#villem flusser

[espacioph]

Bibliografía y webgrafía

https://fotonoviembre.org/

https://fotonoviembre.org/fotonoviembre-2021/mediateca/

http://teresaarozena.net/index.php?/articles-/

http://www.americansuburbx.com/

https://e-lur.net/

https://kbr.fundacionmapfre.org/

https://ajuntament.barcelona.cat/lavirreina/es

http://strobist.blogspot.com/

https://www.dpreview.com/

https://luminous-landscape.com/

Básica:

AROZENA, Teresa (Ed.): "Dispositivos de la fotografía. Archivo y relato en la visualidad contemporánea”. Publicación del Seminario XVI Bienal Internacional de Fotografía Fotonoviembre 2021. ISBN: 978-84-124928-5-9.

BARTHES, Roland: La cámara lúcida. Nota sobre la fotografía, Gustavo Gili, Barcelona, 1982.

BENJAMIN, Walter: Sobre la fotografía, Pre-textos, 2005. ·

MELLADO, José María. Fotografía digital de alta calidad, Artual, Barcelona 2006.

SONTAG, Susan: Sobre la fotografía, Edhasa, Barcelona, 1981. ·

VARIOS AUTORES. Enciclopedia focal de la fotografía, Omega, Barcelona, 1975, 3a edición

VARIOS AUTORES. La imagen fotográfica. Akal, Madrid, 2007. Complementaria:

BRIGHT, Susan: Fotografía hoy, Nerea, 2005.

DUBOIS, Philippe: El acto fotográfico. De la representación a la recepción, Paidós, Barcelona, 1986.

EGUIZABAL, Raúl: Fotografía publicitaria, Cátedra, Madrid 2001.

FLUSSER, Villem: Una filosofía de la fotografía, Síntesis, Madrid, 2001.

FONTCUBERTA, Joan.: El beso de Judas. Fotografía y verdad, Gustavo Gili, Barcelona 2002.

FONTCUBERTA, Joan. Estética fotográfica, Blume, Barcelona, 1984.

JACOBSON, Ralphe.: Manual de fotografía. Omega, Barcelona 1996

LANGFORD, Michael: Tratado de fotografía. Omega, Barcelona 1999.

PICAUDÉ, Valérie y ARBAÏZAR, Philippe: La confusión de los géneros en fotografía, Gustavo Gili, Barcelona, 2004.

PRÄKEL, David: Principios de fotografía creativa aplicada, Gustavo Gili, Barcelona, 2011.

RIBALTA, Jorge (eds.): Efecto real, debates postmodernos sobre la fotografía, Gustavo Gili, Barcelona, 2004.

RODRÍGUEZ, Hugo: La imagen Digital. Conceptos básicos. Marcombo, Barcelona, 2009.

SHORE, Stephen: Lección de fotografía. La naturaleza de las fotografías, Phaidon, Barcelona, 2009.

SHORT, Maria: Contexto y narración en fotografía, Gustavo Gili, Barcelona, 2013. T

AYLOR-HAW, Calvey: La iluminación en el estudio fotográfico, Omega, Barcelona, 2009.

VARIOS AUTORES: Vitamin Ph. New Perspectives in Photography, Phaidon, 2006.

[hexagonalviews]

Images are mediations between the world and human beings. Human beings 'ex-ist', i.e. the world is not immediately accessible to them and therefore images are needed to make it comprehensible. However, as soon as this happens, images come between the world and human beings. They are supposed to be maps but they turn into screens: Instead of representing the world, they obscure it until human beings' lives finally become a function of the images they create.

Villem Flusser, Towards a philosophy of Photography

[clarestrand]

Artist Residency With The Royal Academy of Art Antwerp

"Music creates a cybernetic circularity as it nourishes the body with vibrations while awaking the mind. Music illuminates the inner darkness of our black boxes. When listening to music, we feel that the separation between man and world disappears; we transcend our skin and our skin transcends us” (1)

The philosopher Villem Flusser was one of the first to anticipate the advancement of the internet and networked culture dominated by the technical and electronic image. In the last chapter  of Into the Universe of Technical Images, Flusser describes his vision of chamber music as the paradigm  model for, "dialogic communication in general, and for telematic communication in particular”  

Clare Strand's residency with the Working Tools research group at The Royal Academy of Fine Arts builds on her engagement with the transmission and circulation of a photograph. Her recent work ‘

Discrete Channel with Noise, utilised a coded system of numbers 1- 10 as monochrome tonal values to transmit and duplicate an image from sender to receiver without the use of the internet. Strand has taken this photographic code and invited chamber musicians from the Royal Conservatoire to 'play a photograph’. Each musician individually interpreted the code, playing a notated sound for each number,  working autonomously but also as a group through gesture, intuition and feedback. Each time the photograph is performed new information is output. Without conductor and linearity, the musical sender and receivers operate in 'telematic dialogue', guided by a set of musical rules only to be built upon and replaced with new understandings and musical scores.

