#wanted to give it a bit of. midsommar vibe despite never having seen it

[catparazzi]

we got this skirt and matching shawl at work that gave me folkwear associations so of course I put em on a mannequin

[tessacxstello]

hello im (F, 24) an idiot and forgot to post tessa’s (F, 22, fictional) intro!

pls bare in mind most of this was written 5+ years ago n i haven’t written tessa since 2015...... but lets get this show (LOCKWOODRP) on the road (DASHBOARD). 

tw school shooting, tw bipolar disorder

art hoe. always covered in paint. why?? she bad at painting

the mark rothko jackson pollock kind of bad tho wher people are like.... omg.... revolutionary..... its a badly drawn vagina

fuckin loves astrology, but cant take it that seriously bcos one of her bfs was a gemini so there’s some lenience there. but she WILL blame her hormones and mood swings on the positon of mars

embodies pure sunshine. 

one of those really annoying people that can go through the most traumatic shit and still find a positive spin. 

cares so much for others but does not really care for herself n it’s meant she just bottles up all this shit n when someone asks her how her day has gone she just falls on the ground like tht bit in midsommar when florence does that loud wheezy noise and sits down 

has never really had much money at all. learns to make-do with what she has. loves upcycling!! her bookshelf is made from cardboard which she’s reinforced by pappering it over with pages ripped out of thrifted books. her sofa is an old car boot which she’s repainted, put on wheels and stuffed w cushions so that it’s actually bearable to sit on.

her knitted cardigan? its made out of wife material.

knits all the time. will crochet you a christmas scarf. if ur lucky you might get a knitted jumper with a penis in a santa hat

still sleeps with cuddly toys n then wonders why ppl dont think she’s mature enough for a serious relationship

very passionate about Sister Doing It For THemselves!! raised by a single mom who worked her ass off so that tessa could do fun activities after school, have lelli kelly shoes, and go to college (not necessarily in tht order of importance)

tessa was born out of wedlock as the result of an affair between her mom (a journalism intern in her early 20s) and a new york times editor. 

the editor offered to pay tessa’s mom off to have an abortion, but she was like fuck u and told the papers he’d done that and used the money to cover the cost of her internship which they refused to pay her for

and because of the scandal, he ended up going through a pretty messy divorce with his wife, and losing custody of his kids. so as a child  tessa was seen as the cause of a divorce and received mutliple letters from the editors wife (to tessa personally!) and his kids saying how she had ruined everything, but her mom moved them to another town so tessa didn’t have to deal with that crap. 

her mom worked 3 jobs to put her through school, so in return tessa pushes herself incredibly hard to succeed. needs a break and a hug and to get laid to be honest. 

an old soul. likes old films, old music, old people. only recently got an iphone 5s so not really with this century yet

very sweet and soft and kind but also a fucking mess and won’t listen to anyone else’s opinion. she’ll take comfort, but not advice. 

feminist buddhist bisexual vegetarian for human rights and animal welfare. standing on a soapbox shouting about the climate in the quad, shoving flyers into your hands. flyers everwhere. she turns up at your grandmas funeral and shoves one into her mouth. she’s stolen the mic from the vicar to talk about pandas.

says “mother of pearl” and “heavens to betsy”.

had an affair with her married piano teacher and he’s now facing a custody battle and his wife is leaving him and tessa has completely internalised that guilt despite her being the victim in the scenario

aesthetics: paint splattered jeans, loose curls spilling from a scrunchie, thrifted blouses in bright yellow, guzzling coffee in the library at three am when a term paper’s due, shoddily illustrated campaign posters to save endangered species, polaroids plastered to your bedroom walls with scribbled dates on the frames, jumping into a stack of autumn leaves, jumping off piers in the summer months and stripping off your wet clothes on the beach, digging your thumbs into peaches to leave a bruise, smoking with the extractor fan on to hide the smell, bath bombs, letting the girls at lush rub samples all over your skin, cacti with knitted bobble hats, decorative pillows and sun and moon blanket throws, basic bitch fairy lights hanging from every single window, painting the name of the boys you’ve loved inside your wardrobe door.

