#tribal aztec design

[the-blog-of-eff]

(via "Kawaii Cute Tiki Disc, Mayan Design, Pastel Goth" iPhone Case for Sale by Burn-Ego)

[rlyehtaxidermist]

On the topic of fantasy pet peeves, or rather fantasy criticism pet peeves, I see a lot of people make a big deal about "lazy worldbuilding" when a kingdom shares the name of either its ruling dynasty. This isn't exclusively a charge levied against media of East Asian origin, but it certainly shows up there a lot.

Now this was very unusual in medieval Europe. Most European countries are derived from tribal names: the Franks became France, the Danes became Denmark, the Angles became England, the Poles became Poland, et cetera. (Though often with a fair bit of migration.) Many others come from their provincial designations under the rule of larger states: Roman Hispania became España; Habsburg-era "pays d'embas", "lands down there", was translated literally into Dutch as Nederlanden.

Pre-medieval kingdoms - most notably the Merovingian and Carolingian Empires - were referred to by their ruling dynasties, but this came to a pretty significant end because of the Germanic tradition of partitive succession. Lands were divided between the heirs instead of passed to a singular successor, leading to a single dynasty ruling multiple different realms - most notably for Carolingians, who in two generations went from controlling most of Western Europe as a unified Frankish Empire to five kingdoms who were often at war with each other.

Needless to say, the rule of several hostile kingdoms by the same nominal dynasty quickly put the kibosh on any sense of dynastic naming in Europe, and tribal names came to dominate as things were formalised in the medieval period. Not so for much of the rest of the world. (Or Liechtenstein.)

Almost every major Arab state took its name from the ruling dynasty, which spread to many non-Arab Muslim realms such as the Ottoman Empire (named for the ruling House of Osman, also called the Ottomans), the Ghaznavid Empire (ruled by the Ghaznavid dynasty), the Timurid Empire (ruled by, surprising no one, the Timurid dynasty)...

Likewise, China is pretty much exclusively described historically in terms of its dynasties, who traditionally picked a new name for their state and government when they came to power. While there was a general idea of a territorial "China" (Chinese Zhongguo, often translated as "Middle Kingdom"), it was only rarely used compared to the dynastic titles. (As far as I'm aware, only the Qing ever really used it in an official context to refer to themselves, and even then the official name was still "(Great) Qing".)

Indian historiography is a bit split; the Maurya and Gupta Empires are referred to by their dynasty, but also as dynasties of a territorial/tribal Magadha Kingdom. The Pala Empire is solely named for its dynasty, but was the successor state of the Gauda Kingdom, named for its territory.

The Aztecs were primarily defined in terms of their city-states, but the Mayans were split between city names and dynastic ones at the time of the Spanish invasion. (Or at least they seem to be; it's hard to find good sources on the etymology of Mayan principalities in English.)

(I'd put in a note about the Incan Empire as well; "Inca" in Quechua essentially means "king" or "nobleman", so a literal English interpretation of "Incan Empire" would be "Emperor's Empire". The endonym for the Incan Empire translates to something like "union of four provinces", with two of the provinces being ethnonyms and two being directional. One of the directional ones might be both, and it's unclear which came first. Honestly, you could do another post about this just for directional names...)

So yes, "King X of the Kingdom of X" is a completely normal thing. Hell, we have two countries that do it today - Liechtenstein (ruled by the House of Liechtenstein) and Saudi Arabia (ruled by the House of Saud). (Both of them are absolute monarchies.)

[azalen-draws]

I'm on a fucking roll fr fr

I made an OC Introduction 🤠

꒰⁠⑅⁠ᵕ⁠༚⁠ᵕ⁠꒱⁠˖⁠♡~~~~~~~~~~~~(⁠´⁠ε⁠｀⁠ ⁠)

Name: Eztli Dzata

Birthday: March 20th

Affiliation: Seven Sovereigns

Gender: Male

Rarity: 5*

Weapon: Claymore

Ancient Dragon's Authority: Pyro

Constellation: Flammeum Anguis

An old dragon that was found in the deepest chamber of the Great Volcano of Tollan Was found to be greatly weakened from the centuries of isolation. The Pyro Archon Requested him to transform into a human

Signature weapon

Flamelord's everlasting ember

Claymore

Crit Damage

66.2

Base ATK

608

Blazing embrace

Increases Crit Rate against opponents affected by Pyro by 80%. Opponents affected by Pyro are instead dealt DMG equal to 200% of ATK. Can only occur once every 10s

Name card

Storge of a dragon

"...For a protector's job may never end, their will and love be as undying as their soul will forevermore be..."

