#watching this all go down like ‘you know it’s not like. stoicism for the aesthetic right. he’s been through some shit’
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Readee/Soap/Price/whoever: That man Simon has bewitched and seduced me with his mystery and dark charm
Gaz: ???? You mean the trauma and his tendency towards self-isolation to avoid having loved ones used against him again?
RSPW: *sighs dreamily* what a hunk
#idk this popped in my head and won’t leave and it’s got me cackling#it’s just so fucking funny dude imagine Gaz being the most emotionally intelligent of them all#watching this all go down like ‘you know it’s not like. stoicism for the aesthetic right. he’s been through some shit’#and it’s either they don’t hear that or like ‘oh yeah. I know. I can fix him’ LIKE
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Light Sakura
Author’s Note: welcome back to chanvember 2019! this is a much heavier offering. when i was in japan in april, i wrote some of my thoughts and feelings into notes. there werent many, but i decided to turn them into this beast a fic. this is a very personal story - personal and heavy, and is probably me at my most raw and honest. more than anything, this is me letting you in to watch me process life. i hope you can still appreciate it <3 Pairing: Chanyeol x Reader (oc; female) Genre: romance; angst; travel!au; fluff; light smut Summary: While taking your honeymoon in Tokyo, alone, you meet Chanyeol, a man who reminds you of the person you remember being long before you learned to forget yourself. After spending one full day together, you question if you could walk away from him - especially when it feels like walking away from yourself, again. Rating: R Warnings: some intense, adult angst; the most beautiful chanyeol ive ever written; and an explicit makeout session Word Count: 15K
Barely half nine in the morning and already the cherry blossom trees of the Shinjuku National Gardens have decided to whelm you.
Overhead, they sway in the breeze, elegant in their movements and peaceful in the way they seem to exist for no one and everyone, but most of all, themselves. You relate to them, in only this half-formed similarity, alone on the linen blanket you’ve spread across a soft patch of grass.
The blush pink of the petals puts the flavor of hope, faith, and healing on your tongue - you’re unsure if this is what they truly mean, if this is the ascribed symbolism to pretty, delicate things, but it feels like they matter. You feel strongly and passionately they mean something beyond the aesthetic of paradise, filtered and filtered again through Instagram as proof of experience.
To you, they are the herald of change, the transience of perfection contained neatly in the blossom, fading almost as soon as they appear. Always, they depart swiftly, detached and long missed yet remaining somewhere just beyond reach, a memory of perfect bliss; the wonder, and the healing, and the euphoria of existence, and the grief and melancholy of the inherent loss.
From the corner of your eye, you see it, a large mass of struggle and frustration. Intrigued, you look over to find a man, tall and gangly, battling with himself and the blossoms and the sun to take a selfie. On this cloudless day in April, the sun seems to find his eyes from every angle, even this early in the morning. Blinded yet, somehow, ignited, he becomes at once a man both at peace and at war with nature, challenged by the haze of morning to outshine the blossoms. Even under the sakura tree, the sun seeks his shapes, gives him a glow that speaks of reverence and admiration.
It’s entertaining to witness, though only serves to remind you that there is no one with you to laugh or to watch, to share in the delight of such a vision, and so you look away, having already seen enough for yourself.
Glancing down to your blanket, you see the array of items spread before you, gaze drifting to the sakura mochi. Your lips fall to a grimace, the humor of the morning dissipating on sight. Nothing about the confection tastes right, or truly like a confection at all. One bite, and all you could think was that some things are meant to be witnessed and admired, never consumed, their delicate lightness bitter on the tongue but sweet to the iris.
Lured by motion in the distance, you look up once more and find he is still there, spinning in circles beneath the trees. The longer you watch, the more you find he is somewhat familiar in his unfamiliarity, the strangeness of not knowing his name or personality or history its own sort of comfortable adventure, the thrill of it settling over your nerves in a way you had long abandoned. The sight of him overtakes you the same way he is overtaken by the sun, almost immediately and without escape. Though, for you, you know you are overtaken by the nostalgia of an imperfect youth and the mistakes that come from letting the wrong person in - not dangerous, not lethal, but deadly just the same and always just as reckless.
And so you don't know why you speak, why you even rise to a stand, allow yourself to disturb the peaceful solitude of your morning, wanting, rather suddenly, to ease his struggle. Even more, you don’t know what exactly it is about him that makes you reach out, giving yourself yourself away and over to the feeling of longed for and missed connections.
'Do you want help with that picture?'
A small noise of surprise leaves his chest as he turns to face you, seeking your voice with his lips set in a full pout. At once and against your better judgement, you swoon, transfixed by how arresting he truly is. Arresting, a word you’ve never really used for people or even art made after 1945, the term reserved for pain and poetry, but he becomes it, embodies it, in every sense of the meaning.
His smile take it time as his gaze walks over your features, taking you in, beguiled and amused and delighted for the help - relieved too, a grateful smile falling on his lips as though he'd been waiting for you, relaxing at once into the comfort of not knowing you at all. It strikes you how easy it is to connect when you aren’t really trying to, when you aren’t thinking or overthinking, and people can just be themselves.
The warmth in his smile remains, even as he speaks, the genuine contentment of it infectious. 'Do you mind?'
Taking a few cautious steps towards you, he runs a hand through his hair, anxious.
'Happy to.' You close the gap between you both, extending your hand, palm upwards, for his phone. 'It's funny, I thought this would have been easy given how long your arms are.'
The joy of his smile spills into his laugh as he hands you his phone, the sound boisterous and altogether too loud for the quiet stoicism of Japan, his unbridled energy turning the colours of the gardens into something far more rich than the human eye could bear.
'Sorry,’ you giggle, carried by the sound of his pleasure. ‘I don't mean that as an insult.' It’s amusing, you think, how awkward this exchange is. How terribly exciting it truly is to not be comfortable. ‘You just don’t realize how hard good selfies are until you’re short, like I am.’
'Well,' he concedes, 'the limbs are helpful for group photos but when you're perpetually under the sun and in the way and having to duck, it's just as difficult.'
Far more lightly than you would have imagined for someone of his size, he settles on the edge of the wooden bridge, the water of the pond glistening behind him, gleaming much like the cityscape in the distance. At once, he is radiant, another word you’d never used for a person until you saw him, the tips of his ears catching the light, the sunbeams finding him in a way they don’t seem to find other people. Or, perhaps, they don’t find him at all, and simply are born of him entirely, emerging from his core and lifted into the atmosphere.
A warm breeze moves through the air, rustling your hair, and he leans into it, almost imperceptibly. Eyes closed and expression soft, he lifts his head towards the sky and smiles, blissful in his quiet contentedness.
An image such as this, you think, is poetic, the kind of portrait that resonates throughout the city long after the person has left, adding weight to their photo collection and adding weight to all of those who witnessed its capture. But your finger hesitates, the slowness of your muscles taking its time to luxuriate in his expression. His delight, his happiness, his easy way of coming alive as though it were natural, and as though you could learn to do it, too.
And so you are slow, paused in your admiration long enough for it to dissipate altogether, his mercurial personality shifting his pose almost immediately into one of casual nonchalance.
'Let me know when you're ready,' he says, regarding you with a calm, yet detached smile.
'Okay.' You're unsure when you became so breathless, when the air left you and went in search of somewhere, or someone, else, but you're unsure it matters. Moments like this, of intense feeling and abrupt emotion, you know, usually do not last. 'Three. Two. One.'
The moment you press capture to take the picture, his expression changes. Eyes going cross-eyed, he sticks out his tongue and wrinkles his nose, making a mess of the scenery, and the image, altogether. And all at once, you laugh, overcome and overtaken by the shock. The abrupt force of it makes you sputter, your breath lurching forward in a cough as he rises to a stand, pleased with himself.
'How did it come out?' Pride drenches his words, smile wide and large and eyes glistening in victory, as you realize he meant it - he meant every detail of it.
Catching your breath, you study the picture, the absurdity of it, and turn it around to show him. 'You don't want me to delete this?'
He shakes his head, reaching for the phone and regarding the photo with a smirk. 'Absolutely not.'
‘Who is this picture for?' you question, confident a photo like that has a home, a purpose, a place. It’s not pretty, the expression and the energy tarnishing any hope of it living on social media.
'Just me,' he clarifies with a small shrug. 'But does it have to be for anyone?'
You fall silent, mind empty by the simplicity of this statement and mesmerized by his lightness of being. A talent, you are aware, you simply do not share. 'No,' you agree, voice soft, 'I suppose not.'
'Do you want me to take one of you?' he offers, pocketing his phone and cocking his head to the side.
In truth, you hadn’t considered it - hadn’t considered any part of this morning, likely would have come and gone with only pictures of the trees and none of you, your essence moving through the city without leaving a trace. It would be nice, you think. Something for your mother or, as he said, something for no one at all - something to remember yourself by.
'Do you mind?'
He nods, enthusiastically, offering his palm with eager fingers. 'It's the least I could do.'
Sitting on the bridge railing in the same place, the breeze moves through your hair once more, and you understand why he eased into the feel of it, almost tender in its smooth traverse between the strands. Sweetness lingers in the air, the smell of blossoms and food and a distinct characteristic, definitive to Tokyo, that you will never quite place. Hands gripping the wood, your mind wanders, seeming to forget there’s a purpose to your position here, a purpose for this crowd and a reason the petals move through the air, lifted much the same way the wind gives flight to wings.
Would you have wanted to share this moment, you think, with someone else, or share it at all? Are you truly sharing this moment, with the people around you and the man preparing to take your photo? Would another person have made it better - would he have made it better? Could it really have been more joyful than this?
Mostly, you think you would have been pressured, too aware of everything, especially he needs of another person. Aware, most distressingly, of the crippling necessity for plans and the way you are forever bound to the beginning and the end of an existence, all actions reduced from their experience to little more than a point A and a point B, with little room for the journey in between.
As if on cue, your new found partner coughs, approaching you with a placid expression.
'Sorry,’ he mumbles apologetically. ‘You're getting a facetime call.'
Gently, almost reproachfully, he hands you the phone and you look at the name, the iridescent letters making your stomach sink. Guilt overtakes you, mind racing even though it feels so impossibly empty, each glimmer of the name and the sad, almost solemn image of your face running your tongue dry. Briefly, you are reminded of the sakura mochi, and the way beautiful things so easily sour.
The shadow of your new, strange friend lingers, his own body taking on a sway that distracts you enough to decline the call with a tap of your finger.
'It's okay,' you say, handing your phone back to him with a smile you know is partially vacant. 'I can call him back.'
He simply nods, expression neutral, both somehow aware that you will not.
With only a few long strides, he returns to his original position just as swiftly as he returns to his original mood, jovial and easygoing all over again. 'Tell me when you're ready.'
'Ready,’ you announce, unsure if you’ve ever really meant it.
Loud with enthusiasm, he counts down the same way as you had, but you find you don’t carry the same playfulness to be as creative or amusing as he was. He was mesmerizing, and you are entirely uncertain how to attain that same radiant sense of optimism he seems to exude even beyond the frame of his picture. Instead, you simply look at him, trapped in a state of wonder and loss, a limbo that feels worthy of being captured.
It is not, you think, that this is a moment you’d like to return to, merely that you think you’d like to see how it looks. More than anything, you want to know how to capture and hold and maintain the fleeting experience of growth. Down to the depths of your marrow, you simply want to give permanence to the in between, your desire for control a habit you could never quite shake, regardless of how often you try.
Humming, he approaches you with your phone in hand, pleased with himself, though the corners of his mouth are downturned in pensive consideration.
'Who is this picture for?' he muses, parroting your earlier question and handing you the phone.
You meet his gaze for a single moment, mystified by the way his thoughts run wild in his irises, before looking down at the image. The person in the photo is you - she looks like you and wears your clothes, but you are aware that you are entirely absent from the image. Instead, you have been replaced with someone unfamiliar - neither hopeful nor resentful, she simply appears lost. Not lonely, not lacking, just learning, having neither retreated inward nor retreated at all, here and nowhere and delighted by the confusion of it.
'No one,' you say, proud with your success. This is not a beautiful picture, and you are glad for it, the ability to witness the discomfort of evolution. 'Everyone.'
Looking up at him once more, you finally offer him a smile you believe in, a smile you know is genuine.
'Does it matter?'
He shakes his head, returning your expression with childlike wonder. 'No, I suppose it doesn't.'
For a few, intangible moments, you remain like this, both regarding one another, a little unsure how to feel or what to say or what to even make of one another, smiling because it feels right and it feels good. He leans forward, inches closer as though pulled by a magnet, and the motion draws your attention to the queue that has started to form behind him. Each passing moment, more people arrive to the gardens, people wanting to view the blossoms and wanting the same photo as you, patient and yet hardly patient at all giving the bounce in their knees.
'Do you want to have breakfast with me?' You’re entirely unsure where the question comes from, and find yourself pointing in the direction of your blanket, the food and the bags still exactly where you left them.
You are unsure where the question came from but you are not upset that you asked, not even appalled. At this moment, the only thing you can truly fathom is that you want to remain in his company if only because it is spontaneous.
He glances to where you pointed, narrowing his eyes. 'Are you sure? I don't want to impose.'
'Do you have somewhere else to be?’ you press, allowing him a way out should he be too polite to take one for himself. ‘Plans?' The word feels heavy in your mouth, weight and severity of it unsuited for him entirety.
'Not really,’ he grins. ‘I'm just exploring today.'
You return his smile, glad that he gets it even if he does not. 'Me, too.'
'In that case, yeah, I'd love to join you.'
Together, you make your way to the blanket, his stride slightly unnatural as he adjusts to your pace. The kindness of it fills your chest with a heat long absent in your connections with others, and you welcome it, delighted for its return.
'I'm Chanyeol,’ he says, angling himself on the blanket so his shoes remain on the grass. He extends his hand towards you once more, friendly and personable.
'Y/N.'
The press of his palm into yours warms your nerves, a thrill of newness gliding up your arm and into the nodes of your lungs. Swallowing thickly, you maintain your smile, wondering if he can see that his presence threatens to send you floating, a too much too soon rush of blood to the head. His gaze remains on yours too long, the same way his hand remains twined with yours too long, and when he remembers himself, separating you, it does not escape your attention that he presses the flat of his hand to the blanket, knuckles tense.
It’s the same for you, the memory of his touch lingering long after he has left you, skin tingling and feeling tattooed.
Blinking, you avert your gaze and nudge the wooden box of sakura mochi towards him, gesturing for him to try it.
'Oh you got one of these?’ he begins, slowly, tentatively. ‘They're...'
'Awful?' you offer, hoping he agrees.
'Yeah,' he laughs. ‘It’s really surprisingly terrible. I didn’t want to say in case you love it.’
Your laugh joins his, the sound new and refreshing - yours in a way that it hasn’t been for a long time. You recognize the sound of it, the crystal ring and high echo a sound you made when you were nineteen and unafraid of the distant expanse of life. Back when you were fresh and bright and untarnished by the way a person can wake up and demand so much of you before the sunrise - demand parts that do not exist, and so you must create them, calling the shell of this action a compromise.
