#volume 7 come out in like two months and im more excited about that than i should be

[harvestmoth]

menou….

[lizbetlovesbyler]

I’d say it took them around 8 months after wrapping season four to release the first volume.

If they want to reduce the wait for season 5 like they did season 4, and chose to break up the season in two, we could see volume one in august at the latest, then possibly volume two further into autumn.

Of course, if they split the season in two equal halves, we could see the first four episodes just as summer starts (pls don’t do that to me i have 12 exams to sit in june 🥲)

I can also see them choosing not to split up the season the same way they did before purely because season 5 is the last season, whilst s4 was somewhat of an intermediate season that was released over a longer period to maintain the hype for the show and keep people engaged.

Since ST is quite literally the most popular US show on netflix, i seriously doubt they are worried about keeping the hype alive as s5 is the last season, I can see them spending more time editing the whole thing and dropping it all at once.

It all depends on the amount of CGI compared to s4, the budget, the size of the post-production crew, and how much content they have to work with.

So here i’m thinking:

S5 is split into two equal halves: Vol 1 (e1-4) are released early summer, Vol 2 (e5-8) are released sometime in september or later.

S5 is split similarly to S4: Vol 1 (e1-5/6?) released in august and Vol 2 (6/7?-8) are released in september/october

S5 is not split and the entire season drops sometime in autumn 2025 (i can see them aiming for a late october/early november release to allign with the time of year the season itself is set in/link back to wills disappearance on nov 6th)

(very rare) S5 is released Weekly? Starting in october, ending in november - IMO this would have been great if the other seasons were released weekly, but since ST has always been formatted for a binger audience, so it might feel foreign to the audience and ruin the flow of the ending - i cannot see them doing this unless each episode borders on 2 1/2 hours long (i don’t even want to know how long this season is going to be but considering they’ve been shooting for a year straight it’s going to be so much longer than s4 despite having fewer episodes)

I know it doesn’t seem soon, but this will fly by! Plus this is purely based off s4, no one is more eager for this season to come out than the Duffer brothers themselves. I don’t know a lot about post-production, but i imagine they can hire twice as many people to hopefully get it out as soon as possible without taking away from the quality of the season.

Im grateful we still have time to be excited about new content and theorise about it because this is the last time we get to do it! Who knows when a show as good as ST will come along again, IF one will come along again?

The wait, however long, will be worth it!

Think about it like we’re closer to watching the final season than we are to when they started filming.

[ectodog]

it’s the 4th anniversary of the premier of vld which of course means i have assembled a rough timeline for my descent into voltron special interest hell. it goes something like this:

- june 10 2016: vld season 1 premiers. i am none the wiser

- january 20 2017: season 2 comes out. this fact is irrelevant to me

- august 4 2017: season 3 happens. still not entirely sure what a “voltron” even is

- mid-august 2017: one of my friends cosplays keith. that’s cool. who’s keith?

- october 17 2017: season 4 arrives. that’s fine i guess

- march 2 2018: season 5 has entered the building. i am vaguely aware that i have known people who watched it at some point. the fandom is apparently “terrifying” but i survived homestuck, so i scoff at the concept and go on with my life

- june 15 2018: season 6 drops. i see a bunch of cool gifs and pretty fanart. coupled with the hype i have absorbed from the lead up to it, i wonder if i should give the show a watch

- june 16 2018: i start watching vld. two (four) episodes in and i love it. i can already tell i’m a hunk kinnie, and this brings me no end of joy

- june 28 2018: within two weeks, i have caught up entirely. i am thriving in the post-s6 hype

- july 20 2018: at sdcc, the Big Reveal happens. shiro is gay. he is a disabled main character of of colour in a wildly popular show for kids, and he is kind and brave and the pinnacle of masculinity, and he is gay. no matter your shipping opinions, this is incredible news and it’s hard to Not ride the high, so why bother trying? they show a trailer and announce the release date for season 7, and within hours a bunch of booted recordings of s7e1 are floating around online

- july 23 2018: my interest level has gotten to the point where i need to make a separate twitter for it, so i do. (fun fact: as of today, less than 2 years later, said twitter has over 7300 posts on it. my main, 4x that old, has ~30k)

