#venetion mirror
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booserina · 5 years ago
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Ocean escape. I’d love to soak my day away in this colorful bathroom.
Source: Romantic Homes
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wrub72 · 3 years ago
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Bernar Venet, Black Mirror, 1963.
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toadeyes-miqote · 2 years ago
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Gaia No!! Bad Gaia minion Bad!!!
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Messing around in Gpose since two my fave dudes are standing next to each other. Gaia happened....
I forgot Gaia was around and she was jumping around and photobombing. So I thought to have her hit the camera.... But then poor Alphi was in her firing range when I zoom out. Sorry Alphi .
Alisaie what is that look upon your face?! I can't get over how adorable she looks. Don't worry Alisaie, Alphi may have Estinien and Arenvald as his big brothers. You have Thancred and G'raha.
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"My boys!" All that's left is Estinien and we can go Hullbreaker Isle to hunt that Kraken.
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Apparently it took the Boulder Brothers wanting to challenge G'raha, for my WoL to warm up to him a bit more. This is a case where the player already likes him but the WoL was totally in character to be slow to warm up to her fanboy.
Stare~~~ "Is there something on my face?"
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"Alphi! Quick take a picture for us before she changes her glamour again!!"
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And I'm like, Is this what Emet sees in envy when he looks at them? It was that kind of senpai-kouhai (line of mentorship) energy him, Hythlodaeus, Venet and Azem had. Thancred - WoL - both Alisaie and Ryne. Emet being the senpai assigned to the whacky study group. And WoL is a goodball with potential but spends too much time on Cat memes and pop culture....Wait is this Azumanga Daioh now or Fate Grand Summer Camp? I need go check Lucky Stars and my other school slice of life based animes for references (Komi can't communicate)
Yeah I'm probably watching Emet and Thancred for how much they mirror and parallel each other.
Bring Estinien in and the dynamics gets swap around, especially for Hades, Hythlodaeus and Venat. I need to get to that point of Endwalker to see where Elidibus stands. Emet? Is this what you see in them?
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By EW: Hades- Estinien, Hythlodaeus-Thancred, Venat -G'raha, Elidibus-Alisaie/Ryne
Its more a case of personality than anything. A comic somewhere made me realise that Thancred might be sharing visual theme with Hades but I saw things more in terms of personality and with Estinien thrown into the mix.
Estinien was the Hades personality analog and thancred had that enabling dynamics with Hylnyan
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nebris · 8 years ago
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Fought between the Roman Republic and several Gallic tribes (mostly from areas constituting present-day France and Belgium), the Gallic Wars from 58-50 BC for-all-intents-purposes alluded to the clash of cultures. To that end, the Roman army of the 1st century BC was a disciplined force with its veritable command structure and military organizations. Even the Roman soldiers could be considered close to being ‘professionals’, with their wages paid directly by the state and their military tenures encompassing years of service. The Gauls on the other hand saw warfare as an extension of their culture, with courage and ritualism playing their crucial roles in bolstering the morale of the soldiers. And while their elite forces were armed superbly and had experience in conducting raids and battles, the bulk of the Celtic troops lacked any formidable supply system and command chain that could logistically (and strategically) sustain their vast armies on the campaigns for extended periods. 
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Interestingly enough, while we see the Gallic Wars essentially as a mega conflict between the Romans and the Celts, at least two of Caesar’s initial five legions were composed of troops levied from the areas comprising Cisalphine Gaul, a Roman province that was not integrated into Roman Italy till 42 BC (that is eight years after the end of the Gallic Wars). Simply put, many of these Roman troops were essentially Gauls, though born and brought up under Roman administrative systems (and possibly culture).
Furthermore, while these Romanized Gauls fought in the typical legionary manner with more-or-less uniform arms and armaments, they were further supported by auxiliary troops who were levied directly from allied Gaulish tribes and even distant Germanic realms – most of whom followed their own set of military commands and battlefield tactics. So in essence, like most conflicts in history, the Gallic Wars didn’t really pit singular civilizations against one another, but rather alluded to the encounter between two different spheres of influence then existing in ancient western Europe.
