#tw showrunners were on crack for sure

[mieczy-stiles]

okay but honestly? Not even saying it as someone who loves them but why wouldn't you go through with them. Your world of no homophobia didn't allow a great fan favourite pairing to thrive? Do we not have great examples like Monica and Chandler? I can understand thinking it's the fandom's crack ship and laughing along with it a little bit initially but then to completely turn blind to all the profits it could've gotten is just bizzare and hilarious. So you can use the pairing to ask for votes and poke fun at them from time to time and you can have the actors give seperate interviews together to garner more views and bait people but you can't have them interact on screen for more than 30 minutes in a show that ran for 6 seasons. And then you make a joke of a movie and bait AGAIN but refuse to acknowledge the obvious chemistry two people shared for a decade. I mean. I have seen toddlers doing better business than this

“You didn’t think you’re doing this without me, did you?” “Without us?”

[9or10allgood]

I'm indulging in the Doctor Who marathon on BBCAmerica. It's been wonderful. I'm in the middle of Twelve, now, which is - next to Ten - my happy place.

Thirteen is looming.

Now, before anyone has a knee-jerk reaction and thinks I don't like the Thirteenth Doctor, you couldn't be more wrong. I love her to bits. Jodie Whittaker is awesome. She has poured herself into being the Doctor, heart and soul. I love that she travels with an entourage - going back to the First, the best Doctors do. She's had some really good stories, courtesy of Chris Chibnall - in fact, I give her first series a B+/A-. The second series, however...

Stick with me for a bit.

I like - no, I looo-ooo-oove fan fiction. Partly because it is a fairly consistent reaffirmation of creativity and literacy (yes, I said it!) and courage and daring - because it takes guts to put yourself out there for public critique without getting paid one red cent. But mostly because it is a way of indulging in flights of fancy within a bubble. Because fan fiction is, even when it is "canon compliant", still shading or filling in the blanks or expanding on what the original author set down. And the bubble is a safe place, where everyone (mostly) respects those boundaries between source material and fan fiction.

The perfect example of this is everything that happened in Pete's World post-Canary Wharf. We assume that the Doctor was going to tell Rose he loved her before time ran out, and copious amounts of fan fiction has been written about that. We assume that TenToo rectified that issue at Bad Wolf Bay the second time around. But we don't know, and that's okay because the veil was drawn on Pete's World with the disappearance of the TARDIS, and Pete's World became a creative goldmine. Thank God.

Back in the day (and I swear I still have a point) I belonged to a fan fiction site based on Robert Jordan's Wheel of Time. (Not "Dragonmount", thank you very much!) Between twenty and thirty writers, drawn together by our love for that amazingly complex series of books, we wrote - individually and in small groups - epic fiction based on the Age of Legends and the Trolloc Wars, because neither era was portrayed in the books, other than very brief glimpses. Even so, there was a canonical framework that we existed in, and we respected it. For example, there were hints of Aes Sedai being able to fly during the AoL, but that didn't mean that the Sisters during the TW were going to do it, because canon told us that the miracles of the Age of Legends had been lost with the Breaking and were not recovered until the timeline of the books. As long as the canon was respected, the writing flourished - for years. Eventually, though, lines were blurred and the stories suffered, and it's been years since anyone has written anything there.

And now I'll get back to my point.

When Russell T Davies brought Doctor Who back to television, he respected the canon that had been established. He didn't change Gallifrey, he removed it. It had given us the Doctor and the Master and the TARDIS and a running potential of planets and races affected by the Time War that could keep the Doctor occupied for a long, long time. It's purpose had been served. It's *nebulous hand waggle* demise fuelled the great engine of angst that powered the reboot. It heightened what had become a bit of a stodgy "oh, no, it's the Daleks, again" sensibility regarding a cross between a pepperpot and a wheely-bin, and gave them a renewed sense of villainy. It's what made the episode, "Dalek", such a gut-punch. It's what made seeing a mighty Dalek armada when there was only one Time Lord to stand against it so dramatically Quixotic - in an end-of-all-things sort of way.

It should have stayed that way.

I love RTD. I do. He was an awesome showrunner and he, with Julie Gardner, shepherded the reboot through possibly the greatest comeback in entertainment history. But I wasn't comfortable with the (temporary) return of Rassilon et al as his farewell to the show. And, sure 'nuff, it cracked open a door that Moffat bulldozed through with "The Day of the Doctor". And by the time he was through, the Doctor was popping "home" for soup and a bit o' sedition, and the next thing ya know, Chris Chibnall is turning the whole thing on its ear with the Timeless Children business and a convoluted plotline that would've needed an entire series to unravel and still would have read like fan fiction based on a poorly remembered fever dream.

Yes, I know that "Doctor Who" has been "fine-tuning" itself from the beginning. The First Doctor invented his time machine that his granddaughter named "TARDIS" - for Time and Relative Dimensions In Space. Today's canon has TARDISes grown, sentient, and having numbered in the thousands once upon a time. But there's a difference between an adjustment, here and there, and re-inventing the Time Rotor on the fly, as it were. One is a tweak to make the whole better. The other is throwing a bucket of yellow paint across a classic portrait of the Queen just so you can paint galloping horses on it. Why would you do it?

I'm really sad that Graham and Ryan are leaving. I'm really looking forward to the return of Captain Jack. I hope that bringing back someone as integral to the days of Russell T Davies will remind Chris Chibnall that the basic story of the Doctor has always been that an ancient alien from a fabled world travels throughout space and time with a lucky human or three, faces down injustice, rescues those who need it, and dances around fixed points and moral dilemmas with (occasional) alacrity.

And if Chibnall needs inspiration, I can point him to any number of fan fiction writers that totally get it.