- august 10 2018: season 7 is online at 1am my time. im selling at an artist alley all weekend, starting the following morning. i binge half the season anyway before passing out, and completely avoid the internet until i can watch the rest later that day

- october 5 2018: at nycc, the trailer for s8 and release date are revealed. i immediately book the announced day off work because i know i will want to watch the entire thing at once the second it’s out

- mid-october 2018: “leaks” of s8 start appearing online. pretty much no one in the fandom believes them, because no one Likes them. they seem ridiculous. people start making “leakverse” fanworks to feed some of the finale anticipation into, including me. no one really thinks they’re plausible at all

- december 14 2018: season 8 airs. i post a quick but heartfelt fanart before gearing up for 1am. it starts, and i cry. the first time they form voltron, i cry some more. things keep happening, and i keep getting tears on my screen, and i have to pause and start it over and over, but i live tweet the whole thing anyway. the leaks were... real. i come out of it unsure how i feel, exactly, but i am exhausted from the marathon and so immediately pass out

- the same day, after some sleep: im upset and confused as to why the finale season was so hollow. i see im not alone. it’s a rough week, feeling like something i love so deeply let me down so much. i realize it’s only been 6 months since i got into it - but, clinging to a deep sense of betrayal, i cry some more anyway

- the immediate aftermath: there are petitions and accusations of censorship and conspiracies about where the “real” s8 is. it’s hard not to get caught up in, or at least dragged down by, the lack of hype. no one who worked on the show says anything for days, weeks, months. fix it fanwork starts cropping up, and i surround myself in them. none of the excitement from before is there, not the same way it was. i start a new and highly ambitious piece of art out of spite. it’s left unfinished

- january 2 2019: lion forge releases the third volume of vld comics. no one really cares. i certainly don’t

- the intermediate aftermath: it becomes clearer by the day that the season was, simply put, a failure and a flop. no one liked it. kids cried over it and parents had no idea how to explain it to them. the fandom and community dim for a while, but i keep immersing myself in the trove of fanwork that already existed, and i start trying again to make some of my own

- may 29 2019: lion forge comics announces that they are not renewing their license to make more vld comics. that, coupled with the abysmally rated final season, seems to be the nail in the coffin for this iteration of the ip. there won’t be anything else official for vld. somehow, this sparks a renewed interest in me. despite everything, im more dedicated than ever before to preserve and proliferate my good experiences. i know this won’t be a blip in my history as a fan, so i’m determined to be happy with it, as best i can be

- the rest: is, as they say, history. as of now, i have something like 20 fanworks of my own in progress for vld. my ao3 bookmarks number in the 100s, and my to-read list is at over 250. ive made a concerted effort to be more active and engaged in the fandom, because it came so close to fizzling out, for me and maybe for everyone, but it’s brought me so much goodness that i cant and Won’t let that happen, not without a fight

it’s been just under 2 years since i decided to watch voltron on a whim. and it has honestly become a central part of my interests and identity in that time - but for the majority of it, it’s been because of fandom and fanworks, and that’s maybe what made it stick so well to begin with: the creative, varied, amazing parts of it that no network mandate could have offered on its own

this started as a way to catalog my journey into and through vld but honestly it kind of became a love letter to the fandom (at least, my corner of it). that’s what’s made these last years so special - what’s made them simultaneously fly by and feel like a solid constant. a dedicated, talented fan base who are capable of so much more than the constraints of the source material

it’s amazing to look back on, and incredible to keep looking forward to. we’ve all been told - “go, be great”

we have been, and continue to be. like the stars, and like my love for vld, it’s inevitable

so thank you all for the years of “great”. 🖤

[caredogstips]

Top 10 pas in envision books

Dads often get a raw deal in image volumes – often absent or else caricatured as the not-very-smart or the fix-it-all-with-my-toolbox papa. Here Sean Taylor picks the best well-rounded daddies in a selection of fabulous image volumes for papas day

You get more mums than dads in visualize journals. Perhaps thats intelligible. Mums still tower largest in the living conditions of numerous picture-book-aged juveniles. But perhaps it shows our world, in which absent-minded father-gods are ever more common. One route or the other, it would be good to have more papas present in the lives of children, and it would be good to have more papas in word-painting journals.

