#we are just evil and write the expiration date on them because of profit

[shiniestcrow]

I'm hungry and tired and had a woman get really fucking angry at me today because gift cards expire and she's convinced that they don't

[siryouarebeingmocked]

First of all, yes, I assume corporations are generally selfish until proven otherwise.

That was my last question, actually.

That is supposed to be one of the features of capitalism-that selfishness (or ‘enlightened self interest’, if you’re a fan) is the best and most effective motivator for success, and harnessing that will lead to the best results.

I'm not actually interested in what you think capitalism is.

So it’s a little silly to attempt to criticize the idea that a corporation is selfish.

My argument is pretty clearly "I don't think corporations like to write off gajillions of bucks worth of products". Which is entirely compatible with selfishness.

And I explicitly said "selfish AND evil". You somehow managed to act like I was saying "OR". Or at least chose to address them in two different points.

Second, I don’t assume corporations are evil…but I certainly don’t assume they’re good, either. Since ‘do good in the world’ is nowhere a requirement for incorporating and all that.

Thing is, you seemed to imply companies are happy to waste food. Out of selfishness and evilness. Even though, again, that's wasted money.

Third, I don’t grant your premise-that a corporation that owns a grocery store is going to view ‘not feeding the hungry’ as a loss.

My premise was "companies would generally like to profit off their investments, even if it's not directly".

Good publicity is a profit.

That’s not their business. That’s not why they incorporated. Combatting food waste for the public interest isn’t in a corporation’s mandate.

Huh?

You specifically talked about the grocery store, not the public, discarding food. One sentence. It wasn't complicated. We can scroll back up and see it.

Did you forget your own claim?

Companies do stuff for good publicity all the time. Like, for example, charitable initiatives. Like the ones this thread started to discuss.

Ray Croc didn't start McDonald's to house families of kids in hospitals, but the McD House charity does that anyway. It has since 1974.

You're making a textbook genetic fallacy.

Also, I live in the UK. All the major grocery chains sell "wonky" vegetables and fruit at discounted prices. Stuff the public might otherwise be tempted to pass over because it ain't picture-perfect.

I was specifically talking about the possibility companies donating things to charity for their own benefit. Not in the public's interest.

The only thing approaching a decent point here is your remarks about regulation and liability. It would be an even better point corporate owned grocery stores anywhere had a record of lobbying for things to make it easier to feed the hungry from otherwise wasted food.

Misunderstanding me again.

I asked if you had considered that there might be more reasons to throw out food than just "companies bad". That wasn't a rhetorical question.

The specific reasons were possible examples, not real reasons that I was claiming existed.

Incidentally, during the Texas blackout a few years back, one grocery store tried to donate their food to a charity. Except it was physically impossible for them to get there before the food expired, due to the bad weather.

People saw them throw out the food (under police guard), made assumptions, and said the store were selfish.

Also, if it was feasible, I would bet money you didn't actually bother to check if groceries are lobbying for more liability protections.

For example;

The UK courts have ruled that it's a criminal offense to sell food after it's use by. I don't know if that would preclude giving it to charity, but I suspect the lawyers would want to be safe.

There's stores and foodbanks that sell past-date food, but they "often have strict rules about which types of past-date products are acceptable and how far past the date they will accept them."

"Unfortunately, many prospective food donors have been hesitant to participate. In a national survey conducted by America’s Second Harvest,4 more than 80 percent of the companies surveyed responded that the threat of liability for food related injuries was the greatest deterrent for donating excess food."

There's a federal Good Samaritan law offering protection, but the concern still exists. Especially since "The protection under the Act does not apply to acts or omissions constituting gross negligence or intentional misconduct. " (PDF)

In short, donating expired food could still screw the company over. According to one of the other reblogs, a lot of people just open packages and steal food, which would disqualify it. So would dented cans, due to boutulism concerns.

Come to think, I notice you don't offer any actual thoughts on the motive for groceries to bin food, even though that's kind of the point of the thread.

You just keep insisting they wouldn't want to give it away.

Even though loads of groceries do precisely that, across the world.

[dishonoredrpg]

Congratulations, JEM! You’ve been accepted for the role of STRENGTH with the faceclaim of MICHIEL HUISMAN. I think you best stated it yourself -- Roland is kind and cruel in equal measure, willing to break the tenets of his own moral code for a little bit of kingdom. I found myself drawn to him in a way I wasn’t expecting, which is exactly what I wanted for a character like Strength; in spite of his constant contradictions and struggles with the work he’s doing and his willingness to acknowledge he might have been led astray by Septimus, he’s still real. Still fathomable on the larger scale. He has the potential to be a real power player with the Sons of Argos in his hands, and I’m more than excited to see how things play out with the plots you’ve provided and concepts you’ve so kindly shown here!

