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TRIGGER MAGAZINE: Kill la Kill Issues

Back when Kill la Kill was first airing, Studio Trigger sent out a weekly newsletter containing a production report from Higuchi, the script writer’s literary assistant, as well as commentary from Tatsuru/Tattun, Trigger’s PR specialist. Each newsletter also contained key frames and layouts from the show.

There was a newsletter devoted to each of the first 24 episodes of Kill la Kill, as well as one issue discussing the premiere. Compiled below is a list of these issues (Issues #000 - 025), complete with information about which episode the issue describes, production report highlights, and which key frames or layout drawings were included. All links to the magazine are courtesy of @triggermagazine.

If you would like to subscribe to the newsletter, you can do so by setting up an account at Trigger’s online shop here.

Please note: As these newsletters describe Kill la Kill, there is a tremendous amount of nudity and fanservice included. Please also be warned that there are depictions of sexual violence and harassment as well.

(All images in the magazine can be found here.)

TRIGGER MAGAZINE, Issue # 000, October 2, 2013

Prior to episode 1

Production report highlights: “I bet all of you are familiar, but “KILL la KILL” is produced by Hiroyuki Imaishi and Kazuki Nakashima, the duo from “Gurren Lagann.” With the staffs being close with each other, each and every staff meeting was filled with jokes and laughter. Each and every staff was really having fun! Despite the staffs horsing around at time, their boldness to create what they truly enjoy, and not catering to the popular trend is something I admire. “KILL la KILL” definitely reflects on the creators passion, and it just might be the punch Japan needs in this laid back times.”

Included key frames/layout: Ryuko holding the Scissor Blade when she first meets Satsuki

TRIGGER MAGAZINE, Issue # 001, October 8, 2013

Episode 1

Production report highlights: “KILL la KILL is a very distinct series, and I think we can agree that the talking sailor uniform got everyone’s attention. To those who are familiar with very old anime series and I mean “really” old series might have caught on to the similarities with Dokonjo Gaeru [Gutsy Frog]. Yes, KILL la KILL is influenced heavily by anime from the Showa period. Other series such as Sakigake!! Otokojuku [Charge!! Men’s Private School], Harisu no Kaze [Harris’s Whirlwind], and other major titles from the Showa period was brought to topic numerous time in the production meeting as well. However, just because the resource is from the Showa period, it does not mean that it will just be a reproduction. With modern techniques and talent worked in, it creates a whole new style of animation. So please stay tuned with KILL la KILL! You won’t be disappointed!”

Included key frames/layout: Senketsu and Ryuko’s first meeting, Ryuko/Senketsu vs. Fukuroda

TRIGGER MAGAZINE, Issue # 003, October 16, 2013

Episode 2

Production report highlights: “Whenever I watch KILL la KILL, it reminds me of this specific act from Mr. Nakashima’s theatrical play Hana no Kurenai Tengu [Renaissance of the Scarlet Phantom]. This act also happens to be Mr. Imaishi’s favorite, and the title is “I will take the path I trust. Vigorously, even if there are no roads.” I feel that this phrase is the intersection between Mr. Imaishi and Mr. Nakashima. Just as their creators are, every character in KILL la KILL share the same unfaltering courage to stay bold with their beliefs. The story is full with passion but so is the character!”

Included key frames/layout: Satsuki and Bakuzan, Ryuko collapsed from blood loss, Aikuro stripping, Aikuro taking Ryuko’s blood

TRIGGER MAGAZINE, Issue # 004, October 22, 2013

Episode 3

Production report highlights: “Some of you may already know, but KILL la KILL was originally planned to become the typical monster/villain of the week style of anime. The first time I attended the staff meeting was a year and a half before the airing of KILL la KILL started. And, that just happened to be the time when the staff decided to throw that style of composition out. With the static format gone, the weekly meeting became even more hectic, and it was almost impossible to keep up with the conversation if I were to take even one week off.”