studies fine art and philosophy, and wants to become either a lecturer or the first woman president. vibe wise, very similar to leslie knope, missy from big mouth, and basically the naive everygirl with a high opinion of themselves trope

gets drunk off like one double vodka lemonade because she’s small and she’s a pretty messy wild drunk. it’s when slutty tessa comes out, and the next day she’ll thoroughly regret every choice made and decide she’s never drinking again and cutting out all men and starting daily sudoko

on the cheerleading team and is a flyer, which she sees as a HUGE responsibility and she works really hard to make sure she’s on it for her team. one of those get up at 7am and go to the gym before school types its sickening

she had a really traumatic time at high school because there was a shooting in her school. she was in the next classroom when it happened, and she lost one of her friends in the shooting. she had to take two months off school, was diagnosed with depression and put on anti-depressants because of it. in her 2nd year of uni she was rediagnosed with bipolar disorder and anxiety, which she’s now on medication for. she can be really good for several months at a time and feel super creative and determined (she actually finds manic periods helpful for her creativity n art, n sadly sometimes doesn’t take her meds in these periods to push herself more which is obvs super bad.....). but when the bad periods come they can also last months n she had to take a semester out of school last year because of her mood, so she should be a senior by now but she’s retaking junior year

she attends weekly stress-management sessions prescribed by her doctor which she finds pointless.

very childish in the sense that she can only see her own point of view and kind of views herself as the “protagonist” and thinks her ideas are super important and life changing and she IS Destined for Greatness! despite being pretty much average af

pinterest board.

STATS

age: 22

height: 5'2"

positive traits: kind-hearted, gregarious, selfless, philosophical, open minded, idealistic, courageous, feisty, charismatic, loyal, adventurous.

negative traits: stubborn, hot-headed, reticent, escapist, self-destructive, easily led, naive, troubled, complicated, stepford smiler, envious, overdramatic, explosive.

distinguishing Marks: heart-shaped birthmark on the right of her chest, splattering of freckles across the cheeks during summer months, full lips, large eyes, porcelain features, long wavy hair, tattoo of a bird and a cage on her ankles and a basic bitch arrow tat on her wrist (srry to anyone with an arrow tat).

skills: jack-of-all-trades, talented pianist, perceptive, knows the correct way to throw a punch, good survival instinct, is able to remain calm in stressful situations, endures, artistic, excels in academic studies, hard-working and self-motivated, expert liar and talented actress.

likes: wolves, vintage thrift store fashion, old leather-bound books, left-wing democratic politics, cigarettes, poetry, John Hughes movies, cold coffee, hot tea, the sound of laughter, staying up til 4am having deep conversations, Tchaikovsky, having deep conversations about life, stationary, DC Comics, horoscopes, winged eyeliner, cats, knee-high socks, house music, abandoned buildings, studio ghibli, the smell of the earth after rain, Wes Anderson films, herbal tea, old people, solitude, esoteric things, the smell of freshly baked bread, Charles Bukowski, the moon.

fears: death, oblivion, global warming, losing those she loves, isolation, clowns, guns, enclosed spaces.

nicknames: Tess, T-Dog, Tessie, Socrates, Princess, Sunshine Girl, Florence Nightingale.

alignment: Neutral Good

MBTI type: INFP

BIOGRAPHY

tw school shooting

Her story begins with Cordelia Costello, a twenty-three year old college drop-out, turned beautician, turned columnist, turned intern at a local publishing company. She was a youthful, beautiful, siren of a women, always surrounded by an aura of enigma and an entourage of men. It was no surprise to the gossips in the office that within six months working at the company, Cordelia had added to her list another title – mistress to Franklin Hozier, the Editor of the New York Times. After two blissful months and three hundred and twenty seven orgasms, Cordelia decided she wanted a baby. Franklin laughed in her face. Feeling isolated and used, Cordelia continued her affair with her boss’ boss for another month, before deciding to take matters into her own hands.

