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roo-bastmoon · 2 years ago

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IMPORTANT INFO: issues around Jimin’s album

I have an ARMY friend (who shall remain safely anonymous) who works in film production for the music and entertainment industry here in the US. They offered me some valuable insights today into production limitations and possible issues related to Jimin’s solo album.

Below the cut is a transcript of their messages to me. I share this in the hopes it better informs our discussions around fair treatment of BTS members’ releases. It is by no means a definitive account of Jimin’s situation—simply an insider’s ideas on what likely happened around a few things.

I understand there are very big feelings about this topic, especially with the apparent differences around JK’s single, and I appreciate everyone’s viewpoints. However, if you choose to interact with this post, you will be respectful to others (including members) or you will be blocked. You are always welcome to DM me privately if you need to vent—we are all human and we all need a bit of grace, so you’ll always have that with me.

Sending you guys so much love, Roo

Anonymous Insider

Some “light reading” while you’re resting up and recovering, lol. This is all just based on what I’ve been watching and seen. Of course, I don’t have access to their production budget sheet and Korea works very differently than the US when it comes to production, but this what I’ve been seeing when it comes to their videos and particularly the promotions for FACE.

(I’m sending in sections, lol)

Alrighty - I’m still like deep in edit-land (still am two days later 😭) but I started typing this on the train between meetings, ha ha. (And am still on the train doing this, lol.) Also this rambles a bit I’m sorry! So the first thing I did was go back to the interview where Jimin talked about the music videos — it was a Japanese TV show and he’s talking with a host in Korean.

He’s talking about “wanting to do it all,” laughs and says, “I wanted all the music videos” and that “they” (the company assuming) said “무리다” which has its roots in the word 무리 which means a herd, a party, a group — basically “it’s too much,” “it’s unreasonable,” and “it’s impossible” are decent translations as it refers to something or an idea being “too much” — then the host and Jimin burst out laughing and the host goes “서리와 무리다” which I read as “sorry (in konglish) but we can’t” and they continue to laugh. So based on that —it sounds very understandable.

We can imagine Jimin sitting down with his team and planning out SMFP2 and LC videos, with the 30 dancers and all the party scene extras, and then Jimin saying he wants to do the music shows with 6 different sets in rented locations so they could have total control. And if Jimin in that process went “what if we made official music videos for all of them?” the team would understandably go “that’s just not reasonable!” 1) because it would give Jimin a budget no other member had gotten and 2) there aren’t that many production houses in Korea. It’s a very small scene — it may just logistically not been possible. There aren’t enough DPs and crew and editors. Sometimes, as a producer, you have to tell your creative talent “I’m sorry, but no.” — I say it every week!

So what about the music videos? Well, here’s what I know from meticulously watching all the behind the scenes for BTS videos over the years. They work with a small team. They likely own a good deal of the gear — they shoot mainly on RED cameras and heavy expensive Cooke lenses (which you can’t get this stuff easily in Korea. I lost a lens cap for a Canon CINÉ Lens in Seoul and it was like this whole big deal because getting gear there is an import challenge but anyways) they use MOVI and Ronin gimbal stabilizers and Jimmy Rigs a lot.

Recently they’ve been using technocranes but I wonder how many technocranes there are in Seoul. As I said, they likely own a lot of this gear which can help with costs. But we’ve also been told — and I’ve heard through my industry friends — that Hybe PAYS. And in Korea there’s no unions in the entertainment world, and often the rates are shit (hence Netflix investing so much there - blerg) their standard work week is also already 12 hours longer than the US. It’s a whole thing. and they spend so much money on sets. It’s incredible.

They rent these huge spaces outside Seoul and BUILD — I mean the build out for SMFP2 was astounding. They easily dropped 1million on that video. The rigging, the build-out, the custom set and the custom camera rigs to achieve the 360 shots - the drone shots. They’re astounding videos. No US label is spending that money on videos these day. Absolutely none of them are — my friend recently produced a video for John Legend. They were trying to pull the whole thing off for $100K which is ridiculous. It’s really almost impossible.

But on the Big videos they spend a lot of money, but they also produce a lot of other stuff too (and these are often looked at as Performance Videos vs all-caps MUSIC VIDEOS) -— like RM’s video shoot at DIA Beacon… that was a much smaller, fairly single camera shoot — all shot on drones or a MOVI handheld rig. No set, they also didn’t like pay for the set because DIA: Beacon is an art museum — and similar a little bit to Letter for Jimin, which was much smaller set and easy in-house gear.

