#viren casting the anti-dragon spell in the last season
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Tron Uprising đ€ The Dragon Prince -> âYouâre SURE this is a kidsâ show? After they showed us THAT?â
#tron uprising#the dragon prince#(Iâm not saying this is bad btw. just surprising.)#aaravos literally crushing a dude with visible blood#tron gets a buzzsaw to the eye#That bit with blood-covered Claudia at the beginning of season 6#(and it actually looks kind of. realistic?)#Tesler shows Paige the cube-gore-covered hospital in the flashback#dudes getting run over and smeared to bits by a recogniser#the reason aaravos turned evil#Tesler has a nightmare about half a bleeding dude crawling towards him#viren putting people in coins#and claudia threatening to throw those same coins into lava#aaravos incinerating a woman as she screams in agony#pavel straight up murdering prisoners for fun#the code worms#viren casting the anti-dragon spell in the last season#the FUCKINg public execution where theyâre going to get drawn and quartered by lightcycles#(that one especially had me like woah)#cyrus in general#also aaravos in general#and timeskip claudia#uprising at least has the pseudo-excuse of all the gore being cubes#not so in the dragon prince. yep thatâs blood.#I LOVE claudia#her arc is so compelling
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Torture in Fiction: The Dragon Prince
The Dragon Prince is a wonderfully written and beautifully animated cartoon. I donât usually take on a whole series but I was interested in the pitch and have fond memories of Avatar: The Last Airbender. I was curious to see what the creators had come up with since.
And overall I really enjoyed it. The characters are engaging and the plot is an interesting twist on a lot of typical fantasy tropes. (It also helped that this is the first time Iâve seen an animated character sign.)
The review contains spoilers for the entire season (1) of this cartoon.
After humans started using dark magic, magic drawn from destroying naturally magical creatures, an alliance of elves and dragons drove them to the western side of the continent. In the war that follows humans killed the dragon king and destroyed his egg.
Years later a group of elves sneak into the human kingdom, determined to assassinate the king and his son in revenge. Rayla, the youngest of the assassins, discovers that the egg is intact and alive. With the human princes, Ezran and Callum, she sets out to return the egg, the titular Dragon Prince, to his home.
But once again Iâm rating the depiction and use of torture, not the story itself. Iâm trying to take into account realism (regardless of fantasy or sci fi elements), presence of any apologist arguments, stereotypes and the narrative treatment of victims and torturers.
Which means Iâm not focusing on the main characters or their plot line here. Instead this review is going to focus mostly on three side characters: Runaan, the leader of the elven assassins who kills the human king, Viren, a dark mage and the kingâs advisor who takes over the country on the kingâs death and Gren a guardsman loyal to Ezran and Callumâs Aunt.
Viren chooses to have Runaan kept alive and imprisons him in a stone cell. Heâs chained in a seated position with his hands raised above his head. Viren attempts to bribe and threaten Runaan into revealing information about a magical artifact. Runaan refuses and in retaliation Viren casts a spell imprisoning Runaanâs essence in a coin.
As Viren tries to consolidate power he clashes with the princesâ aunt, a military commander who insists the boys are alive and should be searched for. Viren manipulates her into returning to the front lines but not before she leaves Gren in charge of searching for the missing princes.
Viren has Gren imprisoned. Heâs chained in a standing position with his hands kept level with his head.
Iâm giving it 2/10
The Good
1) Torture and the threat of torture is used in the context of interrogation but the story shows it failing. Runaan rejects every request for information Viren makes. He also rejects every 'olive branch' Viren extends.
2) Torture isnât shown changing or even mildly influencing Runaanâs strongly held beliefs. If anything the story shows Runaanâs anti-human stance becoming more entrenched in response to torture.
3) Virenâs motivation for imprisoning and torturing both Runaan and Gren is quite in keeping with reality. Runaan is an enemy soldier. Gren is loyal to the old regime that Viren is actively trying to replace. This makes both of them political enemies, treated as threats to the new regimeâs security. Thatâs incredibly true to life.
4) The timing of Virenâs bribes also felt like a good point to me. Runaan is captured and abused and then Viren attempts to bribe him into cooperation. First he uses food and drink, then he uses the offer of freedom. I donât know whether it was intentional or not but I liked this element because it supports the notion of Runaanâs opposition becoming firmer as heâs mistreated.
5) I enjoyed Virenâs general characterisation throughout this and the way he justifies his actions. He presents himself as a âpragmatistâ. He says heâs willing to make the âtough choicesâ for the good of others and the Kingdom. Thatâs the kind of torture apologia torturers often parrot.
6) And that view doesnât go unchallenged in the story. Other characters point out that Virenâs actions mostly benefit himself. His cruelty and his so-called âpragmaticâ lack of morals are presented as causing bigger problems than they solve. Together it creates a really good, succinct and understandable portrait of a torturer. It shows him parroting typical torture apologia and it shows why those views are wrong.