"I’ll give that up because you’re asking so nicely," you hear yourself say. "But be warned this is a slippery slope, and I don’t think you’re ready for the fallout."
He thinks you’re teasing. You know that you aren’t.
"One day," you hear yourself say, "I will give it all up for you and there will be nothing left of me for you to take."
Hours later, the linen blanket folded neatly into his backpack, Chanyeol joins you on the trip to teamLab Borderless. Because, you have two tickets and it would be a shame to waste them, a thing you said as a method of reasoning, a means to rationalize the fact that you felt good about asking him. Because, he had attempted to buy tickets and found he was too late, the day already sold out and the next available date after his departure. And you smiled, glad for his company and for the ability to make irrational choices, the magic of both these things making the tips of your fingers tingle with adrenaline.
And he smiled, you like to think, because he was glad to be with you, with someone, glad that you wanted him, continuing a conversation that never seemed to stop.
The art museum swallows you, takes you in and refuses to release your bones, turning you to carrion flowers. The dark shadows and blurred edges entrap you in a state of awe. At every corner, the impenetrable blackness looms but it is not foreboding, the contrast giving way to smears and arrays of colour so unlike the usual refractions your eyes choose to witness.
Even covered by this darkness, still, Chanyeol finds a way to glow. Through almost every room, the colours adorn his skin, craving contact with one they recognize as their own. Or, perhaps, it is you, learning to crave all over again and shedding the weight of responsibility, of choice over carnal desire, mind over matter, and the physicality of your wanting suddenly made manifest for all to see, staining him with the residue in the process.
He seems at peace in the falsehood of this magic, touching walls and touching lights with long fingers and delicate caresses. Standing behind him just enough to give him space, privacy, you watch as a light show animals, flowers blooming from their backs as they walk, passes along the wall. For a moment, you are transfixed, wondering where the lights are, how someone as tall as him doesn’t interrupt or break the lines of their imagined flesh, until he reaches one arm up and runs his fingers down the wall.
Slowly, gently, sweetly, he caresses these false animals, long fingers offering a gentle touch to the wall, and you step forwarding, moved by his bravery. Peering at his profile, you regard his serene smile and half-formed dimple at the corner of his cheek, softening for him as the seconds pass. Mirroring his actions, you do the same, running your hand down the wall and feeling the fabric, stroking the necks and limbs and arms of animals, the press of your fingers sending flower petals cascading to the floor, gathering, and not gathering at all, at your feet.
Chanyeol smiles at you, pleased with the entropy you have introduced, and walks down the hall with his hand still at the wall, touching and touching all he is allowed with the same tenderness he would provide a lover. It seems, to you, that he will never truly have his fill of the sensation of feeling, the smile he wears too satisfied with himself to really pull away, only doing so when the wall ends and he absolutely must. Standing in front of a new room, his hands clench into fists, wanting to touch but refraining from smearing his prints on the glass.
He leads you further into the museum, into a room full of lights and lights and lights, strung from the ceiling and glimmering not unlike diamonds. It takes you a moment to realize the lights are just that, and not refined quartz, natural pieces of the earth uprooted to display their shine. Chanyeol weaves away from you, looking at you over his shoulder with a playful, tempestuous grin, and you struggle to keep up with him, his long limbs carrying him away faster than you can move through the crowd.
Alone in an open expanse of light, you turn and turn, spinning in circles looking for him, rationalizing this sudden separation and wondering if abandonment always feels so abrupt; if you, and your over eager feet, did this to him, pushing beyond your limits out of righteous indignation. Was it always going to be this way? Would you always find yourself in solitude, just when things started to feel good?
From the distance, you hear Chanyeol’s voice and the noise of delight he releases, a sound that says he found what he’s looking for. You almost see his shadow, the length of him mirrored and rendered into an iridescent form behind the lights, a luminous mirage in an oasis of illusions.
‘Y/N,’ he calls, voice rippling through the room with some restraint, his efforts of being polite likely going unnoticed. ‘Watch this.’
At once, the lights change from soft hues of green and pink and purple to white, pure and endless white, the room igniting in a flash before turning blue and blue and blue, the sound of rain consuming the room. All at once and all over again, you feel weightless, as if the limits of nature and the limits of physics could no longer root you to the earth.
But then, you suppose, that is the point.
Limits don’t exist, likely never existed at all, your own mind creating the borders just to give structure and rules to things never meant to be thought through, only felt. Always felt and touched and bent by your hands and no one else's, and you find you thrive when there are no rules, just light and sound and art and Chanyeol; always Chanyeol, leading you into the light and ensuring you feel it.
The light hits you like a flood, shimmering in all the ways you wish you could. Your clothes and skin and hands become kindling for alchemy, granting you permission to glow, still differently than the holy way Chanyeol seems to smolder within the magic. On you, it attaches and pulls at you, breaking the boundaries of your flesh until you stand, palms up and regarding the ceiling, feeling a mist the sound of rain surely did not bring with it. But still, you are wet, wet with tears and relief and memory, emptying yourself of the things you keep buried within, letting them run free simply because Chanyeol gave you the aural, cosmic permission to do so.
He comes to stand before you as the lights turn to a shade of red, the glimmer making his dark hair appear auburn and putting a false flush at his cheeks. His very presence seems to change the atmosphere, molding the energy to fit and suit him, your own breath halting in your lungs, your blood, your heart, giving you pause to take him in, making room to fit him inside and never let him free.
‘Beautiful, wasn’t it?’ he asks, soft and thoughtful and the quietest he’s been all day. ‘That’s my favourite.’
You can only manage a slight nod, too vulnerable to give shape to words, fully aware the sound of your own voice would break you. Chanyeol steps closer, the lights behind and around you changing from red to purple, romantic in their shift, and the electric shock between you both looms, running down the light strings the same way it runs down your nerves.
‘Do you want to get some tea?’ he tries, keeping his tone even and soothing.
Once again, you nod, needing to be near him and needing to feel close, healed, and warmed by something other than the sight of his deep, affectionate eyes.
The pressure of your tea cup on the table causes flowers to bloom, a trick of light and science that makes it hard for you to speak for a long time. Your flowers are different from his, all pink and yellow and gold, where his swirl in deep shades of purple, the rich green of his leaves sprawling not unlike ivy, reaching, as best they can, towards your petals.
'This was meant to be my honeymoon,' you announce abruptly, keeping your eyes fixed on the foamy liquid and watching the petals bloom in your cup. Mentally, you compare them to the blossoms that line the street and the park, aware that these colours are too strong to be natural, but are equally as ephemeral.
Chanyeol doesn't say anything, just watches you patiently, expectant.
'I have two for everything,' you continue, running your finger over the petals and watching them bleed into your skin. 'It's cheaper to travel as two, in every sense. No one ever wants you to go alone, or go alone and feel good about it.'
'Why did it end?' As soon as he says it, he recoils, apologetic. 'I'm sorry if that's personal.'
Hissing through your teeth, you sigh. 'He didn't cheat on me, if that's what you're asking.'
'I don't really know what I should be asking,’ he counters, still so resolutely encouraging, ‘but I'm glad that's not true.'
'I wish he did,' you admit bitterly. 'It would have made sense. There would have been a reason.'
Chanyeol softens, hand coming to rest on the table, inching forward and back again. 'That's okay,' he reassures. 'Sometimes, things just don't work out.'
'He was perfect.’ You aren’t really sure why you say it, aware that you are announcing things you would share in a conversation with someone else. Perhaps that’s what this is, a conversation with no one, not even Chanyeol. 'Anyone would have loved him.'
Still, he smiles. 'But anyone doesn't have you be you.'
When you turn to face him, your expression feels cold, and you wait for him to reel back, shocked and pained, but he remains calm and patient. You love him, then, love him and hate him all at once.
'I could have.'
'So why didn't you?'
“Are we spending too much time together?” you asked, the sadness in your chest pulling at your lungs, tearing the nodes in the hopes of creating irreparable fissures.
“No?” he replied, also a question and sounding just as distressed as you.
You shook your head. “We are.��� It was so obvious. Everything, to you, was so obvious. “We’re starting to sound like one another.”
It was such a silly thing to say, silly and cruel. You were so aware of it, of his crestfallen expression and the way you burdened him just by letting him know, by letting him see. Doubt painted his features, and you felt guilty for the thrill of watching him collapse.
“I just want to sound like me again.” This too, should have been obvious, but it crept up on you, slowly and when you absolutely didn’t want to look. “I don’t really don’t even understand my references, anymore.”
All you can do is look at him, look at him and smile in a way that feels hollow. But Chanyeol, for all his goodness and all his kindness, doesn’t seem to mind, he merely smiles back in a way that does not demand words. With him, there is no pressure, simply the understanding that not every question deserves or has ownership of an answer.
Chanyeol, for all his boyish charms, is the first to understand that, sometimes, questions just are and you cannot expect them to be solved.
Beside your glass teacup, your phone rings, silent and depicting the face of a person you’ve spent days trying to let down easily.
You decline the call.
The petals in your cup begin to fade.
Akihabara is his idea, silent suggestion tucked at the corner of his mouth, nestled behind his smile. A suggestion after a late lunch that leads you, seemingly aimlessly, to a train, an alley, and his outstretched hand, extended calmly and held in pause, waiting for you to take it and to not let go. It’s likely he does this to ensure you do not get lost in the throng of people, the tight crowd of commuters making their way home or simply making their way, shaking off the energy of a long shift - or, perhaps, still at work, likely in the last third of their work day, seeking a brief release in the form of distraction.
It’s likely he does this so that you do not get separated, but the tightness with which he holds you puts hope in your chest, a hope that he clings to you so desperately because the fear of separation runs deep and runs longer than either of you would like to admit. It’s nice to think this way, even if the sense of power it provides is fleeting.
But he offers you his hand, assumes that you will follow, assumes, beyond any measure of doubt, that you will be beside him, his mirror, and expects little else from you at all, undemanding of anything except your company.
At sunset, it's hard to fathom anything more golden - the river swallowing the sky and taking it whole, reflecting that which they consume like a jealous lover, proud and greedy. Chanyeol is all smiles and loud laughs, weaving through the people, the overwhelm, to show you everything - everything, yet conversely, nothing at all, at home with the chaos.
The city seems pregnant with potential, a gleam of untapped and just bloomed magic starting to unfurl within the lights, the rate of change a slow descent that eases you into another universe altogether - seen always without being seen until the totality of it is noticed all at once.
And when the sun disappears from view, the blue black of early night casting its protective shadow over the earth, Akihabara changes the sky. All at once, it is a metamorphosis of progress that eats the cosmos, transmutes the atoms and the clouds and the stars into fuel for its electric sheen. It's impossible to know where to look, if you should look anywhere at all apart from Chanyeol. The neon lighting of the signs puts shadows on his cheekbones, cuts his jaw into a rough shape that turns him from a boy into a man, his smile neither menacing nor tempting, simply alive and aware, a man in his element, brought to life by the electric current of energy.
It's a sensory overload, the city street and Chanyeol's protective, possessive grip. With his hand clasped tightly in yours, the light burrows beneath your skin, seeking the pores along your flesh and rooting itself down and down, into your inbetween. Every stroke of his thumb against your knuckles, every laugh, is an electric shock traversing your nerves and pushing you the edge of excitement.
You keep your eyes trained on the tips of his ears and the smooth line of his neck, his long legs always a few steps ahead of you - like he’s figured it out and like he’s lived this street hundreds and hundreds of times. Store signs pop on as you pass, and his ears catch the light, the tips taking on every shade of the rainbow, and your own heart struggling to memorize the person he becomes under each.
There’s something wild about this feeling, the admiration and the adoration of watching these asymmetrical pieces of him become beautiful and charming, that reminds you of craving, of the intensity of it, and, most of all, of the hunger that always seems to follow. It’s been years since you’ve wanted someone, wanted them beyond comfort and understanding, wanted someone and the mess of having to learn them all over again, aware that true intimacy follows and accumulates over time. But desire, desire always comes first, and it is always what makes you want to let a person in.
Chanyeol stops abruptly at a taiyaki vendor, eyes wide and full of fascination as he lingers by the window, watching the red bean paste rhythmically get dropped into dough molds. Still, he does not release your hand, only squeezes it twice, ensuring he has your attention, your touch, and your focus.
‘Have you ever had one of these?’ he asks, still watching the chefs and the mold press.
You hum. ‘Yeah, in New York there’s a place that makes them. Obviously, I’m sure these are better.’
He turns to you, wrapped in a state of pleasure and excitement, and everything about him is infectious. You smile at him, simply happy to be smiling with him, and he pulls you along, ordering one pastry in skilled Japanese. Blinking at him, you watch as he speaks with the cashier, wondering how you could have missed such a practiced accent or confident speech pattern, but quickly remember it was you with the tickets, you who spoke first, and even at lunch, you ordered separately, walking away from him to wait patiently at a table.
So much of him you’ve missed or glossed over, so much of the man he is rather than his heart escaping your attention, and when he holds his treat in his hand, you find it difficult to look away from him, watching him take a large, impressive bite.
Once again, a laugh erupts from your chest, and he pauses mid bite, regarding you with curious eyes.
‘Your mouth is so big,’ you clarify, and he smiles, proud and laughing with you as he continues to eat. ‘It’s just so impressive.’
Chanyeol closes his eyes happily as he eats, giggling in delight at your pleasure or the pastry, or maybe both, content with every detail of the moment. Smirking, he tilts the pastry towards you offering a bite, and the simple generosity of this action halts your breath in its path. This is intimate, should not be so intimate, especially when you are aware, so aware, of the true meaning of the word, but still it settles over you, like dust and the light and the acceptance that, again, you feel good about the risk you’ve taken.
Placing your lips where his have been, you wonder idly if the sweetness on your tongue is the dough, the sugar, or him, a residue left behind comprised of his laugh, his words, his soul filling your mouth and keeping it wet and wet, inspired to transform into someone else. Neither new nor different, just cleansed.
You chew slowly and he keeps his eyes on you, waiting for your reaction, and the intensity of his stare, the heat and the wonder sends you reeling.
You told him even though he said, clearly and repeatedly, that he didn’t want to know. He didn’t need to. Think of him what you will, he was smart, smarter than you ever gave him credit for, and he already knew. Saying it would just confirm his doubt, breaking him all over again in the most unnecessarily cruel way.
“I have something to tell you,” you announced, even though you both already knew.
“Not tonight.”
But you said it anyway, aware that every tomorrow hinged on his reaction, whether it would mean losing himself or losing you. You just wanted to know which he would choose, waiting to see which direction he’d take.
‘It’s sweet,’ you say, watching Chanyeol beam and nod and agree, delighted. ‘Sweeter than the one I had before.