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In one of our previous articles about the Roman legionaries, we discussed how all Roman men aging between 17 and 46 were liable for military service – though the peak age for enlistment tended to be skewed towards the early 20s age group. And interestingly, each legionary had to claim his origo (origin) from a city or at least a town. However in spite of such claims, the vast majority of the legionaries came from a rural background – possibly because the rural folk were considered to be more hardy with higher levels of endurance. As a result, their city-based origo credentials were often fabricated during the time of enlistment, usually by the officials themselves.
And while legionaries tended to be armed uniformly, it was the auxiliaries who truly presented the dynamic scope of the Roman army. Usually recruited from fringe provinces of the Roman Republic along with neighboring states, these auxiliary troops preserved their native brand of fighting styles and tactics. One apt example would pertain to the use of Gallic and Germanic mounted units by the Roman forces. Possibly recruited from the elite ranks of the Roman allied tribes, these horsemen formed the main cavalry arm of Caesar in his Gallic campaign. Interestingly enough, given the Roman penchant for flexibility in operations, Caesar even recruited slingers from the Balearic Islands along with skirmishers and archers from distant Numidia and Crete.
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As we mentioned before, the Celts while being one of the warrior societies of ancient Europe, approached warfare as an intrinsic extension of their culture, as opposed to a systematic scope adopted by the Romans with logistical solutions. This translated to varied types of armor worn by their warriors, with the equipment rather mirroring the economic status of the individual (in contrast to the general uniformity of the Roman legionaries). To that end, the elite and richer sections of the Gaulish tribes exhibited armors and weapons showcasing high-levels of craftsmanship – with items like coolus helmets, mail shirts and long slashing swords. In fact, as a testimony to the refined degree of Gallic craftsmanship, many of such equipment were actually adopted by the Romans themselves.
One should also understand that ancient Celtic society was based on the mutual appreciation of physical security, which in turn endowed the nobles with the power of ‘providing’ the security to the commoners. And the scope of security was needed quite regularly since the Celts were often involved in ‘aggressive’ activities, ranging from cattle rustling, slave raiding and trading to even clan-based vendettas and warfare. In fact, these bunch of so-termed low intensity conflicts rather prepared the young Celtic warrior for actual warfare, not only psychologically (since courage was not seen as a virtue but rather viewed as expected behavior), but also tactically, like honing his weapon-handling, and most importantly demonstrating his martial reputation as a warrior.
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Till now we had mostly talked about the general soldier (and warrior) types of the factions involved in the Gallic Wars. However while cavalry was still not the dominant force on the ancient European battlefield (in contrast to the medieval times), the Gauls were clearly better in horsemanship when compared to their Roman auxiliary counterparts. One particular example would relate to the acrimonious defeat of the Roman cavalry at the hand of the Nervii horsemen in 57 AD.
And much like the Roman cavalry auxiliaries, the Gaulish cavalry forces were filled by the wealthiest members of their society. Now it should be noted that stirrups were probably not used by these troops, which partly negated their ability to mount cyclic charges on their infantry-based foes, unlike later-day knights. However at the same time, the Celtic saddle design was sturdy and effective enough for a skilled rider to maneuver his sword or spear thrust, while also allowing him to throw javelins and projectiles. And interestingly enough, even beyond the armor and skill of the horse-mounted warrior, there was tactical acumen to consider – like the co-ordination between some Germanic cavalry and their light infantrymen that shockingly took the Romans by surprise.
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Kate Gilliver in her co-authored book Caesar’s Gallic Wars 58-50 BC says – “Gallic and Roman fighting styles were the complete antithesis of each other.” So in essence, while the end goal pertained to a victory on the chosen battlefield by any means necessary, the approach to warfare in these two cultures were distinctly different to each other. For example, the Roman military cornerstone was the deep organization of its army, with formations and team-work viewed as preferred factors when it came to dynamic solutions for winning an encounter. On the other hand, the Gauls were motivated by the valor shown in the battlefield through individual deeds, thus making the encounter itself a spectacle where rich nobles and champions could flaunt their ritzy armor, heavy weapons and indomitable courage.
