#wallpaper stefania

[ciggrtte]

more marina lockscreens haha

[kynky]

Updated my wallpaper, now got a handy app that switches them automatically during work hours.

Also the haai album sounds as good as it looks.

[chicago-geniza]

Hashing out the poetics of Warszawa-Lwów 1939, an asswmblage/collage-montage of repeatedly revised mosaic fragments, non-linear, (though "re-assembled" by Maria D. & Lidia C. later on in chronological order of events, which does not necessarily correspond to the chronology of their creation) that Stefania began writing in 1940 in Paris and continued writing, revising, and rearranging until her death in 1961, though Tyrlecki claims she abandoned the project after the war. Her correspondence with Jelonka, published in the 90s, annuls this claim. A question of genre: it is presented as memoir-cum-reportage, a first foray into documentalist prose, later honed into something more literary, given the shape of a narrative. I contend that shape was there from the beginning, imposed on it by reference, by form, and paying attention only to the stream of consciousness and polyphonic, "collective" voice that drowns the first-person perspective initially and the staccato sentences and photorealistic details a la wartime freeze-frame snapshots does an injustice to Stefania's craft. She's building it as she goes, of course, but the very first story she publishes is, as I've discussed before, an unresolved Kafkaesque allegory about God rejecting sacrifice, embedded in an encounter with an elderly Jew outside the Carmelite monastery in Lublin, bombed by the Germans in September 1939, where he figures as an ironic and tragic Elijah, a prophet who learns a brutal lesson about the ambiguity of prophecy and divine language.

Tl;dr I'm calling it, in my head, "allegorical reportage in which ideas of reference become reality" - need a better shorthand but that's what it is. The associations she makes in the moment go on to indicate the shape of the narrative and the symbols she sees as significant turn out to be so. Divinity (& dziwnosc) exists in "znaki i priznaki" but withdraws from the world in other ways. Views from the window become Cubo-Constructivist paintings that prefigure history; blue flowers in the wallpaper & embroidered roses on the curtains predict what those symbols do in Polish Romanticism; etc.

[mloocks]

wallpaper stefania Spampinato no Brasil

fav por favor

[bambinasavre]

3 amigos

[lockszitos]

like or reblog if u save

[editsfreak]

lockscreens stelle

[jardboop]

(obs: it's not my, but i love so..)

[thedefinitionofendgame]

Station 19 cast wallpaper!

ft. alberto, barrett, boris, danielle, grey, jaina, jason, jay, lachlan, okieriete & stefania ♡

like/reblog if you use/save!

Made by @thedefinitionofendgame (aka me)

[lycheepocketwitch]

carina deluca x maya bishop lockscreens

like if you save

[ciggrtte]

maya and carina [+ marina] lockscreens

[kynky]

One year later...

I use my phone too much for work to keep Gabbie/Stefania as my wallpapers! 😂

Managed to get that prem league app in the perfect spot 😂

[chicago-geniza]

Can tell I'm going to write a quasi-translation quasi-essay quasi-collage Thing about Stefania and Narcyza and "sztuczne kwiaty" (wrote that phrase in big block letters, filled a notebook page at ASEEES, underlined thrice) and the Łódź William Morris wallpaper thing vs. floral folk motifs and chimeras and names as memetic shorthand, placeholders for Referential Data Sets. Zhiznetvorchestvo, the act of naming, and flowers, and death, and mourning. And the superimposition effect from film editing I always forget the name of. Still thinking about that German academic re: Semeyni album & how "Nadya-Nechama" never occurred to him as as a significant transposition-translation, the fatum-trace, what each word means in each language. How the poem gestures at assimilation's "punctuated equilibrium" pace for members of the same generation, in a run-on stanza, Raya who was Rachel/Rokhl, not the other Raya, who's just Raya, po-russki. Always the flowers, though. From Novalis to 1939! Always always the flowers. Narcyza (also - another legacy of floral nomenclature, via France) & her "kwiatki." This is just for me and it's going to have so much Benjamin in it. Why names are given, how they're translated, when and how people rename themselves, name their "self-insert" characters. How un-naming or going back to the un-chosen name, the "untranslated" name in what is seen as that person's most "nationally [or other] essential" language over-against individual nominal self-determination is - it is the same political tactic as deadnaming, actually, always has been.