He takes the pastry back and swallows the marks your teeth made whole, turning away to chew and watching as the cars pass along the street. Sugar lingers on the corner of his mouth as he eats, lips and cheeks sweet in a full pout as he savors the pastry, but you can’t really look away from. Tokyo is diverting and distracting, but you can’t fathom a better view.
'Hold on,' you laugh, his pause of confusion entirely too endearing for a man his age, however hold he is or is not. 'You have something on your...'
You might never know what compels you to reach up, your finger extended and your touch gentle, moving the sugar away with one slow, languid swipe. You decide it's another question that likely will never have an answer, because there is no answer, but just as quickly as you also decide it does not matter. Chanyeol's smile of gratitude is bewitching, the blue and green lights pulling the gold and red from his skin, and the reverent way he looks at you answer enough.
For several moments, you remain this way, silently regarding one another and letting thought, emotion, and need grow between you. A moment of silence in which there is no silence at all, the noise of the city a soundtrack of wanting that gets drowned out, stifled beneath the prism of affection that blooms and blossoms between your chests.
'Thank you,' he says, as though nothing at all had transpired, as though there was no pause, as though time did not stop at all. 'I'm a messy eater, sometimes.'
'I can be, too,' you muse, looking away and hoping for a distraction, a thing that should not be so difficult to find, yet still proves to be. 'He always hated that, my ex.'
Chanyeol snorts, finishing the desert with a large bite. 'I don't think that's something you can help,' he counters, mouth full.
You shrug. 'He would always laugh while he complained. I imagine he thought that made it better, like he found it endearing, but you can always tell, can't you? You can spend so long with a person you eventually can hear what they don't say, even if it's not in their tone.' Tugging your lip between your teeth, you wonder if you should continue, if it really matters. 'After so long with a person, I think your language changes, your sentences become the same, and it takes time and distance to unlearn it.'
He releases a long hum, eyebrows raised. 'I get that,' he nods, allowing you to speak without challenging anything at all.
It strikes you that he seems to understand so much of you, understands your motives, your solitude, and you imagine he would be happy with anyone. It strikes you that is is not with anyone, and you find it hard to fathom that he would be without a partner to join him.
'Why are you alone, Chanyeol?'
The question both sounds and feels abrupt, but he doesn't react unfavorably. Chanyeol pauses, crumpling the bag with one large fist, his earlier nod slowing but not halting.
'I'm sorry if that's too personal,' you clarify, reminding yourself not everyone is running or needs to. You and he are different people, even if it feels as though you have become bound together, a sensation that accumulated over time, the same way nondescript, vague senses of time do.
How long have you been together? A while.
How long have you known you love him? Not long.
'It's not,' he affirms, looking around for a bin before realizing there would not be one. Opening his bag, he licks his lips twice, wetting his mouth for the words he attempts to gather and drops the crumpled mess inside. 'It's not personal, it's just that there's no reason.' Raising his eyes to meet yours, he purses his lips in thought. 'I don't like waiting for adventure or waiting for someone to come with me. Maybe that's my flaw,' he suggests, resting his hands on the straps of his backpack as he straightens his spine. 'That I'm too impatient to properly share.'
'I don't think you need to have a flaw to want to be alone,' you reason, 'or that wanting to be alone is even a flaw at all.'
'Maybe,' he agrees, although passively. 'Come on. I want to show you the arcades.'
The game centers are a terrain you find impossible to imagine, to fathom, if you had not been given reference to start from. They pull you in from the street, yellow and red and blinding, luring you to them with the impossibly clear sheen of their glass containers. Chanyeol dives into a building, holding your hand once more and looking over his shoulder with a grin, leading you to a claw machine tucked towards the back of the room, away from heavy foot traffic.
Releasing your hand, he digs through his pockets for coins, gesturing towards a One Piece figurine he regards with competitive delight.
'I've been trying to get this since yesterday.'
The box stands tall, compressed between two plastic bars that grip it tightly, unforgiving in its hold. Your eyes narrow as you regard the stronghold the machine seems to have on the figurine, feeling confident that such a plight is futile, but he slides his coins in, lip caught between his teeth in thought as he aims the claw.
He takes great care in this process, hand delicately wrapped around the knob to guide and settle, calculated and focused. For a moment, you see him as an architect, an artist, a chemist, an alchemist, studied and careful, lovingly breathing life into things that currently do not exist. Triumphantly, he slaps the button to initiate contact, stepping back with eager interest as he watches the claw drop, the lights on the machine sparkling and playing music to maximize the tension.
He is unsuccessful.
'Damn,' he curses, but still his smile remains, reaching up to his cheeks and replacing the dimple you did not know you missed.
Eyeing him conspicuously, you cock your head to the side, gaze moving between him and the machine. 'Isn't this all just a cash grab? A way to waste your money?'
'Sure,' he agrees, sliding another coin into the slot. 'But it's nice to forget for a while, isn't it? It's the thrill, the tangibility of maybe, possibly. Gambling thrives because the odds never appear to be out of our favor, and we all like proving ourselves wrong.'
The last few syllables to his words take on a lilt of loneliness, and you are unsure how to argue with him or this feeling, given that he does not leave any space for it. But, for a while, you are content to watch him, watch the way his smile never seems to disappear, not even from his eyes as he tries and loses and tries, and loses again. Six rounds pass and still he is unsuccessful, and you wonder when you got so engaged with the rise and fall of a claw, but you know the real question is: when did you get so addicted to a stranger who promises the world but delivers the sun, a man who never really lets joy die?
When he leaves to go change a cash note for more coins, you depart too, in the opposite direction, the machine losing its glamour as soon as he disappears. Aimlessly, you wander, walking down aisles and rows, looking in without really looking, hoping to maybe find your own game to play.
Around the corner from Chanyeol's game, you find a claw machine with a set of towels trapped inside, something you don't need, but remember needing, wanting, and putting on your registry with a soft smile, finally feeling optimistic about your future.
"We don't need these," he countered. "We've lived together for two years. Shouldn't we ask for money for the honeymoon? Something we can’t buy everyday?"
"That's practical, sure, but these are nice." They were so lovely. When you were young, you imagined having towels just like these once your got married - adult towels, wedding towels you sometimes called them - towels that proved you were Of Age and ready, but for what you did not know.
Even now, you do not know.
You do not need these, but they're sweet, the characters of My Neighbor Totoro woven into the fabric and a silk lotus leaf shimmering in the light. You do not need these, much the same way Chanyeol likely does not need an anime figurine, but they are nice and they are charming, and there's something about the possibility of winning something, even if it is useless, that makes you slide a coin into the slot.
Time disappears around you, much the same as your money, but you don't think about that. Not truly. It's the first time you don't think about the loss or gain of money in years, mind falling back in time once more.
"Why don't we leave the list on the refrigerator?" he suggested, as though he were talking about a shopping list, a list of needs for the apartment, a bucket list.
"Do you want to?" you asked. But what what you meant to say was: I don't want people seeing how much I owe you. I don't want anyone to know how much we've invested in one another.
There's a nostalgia to the claw machine, something that feels like a regression and resulting in little else than making you feel young, as though you never really grew up at all. Somewhere along the way, you buried the child in your heart, tucked her deep inside and left her in the shadows, abandoning the sense of play that came with living. You're not sure how long you stand there, sliding coins and sliding the claw, focused and diligent, buying happiness rather than buying towels.
And when they fall into the slot, the thrill of success runs through your fingers, eyes wide in amazement because, yes, this was far easier than you thought it would be, and you stand still, shocked and pink with the joy of it. You blink a few times, lips parted in a daze, catching up with reality and yourself, remembering both the you you've become and the you you lost precisely at the same moment.
'Did you win?'
Chanyeol's voice resonates around the room, enthusiastically encouraging and sounding pleased as the machine plays celebratory music.
Glancing up at him, you're aware your expression appears torn, wanting to celebrate and wanting to return the towels, likely having paid far more than they were worth. But he beams at you, proud and happy, and you find that you are happy too. They are not adult towels, not even wedding towels, but they are yours - the first frivolous thing you've bought in years and the lack of consideration you gave to them feels impossibly, delightfully refreshing.
'Yeah,' you laugh, unable to look away from the ecstasy that adorns his smile, 'I did.'
Chanyeol releases a yell and lifts his hand, demanding a high five, acting as though these towels are an award and offering you more praise than you deserve. 'Let me see.'
Pulling them from the slot, he leans over your shoulder, inadvertently tucking you against his chest, and sharing his warmth, his breath, his radiance. You settle against him, holding the box in your hands and admiring the neat stitching, wondering if you too could learn to embroider. But it feels natural, you think, to smile this much and to feel this warm and to win so easily, even if these experiences are transient at best. It feels natural under his chin and against his heartbeat, your hands clutching the plastic as a means of keeping them to yourself, wishing instead it was his hands you had won.
It feels natural, hearing how vital he is and feeling how alive he is and knowing, with all of you, that underneath your years of pretend and experience and regret, you are exactly the same as him: enraptured by the beauty of the universe and demanding you hold it in your palms, never letting it go.
'These are so you,' he announces, breaking your thoughts with a low whisper.
You swallow thickly, always caught off guard when he's quiet and his voice takes on a rasp that makes him sound aged, beyond time. Looking up at him, you let yourself become awed by his soft expression, curious and enamoured. 'How do you know?'
Again, your voice is breathless when speaking with him, and you wonder if this is truly his habit. If maybe, more than anything, his talent is taking your breath away.
'You're like Satsuki,' he says simply, as though this is answer enough. 'You're Satsuki and I'm Totoro.'
It's not an answer you expected, mind falling through the layers of such a statement as he departs from you. Is it his height that makes him Totoro? His propensity for cute, magical things? His service to you? Or, perhaps, his heart, his devotion and loyalty and awareness that you are alone, by choice but not really by desire, not anymore you think, his heart able to see straight to your core before you could grant yourself permission.
Chanyeol returns before you can decide what he means, shaking a bag with the word WINNER printed over and over on the plastic. Wordlessly, he takes your towels and drops them inside, handing you the bag looking pleased.
'I wasn't nearly as successful,' he says with a small pout. 'But, I did get this.'
Reaching into his pocket, he pulls out a plush Rilakkuma keychain, the item almost dwarfed in his large palm. Immediately, you erupt into laughter.
'That's absolutely hideous.'
Chanyeol laughs too, giggling at the poorly sewn face and unsettling clown pattern. 'I know,' he says, happily. 'It's horrendous. I don't want it.'
'Then why did you bother?' you ask, laughter fading while your cheeks still ache from the force of your smile.
'Why wouldn't I?'
He simply shrugs, as elated with his success as he is yours, proud and proud and moving through the arcade back into the street, and taking the light with him.
Half past midnight and karaoke feels like the only logical thing to do, the only place you think you'd truly be welcome at this hour - the hour late, your body tired, but still unwilling to leave Chanyeol.
Throughout the day and all over the city, you'd seen the signs for a place called Big Echo, their sprawl and reach, white sign looming from the corner of some of the most menacing sky scrapers, enough to lure you in. Their contrast keeps you curious, office buildings standing above you, higher than most buildings you remember seeing in other cities, windows black and impenetrable with a sign that heralds hours of karaoke. It's impossible to understand, and you are glad for this incongruity.
Most of all, you find you are hungry. Chanyeol kept you out in Akihabara well past dinner, dining on street food and winding from arcade to arcade, and now, emerging from Shibuya station, you are looking for something more to fill your stomach. He pulls you along, links your arms together as you walk, bound and united and happy, holding you against him as though it is where you belong.
This late at night, Shibuya makes your eyes hurt, the colours and signs frenetic and fractious in their vibrancy, demanding your attention, your focus, perhaps even your soul. Chanyeol's eyes sparkle as he looks from sign to sign, smiling upwards at nothing at all while you smile directly at him, keeping your gaze trained on his ecstatic pleasure in the effort of ensuring your heart gets used to it.
You know that it won't, that no matter how long you spend with him you will always be caught off guard by his beauty, by the way even his dark hair appears illuminated in these lights. He seems to eat the stars while the light feasts on him, a give and take of reciprocal lumosity and, somehow, you have been selected to watch. Even in a crowd as immense as this, you know you'd find him, drawn to him, heart seeking its magnet.
Standing on Shibuya crossing, Chanyeol pulls you close, rests his free hand on your arm and leans gingerly to your ear, close enough to feel his breath move through your hair. Naturally and instinct, you lean into him, positive that you will likely never be close enough, hoping and wishing that his lips will graze your skin, thinking you might finally know the true definition of bliss in the wake of such a happy accident.
'When we cross,' he says, close enough to rest his head against yours, lips kissing at the shell of your ear as he speaks and your heart breaking and reshaping in one single instant, 'don't let go of me. Don't let go but make sure you watch.'
'I won't,' you say, tightening your grip even though a crowd like this does not phase you, Times Square at Christmas an entirely different sort of test. But you tighten anyway, keeping him close, certain that he will try to rush ahead of you and, for just this once, you want him to be yours. 'I won't.'
The crossing sign turns green and all at once you are taken by it, moving forward as though something as simple as this has purpose, meaning, a symbolism of initiation you will bear as a cross. A smile pulls at your lips, widening with each step, feeling anonymous and feeling terribly insignificant, drowning in a sea of people with Chanyeol as your oar.
Someone laughs. You think it might be you. Another takes a picture. You know it is not Chanyeol. Lifetimes and stories pass you by, and you are drunk on it, wired into obsession simply because you feel as though you've crossed the world again and again, forty steps and still more angles to traverse the same path, new ways to witness the same thing. Different people, the same shape, nothing ever really the same again.
The Big Echo is tucked inside a dark amber building housing offices, stores, and restaurants. The elevator to the eighth floor seems far too elegant to be taking you to karaoke, a place where most people drink to celebrate or drink to forget or simply drink, aware that it is Friday or Sunday and the weekend has passed by with the same unyielding speed as life itself. Comprised of floor to ceiling mirrors, you and Chanyeol, standing side by side, are eternally, endlessly refracted into infinity.
Yet, in every reflection, every angle, all you can truly see is him.
At such close proximity, the closest you've ever really been - with no way out and only one way in - and the most alone you've ever been, you are suddenly aware of his strength and magnitude. Eyes drawn to the length of his arms, you regard the veins that rise as canyons down to his hands, keeping the secret of his power within his knuckles and joints. The tattoos adorning the skin captivate you, their pointillism blackness so rich and detailed, standing out on him better than you've ever seen on anyone else, the darkness resting on him with the same pride as the light.
Lifting your gaze, you study the regal line of his posture, the confidence rooted in his spine and shoulders, and feel your fingers twitch. You have held men before, held a lover in your arms and against your body, aware of the weight and aware of the heat, but never have you wanted to hold anyone quite so solidly, or quite so physically.
You wait for him to stop you, so obvious in focus you devote to his features, but he does not, simply inches closer, wordlessly encouraging your stare. And you do, letting yourself become haunted by the slope of his lips, the false phantom memory of their touch igniting along your skin. Perhaps it is your awareness of his dimples, the clandestine softness he keeps nestled at the corner of his mouth, that keeps you on the edge of anticipation, hoping and hoping to see them again.