(And it was also released on Bangtan TV channel vs Hybe Labels Channel, which is a good indicator of how they categorize these shoots.) But the big videos, they go for broke. I mean they spend so much money and again they may own a lot of the equipment but there’s still so much people-power and labor involved. Take the dancers’ rehearsals. You have to pay people for all that — you have to pay them for the weeks of rehearsal, you have to pay them to be in a video. It is so expensive — like, I would not be able to budget that video for under 1 million, that’s how much it costs.

So then Jimin wanted to do music shows —- and so because he’s Jimin and it’s BTS, Hybe rented larger venues and locations for all of the shoots. None of them use the actual Broadcast spaces or were provided by the broadcast studios. The smaller companies do though — remember when BTS first started out they went to SBS to film on the day? — but they don’t do that anymore. They rent huge facilities so that they could be a mini concerts for ARMYs to visit with Jimin and see him.

They also have to do this kind of outside of the city and they built huge sets because they’re going to want to show off if they’re gonna be on TV but that is so expensive. (I don’t think you were an ARMY then, but when ON was released, at the time it was the “biggest broadcast performance ever” and they keep upping that ante for sure!) It’s possible the broadcast companies spend some money but what BTS is doing is so outside the usual budget and given the tension with the broadcasters and HYBE — they (Hybe) wants control of their products, and so I think they pay for that control.

I can’t imagine they got out of any of those days for under $500K; I mean, there were two different sets, all the crew; they’re paying for all of it. We add it up and they probably spent close to $3-5 million between Jimin’s music videos and his music show performances, and I would be understandably like: “That’s it!” Like, that’s the budget for an EP, you know.

I don’t think Jimin could have it all because that wasn’t the case for the other members. RM got to lead videos and J Hope had pyrotechnics, which definitely costs money and safety and insurance. You know he had visual effects his first video (a lotta visual effects) and again a lot of challenging technocrane work, but I haven’t really seen them build something on the scale of what they built for SMFP2 in a very long time (or ever?).

We heard from the Art Dept that Jimin did not want to shoot on blue screen, so they built the set for him. This cannot be the same label that is shafting him — that allows him to spend that amount of money just because the artist said “I want to shoot in a real space!” because I’m gonna be completely honest— he could’ve done that on a blue screen — I’m glad they built a real world because BTS almost always shoots on Blue/Green Screen. They build him a huge set like that. It’s absolutely incredible.

I was also reminded this morning that people are talking about radio for Like Crazy and not supporting the song — and I just keep thinking that they did exact rollout for Butter, Dynamite, and Permission to Dance. They released Like Crazy. It had both a Korean version and English version. (Obviously that wasn’t the case for the English BTS songs.) They released two additional remixes. Then they kept releasing, like, alternate cover versions — alternate covers of the main remix, alternate cover the other remix. They were trying to maximize the direct-to-consumer store and exact same way they had tried to maximize it with Dynamite and Butter and Permission to Dance.

The way you were buying Like Crazy was the same process I took on Dynamite. They did the exact same playbook. So the fact that they were unable to get the kind of radio play they wanted or maybe they weren’t prioritizing radio because they knew that they were gonna have a better chance at direct to consumer sales... Maybe they didn’t want to fight radio. Maybe Geffen was like “We don’t have the right ‘Ins’ yet!” — I’m not sure, but the fact that they got completely screwed over by Billboard doesn’t mean that they weren’t actually rolling it out in that way, because as soon as they started doing the whole alternate cover thing, I was like: “Well, they clearly want us to try to go for number one!” You know, “They clearly think that they are going to be able to get number one on the hot 100 and we’re gonna use these sales to do that!” And clearly that’s all changed now.

They keep changing the rules on us, so — with JK, they’re obviously trying to, you know, use whatever tools they have available to them at this point.

Finally, when it comes to restocking the digital single CD. There are still albums available in the store. So why would they manufacture and ship more (likely thrown away) plastic that’s just for one song, when those CD singles only serve to raise sales for the charts? All of the other member’s CD singles are out of stock except The Astronaut, which they treated more like a proper album a bit (kinda like the Butter CD releases). Because they still have both versions of his full albums in stock, so if I were Hybe, I’d be like “No,you need to buy the album, we still have albums, we’re not going to sell you a single song when you can buy the album!” That makes more sense to me. The albums cost more.

