#uday prakash
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sivavakkiyar · 4 months ago
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helloooo … i recently read uday prakash’s the girl with the golden parasol from a post you made about it long ago and i really enjoyed it!! was just curious if you had other recommendations in that vein, thank you!! have a good day!!!
oh woah!! That’s awesome, I haven’t read that one in a long time, it’s incredible! If you haven’t already you should try Upamanyu Chatterjee’s English, August which is a classic: and if you ever find Vilas Sarang’s collected short stories you should snatch that up immediately, those can be mindblowing
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moviepopcorn-180 · 10 days ago
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Bhool Bhulaiyaa 2 Film Review
Full of Suspense!
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Image of Kartik Aaryan lead in the reviewed film Plot: This film is a sequel to Bhool Bhulaiyaa (2007). Bhool Bhulaiyaa is based on the story of Manjulika. The story spin throughout two sisters, Anjulika and Manjulika. It illustrates one sister's enviousness in relation to other. In a family where one sister igetting married, the other sister also adores her future husband. Will she be able to marry? Or will the other sister marry? Which sister is willing to make a sacrifice for whom? Watch the movie to find out. Tone and Theme: The tone of this film is horror comedy, with a theme of good and evil. The only motive of making it is to enthral. Acting and Characters: Kartik Aaryan delivers an outstanding performance as Ruhaan. His character written exceptionally well. He acted in a unique and humorous manner. He has played his role in a distinctive manner. Tabu's performance in the dual roles of Anjulika and Manjulika is brilliant, tremendous, and wonderful. Only Tabu could have played this role with complete honesty. This role in the story must written specifically for Tabu. What a role she has played with such patience; she considered one of the best actresses in the Hindi film industry and has worked beyond her ability to play the role of a ghost. She can receive awards for her acting. Kiara Advani's performance as Reet is also good. Her role was short, but she gave it her all no matter what. Rajpal Yadav as Chhote Pandit, Sanjay Mishra as Bade Pandit, and Ashwani Kalsekar as Panditain all deliver amusing performances. All three have delivered excellent performances. Amar Upadhyay as Uday Thakur and Milind Gunaji as Vijendra Thakur deliver balanced performances. Direction: The film is directed by Anees Bazmee, who has previously produced many successful films such as Pyaar To Hona Hi Tha, Deewangi, Singh is King, Welcome, Welcome Back, and Mubarakan.This will be counted among his successful films; its direction is far superior to his previous films; it is difficult to believe that he will be able to bring this story to life on screen so beautifully; he has a very strong grip on the entire film from start to finish; he has forced the audience to sit on the edge of their seats by keeping many suspense scenes, and he has maintained their interest. Story-Screenplay-Akash Kaushik's is good; it moves at a slow pace for the first 30-35 minutes, but the screenplay is very strong; it was written after much thought. Dialogues: Farhad Samji and Akash Kaushik have written excellent dialogues that fit perfectly with each character. Music: Pritam and Tanishk Bagchi did an excellent job with some songs, including the title track, Hum Nashe Mein To Nahin, and Mere Dholna Sun. Background Score: Sandeep Shirodkar's is very scary; the audience feels connected to the film because of the background score; he has completely scared us. Cinematography: Manu Anand attempted to tell the story in a unique way by filming photography in the film; the coloring and lighting were also brilliantly done; the action sequences were also very well filmed; and the camera moments were filmed well in many scenes. Editing: Bunty Nagi has done it very cleanly; it's a little slow at first, but after 30-35 minutes, it picks up speed. And moves at the same pace until the end; the scenes are also timed to match the story. Choreography: Chinni Prakash, Rekha Prakash, Vijay Ganguly, Bosco-Caesar, and Adil Sheikh all performed well in each song. Rajat Poddar's production design is appropriate for the film's characters and story. Both palaces' sets are extremely well-made. Costume Design: Akki Narula, Rimple and Harpreet Narula, and Ankita Patel's are acceptable. Manohar Verma's action is appropriate for the film's genre. Mandar Kulkarni's sound design is excellent, and it sounds very much like the movie itself. Amitabh Bhattacharya's lyrics are also well-written. Visual Effects: They are superbly executed and serve as the film's unique selling point. The