Constellation

Partner:

Neuvillette

Eztli adores the Chief Justice and would drop everything if the man ever receives a letter requesting his presence (Which of course is rare for Neuvillette to open up even to his partner, he is used to relying on himself, so Eztli checks up on him every week, bringing him flowers or other gifts)

(Little Eztli on his way to his beloved)

Fun Facts:

Has a great soft spot for children

Holds the Archons in high regard... except for the Geo Archon, refuses to elaborate further whenever asked

In his Night soul state, he will discard his cloak, his markings will light up and the markings on his face will appear

Adores sweets, though refuses to admit it

The crown of feathers behind his ears are actually part of him, if ever touched or even pulled, he will become absolutely offended for an indefinite amount of time.

Is capable of engulfing his claymore and extremities in fire, will only last for 1 minute

(10 seconds in game lol)

Drip marketing!

~~~~~~~~

References

Tépactl, blade used for ritualistic sacrifices to venerate the gods in Mexica tribes. It is also associated in the Aztec calendar the day March 20, which is coincidentally the first day of spring

Macuahitl, a weapon mostly associated with the Jaguar warriors, preceded the Mexica. Tools made of obsidian fragments were used by some of the earliest Mesoamerican groups. It was a club-like weapon made of wood with edges inlaid with obsidian, a volcanic glass, on each side.

(I used mostly number 2 as reference)

Quetzalcóatl, also well known as the Feathered Serpent, yes, I know Genshit used Xiuhcōātl or also called the Turquoise Serpent. I decided to draw sort of a parallel, Eztli is not Xiuhcoatl (Genshit's), but he is a reincarnation, just how Neuvillette is a reincarnation to the og Hydro dragon

~~~~~~~~~~~~~~~~~~~~~~~

Rambling time

I used WAY more references but these were the most... important ig, also, yes I am Mexican but I am not that connected to my history, I really mostly created Eztli to nudge myself to learn more about my culture. And honestly, most of Natlan gave me a weird vibe, its... too modern...? not that I expected them to be in tribal clothing ofc, it's just weird to see the women with crop tops and FUCKING ORORON WITH JEANS

It's just personal preference tho, I did make Eztli sort of more leaning on post conquista with the pants and metal armor... but also mixed more ancient armor, I hope I did a sort of good job and I'm open to advice!

...

Also... I'm kinda conflicted with the game, I love it, it's fun for me, but with all that's happening it's just... I don't even know how to write it! I want to separate it from everything that's happening, but it's just so jarring, and I enjoy the characters but their designs make me feel weird, maybe its the fact that I have a positive view of the game since I started playing for someone I love and only continued because I got so attached to it, and I cannot pick up another game and I don't know why

I don't think I like Natlan as much as I hoped, but whatever that's enough whining from me, I think I'll continue until I get the characters I want and ditch the game

Maybe I'll continue making art of Neuvillette and Eztli, and maybe other characters they're genuinely so enjoyable for me

[skaruresonic]

No one tell those people that african tribes regularly practices slavery amongst one another, and the trans atlantic slave trade got kicked off in the first place because europeons decided to aggressively and proactively exploit the supply of slaves they were being provided from trading with african nations.

Shock of shocks, when you take people who lives hundreds of years ago in drastically different environments and hold them up to modern first world american moral standards, they end up seeming a little bit fucked up in comparison. Wowowow! What are you, 12? Did you just discover that santa claus doesn't exist or something? "People who lived in the 1300s did a bad thing once >=o " holy fucking shit, you're blowing my mind!!!

People who talk about historical individuals or peoples as if they need to be judged as good or bad piss me off. Whether they're talking about the aztecs or fucking HP Lovecraft or whatever. It really just contributes nothing to the discussion and cataloging of historical facts. "Pol Pot was a very bad man >=c " that's nice sweety, we're trying to document and discuss what he did and said though, you're not really helping anymore when that's all you have to say about it.