Like this, you drink him in, admiring the tips of his ears and the thick, softness of his hair that makes your fingers begin to ache. How would it feel to card your fingers through the strands? Would he smile and lean into the touch? Would he watch you, eyes wide and speechless at the gentleness you'd provide? Would he ask you to do it again and again, craving your hand and your warmth, as badly as you seem to be craving his?
This was always your biggest flaw, you think, hyper aware of your detachment and the way your mind would always wander. During sex, during dinner, during long drives, or even during conversation. Always, he would find you looking away, looking nowhere, hearing without listening, seeing without witnessing, and he would call you back, asking where you went.
But you always wanted to say the most important thing was that you looked back. Always, you would return to him.
With Chanyeol, it’s impossible to be anywhere other than absolutely with him, resolutely and down to your core. To look away from him would mean pain; to break away from him would hurt, sever parts of you long buried but still connected, still whole, still vital, just neglected. And the same way you refuse to depart from him, so too does your skin refuse to truly let him go. The press of his body against yours is a preview to all the wishes that settle on you like a fever, sending a flush of heat up your chest and neck, and down to your thighs, wanting to be full of him.
And so you don’t look away. You simply won’t, aware and waiting, feeling his touch before and without it happening, imagination running wild while your heart battles against your sternum.
Feeling your gaze on him, he turns to look at you, on floor six when there's so little time to truly have all of him, but he blushes, receptive to the ferocity of you. Bags have taken root under his eyes, exhausted by a day of sightseeing, and giving him a puffy, purple hue, but he’s glorious in the mess of it, unable to be anything but majestic.
He keeps his eyes on you, unwavering and demanding, the most demanding he's been since you met him, turning his chest towards yours hardening, not in cruelty but with a sensuality you did not expect to see. Like this, he makes you aware that he does not only feel your gaze but relishes it, feels it deeper than you mean it to go. With one hand, he clenches the evaluator railing, leaning closer and closer while his other clenches into a fist before straightening, touching while touching nothing.
And with his eyes on you, your body wanting his body, the air in the elevator becomes thick, elevating your heart rate the same way it elevates you.
When the elevator dings, he breaks from you, lips parted and eyes searching, pupils dilated for a different kind of light and a different kind of relief. His strides are quick where yours are sluggish, wanting to remain in the bubble of desire that cradled you. But he looks back, lips wet from where his tongue has just been, knowing you are there and unable to look away.
You smile, rolling your shoulders back to lift your breasts, following blindly while not really following at all.
Settled in your private room, Chanyeol orders more food than you know what to do with, his only explanation that you said you were hungry before he takes a skewer of yakitori into his mouth, consuming it all in one go as he chooses a list of songs. His fingers are quick, selecting a number of songs and creating a queue before you even read the titles.
'I've only ever done this when I was drunk,' you admit, eyeing the digital pad with apprehension before you find the button that says ENGLISH.
'Really?' He adds a second songs, not lifting his gaze to you in the process. 'It's the most fun when you're sober.'
'It's the most embarrassing, I think you mean.' Looking up, you see he has already added nine songs. ‘How often do you do this?’
‘All the time,’ he beams. 'You just need to do it with people you trust.'
Chanyeol hits start, rising to a stand before taking another skewer into his mouth. Grabbing both microphones, he keeps his eyes trained on you and winks as Time of My Life Starts to play. The absurdity of it patterned with the sudden darkness of the room and the glow of a disco ball makes you laugh, watching him with a grin you know to be adoring, but don’t bother to mask.
'God, this song?' you laugh, rooting yourself to the floor. ‘Shall I be Jennifer and you be Bill?’
Refusing to let you sit still and hide in the shadows, he offers you the second microphone, eyeing you in earnest.
'Come on,’ he says, flicking the microphone in a gesture of lifting and delivering you to him.
'You're serious.’
You’ve done karaoke countless times, watched drunk friends and bad friends sing off key, or on no key, demanding attention and turning the evening into a concert about their pain, their nostalgia, their childhood, simply themselves. Any silliness or playfulness is always overrun by the desire to be seen, but Chanyeol holds the microphone, totally sober and fully prepared to abandon himself and his ego.
'Deadly.' The melody begins to play, yellow words turning pink, and he pouts. 'Look, you made me miss my cue.'
He doesn’t wait for your response, just places the mic in your hand and walks backwards towards the center of the room, keeping his eyes locked on yours. His eyes remain on yours as he starts to sing, exuding the kind of energy that says he could command a room if he so chose, and is aware of it. Walking into a bar with him would be like watching into a bar and watching every head turn, all eyes on him and you knowing the eyes are their eyes are there, challenging you to feel doubtful.
Chanyeol is talented, voice rich and warm, chocolate that drips down into your soul, nestling inside your blood to bring you comfort. You almost keep silent, content to spend the night listening to the way his mouth gives shape to words, the way his voice handles syllables with a tonality that speaks of unpracticed, natural ability. But he eyes you, expectant, and when you finally join him you regret not having done so sooner.
The smile he offers you is blinding, warm enough to combat the dawn, content, just as you were, to watch you for the rest of the evening. At the end of your first verse, he claps against the mic, delighted and proud, watching you with a focus he had not devoted to anything else throughout the day.
For you, karaoke comes as a relief. Having spent the majority of your life singing, it hits you, abruptly, that it has been years since you last did it freely. Moving in with a roommate boxed you in, kept you quiet in ways you weren’t sure you wanted to be, afraid of being annoying, inconvenient, or of judgement, and so you stopped. Moving in with a partner, making a home and a life, rather than a room, you tried again, only to find that this desire, too, soon began to fade.
Did he ask you to? Did he ever demand you keep quiet? You can't remember. Perhaps you just did so, returning from the shower one night to find his greeting and welcome cool, so unlike the way his smiles used to feel like champagne. You thought, then, it was your singing, a distraction from late night emails or work, but now, with Chanyeol, you think maybe it was something more, something not about you, taking on his anguish just because you thought you should.
From the start, he makes it easy and fun, song after song of terrible pop music, several you’ve never heard and others you know, and wish, secretly, that you did not. But it does not matter if the music is good or bad or even music at all because, with him, every sound is a work of art. And, with him, everything is easy. He doesn’t mention if a note is wrong and does not cringe or skip a song if he does not like it, he simply cheers, drinking and eating and laughing, joining when he knows the words and watching when he doesn’t.
Somewhere around 2AM, the alcohol refuses to leave you, your limbs heavy and restless, eager for hands and for touch, and eager to be held. At some point, he curled into you and over you, tucking you under his arm, light hearted and light headed, his nose pressed into your hair and yours into you his chest, breathing the bergamot musk into your lungs, deep enough for them to ache.
'It's going to hurt to leave you,' you announce, staring blankly at the screen.
An old woman reaches through her window to stoke the head of a yellow sparrow. The scene changes, a school girl running for her train. It changes again, none of the scenes depicted cohesive or coherent, but they bring you comfort, a confirmation that life is little more than a series of impressions.
Chanyeol moves away from you briefly, looking down at you with a small frown, lips red and wet with sake. He appears hurt, pained that you’d bring up such a suggestion, as though the alcohol has removed him from time entirely.
It would be so easy to giggle, but such a feeling is hard when you’re this drunk and this afraid of losing him. 'Don't look at me like that,' you hiss. 'It will make me want to kiss you.'
He only blinks once before he takes your face between your palms, firm and commanding, and kisses you, pulling you close against him as though he’d been waiting all day to feel you. Your hands wind around his neck, pressing against him as much as you can, ensuring that he has to tilt to keep kissing you, angling himself in the accommodating way that comprises all of the best kisses. A small noise of pleasure leaves his chest, and you smile against him, sucking his bottom lip between your teeth, invigorated.
Lifting his head, the heat in his gaze is threatening, jaw set and unwavering in the knowledge that he will not let you go so easily. A hand on your hip glides up your spine, sending a shiver up into your shoulders, as he fists a hand in your hair and tugs it, exposing the full length of your neck to him. Chanyeol latches his tongue and teeth to the tendon, rubbing circles into your hip with the same pressure his tongue provides your skin. Your hands clutch at his shoulders, grinding down into him once more for a reprieve, but he bites, hard enough to leave teeth marks and moans, a roll of thunder in his chest that makes your thighs clench.
At your core, Chanyeol's cock strains, the hard thickness of it causing wetness to pool at your underwear, eyes rolling back and vision hazy as he sucks and sucks at you, refusing to let you be free of him.
When he pulls away, your pulse quakes, blood rushing hot and heavy as you watch him, mouth wet and eyes dark, memory forever etched with the way he looks at you - certain you are the epitome of craving, and you, certain that he is all of your desires made manifest.
His gaze falls to your neck once more, a prideful grin pulling at his lips.
'Don't cover that mark tomorrow,' he demands, voice full of gravel. 'I want everyone to see it.'
Tomorrow. Today. Now. Time catching up with you all at once, shattering the drunken eternity you've created in this room. You think about waking up without him. You think of who you will be when he is not there. You feel yourself sober up, and hate it. Perhaps, you hate yourself, the feeling sickly and full of regret.
You lean down to kiss him once more, wanting to feel sheltered, but he leans away from you, eyes sensitive and scared.
'Are you still with him?' he whispers, nervous but unafraid of the question’s inherent weight, the edge of uncertainty falling in the spaces between the words.
Keeping silent, you blink at him, feeling your stomach drop.
'Your fiancé,' he presses, as though there is someone else you could have been with. 'Are you still together?'
Still you do not speak, unsure of the answer or if there is anyone apart from Chanyeol. In truth, had you ever actually been with anyone else?
'You're not wearing a ring.'
Chanyeol's voice is small, withering beneath your silence and coming up with reasons he should not be so scared. His eyes search your face, hoping for an affirmation or a confirmation, anything that would give him permission and you watch, once again, as you become a vicious thing, leaving men crestfallen in your wake.
'No, I don't want to be with him,' you murmur, aware, beyond any shadow of doubt that this statement is true. 'I know that I don't - '
Chanyeol interrupts you, the hope in his voice sharp as glass. 'So I can keep kissing you?'
You furrow your brow, feeling yourself sober up, and wishing for the warm bubble of pretend to return. 'What do you want out of this?' you ask anyway, shattering your sense of idealism.
He flinches at your question, the words sending him reeling as though they are an act of betrayal. 'Just you.'
You snort, the natural humor of the sound absent. 'You're drunk.'
He narrows his eyes, defensive. 'I'm not that drunk.'
'What will you do tomorrow?' you counter. 'It's just one night, Chanyeol.'
'Does it have to be?' he tries, the optimism he carries making acid rise in your chest.
For a moment, you try to picture it - another day with him, another day holding his hand and laughing, making noise, making a mess, making something. It's hard to fathom you'd be the only one he'd choose to do this with, and so you mirror his expression, brow furrowed and eyes narrowed.
'Do you have a girlfriend?' You don't mean for the words to sound so biting, but you feel possessive, hating yourself for it, knowing you don't have the right but letting it move through your blood, regardless. 'A boyfriend?'
'No?' he says quickly, offended. 'Do you think I'd be here if I did?'
'I don't know,' you shrug.
It's hard to imagine he wouldn't have someone wanting to follow him, someone impatient to share things with him, to see as he sees and to laugh and cry and yell as loud as he does. Impossible, you think, to imagine him alone, and so you justify your questions with the sense that he deserves someone, even if you don't deserve him.
But Chanyeol still sees through you, does not let you escape or make it about him, his expression becoming hard. 'Not everyone is running, Y/N.'
Leaning back, you frown. 'I didn't say you'd be running.'
Sliding off his hips, you settle back on the couch, facing the screen and not him, neither afraid nor unwilling to look at him, mostly uncertain what it would mean for you if you did. All day, his eyes on you have been pretty. You're not sure you can handle another cold stare.
'Is it so hard to fathom that I could want to spend all day with you, because I want to?' he demands, words curt and tone clipped.
Bristling, you look at him, falling back into a pattern of control and detachment, heart breaking all over again, this time infinitely, indescribably worse. 'I don't know. Maybe? Strangers don't do this.'
He laughs, the sound empty. 'This is how a lot of people meet. You're just so used to your boxed structure.'
It happens quickly, the firing of your nerves that tell you to leave, the motions of your hands as you gather your things, messy and disorganized. You did this before, not long ago, mind vacant and body acting in its own reaction, but this time, you are present. This time, you are aware of the hurtful experience of running, hurting yourself, for the first time, in the process.
'This was a bad idea,' you mumble, hearing yourself say it and hating that you do.
Chanyeol stands, moving to stop you before stopping himself, the boundaries suddenly drawn and nowhere for him to fit. 'No, please don't -'
You cut him off, moving past him towards the door. 'I'll pay for my share at the till.'
Chanyeol reaches for you, but you're already too far, far beyond the length of his arms. 'No, please - '
The sound of his voice echoes, even after the door shuts.
Shibuya without Chanyeol is cold, more shades of blue than you had noticed before, and you shiver, dropping your bag to put on your coat. Even with it wrapped tightly around you, you still shiver, missing him but, mostly, missing yourself.
The trains are no longer running - you remember reading this before you came, preparing for a city that only pretends to sleep - but Shibuya is still busy. The faces surrounding you are no longer fascinating or full of stories, but the gaunt faces of the lost and lonely, the tired and groups of people too social to notice they are actually alone.
You're not sure how long you stand on the sidewalk, watching people pass and wondering where you fit with them. Do their eyes follow you too, the sake still warm on your cheeks but your eyes alive with rage and frustration and sadness? Do they watch you cry? It's strange, you think, to feel parts of yourself become damp with emotion while the rest of you remains still and expressionless.
Strange, you think, to remember the person you were when you were drunk, drunk on Chanyeol, drunk since 9AM, at the same time as you remember and relearn this you, the sober you, who misses Chanyeol more than the man you signed a lease with.
'Please don't run away from me like that again.'
Chanyeol's voice emerges behind you, sounding breathless and terrified, but commanding. In this, he is unwavering, delivering an order as though he as the right.
Turning to face him, you crumble, seeing the wetness at his cheeks that mirrors your own, the mess of his hair, and the change you've brought onto him. Now, he does not smile. Now, he does not glow, the light stolen by your hands and your words, reducing him to an ashen state of grief.
'Isn't that dangerous, Chanyeol?' you try, focusing on keeping your voice calm. 'That you don't want me to? We don't know each other.'
He takes several steps closer, not letting you get away. 'I'm telling you I want to get to know you.'
'I leave everyone first.' You're not sure what it is about him that makes you say this, his eyes and his desperation pulling your greatest anxiety from your chest, but you keep talking, hoping he didn't hear and hoping he's still too drunk to care. 'I'm not worth this and I have a mess back home. I don't even know where you live?'
