#trh was a rough patch for a lot of the main cast
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choices-binglebonkus · 2 years ago
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Flanderization is the process in which a complex, fleshed out character gradually gets reduced to one or two traits through oversimplification. While present in varying degrees across certain Choices series, Flanderization is most present and potent in The Royal Romance/Heir/Finale.
Pre-Flanderization
MC: A newcomer to court who’s hella oblivious but incredibly resilient and willing to go out of her comfort zone for her friends. She is fiercely independent and free-spirited, something that each character she meets in Cordonia comes to respect her for. She has her silly and ditzy moments, but she's usually good at behaving in a relatively civilized manner when she needs to be. She is no stranger to hard work, and this greatly helps her adjust to courtly life.
Liam: A crown prince and eventual king as of book two who longs for freedom while also grappling with his role in the monarchy. He CONSTANTLY struggles with his desire for freedom and levity versus the leaden weight of the crown, though his sense of duty usually wins out in these internal battles. More than anything, even his own longing for freedom and independence, he wishes for the safety of his people and the prosperity of Cordonia.
Hana: A prodigy who has been forced into rigorous classes on etiquette and courtly skills since young childhood. She is remarkably talented, though incredibly humble, and is always happy to help teach others when they need assistance. She is very meek and doesn't like confrontation, and often struggles to stand up for herself, but ultimately grows stronger and more confident as the story progresses, eventually even standing up to her demanding parents. Ultimately, she wishes for the agency to choose her own path, whatever that may be.
Drake: A commoner who has long struggled with his place in the Cordonian court, regardless of his friendship with the prince and his father's service as a Guardian of the Realm. He is gruff and jaded from his negative experiences and poor treatment by nobles and royals, which only worsens when his sister disappears. He fears the prince will eventually forget about him, or worse, will be embarrassed by him, because he is merely a commoner. He is teased by his friends for his lack of courtly knowledge but does eventually take time to learn courtly customs for the sake of the prince's image. Regardless of these fears and his bitterness, he is a loyal friend with a heart of gold and a healthy dose of humility.
Maxwell: A younger brother to the Duke of Ramsford who feels he is a screw-up and believes he is rightfully overshadowed by his much more responsible brother. He is carefree and fun-loving and sometimes a little absent-minded, but he has moments of wisdom and true helpfulness sprinkled throughout. He is goofy when the occasion calls for it and is always happy to indulge in a wild party, but can just as easily embody seriousness and solemnity when need be.
Olivia: A catty duchess who clings to the prince as a result of his kindness to her during the most traumatic time of her life as a small child. She is devious, two-faced, and extremely petty, often starting arguments or going for low blows just because she can. She is not used to people standing up to her, which ultimately mellows her out, though she is still aggressive at times. Particularly pressing situations let her fierce loyalty to king and country as well as her competency in combat shine through despite her initial struggle with her identity as a Nevrakis, who are known for their betrayals and scheming.
Post-Flanderization
MC: Constantly flies by the seat of her pants and somehow makes it through the most dire situations unscathed. Her silly side stops being silly and starts being unapologetically idiotic. Of course, despite her bumbling nature, she's still seen as a dangerous threat by the Via Imperii, a top-secret society that has ruled parts of the world for over two millennia. (Flanderization began in TRR book 3)
Liam: Primary trait is his sense of duty to his kingdom and his people, yet his ability to rule and prevent chaos and upheaval is terrible. He has no competence to match his promises to his kingdom. (Flanderization began in TRH book 2)
Hana: She is still remarkably talented, but the extent of her talents grow to be utterly unrealistic. She also occasionally has instances of incredibly dark or violent dialogue that in no way fit with her character ("I'm sorry Olivia, I only kill when absolutely necessary") that really throw the reader and sometimes even the other characters off. (Flanderization began in TRH book 1)
Drake: Still gruff and jaded and grumpy but to a slightly higher degree. He is also clowned on and made into a meme by his friends and the Cordonian public. (Flanderization began in TRH book 1)
Maxwell: Loud, annoying, obsessed with parties and dancing, clumsy as hell, and almost comically self-absorbed. (Flanderization began in TRR book 2)
Olivia: Much more frequently aggressive, constantly goes on about knives, hidden blades, and spy missions. She is still loyal to king and country, but her personality has been reduced to that of a human weapon. (Flanderization began in TRH book 1)
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