#truly the power of both turtles and artists alike

[snackugaki-jestsjapesjokes]

........okay, i died one too many goddamn times from the same bullets

what they don't tell you when joining multiple tmnt servers is that while everyone in there are such ardent fans of each other, which is so lovely to see honestly but

...

you die twice by the same... the same... the same spectacular art and drabble.

TWICE! AAAAGGHHHGGHHGHHGHHH

[foggynightdonut]

Just pause for a moment and imagine the Sahara Desert. You’re probably picturing an arid landscape covered in sand dunes. There’s almost no water. Out in the distance, there might be a few camels walking in the hot sun. It’s not the most hospitable place. But ancient artists in northern Africa once saw a very different Sahara. Like many artists, they painted what they saw around them. And instead of what you just imagined, the scenery they re-created on rocks, starting at least 12,000 years ago, was dramatically different. They made pictures of hippos and giraffes, and other savanna species that need to live near water. There are even images of livestock and grazing animals, like cattle and sheep.

While you might see these mammals in southern or central Africa today, you’d never find them in the modern Sahara. But this rock art is everywhere, from the western Sahara to Saudi Arabia.

And it’s also incredibly accurate, which means the artists were really familiar with the animals they were depicting. For the artists to be that knowledgeable about hippos and giraffes, those animals had to have lived there. 

So all of this means that the climate of the Sahara must have been completely different thousands of years ago. And I’m not talking about just a few years of extra rain. I’m talking about a climate that was so wet for so long that animals and humans alike made themselves at home in the middle of the Sahara. 

The many rock artists who lived there created a record of this ecological change. But they didn’t record why it all happened.

It would be up to scientists from lots of different fields to figure that out, thousands of years later.

Geologists would find the first clues, not in the Sahara, but at the bottom of the Atlantic Ocean.

Archaeologists would uncover seemingly unlikely evidence of vibrant societies, in what’s now the desert. And paleoclimatologists would be able to trace all of these bizarre events back to changes in the movement of our planet. All of these lines of evidence would come together to tell the story of when the Sahara was green.

In the mid-1800s, a German explorer crossing the Sahara encountered the paintings and engravings left behind by those early Holocene artists.

And he puzzled over the mismatch between the scenes depicted in the rock art and the desert around it.

Since then, modern geologists have been able to use many lines of evidence to confirm what the rock artists saw: Northern Africa was once much wetter, starting somewhere between 15,000 and 11,000 years ago, and ending 5,000 years ago.

Geologists call this span of time the African Humid Period, but it’s also known as the Green Sahara.

And one of the best pieces of evidence for a green Sahara comes from nearby deep-sea sediment found off the coast of Mauritania.

Geologists have sampled cores of underwater sand and mud to study what’s known as Saharan dust flux, the amount of sediment that was blown off the African continent and into the ocean.

When there was more dust coming off the Sahara, geologists know it was drier, with very little vegetation -- like it is today.

And if there was less dust, that means it was wetter.

These sediment cores show that there was much less dust - potentially only half as much - coming off northern Africa during this humid period than there is today. And ancient pollen from the area confirms this.

The pollen trapped in those same sediment cores showed an increase in plants like grasses and sedges, and a decrease in desert plants like ephedra, throughout the wet period.

So, scientists think that the area where the Sahara is today was covered with vegetation, and that it stretched all the way to the Arabian Peninsula.

So what could turn the biggest hot desert in the world green? Well, the main driver behind this humid period is actually planetary in scale.

At the start of the humid period, cyclical changes to both the tilt and orbit of our planet resulted in about 4% to 8% more solar energy hitting the Earth than it gets today, and this warmed up the northern hemisphere.

And when one of the hemispheres gets warmer, powerful winds tend to move toward it, bringing lots of rain.

That’s because air rises in the warmer area, combining with wind to draw moisture up into the atmosphere.

This cycle, called the African monsoon, happens on a small scale every year, during the summer and winter.

And as northern Africa warmed because it was getting more solar energy, summers became hotter and longer than usual.

So the African Summer Monsoon was able to strengthen and move farther north over the Sahara desert.

Then, as vegetation grew, the plants held onto moisture better than bare sand could. And that ended up decreasing the land’s albedo - that is, the proportion of solar radiation that it reflected.

And this helped keep the northern hemisphere even warmer and wetter. In time, the increased moisture made the Sahara so wet that there were actual bodies of water there.