Please review the CHECKLIST and send your blog in within 24 hours.

OOC

NAME: Jem.

PRONOUNS: She/her.

AGE: 26.

TIMEZONE, ACTIVITY LEVEL: EST. I’d say my activity level is about a 6/10! My work schedule is a little wonky right now, but I always try to carve out some time for writing, and I’m usually able to crank out replies consistently throughout the week.

ANYTHING ELSE? Not a thing!

IN CHARACTER

SKELETON: Strength.

NAME: Roland Alexander Bishop.

FACECLAIM: Michiel Huisman (1st preference) or Can Yaman (2nd preference).

AGE: 33.

DETAILS: I fell in love with about 10 different skeletons before it dawned on me that Strength is, in fact, my one an only!!!!!! I’m so completely fascinated with the dichotomy of Roland’s character. He’s somehow kind and cruel in equal measure, a man of conscience willing to break his moral code for the right price. With no parents to speak of, he raised himself by virtue of naught but teeth-bared survival, and he’s carried that instinct for perseverance with him well into his adulthood in a way that I think has perhaps blurred the lines of what he believes to be right and wrong, or at least blurred his willingness to cross those lines. I wouldn’t say he’s altogether without integrity, because his stomach yet turns when buries his dagger hilt-deep in the belly of the King’s enemies, but his moral compass certainly isn’t working the way it used to these days. He’s whip-smart, too (he must be to have assembled a legion of Tyrholm’s nastiest, most ruthless bastards and foster loyalty and obedience among them). By that same token, though, he’s prone to foolishness in the face of profit. A boy raised by the street urchins of Tyrholm knows better than to trust kings, and had he used his head to consider his contract with Septimus, and not his deep-running pockets, he surely would’ve seen all that gold for what it really was: a gilded cage. Not all that glitters is gold, and not all that’s gold glitters. Here we have him, then: a man kind and cruel, bound by integrity and bound by greed, moral and immoral, clever and foolish. A ruffian mercenary who’s now finds himself under the King’s thumb. An avaricious profiteer who will do almost anything for the right price, but a fair and just leader devoted to his men. A self-made king of Tyrholm’s rapscallions and reprobates, but a servant to a King with no principles to speak of. He’s a living, breathing paradox, always walking a fine line between two versions of self. But in Septimus’s Tyrholm, there’s no room for fair-weathered allies, and if Roland plans on terminating his contract with the King, it’ll be a bloody affair. He didn’t exactly read the contract’s fine print, but he’s pretty sure he doesn’t have to honor a treaty with a King whose head in his a basket, right?

BACKGROUND:

He never knows his parents. His mother leaves him on the stoop of a small temple in Hightown when he’s a babe. An Emissary finds him, and for some time, he’s looked after by acolytes of the Undying. They’re kind, mostly, from what he can remember, but he never takes to faith the way they all hope he will, and as soon as he’s old enough to run, he does—he runs far, far away, straight into the underbelly of Lowtown.

The streets of Lowtown raise him, and later in life, when he’s asked about his heritage, he’ll say that Tyrholm is his mother, and she may well be, for the man he is today is due in full to her lessons.

The seaport town raises him brutally, with an iron fist. He’s a boy with only ten years of life on him, lean and fresh-faced, when he takes to the streets of Lowtown, and in his first months of independence, he’s so gaunt that you can see each divot of his ribs, and he counts them over and over again to pass the time. He’s a fast learner, a living, breathing study in survival, and he realizes in no time at all that he’ll have to earn his right to life.

He does just that. He watches the other street-dwellers, men and women of all ages and shapes and sizes, each hungrier than the last. Some fight for coin. Some beg. Some dance. Some sing arias. Some charm snakes. Some sell looted treasure, others sell their bodies. Roland watches them all, tries to map out a viable plan of action for himself. He tries his hand at magic tricks, but his sleights of hand are nowhere as advanced as the smoke and mirrors of the veteran illusionist that performs at high noon every day at the marketplace. He tries fighting, next, and he’s good at that, even at a young age, but he’s skinny, weak from hunger, and he spends what little coin he wins on herbs and medicines from the local botanist to patch himself back up. Theft is his next venture—he’s a natural. He has good, quick hands that dart in and out of pockets less intrusively than a dove’s feather carried on a springtime breeze, deft and steady. For a few years, this sustains him. He loots coin, jewels, and treasures of all sort straight from pockets and purses and holsters, and he never gets caught.