Included key frames/layout: Baby Satsuki, Satsuki in Junketsu, Ryuko/Senketsu vs. Satsuki/Junketsu, Mako in pajamas, Ryuko and Senketsu trying to work together

TRIGGER MAGAZINE, Issue # 005, October 29, 2013

Episode 4

Production report highlights: “It may be a surprise but all of the KILL la KILL episode titles come from popular Showa Japanese songs! Mr. Nakashima carefully picked out the most fitting song title for each episode, taking in the artist and the lyrics itself into account. The main staff would gather early to a meeting and listen to these songs to further discuss about the episode the individual songs were bound to. Believe it or not, these song titles were taken into account from a very early stage of production. To those who are familiar, the song title will feel nostalgic. To those who aren’t, the title should definitely leave a strong impression.”

Included key frames/layout: Guts and Senketsu, Mankanshoku boys leering at Ryuko, Maiko kicking Guts, Ryuko panty shot, Ryuko embarrassed by pajamas

TRIGGER MAGAZINE, Issue # 006, November 6, 2013

Episode 5

Production report highlights: “How did everyone enjoy the 5th episode? Pretty hardboiled compared to the previous episode, right? A lot of people probably noticed the difference in the script. To reveal the secret, the scripts for episode four and five is actually not done by Mr. Nakashima. Episode four is done by the creative officer Hiromi Wakabayashi, and episode five is done by Hiroshi Seko! It’s quite the surprise how the script can affect the tone of the work so much! Each and every staff has their own taste, for example Mr. Wakabayashi always manages to come up with the most playful ideas and Mr. Seko favors a hardboiled stories. To top it all off, Mr. Nakashima somehow manages to get more pumped up in the script meeting than the actual characters in KILL la KILL! It’s really interesting to see how their taste reflects so much to the different episodes. Although all of the scripts will be done by Mr. Nakashima from episode 6, it may be interesting to re-watch the previous episodes with the individual script writers in mind.”

“One of the bigger surprise to us is the unexpected support we are receiving from oversea. KILL la KILL has little sprinkles of taste from the showa period, and we were worried if it would even appeal to the audience here in Japan at first. Regardless of the reason, it really feels nice to know that we have a supporting fan base even oversea.”

Included key frames/layout: Tsumugu smoking, Mako speech (“Up until now, the only friends I had were in my head!”), Nonon conducting, two more Mako speech frames

This issue also includes a fanart piece done by @belindraw!

TRIGGER MAGAZINE, Issue # 007, November 11, 2013

Episode 6

Production report highlights: “…this episode was our first chance to get in touch with the Elite Four’s past. Not only does this episode function as a turning point for Sanageyama, it is also a vital episode for the other Elites Four as well. According to Mr. Nakashima, the scene where Sanageyama encounters Satsuki and the other three at North Kanto wasteland was the key factor to determine the individual characters personality. I guess if you observe carefully, you can get an idea of who met Satsuki first, and what kind of relation they have. It’s amazing how a single short scene is sufficient enough to provide the characters with their depths!”

Included key frames/layout:/layout Uzu’s Blade Regalia, Uzu’s defeat, Mataro, Mataro’s photos of Ryuko, Ryuko/Senketsu (during their fight against Uzu), Ragyo’s first appearance

TRIGGER MAGAZINE, Issue # 008, November 19, 2013

Episode 7

Production report highlights: “Every week Mr. Toshihiko [Senketsu] wraps up the recording session with his narration for the preview. Mr. Toshihiko is precise to the second with his script and does not fail to impress Mr. Imaishi and Mr. Nakashima. A round of applause from the director’s booth is not a rare sight when it comes to KILL la KILL’s recording session. Did I mention that the preview covers more than just an advance showing of the next episode? The extended 30 second preview (available to view online) contains exclusive information from time to time as well!”