He laughs, looking past you momentarily, patronizing were it not for the shimmer of tears on his cheeks. 'Geography doesn't really matter when you have technology.'
'So, what?' you counter, bewildered. 'You want to date me? After a day?'
'No!' he says, looking back at you, running a hand through his hair. 'I don't know!'
'That's the point, Chanyeol!' Hearing your voice echo through the air, you look around, silently apologizing for interrupting the conversations of those around you, but there is no one, just you and him, and the eyes of everyone else not on you. 'You're so used to just going through it alone and making a fantasy out of everything. That's not real! There's nothing about that mindset that lasts!'
'And what about you?' he counters without hesitation. 'Acting like you know me when you've been too selfish to ask anything all day, talking about yourself even when you're trying to talk about me?'
Blinking at him, you regard him in silence, thinking back on the day and the words you've shared and the questions you've asked and realize he's right. Throughout the day, Chanyeol has been nothing but himself, unapologetically forthcoming when the question is asked, honest and supportive, and completely unselfish. Now, with him standing before you, looking empowered and looking violent in his need to be understood, you realize you'd only let yourself see half of him.
And this part, this new, emboldened part, excites you even more than the softness he carries.
'You got hurt,' he finishes, jaw set and tense, 'but you and I both know you hurt yourself.'
It's the fury in Chanyeol's eyes that ignites you, the raw and vulnerable tether to the totality of human emotion that puts a flame in the center of your chest, warming you and waking you. You cannot recall the last time you've seen someone mad, or had an argument that felt just as wild and passionate and important as you needed it be. Years have passed in which you were never allowed to be angry, only sad, the fire in your chest deemed dangerous, and brutal, and cruel, and absolutely never meant to be shared.
Years where every expression of emotion went against the way you needed it to feel - productive and intense and whole - reduced and belittled to just the embers of grief.
'You're right,' you admit, honest in your concession but still unforgiving in your honesty. 'I unmade myself for someone totally wrong for me. But you can't tell me you think you can be that hero. Don't be naive enough to think you can heal me. You know nothing about me.'
"I am constantly saving you from yourself!" you shouted, smiling at the way your voice sounded, beautiful in its natural timber of loudness.
The paradoxical contrast of how it sounded to how you felt - exhausted, burdened - made you want to laugh, but you held back, aware that one battle cry was enough for the evening.
"Why are you so angry?" he pleaded, the shallow edge to his voice infuriating you. “Why do you always resort to anger?”
"I can't be your wife and also be your hero. I don’t have that in me."
A death sentence. A gesture that would permanently be yours.
'I've been watching you put yourself back together all day,' Chanyeol retorts, matching the volume of your voice. 'All day it's been you, doing things because you want to, not because you had to. I know, with confidence, that you don't need me. But I'm saying I still want to be here. For you. I had too good of a time with you for it to mean nothing.'
The passion and raw veracity in his tone sends you reeling, and you sway, at once unsteady in this feeling. In one day, just one day, Chanyeol has proved he knows how to fight for you, the way you always needed someone to - with violence and impatience and a blunt, almost menacing honesty. You'd softened yourself for someone, surrendered pieces of yourself in the acceptance of comfort, neither love nor desire nor attraction, just safety, assuming this is what it meant to feel secure.
In one fell swoop, Chanyeol had unmade you, unmade these falsehoods and rendered you back together, somehow already having learned the map and the truth of you.
And as you watch him, chest heaving as though he had been to war and won; arms crossed over his chest, in victory rather than defense, you agree, smiling, aware that you haven't felt this good about anyone, not once, not in your whole life.
'I know what you mean,' you murmur, knowing that he hears you, would likely always hear you.
As if he's had enough of being apart from you, he steps forward, unfurling his arms and reaching for your hand, twining your fingers together. Whole conversations live and die between you, conversations that don't require words, the understanding that there is no requirement to have your plans defined, the mess of learning one another and learning your way through connection infinitely more exciting. Forehead resting against yours, he closes his eyes and breathes deep, his inhale uneven and warped with emotion.
'Come back to my hotel with me,' he whispers, keeping his eyes closed.
Closing your own eyes, you smile. 'Okay.' It feels good to take this risk, to be uncertain and to be passionate and keep him for as long as you are allowed. 'I have to go back to mine for clothes.'
Pulling away from you, he extends his hand, impatient. 'Let me see your phone.'
When you hand it to him, he opens the camera and leans down for a selfie, and this time, you make a face you haven't made since you were twenty-six and standing on the precipice of choosing security - you cross your eyes and stick out your tongue.
Chanyeol laughs, a messy uneven sound that makes you blush as you watch him stare at the picture.
Returning to the home screen, he presses the home button and turns it to face you. 'Unlock this for me?'
Pulling out his own phone, he calls himself and adds the numbers to both, intently focused on this task as though it is his lifeline. You remember getting the number of your ex - the man you left behind and have no desire to return to - and how getting that number felt practical, a need in order to coordinate rides to work or rides to mutual friends houses. A passionless exchange that grew into the pretense of passion, empty of chemistry from the moment you typed the digits.
'There,' he says, handing your phone back. 'Now we won't lose each other.'
Staring at his number, his name, the sakura flower emoji on either side of the letters, you smile, feeling twitterpated. 'You're serious about this, aren't you?'
'There's so much about me you don't know.' His smile is devilish, possessive. 'I'm greedy and impulsive, and right now I'm selfish. I want you to myself. I never make promises, but I promise you right now I believe there's something here.'
It's the kind of things you would have said before you had to change or settle for someone who kept you comfortable, safe but entirely not yourself. Long ago, at a bar or in bed or on a street with someone who made you feel wanted, you would have said these same things.
Had the tables been turned, you would have said them to Chanyeol - you imagine you will say them to him, different words with the same impact.
'Let me get my things.' A statement with no direction, your eyes wandering over the streets looking for a taxi or a landmark to center your location in relation to your hotel. 'I gave you breakfast yesterday,' you say, glancing at him with a coy grin. 'It's your turn.'
Chanyeol laughs. 'You got it.'
Unable to contain it, he leans down to kiss you once more, pulling you flush against him and kissing you first with his soul and then with his mouth. Now, you are completely sober, the cool night breeze and Chanyeol's rough words having dissolved the alcohol and your light sense of affection, replacing it with the fervor of ardor you'd been aching for. With his hands on you, pressing into the muscles of your back, and his lips moving against yours, smiling and laughing and kissing you over and over, you realize it's the first time you've ever felt anything from a kiss.
Now, you let him swallow your breath whole, willingly and without protest. He kisses you until you feel dizzy. He kisses you until you both are gasping, until you remember these sorts of displays are unfit for Japanese streets, and you break apart laughing at the thrill of breaking rules.
'I've never wanted to do that with anyone as much as I want to with you,' he admits, resting his forehead against yours once more, looking bashful.
You hum, attempting to prolong your absence from him. 'Me too.'
Slowly, you pull away from him, separating only when you absolutely must, Chanyeol holding into your hand until he absolutely cannot anymore. You walk backwards, much like he did at karaoke and much like you think you will always do, never wanting to look away from him.
When you finally do, you pull out your phone, walking in a direction you assume to be correct while you open the map on your phone.
Your phone rings.
A laugh erupts from your chest.
You pick up the call.
#chanyeol x reader#exosnet#chanyeol smut#chanyeol fluff#kpopwonderlandtag#chanyeol angst#chanyeol scenario#chanyeol au#chanyeol romance#chanyeol fanfiction#chanyeol fanfic#exo au#exo smut#exo scenario#exo fluff#exo romance#exo angst#exo fanfic#exo fanfiction#park chanyeol#chanvember 2019!
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Obi-wan trial ficlet (part 2)
As I was lying in bed last night - wholly unable to sleep - I was visited by the spirit of writing at 3.30am. And thus, have this not-so-little extension of the “Obi-wan on Trial” ficlet. Note, I have basically no plot plan for this whatsoever, but since my imagination was running wild on insomnia and delirium, I figured I’d at least get something from my grand total of an hour’s sleep.
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Cody glanced at his chrono for the fifth time in as many minutes. According to the General’s plan - which was disturbingly short on details - they were going to rendezvous here at approximately 1700 hours. Another fifteen minutes, give or take.
Already Cody’s gut was twisting with anxiety. Approximately and give or take weren’t standard vocabulary in the General’s lexicon, at least not when it came to missions, which Obi-wan usually had plotted down to the millisecond. But earlier today, the General had waved off Cody’s concerns with a breezy smile, promising that everything would make sense later on and that time on Coruscant was a far more flexible matter due to the proclivities of certain indolent politicians.
In any other circumstance, the minor sleight would have set off alarm klaxons in Cody’s mind. The General, while as human as anyone else once one peeled through the many layers of reserve and Jedi stoicism, did not openly scorn other sentients, at least not without good reason. There are as many truths, as many realities, as there are points of view in this galaxy, he had once told Cody on a rare diplomatic mission.
Politicians, however - Coruscanti politicians, to be precise - seemed to be exempt from that axiom.
Not that Cody could blame Obi-wan, especially given the events of the past few days.
That Commander Tano had been implicated in the bombing of the Jedi Temple, that she had been arrested, twice by his fellow vod - Cody shook his head, still in disbelief. It was insanity. Commander Tano could no more kill innocents than Cody could dance the Dha Werda Verda with Count Dooku.
And somehow, that event had led him here on the General’s mysterious orders, Commander Tano having been dragged away to some secret trial in the Jedi Temple, Rex, Cody, and the rest of the men not having seen nor heard anything from her since her recapture and imprisonment.
Impossible. She was innocent, the General would make sure of it.
Still, that didn’t explain why he was stuck in the bowels of the Senate Judiciary wing, armed with a small artillery of grenades along with his standard blaster, an unregistered speeder sitting in the delivery bay just past the loading dock entrance.
All part of the plan, Obi-wan had said.
Cody had a bad feeling about this.
A minuscule change in the vent airflow caught his attention, and Cody glanced up, peering into the faraway flat-bottom discs that rose tall into the main chamber of the High Republic courtroom. Years on the frontlines of the war had honed his already well-engineered senses, which were attuned to the slightest crunch of a leaf or the faint odor of lubricant, all small clues that could be the difference between life and death, of victory and defeat. Not that he was expecting a battalion of battle droids to come stomping through the Senate, but if Obi-wan had him on guard duty down here, it had to be for a reason.
That reason, Cody realized with growing horror, was a speck plummeting through the narrow chasm of support beams and ventilation ducts. “Incoming 270, point-oh-eight vertical, approximately 80 kilograms, projectile type unknown,” he muttered to himself, drawing his blaster, his left arm bent at his chest, weapon perched on his forearm as he lined up the shot...
Damn! he cursed as the figure twirled out of range, swallowed by the long shadows of the podium base. Again, Cody did some quick math, calculating the likely trajectory of what he belatedly realized wasn’t a weapon, but a sentient. Sure enough in his estimate, the clone ran to the support spire, flattening himself along the opposite side of where he thought the figure would land. It was too dim to get a full visual on the being, but Cody had held the best record in the GAR’s echolocation target practice for three years running, and didn’t need to see his mark to hit his mark.
Taking a deep breath, the clone swung around, gripping his blaster with two hands, arms extended in front of his chest.
“I’d appreciate it if you didn’t shoot me, Cody.”
His blaster faltered, barrel drooping towards the floor. Cody’s eyes went wide as moons.
“Sir?”
Obi-wan Kenobi brushed off the front of his tunics, adjusting his utility belt before pushing a few loose bangs behind his ear. "There will be plenty of time to be shot at later," he explained. The Jedi made a "follow me" gesture, striding past Cody, making towards the exit with long, hurried steps.
Cody felt as if he were glued to the floor.
"Ahh...is everything okay, sir?" he asked, his earlier anxiety returning with a sickening flourish. Obi-wan spun around, placing his hands on his hips.
"It won't be if we don't get moving," he snapped, his face folding in uncharacteristic open irritation bordering on outright anger. Cody's stomach swooped downwards. Okay, really not good, whatever this is.
"I trust you were able to acquire the speeder?" Obi-wan asked, glancing behind Cody. Checking for enemies, the clone assumed.
Cody jogged to catch up with the impatient-looking Jedi.
"Yes, sir," the clone replied, defaulting to a standard, no-nonsense military tone. He would ask the General what was going on later, after the danger had passed. For now, they - he, at least - would to stick to the safety of military protocol and communication.
Obi-wan gave a slight nod. In the light, Cody could see the man was exhausted, his eyes bruised with fatigue, his face drawn. Still, there was something different about the way the General was holding himself, something in the sharp blade of his voice, an edge of danger Cody didn't think he had ever heard before.
Distant echoes of frenzied shouting and hectic orders rang above them, followed by the familiar thunder of bootsteps. Obi-wan swore under his breath as the airflow shifted yet again, heralding the arrival of at least one, if not two newcomers.
"Let's go," he said, breaking into a full run.
Minutes later, they were in the borrowed speeder, catapulting through Coruscant's skylanes like a hyperactive Kowakian monkey. Cody gripped the side of the vehicle as Obi-wan made another ninety-degree turn, powering into the capital's main thoroughfare, nearly taking off the heads of at least three other drivers as he cut in front of a luxury-length rec speeder, tossing in a rude hand gesture as a bonus.
"Sir?" Cody yelped, wrenching his gaze to Obi-wan in astonishment. The Jedi's brow was furrowed in intense concentration, the momentary aberration in his behavior already forgotten.
"Get those detonators ready," Obi-wan ordered, terse. "On my signal."
Oookay, then, the clone took a deep inhale, giving a minute shake of his head as he fished out the explosives. This was definitely not the time to talk about whatever was going on, but once they had achieved their mission objective - whatever it's supposed to be, Cody thought sourly - he was going to have words with the General.
Up ahead, the twin spires of the Republic holding facility came into view. A drab, depressing building notable only for its multivariate shades of grey and permanently smog-stained transparisteel windows - General Skywalker had once described it as being "like a Hutt vomited twenty years ago and no one cared enough to clean it up."
Beyond its charming aesthetics, however, the Republic holding facility was also notable in that it served as a transitionary custody space for those awaiting sentencing from the High Republic Courts. Cody's throat went dry. They wouldn't have put Commander Tano in there, would they? No, that was ridiculous. If Commander Tano were being held here, it would mean she had been found guilty, that she was only waiting to hear what her prison sentence would be. Or worse, Cody shivered. No, he refused to believe the Commander would commit such a heinous act and doubly refused to believe the General would allow her to be convicted of false charges.
They were nearly parallel the building now, Obi-wan bringing the speeder almost flush against the high, electro-barbed walls, sending sparks of energy flying as the Jedi inched the edge of the vehicle dangerously close to the barrier.
"Now, Cody!"
All clones knew they had been bred for this war, to fight, to serve the Republic. While the clones themselves exhibited the same level of variation of personalities, of likes and dislikes as any general populace, all clones also knew that above all, they were bound by loyalty and duty. To their fellow vod. To the Republic. And to the Jedi they served under.