It started with a turkey baster.

Soon the infant cries of a baby girl graced the world, her wrinkled skin puckered and pink as her mother held her in her arms, glancing upon the most beautiful thing in her life. Once Tessa, named after Cordelia’s favourite literary heroine, entered the world, Franklin left her life and things took a turn for the better. Despite living in a rented one-bedroom apartment in Staten Island, on what little money Cordelia had saved, Tessa’s childhood years were filled with nothing but the happiest of memories. Times were tough, but what they lacked in money, the Costello’s made up in love. While Tessa was at school, Cordelia did odd jobs cleaning, child-minding, working in local nurseries, in order to save up enough money to give her daughter the best start in life.

Despite what she had been led to believe by television shows and teen movies, the first few years of High School were some of the best years of her life. Tessa threw herself into a multitude of activities that High School offered her, including the drama club, the orchestra, choir, badminton and the school newspaper. While she certainly wasn’t considered ‘popular’ at school, Tess had a wide circle of friends and acquaintances. In fact, High School was a place where she made some of the greatest memories of her life, but come her final year, it was also a place where she was haunted by some of her worst.

On the January 17th of Tessa’s senior year of high school, a shooting took place in Westville High School. For two hours Tessa locked herself in a supply cupboard, her head between her knees as she tried to stay silent despite the screams of horror from the corridor. Eighteen students were caught in the crossfire, two of which were Tessa’s best friends. Bouquets of flowers, laminated photographs, Teddy Bears in cling-film bags attached to balloons littered the streets as families and friends came to pay tribute to the eighteen students withered before they had a chance to bloom.

It took two months of therapy before Tessa could return to school. Some of the survivors could never return due to the horrors that their eyes had laid witness to. Sometimes Tessa felt like a part of her had died with the friends that were stolen from her too soon, but one thought kept her going through: she had survived, she was alive and breathing, and she could not afford to loose a second of the precious time she had been granted on this earth. Despite the nightmares that continued to haunt her each night, Tessa found in the aftermath of the disaster a new sense of motivation. She began applying for scholarships for colleges without her mother’s knowledge, in the hope that her academic success would be enough to carry her through further education. Thankfully, it was, and after three torturous months of waiting Tess was offered an arts scholarship to her dream school, Lockwood University, where she hoped she could finally start to rebuild her life.

THE PRESENT:

Life at university was like a separate world. Students came and went like moths among the whisperings and the tequila and the stars. In this new world, Tessa was exposed for the first time in her life to alcohol, drugs, and the sexual appetites of other students her age – though she politely declined all three. Instead, Tessa threw herself into the vast array of activities in the hope that by distracting herself she could escape the terrible flashbacks that continued to haunt her. Tessa joined the lacrosse team, despite never having played before, and took up cheerleading discovering a new talent; she joined the musical theatre group, and the film club, and even set up her own acapella singing society. But despite how much she tried to throw herself into student life, her past hung around her like a bad smell, and with the added pressure of the Sinking Ships zine, Tess began to feel the weight of her secret tying her down like a pair of shackles around her wrists.

PERSONALITY:

If someone was to describe Tessa in a single word, it would most likely be ‘bubbly’, ‘open-minded’ or ‘sweet’. But they would be wrong – Tessa is not bubbly, or sweet, or stubborn, or hotheaded, or fiesty, or infectious, or any of the things the world see her as, but merely a numb and lonely echo of the gregarious, halcyon girl she once was. Tessa Costello was one of life’s enigmas. No one knew who she was, for to each person she met she wore a different mask – she dripped confidence, or was painfully shy; she was an exhibitionist, or a brooding wallflower; she took things too seriously, or not seriously at all. She was an actress and the world was her stage, each person she met a different member of the audience in the performance of her life. In truth, Tessa no longer even recognised herself. Insecure, and self-destructive, she tried to hang on to the extroverted, mischievous pieces of herself that everyone had once loved, but day by day it got harder to know what lay in the vacant holes blown through her mind. While she was stubborn and hot-headed, Tessa always saw the best in people, which meant that she was easily led astray. While she had grown up learning to be street smart and astute, she was idealistic and allowed silly fantasies to cloud her mind. By nature, she was passionate, which lead her to misimagine and romanticise those she met. Despite the hell she had witnessed, and the anxiety that feasted upon her, she believed that people were innately good and that to have courage and be kind could cure anyone of their sadness – yet she was unable to cure herself.