Recent research found that the Sahara had isolated pockets of lakes and wetlands that formed in natural basins.

Some lakes were there long enough that they left behind ancient shorelines, kinda like geological bathtub rings.

And these rings show that at least one lake was truly massive -- up to 160 meters deep and covering more 340,000 square kilometers. That’s bigger than all of the Great Lakes combined!

And the location of the rock art confirms the lake levels.

Because, the scenes created during the humid period were only made above those ancient shorelines.

So, the artists basically created another high water mark that suggests the water was very deep indeed.

This damp environment was also home to lots of animals and plants, the kinds that today we see in savannas, not deserts.

And they left behind fossils both big and small, even in the driest places. Take the Ténéré desert, which is part of the southern Sahara. Today it’s known as a desert within a desert. But archaeologists have found proof that the humid period extended there, too.

For example, there are traces of an ancient lake there that’s full of the remains of crocodiles, hippos, and turtles, as well as giant Nile perch. Now, along with lakes, there was also a whole river system across the Sahara.

In Algeria and Libya, researchers have found river deposits and evidence of human occupation, like fish hooks, around ancient riverbeds.

And two modern rivers, the Nile and the Niger, also increased their runoff dramatically. These riverways allowed the central Sahara to connect to the Atlantic and the Mediterranean, which aided the migration of both humans and non-human animals.

And archaeologists have found that ancient cultures were able to take full advantage of the green Sahara. Along the waterways where there’s now just sand, there are traces of fireplaces, grinding stones, hunting tools, and even mounds of fish bones.

Researchers have also managed to get radiocarbon dates from organic-rich sediments and artifacts like baskets, which show that human populations throughout the Sahara peaked between 9,000 and 5,000 years ago.

And on top of the archaeological evidence, there are even little hints of the African humid period within some cultures of Africa today.

For example, languages from Mali, in western Africa, and Ethiopia, in eastern Africa, are now very different from each other. But they still have similar words for “hippo.” Some linguists think this could mean that people from these cultures once lived in the same place among ... hippos.  Of course, the Sahara returned to a sandy desert at some point.

The rock artists kept painting, and their later art showed that new animals arrived as lakes and rivers began to dry up, and the ecosystem shifted from savannah to desert. And paleoclimatologists have used the same ocean sediment cores that revealed the start of the green Sahara to figure out when it ended.

Dust records show that there was a dramatic decrease in moisture around 5,500 years ago, and that the humid period only took a few centuries to end.

When Earth’s orbit shifted once more, the incoming solar energy decreased, and the northern hemisphere cooled down. This pushed the monsoons south again, closer to where they are now.

And sure enough, the archaeological record shows that people who lived in the Sahara abandoned their northern sites first, and then other sites farther south.

All in all, the African humid period ended quickly, at least in geological terms. And when it did, people clustered back around the Nile and other water sources, while the Sahara became more like the environment we know today. So, thanks to a collaboration between ancient rock artists and modern climate scientists, we’ve been able to figure out that the Sahara was green not all that long ago. But what does it tell us about future climate change?

Could this happen again?

Well, what we call the African humid period was actually just the most recent of green periods in the Sahara that have occurred in the past 8 million years! And since solar radiation is always changing due to natural orbital cycles, it’ll almost certainly happen again.

It might be thousands of years from now, and human-induced climate change has to be factored in, too.

Either way, we have every reason to expect that, if and when the Sahara greens up again, future artists will capture that transformation in their work.

They may not do it on rock, but their message will be the same: the world around us is always changing. Now that we’ve got you thinking about extreme climates, you should check out “Antarctic Extremes,” a new mini-series from NOVA and PBS Digital Studios.

It’s a journey to Earth’s most remote laboratory—Antarctica— where science and survival meet. Hosts Caitlin Saks and Arlo Pérez reveal a world that is sometimes harsh, sometimes hilarious, sometimes gross—but always thrilling. Find Antarctic Extremes on PBS Terra, PBS Digital Studios’ new science channel. Check out the episode in the description below, and tell them Eons sent you. Also a big shout out to this month’s Eontologists: Patrick Seifert, Jake Hart, Jon Davison Ng,Sean Dennis, and Steve! Pledge your support at patreon.com/eons and become an Eonite! And thank you for joining me in the Konstantin Haase Studio. Be sure to subscribe at youtube.com/eons! Thanks fam.