Now while objectively, both of these approaches had their limitations – with Romans relying heavily on the discipline and training of even their new recruits and Gauls depending on the ardor of their elite warriors to carry forth the day, the Romans clearly had an advantage in close-quarter infantry fighting, especially when it came Gallic opposition. That was because of the tactical system adopted by the Romans that allowed them to fight in compact formations armed with the gladii (short swords for thrusting). In contrast, the Gauls preferred to swing their arms and long slashing swords – actions that needed space and looser formations. So in a way, the Roman solid formations countered the Gauls by snatching away the room needed for boisterous weapon swings. Also such tactics rather aided the Romans to maintain their cohesion and discipline, factors that were ultimately more helpful in winning engagements than the flair of the Celtic champions.
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By 56 BC, after two major engagements against the Helvetii and the Nervii, the Romans had established their control (albeit precarious) over the eastern parts of the Gaulish lands. In fact, pertaining to the latter tribe, the Nervii were almost successful in inflicting a heavy defeat on Caesar’s forces, especially after their cavalry triumphed over the Roman auxiliary horsemen – but the day was saved (for the Romans) by reinforcements coming from two inexperienced legions who wheeled back to the battlefield after capturing the enemy encampment.
In any case, now the Romans were pitted against the Veneti, who in spite of losing most of their hill-forts in the land, successfully managed to salvage most of their wealth by virtue of their maritime endeavors. And much of the tribe’s navy, suited to the rough sea-water, shifted to the Atlantic coast of Brittany. To that end, the general sturdiness of Venetic ship-designs made them almost invincible against ramming. So as a result, the desperate Roman fleet under the command of one Decimus Brutus (who later became the infamous assassin of Caesar) devised the ingenious tactic of using grappling hooks that would allow them to cut the rigging of the heavy Venetic vessels.
Simply put, this tactic handicapped the maneuvering power of the Venetic ships that were mostly depended on their sails – thus rendering them as immobile targets floating on the high sea (a predicament exacerbated by lack of wind on that fateful day). On the other hand, the Romans ships relied on oars, which allowed them to catch up with the Venetic vessels, and then destroy them in a piecemeal fashion from morning till sunset. And while this audacious naval ploy worked in favor of the Romans, Caesar was clearly frustrated by the resistance of these seafaring Celtic tribes – as can be discerned by his command to execute many of the Veneti elders and sell high numbers of the Veneti population into slavery.
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Caesar’s impressive generalship during the Gallic Wars was often accompanied by ‘bloodthirsty’ streaks. One blatant example would relate to the episode (in 55 BC) of the Usipi and Tencteri, both Germanic tribes that resolved to cross the Rhine after being driven out of their own lands by the Suebi. Now Caesar’s policy restricted these tribes to settle in Gaul, and he enforced his statute by sending around 5,000 Roman auxiliary cavalry to threaten the Germans. Unfortunately for the Romans, the Germans with their mixed cavalry tactics (as we mentioned before) and 800 horsemen were able to rout the force, and even killed around 74 of the Roman men. Caesar saw this as an grave affront to the Roman army and promptly attacked the German camp. The aggressive maneuver totally took the Germans by surprise – resulting in the massacre of not only men but also women and children. According to Caesar’s own accounts, his punitive action caused around 430,000 casualties – though the figures were surely exaggerated.
And intriguingly enough, Caesar didn’t just stop at the bloody massacre, he even endeavored to cross the Rhine to further intimidate the Germanic tribes. And Rome’s first invasion of Germany was complemented by ingenuity, with one fascinating example pertaining to the 437 yards (400 m) long floating bridge deployed to cross the Rhine river. This tactical trick caught some fringe villagers off guard, who were showed the Roman force of arms. After demonstrating his superiority in arms, Caesar promptly withdrew from the Rhine territory and dismantled his hastily-constructed pontoon bridge, all within just 18 days.
And while these actions may seem excessive and brutal, one should also objectively understand that many of the deeds (and crimes) were actually planned by Caesar as publicity stunts to earn prestige among the fellow Romans and even Gauls and Germans. Simply put, in a fervent bid to outmatch his rivals Pompey and Crassus, Caesar couldn’t let go of the opportunity to be the first Roman to invade Germany, which would have boosted both his public image and political mileage. However relating to the latter, there were some political enemies of Caesar who actually threatened to prosecute him on charges of war crimes once Caesar’s governorship term was over.