When he’s fourteen, he steals a dagger straight from the belt of a fisherman selling his catch at the docks. The hilt is carved from ivory, and the blade shines like molten moonlight beneath the dawning sun. It’ll sell well, he thinks, only… He likes it. It feels nice in the palm of his hand, lightweight enough for a fourteen-year-old to wield with no trouble at all, and he spends the next week twirling it between his fingers, sharpening it against sea-worn rocks, practicing parlor tricks. He finds he has otherworldly aim, and he hits every target, from sandbags to trees to peaches to peach pits. And so, like any man well-versed in the trade of survival, he takes his Undying-given talent and turns a profit from it. He begins performing in Lowtown’s streets, and word of the boy who can slice a pomegranate in half midair while blindfolded spreads like wildfire.

They say that idle hands are the devil’s playthings, and it isn’t long before the devils come crawling out of every corner of Lowtown in search of Roland’s hands, eager to lay claim to a boy who will no doubt make a fine weapon to be used at their discretion. A boy young enough to appear unassuming to targets and old enough to get his hands dirty. The first to find him is a headhunter named Argos, a surly bastard with scar that stretches from his left temple all the way down to the right corner of his mouth, ugly and red. The look of him makes Roland tremble, and years later, he’ll laugh at his boyish fear of a man beloved to him, a man kinder and with thrice more heart than any of the pretty-faced, rosy-cheeked nobles Roland had ever robbed.

By the grace of the Undying, Argos takes him under his wing before any of the other leeches can latch onto him. Roland isn’t a particularly religious man, but he thinks, sometimes, that maybe the Undying is real, and that maybe she does favor him, because he can think of no other reason why he was delivered into the hands of Argos, and not any of the other ghouls of Lowtown who would surely have preyed on his inexperience and whittled him into a fine weapon with an expiration date of five, maybe six more years. As it is, Argos teaches him to kill just the same as all the others would have, but he teaches him how to kill honorably, quickly. He teaches him to respect life and death in equal measure, and he warns him that what he takes from the world, he must give back to it twice over. He teaches him how to fight well and how to fight dirty. He teaches him how to fight with his hands bound, with his eyes blindfolded. He introduces him to the Warrior’s Guild, where Roland’s career as a mercenary begins.

He does as he was taught, and he gives twice over for every life he takes. In spite of the dirty work he does, humility and honor flourish impossibly within him like a garden of desert roses in dead, dry soil. He donates a portion of his coin to brothels, street performers, pickpockets—the lowliest of Lowtown, those without places and people to call home, those who can’t put a name to the feeling of love. He never forgets his roots, and though he earns his weight in gold, enough to leave Lowtown and never look back, enough to dress himself in the wares of a proper Hightowner, he never leaves. Lowtown, the Warrior’s Guild, the docks, the street urchins, the baker’s son who sneaks him scraps of burnt bread, Argos—these are all home.

He’s twenty when Argos dies on a job gone wrong, and as the underwolders of the Warrior’s Guild and Lowtown mourn the death of Argos, a night king in his own right, beloved by those who love naught, they turn to Roland with expectant eyes. Roland, the boy who Argos affectionately called “Bullseye.” Roland, the boy who Argos raised to kill well, and meaningfully. Roland, the man, now, who Argos preened to inherit his legacy, to lead the mischief-makers and nightmare-makers, to protect Tyrholm’s underworld. And so he does.

It’s no easy feat, to be sure, wrangling a group of soldiers of fortune, kingslayers, outcasts, thieves, killers. But Roland is stubborn in his determination, and he works tirelessly to weed out the evil; to foster trust between himself and the good; to create a legion of Lowtown’s meanest bastards and make something special of them. Leadership becomes him. His humility, a rare quality in Tyrholm, and his charisma inspire ironbound devotion from a breed of people who know nothing of loyalty. He’s fair and kind in equal measure, and the men and women of the Warrior’s Guild take to him like the drape of midnight sky takes to the north star. For all of Roland’s goodwill, his ruthlessness is never forgotten. A killer is a killer is a killer, and those who mistake his kindness for weakness learn well that his honor knows some bounds. He goes to great lengths to instill that same notion of honor in his host of mercenaries, and he teaches them the same lessons that were taught to him. He teaches them to kill quickly, cleanly, and honorably, and he teaches them to give the same way that Argos taught him to. They resist, in the beginning, as all creatures of habit do, but in the end, they become a fine brood of noble killers, if such a thing exists. They’re vicious bastards, all of them, but they learn to respect life and death in equal turn. In his mentor’s honor, he calls his troop of sellswords the Sons of Argos, and in no time at all, Roland and the Sons are notorious for the dirty work they do—and how well they do it.