Included key frames/layout: Satsuki, Satsuki (during one of her “pigs in human clothing” speeches), Mankanshokus and Ryuko hug, Mako in her Goku uniform, the golden bust statue of Barazo, Mako in Fight Club

TRIGGER MAGAZINE, Issue # 009, November 26, 2013

Episode 8

Production report highlights: “The idea of Naturals Election originated in one of the scenario meetings when Mr. Nakashima decided to throw out the original idea of 党首頂上決戦 and decided to play with words and went with 塔首頂上決戦. (The two kanji 党 and 塔 is pronounced the same with a different meaning. 塔 resembles tower or a pillar while 党 resembles a political faction or a party.) Mr. Imaishi quickly replied by drawing a sketch of an arena placed on top of a large tower. The teamwork between the two is simply amazing! Mr. Imaishi manages to pick up all of Mr. Nakashima’s idea! Watching the two create such an amazing piece of work out of almost nothing but paper and pencil is truly a magnificent sight to observe.”

Included key frames/layout: Ira, Ira in car, Ryuko/Senketsu, Satsuki, little Ryuko, Nonon

TRIGGER MAGAZINE, Issue # 010, December 4, 2013

Episode 9

Production report highlights: “While the characters of KILL la KILL are distinct, the production of the series is also very distinct. For many animation series, the personality and the orientation of the characters are determined in the plot/script meeting. The designs of the individual characters are then determined in the visual design meeting. It’s normal to think that the characters are developed along with the plot. Surprisingly, there has been few occasions where that was not the case in KILL la KILL. Mr. Nakashima will at times like the character design so much, he would go through the trouble to rewrite the already made script to accommodate for the character. Even in the recording session, Mr. Nakashima has changed the character’s line in order to better match the actor’s voice. This flexibility in production is truly distinct for animation production, and I believe it is one of the many reasons that makes KILL la KILL such a wonderful series.”

Included key frames/layout: Ira’s Scourge Regalia, Ryuko/Senketsu vs. Ira, Mako nosebleed, Ryuko/Senketsu hanging from stage

TRIGGER MAGAZINE, Issue # 011, December 13, 2013

Episode 10

Production report highlights: “I bet many of you are already hooked to the KILL la KILL tunes already, but the BGM to our series is really powerful! Many of the characters like Satsuki would just sound like a lunatic if we were to listen to them without the BGM. What makes Satsuki’s tyrannical speech sound convincing is definitely due to the help of Mr. Sawano’s BGM. Once the sound track is released it may be interesting to review the previous episodes again.”

Included key frames/layout: Nonon’s Symphony Regalia, Houka’s Probe Regalia, Nonon wink, Nonon transformation, little Nonon, little Nonon and Satsuki

TRIGGER MAGAZINE, Issue # 012, December 17, 2013

Episode 11

Production report highlights: “One of the more popular gossips I hear amongst the animator in the studio is how hard it is to draw Mako. She’s cute, yet crazy in the mind. She’s crazy yet she somehow manages to be charming. Even trying to express her verbally is difficult! It really does surprises me how the crew manages to pull off such a crazy character. Mako is also the reason why KILL la KILL had to be written mostly by Mr. Nakashima. The original plan was to have multiple scriptwriters, but her wild personality proved to be too much for outside scriptwriters to handle. Mako is hard to draw for the animators; her personality is way over the top, yet something about her sounds very natural. Why is that? What could possibly make her insane nonsense sound so convincing? Yes, it must be due to the acting done by Ms. Suzaki! She even looks like Mako with her new haircut! Now, I’ve yet to confirm this myself but according to the rumors, even her personality seems to be identical to Mako! I have come to the conclusion that Mako as a character is only made possible due to the love and care of all of the staffs involved in this series!”

Included key frames/layout: Nonon’s defeat, Ryuko/Senketsu (during the Nonon fight), Satsuki telling Uzu to get away from Nui, Nui, Rei, Ryuko/Senketsu (during the Nonon fight), Sukuyo

TRIGGER MAGAZINE, Issue # 013, December 25, 2013

Episode 12

Production report highlights: “We had Nui, Ragyou, and Hououmaru introduced in this episode, and they all have a powerful personality! But, something about these characters felt awkwardly masculine. Come to think of it, that applies to almost all of the female characters in KILL la KILL. A good amount of the characters in this series are female, but it feels as if this series is compiled of just male characters. According to Mr. Nakashima, this is not due to the fact that the characters in KILL la KILL possess a manly personality. It is because the supposed female characters are simply males “packaged” in female bodies. Although the characters gestures and reaction is very feminine, their behavioral principle is the one of a male personality. Mr. Nakashima says that he has intentionally designed his characters in this way. While having the cuteness of the girls, the characters possess the wildness to stir the story and the hook the viewer’s attention at the same time.”