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By 55 BC, the Romans had managed to subjugate many Gallic tribes, including the factions of Aquitania (south-west France) as a result of victories under Publius Crassus, the son of Marcus Licinius Crassus and a noted cavalry commander of his day (who led as a junior officer under Caesar, much like Brutus). They even managed to make of a show of their strength by crossing the Rhine and ‘defeating’ some of the Germanic entities. But the act that pushed Caesar into the focal point of public imagination back at Rome, arguably relates to the audacious invasion of Britain – an incredible feat that was never tried before by any Roman general.
Caesar even had the casus belli for invading the foreign (and mysterious) land, with reports of the British Celtic tribes (Britons) helping their continental brethren with ‘possible’ military assistance. But much like Rhine episode, the British campaign was probably more of a calculated move by Caesar to bolster his publicity. Unfortunately, while the notion was clearly cunning the execution lacked in its logistical capacity – with Romans crossing the English Channel at Kent with just two under-prepared legions.
The problems were exacerbated when the supporting cavalry forces were unable to make their landing due to high tides. The army disembarked after much difficulty and straggled their way to build a roughly defensive encampment. But they were already cut-off from supplies and the Britons even managed to ambush many of Roman grain harvesters. A short-pitched battle ensued with the legionaries just being able to hold their positions, and Caesar promptly demanded hostages from the British tribes. But the precarious nature of his expedition becomes quite evident on account of the Romans withdrawing from the Kent coast on the arrival of spring (and thus storm season), before their spurious demands were met – thus making the expedition last only 20 days.
Fortunately for Caesar, his first ‘invasion’ of Britain was wildly celebrated in Rome with a decreed public thanksgiving of 20 days. More importantly, Caesar returned to conduct his unfinished business in Britain in 54 BC – and this time around the Romans were amply supplied by transport ships and reinforced by a total of five legions and two-thousand cavalry. And while having similar difficulties during landing and also facing hit-and-run resistance from the elusive Britons, the Romans finally scored their first major victory in Britain by defeating a big raiding party. They were also able to storm the Catuvellauni capital, the hill-fort of southern Britain’s most powerful tribe (possibly located in modern Hertfordshire), and consequently most of the proximate tribes surrendered to the Romans. So finally after negotiating opportune terms of surrender and annual tributes, Caesar returned triumphantly back to Gaul.
http://www.realmofhistory.com/2017/03/17/15-facts-gallic-wars-part-i/
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madeinpop · 6 years ago
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Made In PoP™ ǁ eventi Rock in Veneto dal 27 Settembre al 3 Ottobre 2018 ǁ stagione 16