TWITTER:

@500daysoftessa: i blame disney films and musicals for my high expectations of men

@500daysoftessa: i am in love with the boy who works at starbucks. today i asked for a double latte and he gave me a tripple, which i think is proof that my love is requited. our children will be smart and talented and beautiful.

@500daysoftessa: little known historical fact: pharaohs were burried with their hands crossed over their chests because it was a popular belief there would be countless water slides in the after life.

[mostlymovieswithmax]

Midsommar [spoiler review]

Ari Aster has released his second feature film, Midsommar for which he writes and directs and it is a vast, expansive experience that threw me through a kaleidoscope of emotions, which amazingly is something I can’t say for a large number of horror movies coming out these days. That being said however, I’m not entirely sure that I could confidently class Midsommar as a horror. I don’t know if I’d really class it as any specific genre at all. It is certainly its own beast and for that, I would commend it highly. As something that is so dense with detail I will probably be jumping back and forth to moments in the story, giving this review a somewhat non-chronological structure. I can’t possibly touch on everything, especially as I’ve only seen it once. I believe it is something that needs multiple experiences to fully appreciate and is a movie I’d love to experience again.

The talent on display in regards to basically every technical aspect of the film is to be praised tremendously. I loved the cinematography and the look of the movie; the colours and the sets were all gorgeous. Mostly set in broad daylight, this stylistic choice is not something I’d immediately associate with a movie that was going for this type of vibe. Mixed with the set designs, the look of the movie made for a visual feast I couldn’t keep my eyes off of. What made the aesthetic qualities of the movie pop that little bit extra for me was the camera work and how it moved; I think of shots like when Dani goes into the bathroom in the first act and the camera pans over the door frame and twists to show her standing in the toilet of the plane. Or when they’re driving across Sweden and the camera flies over the car and turns to end up in an upside down position, perhaps foreshadowing what the characters are in for on this journey. It’s details like this that cracked a huge smile from me as I was watching, not to mention it separates Midsommar from so many other movies that try to depict suspense and terror. Furthermore, a feature that I found to be intensely thoughtful to accompany the fantastic visual display was the editing, or more specifically the cutting of shots. Often I see movies follow a certain formula when it comes to this facet; conversations cut together with a shot of one character and then a reverse shot to show another character; wide angles to establish locations or buildings, then cutting to the inside of the buildings themselves. There’s seldom ever much of a flare to the editing of a movie but I saw Midsommar capture that charmingly to add tension or even to highlight a joke. Accompanied by the score, a lot of these shots gave off an eerie tone that made me feel pleasantly uncomfortable. I loved the low, stretched out notes of the music that went that extra step further in order to make me feel slightly distressed. The sound design was incredible and generally it isn’t a facet I’d pick up on unless it was either done very well or very poorly. There were sections where even items like cutlery or people walking would catch my ear in a noticeably pleasing way. It shouldn’t be undervalued at all; great sound design can elevate a movie so much and I’m both glad and impressed at how well it was executed here.