Included key frames/layout: Satsuki vs. berserk!Ryuko/Senketsu, Tsumugu shooting, Nui flashback (with two eyes), Satsuki preparing to kill berserk!Ryuko/Senketsu, Satsuki striking berserk!Ryuko/Senketsu

TRIGGER MAGAZINE, Issue # 014, January 16, 2014

Episode 13

Production report highlights: “With the story entering the second half, the recording booth is also becoming more and more crowded with actors. But that doesn’t stop the voice actors from having loads of fun! The recording session never fails to surprise me. For instance Ms. Koshimizu and Ms. Yuzuki would be having a pleasant conversation one moment, but as soon as the recording lamp lights up, the two would become hostile at each other as their given role as Ryuko and Satsuki. The booth that was filled with laughter is immediately transformed into a stern mood with shouting and yelling. How fast the actors are able to snap into their role amazes me every time, and the whole experience truly feels like a stage play.”

Included key frames/layout: Nui, Ragyo, Satsuki, “the bald dudes from the REVOCS business meeting”

TRIGGER MAGAZINE, Issue # 015, January 21, 2014

Episode 14

Production report highlights: “How is everyone enjoying KILL la KILL’s stereotypical image of Kansai? If episode 4 was Mr. Imaishi’s free ticket to do whatever he wishes to do, Mr. Nakashima says episode 14 was his turn to do so! A lot of new characters were introduced in this week’s episode, but the most impressive out of the bunch is Kaneo Takarada without doubt! It seems like Kaneo has some feud going on with Satsuki, but what’s really amazing is the person inside the character! Mr. Awane who does the voice for Kaneo Takarada isn’t actually a professional voice actor, but a stage actor from Mr. Nakashima’s theatrical team Shinkansen! Mr. Nakashima and Mr. Awane have been working together for about 30 years, and the recording session really reflected that. Some of our subscriber may already know, but Ms. Shintani who does the voice for Nonon also comes from a theatrical team Nylon 100 Degrees Celsius. According to Mr. Imaishi, stage actors take a very different approach when acting their characters. That difference from normal voice actors may also be one of the many factors that give KILL la KILL such a distinct taste!”

Included key frames/layout: Ryuko without Senketsu, Mako in Osaka, tracksuit Nonon, Nonon with band member, three Takarada frames

TRIGGER MAGAZINE, Issue # 016, January 29, 2014

Episode 15

Production report highlights: “According to the plot meeting, many stage performers call the cliff hanger scene “The end of the first act.” If KILL la KILL were to be a play, episode 15 would apply to the end of the first act. I have also made a comment to Mr. Nakashima that excluding Mako and Nonon, all of the characters that support Ryuko and Satsuki are men! Mr. Nakashima says that he has intentionally positioned the male characters to assist the female lead. He says that situation is very similar to the first work he and Mr. Imaishi worked as a pair, Re: Cutey Honey. Male characters supporting a struggling female lead, Mr. Nakashima sure is a gentleman!”

Included key frames/layout: Nonon (with a “scorning look” expression, jitome), Uzu’s Blade Regalia MKIII, Nonon’s Symphony Regalia MKII, Ira’s Shackle Regalia MKII, Houka’s Probe Regalia MKII, Satsuki in Overridden Junketsu, Ryuko and Senketsu (Senketsu-Senjin), Ryuko/Senketsu vs. Satsuki/Junketsu