Which was why Cody didn't think twice before lobbing a fistful of high-output grenades straight into the Republic holding facility's main generator on Obi-wan's command.
Cody watched in stunned silence as there was a cataclysmic burst of light, the electro-barbs racing to a sharp peak before fizzling out, grimy stains rendered invisible as every bit of energy and electricity around not only the building, but the entire sector died out with a pathetic whine.
What the kriff? Cody gaped.
The clone whipped around to demand an answer, to know why he had just bombed a Republic prison facility on the orders of a Jedi, of a High General. Of my friend, Cody grit, betrayal stabbing deep into his lower abdomen.
But his furious storm of words died on his lips as Cody stared down the wrong end of his own blaster, muzzle only centimeters from his forehead. It didn't escape the clone's attention that the setting had been switched to "kill."
"I am very sorry, Cody," Obi-wan apologized, his voice almost preternaturally calm. "But for both our sakes, this needs to look convincing."
Cody froze, his brain refusing to process the visual input, the aural evidence, the logical conclusion that should have drawn from the situation. He was in a speeder. He had just bombed a Republic prison on Obi-wan's orders. Obi-wan was pointing a lethal weapon at him. And...Cody stretched his ears, not daring to take his eyes off the apparently insane Jedi in the next seat.
Those are CSF sirens, he realized, stomach sinking. Nu draar...dini'la jetti haar'chak! This wasn't a Republic-sanctioned mission, probably wasn't even a Jedi-sanctioned mission. This was...
Cody had no idea what this was.
He briefly considered taking a chance, throwing himself on Obi-wan to attempt to wrest control of both the blaster and the speeder from crazed Jedi. But a single flinty glare from Obi-wan stopped that plan in its tracks. On a normal day, the General was far more dangerous than many people gave him credit for. Cody didn't want to find out what he was like when that self-imposed restraint was dropped.
The next few moments passed in bizarre silence, Obi-wan weaving through skylanes, blaster never wavering from Cody's forehead. At one point, he slowed in front of an official city surveillance droid, letting the little machine take a good, long look at the bizarre drama unfolding in the front seat of the speeder. Obi-wan then gave the camera a slanted grin and jaunty salute before hitting the accelerator, pulling back on the yoke, sending the speeder plummeting down at least twenty levels. When Cody's stomach had made it back to his abdomen from his throat, he noticed the blaster was gone.
"Did I ever tell you," Obi-wan began conversationally, "about the time I flew a small transport through the corridors of a mining spaceship?"
Cody gawked at the other man. He truly had gone insane.
"It was quite the mission, on Pijal. I must have been, oh, sixteen, seventeen at the time. I swore off flying forever, although Qui-gon never let me actually make good on that promise." Obi-wan shook his head. “Typical.”
The sirens, which had been gaining a dangerous amount of ground on their escape vehicle, were no longer audible, their wails having blurred into the usual, busy hum of Coruscant's normal traffic.
Normal, Cody almost laughed. Wouldn't that be a thing?
They were probably at least five hundred levels down now, maybe even more, the sky long since having disappeared from view, neon lights and the bright ends of spice sticks offering a cheap, counterfeit sun.
Obi-wan swung the speeder into a narrow alley, cutting the engine with a satisfied sigh.
"The thing about that mission, Cody,” he said after a moment, “was that it was my first real experience with the sticky, ambiguous substances that grease the wheels of the Republic. I, of course, acted in accordance with the Jedi, and thus the Republic government, earning myself only the ire of my Master, the betrayal of a monarchy, and nearly costing me my life," Obi-wan chuckled, a dark, cynical sound that set Cody's teeth on edge. What was going on?
Obi-wan hopped out of the speeder, giving a small grin as he shrugged out of his out Jedi tunic. "How times change, I suppose."
Cody didn't move to follow, didn't say a word in response. He sat, staring at this person who was, on the surface, Obi-wan Kenobi, but in no way resembled the man he had come to know. Or, at least, thought he had come to know.
His agitation must have been visible, probably the equivalent of a Gungan marching band in Force, as Obi-wan paused, a dark blue, long-sleeved tunic with a high collar pulled halfway over his head. He stared at Cody for a moment before finishing the movement, smoothing out the material of the unfamiliar garment over his chest.
Obi-wan stepped forward with a small sigh. "And now Cody, I suppose I owe you an explanation."
The half-apology - words that sounded like Obi-wan, even if they came from a man who didn't resemble him at all - pulled Cody from his emotional stupor, fires of disbelief stoking somewhere deep in his chest. In one smooth movement, he hopped out of the speeder, striding to Obi-wan, fists clenched, teeth grit, his face so close to other man's Cody could feel the Jedi's hot exhales on his nose.
Obi-wan regarded him with muted curiosity. "Do you intend on striking me?" he asked.
"I'm really tempted to," Cody grit. "Sir," he added, not quite able to break the habit.
"Then let me offer you a compromise, of sorts. We should be safe here, for the time being, at least long enough for me to provide what I hope is an explanation of today's turn of events. I do not expect you to like it, nor to necessarily agree with it, but certain circumstances have pushed me into a situation where a decision - a monumental decision, I may add - had to be made."
"If, after hearing me out, you wish to strike me, you are most welcome to, as I do believe you have earned that right. You will also be free to leave and return to the 212th at that point. That little stunt with the security camera should serve as more than enough evidence that you were coerced by a renegade Jedi and I am certain you will be welcomed back into the GAR with open arms."
"However," Obi-wan’s expression darkened, the drawled word imbued with an almost sensuous promise. "If, after hearing me out, you find yourself - " he cocked his head back and forth, pretending to be searching for the right language. "Sympathetic to my plight, then I would welcome your expertise, skills, and company."
Cody took a small step back. That...kind of sounded more like the General - the negotiation, the smooth justification. Certainly, Cody hoped Obi-wan had a reason for all of this, that he hadn't completely snapped or worse, gone dark. He didn't seem like Ventress, or Dooku, but Cody didn't know enough about the Sith or the dark side to make any kind of real judgment call.
But even with the promise of finally getting some kind of explanation, there was another question that had been niggling at the back of Cody's mind since this all began, brought forward by Obi-wan's sudden invitation.
"Why me, sir?"
The inquiry apparently took the Jedi by surprise, his eyebrows rising in some odd combination of amusement and approval. "Because, Cody - I trust you. And I hope you will feel the same way after I explain just what has happened in the past few weeks."
#hello there#obi wan kenobi#cody#writing#obi wan on trial au#i have...no idea what i'm doing with this#the cody scene just kind...came to me#what will happen next?#the author has no idea#jesus i'm tired#i have no idea what the quality is on this so apoligies in advance#on top of insomnoa i had a 1.5 hour interview at 7am due to time zone shenanigans and i am ROLLING right now
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ESSAY: Berserk's Journey of Acceptance Over 30 Years of Fandom
My descent into anime fandom began in the '90s, and just as watching Neon Genesis Evangelion caused my first revelation that cartoons could be art, reading Berserk gave me the same realization about comics. The news of Kentaro Miura’s death, who passed on May 6, has been emotionally complicated for me, as it's the first time a celebrity's death has hit truly close to home. In addition to being the lynchpin for several important personal revelations, Berserk is one of the longest-lasting works I’ve followed and that I must suddenly bid farewell to after existing alongside it for two-thirds of my life.
Berserk is a monolith not only for anime and manga, but also fantasy literature, video games, you name it. It might be one of the single most influential works of the ‘80s — on a level similar to Blade Runner — to a degree where it’s difficult to imagine what the world might look like without it, and the generations of creators the series inspired.
Although not the first, Guts is the prototypical large sword anime boy: Final Fantasy VII's Cloud Strife, Siegfried/Nightmare from Soulcalibur, and Black Clover's Asta are all links in the same chain, with other series like Dark Souls and Claymore taking clear inspiration from Berserk. But even deeper than that, the three-character dynamic between Guts, Griffith, and Casca, the monster designs, the grotesque violence, Miura’s image of hell — all of them can be spotted in countless pieces of media across the globe.
Despite this, it just doesn’t seem like people talk about it very much. For over 20 years, Berserk has stood among the critical pantheon for both anime and manga, but it doesn’t spur conversations in the same way as Neon Genesis Evangelion, Akira, or Dragon Ball Z still do today. Its graphic depictions certainly represent a barrier to entry much higher than even the aforementioned company.
Seeing the internet exude sympathy and fond reminiscing about Berserk was immensely validating and has been my single most therapeutic experience online. Moreso, it reminded me that the fans have always been there. And even looking into it, Berserk is the single best-selling property in the 35-year history of Dark Horse. My feeling is that Berserk just has something about it that reaches deep into you and gets stuck there.
I recall introducing one of my housemates to Berserk a few years ago — a person with all the intelligence and personal drive to both work on cancer research at Stanford while pursuing his own MD and maintaining a level of physical fitness that was frankly unreasonable for the hours that he kept. He was NOT in any way analytical about the media he consumed, but watching him sitting on the floor turning all his considerable willpower and intellect toward delivering an off-the-cuff treatise on how Berserk had so deeply touched him was a sight in itself to behold. His thoughts on the series' portrayal of sex as fundamentally violent leading up to Guts and Casca’s first moment of intimacy in the Golden Age movies was one of the most beautiful sentiments I’d ever heard in reaction to a piece of fiction.
I don’t think I’d ever heard him provide anything but a surface-level take on a piece of media before or since. He was a pretty forthright guy, but the way he just cut into himself and let his feelings pour out onto the floor left me awestruck. The process of reading Berserk can strike emotional chords within you that are tough to untangle. I’ve been writing analysis and experiential pieces related to anime and manga for almost ten years — and interacting with Berserk’s world for almost 30 years — and writing may just be yet another attempt for me to pull my own twisted-up feelings about it apart.
Berserk is one of the most deeply personal works I’ve ever read, both for myself and in my perception of Miura's works. The series' transformation in the past 30 years artistically and thematically is so singular it's difficult to find another work that comes close. The author of Hajime no Ippo, who was among the first to see Berserk as Miura presented him with some early drafts working as his assistant, claimed that the design for Guts and Puck had come from a mess of ideas Miura had been working on since his early school days.
写真は三浦建太郎君が寄稿してくれた鷹村です。 今かなり感傷的になっています。 思い出話をさせて下さい。 僕が初めての週刊連載でスタッフが一人もいなくて困っていたら手伝いにきてくれました。 彼が18で僕が19です。 某大学の芸術学部の学生で講義明けにスケッチブックを片手に来てくれました。 pic.twitter.com/hT1JCWBTKu
— 森川ジョージ (@WANPOWANWAN) May 20, 2021
Miura claimed two of his big influences were Go Nagai’s Violence Jack and Tetsuo Hara and Buronson’s Fist of the North Star. Miura wears these influences on his sleeve, discovering the early concepts that had percolated in his mind just felt right. The beginning of Berserk, despite its amazing visual power, feels like it sprang from a very juvenile concept: Guts is a hypermasculine lone traveler breaking his body against nightmarish creatures in his single-minded pursuit of revenge, rigidly independent and distrustful of others due to his dark past.
Uncompromising, rugged, independent, a really big sword ... Guts is a romantic ideal of masculinity on a quest to personally serve justice against the one who wronged him. Almost nefarious in the manner in which his character checked these boxes, especially when it came to his grim stoicism, unblinkingly facing his struggle against literal cosmic forces. Never doubting himself, never trusting others, never weeping for what he had lost.
Miura said he sketched out most of the backstory when the manga began publication, so I have to assume the larger strokes of the Golden Arc were pretty well figured out from the outset, but I’m less sure if he had fully realized where he wanted to take the story to where we are now. After the introductory mini-arcs of demon-slaying, Berserk encounters Griffith and the story draws us back to a massive flashback arc. We see the same Guts living as a lone mercenary who Griffith persuades to join the Band of the Hawk to help realize his ambitions of rising above the circumstances of his birth to join the nobility.
We discover the horrific abuses of Guts’ adoptive father and eventually learn that Guts, Griffith, and Casca are all victims of sexual violence. The story develops into a sprawling semi-historical epic featuring politics and war, but the real narrative is in the growing companionship between Guts and the members of the band. Directionless and traumatized by his childhood, Guts slowly finds a purpose helping Griffith realize his dream and the courage to allow others to grow close to him.
Miura mentioned that many Band of the Hawk members were based on his early friend groups. Although he was always sparse with details about his personal life, he has spoken about how many of them referred to themselves as aspiring manga authors and how he felt an intense sense of competition, admitting that among them he may have been the only one seriously working toward that goal, desperately keeping ahead in his perceived race against them. It’s intriguing thinking about how much of this angst may have made it to the pages, as it's almost impossible not to imagine Miura put quite a bit of himself in Guts.
Perhaps this is why it feels so real and makes The Eclipse — the quintessential anime betrayal at the hands of Griffith — all the more heartbreaking. The raw violence and macabre imagery certainly helped. While Miura owed Hellraiser’s Cenobites much in the designs of the God Hand, his macabre portrayal of the Band of the Hawk’s eradication within the literal bowels of hell, the massive hand, the black sun, the Skull Knight, and even Miura’s page compositions have been endlessly referenced, copied, and outright plagiarized since.
The events were tragic in any context and I have heard many deeply personal experiences others drew from The Eclipse sympathizing with Guts, Casca, or even Griffith’s spiral driven by his perceived rejection by Guts. Mine were most closely aligned with the tragedy of Guts having overcome such painful circumstances to not only reject his own self enforced solitude, but to fearlessly express his affection for his loved ones.
The Golden Age was a methodical destruction of Guts’ self-destructive methods of preservation ruined in a single selfish act by his most trusted friend, leaving him once again alone and afraid of growing close to those around him. It ripped the romance of Guts’ mission and eventually took the story down a course I never expected. Berserk wasn’t a story of revenge but one of recovery.
Guess that’s enough beating around the bush, as I should talk about how this shift affected me personally. When I was young, when I began reading Berserk I found Guts’ unflagging stoicism to be really cool, not just aesthetically but in how I understood guys were supposed to be. I was slow to make friends during school and my rapidly gentrifying neighborhood had my friends' parents moving away faster than I could find new ones. At some point I think I became too afraid of putting myself out there anymore, risking rejection when even acceptance was so fleeting. It began to feel easier just to resign myself to solitude and pretend my circumstances were beyond my own power to correct.
Unfortunately, I became the stereotypical kid who ate alone during lunch break. Under the invisible expectations demanding I not display weakness, my loneliness was compounded by shame for feeling loneliness. My only recourse was to reveal none of those feelings and pretend the whole thing didn't bother me at all. Needless to say my attempts to cope probably fooled no one and only made things even worse, but I really didn’t know of any better way to handle my situation. I felt bad, I felt even worse about feeling bad and had been provided with zero tools to cope, much less even admit that I had a problem at all.