Midsommar’s first act may have unfortunately contained a lot of my favourite moments. It introduced the main characters and worked to convey the relationships between Dani and Christian, as well as with Christian and his friends and how they all felt about Dani. I appreciated the time put into the dynamic between Christian and his friends and how they viewed Dani, although this was sort of thrown away once they got to Sweden; I never saw any sort of resentment from them towards Dani after that. Pelle obviously felt a lot differently about Dani, going as far as to kiss her during the latter stages of the movie. I’m not sure why it was necessary to have Pelle feel this way and I don’t understand what it added to the story besides forcing some conflict into Dani’s relationship with Christian, which was being achieved on his end regardless. Along with this, we are also shown the unfortunate and upsetting demise of Dani’s family which acts as a plot point in helping Dani to decide upon accompanying Christian and his friends to Europe. Seeing what happens to Dani’s family may have been the most affecting part of the movie for me. To top it off, her reaction was absolutely chilling; I love how Aster gets such raw and believable performances in his films. Dani’s loud, pained cries made me feel for her so much and forced a deep discomfort into me that carried through as the credits and title came on screen. Something that intrigued me quite a bit during this first act is how conversations were filmed through mirrors. We would see a couple of instances of characters talking to other characters that were reflected in a mirror. These static shots that carried on for a short while added to the tense atmosphere and the conversations or arguments that were taking place, imposing a kind of separation between those we could see outside the mirror and those we see inside the mirror. The main cast we’re introduced to in America are all good and give believable and compelling performances. Florence Pugh was fantastic as Dani; William Jackson Harper was decent; Will Poulter was great and one of the stand-outs from my experience. Vilhelm Blomgren portrayed quite an interesting character in Pelle. Christian seemed to be the only one that rubbed me the wrong way because he was such a massive dick the entire time and he was never redeemed. Not to say Jack Reynor’s acting was bad (quite the opposite in fact), I just didn’t sympathise with the character. There are aspects to the characters and the decisions they make that wound me up a bit but in terms of the acting, they were more or less solid.

The secondary characters, or mainly the Swedish locals didn’t stand out as individuals to me, possibly because they were portrayed more as a collective, which is fine but I would’ve liked to have seen some character development from at least a couple of them. Now, I say it’s unfortunate that I derived the most entertainment out of this first act because after that, Midsommar suffers quite a bit from some pacing issues. This movie is almost two and a half hours long and it didn’t feel like it needed to be, especially with a plot that only allows for so much exploration. The plot itself is quite basic, but it is displayed as something so grandiose in scope that it comes across as being eminently pretentious. Could it be the insanely short production time that went into making Midsommar that makes it feel fairly lacking in a few areas? Or is this genuinely the cut that Aster wanted? Results from a quick search of the movie told me that around half an hour of its running time was cut due to the content it presented. Consequently, this will make the home video release different to some degree than the cinema release as it may come to our TV screens as a director’s cut. If this is in fact the case (and I do intend to buy the blu-ray upon its release) then could it be that we’ve not even seen the movie that Ari Aster wanted us to see? Will a director’s cut make it better, worse, or simply just longer? I for one am assuredly excited to see what the end result is.