Roland and the Sons of Argos become so notorious, in fact, that word of Tyrholm’s them reaches King Septimus himself, and he promptly offers Roland a deal that he ought to refuse. He doesn’t. Greed and the promise of prosperity for the future generations of the Sons blind him, and the moment the ink on the contract dries, dread washes over him, and he can nearly picture Argos rolling over in his grave, fixing him with that look of grim disappointment he used when he was displeased with Roland.

In the beginning, the King’s assignments aren’t so bad. Roland and the Sons are asked to tie up loose ends, eliminate political threats, clear out bandits. Easy. Roland obliges, and the dirty work he and the Sons do is immaculate. But the King’s orders grow bleaker as time passes, and soon enough, Roland can hardly sleep through the night without waking from nightmares of his own making: screams that could crack glass, the sound of weeping broken up by choppy sobs, enough blood on his hands to fill up the Sahrnian. You must give twice over what you take from this world, Argos had told him, and he’s beginning to feel the weight of a debt long overdue. He’s taken so much, lately, life after innocent life, and his moral compass whirs in protest every time he plunges his dagger into the belly of an enemy not his own.

PLOT IDEAS:

Roland breathes and bleeds for the Sons of Argos, and there’s little—no, there’s nothinghe won’t do to protect his legion, even if that means compromising his honor. The Sons of Argos is his legacy, his life’s making, and he’ll sell his soul to highest bidder to ensure the continued prosperity of his ragtag battalion. It’s why he signed the King’s contract, and it’s why he yet serves the insufferable oaf. The coin Septimus funnels into his pockets is enough to sustain the Sons for generations, and not even Roland’s stalwart honor could sway his resolve to preserve the Sons. But a life bought and owed is not a life worth living, and Roland has learned well the cost of servitude. He’s spent the last decade assembling a group of fine men and women, teaching monsters the rite of nobility, preaching the gospel of life, taking and giving it. Nothing in this world is as beloved to him as the Sons, and he’ll be damned if stands by idly and watches Septimus sic Roland’s lot of honor-bound sellswords on his enemies like a pack of rabid dogs. The Sons of Argos are a proud brood of beasts; they are not pawns to be used to wage and win the King’s infantile wars. Septimus thinks he’s bought the Sons’ loyalty, but he’d do well to remember that loyalty bought can be outbid. Loyalty earned, contrariwise, is everlasting, Roland has earned enough of the Sons’ loyalty to last lifetimes. The Sons of Argos may well serve Septimus, but it’s Roland they’ve sworn an oath to; it’s Roland they answer to, it’s Roland they kill for, and it’s Roland they bend a knee to. Should the benefits of revolting against Septimus ever outweigh the benefits of serving him, it will take only a look from Roland to rally his Sons of Argos against the King.

Do you know who’s good at rebellion? A man who’s spent years squashing the very notion of it. Since the beginning of his arrangement with Septimus, he and the Sons have been charged with eliminating uprisings of all sorts. Some fires have been more difficult to put out than others, some rebellions have been organized better than others, and some have been led by insurgents quicker and braver than others. Roland’s well-acquainted with the many shades of revolt in Tyrholm, and I’d say that makes him a damned good asset in the bid to overthrow Septimus, wouldn’t you? Roland and his Sons are a hell of wildcard if ever there was one, and as the revolters of Tyrholm begin to coalesce, they’d do well to entreat the Sons’ Captain. Let us not forget what happened to Agamemnon’s army when the King of Mycenae waged war without Achilles and his Myrmidons.

Roland, for all his vulgar mannerisms and bold-as-brass behavior, isn’t stupid. He knows he’s sitting on a small goldmine made up of The Hanged Man’s secrets—he just hasn’t decided what to do with that particular treasure trove just yet. Roland is uncannily good at playing his hand close to his chest, and he thinks he’ll wait this one out a little longer before he shows the head servant his royal flush. Perhaps he’ll reveal what he knows and use it to leverage The Hanged Man as a resource. Perhaps he’ll take the information he’s filed away and sell it to the highest bidder. He’s not sure yet, but for The Hanged Man’s sake, he hopes the poor bastard folds soon, because Roland doesn’t think they’re very good at playing this game.

