#ullal

[nickysfacts]

Rani Abbakka exemplifies not only girl power but also how we are stronger united!

🇮🇳🚺🇮🇳

[flubberbands]

I need to do more studies so I can draw him playing his violin

[negreabsolut]

Venom, per karmichorror. [font]

[hdmiports]

araceli + summer 🌟

araceli is dating this guy

[exotic-indians]

[albertotal]

[women-throughout-history]

Rani Abbakka Chowta

Rani Abbakka Chowta, a key figure in Indian history, was part of the Chowta dynasty ruling coastal Karnataka. Known as Abhaya Rani for her bold nature, she emerged as an early freedom fighter against foreign invaders and colonial rule. As the queen of Ullal, Abbakka staunchly opposed Portuguese dominance, refusing tribute payments in 1555. Abbakka also challenged economic subjugation by the Portuguese, insisting on trade for the welfare of her people. Despite personal challenges, including a strained marriage, she prioritised her daughter's well-being, ultimately rescuing her daughter from an unwanted marriage proposal and resisting political alliances that compromised her principles. Abbakka's administration and army was inclusive, with individuals from diverse sects and castes. She formed strategic alliances with influential leaders to fortify her position against Portuguese incursions. Regarded as a significant threat by the Portuguese, Rani Abbakka stands as an early beacon of the Indian freedom movement. Her legacy endures through historical accounts and a bronze statue in Bengaluru, commemorating her unwavering defence of Ullal and her pivotal role in India's struggle for independence. Yet her story remains unknown, often overshadowed by the stories of other famous figures.

[youremyheaven]

Same anon that brought up Klaus Kinski.

I guess I am sharing all this because I noticed you reblogged a Werner Herzog quote. Coincidentally, I was watching his Nosferatu the Vampyre work starring Klaus Kinski and Isabelle Adjani, and I couldn’t help but study the two actors’ and the director’s birth charts. Interesting how their nodal influences showcase themselves through vampire concepts and such. Herzog has a lot of lunar nakshatra placements + Magha Venus-Rahu + Shatabhisha Ketu (assuming his birth time I accurate). Kinski has Ardra Rahu, and Adjani has Ardra Sun + Mula Rahu. I’m sure other planetary placements may be prominent in vampiric, illusionary films, but I mainly observe strong nodal influences in such works (example: The Twilight Saga series).

On a side note: of course, curiosity is always the cause of finding out controversial information about these sort of people… I can’t say I regret learning about Kinski’s horrific behavior or Adjani’s warped views. At least I know now! Speaking of Isabella Adjani- I realized she was romantically linked to Daniel Day-Lewis (an Ashwini Moon native) for 6 years. The magnetism between two Nodal people is undeniable.

let me add some random bollywood gossip hehe

All of these 3 stunning gorgeous women share striking resemblance with each other and they're all exes of actor Salman Khan lmao, I guess he really has a type

after his relationship with aishwarya rai ended, he launched an actress who looks just like her

her name is Sneha Ullal and unfortunately due to her struggles with her illness, she never found much success in cinema

[j4ne]

serena called ullal out for a date and they made it official

[yayasiimsx]

Ullal finally decided to catch up on his studies and take his classes more seriously

..the 3rd year in

[negreabsolut]

[hdmiports]

an evening w johnny & ullal

[indian-mythology]

The year was 1555. Portuguese colonial power was at its peak in the 1500’s. They destroyed Zamorins of Calicut. Defeated the Sultan of Bijapur. Took away Daman from the Sultan of Gujarat, Established a colony in Mylapore, Captured Bombay and made Goa as their headquarters. And while they were at it, pretty much unchallenged, they even ruined the ancient Kapaleeswarar Temple to build a Church over it.

Their next target, the super profitable port of Mangalore.

Their only bad luck, just 14 kilometers south of Mangalore was the small settlement of Ullal - ruled then by a feisty 30 year old woman - RANI ABBAKKA CHOWTA

Initially, they took her lightly and sent a few boats and soldiers to capture and bring her back to Goa - Those boats never came back.

Shocked and enraged, they sent a huge fleet of ships this time, under the command of much celebrated Admiral Dom Álvaro da Silveira - The admiral soon returned, badly injured and empty handed.

