#very open i'll write it any time no problem no in depth plotting required

[heartate]

reminder to myself to write up an early popstar era verse post + headcanons ok goodnight

[themagiciansreccenter]

The Great Blank Spot: Greywash

So much goes into creating fanfiction even before the first words hit the paper. And in-depth spotlight on our writers and the process behind their work.

Tell us about your current project.

I'm finishing up the sequel to "Firebird"—or, well, really, the story that "Firebird" is a prequel to. It's called "The Marriage Plot" and it's a fake-fake-marriage story, or an un-arranged marriage story, or something: basically it starts with a political misunderstanding that *looks* like the only way out is going to be Eliot and Quentin getting married. Spoiler: that's not what happens.

The fics are finally posted from The Trials. Did you participate?

No, I came into the fandom after The Trials started, so I missed it, but I'm still reading my way through everyone's submissions and really enjoying them!

What is your current word count?

104,069 words, but I revise/cut/rewrite a lot as I go so that goes up and down.

Do you try to write daily? Do you have a word count or other goals you try to hit for each writing session?

I write every morning for about an hour and a half before work—or, well, I sit and work on fiction for about an hour and a half: sometimes that's freewriting, or reading, or editing. I'm trying to be less focused on output quantity and more on time spent this year, since trying for output goals seems to encourage some not-good strains in my mental health whatsits to go mad with power and make my life suck.

What was the inspiration for this fic?

Ahahahahahah oh dear. Um—the answer to that question is hugely spoilery, so I guess I'll say: the last six lines of dialogue, which sort of ~came to me in a vision~, or whatever, and then... the whole rest of the story sort of... constructed itself around that. But I think I can say that I'd been thinking/obsessing about Fillorian marriage, and how—like, skin-crawlingly horrific I find it as a concept, and *why* I find it so skin-crawlingly horrific, before I started working on "The Marriage Plot," and that definitely—informed the story, let's say.

How do you stay motivated between chapters/stories?

I don't have a huge problem staying motivated... for me it's more that I have SO MUCH STUFF I want to work on, so I have trouble staying focused. I have this little Penny-centric fic that I want to get done before the end of the current fan_flashworks round, so I have like 24 hours, and I also have a Penny/Quentin story that'll go up in the next FFW amnesty, and... possibly one or more *other* stories for FFW amnesties that are either done or mostly done, and I just! I am really bad!! at staying focused on one project.

On the motivation front, though, I will say that a big part of why I don't tend to lose motivation is that I never leave projects "at a good stopping point". This seems really counterintuitive, but it helped me *so* much when I started doing this: I almost always end a writing session by getting to a good stopping point, and then writing 9/10ths of the next sentence or paragraph. I like to have a sentence waiting for me where the ending is obvious but not actually written down, so I open it up the next morning and I'm like, "oh, that's supposed to end, 'with his palm'" or whatever, so I have that really easy in for getting back into the swing of writing.

Did this fic require any research? How much research do you typically do for your fics?

I do do quite a bit of research, but I don't typically do research in advance. I'm, like, the anti-planner, I am *so* bad at planning stories, so I kind of write until I hit a point where I'm like "oh, God, I actually do need to know how you go about getting a marriage license in New York, don't I," and then I spend like three hours on the NY city clerk's office website or whatever. I think the thing where I was looking up how to get a marriage license in New York came up like 30,000 words into this story, or something. And a lot of times I'll {{bracket something I need to look up later, like this}} and then just keep working, and fill it in in less high-value writing time—I do that on my lunch breaks a lot, so I can keep my block writing time in the morning for actually making new words.

Do you typically write ahead or post as you go?

It really depends on the project. Somewhat ironically, I mentioned this on Dreamwidth earlier this morning, but I actually usually kind of hate posting things as WsIP unless I am well ahead and very, very sure I can finish quickly. I got kind of trapped by a multi-year WIP in //Sherlock// fandom, which—I love that story, I just wish I wasn't posting it as a WIP. (Though it also wouldn't be that story if I hadn't posted it as a WIP, so... whatever, que sera sera, et cetera.)

When I was posting "Firebird", I started out with... I think I was drafted five chapters ahead at the start? Six? Maybe? I honestly don't remember, but I do know it rapidly fell to four and then kind of froze there, because I knew I needed to have Ch. 8 *very* nailed down before Ch. 4 went up, because I was back-editing all the way to 4 as I wrote 8. And I didn't want to back-edit live work. But then I hit a like... 9/10ths draft place on 8 and burned through that entire posting cushion *super* fast during the last few days I was finishing 8, because 8 was almost the last thing I finished—I had 9 and 10 almost completely drafted before I finished 8, and that's pretty typical of me, to write sort of medium-out of order. So 9 and 10 went up basically as soon as they were edited, because I didn't have that cushion anymore. But "Firebird" lent itself to WIP posting because it has, you know, like. Plot, and excitement, and some sort of cliffhanger-y bits here and there; "The Marriage Plot" won't be posted as a WIP, because it's very interior and relationship-focused, and it just doesn't lend itself to that treatment. The most I might do on something like that is post it consecutively over a few days just to not have to edit all the HTML on 100k+ of fiction in one go.

How much planning and outlining did you do before you started putting words on paper?

Almost none! Ahahaha. I had a freewritten story outline, but I tend to do all my fiction discovery by writing fiction, so I have to be really willing to try things and toss them out, which is what I do instead of actually outlining. I'm thinking about making a pretty huge change to "The Marriage Plot" right now, actually, and am sketching it out by writing some short stories that happen in the (mostly off-screen) 6-9 months between "Firebird" and "The Marriage Plot," and seeing how things crystallize. So I may be about to toss out like 20k of fiction! I don't know, we'll see!

Has it been pretty smooth sailing or rough waters? When things get rocky, how do you handle needing to rewrite sections or scrap scenes entirely?

Oh, I tooooootally don't mind rewriting. I write really fast but am bad at planning, or well—bad at seeing what it'll take to get the characters to where I need them to be emotionally, so mass rewriting just kind of comes with the territory. I also write in Scrivener, which has a Snapshots feature that makes it much less stressful to hose something—I can always go back and look at a previous version if I want a line or a paragraph or to take it back entirely.

Teaser

"Well, no," Alice says, and then her mouth twists, tightening up. "I sort of—I told them that they couldn't have Quentin, because he was already engaged."

"What?" Quentin says; and Eliot grabs at Quentin's tipping wine glass, just in time.

"Look, I had to tell them something, all right?" Alice snaps at him. "Sorry, but I didn't think you wanted to get married to some conceited isolationist—"

"To who, Alice?" Margo interrupts; and Alice stops again, and then flushes.

"I had—well, the only way I could think of to convince them was the—well, you know, when Eliot got deposed," Alice says.

"We *both* got deposed," says Margo, tight; and Alice says, "Yes, *yes*, you *did*, but then *you* took the throne and now *Eliot's* on your council, so I told them—"

"You told them," Margo finishes, "that to prevent civil war, I offered my most powerful rival my only virgin son in marriage."

"Well," Alice says. "Basically—yes."

There is a long moment of silence.

"Well," Eliot says, finally. "I'm not sure how anyone could've foreseen *that* one going wrong."

The Great Blank Spot is an in-depth spotlight focusing on the writing process and previewing in-progress fics for our fandom. It is meant to be an organic, ever-evolving feature. Previously interviewed fic writers can reach out to us here, to have a specific work featured. If you’d like to have a work featured but haven’t done the author spotlight, reach out to us to get started. If you have suggestions for questions you’d like to see answered, shoot us an ask!