visual effects also contribute to the film's strength. The climax is intensely suspenseful. The climax maintains a high level of suspense. Opinion: Must See! For those who enjoy watching horror movies with a touch of comedy. Filmfare Award Nominations: Nominations for this film include Best Film, Best Director, and Best Screenplay. Best Actress, Best Actor, Best Cinematography, Best Editing, Best Production Design, and Best Special Effects. CBFC-U/A, Movietime-2h.25m, Genre-Horror Comedy, Backdrop-Gujarat, Release-2022 Starcast: Kartik Aaryan, Tabu, Kiara Advani, Rajpal Yadav, Sanjay Mishra, Ashwini Kalsekar, Rajesh Sharma, Amar Upadhyay, Milind Gunaji, Kali Prasad Mukherjee and Govind Namdeo Produced- Bhushan Kumar, Krishan Kumar, Murad Khetani, Anjum Khetani, Director- Anees Bazmi Cinematography-Manu Anand, Visual Effects- Red Chillies Vfx Music- Pritam & Tanishik Bagchhi, Background Score-Sandeep Shirodkar, Editor-Bunty Nagi, Co-Produced- Shiv Chanana, Sound Design- Mandar Kulkarni Production Design-Rajat Poddar, Lyricist-Amitabhi Bhattarcharya, Casting- Mukesh Chhabra, Costume-Aki Narula, Rimple, Harpreet Narula, Ankita Patel, Art Director- Ajay Verekar Action-Manohar Verma, Story & Screenplay: Aakash Kaushik, Dialogues: Farhad Samji, Aakash Kaushik, Choreography- Chinni Prakash, Rekha Prakash, Vijay Ganguli, Bosco-Caesar, Adil Shaikh Read the full article
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news365timesindia · 27 days ago
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[ad_1] GG News Bureau Nagpur, 15th Dec. A total of 39 MLAs were inducted into the Maharashtra government on Sunday, December 15, in a ceremony held in Nagpur, just a day before the commencement of the week-long Winter Session of the state legislature. The event saw 33 ministers take the oath as Cabinet ministers, while 6 were sworn in as ministers of state. The Cabinet includes 16 members from the Bharatiya Janata Party (BJP), 9 from Shiv Sena, and 8 from the Nationalist Congress Party (NCP). Among the ministers of state, the BJP holds the largest share with three MLAs, followed by Shiv Sena with two and NCP with one. The swearing-in ceremony paves the way for finalizing power-sharing agreements within the Mahayuti alliance. One of the key points of contention between BJP and Shiv Sena—control over the Home portfolio—has been resolved, with Chief Minister Devendra Fadnavis retaining the position. The results of the Maharashtra Assembly Election 2024, which delivered a landslide victory for the Mahayuti alliance with 230 out of 288 seats, have shaped the new cabinet. BJP won 132 seats, Shiv Sena secured 57 seats, and NCP bagged 41. Devendra Fadnavis assumed office as Chief Minister on December 5, with Eknath Shinde and Ajit Pawar appointed as his deputies. Here is the complete party-wise list of ministers in the Maharashtra Cabinet: Cabinet Ministers: Devendra Fadnavis (BJP) – Home Ajit Pawar (NCP) Eknath Shinde (Shiv Sena) Chandrasekhar Bawankule (BJP) Pankaja Munde (BJP) Ashish Selar (BJP) Radhakrishna Vikhe-Patil (BJP) Hasan Mushrif (NCP) Chandrakant Patil (BJP) Girish Mahajan (BJP) Gulabrao Patil (Shiv Sena) Ganesh Naik (BJP) Dada Bhuse (Shiv Sena) Sanjay Rathod (Shiv Sena) Dhananjay Munde (NCP) Mangal Prabhat Lodha (BJP) Uday Samant (Shiv Sena) Jaikumar Rawal (BJP) Atul Save (BJP) Ashok Uike (BJP) Shambhuraj Desai (Shiv Sena) Dattatreya Bharne (NCP) Aditi Tatkare (NCP) Shivendrasinh Bhosle (BJP) Manikrao Kokate (NCP) Jaikumar Gore (BJP) Narhari Zirwal (NCP) Sanjay Sawkare (BJP) Sanjay Shirsat (Shiv Sena) Pratap Sarnaik (Shiv Sena) Bharat Gogavale (Shiv Sena) Makarand Jadhav-Patil (NCP) Nitesh Rane (BJP) Ministers of State: Akash Phundkar (BJP) Babasaheb Patil (NCP) Prakash Abitkar (Shiv Sena) Madhuri Misal (BJP) Ashish Jaiswal (Shiv Sena) Pankaj Bhoyar (BJP) Meghana Bordikar (BJP) Indraneel Naik (NCP) Yogesh Kadam (Shiv Sena) The post Maharashtra Cabinet Ministers List: 39 MLAs Sworn in Ahead of Winter Session appeared first on Global Governance News- Asia's First Bilingual News portal for Global News and Updates. [ad_2] Source link
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news365times · 27 days ago