Conscience, thy name is Judgment. It’s strange, really, the way the Cleric amplifies all that goodness in Roland tenfold, in turn amplifying all the guilt that goodness births when compromised. His conscience has never been particularly content with the dirty work Septimus pays him and the Sons handsomely to do, but ever since he began attending Judgment’s sermons, his remorse has made a home in the marrow of his bones. He knows what he’s doing isn’t just or good, not by any stretch of the imagination, but it’s Judgment who makes him feel the truth of it all, every grain of it, and he finds himself growing sick with guilt these days. You wouldn’t think a Cleric has much pull in the dawn of a war on the horizon, but it’s Judgment who has Roland’s ear, and it’s Judgment who’s beginning to make Roland wonder if, perhaps, a revolution would make for a fine penance, coin and contract be damned.

There’s a reason the moon and sun never share the sky at the same time, and there’s a reason Roland and The Fool don’t often share a room at the same time. It’s not that Roland has no respect for the King’s Captain of the Guard, because he does, but cleaning up The Fool’s messes and tying up the loose ends of their army’s incompetence is getting old, quick. Still, the sun shines favorably on The Fool, paints them in the gold of heroism and leaves Roland and his Sons to bask in the muted silver of moonlight. The Sons of Argos are in this for gold, not glory, so he doesn’t terribly mind The Fool and their men acting as frontmen and taking undue credit for the dirty work Roland and the Sons do, but the bastard has the audacity to parade around Castle Tyrholm like they’re the Undying’s gift to man. It’s only a matter of time until the tension between the pair of captains comes to a head, and when it does, Roland is sure the fallout will be catastrophic, with far-reaching repercussions. A pity, really, because if The Fool could swallow their pride and Roland could swallow his prejudice, they could do great, terrible things together.

CHARACTER DEATH: Yes, absolutely!

WRITING SAMPLE

He dreams of his life’s small joys. He dreams of poppy fields in southern Tyrholm and figs stolen from the sweet shop next to the bakery in Lowtown. He dreams of the smell of sea salt, the sound of low tide crashing against black shale rock. He dreams of the baker’s boy, who used to sneak him scraps of burnt bread when he was naught but a half-starved child. He dreams of the boy’s kind smile, and his impossibly kinder eyes: one brown, one blue. He dreams of Argos, how the corners of his eyes would crinkle when he’d laugh at Roland, face warm with a rare fondness seen once, maybe twice in a lifetime. He dreams of the Sons, the lot of them gathered in this brothel or that tavern, heads thrown back as they all boom a chorus of boisterous laughter that draws more than one sidelong glance. He dreams of JUDGMENT, the way their voice rolls like the drip of warm honey, sounds something like absolution, atonement. He dreams of a time when he was proud of the man he was, of the work he did, even the dirtiest of it, because it was done meaningfully, with honor.

He wakes with a start, and the world returns to him in pieces, slowly. First light filters dimly into the barracks, and he huffs a quiet sigh as pushes himself up into a sitting position and swings his legs over the side of his cot. The Sons sleep soundly around him, and here, like this, they look nearly…peaceful. Roland catalogues the memory and stores it somewhere in his mind it won’t soon be forgotten. The rest of Castle Tyrholm, save for those of the King’s Guard working night patrol, won’t rise until sunup, at the earliest, but Roland’s always been a bit of a bastard when it comes to the Sons’ unforgiving schedule. They’re welcome to fight and fuck and drink their weight in ale until the moon sets, but come dawn, the day’s work begins. A fair trade-off, if you ask Roland (and one that inspires good behavior without Roland having to explicitly enforce it).

Soundlessly, Roland reaches over to the bunk next to his and gives Galen, his most trusted lieutenant bar none, a solid smack on the cheek. “Up.” The command is quiet, but it carries the weight of a king’s authority all the same.  Brow pinches, Galen opens his eyes halfway and makes a vulgar gesture at Roland, who only laughs. “Fuck off,” Galen hisses as he turns half of his face back into the plush bedding of his cot, one eye closed and one trained on Roland. “Fuck off…?” Roland prompts, crooking his forefinger expectantly in a silent come on gesture. Galen rolls his one open eye. “Fuck off, Captain,” he amends. A low, throaty chuckle rumbles somewhere deep in Roland’s chest. “Better. Get dressed and gather the lot. His Grace has a job for us.” The way Roland says “His Grace” doesn’t sound particularly blasphemous, but Galen, who knows him so well, will surely have no trouble at all undressing the resentment that manifests in the way his lips curl hatefully around the King’s title. Galen passes him a long-suffering look, and Roland returns it empathetically, but they say no more on the subject. Roland dresses quickly and stands to leave, and Galen salutes him with his middle finger, but he nonetheless complies, and he, too, makes fast work of dressing.