The second phase of this project is to develop a machine programmed to play any photograph incorporating the analogue sounds of the chamber music musicians.

1. Dies Geste de Musikorens ( The Gesture of Music Listening) Vilem Flusser 1991.

[samm-sutton]

Notes to come back to, Villem Flussers Toward a Philosophy of Photography

[33ana3rdbooks-blog]

Morning world. What is everyone #reading this fine #spring day. Re-reading this by Villem Flusser, one of the finest theoretical books on #photography in my opinion. #flusseriana #flusser #philosophers #photography #philosophy #onphotography #amreading #books #bookshop #bookstagram #33ana3rdCurios #bookstagrammer #bibliophile #bookstore #booksofinstagram #cameras #35mm

[writing-photographs]

Writing Photographs  Spring/Summer Events 2017

Public events – all welcome!

We are pleased to announce the continuation of our series of research events on the relationship of photography and writing – and how photographs are expanded, altered and dissected through text in the gallery context.

The talks will held here at London College of Communication and be introduced by short presentations of works by current students and alumni.

Talk: Michael McMillan: ‘Words, Sounds, Images & Things’ Wed 1 Feb 2017, 5.00-6.00, Lecture Theatre B

I am interested in telling stories and the installation-based works I create use imagery, video, sound, voices, and text to invoke the performativity in the material culture of everyday things like characters in a play.

Dr. Michael McMillan, playwright/artist/curator, is Lecturer in Cultural & Historical Studies at London College of Fashion and an Associate RAS Researcher (UAL) as well as a Research Associate with the Visual Identities in Art & Design Research Centre (VIAD) at the University of Johannesburg. Michael curated the critically acclaimed The West Indian Front Room exhibition (Geffrye Museum 2005-06). http://www.thefronteoom.org.uk http://www.peckhamplatform.com/artists/michael-mcmillan

Talk: David Mollin and Salomé Voegelin: Writer’s habits Wed 8 Feb, 4.00-6.00, Lecture Theatre B

This performance is a talk, loosely based on the idea of an artist’s talk that demonstrates and discusses the voice and text as part of artistic production. Referring to their own work and its contexts in poetry, the news, architecture and language, David Mollin and Salomé Voegelin problematize through critical theory, live interventions and more colloquial discussion, ideas around words and language as things of image and sound, in contemporary art practice. 
An ornithological interest meets the notion of technology and community through the presence of Villem Flusser, and gains a new articulation as swarm through the voice of Franco “bifo” Berardi; anecdotes, taken from the internet, on how to write will guide proceedings into the realm of Terence McKenna’s experiments with the hallucinogen DMT; and while the British geneticist J.B.S. Haldane will lead the charge into “the universe (that) is not only queerer than we suppose but queerer than we can suppose”, Hindu numerology and the particular numerological time structure of the virtual environment of the computer game, interjected by other concerns about words and texts will form the content of proceedings.


David Mollin and Salomé Voegelin are Swiss-UK artists working since 2008 collaboratively as Mollin+Voegelin on projects that focus on invisible connections, transient behaviour and unseen rituals. Their work reconsiders socio-political, architectural and aesthetic actualities through the possibilities of things, sounds, voices and words, whose invisible mobility invites an individual and collective inhabiting and promotes participation. Their work take the form of installations that as “dispositifs” lend shape and a setting to the performances that happen within them, and that in turn expand the installative material in a temporal mode. In this way they entail a relational dimension: bringing associations, conditions and dynamics into view and prompting different perceptions and insights in response to particular architectural, geographical or conceptual sites. Their work has been shown at Kunstraum Riehen, Switzerland 23.05-28.06.2015 and at Dar Bellarj, Partner Project of the 6. Marrakech Biennale, Marrakech, Morocco 24.02-08.05.2016, and the Showroom London (with Thomas Gardner). Most recently they have been awarded a highly remunerated Art and Architecture award from the Kunstkommission Bern, Switzerland, to realise a public art project in the city. www.davidmollin.net www.salomevoegelin.net @mollinvoegelin 
 Joseph Kendra: If You Had a Year to Change Something What Would You Do? Wed, 3 May, 2.00-4.00, Lecture Theatre A

The BMW Tate Live Thought Workshop Series 2013-14 was a project that explored the possibilities of change and transformation, through ideas about art, thought and technology. Organised in partnership with theatre company Quarantine, the project asked people to answer a simple question: If you had a year to change something, what would you do? A group of 30 recruited participants met across a series of events between 2013-2014, with invited guests from a wide range of disciplines. The ‘Thought Workshop Series’ acted as a case study for Tate Exchange, a new space at Tate Modern for the public to collaborate, test ideas and discover new perspectives on life, through art. This talk explores how long-term collaborations between institutions, artists and the public might transform the way we think about current artistic practice, learning and the role of the museum.