TL:DR, haha — so I feel like this narrative around Jimin’s release has been ramped up because, from my professional opinion, he’s had the most expensive release so far (by far) and if we want to compare him to, say, Beyoncé — well she owns her own production company (Parkwood Entertainment), so she can funnel her own money into a Visual Album, I don’t know if Jimin has considered that at this point in his career, but in the future, he might!

((Not including costs for Suga’s tour because that’s a whole other thing, and the tour probably made money I would expect to balance out the cost of the tour itself))

Anonymous Insider

This isn’t to say that the other things, the part where he didn’t get the cake celebration, or the posts, the issues with the linking and this general feeling that Jimin was short-changed in these things isn’t valid and understandable. I think Hybe relied too much on D2C sales and I don’t think they leveraged their might as much as could have for JM. They could have risked more for him.

{This is an end of Anonymous Insider’s messages to me. They noted that they are an intermediate non-native Korean speaker so please excuse any translation errors. They translated things themselves using Naver tools that aligned with the video subtitles.}

So, listen, I still don’t think Like Crazy was sent/promoted to radio (which was a mistake and still is a mistake) and I am furious at the shady articles and lack of celebration for Jimin…

But after reading the way the members approach their work in the Beyond the Story book and now hearing from someone who produces these works for a living, I have to wonder if the company was doing everything they knew how to do for Jimin, but the second it didn’t work out because of the western music industry culling streams and sales, they pulled back all their resources and pivoted for Yoongi and JK. (I also wonder if leadership shut up about it all due to liability issues, or not to cause bad blood with the music industry for future releases.)

Again, I’ll never forgive the lack of celebration and the split streams (not without a great explanation), but at least now I think there’s a good chance no one was actively trying to sabotage Jimin on purpose. They seemed to have wanted that #1 and then it all went to shit because Billboard and radio want to get paid. Maybe leadership decided not to put any more resources into Face but instead pivot for all the future music coming out (including PJM2.)

Perhaps I'm a cockeyed optimist. I’m just hoping like hell they never engage in payola. I want all our boys to win, but I want us to win fairly. And even if everyone cannot have the same investment every time on every project, I hope when they come back together in 2025 that everyone feels good about their solo works and each other. This is my prayer. Love, Roo

#jimin #jungkook #jikook #bts #face by jimin #set me free pt 2 #like crazy by jimin

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humble-7 · 1 month ago

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janith819 · 1 year ago

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prey4bokeh · 2 years ago

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So this Christmas my girlfriend got me this cool adapter that lets me adapt Canon FD lenses to my Canon EOS R. So basically I can use vintage film lenses on my mirrorless. Honestly I’m in love with vintage glass, I have only a hand full of them, but I never spent more than $50 on any lens and the images that come out are amazing. I had a couple of my photography buddies completely blown away that I’m using vintage lenses. Here are two of my favorites, my 50mm f1.8 and my 135mm f2.5. Both super clean, take amazing photos, the bokeh is butter and you can’t tell if this is a modern lens or a vintage lens. My 50mm is a perfect for not only portraits, but great for street photography. My 135mm is perfect for nature and wildlife photography. Not something I do a lot of, but would definitely love to do more of it, but mainly because I own a 135mm for it. I hope to get a 300mm one day as well. Now there is some cons and pros for using vintage lenses. Pros are, not as expensive as modern lenses, like I said I never spent more than $50 on a lens. There are some great ebay deals out there, there are some very expensive FD lenses, that run in the $1,000’s, but those were for making movies. You’re not buying cheap plastic, all these lenses are well made and made of metal. You don’t have to use Canon name brand lenses, as long as it has the FD mount, there are other brands out there that are nice in price and still have the same image quality. Now for the Cons, all the lenses will have to be manual focus, now that is pretty obvious to a lot of photographers, but this is something a lot of photographers will not like and will miss autofocus. Taking videos, there is no auto stabilization, so you will need a gimbal and you will have to manually focus as recording. It can be done and I’m sure that will not bother others, you can buy an adapter with built in autofocus, but that’s $300 for that. Another thing is shopping for the right lens, now I normally recommend ebay, just make sure you read the description. Since these lenses are old, they can develop dust in the glass and fungus. Also I have read where some actually have mold in them, but message the seller if they’re description is vague on the lens. Another con is these will make your weather sealed or weather proof camera not weather sealed or proof. I definitely learned that the hard way one photoshoot. I got a little moisture on my sensor one day when it was raining, thinking I would he good because I’ve shot before in the rain with my RF lens and was completely fine. Now for the last con, some of these lenses are heavy! My 135mm is super heavy, because they are made a of metal and not the cheap plastic you spend $1,000’s of dollars on. So trying hold focus on hold the lens is a sometimes a struggle. I linked the adapter up top of this post and they sell other adapters for other cameras as well.

