#we all have different favorite characters but we're all connected by our extreme devotion for them
Explore tagged Tumblr posts
Text
it genuinely makes me so happy to see people's dedication to their random favorite fictional character like yes, please show me the itabag you've made for an obscure video game character from 2006, please show me your shrine that you've dedicated to your favorite anime boy, please tell me about how your comfort character brings you so much joy!!!!!! I love it!!!!!!!!!!!!!!!!!!!
#it makes me feel happy#because it's like#we all have different favorite characters but we're all connected by our extreme devotion for them#and also it makes me mad when people hate on it#'what a waste of money' 'i bet theyre gonna grow out of it' 'this is why you don't have any friends'#like first of all hyperfixations are caused by something you can't control#and second of all people who indulge in their faves are happier than you will ever be#and even if it isn't caused by some kind of hyperfixation#let people be happy....... just let people enjoy the things they want to enjoy#let people spend their hard earned money how they wish to spend it#I just don't understand how people can see others who are happy and say something negative#sorry had to get this out of my system
27 notes
·
View notes
Text
The World Inside
By Robert Silverberg
This story is much unlike any I have read previously. A couple of centuries in the future the vast majority of humans have isolated themselves within buildings three kilometres high, remaining in their own building for their entire life, with extremely rare exceptions. Those outside the urban monads, as they are called, work the fields to supply food for the larger population. It is also indicated that in this time they are a space-faring species having adapted Venus to support colonies of humans, although the details of said colonies are sparse.
Presented are many cultural norms that are different from those which we currently encounter, especially regarding sexuality and privacy. In this literary explorarion sexual openness is expected of all members of the community upon maturation. In the enclosed society everything, from sleeping, to sexual activities, to toilet breaks, is done in the open and without restraint. Although human interaction and openness is encouraged, there are some oppressive measures within this society that cause stress on some members, especially those whom become curious about the world outside and wish to fulfil their wanderlust.
Although the situation and culture are vastly different from that within which we live, and even more different from that of the time of its publication in 1971, the characters show a depth which intimately connects the reader with their experience.
Even the characters in the novel discuss the evolution and adaptations humans would have required to have occur to accept and thrive within such a community, so vastly different of that of a few generations prior.
This book has drawn me in from the first page, being immersed into a collection of lives, struggles, perseverance, wonder, and self-reconciliation. It is not for those readers whom are disturbed by some sexual and dark imagery, but it is a great story for those who are intrigued about one of many possibly futures our species may create.
A few favourite quotations from the novel:
'In the morning, at his office, he begins his newest line of inquiry, summoning up the data on the sexual mores of ancient times. As usual, he concentrates on the twentieth century, which he regards as the climax of the ancient era, and therefore most significant, revealing as it does the entire cluster of attitudes and responses that had accumulated in the pre-urbmon industrial era. The twenty-first century is less useful for his purposes, being, like all transitional periods, essentially chaotic and unschematic, and the twenty-second century brings him into modern times with the beginning of the urbmon age. So the twentieth is his favorite area of study. Seeds of the collapse, portents of doom running through it like bad-trip threads in a psychedelic tapestry.' ~narrator, regarding Jason Quevedo, p. 78.
'He tries to keep this silly sense of embarassment a secret. He knows that it doesn't fit with the image of himself that everyone else sees.'
...
'If they only knew. Underneath it all was a vulnerable boy. Underneath it a shy, insecure Siegmund. Worried that he's climbing too fast. Apologizing to himself for his success. Siegmund the humble. Siegmund the uncertain.'
~narrator, regarding Siegmund Kluver, p. 95.
"Very often, we project onto other people our own secret, repressed attitudes. If 'we' think, deep down, that something is trivial or worthless, we indignantly accuse other people of thinking so. If we wonder privately if we're as conscientious and devoted to duty as we say we are, we complain that others are slackers."
~Rhea Freehouse, p. 103.
"You absolutely don't understand. Should we turn our commune into and urbmon? You have your way of life; we have ours. Ours requires us to be few in number and live in the midst of fertile fields. Why should we become like you? We pride ourselves on 'not' being like you. So if we expand, we must expand horizontally, right? Which would in time cover the surface of the world with a dead crust of paved streets and roads, as in the former days. No. We are beyond such things. We impose limits on ourselves, and live in the proper rhythm of our way, and we are happy. And so it shall be forever with us." ~Artha, p. 143.
"It's all here, isn't it? The story of the collapse of civilization. And how we rebuilt it again. Vertical as the central philosophical thrust of human congruence patterns." ~Siegmund speaking to Jason, p. 180.
0 notes