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[ad_1] GG News Bureau Nagpur, 15th Dec. A total of 39 MLAs were inducted into the Maharashtra government on Sunday, December 15, in a ceremony held in Nagpur, just a day before the commencement of the week-long Winter Session of the state legislature. The event saw 33 ministers take the oath as Cabinet ministers, while 6 were sworn in as ministers of state. The Cabinet includes 16 members from the Bharatiya Janata Party (BJP), 9 from Shiv Sena, and 8 from the Nationalist Congress Party (NCP). Among the ministers of state, the BJP holds the largest share with three MLAs, followed by Shiv Sena with two and NCP with one. The swearing-in ceremony paves the way for finalizing power-sharing agreements within the Mahayuti alliance. One of the key points of contention between BJP and Shiv Sena—control over the Home portfolio—has been resolved, with Chief Minister Devendra Fadnavis retaining the position. The results of the Maharashtra Assembly Election 2024, which delivered a landslide victory for the Mahayuti alliance with 230 out of 288 seats, have shaped the new cabinet. BJP won 132 seats, Shiv Sena secured 57 seats, and NCP bagged 41. Devendra Fadnavis assumed office as Chief Minister on December 5, with Eknath Shinde and Ajit Pawar appointed as his deputies. Here is the complete party-wise list of ministers in the Maharashtra Cabinet: Cabinet Ministers: Devendra Fadnavis (BJP) – Home Ajit Pawar (NCP) Eknath Shinde (Shiv Sena) Chandrasekhar Bawankule (BJP) Pankaja Munde (BJP) Ashish Selar (BJP) Radhakrishna Vikhe-Patil (BJP) Hasan Mushrif (NCP) Chandrakant Patil (BJP) Girish Mahajan (BJP) Gulabrao Patil (Shiv Sena) Ganesh Naik (BJP) Dada Bhuse (Shiv Sena) Sanjay Rathod (Shiv Sena) Dhananjay Munde (NCP) Mangal Prabhat Lodha (BJP) Uday Samant (Shiv Sena) Jaikumar Rawal (BJP) Atul Save (BJP) Ashok Uike (BJP) Shambhuraj Desai (Shiv Sena) Dattatreya Bharne (NCP) Aditi Tatkare (NCP) Shivendrasinh Bhosle (BJP) Manikrao Kokate (NCP) Jaikumar Gore (BJP) Narhari Zirwal (NCP) Sanjay Sawkare (BJP) Sanjay Shirsat (Shiv Sena) Pratap Sarnaik (Shiv Sena) Bharat Gogavale (Shiv Sena) Makarand Jadhav-Patil (NCP) Nitesh Rane (BJP) Ministers of State: Akash Phundkar (BJP) Babasaheb Patil (NCP) Prakash Abitkar (Shiv Sena) Madhuri Misal (BJP) Ashish Jaiswal (Shiv Sena) Pankaj Bhoyar (BJP) Meghana Bordikar (BJP) Indraneel Naik (NCP) Yogesh Kadam (Shiv Sena) The post Maharashtra Cabinet Ministers List: 39 MLAs Sworn in Ahead of Winter Session appeared first on Global Governance News- Asia's First Bilingual News portal for Global News and Updates. [ad_2] Source link
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applyloanagainstproperty · 7 months ago
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24hrsallnews · 8 months ago
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Dhruva Sarja Martin movie release date Confirmed
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We will read about, "Dhruva Sarja Martin movie release date Confirmed" Dhruva Sarja is one of the biggest action heroes of Kannada cinema, who has given many blockbuster films. Fans have been waiting for a long time for the update of the film. There is a lot of speculation regarding the release date of Martin, but now the filmmaker has confirmed the release date.  
Dhruva Sarja Martin Movie Release Date
Dhruva Sarja is going to make a big comeback from Martin after 2021. The film is going to be released pan India, it is rather thrilling. Dhruva Sarja Martin Movie Release Date has been confirmed as 11 October 2024. The upcoming Martin movie promises to be packed with thrilling action, under the direction of A. P. Arjun. The first teaser of the film was quite attractive, which was watched by millions of viewers.
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Image credit: @KrishnaRukku (X)                      Dhruva Sarja Martin photos He said, "This is the first time Arjun Sarja has written the story and screenplay for me, so it was important for us to execute it correctly, Producer Uday Mehta mentioned that the film is currently in the re-recording phase, with dubbing ongoing in multiple languages. The delay is also attributed to the significant amount of VFX work and extensive action sequences, which took considerable time."
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Image credit: @KrishnaRukku (X)                            Dhruva Sarja Martin photos After the confirmations of the upcoming movie Dhruva Sarja Martin Movie Release Date, the anticipation of teaser, trailer and songs has increased. Dhruv Sarja will be releasing consecutive Pan India films, starting with Martin and then followed by KD - The Devil. Martin's release date has been officially announced, after which there is a lot of excitement among the fans.   Dhruva Sarja Martin clash with NTR's Devara Martin, after being postponed for a long time, now its release date is going to be released on 11 October 2024. Devara is scheduled to release on theaters on 10 October 2024. The upcoming clash between the Pan India movies Devara and Martin is generating significant excitement among enthusiasts.
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Image credit: @KrishnaRukku (X)                                Dhruva Sarja Martin photos Jr NTR in the lead role in "Devara", while Janhvi Kapoor portrays the character of Thangam. Saif Ali Khan takes on the role of "Bhaira" in the film. Martin is going to have Dhruv Sarja in the lead role, the two female leads will be Vaibhavi Shandilya, Anveshi Jain. Nikitin Dheer will portray the antagonist.