#photography #canon photography #flint michigan #street photography #canon eos r #photography by #midwest #50mm #vintage lenses #canon fd

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greenmattestudioinhyderabad · 2 days ago

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awpro · 6 days ago

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Packing List Card*1

With dual-transmitter functionality, multiple output options, and an extended range, the Hollyland Cosmo C2 is a reliable solution for filmmakers, broadcasters, and live event professionals, ensuring performance across various production scenarios.

The Hollyland Cosmo C2 is available at AWPRO Dubai and was launched on 13 Feb 25! AWPRO is an authorized Hollyland distributor, providing cutting-edge wireless transmission equipment for professional audio and video production. Visit AWPRO for the most advanced video transmission equipment or the best Hollyland wireless microphone in Dubai.

#Cosmo c2 wireless video transmission

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manjurani4656bloger · 7 days ago

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Live stream For Wedding

Using a live stream for a wedding is an excellent way to include friends and family who cannot attend in person, allowing them to still be part of the special day. Here’s how you can use live streaming effectively for your wedding

Family and Friends Far Away: Not everyone can physically attend a wedding due to travel restrictions, distance, or other reasons. By live streaming, you can bring together loved ones from all over the world without them having to travel. Streaming on platforms like YouTube or Facebook lets you choose whether the wedding is public or private, ensuring only your close family and friends can watchCherished Keepsake: Live streams often include a recording of the event, so you can revisit the wedding later. This recording can become a cherished family keepsake, one that can

The Cyber Bolt is one of the most popular companies offering live streaming for weddings. They provide high-quality, seamless streaming services that help couples connect with loved ones across the world. Using professional-grade equipment and reliable support, The Cyber Bolt ensures a smooth and memorable virtual experience for those unable to attend in person

The Cyber Bolt uses high-quality equipment that makes wedding live streams even better

Cameras Professional Cameras: High-definition or 4K cameras are often used for superior video quality. Popular brands include Canon, Sony, and Panasonic. Examples include: Canon EOS series (e.g., Canon EOS R, Canon 5D Mark IV) Sony A7 series

2 Microphones Lavalier Microphones: Clip-on mics for the officiant or couple, ensuring clear, close-up sound for vows and speeches. Popular brands include Rode and Sennheiser.

3 Tripods & Gimbals Tripods: Essential for keeping the camera steady, especially when focusing on key moments like the vows or first dance. Brands like Manfrotto and Joby offer sturdy and adjustable tripods Gimbals: Used to stabilize cameras for smooth moving shots during the ceremony or reception. The DJI Ronin-S

4 Streaming Software & Hardware Streaming Software: Software like OBS Studio (Open Broadcaster Software) or vMix can be used to manage the live stream, including switching between cameras, adding graphics, and controlling audio Encoder: Some setups require a hardware encoder like the Blackmagic Design ATEM Mini or Epiphan Pearl to transmit the live feed to streaming platforms. Streaming Platforms: Popular streaming platforms for weddings include YouTube Live, Facebook Live

5 Softbox Lights: To ensure the bride, groom Ring Lights: Often used for smaller setups or close-up shots, such as capturing LED Panels: Compact and adjustable lights that can be used to add ambiance and light up the event space

6 Internet Connection Wi-Fi or Ethernet: A strong, reliable internet connection is key to streaming smoothly. Some venues provide Wi-Fi, but it’s often best to have a wired Ethernet connection to ensure stability. Mobile Hotspot: If the venue’s internet is unreliable, consider using a mobile hotspot with a strong 4G/5G connection

7 Power Sources Backup Batteries: Ensure cameras, microphones, and other devices are powered throughout the event. Extra batteries and portable chargers like Anker power banks are essential. Power Strips: Having extra outlets for all equipment is important, especially when using multiple devices