A big problem I had with Midsommar is how early it peaked in regards to the horror. One of the first things the main characters are presented with upon arriving at this rural community is the idea of people being separated into groups depending on their age: the concept that they didn’t consider themselves adults until a certain age; that they didn’t work until they were old enough to; that they died when they reached a specific year of their life. They’re then told that a ceremony will be held the next day and while our main characters ask what it is, we see William Jackson Harper’s character, Josh smiling in a sly “I know what it is” kind of way. His friends try to ask what he knows, to which he does not divulge anything. What follows this is a scene wherein two elderly people sacrifice themselves by falling off of a cliff in front of the other members of the community. To me, this scene was beautifully unsettling for a number of reasons. Despite expecting them to jump initially, I was still shocked at how well it was executed both in relation to the story and in a technical sense. At first, the woman jumps off of the cliff, dying instantly with a bloodcurdling crunch. Of course the characters from America and the characters we are introduced to earlier from England are understandably shocked. Even Josh reels back in surprise which I found to be a little strange considering how he acted as though he knew what was going on beforehand. What did he think was going to happen if not that? We’re never told. As the old man approaches the edge of the cliff and the English and Americans clue in to what is happening, they react as I’m sure we all would to what happens as he prepares to jump. He lands in a much more awkward fashion with a smaller sound that is no less distressing. Only this time, he doesn’t die... The scene is then racked up a notch as he screams out in pain at having his leg torn off and his body broken on impact. The rest of the Swedish onlookers scream in pain with him and it is terrifying to hear. I imagine this painted a picture to most viewers that the locals we are presented with in this rural Swedish village are all somewhat spiritually connected; are able to empathise with one another's emotions in a way that makes them able to feel the sensations of those they’re close to. Undoubtedly the torment doesn’t stop there and Aster has to quite literally hammer home what this ceremony is all about. In order to put the old man out of his misery, a group of people take it in turns to smash his head in with a large mallet, causing further stress to the main characters, but stopping all of the Swedish inhabitants from screaming in agony. That whole scene… was awesome! I loved it and it stands to be maybe my favourite sequence from the movie. The unfortunate part is that after this happens, I expected everything to amp up a bit and start showing me more uncomfortable and fucked up things but sadly this wasn’t the case. In a sense, it was as if the movie blew its load on this earlier scene and didn’t focus on too many other stand-out plot beats which was pretty disappointing.  For some reason, Will Poulter’s character ‘Mark’ had slept through this ceremony and as a result, hadn’t experienced what his friends had. Whether this was done for a specific reason I’m not picking up on or simply so that he could continue to crack jokes is beyond me. I will give credit where credit is due: this movie made me laugh when it wanted me to. The inclusion of comedy in Midsommar was expertly handled and never made it come across as a lame horror-comedy.

Prior to this and upon arriving in the green fields of rural Sweden, the protagonists all get high and lie around in the grass. While the comedy kicks in here, it is also notable for the reaction of Dani as she starts to feel the grief of losing her family once more and urgently tries to get rid of it. I liked this scene and how it played slightly with the visuals which foreshadowed the inclusion of drugs and their effects later on in the movie.  Sadly with what happens to Dani’s family in the first act, I’m not sure it was that purposeful overall, despite liking how it was depicted. Yes, this event does explain how Dani acts for sections of the film and yes I did like seeing it act as a catalyst for why she goes to Sweden in the first place, but I’m not sure it was hugely purposeful when referring to the movie as a whole. It never came back in a way that affected the narrative or the story that was being told. It was just something that happened to the protagonist that caused her a great deal of upset. Almost as if they could have died in any number of terrible circumstances and it wouldn’t have made a difference. While I really liked the characters’ first drug trip sequence, I got worried early on that Midsommar was going to take an approach that put the trips and the drugs at the forefront of the movie, akin to something like Shrooms (which was just awful) and sure, they played a big part but it did more to enhance what was actually happening rather than fabricate a story that didn’t really take place, just to have them wake up in a field exclaiming how crazy their collective trip was.