TRIGGER MAGAZINE, Issue # 018, February 5, 2014

Episode 16

Production report highlights: “The storyboard for episode 16 was done by Mr. Maeda Mahiro. Mr. Maeda has participated in many popular series such as Evangelion! Just a few days ago I had the honor to meet him in person, and was I surprised with how fashionable he was! This happens to remind me of the day I first met Mr. Nakashima as well. My first impression of Mr. Nakashima was oriented toward a father like person. I felt a considerable gap between his personality and the scripts he would write. After attending the KILL la KILL meeting for the first time, I saw Mr. Nakashima joyfully talk about his favorite past time manga and anime. That was the moment when I finally understood what kind of person Mr. Nakashima is. I also thought Mr. Imaishi to be a person with a bold personality since all of his works are so energetic and powerful. He actually turns out to be a lot different than what I imagined him to be. He turns out to be a really frank and kind hearted person. I have yet to see him without a smile on! There seems to be a considerable gap between the personality of the main staff and their creations. I guess the old saying “You can’t judge a book by the cover is ture!””

Included key frames/layout: Aikuro on the world, Ryuko embarrassed by Nudist Beach, Aikuro (before he goes “skinny diving”), Isshin, bath scene

TRIGGER MAGAZINE, Issue # 019, February 13, 2014

Episode 17

Production report highlights: “The first time I attended the audio recording session, I was surprised that the session is conducted with only 4 microphones. Within the recording booth, about 20 voice actors work by sharing the limited microphones with each other. Talk about sharing and caring, right? This is something you don’t get the chance to see at the movies or stage acting. However, according to Ms. Shintani (Nonon Jakuzure) some people do feel uncomfortable when a stage actor gets involved in the scene of animation for their first time. But, I personally thought that the 4 microphones added to the whole experience! Some of our subscriber may already know, but the Elite Fours’ voice actor show strong physical resemblance to the characters they act as. It really packs a punch when the four stand in front of the microphone! It almost feels as if the Elite Four are actually standing in front of me! I’ve also found out that the four get along quite well, and they often go out for a drink together. The actors support one another just as the Elite Four do so in the series. How wonderful, don’t you think?”

Included key frames/layout: Satsuki and her Elite Four, Shiro, Satsuki stabbing Ragyo (two images), Barazo’s “serious” face, Satsuki with tea, Aikuro (DTR!)

TRIGGER MAGAZINE, Issue # 020, February 19, 2014

Episode 18

Production report highlights: “According to the creators, KILL la KILL was intended to depict the characters in great depth! Because there are fewer characters than Guren Lagann, each and every character receives the necessary spotlight to display their personality and their beliefs in greater detail. Even then, there seems to be a lot of untold stories behind some of these characters. For those who are interested, this month’s issue of “Newtype” includes a short novel by Mr. Nakashima which covers the relation of Satsuki and the Elite Four. The BD/DVD also includes a drama CD which gives you the slice of life experience at the Honnouji Academy.”

Included key frames/layout: Ryuko/Senketsu vs. Nui (three images), Ira in his Shackle Regalia MKII, Ryuko/Senketsu and Satsuki, Rei

TRIGGER MAGAZINE, Issue # 021, February 26, 2014

Episode 19

Production report highlights: “It really amazes me on how much effort and passion is put into KILL la KILL by the creators! Just the other day meg rock, the lyrics writer for KILL la KILL’s opening attended the audio recording session. (I must say that she was quite adorable, not that it’s important or anything.) During the first half of the session, she was enjoying the recording just as if anyone would. However, during the 2nd half of the recording, I noticed that she was in tears. After the recording she explained to me that she was extremely touched by today’s session. I say this again and again, but KILL la KILL really is created by the love of each and every staff involved in the series.”

Included key frames/layout: Little Ryuko in Isshin’s study, Uzu’s gang and COVERS, Ira, Nui, Ira

TRIGGER MAGAZINE, Issue # 021, March 04, 2014

Episode 20

Production report highlights: “The recording session for the last episode has finally ended! Just as the session finished, I over heard Mr. Miki (va for Mikisugi) and Ms. Bak (va for Ragyo) commenting that the dialogues for KILL la KILL is very simple and pleasing to the mouth. According to Mr. Imaishi, he intentionally limited the dialogues to contain simple yet exhilarating phrases. His goal was to create a strong set of quotes by using simple vocabulary. Mr. Imaishi explains that it will leave a stronger impression to the viewer if they are familiar with the vocabulary. The simple dialogues also allows the voice actor to recite the line with passion without difficulties. I guess this is the secret to keep long dialogues sound interesting to the viewers!”