SUMMARY

Live streaming a wedding is an excellent way to include loved ones who are unable to attend in person, allowing them to be part of the special day from anywhere in the world. It provides a chance to capture the event for those far away and gives them the opportunity to watch in real-time or access a recording laterLive streaming can also save costs related to travel and accommodation for distant guests and avoid the need to extend the guest list or rent a larger venuecouples to preserve memories and share them with future generations. The ability to stream multiple angles of the ceremony and reception provides a richer experience for virtual guestshe right equipment is crucial for a successful live stream. Common tools include high-definition cameras (such as Canon EOS or Sony A7 series), microphones like lavaliers or shotgun mics, and streaming software like OBS Studio or vMix for managing the broadcast. Stabilization equipment such as tripods and gimbals ensures steady footageFor a seamless experience, professional live streaming services such as The Cyber Bolt provide high-quality streaming packages that cater to a variety of needsIn conclusion, live streaming a wedding allows for a broader reach, enables participation from far-off guests, and preserves the special moments for future enjoyment. With the right tools and professional services, couples can make their wedding day

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ayapromo · 8 days ago

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MIXIO A9 Gimbal Stabilizer Handphone: Rahasia Video Super Stabil & Estetik!

Pernahkah kamu merekam video dengan handphone, tetapi hasilnya malah goyang dan tidak enak ditonton? Momen penting jadi kurang maksimal hanya karena tangan tidak stabil. Di era konten digital ini, memiliki video berkualitas tinggi bukan lagi sekadar pilihan, melainkan keharusan! Itulah kenapa MIXIO A9 1.2M Gimbal Stabilizer Handphone Selfie Stick Tripod Anti Goyang hadir sebagai solusi. Dengan…

#alat vlog hp #gimbal stabilizer handphone #MIXIO A9 review #selfie stick tripod #stabilizer anti goyang #stabilizer hp terbaik #tripod hp terbaik

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atplblog · 17 days ago

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Price: [price_with_discount] (as of [price_update_date] - Details) [ad_1] Product Description The video showcases the product in use.The video guides you through product setup.The video compares multiple products.The video shows the product being unpacked. 3-Axis Steadiness System IZI Iris, the pocket gimbal camera with 3-Axis Pro Stabilization for smooth, cinematic quality footage anywhere you go. Dual Precision Touch Interface 1.5" main + 0.42" sub-screens for easy control. Wireless FPV for precise framing and quick adjustments. Next Gen Magnetic Detachable Experience hands-free play with our innovative magnetic installation. Built-In Mic And Ample Storage Impressive 512GB of storage, allowing you to preserve the endless memories. Long Battery Fast Charging 160 minutes of non-stop runtime with USB Type-C fast charging. Advanced Al Hypertrack 2.0 Stay perfectly in frame with HyperTrack Pro. 3-Axis Steadiness System IZI IRIS the pocket gimbal camera with a 3-Axis Steadiness System, ensures pro-level stabilization for ultra-smooth, cinematic footage on the move. Whether vlogging or capturing moments, enjoy shake-free shots with 4K video resolution and AI tracking in a compact, travel-friendly design. The video showcases the product in use.The video guides you through product setup.The video compares multiple products.The video shows the product being unpacked. 4K/60 fps Capture every detail in stunning 4K resolution with the IZI IRIS. Whether you're shooting landscapes, vlogs, or action-packed scenes, 4K video delivers crystal-clear quality, vibrant colors, and sharp clarity. Elevate your content with professional-grade footage that looks amazing on any screen. The video showcases the product in use.The video guides you through product setup.The video compares multiple products.The video shows the product being unpacked.

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mobilecit · 1 month ago

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Affordable Drones for Sale: Get the Best DJI Drones for Cheap

Drones have revolutionized the way we capture moments, explore landscapes, and even conduct business operations. If you’re looking for drones for sale, there are plenty of options to suit different budgets and needs. Whether you are a beginner or a professional, you can find DJI drones for cheap, offering high-quality performance without breaking the bank.

Why Buy a Drone?

Drones are no longer just for hobbyists or professionals. They have become an essential tool for various purposes, including photography, videography, and even surveying. With technological advancements, drones have become more accessible and user-friendly, making them ideal for enthusiasts and professionals alike.