Joseph Kendra is Curator, Public Programmes, Tate Modern and Tate Britain. He has held several positions at Tate over eight years as well as working for the BFI Southbank and Barbican Art Gallery, London. He holds an MA in Visual Anthropology from Goldsmiths, University of London, and an MA (Hons.) in Social Anthropology from the University of Edinburgh. He has worked on public programmes for Tate exhibitions including Wolfgang Tillmans, Malevich and Conflict Time Photography and has organised a number of high profile events and conferences featuring names such as Hal Foster, Theaster Gates, Zaha Hadid, Marc Jacobs and Saskia Sassen.

Followed by:

Wed, 3 May, 4.30-8.00, Shopping Centre Project Space Private View ‘Writing Photographs’ exhibition with new text and image constellations by LCC students from MAP, BAP and PhD programme, alumni and staff – aiming to extend recent definitions of ‘writing on the wall’ through other means.

Writing Photographs - a Debate on how Text and Image relate through Installation Sat, 6 May, Tate Modern, Starr Cinema, 2.00-4.00 – followed by workshops Building on London College of Communication’s reputation for conceptual photography this event brings together an international line up of artists to explore current approaches to how photography is expanded, altered and dissected through writing as part of photographic exhibition works. Putting forward photography as essentially interdisciplinary, we will be looking at how text and writing counter notions of the photograph by bringing in elements such as voice, technology, performance and as a means of writing in the expanded field, all adding to the contemporary field of Writing Photographs. Confirmed speakers include Erica Scourti and Marcus Coates.

Please RSVP or direct enquiries to:
Wiebke Leister w.leister@lcc.arts.ac.uk
Beverely Carruthers b.carruthers@lcc.arts.ac.uk 
For updates see: http://writing-photographs.tumblr.com

Photography and the Contemporary Imaginary Research Hub Funded by UAL Communities of Practice fund, LCC Research fund and UAL Teaching Scholars award.

[aslikutluay]

2 MAYIS 2018,  #csm @cankayacsm deki #açıkoturum dan “Kabul edelim ki, bir göç felsefesi henüz yazılmamıştır” (Villem Flusser). PANEL DISCUSSION: "Admittedly, a philosophy of emigration has yet to be written" (Villem Flusser) #moderator #beralmadra #panelists #AylinNazlıaka   Independent Member of Parliament  Education: B.A. METU, Economics Dott. Fabrizio Paolilli   First Secretary, EU Politics Counsellor Italian Embassy Dott. Vittorio Urbani #vittoriourbani Curator and Art Critic - Nuova Icona Cultural Association for the Arts, Venice Dr. Besim Can Zırh #besimcanzırh Assistant Professor, Vice Chair - Dept. of Sociology, METU Education: B.A., M.S.: METU, PhD: University College London Representatives from IOM (International Organization of Migration) (Çankaya Belediyesi Çağdaş Sanatlar Merkezi)

[hellospacecat]

Transfer Gallery 

http://transfergallery.com/

Upfor Gallery (portland, oregon) curated this exhibition at Transfer Gallery

The three hosted exhibitions feature Upfor gallery artists working in a variety of media:

Iyvone Khoo (April 8 and 15) presents a multichannel video installation, The Edge of Reasons, a conversation between humans and Pyrocystis fusiformis, a bioluminescentnmarine organism. The artwork records an experiment in which human-created vibration is translated to ripples, which cause the plankton to glow. Filming at the Latz Laboratory, Scripps Institution of Oceanography in San Diego, Khoo varied sound stimulation, flow visualization and macro videography to reimagine the phenomenon of bioluminescence. The project is supported by the MEAD Fellowship, University of Arts London, UK.

Khoo (b. 1975 in Singapore) lives and works in London, England. Her diverse media include glass, photography, video and bioluminescence. Often employing a spirit of investigative play, she considers how perception shapes experience, sometimes using the camera lens as a surrogate eye. “I use light as a form of painting, space as an extension to the canvas and video as a polymorphic visual tool,” Khoo explains. Khoo earned her MFA at Central Saint Martins, University of the Arts, London.