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Image credit: @KrishnaRukku (X)                            Dhruva Sarja Martin photos More About Martin The film is directed by AP Arjun, written by Arjun Sarja. The film is produced by Uday K. Mehta under the banner Vasavi Enterprises, Uday K Mehta Productions. The film stars Dhruva Sarja, Vaibhavi Shandilya, Anveshi Jain, Sukrutha Wagle, Nikitin Dheer and others. Cinematography is by Satya Hegde and editing is by K. M. Prakash. Mani Sharma has composed the music for the film, while Ravi Basrur has provided the background score.   Read More - The film Luv You Shankar, starring Shreyas Tanisha Mukherjee, has officially released. - The ultimate guide to Tillu Square: A must-watch film for romantic crime comedy fanatics - Psychological thriller Kartam Bhugtam is set to hit the big screen on May 17, 2024, showcasing the concept of karma and its repercussions. - Bhaiyya Ji Movie Review: Manoj Bajpayee explores his foray into the realm of mass hero genre. - Amaran Update: Sivakarthikeyan presents yet another content-driven film following the success of Maveeran - Bilingual 'Man of Steel: Sardaar' motion poster released - Hari Hara Veera Mallu: Part 1 – Sword vs Spirit Teaser Out Now - Chaitanya Akkineni has posted a photo from the filming location of Thandel. - The arrival of 'Kingdom of the Planet of the Apes' in India is scheduled for tomorrow - The release date for Devil the Hero has been officially confirmed - Munjya Trailer Out Now: Is it possible for Munjya and Munni's love story to reach a conclusion? Read the full article
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home-loan-inr-plus · 11 months ago
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venkateshwara-group1998 · 1 year ago
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Shri Venkateshwara University has initiated the second phase of the Namo Developed India Ambassador Campaign. 
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It was a memorable day for the Venkateshwara Group.
Shri Venkateshwara University/Institute welcomed Mr. Dharampal, the state BJP GS, who inspired over 2200 students to become Developed India Ambassadors by downloading the Namo Developed India App.
This is part of the Namo Developed India Ambassador Campaign.
Shri Venkateshwara University/Institute has, to date, made 4000 ambassadors by making the students of Gajraula & Meerut campuses download the Namo Developed India App.
In the last week under the direction of Cabinet Minister Mrs. Meenakshi Lekhi, over 1800 students took oath for nation service and became Developed India Ambassadors.
The Group Chairman Dr Sudhir Giri, the state BJP GS Mr. Dharampal, & the Regional Head Mr. Satendra Sisodia inaugurated the event by offering flowers on the portrait of Deen Dayal Upadhyaya.
The Pro Chancellor Dr Rajiv Tyagi, BJYM Regional Head Mr Sukhvinder Som & the District President Uday Giri joined them to inaugurate the Namo Developed India Ambassador Campaign.
Later, the Group Chairman Dr Sudhir Giri presented the state GS a turban, memento & a replica of the Ram Temple, while the Chief Guest invited him for the Ram Temple inauguration ceremony.
Then the Chief Guest directed students to give a missed call to download the app & made over 2000 students Namo Developed India Ambassadors.
In his address, the Chief Guest, Mr. Dharampal, asserted the youth are the strength of the country. The youth will play a major role in making the honorable PM’s Developed India 2047 resolution a success.
The Venkateshwara Group is not only providing education & healthcare services but also playing a commendable role in the Developed India 2047 campaign.
Other institutes should take inspiration from the Venkateshwara Group & contribute to the Developed India resolution campaign 2047.
In his address, the Group Chairman Dr Sudhir Giri, affirmed it’s an honour to be invited for the Ram Temple Inauguration ceremony.
The Venkateshwara Group will make the event memorable by lighting 22000 lamps & bursting crackers on Jan 22. The people will witness the bursting of spectacular fireworks on this historic day that will resemble Diwali.
Those present included the Chief Advisor Dr VPS Arora, CEO Mr. Ajay Shrivastava, Consultant Mr RS Sharma, VC Dr Rakesh Yadav, Registrar Dr Piyush Pandey, & the Dean Academics Dr Rajesh Singh.
Dr Divya Girdhar, Dr Mohit Sharma, Dr Tejpal Singh, Dr Anil Jaiswal, Dr Ashutosh Singh, Dr Om Prakash Gosai, Dr Rahul Kumar, D Ashwin Saxena, Dr Ram Niwas Sharma were all present.
Also present were Dr Sarvnand Sahu, Dr Ana Brown, Dr LS Rawat, Aashi Nair, Arun Goswami, Maroof Chaudhary, Abhishek Jain & others.
The Meerut Campus Director Dr Pratap Singh was present & also present was the Media Incharge Mr. Vishwas Rana.
The Pro Chancellor Dr Rajiv Tyagi conducted the programme very well.