No one tell those people that african tribes regularly practices slavery amongst one another, and the trans atlantic slave trade got kicked off in the first place because europeons decided to aggressively and proactively exploit the supply of slaves they were being provided from trading with african nations.

It's all about context and extent. The colonists arrived here and originally sent Indians as slaves to the Caribbean before they went to Africa because, at the time, we were the nearest natural resource on hand. The problem is, then, the underlying belief that regards people as a resource to be consumed. It requires the stratification of society into Resource or Person.

While this belief is definitely not unique to one culture, it was the colonists who employed it on a mass scale.

While I'm not entirely comfortable comparing the selling of our people as slaves to the transatlantic slave trade, it seems to have impacted our culture, to the point where I suspect the word for "to betray" holds the root for "to sell" for this very reason. And yes, that is because some of our own sold others of our own. That is an unfortunate fact.

Remember what I said about our struggles not being so different from others'? They also share common roots. The one drop rule contends that if you have just one drop of Black ancestry in you, you are Black. This was used, historically, to justify the slavery of generations into perpetuity.

Blood quantum is the same process but thrown in reverse: the blood of other races dilutes your own, and there will be a point where the Indian will be bred out of you and your children will no longer be considered of your people. This is still in use today for tribal enrollment requirements, and becomes an increasing problem as families grow and the chances of inbreeding increase. This was absolutely by design in order to make us disappear.

Both of these ideas may seem in opposition to each other at first glance, when really, they're intertwined: the result of white supremacy attempting to control us. They rest on the same underlying ideas of denying people the right to self-determination.

---

Shock of shocks, when you take people who lives hundreds of years ago in drastically different environments and hold them up to modern first world american moral standards, they end up seeming a little bit fucked up in comparison. Wowowow! What are you, 12? Did you just discover that santa claus doesn't exist or something? "People who lived in the 1300s did a bad thing once >=o " holy fucking shit, you're blowing my mind!!!

The thing is, people weren't always barbaric in the past. That's my entire point. It's a fallacy to assume modernity is synonymous with civility and progress.

I just get chuffed about it because they always bring up the scalpings and the human sacrifice and warring tribes and whatever else in order to paint our ancestors as morally gray. However, you need some light to balance out the darkness in order to paint a truly gray portrait. They never say anything about the Longhouse, the Great Law of Peace, the Two-Row wampum, the times our people saved colonists from starvation or slaughter, or the inter-tribal alliances we made. It's just, "they cut the tops of people's heads off omg so brutal" as if they're saying anything particularly new or revolutionary, and they leave the matter at that.

In fact, the Haudenosaunee were not the only peaceful coalition the Skarù·ręʔ were a part of---we made a smaller alliance of mutual protection with two or three other tribes down in North Carolina as well.

The omission of our merits and the constant attention to our bloodier histories just feeds into this hateful stereotype that we were always savages.

---

Also, I didn't address it in the earlier post, but OP essentially went on to imply that white supremacy isn't a real problem. Rather, they waxed lyrical on some overreductive, strawman-nihilist "Rousseau was wrong" bullshit about how war will always exist in complex societies and it isn't unique to white supremacy.

First of all, nobody was saying violence or imperialism are white-only things. To argue otherwise is to imply other people don't know their own histories. Or other countries' histories.

Second, the existence of the Haudenosaunee contradicts this narrative that humanity is so inherently belligerent that reconciliation is just a pipe dream in "complex" societies. We operated just fine in peace for literal centuries before colonial contact. Either you don't consider us a "complex" society, or you have an incomplete view of history.

Third, white supremacy is very much real, and it is a problem that impacts a large number of people, white people included.

Again, the US as it exists today largely does so because of white supremacy. It is a direct result of Manifest Destiny and the assimilation and displacement of indigenous people. Trying to divert the conversation by pretending what was said was that all violence is innate to whiteness is a strawman of the argument, as well as deliberately being obtuse in order to distract with meaningless asides. It'll only make people go, "Oh well, everyone was shitty in the past, so I guess there's no reason to try to understand the structures my ancestors put into place and how they might benefit or hurt others to this day."