The Bad
Both Runaan and Gren should be dead several times over.
The portrayal of stress positions here is frankly appalling. It's difficult to be exactly sure about the passage of time in the story but Runaan is kept with his hands chained above his head for at least a week. Gren is kept standing for days.
Stress positions kill after about 48 hours.
In this case, neither character is depicting as suffering due to the way they're restrained.
Runaan is shown suffering but this is visually and narrative linked to other things. He's bruised because he was beaten when he was captured. His arm is withering due to a curse. He's weak because he's refusing to eat and drink (which should also have killed him, however Iâm willing to give that more leeway in a non-human character). But the stress position he's kept in isn't depicted as fundamentally harmful.
This is more or less repeated with Gren. He isn't shown refusing food or drink and he wasn't beaten when captured. His posture in his chains is relaxed. He shows no signs of pain or discomfort. He leans against the wall and whistles. His movement, colouration, coherency and memory all seem to be completely unaffected.
Stress positions are incredibly harmful. They are painful. They cause wide scale break down of muscles in the victimâs body. This initially leads to a build up of fluid in the extremities. Which causes painful, discoloured swelling in the limbs, sometimes to the point that the skin ruptures into blisters. As more muscles are destroyed the protein released into the bloodstream becomes too much for the kidneys to handle and they fail. One description I read described the kidneyâs being turned into âswiss cheeseâ.
The result is a protracted, painful death that can occur a significant period of time after the victim is released from the stress position.
The fact that itâs a stress position singled out as a âharmlessâ torture is extremely significant here.
This is a torture that generally doesnât leave lasting marks. Itâs a torture thatâs common in the modern world. And we unfortunately live in a world where torture trials often hinge on the presence or absence of âphysical proofâ.
Scars.
Survivors are regularly dismissed and belittled because they were tortured in ways that didnât leave obvious marks on their skin. Because their torturers used techniques like stress positions.
Showing these tortures as harmless backs up the societal view that these tortures donât âcountâ. That the pain these victims experienced was not real and they donât deserve our help or compassion.
It backs up the notion that these particular victims are to blame for what they suffered.
These arenât obscure philosophical notions or debates. These tropes, these patterns, these arguments affect our treatment of torture and torture survivors now.
They are part of the social structures that deny torture survivors asylum. They are part of the reason it takes survivors an average of ten years to access specialist treatment.
Presenting these apologist views uncritically to young children isnât neutral either.
Because even without taking into account parental blockers on internet searches accurate information on torture is incredibly difficult to find. Any curious viewer, of any age, who watches these scenes and searches for more information would come across more torture apologia long before they find research on torture.
Especially as they may not even link what they saw to torture.
A casual viewer would first need to make that link. Then be aware of the term âstress positionâ. Then be aware of the academic journals or niche authors who publish on these topics. And then have access to enough money to pay for those sources.
Some of the sources are not available in translation.
The result is that the overwhelming majority of viewers are likely to accept what they see: that stress positions cause no harm.
These details are small. They donât get a lot of screen time. Theyâre unimportant to the plot.
But they are not neutral. They matter.
The way the different ideas at play here interact matters. As does their impact on the real world.
And as a result, despite many good points in the portrayal of torture, I feel like I have to give The Dragon Prince a low score.
Overall
Part of the reason I wanted to review this was to highlight how prevalent torture is in childrenâs media and how cartoons are often sending out the same misinformation as adult action movies.
The Dragon Prince doesnât suggest that torture works and it doesnât justify brutality. But at the same time itâs downplaying the damage torture causes by treating some tortures as essentially harmless. Itâs telling that the tortures singled out this way are clean tortures common in the modern day.
The tortures that victims are commonly subject to now, the ones that donât leave lasting marks, are the ones being singled out as harmless. As not âproperâ torture.
The message that only some tortures and only some victims âcountâ starts young. And the sad thing is the people creating this, writing it and drawing it probably had no idea they were portraying torture when they chose to have characters chained to the wall.
The background knowledge most people have on torture is poor, made up of apologist tropes and rumours and misinformation. But it is so widely accepted that it probably doesn't even occur to most creators to fact-check what they write.
And the result in this case is a wonderfully made cartoon, which includes fantastic representation of disability, of racial diversity and women. While parroting tropes about torture that are actively harmful to victims.
Edit: If creators are not prepared to show the effects of torture then they should not use torture. If those effects are unsuitable for a childrenâs show then Iâm left wondering why they included torture.
Personally, given the level of research these particular creators lavished on other areas, I suspect this was ignorance not malice.Â
Disclaimer
#tw torture#torture in fiction#the dragon prince#clean torture#scarring torture#torture apologia#stress positions#fantasy
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