Birch Cooper (April 22 and 29) will have the official opening and book launch for his acclaimed online exhibition, Convolution Weave Structures, currently on view at upfor.digital. Cooper’s exhibition superimposes complex virtual sculptures onto documentary images of Upfor’s physical gallery space taken during a beautiful spring day–all of which will be digitally displayed at TRANSFER’s Brooklyn space. The exhibition is accompanied by a physical book of virtual sculpture and a digital download album.

Cooper (born 1985, Fairbanks, AK) is a musician and visual artist who lives and works in Brooklyn, New York. Cooper performed and made artworks as part of the Oregon Painting Society (active 2007-2012). As part of the collective MSHR (active 2011-), he creates installations and performs with artist Brenna Murphy at transmediale (Berlin), PioneerWorks (Brooklyn), Time Based Art Festival (Portland, OR), Musée des Arts Creteil and HarvestWorks (New York), among others. Cooper holds a degree in Interactive Musical Sculpture and Composition from Evergreen State College in Olympia, Washington.

Pinar Yoldas (May 6 and 13) presents the debut US screening of The Kitty AI : Artificial Intelligence for Governance (2016). It is year 2039. An artificial intelligence with the affective capacities of a kitten becomes the first non-human governor. She leads a politician-free zone with a network of Artificial Intelligences. She lives in mobile devices of the citizens and can love up to three million people.

Yoldas (b. 1979, Denizli, Turkey) is a designer/artist/researcher whose work develops within biological sciences and digital technologies through architectural installations, kinetic sculpture, sound, video and drawing with a focus on post-humanism, eco-nihilism, anthropocene and feminist technoscience. She has exhibited widely in Europe, Turkey, Asia and the US. Recent residencies include the MacDowell Colony, UCross Foundation and Transmediale Villem Flusser research residency at UdK Berlin. She holds a Ph.D. from Duke University, one of a total of four graduate degrees in sciences and fine arts. She had her first solo painting exhibition when she was five.

ABOUT UPFOR GALLERY

Founded in 2013, Upfor presents contemporary art from emerging and established artists working in digital and other mediums. The gallery is located at 929 NW Flanders Street, Portland, Oregon 97209. Gallery hours are Tuesday–Saturday from 11:00 am to 6:00 pm, Sunday from 12:00 to 5:00 pm and by appointment. For more information about our programming, please visit upforgallery.com.

[winkingatthevoid]

[artcoefficient]

Pinar Yoldas: a neuro-enthusiast

Pinar Yoldas is a cross-disciplinary artist/researcher, an all-in-one designer and a neuro-enthusiast. Based on her varied background in architecture, interface design, computing and neuroscience, she seeks to enhance the transformative power of art through the creation of hybrid artforms, and concurrent use of various media. Pinar has been awarded fellowships in art and science venues including the Transmediale Villem Flusser Art/Theory Award for her project “an Ecosystem of Excess”

[juleosten]

Das neue Foto ist daher ein Beispiel für die entstehende Kultur der immateriellen Information.

Villem Flusser

[xtinalatina]

This is the design that is the basis of all culture: to deceive nature by means of technology, to replace what is natural with what is artificial and build a machine out of which there comes a god who is ourselves

[aslikutluay]

SOS MEDİTERRANEE SİCİLYA’DAN İTALYA VE AVRUPA’YA / FROM SICILY ITALY AND EUROPE MOKHTAR AZIZI FOTOGRAF SERGİSİ / PHOTOGRAPHY EXHIBITION ASLI KUTLUAY YERLEŞTİRME / INSTALLATION : AMA’NIN MEKÂNI / AMA’S PLACE KÜRATÖRLER / CURATORS: BERAL MADRA VE VITTORIO URBANI AÇILIŞ 2 MAYIS 2018 - 18.30 / OPENING 2nd May 2018 – 18:30 SERGİ: 2-14 MAYIS 2018 / EXHIBITION 2nd-14th May 2018 AÇIK OTURUM: 2 MAYIS 2018, 16.00-18.00 / 2nd MAY 2018, 16.00-18.00 “Kabul edelim ki, bir göç felsefesi henüz yazılmamıştır” (Villem Flusser). PANEL DISCUSSION: "Admittedly, a philosophy of emigration has yet to be written" (Villem Flusser). Moderator: Beral Madra Panelists: Aylin Nazlıaka, Dott. Fabrizio Paolilli, Dott. Vittorio Urbani, Dr. Besim Can Zırh, IOM’dan Temsilciler ÇANKAYA BELEDİYESİ ÇAĞDAŞ SANATLAR MERKEZİ @cankayacsm (Çankaya Belediyesi Çağdaş Sanatlar Merkezi)