Of course violence has existed in every society. Of course it will continue to exist in some fashion. But that doesn't mean we can't take steps to curb it and discourage it whenever possible.

Moreover, our ancestors having scalped someone 200 years ago doesn't mean anything when blood quantum still exists on the books in order to "breed" the Indian out of us and have us forfeit the land to the government, you know what I mean? I would think the more pressing and far-reaching problem rests on the colonist structures that are still in operation today, and it is worth examining where those structures came from in order to dismantle them.

And look, I don't particularly enjoy waxing poetic about this stuff because it's not something I like looking directly in the face for long periods of time. As a white-passing Native, I know I'm not the hardest-impacted by these things. I'll never experience the harshest brunt of the racism my darker-skinned friends, family, and neighbors do.

That doesn't mean I experience No Racism Ever, of course. But I recognize that most of the fucked-up-ness of the situation and my relative comfort comes from the fact that my incidental whiteness inoculates me from a lot of bullshit I would otherwise experience.

[pastsplendors]

Mexican Sterling Cuff Links Eagle 28 Mark Aztec Warrior Tribal Design Vintage Men's Jewelry by PastSplendors http://dlvr.it/T1hJB2

[lethargicwizard]

Alright I think enough time has passed but nevertheless; Spoilers for Black Panther Wakanda Forever!

to start off I really enjoyed the film, I know "MCU writing" has become something of a meme recently with how formulaic it can be and how you can practically predict how the dialogue will go for most of the movie but Wakanda Forever's themes of grief and loss along with how it carries a more mellow/serious to even melancholy tone over the better part of its run time makes it a very refreshing change from what I usually expect from Marvel. I'm not saying to abandon that style entirely but save it for the more snarky characters in the Marvel gallery.

while I am and always have been of the firm belief that you should never just make characters a different race or ethnicity as opposed to creating original stories and characters the talokhans are the exception that proves the rule, they have an interesting and fleshed-out backstory that makes them feel unique and original as opposed to if they just copy and pasted on Mayan designs to the original Atlantans, I'm a sucker for the sort of tribal futurism that has become indicative of this series making them feel like what might happen if you left an isolated Mayan civilization alone till the present day. The fact that they went through the trouble and chose to create a brand new underwater civilization as opposed to the same overused trope of Atlantis is delightfully refreshing and the fact that they based it off Tlālōcān the Aztec/Mayan (present in both mythologies) paradise realms for those who died violently from phenomena associated with water is just a cherry on top. As far as antagonists go I think they're top-notch, the fact that they are a very clear foil to Wakanda itself and don't so much feel like villains as they feel like people trying to protect their way of life also considering the relationship between Black panthers and Namor as well as the respective kingdoms they rule over in the comics they seem like the obvious choice, not to mention the fact that no one would believe that any force from earth could touch Wakanda aside from a nation of equal standing. The city of Talokhan itself is an absolute masterpiece and not just for the iconic tour scene accompanied by "Con la brisa" but for being the only underwater civilization that makes use of three-dimensional architecture given the fact that they are in a medium that allows for it: which gives me the pleasure of awarding it the

"Greatest Fictional World-building/ Fictional Architecture Award"

not to mention that that was undeniably harder to film given that it had to be filmed underwater. And to that end, I wouldn't be opposed to seeing a slice-of-life comic run detailing daily life in Talokhan or in Wakanda for that matter. However, my absolute favorite thing about the Talokhans was that they were able to recreate the same magic for the Latine community as the original Black Panther did for Black people back in 2018 giving Latine and indigenous actors a chance to be on the big screen and shine with all their glory, plus a new hand sign out of it.

Characters:

Shuri: Her journey through the film was an incredible ride watching her deal with grief, wrath, and heartache throughout made her standout and not feel like she was just in T'Chala's shadow, watching her stumble and slowly but surely become her version of the black panther was great. The fact that she still jokes around and still has fun in the movie feels very relatable since life can't slow down for grief and healing and sometimes little sparks of joy leak out in sadness, I think her journey as queen and as a protector and i look forward to seeing it all

M'Baku: Once again an absolute joy to have on-screen, his comedy, shit talk, and lines are second to none and in general just heightens the quality of the film. His range as a character surprised me this time while he's always been belligerent but honorable his ability to empathize as well as the respect and recognition he shows towards Okoye and Shuri in this film gave me another layer of respect for his character, Winston Duke's performance was all around top notch.