Choosing the Right Drone

When selecting a drone, consider factors such as camera quality, flight time, range, and stability. DJI, a leading brand in the drone industry, offers a variety of models catering to different requirements. If you are searching for reliable drones, drones for sale from top manufacturers provide excellent choices.

Best DJI Drones for Cheap

Finding DJI drones for cheap doesn’t mean you have to compromise on quality. Some of the best budget-friendly DJI drones include:

DJI Mini 2 – A compact and lightweight drone with 4K video capability and excellent flight performance.

DJI Mavic Air 2 – Offers great battery life, 4K video, and intelligent shooting modes.

DJI FPV – Perfect for those who love an immersive flying experience with first-person view.

DJI Tello – A great entry-level option for beginners with stable flight controls.

Where to Buy Drones Online?

Shopping for drones online is convenient, offering a wide range of models and competitive pricing. Look for reputable online stores that provide authentic products, warranties, and customer support. Checking customer reviews and specifications before making a purchase can help ensure you get the best value for your money.

Tips for First-Time Drone Buyers

Understand local regulations: Ensure you are aware of any restrictions or permits required for drone usage.

Consider battery life: A longer flight time allows for more extended use without frequent recharging.

Look for stabilization features: Gimbal stabilization is crucial for capturing smooth and professional-quality footage.

Check for spare parts availability: Having access to extra batteries, propellers, and other accessories is essential for maintenance.

Conclusion

Investing in a drone is a great way to explore the world from a new perspective. Whether you are looking for drones for sale for personal use or professional needs, DJI offers some of the best options at affordable prices. By choosing DJI drones for cheap, you can experience high-end technology without overspending. Do your research, compare models, and find the perfect drone that meets your requirements today.

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automedia-ae · 1 month ago

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The Complete Guide to Picking the Best Gimbal for Camera

There’s a holy trinity that every filmmaker or enthusiast hopes for when working on a video project: it’s capturing a shot that is steady, smooth, and seamless. However, we can agree that rough terrain or shaky hands aren’t ideal for filming a movie. This is where gimbals for cameras come into play — they help enhance the images so they appear to be from a top-tier movie.

What’s a Gimbal Good For?

Think of it as your self-stabilization assistant that eliminates shakes and jitters while you concentrate on capturing the moment. Whether it’s a sports event or tranquil nature scene, a gimbal camera assures fluid movements and an appealing final result.

Choosing the ideal gimbal for photography and videography is more than simply locating a tool; it’s identifying a creative collaboration partner. Are you looking for portability for travel vlogs or rugged features for professional work? Answering these questions will guide you to the top gimbal for the camera that best suits your needs.

This guide covers the essentials of selecting the best gimbal stabilizer for point and shoot camera, understanding stabilization systems, and finding features tailored to your creative goals.

How to Choose the Right Gimbal for Your Needs

1. Camera Compatibility

Best gimbal stabilizer for point and shoot camera: Lightweight and perfect for casual use.

Best gimbal for mirrorless camera: Supports mid-sized cameras without compromising portability.

Best DSLR camera gimbal: Designed for heavier, professional setups.

2. Weight and Portability

The lightest gimbal is ideal for travel enthusiasts.

A two-hand gimbal offers superior control for professional shoots.

Hybrid models, such as a gimbal for camera and phone, provide versatility for creators.

3. Budget Options

Beginners can opt for the best inexpensive gimbal or the best budget gimbal. Professionals might prefer a top rated gimbal stabilizer with advanced features.

Best Gimbals for Camera

1. DJI RS 4 Pro

The DJI RS 4 Pro is a premium choice for professionals who demand precision and versatility.

Battery Life: Up to 12 hours, with fast charging support (approx. 1.5 hours for a full charge).

Tested Payload: Supports up to 4.5 kg (10 lbs), making it ideal for DSLR and cinema cameras.

Connections:

Power/Communication Port (USB-C)

HDMI Port (Mini HDMI)

RSS Camera Control Port (USB-C)

Key Features:

1.8-inch OLED touchscreen for intuitive controls.

Advanced stabilization for smooth, professional-grade footage.

Compatibility with multiple accessories, including follow-focus systems and external monitors.

2. DJI RS 3 Mini

Compact yet powerful, the DJI RS 3 Mini is designed for vloggers and travel enthusiasts.