Sean Taylor with his son Rafa.

And theres something else. The pas who do appear in stories for young children can be quite restricted references. Theres the above-it-all daddy, speaking the newspaper. Theres the not-very-smart father, whos simply a pun. Theres the fix-it , daddy with his toolbox. Theres the about-to-be-absentdad , off to employment. Even the all-loving , Guess-How-Much-I-Love-You kind of dad can feel one-dimensional.

So for my top 10, Ive chosen works peculiarity father-gods who are both at the center of the tale and more alive than the caricatures. The notebooks are ordered approximately by age of reader: younger firstly, older last-place. I hope theres something new for you to find and enjoy.

1. Some Dogs Do by Jez Alborough

A special tale told( as Jez Alborough brilliantly does) in few words and with verses that read just right. A young hound announced Sid is so filled with happiness that he moves! But he cant persuade anyone that this has happened. Hes tittered at. bird-dogs dont fly it cant be done, says his teach. Dogs dont fly! reproduce his friends. This leaves Sid alone and lamentable. But his father comes by. He asks whats wrong, and it saves the day. Sids dad believes in him. He understands Sids free spirit because he shares it. And these two things( literally) lift Sid up again. Its a wonderful image of the magical a father-son alliance can do.

2. The Parent Who Had 10 Children by Bndicte Guettier

A whimsical fable, first are presented in France. The papa in question does everything for his 10 brats. He takes them to institution. He cooks their snacks. He tells them storeys. He caresses them good night. Then, requiring a crack, he constructs a secret ship. He says hell leave the children with their grandma, and sail away for a long vacation. But he cant live without his minors. Hes back soon. The ten babes connect him in the ship. Its an engaging depiction of what it is to have( or be) a affectionate mother. The ludicrous realism outline you in like a nursery rhyme. Precisely right for younger painting volume readers.

3. Petes a Pizza by William Steig

Its raining. Pete cant go out to play ball with the guys. So hes in a bad humor. His father thinks it might clap Pete up to be made into a pizza. Hes right, of course! Dad kneads him and twirls him up in the air. He disperses on cheese( actually torn up fragments of paper) and applies him in the oven( actually the sofa ). This is a celebration of the parents ruse of distracting a grouchy brat with a little bit of zany comedy.( Good maneuver in the book, as far as Im concerned .) And what a wonderfully affection, inventive, energetic father William Steig has created! Pete titters like crazy. And the sunshine comes out at the end.

4. Oscars Half Birthday by Bob Graham

One of many memorable situation volumes from a master of creating papa, mums, children and all human being.( Too fairies, in fact .) A household become strolling to a green slope in the city to celebrate newborn Oscars six-month birthday. Bob Graham covers “the worlds” as a jumble of various types of lives, done beautiful by the excitement that can come between them. And in this story, theres special attention paid to minutes of prayer that children and mothers can conjure up, if they require. I enjoy the dirty-old-town give, with its colourful graffiti. And I like the spiky-haired daddy. He realise the sandwiches. He goes on with the stuff of the family daytime. He does it with love. And hes concerned one of my favourite of all situation work completes. When the kids are asleep, he pushes back the furniture and dances with Mum

5. At the Crossroads by Rachel Isadora

A brilliant volume( who are able dare publish this today ?) by the author of the evenly brilliant Bens Trumpet. In a South African township, some infants expect their migrant-labourer parents to arrive home after 10 months “. They wait, in celebratory mood at first, but with increasing tiredness and uncertainty as the day and the night go by. They tell legends to stay awake. But a very young drops-off asleep. A truck plucks up. Its not their fathers. Then the working day sunups. And, with it, the parents arrive. Theres hardly any characterisation of the pas. They come to life through most children excitement and perseverance. So does the deep emotion of an absent-minded father returning. My boys have often choice this volume at bedtime. And they know it well enough to look up curiously when the papas arrive – to check if there are snaps of joy in my eyes. There typically are.