As the characters start to become more and more under the influence through the drugs that they’re given, we see the world warp around them. Trees ripple and form faces; the food would shift; flowers would pulse in accordance to Dani’s breathing; characters’ facial features would distort. Dani starts seeing grass sprouting from her hands and feet, or vines mimicking her movements to show how she’s progressively becoming part of this society. Characters like Christian however start experiencing the drugs in a negative and more aggressive way, as if they’re being attacked by senses! There is unease and terror in how Christian experiences the festival, whereas Dani’s experience is comparatively happier. The contrast of how Dani was being accepted and Christian was being rejected was thrilling to see, markedly in how Dani’s demeanour changed as she found herself integrating with everyone else. Although I must say I’m not sure why they kept drinking that drugged water that looked like muddy urine. Christian almost refuses to drink it until he’s told “it’s spring water with special properties” which was all the information he needed apparently! What properties were they? Doesn’t matter; he drank it anyway. The moronic decisions manage to manifest more throughout the movie, however. Regrettably we don’t get to see much of Mark and Josh’s experience with the hallucinogens or even much of the festival because their time is cut short in a manner I didn’t find all too entertaining. Mark is the first to go from the original team. Due to urinating on a sacred tree, he is murdered off-screen and has his face cut off. This could’ve made for a superb scene if it were done right but the way it was handled came across as hollow. Elements akin to this could have worked to convey unease and terror, but they are implied rather than shown which can work in some circumstances but I would’ve liked to have seen something more memorable and haunting instead of seeing an after-product and thinking “okay well I guess that happened”. Show him being mutilated, you cowards! You don’t even have to show it; just possibly what happens in the lead up! It would’ve made for a far more compelling story beat! All that happens is a girl comes up to him as he’s eating with everyone and asks to show him something. His response is just  “she’s gonna show me” and leaves. He doesn’t question what he’s about to be shown; he just gets up and wanders off with a girl he doesn’t know in a foreign country, going purely off of Pelle’s word that everyone there is great! What a way to force that in! Josh is next on the kill list because he took some pictures of a sacred book when he knew he wasn’t supposed to because either he’s just insensitive to other peoples’ cultures, or he thinks it’s okay as long as it’s for his thesis. After this happened I kind of dropped off. With most of my favourite characters gone and the remaining characters questioning everything less and less, not only was there not much left to ground the film in a world that would consider the things that were happening to be deeply disturbing, but also from the protagonists’ perspectives as well.

I’ll acknowledge I’ve been railing on this film a considerable amount... with good reason. But despite being heavy on the criticisms, I still consider Midsommar to be a good, even great movie! I adore films that beg me to revisit them and learn more about them with each watch. Sprinkled throughout Midsommar are a tonne of small details and I’m sure I didn’t pick up on everything; in fact I hope I didn’t. Along with strange “what the hell?” moments like putting scissors under the baby’s pillow (I think that’s what it was anyway) that I still don’t understand, there also exists things that maybe don’t need to be thought about but are still nice to see included, such as goats and cows that took the immersion into this countryside village a notch higher. Or to draw from more obvious details that add depth to the people: going back to how they would all scream in unison, for instance to empathise with another’s emotions; when Dani sees Christian cheating on her, all the girls she is with cry and scream with her, possibly to experience what she’s feeling and/or to show her that they consider her to be part of their people, which also manages to contrast with earlier in the movie wherein she’s with Christian in her apartment but she’s the only one experiencing the intense pain as Christian tries to comfort her.

Upon entering the third act I started to wonder what the actual point in Midsommar was. Could it possibly be one big metaphor for grief and how we can choose to deal with it? There didn’t seem to be that grand of a point being made, either in the relationship between Dani and Christian, the relationship between America and Europe, or just the presence or influence of cults and religion in different parts of the world; those ideas seemed somewhat surface level. So I can’t help but think it was trying to convey a more metaphorical meaning. Either that or its meaning was just “Europe’s weird, man”. In this way, the finale didn’t leave much of an impact besides leaving me feeling quite hollow and disappointed, wondering what all that had been in service to.  I can’t say Midsommar blew me away with much of what it showed me. There were a few decisions made which weren’t all that original in how they were executed and there were some dumb moments that had me questioning why they were included at all. Yet I would never say it isn’t unique in what it achieves; I can’t disregard all of the jaw-dropping technical showmanship and the interesting, creepy ideas that managed to meld horror and suspense and mystery and comedy into something I simply don’t know how to categorise. I could talk for ages about this film and still not touch on absolutely everything about it. Ari Aster is clearly a talented guy and I can’t wait to pick up the blu-ray and watch it a million more times. Along with that, I am for sure going to see whatever he puts out next. These are the kind of movies I love seeing and supporting and I honestly can’t recommend Midsommar enough because it’s something I feel will resonate with different people in different ways, evoking more than a few interpretations of it. It is so worth the watch.

★★★½