Battery Life: Up to 10 hours, with quick charging in about 2.5 hours.

Tested Payload: Supports 0.4–2 kg (0.8–4.4 lbs), ideal for mirrorless cameras.

Connections:

Bluetooth 5.1

USB-C Charging Port

Key Features:

Lightweight design at 850 g (1.8 lbs), perfect for portability.

Bluetooth shutter control for seamless operation.

Supports vertical shooting for social media content.

3. Zhiyun Weebill 3S

The Zhiyun Weebill 3S is a robust gimbal with an ergonomic design, catering to professionals seeking flexibility and durability.

Battery Life: Up to 11.5 hours, with quick charging in about 2 hours.

Tested Payload: Supports up to 1.42 kg (3.1 lbs), suitable for DSLR and mirrorless cameras.

Connections:

Bluetooth 5.0

Type-C to Type-C USB (LN-UCUC-A02)

Key Features:

Sling grip design for improved handling during extended shoots.

Integrated microphone and fill light for enhanced video quality.

Customizable controls for an intuitive user experience.

Gimbal for Videography: Transforming Your Shots

A gimbal for videography offers endless creative possibilities. It enables you to create:

Kinematic gimbal footage with smooth tracking shots.

Dynamic transitions that mimic cinematic effects.

Stable handheld shots, even in fast-paced environments.

By eliminating shakes and jitters, the best camera gimbal for vlogging or professional use opens new doors for creative storytelling.

Compare Gimbals: Finding Your Match

Before purchasing a gimbal, compare options based on these factors:

Weight capacity: Ensure it can handle your camera size, whether it’s a DSLR or smaller device.

Battery life: Choose a model that lasts through long shoots.

Ease of use: Ideal for beginners or professionals.

The Future of Stabilization: Cameras with Built-In Stabilizers

For creators who prefer simplicity, a camera with a stabilizer offers integrated stabilization and cutting-edge design. While gimbals provide unmatched flexibility, these devices combine portability with convenience, making them a viable alternative for many.

Videographer in Dubai: Why Gimbals are Essential

Dubai is a dream destination for filmmakers, offering dynamic contrasts between ultra-modern architecture and timeless desert landscapes. For a videographer in Dubai, capturing these scenes often means dealing with demanding shooting environments. Whether it’s the towering Burj Khalifa, the shimmering skyline at night, or the golden hues of the desert dunes, a stabilizer camera gimbal is an indispensable tool.

The smooth stabilization provided by a gimbal motor ensures that your footage reflects Dubai’s breathtaking beauty without interruptions caused by shaky hands. Whether you’re filming in the bustling souks, shooting aerial views of Palm Jumeirah, or documenting cultural festivals, a professional gimbal gives your work the edge it needs.

Moreover, for event videographers in this glamorous city, where luxury weddings and high-end events are common, a handheld gimbal for camera ensures dynamic shots that capture every intricate detail. With Dubai’s competitive creative industry, owning the right equipment sets you apart, allowing your work to match the city’s high standards.

Photographer in Dubai: Capturing the City’s Grandeur

For a photographer in Dubai, capturing the city’s grandeur demands precision and creative finesse. From the reflective beauty of Dubai Creek to the iconic sail-shaped Burj Al Arab, the city’s ever-changing light and bustling energy require top-notch stabilization.

Using a gimbal for photography, photographers can achieve cinematic pans and tilts, capturing Dubai’s unique blend of modernity and tradition. Architectural photographers, for instance, rely on tools like the best gimbal for mirrorless camera to frame symmetrical shots of Dubai’s towering skyscrapers.

Wedding and event photographers also benefit immensely from a professional gimbal, which allows them to film luxurious celebrations with stability and elegance. With Dubai’s competitive landscape, a well-equipped photographer in Dubai can elevate their craft and stand out with stunning visuals.

Conclusion

Whether you’re a videographer or photographer or an enthusiast exploring new creative avenues, a gimbal transforms the way you capture visuals. With options ranging from the best budget gimbal to advanced professional models, there’s a tool for every creator.

Take the leap. Explore the market, weigh your options, and find the perfect gimbal to bring your creative vision to life. Your masterpiece awaits!

#Best Gimbal for Camera #Gimbal for Camera #Gimbal #videography #videographer in dubai #Zhiyun Weebill 3S #DJI RS 3 Mini #DJI RS 4 Pro

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