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sivavakkiyar · 10 months ago
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used to upset me a lot how rarely I’d meet anyone in the US—-fans of South Asian literature—-who’d read Uday Prakash’s The Girl With The Golden Parasol, even though it had a relatively major translation easily available
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moviepopcorn-180 · 23 days ago
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Bhool Bhulaiyaa 2 Film Review
Full of Suspense!
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Image of Kartik Aaryan lead in the reviewed film Plot: This film is a sequel to Bhool Bhulaiyaa (2007). Bhool Bhulaiyaa is based on the story of Manjulika. The story spin throughout two sisters, Anjulika and Manjulika. The film illustrates one sister's enviousness in relation to other. In a family where one sister igetting married, the other sister also adores her future husband. Will she be able to marry? Or will the other sister marry? Which sister is willing to make a sacrifice for whom? Watch the film to find out. Tone and Theme: The tone of this film is horror comedy, with a theme of good and evil. The only motive of making it is to enthral. Acting and Characters: Kartik Aaryan delivers an outstanding performance as Ruhaan. His character written exceptionally well. He acted in a unique and humorous manner. He has played his role in a distinctive manner. Tabu's performance in the dual roles of Anjulika and Manjulika is brilliant, tremendous, and wonderful. Only Tabu could have played this role with complete honesty. This role in the story must written specifically for Tabu. What a role she has played with such patience; she considered one of the best actresses in the Hindi film industry and has worked beyond her ability to play the role of a ghost. She can receive awards for her acting. Kiara Advani's performance as Reet is also good. Her role was short, but she gave it her all no matter what. Rajpal Yadav as Chhote Pandit, Sanjay Mishra as Bade Pandit, and Ashwani Kalsekar as Panditain all deliver amusing performances. All three have delivered excellent performances. Amar Upadhyay as Uday Thakur and Milind Gunaji as Vijendra Thakur deliver balanced performances. Direction: This film is directed by Anees Bazmee, who has previously produced many successful films such as Pyaar To Hona Hi Tha, Deewangi, Singh is King, Welcome, Welcome Back, and Mubarakan.This will be counted among his successful films; its direction is far superior to his previous films; it is difficult to believe that he will be able to bring this story to life on screen so beautifully; he has a very strong grip on the entire film from start to finish; he has forced the audience to sit on the edge of their seats by keeping many suspense scenes, and he has maintained their interest. Story-Screenplay-Akash Kaushik's is good; it moves at a slow pace for the first 30-35 minutes, but the screenplay is very strong; it was written after much thought. Dialogues: Farhad Samji and Akash Kaushik have written excellent dialogues that fit perfectly with each character. Music: Pritam and Tanishk Bagchi did an excellent job with some songs, including the title track, Hum Nashe Mein To Nahin, and Mere Dholna Sun. Background Score: Sandeep Shirodkar's is very scary; the audience feels connected to the film because of the background score; he has completely scared us. Cinematography: Manu Anand attempted to tell the story in a unique way by filming photography in the film; the coloring and lighting were also brilliantly done; the action sequences were also very well filmed; and the camera moments were filmed well in many scenes. Editing: Bunty Nagi has done it very cleanly; it's a little slow at first, but after 30-35 minutes, it picks up speed. And moves at the same pace until the end; the scenes are also timed to match the story. Choreography: Chinni Prakash, Rekha Prakash, Vijay Ganguly, Bosco-Caesar, and Adil Sheikh all performed well in each song. Rajat Poddar's production design is appropriate for the film's characters and story. Both palaces' sets are extremely well-made. Costume Design: Akki Narula, Rimple and Harpreet Narula, and Ankita Patel's are acceptable. Manohar Verma's action is appropriate for the film's genre. Mandar Kulkarni's sound design is excellent, and it sounds very much like the film itself. Amitabh Bhattacharya's lyrics are also well-written. Visual Effects: They are superbly executed and serve as the film's unique selling point. The visual effects contribute to the film's strength. The film's climax is intensely suspenseful. The climax maintains a high level of suspense. Opinion: Must See! For those who enjoy watching horror films with a touch of comedy. Filmfare Award Nominations: Nominations for this film include Best Film, Best Director, and Best Screenplay. Best Actress, Best Actor, Best Cinematography, Best Editing, Best Production Design, and Best Special Effects. CBFC-U/A, Movietime-2h.25m, Genre-Horror Comedy, Bacdrop-Gujarat, Release-2022 Starcast: Kartik Aaryan, Tabu, Kiara Advani, Rajpal Yadav, Sanjay Mishra, Ashwini Kalsekar, Rajesh Sharma, Amar Upadhyay, Milind Gunaji, Kali Prasad Mukherjee and Govind Namdeo Produced- Bhushan Kumar, Krishan Kumar, Murad Khetani, Anjum Khetani, Director- Anees Bazmi Cinematography-Manu Anand, Visual Effects- Red Chillies Vfx Music- Pritam & Tanishik Bagchhi, Background Score-Sandeep Shirodkar, Editor-Bunty Nagi, Co-Produced- Shiv Chanana, Sound Design- Mandar Kulkarni Production Design-Rajat Poddar, Lyricist-Amitabhi Bhattarcharya, Casting- Mukesh Chhabra, Costume-Aki Narula, Rimple, Harpreet Narula, Ankita Patel, Art Director- Ajay Verekar Action-Manohar Verma, Story & Screenplay: Aakash Kaushik, Dialogues: Farhad Samji, Aakash Kaushik, Choreography- Chinni Prakash, Rekha Prakash, Vijay Ganguli, Bosco-Caesar, Adil Shaikh Read the full article
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krishnatours · 2 years ago
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Taxi Services for Udaipur Sightseeing
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Udaipur Sightseeing Tour Packages
ARRIVAL UDAIPUR
Meeting and assistance upon arrival as our representatives welcome you and escort you to your car. Later you will be taken for a sightseeing tour visiting:
PICHOLA LAKE
The picturesque lake that built by Maharana Udai Singh II after founded the city. Hills, palaces, temples, bathing ghats and embankments, surround this lake.