Ciao Made-In-PoPpers, eccoci di nuovo a voi con delle succolenti segnalazioni, in particolare vi consgliamo l'evento organizzato dal buon BRUNO MANTRA al VIRGO in provincia di Padova per dare luce all'underground musicale veneto, se potete partecipate numerosi. CHECcO & LoRIS   «Sostenete la Musica, Andate ai Concerti»   ► Made In PoP segnala ◄ Ω MEETING ETICHETTE VENETE INDIPENDENTI Ω https://www.facebook.com/events/184194335585845/ ɝ a partire dalle ore 16:00 si terrà presso il VIRGO art & culture Box via Padana 32 SANT'ANGELO di Piove di Sacco (Pd) in incontro per far conoscere le realtà musicali indipendenti venete.   saranno presenti le etichette CABEZON, PIPAPOP Records, IOHOO Records, Mr. WOLF Records, SCHIAVETTI Records e BEAUTIFUL LOSERS Records, inoltre una rappresentanza di SHYREC, di cui Made In PoP è sostenitrice, ci saranno i ragazzi della bande collettivo d'asrtisti MATTAOIO5, il sito di divulgazione musicale UNDERGROUND PLAYLIST.   ovviamente protagonista sarà la musica, con il palco libero per esibizioni e jam session, un live acustico dell'artista folk della Nord Carolina MATTHEW PAUL BUTLER ed a corredo di tutto i djset della brava JULIE e di CHECcO MERDeZ per Made In PoP.   partecipate in molti per SOSTENERE la MUSICA!!!     ► FESTIVAL ◄ Ω  TREVISO COMIC BOOK Festival27/30 Settembre http://www.trevisocomicbookfestival.it  ᴥ in diverse location sparse per la città di Treviso si terranno esposizioni, workshop, incontri, performance, mostra-mercato e immancabili concerti UOCHI TOKI, Roger Ramone, Alex Paone, ORNELLO, NU GUINEA e tanto tanto altro, programma in evoluzione https://www.facebook.com/events/2144441965829813/   ► SETTIMANA ◄ ► GIOVEDÌ 27 Settembre ᴥ COCKNEY London pub via Garibaldi 9 COREZZOLA (Pd) da Austin/Texas arriva ERIKA WENNERSTOM garage/rock, già leader degli Heartless Bastards. ᴥ CA'SANA Cibo Arte e Cultura via SS. Fabiano e Sebastiano 13 PADOVA tra alegria e saudade, tra festa e malinconia la band PEDRA PORTUGUESA. ᴥ Club IL GIARDINO via Cao di Prà 82 LUGAGNANO di Sona (Vr) evento dedicato agli amanti dei grandi chitarristi rock blues con ROB MO e WILLIE j. LAWS con loro anche Marco PANDOLFI. ᴥ EL CABALLITO via Pastrengo 17 BUSSOLENGO (Vr) stasera alla scoperta dello speed country dei The KILLIBILLIES.   ► VENERDÌ 28 Settembre ᴥ VIRGO Club via Padana 32 SANT'ANGELO di Piove di Sacco (Pd) OttoEventi ospita il ritorno con la full band dell'ottimo cantautore MASSIMO DANIELI SOULSHIFT, in apertura set acustico per il solista MATTIA MENEGAZZO. ᴥ Circolo NADIR piazza Gasparotto 10 PADOVA passaggio patavino per presentare il loro recente disco "Rob a Bank" per il combo ravvenate dei COMANECI. ᴥ CA'CORNERA via Ca'Cornera 3 PORTO VIRO (Ro) si balla e si cante in pizzatoria in occasione del concerto de L'ISTRICE folk-rock. ᴥ Osteria da TOCCHETTO via Risorgimento 27 MONTEBELLUNA (Tv) torna la musica in osteria con i bolognesi SO BEAST exp. postpunk duo e i padovani LITTLE BOY LOST psych/doom duo. ᴥ EDEN Cafè via XV Luglio TREVISO serata jazzy con l'interplay del trio composta da Tommaso TRONCON, GianPaolo RINALDI e Max TRABUCCO. ᴥ OUTSIDER pub via San Cassiano 72 QUINTO di Treviso (Tv)  festa di presentazione del nuovo disco per i DO'STORIESKI folk a km zero. ᴥ HOME Rock bar via Fonderia 73 TREVISO ospite sul palco il trio romano JOE VICTOR giullari rock della notte. ᴥ PADIGLIONE 9 via Forte Marghera 30 MESTRE musica forte al Forte, suoneranno infatti i PACINO potente quartetto rock/alternative. ᴥ IL BRUCO Circolo Operaio via Cristoforo 69 MAGRÈ di Schio (Vi) in occasione del suo tour europeo farà tappa qui EVEL ARC cantautore folk a stelle e strisce, in apertura REDIMEN folk/ambient one/man/band. ᴥ Bar ASTRA contrà Barche 14 VICENZA aperitivo sonorizzato dall'artista KOLE LACA (East ROdeo/2Pigeons) che