[mloocks]

header stefania Spampinato no Brasil

[lafataporpora]

Più bella di una foglia di Calathea.... c’è solo una foglia di Calathea#botanic#watercolor#tissue#textil#wallpaper#green#decor#homedecor#pensil#guache#lafataporporaatelier🇮🇪 (presso Stefania Pellegatta -Atelier- Lafataporpora) https://www.instagram.com/p/CB5W7vwAc7U/?igshid=13a0jsk5ew6rf

[indprojctfooddefinition]

List of helpful references 

Feast for the Eyes: How Food and Photography Define Who We Are-https://elephant.art/feast-eyes-food-photography-define/

Through the lens of Wallpaper* contributor Louise Hagger- https://www.wallpaper.com/art/through-the-lens-of-louise-hagger

The iconic photographers who played with their food-https://www.dazeddigital.com/art-photography/article/37093/1/the-photographers-who-played-with-their-food-feast-for-the-eyes

In Pictures: A History of Food Photography-https://frieze.com/article/pictures-history-food-photography

Ruth Rogers on Food, Cooking and Painting-https://frieze.com/article/ruth-rogers-food-cooking-and-painting

A Brief History of Spectacular Dining-https://frieze.com/article/brief-history-spectacular-dining

Biomorphic structures by Ela Kurowska -https://www.dodho.com/biomorphic-structures-by-ela-kurowska/

Discarded by Steve Geer- https://www.dodho.com/discarded-by-steve-geer/

Roe Ethridge on Getting It Exactly Wrong-https://aperture.org/blog/roe-ethridge-david-campany/

https://thephotographersgallery.org.uk/whats-on/exhibition/feast-eyes-story-food-photography

Nickolas Muray, “Lemonade and Fruit Sala

INTERVIEW: DANIEL GORDON:https://www.plastikmagazine.com/interview/daniel-gordon

Kandinsky On A Plate: Art-Inspired Salad Just Tastes Better:https://www.npr.org/sections/thesalt/2014/06/25/325189711/kandinsky-on-a-plate-art-inspired-salad-just-tastes-better

A taste of Kandinsky: assessing the influence of the artistic visual presentation of food on the dining experience:https://flavourjournal.biomedcentral.com/articles/10.1186/2044-7248-3-7

ACROSS THE YUNI-VERSE WITH YUNI YOSHIDA-https://www.plastikmagazine.com/interview/yuni-yoshida

Pearls Puncture and Support Fruit and Vegetables in Photographs by Ana Straže-https://www.thisiscolossal.com/2019/12/forbidden-foods-ana-straze/

Elegant Still Lifes of Luscious Fruits and Perfectly Ripe Vegetables Trapped Inside Plastic Packaging -https://www.thisiscolossal.com/2019/05/not-longer-life/

A Literal Translation Lends a Daring Edge to the First Meal of the Day-https://www.thisiscolossal.com/2019/05/breakfast-tessa-doniga/

Wardrobe Snacks: Thoughtfully Composed Outfits that Perfectly Match Different Foods-https://www.thisiscolossal.com/2017/04/wardrobe-snacks/

“Perhaps, like paint in a tube or a slab of uncarved marble, food without context is not art.”

Emma Enderby, Curator, The Shed

“Good food, like good art, is aware of its environment, and can create memories and evoke feelings in much the same way.”

Max Levai, Director, Marlborough Contemporary

Pairing flavours and the temporal order of tasting;https://flavourjournal.biomedcentral.com/articles/10.1186/s13411-017-0053-0

https://www.behance.net/gallery/92270245/Food-monster?tracking_source=search_projects_recommended%7Cfood

https://www.instagram.com/lazy/

https://thecreativeindependent.com/people/chef-and-food-artist-jen-monroe-on-giving-people-something-to-chew-on/

Jan Svankmajer, Food, 1992, still https://www.youtube.com/watch?v=0yM3uxZjdfo

https://www.thisiscolossal.com/2019/08/le-corbuffet-conceptual-cookbook/

VERTICAL RECIPES | BOM + INTERNOCONCUCINAhttp://www.polpettas.com/vertical-recipes-bom-internoconcucina/

https://www.theguardian.com/artanddesign/2017/aug/01/all-food-fit-to-instagram-have-we-reached-peak-food-porn-photography

Books:

FOOD FOR THOUGHT WITH IZUMI MIYAZAKI

The photographer's cookbook

Studio Olafur Eliasson: The Kitch

https://www.youtube.com/watch?v=GMf8a8d4GQc

FRIEZE MAGAZINE Issue 205

https://www.plastikmagazine.com/

Artist

Stefania Piccioni

Marion Faller and Hollis Frampton

Peter Fischli and David Weiss

Daniel Gordon

RINKO KAWAUCHI

Laura Letinsky

Wolfgang Tillmans

Richard Meek

Ferrero Rocher: "The Ambassador's Party”:https://www.youtube.com/watch?v=4P-nZZkQqTc

Food is the future of experience | Ido Garini | TEDxMünchen-https://www.youtube.com/watch?v=5hYtO7YgKxA

https://www.itsnicethat.com/articles/annie-collinge-rottingdean-bazaar-table-for-one-photography-010520

Poop Machine by Wim Delvoye and Inside out by Luke Evans / http://luk-e.com/inside-out

https://publicdelivery.org/wolfgang-tillmans-still-life/