Namor: This rendition of the character is without question my favorite, and while that's not really saying much coming from someone who's always thought of Namor as one of the most yee-yee head-ass characters to ever exist from the dumb ass Hermes feet to usually wearing some scale covered briefs/speedo/ male striper wetsuit, I enjoyed his design this time around. The boxer briefs, armbands, footwear, collar piece, and piercings do so much for his design to be unique and so him (at least in this origin). Tenoch Huerta does a magnificent job as the character capturing his infamous condescending nature yet still making him charismatic and enjoyable making him feel sympathetic and caring as a leader. As far as his moral affiliation and alignment goes I never thought the anti-hero title suited him all that well at least in this rendition of the character, both he and the black panthers fill this odd niche as leaders of nations for how they fit in a moral scope since they are always juxtaposed from what they feel and what they need to do for the sake of their people. Above everything else, my favorite part about Namor in this film is his fight choreography; as much as I loath the foot wings (the wing loading you'd need on those alone...) the way they allow him to kick off the air like a platform is one of the coolest locomotion choices I've ever seen giving him this sense of agility and maneuverability that is unparalleled in universe and in any other media, not to mention his intelligent use of his speed, strength, and velocity in his unarmed combat makes his style feel fresh, unique, and tailor-made for him. Also, he makes the second example for my thesis that water-themed comic book characters are significantly better with facial hair.

(i loved Okoye, Attuma, and Namora too but there wasnt much else i could say about them still love them, their performances and their actors tho)

All and all I love this film quite a lot so much so that I'm actually considering buying this upon release, that after credit scene and memorial to Chadwick Boseman simultaneously feel like a kiss on the forehead and a punch to the gut and I almost cried several times in. this film

[nanacornerbeauty]

What Does The Butterfly Tattoo Mean Mental Health?

If you’re looking to get a meaningful and symbolic design for your next tattoo, you’re at the right place! The butterfly tattoo is a wholesome and uplifting tattoo as it supports mental health awareness. It allows people struggling with mental health to share their stories through art. But what does a butterfly tattoo really mean, particularly in the context of mental health? In this blog post, we’ll explore the different meanings behind the butterfly tattoo design and why it is often associated with mental health.

The Butterfly Tattoo Meaning: Symbolism and Interpretations

The butterfly has been a popular symbol in many cultures for centuries. It is often associated with transformation, rebirth, and new beginnings. The transformation of a caterpillar into a butterfly is a powerful metaphor for personal growth and the journey toward self-improvement. This is why the butterfly tattoo is often seen as a symbol of hope, renewal, and transformation.

Another interpretation of the butterfly tattoo is its association with freedom and independence. Butterflies are known for their ability to fly and navigate freely, without any constraints. For those who have struggled with mental health issues, the butterfly tattoo can serve as a reminder that they have the strength and ability to overcome their struggles and live a life of freedom and independence.

In Eastern cultures, butterflies symbolize joy. There’s no doubt that when anyone sees a butterfly, it brings them joy because of its beauty and rarity.

In Aztec culture, the butterfly symbolized the souls of past warriors. In other words, for the Aztecs, the butterfly’s meaning was a remembrance of those who have passed and their eternal souls.

Here’s a look at the symbolism behind butterfly tattoos:

Beauty

Impermanency

Metamorphosis

Good Luck

The Butterfly Tattoo and Mental Health: Finding Hope and Inspiration

For those who have struggled with mental health issues, the butterfly tattoo can serve as a powerful symbol of hope and inspiration. It can remind them that they have the strength and resilience to overcome their struggles and emerge transformed, like a butterfly emerging from its cocoon.

The butterfly tattoo can also serve as a reminder to take care of one’s mental health and seek help when needed. Mental health struggles can be isolating and overwhelming, but the butterfly tattoo can serve as a symbol of solidarity and a reminder that they are not alone in their struggles.