Thereafter, another Portuguese fleet was sent - only a few injured from the crew managed to make it back.

Then the Portuguese went on to capture the Mangalore port and the fort anyways, perhaps planning to tackle Rani Abbakka Chowta from the convenient distance of the Mangalore fort.

After the successful capture of Mangalore, a huge army under João Peixoto, an experienced Portuguese General was sent to Ullal.

The brief was simple: Subjugate Ullal and capture Abbakka Chowta.

The plan was foolproof- there was no way a 30 year old lady with a few men could withstand the might of an army of thousands with advanced weapons.

The Portuguese reached Ullal and found it deserted. Abbakka was nowhere in sight.

They roamed around, relaxed and thanked their stars - Just when they were about to call it a victory - Mrs Chowta attacked with 200 of her chosen men - there was chaos all around and many portuguese lost their lives even without a fight

General João Peixoto was assassinated, 70 Portuguese were captured and the rest just ran away.

So if you’re Abbakka Chowta, who’s just defeated a large army of aggressors, killed a general, captured fighters and defended her city - What will you do?

- Rest and enjoy the moment right?

- Right?

- No!

Rani Abbakka Chowta, rode with her men towards Mangalore that same night, and laid a siege of the Mangalore fort - She not just broke inside the fort successfully - but assassinated Admiral Mascarenhas the Chief of the Portuguese power there and forced the remaining Portuguese to vacate the fort.

She didn’t just stop at this but went on to even capture the Portuguese settlement at Kundapura, a full 100 kms, north of Mangalore - Just to make a point.

The Portuguese finally managed to get back at Abbakka Chowta by convincing her estranged husband, to betray for money. She was arrested and put in the prison where she revolted again and was killed while trying to escape.

Abbakka Chowta was a Jain who fought against the Portuguese for four decades, with an army comprising of both Hindus and Muslims, a full 300 years before the First War of Indian Independence in 1857.

What did we Indians do to her, as a mark of our respect and gratitude? - We just forgot her.

We didn’t name our girls after her. We didn’t even teach her stories to our kids.

Yes we did release a Postal Stamp in her name, named a boat after her and erected 2 statues - yes just 2 statues in the whole of India for someone who should be our national hero.

The Indian Coast Guard ship ICGS Rani Abbakka the 1st of a series of five inshore patrol vessels built at Hindustan Shipyard Ltd is named after Abbakka Mahadevi.

We might have got to read a chapter about her in our text books, had she been a European or an American.

Many talk about her being the last Indian to have the power of the agni-ban. In all this cacophony, our generation has lost a great hero - a great source of inspiration.

Still wondering why you’ve not heard about her yet?

[beauty-makeover]

Bantwal

Bantwal is a Taluk of Mangalore in Dakshina Kannada district, Karnataka, India, and the headquarters of Bantwal taluk. It is located 25 km (16 mi) East of Mangalore city center. BC Road-Kaikamba of Bantwal is one of the fastest developing areas in Dakshina Kannada district of Karnataka.

Along with BC Road-Kaikamba, Panemangalore & Melkar regions are also urbanized. They are also developing as the eastern suburbs of Mangalore. Towards east of Mangalore, the stretch to BC Road-Kaikamba region forms a continuous Mangalore Urban Agglomeration area which is currently the second biggest in Karnataka after Bangalore. Bantwal is the fourth largest urban area in Dakshina Kannada district after Mangalore, Ullal (both comes under Mangalore Urban Agglomeration area) & Puttur in terms of population.

It is situated on the banks of River Nethravati on the National Highway 73 (India). The adjacent town of B.C. Road (Bantwal Cross Road) serves as the commercial center.

Previously, the town of Bantwal was known for trade with the Persian Gulf states, being so close to Mangalore. However, flooding caused by the river Netravathi during the monsoons compelled traders and newer settlements to move to the adjacent city of B.C. Road due to its higher altitude. Gradually, most Government offices shifted to B.C. Road.