presenta il suo nuovo progetto "Shkodra Elektronike" elettronica che si mescola a tradizione ᴥ LABI Tap Room via del Lavoro 3 ROSÀ (Vi) party d'inaugurazione per questa tap room con i live per i grandi GLINCOLTI e altre band. ᴥ Circolo MESA via L.Da Vinci 50 ALTE di Montecchio Maggiore (Vi) il circolo si trasformerà in un saloon con il psychobilly del duo LOW RANGER & the ANEMIC Man. ᴥ TOTEM Club via Vecchia Ferriera 135 VICENZA serata From Disco To Disco con illive per Francesco DE LEO (Officina della Camomilla) GERMANÒ e cantautori locali, a seguire djset ORDINARY NOISE (Last Nite). ᴥ Bar the BROTHERS via Olimpia 1 GREZZANA (Vr) qui il trio NICK's AIRLINES con un sound rockabilly aggiornato. ᴥ COHEN Pub via Scarsellini 9 VERONA folk rock dal gusto irlandese per Mark GEARY con il dublinese accompagnato dai FIREPLACES. ᴥ JACK the RIPPER Pub via Nuova 9 RONCÀ (Vr) festeggiamenti per i 23 anni del locale con i carichissimi live dei Mr. WOLAND e le glorie locali The BROKENDOLLS.   ► SABATO 29 Settembre ᴥ RUVIDO barber rock Club viale Arcella 3/e PADOVA dalle 20:30 concerto in barberia per i RECATTIVO alternative rock post/grunge. ᴥ Circolo NADIR piazza Gasparotto 10 PADOVA a pochi giorni dalla pubblicazione del suo primo disco, si esibirà qui la brava ANNABIT con il suo electropop raffinato, ospiti pure Cino e Pocket Girl. ᴥ Festa in Piazza via San Martino VOLTABRUSEGANA (Pd) presso l'area giovani della sagra suoneranno le scatenate BLUE RIMMEL, cinque ragazze che si muovono tra rock e indie. ᴥ Osteria del VICOLO via Paggiola 7 CITTADELLA (Pd) il cantautore folk, e non solo, JOE SANKETTI accompagnato da Stefano Miozzo alla chitarra. ᴥ OFFICINA 31021 via Bonisiolo 1 ZERMAN di Mogliano Veneto (Tv) dalle 18 inaugurazione di questo nuovo spazio giovani, nato a 8 anni dalla chiusura de LA SVOLTA, ci saranno mostre artistiche, performance, musica. ᴥ NASTY BOYS via Pellicciao 4 TREVISO questa sera al saloon il rockabilly & psychosis degli americani The LIVING DEAD. ᴥ KRACH Club via Madonna 3 MONASTIER (Tv) serata death/black metal con le band ASKESIS, SEPOLCRAL e i finladesi TORCHIA. ᴥ CA' San BARTO via Boscalto 53 RESANA (Tv) serata di rock energico e potente per le band BOOK of MIRRORS e MAD WOOD. ᴥ MATTOROSSO via Piave 108 MONTEBELLUNA (Tv) evento dedicato agli amanti dei grandi chitarristi rock blues con ROB MO e WILLIE j. LAWS con loro anche Marco PANDOLFI. ᴥ LIGHTHOUSE Pub via Noalese Sud 2 NOALE (Ve) qui ci saranno due band, UBRIS che presentano il loro disco "Hobolo" in uscita via Jetglow Records, in apertura gki storici DIRTY SANCHEZ. ᴥ ARGO 16 via delle Industrie 27 MARGHERA (Ve) in occasione del matrimonio di Fabio ed Anna si terrà una grande festa dalle 21, suoneranno la marcia nunziale le band heavyrock MOSHPITS, EXILIUM, MERCILESS ATTACK, RACKET e LAST REBELS. ᴥ NOVAK Club via Castellana 59/f SCORZÈ (Ve) a presentare il loro nuovo disco saranno qui la metal band The MOOR, a seguire ViVeLeRock party. ᴥ VINILE Disco via Capitano Alessio 92 ROSÀ (Vi) apertura della stagione 44 (leggete bene, 44!!!) di questo glorioso locale, ci sarà il live dei VIRTUAL TIME che presentano il loro nuovo disco, a seguire djset del KING MAX, CASTE e gli altri mas-ci. ᴥ Circolo MESA via L.Da Vinci 50 ALTE di Montecchio Maggiore (Vi) horror & punk rock dal capoluogo ligure con le band L'ESPERIMENTO del Dr. K e i COCKS. ᴥ Bar dei SALBANELLI via Porta di Sotto live in versione ridotta in compagnia de Le CORRIERE della SERA folk-rock. ᴥ Bar al CIRCOLO via