The Dining Hall is… Well, it is as it always is. The Sons, loud and full of life even in the early hours of first light, earn more than one glare from other guests in the Hall. They’re outsiders, here, cawing ravens flying among a flock of singsong blackbirds, and the good people of Castle Tyrholm never let Roland or his Sons forget it. They don’t belong here, and as Roland catches dual sets of narrow eyes fixed on him, one belonging to THE HANGED MAN and the other belonging to THE FOOL, he wonders if they ever will. He doesn’t particularly care, so he tosses THE HANGED MAN a sly wink, and for THE FOOL, he presses his index and middle fingers against his lips and blows him a kiss. Neither seem particularly impressed with his flip, decidedly Lowtown behavior, but he cares not. Some things in this world are absolute. The sun rises each day, the sky is blue, and Roland Bishop will never balk in the face of judgment. He is as sure of the man he is as the Clerics are of the Undying. He will never waver from his spirit, his honor, his nature, and he will never know the shame of others. He is the legacy of Argos and Lowtown, a good man and a good city, in his estimation, and though he’s not always proud of the things he does, he is proud of the man he is, and he’s prouder yet of the legion he’s created. Wolves don’t lose sleep over the opinions of sheep, and the Sons of Argos don’t lose sleep over the opinions of a fucking cook and a Guard-Captain whose track record leaves something to be desired.

The meal is a quick one, and Roland thinks fortune might favor him today, because the Sons enter and exit the Dining Hall without brawling with any of the King’s Guard, and by the time the sun has fully risen, Roland and his men are well underfoot. They travel by horse to the northernmost point of the farmlands, where the King’s Spymaster has evidently caught wind of a budding rebellion. Roland stopped wondering long ago if there’s any truth to the Spymaster’s claims at all, or if THE DEVIL spoon-feeds the King lies just to keep the tyrant of their back.

Their journey is short, and so is the battle (if you can even call a massacre a battle) that ensues. It’s violent and bloody, but the Sons are trained for this brand of dirty work, and their victory is swift. At the end of it all, only one remains: the leader of what was a poorly organized coup that never stood a chance against the King and his cronies.

“He’s inside the barn,” Galen says as Roland kneels to push down the eyelids of a boy of no more than fifteen years. Roland doesn’t have to look up to know that Galen’s face is grim, and neither does he need a mirror to know that his own face is pale as driven snow. His gut knots and double-knots with throngs of unease, and guilt begins to gnaw in earnest at his well-meaning heart. Still, he yet goes through the motions: wipes the blood from his dagger, helps his men make a pyre of the bodies, closes the eyes of all the dead and prays that they’ll be better off in their next lives than they were in this one. When the dirty work is done, he joins the rest of the Sons in the estate’s small barn, where they wait with the self-crowned king of what was a novice mutiny at best and a botched rally at worst.

In the chaos of carnage, Roland hadn’t gotten a good look at the rebels’ fearless, foolish leader, and seeing him now, the knots in his stomach tighten tenfold. He’s on his knees with his head hung low, held at either of his arms by two Sons and stayed by a third, whose sword is pressed flush against his neck. He looks about the same age as Roland, maybe a few years his youth, with sun-soaked hair that looks reddish in places wet with blood. The Sons wait patiently for Roland’s command, the quiet of the room a stark foil to the noisy bustle of the Dining Hall earlier that morning.

“What’s your name?” he asks, voice soft as a slip of cotton hung out to dry. The man doesn’t answer; he doesn’t even look up. Roland looses a quiet sigh. The King has instructed him, as he always does, to gather whatever information he can—by any means necessary. He and the Sons are meant to gut villagers bloody and cut out their tongues if they don’t divulge their secrets. They’re meant to exterminate the hope of revolution and send a message to neighboring revolters. They’re meant to be hounds that bite at the heels of a people who have everything to lose and risk it yet for naught but the meager chance of a Tyrholm free of Septimus’s plague of pride and greed. But the Sons of Argos are no dogs. Killers they may be, but they’re a proud brood, the lot of them, and they do their dirty work with as much honor as they can. If it’s gore and bloodletting Septimus wants, let the old prick get off his throne and terrorize wives and sons and husbands and daughters himself.