Top sights in Bantwal

Adyar Falls

Prior to 1852, Bantwal Taluk was the largest taluk in the entire of Canara Province (then comprising North Canara, Udupi, Mangalore and Kasaragod Districts) with 411 villages and a total population of 1,69,416. In 1852, a portion of it was formed into the Taluk of Puttur.[2] Bantwal was an entrepot for the produce of the province on its way to the Mysore Country and had derived a great benefit of late years from the extension of the coffee trade. It contained about thousand scattered houses inhabited by Billava, Bunts, Bhandary, Ganigas, Kulals, Goud Saraswat Brahmins, Konkani Catholics and a few Jains.[2]

Bantwal is located along the coast of river Netravathi. Every year due to heavy rains the river floods. National Highway 73 cuts through B. C. Road. The highway serves as the conduit for several arterial routes leading to neighbouring towns with Mangalore. Mangalore is connected with other cities in Karnataka such as Mysore and Bangalore by National Highway 275 (India) and National Highway 75 (India) respectively. It is well connected to Uppala through Uppala-Mudipu-Bantwal Highway.

[plaidisrad]

Politely asks (or badgers) Ullal on where a key card can be found. Ullal points him to the curio shop.

[ouahibaaitelhaj]

Representation

Lebanon, 1983, by Jay Ullal ( Cairo Photo Week 2023)

This photo was mostly taken during the Lebanese civil war from 1975 to 1990, depicting a “Christian bride and Muslim groom walking through bombed Beirut, 1983” (Ullal, 2023). Jay Ulla captured the photo of a German Photographer whose pictures shed light on the humanitarian miseries and crisis in a variety of countries around the world, including India, Pakistan, Lebanon, Israel, the Philippines a myriad of other places ((Masih, 2023). This photo is an example of representation in photography. Representation is the act of using visual language to convey meaning and symbolism. It’s the number of decisions the photographer had to make to produce the photo, starting from making it a portrait or a landscape, colored or black and white, cropped, edited, or photoshopped in a certain way for a specific purpose. Representation in photography pictures the world and reflects it to the viewer as an imitation of reality by either giving a mimetic version or constructing a new reality that is not a copy of the physical reality (Sturken & Cartwright, 2003). In the photo shared above, it is evident that the photographer made a chain of decisions before taking the photo. It’s a mimetic version of the civil war in Lebanon and the destruction it created, in contrast to a bride in groom in their white wedding outfits walking between the shattered walls and the mess in the city. It’s not an ordinary scene, and the wedded don’t usually walk in the streets like that, let alone in areas that are not aesthetically pleasing and  witnessed a history of armed confrontation. This example resembles the representation in the  photo of Emmett Till, whose body deteriorated after a race crime, and the choice his family made to display his casket to mourners to convey meaning and tell about the reality of their tragedy (Sturken & Cartwright, 2003).

The Myth of Photographic Truth

Photo Story by Sahl Abdel Rahman (Egypt Press Photo 2023)

This photo was part of a project by Sahl Abel Rahman, where he featured kids from Harid village in Fayoum who work in the cotton field of the area. The caption and the rest of the photos of the project provide this information; however, the image alone has an entirely different meaning and interpretation that contradicts the truth behind it. It shows a kid taping on a white goat and hugging the animal while a big smile lightens his face. The photo looks like it was taken from a rural area where a kid is happy and cares for his domestic animal. The truth, however, is that the kid named Youssef bought the goat after saving for two months of working in the fields for 25 Le per day. Photography was always associated with objective seeing, as the camera takes photos of the object as it looks for evidence and illustration. The camera is not expected to lie or give a distorted and untrue image of reality, as it’s a reliable machine. However, technological advancement or even the ethical practice of the photographer is enough to lose trust in the camera  (Sturken & Cartwright, 2003). I will continue to argue that the myth of photography is not only a result of photoshop and unethical practices (such as those of Timothy O'Sullivan, who moved corps and arms on battlefields  (Sturken & Cartwright, 2003)), but also merges in the absence of captions that accompany the photo and provide accurate context about it. Perception can deceive; therefore, a connotative meaning that provides context is needed to avoid myth (Mistry, 2014). This results in the forming of countless myths and assumptions about a photo in the viewer’s mind, diverting them from the facts behind the photograph. If it were not for the caption, we would think the photo is about a happy kid in the countryside, while it is a victim of child labor, an alarming phenomenon in Egypt.