CITY PALACE
This is a largest place complex in Rajasthan. A majestic architectural marvel towering over the lake on a hill surrounded by crenellated walls, it is a conglomeration of courtyards, pavilions, erraces, balconies, corridors and rooms. The main entrance is through the triple arched gate, the ‘Tripolia’ with eight marble porticos.
CRYSTAL GALLERY
Fateh Prakash Palace next door, houses a whimsical side of Udaipur royalty. Check out the fabulous crystal collection of Raja Sajjan Singh. In 1877 the raja ordered a lavish collection of crystal items from abroad. Before it reached him he died and everything was put into storage and later set up on display for tourism purposes. A little further away is the Gallery of Vintage and Classic Cars. Amongst the showpieces is a Rolls Royce Phantom II of 1934 vintage.
SAHELIYON KI BARI
This small ornamental garden was a popular relaxing spot where royal ladies came for a stroll and therefore the name. The garden has many fountains in its four delightful pools, chiseled kiosks and marble elephants.
SAJJAN GARH
This is called as a Mansoon Palace. Maharana Sajjan Singh built it in the late 19th century. The palace is illuminated at night and from a distance looks like something out of a fairy tail. It also offers a panoramic overview of the city’s lakes, palaces and the surrounding countryside.
In the evening, you can enjoy boat ride in Pichola or Fateh Safar Lake.
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niramish · 8 years ago
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कुछ बन जाते हैं - उदय प्रकाश
तुम मिसरी की डली बन जाओ मैं दूध बन जाता हूं तुम मुझमें घुल जाओ.
तुम ढाई साल की बच्ची बन जाओ मैं मिसरी घुला दूध हूं मीठा मुझे एक सांस में पी जाओ
अब मैं मैदान हूं तुम्हारे सामने दूर तक फैला हुआ मुझमें दौड़ो.
मैं पहाड़ हूं. मेरे कंधों पर चढ़ो और फिसलो.
मैं सेमल का पेड़ हूं मुझे ज़ोर-ज़ोर से झकझोरो और मेरी रुई को हवा की तमाम परतों में बादलों के छोटे-छोटे टुकड़ों की तरह उड़ जाने दो.
ऐसा करता हूं कि मैं अखरोट बन जाता हूं तुम उसे चुरा लो और किसी कोने में छुपकर उसे तोड़ो.
गेहूं का दाना बन जाता हूं मैं, तुम धूप बन जाओ मिट्टी-हवा-पानी बनकर मुझे उगाओ
मेरे भीतर के रिक्त कोषों में लुका-छिपी खेलो या कोपल होकर मेरी किसी भी गांठ से कहीं से भी तुरंत फूट जाओ.
तुम अंधेरा बन जाओ मैं बिल्ली बनकर दबे पांव चलूंगा चोरी-चोरी
क्यों न ऐसा करें कि मैं चीनी मिट्टी का प्याला बन जाता हूं और तुम तश्तरी और हम कहीं से गिरकर एक साथ टूट जाते हैं सुबह-सुबह.
या मैं गुब्बारा बनता हूं नीले रंग का तुम उसके भीतर की हवा बनकर फैलो और बीच आकाश में मेरे साथ फूट जाओ.