Roland was taught to kill honorably and quickly, to respect life and death in equal measure, and he pays homage the lessons of Argos daily. It’s clear that the rebel-king isn’t feeling particularly chatty, and if he won’t loosen his tongue, there’s not much to be done about it. There’s not much to be done at all, really, except to give the man a quick and honorable death. “You fought well,” Roland murmurs. He means it. Galen is sporting what Roland can only assume is a broken nose given to him by the man, and it had taken more than one Son to fully bring him down. Death, too, must be earned, and this man, with all his lionheart courage, has earned his. Distantly, Roland thinks that this very man could’ve perhaps toppled Septimus’s rule himself, if given the proper resources. He has the grit for rebellion, to be sure, and the spirit, too, but he lacks the wherewithal, the time, the training. A pity, he muses. He could’ve made history, the poor bastard.

Out of the corner of his eye, Roland catches Galen staring at him intently, curiously, like he knows exactly what he’s thinking, and maybe he does. Galen opens his mouth, maybe to ask something, maybe to say something, but Roland gives him a fractional shake of his head, and Galen presses his lips into a tight line, no doubt making a mental note to badger Roland about it later. Eyes full of mourning and mouth set in steel, Roland looks over to Myra, the Son with her sword pressed against the man’s neck, and gives her a curt nod. She returns the gesture, and after drawing a deep inhale, she rears the sword far back and up, ready to deliver the final blow. The man, surely sensing his impending death, at last lifts his head, and Roland lets out a swift, sharp whistle that cuts through the air like broken glass. It’s a command to stop, and Myra, knowing the sound of the pitch for what it is, obeys, lowering the sword non-threateningly as Roland stares at the face before him: a man roughly his age, with one brown eye, and one blue.

The baker’s son.

Dread washes Roland’s face a shade of white impossibly paler than before, and he makes a punched-out noise as he remembers hot summers and cold winters spent starving, the sickly feeling of tightness clenching a stomach unfed, the thick fatigue of near-death staved off by the baker’s son, who had been the first person in Tyrholm to teach Roland well-learned lessons of kindness, charity, compassion. The boy who, even in his youth, radiated the kind of warmth and generosity that Roland has never seen in men and women who have lived full lives. His first friend, if you can call breaking bread together and stealing water from Callia Lancaster’s well and playing card games and chasing each other around on the docks friendship.

Recognition spark’s in his once-maybe-friend’s eyes, and the sea-glass green of them shifts from hate, to grief, to nostalgia, and then, finally, to something that looks remarkably like…understanding. Understanding, even now, even on the brink of death. This, Roland thinks, is honor. This, Roland thinks, is what he has perhaps forgotten in his years in the King’s employ. Idly, he thinks JUDGMENT would like this man. His endless reservoir of kindness is something divine, something reminiscent of faith, something that JUDGMENT would take to with overwhelming fondness.

Roland draws forward and places his hand over Myra’s, which remains gripped tightly around the hilt of her sword, and pushes it down, a silent command to lay down her arms. It’s said that the one who passes the sentence should swing the sword, but in the business of sellswords, that’s hardly ever the case, and in Tyrholm, that’s never the case, for the King is far too cowardly to do his dirty work himself.

This, though… This responsibility belongs to Roland and Roland alone. It’s personal, not business, and he can feel the heavy weight of his duty in his pockets, where the King’s coin rests. Argos had always warned him of the looming dangers of this trade, the threat to one’s honor, one’s soul, one’s spirit. Are you worth your weight in gold? he’d often asked him. I will be, Roland had always answered, because he’d thought, then, that Argos had been asking him if he’d grossed a sum of gold equal to his weight. Now, he thinks, he at last understands the question: is it worth it? Have you earned your weight in gold? Is the man you are today worthy of that coin?