The arcs following the Golden Age completely changed my perspective. Guts had tragically, yet understandably, cut himself off from others to save himself from experiencing that trauma again and, in effect, denied himself any opportunity to allow himself to be happy again. As he began to meet other characters that attached themselves to him, between Rickert and Erica spending months waiting worried for his return, and even the slimmest hope to rescuing Casca began to seed itself into the story, I could only see Guts as a fool pursuing a grim and hopeless task rather than appreciating everything that he had managed to hold onto.
The same attributes that made Guts so compelling in the opening chapters were revealed as his true enemy. Griffith had committed an unforgivable act but Guts’ journey for revenge was one of self-inflicted pain and fear. The romanticism was gone.
Farnese’s inclusion in the Conviction arc was a revelation. Among the many brilliant aspects of her character, I identified with her simply for how she acted as a stand-in for myself as the reader: Plagued by self-doubt and fear, desperate to maintain her own stoic and uncompromising image, and resentful of her place in the world. She sees Guts’ fearlessness in the face of cosmic horror and believes she might be able to learn his confidence.
But in following Guts, Farnese instead finds a teacher in Casca. In taking care of her, Farnese develops a connection and is able to experience genuine sympathy that develops into a sense of responsibility. Caring for Casca allows Farnese to develop the courage she was lacking not out of reckless self-abandon but compassion.
I can’t exactly credit Berserk with turning my life around, but I feel that it genuinely helped crystallize within me a sense of growing doubts about my maladjusted high school days. My growing awareness of Guts' undeniable role in his own suffering forced me to admit my own role in mine and created a determination to take action to fix it rather than pretending enough stoicism might actually result in some sort of solution.
I visited the Berserk subreddit from time to time and always enjoyed the group's penchant for referring to all the members of the board as “fellow strugglers,” owing both to Skull Knight’s label for Guts and their own tongue-in-cheek humor at waiting through extended hiatuses. Only in retrospect did it feel truly fitting to me. Trying to avoid the pitfalls of Guts’ path is a constant struggle. Today I’m blessed with many good friends but still feel primal pangs of fear holding me back nearly every time I meet someone, the idea of telling others how much they mean to me or even sharing my thoughts and feelings about something I care about deeply as if each action will expose me to attack.
It’s taken time to pull myself away from the behaviors that were so deeply ingrained and it’s a journey where I’m not sure the work will ever be truly done, but witnessing Guts’ own slow progress has been a constant source of reassurance. My sense of admiration for Miura’s epic tale of a man allowing himself to let go after suffering such devastating circumstances brought my own humble problems and their way out into focus.
Over the years I, and many others, have been forced to come to terms with the fact that Berserk would likely never finish. The pattern of long, unexplained hiatuses and the solemn recognition that any of them could be the last is a familiar one. The double-edged sword of manga largely being works created by a single individual is that there is rarely anyone in a position to pick up the torch when the creator calls it quits. Takehiko Inoue’s Vagabond, Ai Yazawa’s Nana, and likely Yoshihiro Togashi’s Hunter X Hunter all frozen in indefinite hiatus, the publishers respectfully holding the door open should the creators ever decide to return, leaving it in a liminal space with no sense of conclusion for the fans except what we can make for ourselves.
The reason for Miura’s hiatuses was unclear. Fans liked to joke that he would take long breaks to play The Idolmaster, but Miura was also infamous for taking “breaks” spent minutely illustrating panels to his exacting artistic standard, creating a tumultuous release schedule during the wars featuring thousands of tiny soldiers all dressed in period-appropriate armor. If his health was becoming an issue, it’s uncommon that news would be shared with fans for most authors, much less one as private as Miura.
Even without delays, the story Miura was building just seemed to be getting too big. The scale continued to grow, his narrative ambition swelling even faster after 20 years of publication, the depth and breadth of his universe constantly expanding. The fan-dubbed “Millennium Falcon Arc” was massive, changing the landscape of Berserk from a low fantasy plagued by roaming demons to a high fantasy where godlike beings of sanity-defying size battled for control of the world. How could Guts even meet Griffith again? What might Casca want to do when her sanity returned? What are the origins of the Skull Knight? And would he do battle with the God Hand? There was too much left to happen and Miura’s art only grew more and more elaborate. It would take decades to resolve all this.
But it didn’t need to. I imagine we’ll never get a precise picture of the final years of Miura’s life leading up to his tragic passing. In the final chapters he released, it felt as if he had directed the story to some conclusion. The unfinished Fantasia arc finds Guts and his newfound band finding a way to finally restore Casca’s sanity and — although there is still unmistakably a boundary separating them — both seem resolute in finding a way to mend their shared wounds together.
One of the final chapters features Guts drinking around the campfire with the two other men of his group, Serpico and Roderick, as he entrusts the recovery of Casca to Schierke and Farnese. It's a scene that, in the original Band of the Hawk, would have found Guts brooding as his fellows engage in bluster. The tone of this conversation, however, is completely different. The three commiserate over how much has changed and the strength each has found in the companionship of the others. After everything that has happened, Guts declares that he is grateful.
The suicidal dedication to his quest for vengeance and dispassionate pragmatism that defined Guts in the earliest chapters is gone. Although they first appeared to be a source of strength as the Black Swordsman, he has learned that they rose from the fear of losing his friends again, from letting others close enough to harm him, and from having no other purpose without others. Whether or not Guts and Griffith were to ever meet again, Guts has rediscovered the strength to no longer carry his burdens alone.
All that has happened is all there will ever be. We too must be grateful.
Peter Fobian is an Associate Manager of Social Video at Crunchyroll, writer for Anime Academy and Anime in America, and an editor at Anime Feminist. You can follow him on Twitter @PeterFobian.
By: Peter Fobian
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True Feelings
Summary: You’ve had a crush on your fellow officer Data for years. Can you ever be sure he’d feel the same for you?
Requests are open!
~x~
“What are you doing, lieutenant?” The innocently curious android asked, his monotonic voice gentle and warm.
You smiled excitedly, beckoning him to come closer. His pale face alighted with near childish pleasure, practically skipping into your room.
“Do you like it, Data?” You giggled, unable to wipe the grin off your face as he analyzed your work.
You were in the midst of painting a heroic portrait of your fellow officer, his golden eyes staring off into the distance with his head held high and a feeling of stoicism radiating from his face.
“Yes, I like it very much. I cannot believe that is meant to be me.” His head quirked to the side, following the carefully created lines of your paint, before turning robotically to you. “Why did you do this?”
You blushed under his scrutinizing gaze, swallowing thickly as you began cleaning your brushes with unnecessary rigor. “I just think you’re… fascinating is all.”
His head cocked to the side once more, and if you didn’t know better he might have looked confused. “I see.”
“Not in a test subject way though! But more of a…” You interrupted with worry, twisting your hands in search for a word.
“Beautiful. Aesthetically pleasing. Muse-like.” He began rattling off words, as if he were reading from a dictionary. “Attractive. Sexually arousing. Erotically-“
“Okay, thank you Data!” You squeaked, scorching with embarrassment as you began to push him forcibly out of your quarters. “That’s all for today, talk to you some other time!”
“Lieutenant, what are you doing? Have I made some sort of blunder? Perhaps if you were to explain-”
You gave him a gentle shove out the door, unable to look him in the eyes. “Goodbye!”
The doors of your room slid to a close, shutting Data out somewhat comically as he stared at you in bewilderment. You dropped your head into your hands, groaning loudly as you turned to look back at your painting.
You had thought Data would simply enjoy the feeling of his image being turned into art. You hadn’t expected him to ask why you had, and you certainly hadn’t expected him to understand “sexual attraction” being a possible reason.
And it was, one thousand percent it was.
He was so handsome and strong, but intelligent and unique at the same time. Even just talking to him felt different from anyone you had ever met before. You wanted to kiss him, for him to kiss you and hold you against his chest, never letting go.
But he was an android. If you ever asked him to kiss you, or tried to kiss him first, he would more than likely simply follow along, serving you in any way he could. He wouldn’t wonder if he wanted it, or if he really wanted you, he would treat it as a duty, a job.
Being with him, you could never be sure if you were taking advantage of him or not.
Some of the officers didn’t seem to care either way. You’d heard them joking before, referring to their commanding officer as the “most intelligent toy” they’d ever seen. It made your stomach roll to think about Data being with those people.
Geordi had told you before that Data could take care of himself, but you couldn’t help but worry.
You shoved your painting into the back of your closet, sighing at your own stupidity. Data could never reciprocate your feelings, even if he wanted to.
But even as you forced yourself to say it, a small part of you shook with protest.
~x~
“Data, are you seriously telling me you don’t know?” Geordi laughed, shaking his head at his best friend. “I feel like you’re fishing for a compliment at this point.”
“How does one “fish” for a compliment?” He asked, as genuinely as only Data could.
“That’s not important. What is, is the fact that our good lieutenant began to panic only after you stated her reasons were...less than pure.” The cybernetic explained, patting his friend on the shoulder. “So using your great power of deductive reasoning?”
“Her reasoning was in fact sexual?” He asked, his eyebrows pulling tighter together in confusion. “But for who?”
Geordi slapped his palm against his forehead in frustration, groaning in anguish. “Data…”
The android felt even more confused.
~x~
“Data...No…” You murmured, reaching out for the faint figure of yellow and white in front of you.
Slowly he came into view, smiling at you in the most loving way you’d ever seen. Your heart lodged itself into your throat, melted by the depths of his eyes.
With no warning his face suddenly distorted into agony, collapsing to the ground as he screamed your name.
“Data!” You shouted, shocked and terrified all at once. You fell to his side, unable to do anything but watch as he contorted and twisted in pain.
“Please, stop!” Tears rolled down your face as your screams ripped your throat dry. You’re best friend was dying and you could do nothing.
“Lieutenant. Lieutenant, wake up!” Data’s voice interrupted you, a light shaking pulling at your shoulder.
Your eyes slammed open, glancing wildly around your bedroom as a scream began to grow within your throat, a dark silhouette rising above you.
“Are you alright?” The familiar, monotonic, wonderful voice asked you, Data’s yellow eyes coming into view as your eyes came in to focus.
You sighed his name in relief, collapsing into his chest as a sob tore through your lungs. You could feel your tears wetting his shirt but you didn’t care, you needed to be as close to him as possible.
He knelt beside you, his arms hesitating for a moment, before gently wrapping around your shoulders. You buried your nose into his neck, breathing in his scent as your fingers gently massaged his scalp.
He smelled like the Enterprise. He smelled like home.
“W-Why?” You shuddered out between breaths.
“You were calling out for me.” The android answered, perfectly understanding your vague question. You forgot about his enhanced hearing.
He didn’t say anything for a while, whether because he understood what was going on or because he didn’t, you couldn’t say.
“You died.” You whispered once you had calmed down, pressing yourself impossibly closer to him. “You were in so much pain.”
“I cannot feel pain. And I am not dead.” He stated simply.
“I know, Data. But it felt real. To me, it felt like it happened.” You explained, knowing he had never quite grasped the concept of dreams.
He nodded slowly, his hands now mimicking yours as they found their way into your hair, petting you slowly as he pulled you closer.
He had never initiated contact with you. With anyone, now that you thought about it.
Your heart beat hard enough you knew he could feel it. You had loved him for so long, to be able to touch him like this was unbelievable.
“You’re frightened.” He commented, pulling back to look at your face. “I don’t like that you’re frightened.”
Normally you would have teased him, but in the state you were in you could only hold the side of his face.
“You’re so beautiful, Data. How anyone could say you’re less than human I’ll never know.” You smiled, before slowly, gently leaning into him.
You kissed his cold cheek softly, smiling at the way he tensed, before laying back down.
Data looked like he was short-circuiting. His eyes had widened in surprise, following yours closely as you blinked tiredly.
“What was that for?” He asked, touching the place you had kissed so gently, he might have been worried he would wipe it off.
“For caring about me. For worrying about me.” You couldn’t help but smile, wiping the tears from your face. “For trying to understand my crazy human emotions.”
He shook his head, eyes gleaming with innocence. “No, it is you who understand me.”
You grinned now, grabbing his hand tightly in yours. He studied the action closely, as if logging it away for later use.
“I love you, Data.” You admitted quietly, before turning away from him. Your heart still had not called down. If anything ever happened to him in real life you’d be a wreck for days.
As you turned your head back, you gasped in surprise, the android’s lips now pressing against yours. Both of his arms had extended on either side of your head, his eyes closed in a peaceful way as his mouth moved against yours.
He brushed his nose playfully to yours, a prideful smirk spreading across his face as you finally reciprocated his affections, the shock wearing off.
He leaned his body deeper into yours, falling into your bed, before you suddenly pushed him back.
“I-I’m sorry. I don’t know what came over me. I should never have-“ He began to ramble, genuine fear in his voice.
“Data, it’s more than alright. I just have to breathe.” You laughed, wider and brighter than you ever had before. You couldn’t think of a time you’d been more happy.
Data reciprocated your smile, whether because he genuinely felt happy or because he was simply mirroring your emotions, you weren’t sure.
And then the nagging doubt returned.
“Wait.” You practically moaned as he began to lick down your neck, his teeth grazing your flesh almost dominatingly.
Immediately he pulled back, his face returning to that damn, innocently curious look.
“Why are you doing this?”
“Kissing down the neck is a way to stimulate anticipation at the thought of my mouth continuing to go lower, but also a form of submission for you, as the arteries present in-“ Data began, as if he were lecturing a class on how to pleasure humans at Starfleet Academy.
“No-No, stop Data.” You shook your head at the clinical way he described that last action. “Why are you doing any of this?”
He took a moment to pause, his eyes lost in confusion as he almost pleaded for help. “I’m not sure I understand.”
You rubbed the back of your neck awkwardly, glancing between your hands and his face. “Are you doing this because you want to, or because I want you to?”
He cocked his head to the side, before a look of realization spread across his face. Instead of answering, he leaned his face closer to yours, mischief gleaming in his eyes as he pressed his lips against your ear, whispering hotly, “I have not wanted anything in my experiences as badly as I want you now.”
You stared at him, laughing in disbelief. He was so human, but still so uniquely Data.
As his soft, cold lips moved back to yours, your heart overflowed with such pure joy you could not help the tears that formed in the corner of your eyes.
Data had never felt more confused, or more in love, by this reaction in all of his life.
#data#data star trek#data x reader#star trek: the next generation#star trek#x reader#i know this wont get alot of notes but I had to get it out of my system#lol#hes such a good boy#just the goodest boy
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Zi-O 34: *Insert Cake Boss Joke Here*
Blah, blah, insert apology for delay here, add in comments about how I’m totally going to watch the two Rider Time trilogies soon, off hand mention of HeiGen Forever’s raw being out, etc etc.
On to the liveblog. I’ve been at this for a long while now, there were. Distractions. (I swear, I really am working on my fics, guys. That was one of the distractions! I promise!)
Todoroki accuses Kyosuke of not only forgetting the Oni code, but of being too soft to take the Hibiki title. Interesting.