या फिर ऐसा करते हैं कि हम कुछ और बन जाते हैं…
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bakaity-poetry · 8 years ago
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भरोसा/उदय प्रकाश
कब झोला फट जाय कब सिग्नल गिर जाय कब बिजली चली जाय कब किरायेदार मकान छोड़ जाय पड़ोस की लड़की भाग जाय कब स्टेट बैंक का बंदूकधारी गार्ड गनेस प्रताप सिंह मोहम्मद ग़ियासुद्दीन बन जाय कब दंगा हो जाय , कब आत्मा मटके की तरह फूट जाय कब नोटबदल जाय, कर्फ़्यू लग जाय छर्रे से आँख फूट जाय साधू ठग निकल आय, बैंक बंद हो जाय, कतार में खड़ी खरे सर की अम्मां मर जाय जहाज़ का मालिक विदेश भाग जाय कब कोई रास्ता राह भटक जाय कब गाज गिर जाय ओला पड़ जाय कब बुख़ार में कराहता कोई जेल चला जाय कब कविता लिख जाय कब कोई उसे पढ़ पाय कब कर्फ़्यू लग जाय कब सारी ज़िंदगी की हिंदी हो जाय कब प्रधान मंत्री जोकर बन जाय हर हाथ ताली बन जाय कब सिग्नल गिर जाय बिजली चली जाय कब सांस छूट जाय कब क्या हो जाय किसी भी बात का भला अब भरोसा क्या ?
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somerabbitholes · 4 years ago
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Essays
Here’s a (non-exhaustive) list of essays I like/find interesting/are food for thought; I’ve tried to sort them as much as possible. The starred (*) ones are those I especially love
also quick note: some of these links, especially the ones that are from books/anthologies redirect you to libgen or scihub, and if that doesn’t work for you, do message me; I’d be happy to send them across!
Literature + Writing
Godot Comes to Sarajevo - Susan Sontag
The Strangeness of Grief - V. S. Naipaul*
Memories of V. S. Naipaul - Paul Theroux*
A Rainy Day with Ruskin Bond - Mayank Austen Soofi
How Albert Camus Faced History - Adam Gopnik
Listen, Bro - Jo Livingstone
Rachel Cusk Gut-Renovates the Novel - Judith Thurman
Lost in Translation: What the First Line of “The Stranger” Should Be - Ryan Bloom
The Duke in His Domain - Truman Capote*
The Cult of Donna Tartt: Themes and Strategies in The Secret History - Ana Rita Catalão Guedes
Never Do That to a Book - Anne Fadiman*
Affecting Anger: Ideologies of Community Mobilisation in Early Hindi Novel - Rohan Chauhan*
Why I Write - George Orwell*
Rimbaud and Patti Smith: Style as Social Deviance - Carrie Jaurès Noland*
Art + Photography (+ Aesthetics)
Looking at War - Susan Sontag*
Love, sex, art, and death - Nan Goldin, David Wojnarowicz
Lyons, Szarkowski, and the Perception of Photography - Anne Wilkes Tucker
The Feminist Critique of Art History - Thalia Gouma-Peterson, Patricia Mathews
In Plato's Cave - Susan Sontag*
On reproduction of art (Chapter 1, Ways of Seeing) - John Berger*
On nudity and women in art (Chapter 3, Ways of Seeing) - John Berger*
Kalighat Paintings  - Sharmishtha Chaudhuri
Daydreams and Fragments: On How We Retrieve Images From the Past -  Maël Renouard
Arthur Rimbaud: the Aesthetics of Intoxication - Enid Rhodes Peschel
Cities
Tragic Fable of Mumbai Mills - Gyan Prakash
Whose Bandra is it? - Dustin Silgardo*
Timur's Registan: noblest public square in the world? - Srinath Perur
The first Starbucks coffee shop, Seattle - Colin Marshall*
Chhatrapati Shivaji Terminus, Mumbai's iconic railway station - Srinath Perur
From London to Mumbai and Back Again: Gentrification and Public Policy in Comparative Perspective -  Andrew Harris
The Limits of "White Town" in Colonial Calcutta - Swati Chattopadhyay
The Metropolis and Mental Life - Georg Simmel
Colonial Policy and the Culture of Immigration: Citing the Social History of Varanasi - Vinod Kumar, Shiv Narayan
A Caribbean Creole Capital: Kingston, Jamaica - Coln G. Clarke (from Colonial Cities by Robert Ross, Gerard J. Telkamp
The Colonial City and the Post-Colonial World - G. A. de Bruijne
The Nowhere City - Amos Elon*
The Vertical Flâneur: Narratorial Tradecraft in the Colonial Metropolis - Paul K. Saint-Amour
Philosophy
The trolley problem problem - James Wilson
A Brief History of Death - Nir Baram
Justice as Fairness: Political not Metaphysical - John Rawls*
Should Marxists be Interested in Exploitation? - John E. Roemer
The Discomfort You’re Feeling is Grief - Scott Berinato*
The Pandemic and the Crisis of Faith - Makarand Paranjape
If God Is Dead, Your Time is Everything - James Wood
Giving Up on God - Ronald Inglehart
The Limits of Consensual Decision - Douglas Rae*
The Science of "Muddling Through" - Charles Lindblom*
History
The Gruesome History of Eating Corpses as Medicine - Maria Dolan
The History of Loneliness - Jill Lepore*