[lagilliland]

Ghostbusters “Answer the Call” Crew to Star in New Comic Series

Ghostbuster Veterans Kelly Thompson and Corin Howell Team up for More Paranormal Adventures From IDW Publishing This October

The members of the Ghostbusters team from Sony’s 2016 feature film were first introduced to IDW’s long-running Ghostbusters comic books line with Ghostbusters 101, in which they joined forces with the original Ghostbusters for an inter-dimensional crossover adventure. Their highly publicized comic book debut sold out upon release, and now the proton pack-wielding women are back. No longer content to share the spotlight, they are busting out into their very own comic series! The creative forces behind this series are writer Kelly Thompson(Hawkeye, Ghostbusters: Deviations) and artist Corin Howell (Mighty Morphin Power Rangers, Ghostbusters: International) both of whom have confronted the paranormal and lived to tell the tale, each having played in the Ghostbusters comics sandbox previously. Their rendition of the new generation of ‘busters is the next exciting addition to the ever-expanding Ghostbusters shared universe, and will serve as the perfect jumping-on point for Ghostbusters fans—old and new alike—combining the spirit of the original franchise with the spunk of the 2016 film. “After the phenomenal success of teaming the 2016 Ghostbusters with the original Ghostbusters in our dimension-hopping Ghostbusters 101series, we are very excited to bring fans all new Ghostbusters: Answer the Call adventures,” said Editor Tom Waltz.  “If Ghostbusters 101 proved anything, it’s that ‘busting feels good in any dimension, and we at IDW are honored to join Sony and Ghost Corps in continuing to expand the ever-popular Ghostbusters shared universe.” In the exciting series debut, “What Dreams May Come, Part 1!,” while on a routine house call to dispose of a simple Class III spook, Abby, Patty, Erin, and Holtzmann encounter a truly terrifying Class VII that appears to be feeding on fear. Able to create illusions that prey on their greatest fears and with designs on turning the world into its own nightmare dimension (‘natch!), our ladies may have finally met their match! Fans in need of a healthy dose of ectoplasm can look for Ghostbusters: Answer the Call #1 in stores October 2017. Corin Howell will draw the main cover, with Elsa Charretier (Love is Love) and Valentina Pinto (Strawberry Shortcake) providing the variant covers.

About IDW IDW Media Holdings, Inc. (OCTQX: IDWM) is a fully integrated media company, which includes publishing, games, entertainment, and the San Diego Comic Art Gallery. IDW Publishing’s comic book and graphic novel catalog includes some of the world’s most popular entertainment brands, including Transformers, My Little Pony, Star Trek, Teenage Mutant Ninja Turtles, Ghostbusters, and Disney’s classic characters. At IDW’s core is its commitment to creator-owned comics including 30 Days of Night, Locke & Key, Wormwood, Ragnarök, V-Wars, and Archangel by bestselling sci-fi author William Gibson. IDW Publishing is also home to the acclaimed and award-winning imprints; Top Shelf, The Library of American Comics, Yoe! Books, and Artist Editions, showcasing the greatest original art ever published in American comic books. IDW Games’ diverse line-up includes the international phenomenon Machi Koro, as well as hit licensed games such as X-Files, Back to the Future, The Godfather, and TMNT. IDW Entertainment serves as the worldwide distributor of Wynonna Earp airing on the Syfy Channel in the U.S. and is producing BBC America’s Dirk Gently, based on the bestseller by Douglas Adams starring Elijah Wood and Samuel Barnett. About Sony Pictures Entertainment Sony Pictures Entertainment (SPE) is a subsidiary of Sony Entertainment Inc., which is a subsidiary of Tokyo-based Sony Corporation. SPE's global operations encompass motion picture production, acquisition, and distribution; television production, acquisition, and distribution; television networks; digital content creation and distribution; operation of studio facilities; and development of new entertainment products, services and technologies. SPE’s Motion Picture Group includes film labels Columbia Pictures, Screen Gems, TriStar Pictures, Sony Pictures Animation, and Sony Pictures Classics.  For additional information, visit http://www.sonypictures.com. About Ghost Corps Ghost Corps, Inc., a subsidiary of Columbia Pictures Industries, Inc., is focused on expanding the Ghostbusters brand with live-action feature films, animated motion pictures, television, merchandise, and other new entertainment products.  Ghost Corps is headquartered on the Sony Pictures Studios lot in Culver City, Calif.