean go through a grieving process and have to deal with the loss of their friend. When Cas does come back, he’s in a realm that we’ve talked about before on Supernatural but have never seen. The Empty maybe?? Misha: And he’s in there alone with only one other being, played by… a great actor… Me: I totally thought you were about to tell us the name! Misha: (grinning slyly) Sorry. He clearly wasn’t, but that smile is so adorable it didn’t really matter. Misha also talked about how unusual it is to play the same character over the course of a decade in a vastly changing set of circumstances and the gradual evolution of their characters over time too.  It’s surprising to him how organic the process is because they know these characters so well that it just happens. In typical Misha fashion, he asked the last question of himself, which was about the very last GISHWHES. He’s very proud of it and encouraged everyone to sign up – which I’m happy to say I already did. This will be my third time, and every time has been amazingly fun and frenzied and utterly ridiculous. Hope you’re all joining me! Executive producer and showrunner Bob Singer joined us next, talked about how this season is about a family dealing with being torn apart. Ouch.  He reiterated that Dean just wants to “shoot it in the face” while Sam wants to see if Jack can be of help to them, specifically in maybe opening up the rift again so they can rescue Mary, which causes some head butting between the guys. This season will be smaller in scope, more personal and more emotional, Bob said, which makes me all kinds of excited. He also teased that we’ll see some familiar characters return, but in the AU so they’ll be not exactly the same – which is also very exciting. Singer also talked about the Wayward Sisters spinoff, which still makes me all squeeful whenever it’s confirmed as reality – I think a part of me still doesn’t believe it! The spinoff set up will begin in episode 3 with the introduction of new character Patience, be picked up in 9 and then continue in 10, which will be the pilot episode. Bob has gleaned a better understanding of how we roll over the seasons. Singer: We’re spreading it out a bit because as much as everyone wants to see Jody Mills, when you tune into Supernatural you want to see Sam and Dean, so we hope by spreading it out a bit, we’ll keep everyone happy. He paused and then smiled. Bob: Which hasn’t happened on 12 seasons of Supernatural, so I don’t know why I said that… I had to laugh, not gonna lie. Andrew Dabb was last to visit our table. He talked a lot about the AU, a world which has never had Winchesters, and the potential for some interesting situations as the universes mix, which I have to admit, has me intrigued.  He also talked about characters returning, but cautioned against overdoing it. Andrew: You don’t want to be like here’s character X and here’s character Y, but now they’ve got an eye patch, so they’re totally different… More laughter. These guys are all funny, which has got to be part of the reason this show has survived for 13 years! Dabb went on to say that even though Supernatural has a lot of history, they don’t want to just rely on nostalgia, like a character comes back just to be like hey and wave and walk away. Dabb: If we’re bringing someone back, they’re coming back for a reason. Apparently, a character named Michael will be back, but it may not be the Michael we know and love. Which makes me long for Matt Cohen… Everyone at the table was excited to hear that the show has not forgotten about the witch twins, who I think intrigued all of us. They deserve their own story, Dabb said. Yes! Someone asked if there will be any meta episodes this season, and Andrew said they don’t like to do them too often, and they want to be sure to do them in a way that’s respectful to the fans. That was a pretty nice way to end a press room. I ended the day with frozen pina coladas at the Harbor House restaurant overlooking the marina with my friend Laurena, our aching feet up on chairs while we reminisced about the past five crazy days. I always say I’m not going to do Comic Con again – it’s too exhausting, too hectic, whatever – but by the time I’m going through my photos and writing up my adventures, I’m already planning for next year. As long as Supernatural is there, count me in!

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