From Tuskegee to Togo: the Problem of Freedom in the Empire of Cotton - Sven Beckert*
Time, Work-Discipline, and Industrial Capitalism - E. P. Thompson*
All By Myself - Martha Bailey*
The Geographical Pivot of History - H. J. Mackinder
The sea/ocean
Rim of Life - Manu Pillai
Exploring the Indian Ocean as a rich archive of history – above and below the water line - Isabel Hofmeyr, Charne Lavery
‘Piracy’, connectivity and seaborne power in the Middle Ages - Nikolas Jaspert (from The Sea in History)*
The Vikings and their age - Nils Blomkvist (from The Sea in History)*
Mercantile Networks, Port Cities, and “Pirate” States - Roxani Eleni Margariti
Phantom Peril in the Arctic - Robert David English, Morgan Grant Gardner*
Assorted ones on India
A departure from history: Kashmiri Pandits, 1990-2001 - Alexander Evans *
Writing Post-Orientalist Histories of the Third World - Gyan Prakash
Empire: How Colonial India Made Modern Britain - Aditya Mukherjee
Feminism and Nationalism in India, 1917-1947 - Aparna Basu
The Epic Riddle of Dating Ramayana, Mahabharata - Sunaina Kumar*
Caste and Politics: Identity Over System - Dipankar Gupta
Our worldview is Delhi based*
Sports (you’ll have to excuse the fact that it’s only cricket but what can i say, i’m indian)
'Massa Day Done:' Cricket as a Catalyst for West Indian Independence: 1950-1962 - John Newman*
Playing for power? rugby, Afrikaner nationalism and masculinity in South Africa, c.1900–70 - Albert Grundlingh
When Cricket Was a Symbol, Not Just a Sport - Baz Dreisinger
Cricket, caste, community, colonialism: the politics of a great game - Ramachandra Guha*
Cricket and Politics in Colonial India - Ramchandra Guha
MS Dhoni: A quiet radical who did it his way*
Music
Brega: Music and Conflict in Urban Brazil - Samuel M. Araújo
Color, Music and Conflict: A Study of Aggression in Trinidad with Reference to the Role of Traditional Music - J. D. Elder
The 1975 - ‘Notes On a Conditional Form’ review - Dan Stubbs*
Life Without Live - Rob Sheffield*
How Britney Spears Changed Pop - Rob Sheffield
Concert for Bangladesh
From “Help!” to “Helping out a Friend”: Imagining South Asia through the Beatles and the Concert for Bangladesh - Samantha Christiansen 
Gender
Clothing Behaviour as Non-verbal Resistance - Diana Crane
The Normalisation of Queer Theory - David M. Halperin
Menstruation and the Holocaust - Jo-Ann Owusu*
Women’s Suffrage the Democratic Peace - Allan Dafoe
Pink and Blue: Coloring Inside the Lines of Gender - Catherine Zuckerman*
Women’s health concerns are dismissed more, studied less - Zoanne Clack
Food
How Food-Obsessed Millennials Shape the Future of Food - Rachel A. Becker (as a non-food obsessed somewhat-millennial, this was interesting)
Colonialism's effect on how and what we eat - Coral Lee
Tracing Europe's influence on India's culinary heritage - Ruth Dsouza Prabhu
Chicken Kiev: the world’s most contested ready-meal*
From Russia with mayo: the story of a Soviet super-salad*
The Politics of Pancakes - Taylor Aucoin*
How Doughnuts Fuelled the American Dream*
Pav from the Nau
A Short History of the Vada Pav - Saira Menezes
Fantasy (mostly just harry potter and lord of the rings)
Purebloods and Mudbloods: Race, Species, and Power (from The Politics of Harry Potter)
Azkaban: Discipline, Punishment, and Human Rights (from The Politics of Harry Potter)*
Good and Evil in J. R. R. Tolkien's Lengendarium - Jyrki Korpua
The Fairy Story: J. R. R. Tolkien and C. S. Lewis - Colin Duriez (from Tree of Tales)*
Tolkien’s Augustinian Understanding of Good and Evil: Why The Lord of the Rings Is Not Manichean - Ralph Wood (from Tree of Tales)*
Travel
The Hidden Cost of Wildlife Tourism
Chronicles of a Writer’s 1950s Road Trip Across France - Kathleen Phelan
On the Early Women Pioneers of Trail Hiking - Gwenyth Loose
On the Mythologies of the Himalaya Mountains - Ed Douglas*
More random assorted ones
The cosmos from the wheelchair (The Economist obituaries)*
In El Salvador - Joan Didion
Scientists are unravelling the mystery of pain - Yudhijit Banerjee
Notes on Nationalism - George Orwell
Politics and the English Language - George Orwell*
What Do the Humanities Do in a Crisis? - Agnes Callard*
The Politics of Joker - Kyle Smith
Sushant Singh Rajput: The outsider - Uday Bhatia*
Credibility and Mystery - John Berger
happy reading :)
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theudayprakash · 4 years ago
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