Woz’s intense need to Recap is enough to draw him out of a BSOD induced ‘nap’. That’s dedication to his part right there.
Aw, Junichiro’s not entirely certain what’s going on this time around, and looks like he’s kind of intimidated by Kyosuke’s over-the-top stoicism. ...Relatable.
Geiz rightfully calls Kyosuke out on making them go through the training while lying about being Hibiki, and is, of course, shot down by Stubborn McNotHibiki.
Said stubborn git also refuses to answer Sougo’s incredibly justified question as to whether he was the ‘Hibiki’ who trained Tsutomu, so… Sougo asks if Geiz will stay at the shop, while he and Tsukuyomi go to talk to Todoroki.
Poor Woz. Still coming off of his Blue Screen, he gets dragged off with them. While still in a fifty-percent bluescreen state.
“I… don’t remember how to rejoice…? Me…?” ‘Clearly,’ he has no purpose outside of his Proclamations.
Actually… Sougo’s been telling Woz off about the speeches lately, since he keeps trying to do them whenever they go into Trinity. That keeps throwing off the fights, and is driving both Geiz and Sougo up a wall. Maybe he really is losing his old touch.
Hm. So, yeah, Hibiki is, as said earlier, a title, much like being a True Kamen Rider is. It’s downright offensive of Kyosuke to call himself that, when he apparently dropped out as the former Hibiki’s apprentice. To say nothing of taking on an apprentice not only under false pretenses, but while clearly not ready to do so.
This also raises the question of what happened to the former Hibiki, but I don’t exactly think we’ll get that answered.
And Todoroki doesn’t have an apprentice, doesn’t think he’s ready to be a mentor. This, with him having been Todoroki for… hang on, pulling up the wiki because I forgot the year… since 2005, so for around 14 years now. And, as an aside, he didn’t study under ‘the previous Todoroki.’ He studied under Zanki, and said that he… if I remember hearing correctly, that he didn’t feel worthy of his master’s title. So, that’s interesting.
(As an aside, I recently started watching Decade, and just got through the Blade Arc. So it was a bit of a treat when I got to go “Hey! I know that guy!” when Narutaki summoned the AR Todoroki.)
Also… Sougo being all “you dont think your ready for an apprentice, but why not practice for a day? You’re seeing it as a personal weakness, and I have a Loyal Retainer here who’s having some sort of crisis of faith. Maybe you can help each other work through those! :)”
I pout in your general direction, Kyosuke. How dare you insult Junichiro’s cooking! And us having just met Agito, too! So it’s not even a good Distraction Technique, it’s just rude. Besides…
Kyosuke’s more than salty enough to make up for any imagined deficit.
>:3
Geiz left the yearbook out on the table, to get Kysouke to look at it. Geiz is having exactly none of your shit, Kyosuke, you betrayed a small child.
The ‘reading’ fading as he shuts the book is a nice touch.
Geiz: >:( where are you going?
Kyosuke: none of your business >:\
Junichiro: I found the salt! :) … oh. Now everyone’s taken off again… :(
Tsukuyomi: I don’t think leaving Woz to his own devices is a good idea right now. :\ Or inflicting him on anyone else.
Sougo: It’s fine. :)
Ooooh, I really like this fight so far. Kyosuke’s trying to be the one to snap Tsutomu out of his Another Hibiki Rage, but. You know. Can’t thwart stage one, and all. Dude’s not Hibiki, and you need the Specific Riders Power to win. Unless you have something like Zi-O II on hand.
Sougo goes straight into Zi-O II, since, well, it looks like they aren’t getting the correct RideWatch today, after all. I don’t think we’ve seen Zi-O II in a running transformation before now, either, he’s usually stationary.
Yeah, Kyosuke, Tsutomu and Sougo were friends. Why did you think he knew his name back at the shop?
I like the slight reverb effect whenever Sougo’s sword lands a blow, it’s really neat. I think it’s meshing the Cool Techno Music from this transformation with the Drum Aesthetic of Hibiki. It’s neat.
And that’s only added to when Kyosuke catches the finishing attack with his hands. Like. WOW that’s actually REALLY badass, man, I am impressed by that. There’s a sort of… skipping noise? Like a note interrupting itself over and over? I don’t know how to describe it… kind of like a really fast stuck record, but electronic.
But also…. Do Not Block Finishing Moves. That is how people DIE.
See? Now you’re down, and Another Hibiki’s run off. Good going.
:sigh: Sougo, he intentionally took that finisher. Like an idiot. A well meaning one, because he obviously wants to keep Sougo and Geiz from attacking Tsutomu, but still not a good idea. And then he’s an asshole. “No, obviously I’m not okay.”
Sougo, you don’t need to apologize. He’s the one who ran in there.
Kyosuke: “I don’t want your help. Buzz off. I’m the only Kamen Rider Oni we need around here. >:|”
None of the trio is impressed with you, dude.
AHAHAHA Todoroki has Woz doing laundry. (Nice reaction there, bud. I mean, I kind of agree, but way to keep your cool. We totally think you’re a stoic, noble, retainer for your overlord. Yup. That sure is what we’re thinking about you this arc.)
Woz, I get that physical labor isn’t usually your thing, and I get where you’re coming from, but if you’d just told Sougo even a little of what the problem is, you wouldn’t have landed yourself in this situation.
Also, you’re way overthinking the whole birthday thing. You’re not Kogami. Don’t try to be Kogami. Trust me. Do not try to be the cake boss.
And Todoroki’s right – just being with someone is often enough. (I mean, he probably just broke the hearts of any parents who watched Hibiki, but that’s just how it goes.)
After all.
What has Sougo wanted for years, possibly even more than being a king?
He’s wanted friends.
KYOSUKE. You can’t even go sulk properly? At least go further than one building length away.
Anyway, Sougo has to be direct with you. You’ve dodged literally every question that anyone’s asked today. Cut it out.
~ahahaha yes~ Over Quartzer’s acoustic version kicks in for Kyosuke waxing nostalgic about Hibiki.
And turns out that Tsutomu used to say the same things about him.
Okay. Okay i’m. i’m actually starting to cry a little, here. Flashback to when Sougo and Tsutomu were in third grade, Tsutomu’s being bullied about wanting to be an Oni. Sougo RUNS up and shouts the bullies down. Literally shouts – practically screams at them to not make fun of peoples dreams.
They wonder why anyone should care what the new kid thinks, and walk off because they’re bored now.
This means that Sougo’s just transferred in. He’s probably still fresh off of his parents’ deaths. They died less than a month into the school year, so he would have moved in with Junichiro two, maybe three months in, depending on how long he had to stay in the hospital. (probably not nearly as long as Hiryu did.)
Sougo’s brand new here, doesn’t have any friends – won’t have any real friends, knowing what we know of how he turns out – and he jumps to Tsutomu’s defense.
They promptly introduce themselves to each other, their high-reaching dreams included.
(Tiny!Sougo is TINY, especially compared to his classmates. Even the shortest of the bullies is taller than him. He’s so little.)
[At this point, I accidentally paused for over a half hour, because I thought of how to fix a section in chapter three of Press Start to Continue that I was having trouble phrasing. That then led to me patching up several other sections. Why with the small 8 year old protags and the vehicular accidents, Toei…]
Kysouke doesn’t believe that Tsutomu would have called him his hero. He’s none of these amazing things that Hibiki was, he lied about being Hibiki to this small child.
But Tsutomu didn’t know that. He probably found out, and he’s probably pissed at you now, but when he was an elementary schooler… Kyosuke was Hibiki.
Sougo: Work with us. We can save him together. :)
Tsukuyomi: WE FOUND ANOTHER HIBIKI!
Kysouke: … alright. let’s go.
This initial scene in the warehouse is really touching.
Kysouke knows he screwed up, but he couldnt’ help but train Tsumotu – the kid was just so eager to learn.
Training Tsutomu is what made Kyosuke a real Oni. Maybe not Hibiki, not then, but it was… I think that he thinks that was enough, for then. And that is why he’s going to save Tsutomu. He owes him that.
Todoroki listens to all of this from outside the door.
A pink light glows in Kyosuke’s pocket.
(A blogger jumps back to episode 33, to see if they had shown him a blank watch the first time they went to 9-to-5. They had not, they displayed the Zi-O watch. Drat.)
“Master… is this your way of saying I’m ready?”
We have a different passing down of the powers than those before. Whether it’s in Hibiki or in Zi-O.
I still don’t like you, Kyosuke, but. I think this was a really good way to go about this.
Todoroki looks uncertain still. But. He isn’t stepping in. he knew the prior Hibiki. And he said at the top of the episode, that if Kysouke couldn’t take care of the problem, then he would. And now he’s leaving.
Just in time for Woz to stride on in.
Woz: IWAE! A TITLE HAS BEEN PASSED DOWN!
Geiz: (Oh no here we go.)
Sougo: (...is he back to normal now? Or what counts as normal? Even I know he’s weird…)
Woz: I am sorry I was so unprofessional before.
Sougo just nods mutely. (“This is fine.”)
He doesn’t know what your deal has been today, Woz. And at this point, it doesn’t matter. It’s battle time!
Sougo: It’s trinity time!
Woz and Geiz, in unison: WAIT WHAT HOLD ON WE’RE STILL NORMAL SOUGO NO-
AHAHAHA THE TRINITY WATCH DOESN’T CARE IF YOU’RE TRANSFORMED YET OR NOT I’M SO SORRY BOYS
And also apparently it feels wrong to get turned into a wristwatch.
(I tell you, watching Decade now was a great choice. The universal reaction of “WAIT WHAT HOLD ON WHAT ARE YOU DOING BACK THERE” is a gift. The Final Form Rides themselves, not so much. But it’s enough that once Tsukasa shows up in ReUnited, Philip and Shotaro are the ones who are going to warn people. “We’re all teaming up to kick his ass, he has it coming so many times over, but Do NOT Turn Your Back On Decade, he can do Weird Shit to you.”)
That aside, Sougo tries to get them into a fighting pose, but Woz’s gotta Woz. He Must Rejoice. It is in the very fiber of his being. He’s not above hijacking the body. And inside they’re just so resigned to it at this point. Sougo’s little pout when they’re lined up oh my god. (Geiz’s arm is trying not to punch Woz’s. I don’t think he can hold back much longer.)
(Let Geiz have the steering wheel at some point, guys! It’s only fair!)
Kyo- Hibiki: Is that really necessary?!
Sougo: …I mean, we’ve tried to talk him out of it, but…
Geiz: (literally shoving Woz’s arm down) F THIS LETS FIGHT!
And this… eh. It’s a fight. I still like the Trinity finisher(s) – I think I noticed before that there’s projections of the three boys right before they attack. But I didn’t catch that it calls out all three of their ‘finisher names’ in sequence, the same way it calls their Rider names. So that’s a neat touch.
And, at the Passing of the Watch, much like with Blade, Chalice, and Agito…
“Are you sure you want to hand this over? It’s your power. You finally get to be Hibiki.”
“It’s fine. I can find my own path.”
...The lighting in this scene is really nice. It’s not a type we see in Zi-O, though. Is this a visual reference to Hibiki the season? I know that cinematography wise, the first half was very different from the rest of Kamen Rider. And since they had the kanji flashing on screen in this and the previous episode, is this another way of calling back? There’s a lot more bloom than we’ve had before, is all.
“Will you train me again?”
“It won’t be easy.”
“Don’t care!”
That’s really nice. All three of them – Sougo, Kyosuke, and Tsutomu – are making their way down their respective paths.
…
All four of them. Todoroki seems to think he might be ready to take on an apprentice of his own.
But he has to run it by Hinaka first.
TODOROKI. DID YOU GET TO MARRY HER? IT SOUNDS LIKE YOU GOT TO MARRY THE GIRL WHAT HAD A CRUSH ON YOU!
YOU GO HINAKA. WIN THAT DORK OVER.
((Unfortunately, Toei can’t include her beyond a name drop. Miyuki Kanbe, who played Hinaka Tachibana, passed away in 2008. Incidentally, she was the third actress to play Sailor Moon in the stage musicals, which explains why her name looked familiar when I went to the page for Hinaka on the KR Wiki.))
Okay enough of the sappy stuff! Back to 9-to-5!
In the dark.
On Sougo’s birthday.
Which he has made exactly zero mention of himself.
you guys I really don’t think sougo cares about his birthday. I know they aren’t going to bring this up in someone elses tribute episode, but. The bus thing. Literally four days before his ninth birthday. Puts a damper on it. Just as a reminder. Woz whatever you’re planning may be a bad idea.
:sigh: FLASHY SPEECH TIME.
Geiz and Tsukuyomi are just. Used to this. I think they may have helped him write it. Even Geiz has this sort of. Fond resignation to his expression. ...That, or he’s getting a kick out of seeing Woz make a fool of himself. Could be both.
WHO LET WOZ PUT THE RIDEWATCHES ON THE CAKE.
THAT’S A TERRIBLE IDEA.
YOU CAN’T EVEN TRY TO TELL ME THEY’RE REPLICAS. THE OVERHEAD ZOOM OUT OF THE ROOM SHOWS THE TABLE WITH THE WATCH STAND. IT’S EMPTY. GUYS WHY.
Aaaaand then my heart broke a little inside.
Sougo’s toy robot, the one that could someday give rise to Rento, is next to the cake, holding up a little sign.
Junichiro: Uh, wait, hang on, you’ve been saying ‘overlord’… you mean ‘king’, right? Please?
Tsukuyomi: Yup! Sure! Just a slip of the tongue! You know how over dramatic Woz gets! (Please don’t dig any deeper!)
And yeah. Sougo completely forgot it was his birthday.
(So, rankings between Sougo, Shinnosuke, and Takeru… which of these riders handles their birthdays going forward the worst?)
(i’m kidding, i’m kidding.)
(mostly)
And then there were four.
Only four more watches to go.
Kiva, who’s coming up in the next arc. Okay, technically the current arc, since it’s Sunday now.
Drive, who might be the next one after that. After all, we did just get the Brain special – with five returning actors.
Kabuto, who… I know jack all about Kabuto, actually. I’ve managed cultural osmosis for parts of literally every one of the Phase One Heisei Riders except for Kabuto. I’ve never heard anything except about some sort of Grandma complex, and something about food. That’s literally all I’ve got.
Four… I guess they must not have gotten Den-O in the movie after all?
I’m planning on watching that, at least in raw form, tomorrow. So. Look forward to that!
As for the preview… I’m pretty sure that woman could kill a man.
And. Um. Are those AnotherVersions of the Fangires from Kiva? Or is that just what they looked like, and Toei brought the old suits back out? I mean, they’ve been kitbashing a lot of old suits together lately, so it could go either way.
Anyway! That’s 34 Episodes of Kamen Rider Zi-O, in the bag! In the archives? The Recap Vault? ... I don’t even know anymore. I’m getting a little out of it. It’s been a rough week. :waves:
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