Gently, nearly tenderly, Roland cradles his hand against the side of the man’s face. The baker’s son doesn’t flinch. The irony isn’t lost on Roland: he must give back what he takes from this world twice over, and here he is, about to take the life of a man who gave him his. You should’ve let me starve, he wants to say. You should’ve let me die. He wants to apologize, he wants to explain himself, but he won’t do this good man the dishonor of wasting his last moments of life assuaging his own guilt, so he instead reaches into the pocket of his breeches and pulls out a pouch of gold. He tosses it to Galen, who catches it reflexively. “There’s a bakery in Lowtown south of the bay, with a red roof and green door. Bring it to them.” Galen raises an eyebrow in silent question, but he turns on his heel, exits the barn, and mounts his horse all the same. “You’re family will be looked after for generations,” he promises. He knows it won’t be enough to absolve the blood on his hands, not this time, but he hopes it’ll be enough to bring the man some peace of mind. He thinks maybe it does, because the baker’s son smiles. He dies smiling. Roland strikes quick and fast, drives his dagger straight through a heart of gold. It’s a quick, painless death that lasts the span of a few heartbeats, at most, and it stays with Roland for the remainder of all his years.

That night, when Roland lays his head down to sleep, he doesn’t dream.

EXTRAS

Pinterest. MBTI: ESTP. Astrology: Aries (April 19th). Moral Alignment: True Neutral. Enneagram Type: Type 8. Headcanons:

He isn’t best fighter in Tyrholm, but he may well be the most adaptive. In his boyhood, Argos taught him combat techniques that he’d observed in the east, and the west, and the north, and the south. Roland has killed men from all over the continent, from all walks of life, and though many balk at his nontraditional manner of bloodshed, he’s quick and efficient, and he and his Sons always get the job done. They say it’s uncouth, the way he fights, the weapons he uses, but The Fool’s etiquette (knighthood proper, that one) hasn’t exactly done them a whole lot of good, has it? Roland is as quick as lightning and twice as hot in a fight, and he’s been known to use exotic weapons when he’s doing his dirty work. Of all his tools, his favorites are his decade-old ivory dagger and a sickle-shaped pair of handheld scythes.

Roland doesn’t share the King’s low opinion of magic. Raised by Tyrholm’s streets, by whores and beggars magicians and street urchins and musicians and muses, Roland learned young to embrace all walks of life, and his schools of thought are all considerably flexible. His opinion of magi is no exception. People fear what they do not understand, and as a mercenary with a moral compass, a man who’s been misunderstand by the masses his entire life, he can empathize.

Because he was looked after by worshippers of the Undying in his boyhood, he’s considerably literate for a man of his…lifestyle, and he’s actually quite smart, despite appearances. He’s well-read and well-taught, but the true nature of his wherewithal is known only to Judgment and the Sons.

Roland and the Sons reside permanently in taverns in Lowtown, and impermanently in the barracks. Though the lot of them have more than enough coin to afford taverns in Hightown, Roland prefers to keep the company of Lowtowners, and he finds that he and his Sons fit in far better there than farther north. He supposes that the King is fond enough of him—or the work he does, at least—to allow Roland and the Sons to occupy Castle Tyrholm’s guest quarters, but Roland has never asked such a thing of Septimus, and he never will. When their services are needed, Roland and the Sons stay in the barracks alongside The Fool’s soldiers, partly because Roland wants the Sons to remember their humility, and partly because he wants to piss of The Fool. Whether in Lowtown taverns or the barracks, Roland sleeps right alongside his lieutenants and soldiers, intent on remembering his own humility, too.

Whistling. It’s how the Sons communicate without speaking, and it drives just about every resident of Castle Tyrholm mind-achingly mad. Their secret tongue was initially created as a way to signal one another for help, but since signing on to work for King Septimus, Roland will often whistle to deliver commands or messages to the Sons in order to keep confidential matters from reaching the ears of bystanders. Different pitches have different connotations, and more than one Castle Tyrholm has bellyached about the secret smiles and obnoxious laughter exchanged between the Sons when Roland lets out a low whistle after a meeting with the King or The Fool. Still, even the loudest critics of the Sons’ nonverbal lingo can’t deny the sheer impressiveness of the way the Sons fall in line with naught but a whistle rendered from their Captain.

Though looked after by Clerics and Emissaries for much of his early boyhood, Roland never quite took to faith the way his caretakers had hoped he might. But he’s taken to Judgment the way most people take to religion, like they’re something absolute, something worthy of his hard-won devotion, and he can’t help but feel like some of their lessons are beginning to rub off on him. He thinks the Emissary who took him in would faint if she could see him now, knelt quietly in the foremost pew of the Sanctum, hands clasped as he listens to Judgment’s sermon with a look on his face caught somewhere between reverence and admiration. Life comes full circle, he supposes, and he finds himself growing increasingly fascinated by the idea of the Undying, of goodness, of life’s purpose. He wants to learn more about it all, he thinks. Or maybe he just wants to learn more about Judgment.