#victor Moore

[haveyouseenthismovie-poll]

[fanganfessions]

now i regret talking about my kin status regrding arturo and ace. its cheesy asf. whatever.

anyways. I really miss Rocky Restarts and Hushed Whispers— God only knows if a certain someone sees this they'll know exactly who wrote this buuut idc.

Rocky Restarts and Hushed Whispers are so so SO interesting to me like EEEK!!!! I want more but CAN'T!!!! and I know for a FACT because both are DEAD !!! (hw server is deleted too) all we have is the bits and pieces left around (RockyRestarts eventually got spoonfed so :3!!)

Y'know I find Glenn's fear of being murdered in RockyRestarts so interesting like what caused it? (if he didnt say cause if he did i 100% forgot) Did he have a near death experience? What was Autumn's relationsbip with her mother other than "my mom fucking sucked"? How did Victor get his connections? LIKE IM SO CURIOUS and its funng cause I coild lit ask the creator rn about all of this 💀 but I'm not I'm scared of publicity.

.

[precipasse]

watched rocky restarts! there is a Marcus fan out there and it is me. other guy cameo

[ninhawesome]

[citizenscreen]

Birthday remembrance - Victor Moore #botd

[lajoiedefrancoise]

Make Way For Tomorrow (1937)

[gatutor]

Mae West-Victor Moore "The heat´s on" 1943, de Gregory Ratoff.

[blondecrazydame]

Victor Moore, Mae West and William Gaxton in a publicity photo for The Heat's On, 1943

[ulrichgebert]

Irgendwie ist auch seltsam, daß Swing Time die ganze Zeit über nie vorgekommen sein soll. Jetzt haben wir aber wirklich alle Ginger&Fred-Filme. Enthält reizende Liedchen von Jerome-Kern und Dorothy Fields, die auch anderweitig gerne verwendet werden, sowie eine Blackface-Nummer zu Ehren von Mr. Bojangles aus Harlem, die aber viel zu grandios ist, um sie aus Prinzip nicht anzuschauen.

[tcmparty]

@tcmparty live tweet schedule for the week beginning Monday, December 12, 2022. Look for us on Twitter…watch and tweet along…remember to add #TCMParty to your tweets so everyone can find them :) All times are Eastern.

Tuesday, Dec. 13 at 8:00 p.m. MURDER, MY SWEET (1944) Detective Philip Marlowe's search for a two-timing woman leads him to blackmail and murder.

Sunday, Dec. 18 at 5:45 p.m. IT HAPPENED ON 5TH AVENUE (1947) Two homeless men move into a mansion while its owners are wintering in the South.

[zumrud-watches]

Make Way for Tomorrow (1937)

[byneddiedingo]

Beulah Bondi and Victor Moore in Make Way for Tomorrow (Leo McCarey, 1937) Cast: Beulah Bondi, Victor Moore, Fay Bainter, Thomas Mitchell, Porter Hall, Barbara Read, Maurice Moscovitch, Elisabeth Risdon, Minna Gombell, Ray Mayer, Ralph Remley, Louise Beavers, Louis Jean Heydt. Screenplay: Viña Delmar, based on a novel by Josephine Lawrence and play by Helen Leary and Nolan Leary. Cinematography: William C. Mellor. Art direction: Hans Dreier, Bernard Herzbrun. Film editing: LeRoy Stone. Music: George Antheil, Victor Young. As the music ("Let Me Call You Sweetheart") swelled, and the train taking her husband to California pulled out of the station leaving Lucy Cooper (Beulah Bondi) alone on the platform, I muttered, "Please end it here. Please end it here." And so Leo McCarey, bless him, did. He could have, as the studio wanted, moved on to a mawkish conclusion, pulling a sentimental rabbit out of the hat in which their children relented and found a place where Barkley (Victor Moore) and Lucy Cooper could live together, but thank whatever gods preside over cinema, he didn't. I thought, before my reading confirmed it, that Yasujiro Ozu must have seen Make Way for Tomorrow -- or as seems to have happened, his scenarist Kogo Noda did. This is one Hollywood picture from the '30s and '40s that has its head on straight, keeping its heart in the right place. The film gives us complex, fallible characters instead of sugary and vinegary stereotypes: The elder Coopers are as much to blame for the predicament in which they find themselves as their children are for not finding a satisfactory way to resolve it. As an aged parent, one who once faced the problem of an aged parent, I find the film's willingness not to lay blame on anyone refreshing: Barkley Cooper should not have allowed himself to get in the financial difficulty in which he finds himself; he and Lucy should have come clean to the offspring about their money difficulties long before they did. And though it's easy to see the children as hard-hearted and selfish -- the film does tilt a little more in that direction than it might -- what we see on the screen makes clear that housing Lucy and Barkley is a little harder than it ought to be. She seems oblivious to the burdens she puts on George (Thomas Mitchell) and Anita (Fay Bainter), and he is a cantankerous handful for Cora (Elizabeth Risdon) and Bill (Ralph Remley), refusing to follow the doctor's instructions. McCarey and his wonderful cast handle all of this superbly, with McCarey not only stubbornly refusing to provide a conventional movie ending, but also withholding some information a lesser director would have made much of, such as what Rhoda (Barbara Read) did when she disappeared that night, or what Barkley said to his daughter on the telephone when he informed her that he and Lucy weren't coming to their farewell dinner. (I think it's better that we don't know what he told her to do with that roast she was planning to serve.) A small, surprising treat of a movie.

gifs from manderley

[entrehormigones]

[ninhawesome]

Victor Moore plushie attempt because I broke my clay figure of him (it was completely my fault though.) so I was kind of bummed out about that. Tried making this to compensate for it.

[citizenscreen]

Birthday remembrance - Victor Moore #botd