Also, read: 13 Reasons Why You Should Get a Friday the 13th Tattoo

Butterfly Tattoo Ideas: Design and Placement

When it comes to butterfly tattoo ideas, there are countless design options to choose from. Some popular designs include the classic butterfly shape, watercolor butterflies, and tribal butterfly designs. The design you choose will depend on your personal style and the meaning you want to convey.

Butterfly tattoos can be placed on various parts of the body, including the hand, wrist, shoulder, ankle, and back. Many people choose to place their butterfly tattoos on their hands, as it is a visible reminder of their personal journey and the strength they possess.

Also, read: From Hello Kitty to Twilight: The Best Tramp Stamp Designs for Fancy Girls

[lazyhousecarly]

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[lovinagoodfind]

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[rockoslife]

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[bellanoirfrost-blog]

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[houseofgerrard]

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[pastsplendors]

Mexican Sterling Cuff Links Eagle 28 Mark Aztec Warrior Tribal Design Vintage by PastSplendors http://dlvr.it/Sh0Bgx

[stretchersearrings]

User Guide On Stretcher Earrings

A longstanding practice, ear stretching is a practice with a rich history that spans cultures and centuries. The practice, which entails gradual expansion of the earlobe, is often connected to various traditions of culture. From the tribes of the indigenous to the modern fashion scene, earrings have become a symbol of self-identity, spirituality as well as personal expression. Today, the trend of stretch earrings isn't only widely used by subcultures, but has also filtered through the mainstream culture. As more and more people take on this exciting new avenue it is vital to understand the cultural importance and contemporary popularity of ear stretching. In the past, ear stretching has been used for a variety of purposes in different societies. In some tribes, it was a rite of passage as well as a show of beauty and strength. Others, it symbolized social status or tribal ties. In ancient times, like the Mayans and Aztecs they wore massive stretch earrings to symbolize their relationship to the spiritual realm. The significance of stretched earlobes varies, with many adopting the practice as a form in self-expression. This modern take on an old-fashioned practice has led to the increase in interest in ear stretching and the various products available, including the ear stretch kit. Are you hunting for stretcher earrings? Browse the previously mentioned site.

Modern ear stretching usually begins with an ear stretching kit for beginning users that comes with tools made to allow gradual expansion. These kits typically include various components, including a range of materials such as acrylic, glass, and surgical steel. The surgical steel stretcher for the ear is popular due to its hypoallergenic characteristics and long-lasting use. The majority of users start with smaller gauges and gradually move towards larger sizes by using stretching kits. It is crucial to follow a correct stretching guide to ensure that the procedure is safe and efficient. This will reduce the possibility of damaging or tearing the earlobe. This allows for a smooth journey to larger dimensions of the ear. When people move through the various stages of ear stretching, they might find themselves exploring various ear stretching dimensions. It is normal to see phrases like "double zero" or "triple zero," indicating specific measurements in this gauge mechanism. The most effective ear stretching equipment typically includes a range of sizes to accommodate personal changes and styles. In addition, people can opt for decorative plugs or tunnels to reflect their personal style. These accessories add to the aesthetic appeal of earlobes stretched out making them unique fashion designs.

For those who are interested in getting into the game, investing in a quality equipment for stretching the earlobe is essential. For beginners, many look for an ear stretching kit with everything required for a safe stretching. These kits provide comprehensive experience, featuring tools, instructions for care, and aftercare products. Regular maintenance and maintenance is essential to avoid issues or infections that occur during the process of stretching. Employing products such ear stretchers can also aid in ensuring an effortless transition from one size to the next size, allowing users to enjoy the journey without discomfort. While ear stretching becomes more mainstream, it is essential to acknowledge its origins while accepting its contemporary ways of doing it. The combination of traditional and modern fashion has enabled the practice of ear stretching to flourish in diverse communities. With the right education and equipment, like the vast ear stretching kit anyone can take on this personal journey. Be it for the purpose of cultural significance or for fashion statement, this practice continues to capture the imagination of all people. Through understanding the importance of proper techniques and honoring the underlying traditions enthusiasts can enjoy the beauty of this ancient technique in their unique manner.

[lovinagoodfind]

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[rockoslife]

Check out this listing I just added to my Poshmark closet: Prissy Lane Women's Button-Up Shacket LG 2 Flap Pockets Aztec Tribal Western Euc.