Included key frames/layout: Ryuko in Junketsu, Junketsu!Ryuko vs. Senketsu!Satsuki (two images), Nui coughing blood, Senketsu abandoned by Ryuko, Takarada salute

TRIGGER MAGAZINE, Issue # 022, March 13, 2014

Episode 21

Production report highlights: “Just yesterday, I was talking with Mr. Nakashima, and he explained to me that he was surprised that he was able to make episode 20 and 21 so rich in content. He explains, that it’s definitely not a plot to be handled in a 22 minute episode, but it’s obviously not impossible. There must be some contents that other series wouldn’t dare to exclude. We gave it a good thought, and concluded to the fact that the characters in KILL la KILL never stumble upon a mental conflict, or even troubled. A typical series will depict several characters going through mental distress. These issues are barely depicted in KILL la KILL. Most of the characters in KILL la KILL are bold and believe in their motives without doubt. I guess the creators of KILL la KILL can relate to that (laughs).”

Included key frames/layout: Opening scene, Junketsu!Ryuko holding up Senketsu!Satsuki, Nudist Beach!Satsuki vs. Nui, Ryuko removing Junketsu (three images)

TRIGGER MAGAZINE, Issue # 023, March 18, 2014

Episode 22

Production report highlights: “When Mr.Nakashima writes his scripts, he occasionally has an episode where his characters would start a conversation against his will. Mr. Nakashima explains that from their conversation, he is able pick up the overall plot of the story. The conversation between Ryuko and Nui from episode 22 is a great example of this. Nui claims that she is sick of Ryuko ranting about “friends.” Ryuko then explains that the term “friends” come nowhere close to explaining her relationship with Senketsu and Mako, and that their relationship is something much greater and unexplainable. Mr. Nakashima explains that their conversation was what lead to the concept of KILL la KILL. Something unexplainable and ambiguous. Despite having such a creative production team, the person who held the answer to the series was Ryuko. It was at this point when I realized that Ryuko was indeed leading the series as the main character.”

Included key frames/layout: Ryuko and Senketsu come back together (two images), Ryuko blushing at Senketsu’s words, Tsumugu, Shiro, Mako in her Goku uniform

TRIGGER MAGAZINE, Issue # 024, March 27, 2014

Episode 23

Production report highlights: “KILL la KILL is of often compared to the composition of a manga due to their similarities. The series introduces new interesting ideas to the latest episode without hesitation. KILL la KILL is truly living in the moment. Only downside is that we are continuously tested to top or previous episode. This may be the reason why each episode seems so climatic!”

Included key frames/layout: Group shot before the heroes enter the final battle, Satsuki, Ira’s final Shackle Regalia, Uzu’s final Blade Regalia, Houka’s final Probe Regalia, Nonon’s final Symphony Regalia

TRIGGER MAGAZINE, Issue # 025, April 4, 2014

Episode 24

Production report highlights: “Episode 24 has really taught me the values of nonsensical things. The world is beautiful because there are so many things that are beyond our comprehension. It is the result of countless threads of unknown factors woven together. KILL la KILL is a grand example of this. Each and every staffs feelings, their passion are aggregated into a canvas we know as KILL la KILL. I know I am not making much sense right now, but I felt the same way with our creators as well. They are all crazy and over the top! But, after being able to interact with some of our viewers, I realized that our fans are just as crazy as our creators.”

Included key frames/layout: Final group hug, Ryuko in Senketsu-Kisaragi (two images), Ryuko’s tears at Senketsu’s death, Ryuko and Senketsu in Senketsu’s last moments, Ryuko panty shot, date (three images: ice cream together, Satsuki with hat, Satsuki trying on a new outfit)

#kill la kill #trigger magazine #studio trigger #kazuki nakashima #hiroyuki imaishi

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