Pecori Giraldi 22 San VITO di Leguzzano (Vi) prima esibizione live per il duo femminile DOUBLE M rock-pop acustico. ᴥ Bar FAGGIN via Marconi 37 ISOLA Vicentina (VI) energico rock'n'blues'roll con i BLUE BLOOD. ᴥ Festa di FINE ESTATE piazza XXVI Aprile BUSSOLENGO (Vr) festa in piazza con i concerti per SANGUE Blues e il demenziale r'n'r di LITTLE TAVER & his Crazy Alligators. ᴥ The FACTORY via Garibaldi 37 CASTEL d'AZZANO (Vr) inaugura la stagione di questa club house con i concerti di AVXILVM, SHIZUNE e le leggende postcore DUFRESNE a seguire djset per le Scarlet Brigade. ᴥ COHEN Pub via Scarsellini 9 VERONA dagli States il country man GRANT MALOY SMITH. ᴥ JACK the RIPPER Pub via Nuova 9 RONCÀ (Vr) altra serata di festa con il ritorno per The LEGENDARY KID COMBO + Valigetta di Andy djset.   ► DOMENICA 30 Settembre ᴥ SALE DOCKS riva delle Zattere VENEZIA dalle 16:00 si terrà la manifestazione del movimento "No Grandi Navi" in laguna, imbarcazioni tradizionali e piccoli barchini a motore per dire no ai grandi "mostri" del mare, in riva ci saranno concerti e giochi per bambini. ᴥ ALTROQUANDO Osteria Musicale via Corniani 32 SANT'ALBERTO di Zero Branco (Tv) dalle 18 GoDown records ospita mister Lighton KOIZUMI icona della scena garaepunk revival e i suoi leggendari The MORLOCKS che sono in giro a presentare il loro nuovo recente album. ᴥ KRACH Club via Madonna 3 MONASTIER (Tv) aperitivo con il sound desertico dei veronesi KAYLETH e con loro i DOUBLE SWINDLE local punkrockers. ᴥ RADIO GOLDEN bar Piazza San Martino 13 CONEGLIANO (Tv) aperitivo con lo spettacolo "Liberamente" ideato e cantato/suonato da Giulio "Estremo" CASALE, ex leader degli Estra. ᴥ CA'SANA Cibo Arte e Cultura via SS. Fabiano e Sebastiano 13 PADOVA ore 19 aperitivo cantautorale con LUCA FERRARIS e i suoi musicisti meravigliosi. ᴥ L'ULTIMA SPIAGGIA tiki bar piazza S.Biagio VICENZA aperitivo acustico con ospite il bravissimo JOE SHAMANO in trio, blues dell'anima. ᴥ Osteria AL CASTELLO via Rossi A. 15 CHIUPPANO (Vi) aperitivo cantautorale con ONE MAN PIER il cantabarista. ᴥ EL CABALLITO via Pastrengo 17 BUSSOLENGO (Vr) aperitivo molto hot, da Denver (Us) arrivano i psychobilly The LIVING DEADS. ᴥ COHEN Pub via Scarsellini 9 VERONA questa sera il cantautore Luca BOSCAGNIN, veronese di nascita ma londinese d'adozione.     ► Lunedì 1° e Martedì 2 Ottobre ᴥ visto gli strafalcioni linguistici che si leggono in giro in certi post pubblicati in giro per i social network e soprattutto in questa newsletter si consiglia di dedicare le serate buche alla lettura di molti libri e farsi una cultura.   ► MERCOLEDÌ 3 Ottobre ᴥ Cso PEDRO via Ticino PADOVA evento speciale in occasione del passaggio in Italia delle leggende hardcore/rap russe MOSCOW DEATH BRIGADE, a supporto le local band DANNY TREJO e Mr.WOLAND. ᴥ CEREBRATION Festival Parco Milcovich via Jacopo da Mantegna PADOVA inaugura oggi questo festival con i live ROVERE e LEMARDOLE, ma non ci saranno solo live, scopri il programma qua https://www.facebook.com/events/313340435885795/ ᴥ VIRGO RADIO ogni mercoledì alle 21 c'è il contenitore dell'associazione OttoEventi che divulga musica, arte e cultura indipendente, per ascoltare BRUNO connettevi qua https://www.spreaker.com/user/virgoradio/   • https://telegram.me/madeinpop/ • https://www.facebook.com/Shyrec/ • https://www.facebook.com/threeblackbirdsfree/ • https://www.facebook.com/NewsletterMadeinpop/ • http://shyrec.bandcamp.com/
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