6. Were Off to Ogle For Aliens by Colin McNaughton

Colin McNaughton was once a prolific word-painting notebook manufacturer. His perky, colorful contact is much missed. I ever feel that there are conventional filaments in it – from pantomime, or music hall even. And you dont get those working in some cool, sharper contemporary drawing journals. Were Off to Appear For Aliens is a lovely yarn. The daddy is McNaughton, himself. The legend starts with his newly published book being delivered. He demo it to his family. And here, the second largest journal is glued into the first. The book-inside-the-book is a catchy verse anecdote about a room passage McNaughton once reached. After a cord of accidents, he fell in love with a exquisite alien girlfriend and she tripped back with him. Its another original dad: irrepressibly playful, eccentric and warm. And theres a amaze. The final spread uncovers McNaughtons wife and kids have big-hearted, overhead eyeballs and additional arms…so the whole story is genuine!

7. Dont Let Go by Jeanne Willis, is borne out by Tony Ross

A story about a father-daughter relationship told in tempo and verse. Megan wants to visit her daddy. But her father is too busy to take her. Megan recommends memorizing to go her bicycle so she knows how shape the expedition alone. Dad schools her. Hes patient and promoting. I wont “lets get going” ,/ Not until “theyre saying”. So Megan overcomes her anxieties. She announces out, Okay, you can let go now! Then shes off into the delight of a first bike go( illustrated by Tony Ross, with a magical style, as a passage past a tiger, into jungle .) Meanwhile Dad is left behind, knowing hes “lets get going” of his daughter in more ways than one. Prepare in the big-hearted, wide world of a windswept park. Lovely writing, as always, from Jeanne Willis. And another human-hearted pa, alive on the page.

8. Ted by Tony Di Terlizzi

This one is for older paint work readers. The narrator is a six- or seven-year-old boy who lives with his rather serious papa. Ted is a large, pink imaginary sidekick who shows up one day, talking about birthdays and raspberries. Antics follow, which get the narrator into deeper and deeper trouble with his father. They develop a barmy game called monopoly twister. Ted causes the boy a bad haircut. They paint the walls. Then they spate the house. Dad cant take it. NO MORE TED! Ever! he speaks. But theres a good twist. Ted tells the boy not to worry. He says he was once “his fathers” imaginary sidekick. They used to play infinite plagiarists. He even remembers where Dads atomic blaster doll is lay. When Dad visualizes his old plaything, remembrances wake up in him. The tale is about to change. And the three of them end up playing cavity pirates monopoly twister.

9. The Christmas Miracle of Jonathan Toomey by Susan Wojciechowski, illustrated by PJ Lynch

A longer narration, more for 5-8 year-olds. It is illustrated with great skill and thought, by PJ Lynch.( And its another one that produces tears to my sees most ages I read it !) Jonathan Toomey is a wood-carver who has moved to a village, far from where his wife and baby succumbed. So this is not a usual situation work pa. He is solitary and suffering. The widow McDowell and her son, Thomas, are newcomers to the hamlet. In their move, they have lost a treasured nativity defined. So they expect Jonathan Toomey if he will carve them a new one. The carpenter reluctantly concurs. His middle warms to both Thomas and Thomass mother. He carves a beautiful replacement nativity defined. In the realise, he faces his terrible loss. And the final, beautiful, image is of the three of them walking side by side on Christmas day with laughter in their eyes.

10. My Dads a Birdman by David Almond, is borne out by Polly Dunbar

Lizzies mum has died and her leader cant cope. In fact, hes decided hes a bird. He thinks that if he was able to make a good duo of backstages, hell fly across the River Tyne and triumph the Great Human Bird Competition. David Almonds eye for whats treasured in the human drama “were living in” stirs this a profoundly enjoyable storey. Its junior myth rather than a portrait notebook. But it does have wonderful artwork by one of best available scene book illustrators at work these days: Polly Dunbar. So Ill objective my list with this. Lizzies father is just the sort of rounded, hiring daddy Im pointing to. Hes wounded and inarticulate. But he brims with stuffs that they are able make a good leader: desire, fun, devotion, intensity. And the floor has a positive outcome, as he and Lizzie try the impossible.

Photograph: PR

Sean Taylor is the author of numerous notebooks for children of many different ages. He is also the father-god of two young sons. His new picture book, A Brave Bear( is borne out by Emily Hughes, is issued by Walker Books) is a fib of a father and a son on a red-hot day.

Read more: www.theguardian.com

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