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#transylvania stud
nofatclips · 2 months
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Gimme Back My Bullets (Lynyrd Skynyrd cover) by Transylvania Stud featuring JuiceBox Desmond
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HOORAY!! You've hit a follower milestone, that's wonderful! You deserve it with your wonderful edits and art. I'm certain you're being introduced to a lot of wonderful OC "babies" through this event, haha! If you'd like, I would love to receive K couture for my little black cat fae, Nana.
I want to work on an illustration of your bunny soon, too, if that's okay. I might not be as fashionable but I do want to at least give the rabbit a dance! 🧡 have fun with all the new oc friends!
Hi Nette!!
Thank you very very much huh, that rabbit is moved by your kind words and support!!
Yes totally a lot of wonderful "babies" (I'm working on them don't worry) hn!
FOR SUREEEEE Nana would be a wonderful model!! A cat fairy, a black cat nothingless!
Oh thank you dearie, but don't worry don't pressure yourself!! (That's very sweet!! Also please.... you gave Dior inspired outfits to your babies...You are fashiiooooonnned!!)
Anyway hope you'll like it!!
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K:"Misshie Nana! I have boba and cupcake and pastriesh and Champa...Ah... I mean, hmmm hmmm, I received studsh and leather!! Come anytimesh!"
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....You just confirmed my theory of Nana being the combo of "Nana"'s heroines!!!
*mind blowing* A-WE-SOME!!
Ah ah, I totally went for a rock baby girl singer jpop!!
Cute but touch me I'll scratch you!!
Leather, studs, spike, tulle, ribbon, tartan and goth jewelry!!
Such an epic combo too!!
I hope I didn't get her wrong!
Thank you again!!!
*just realized I drew Nana ....kind of Like Mavis from Hotel Transylvania.....sorry, that wasn't truly my intention, hope it doesn't bother you....*
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artzychic27 · 1 year
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Since you did Tales of Terror, here’s a request.
Bart Simpson’s Dracula, or in this case Alix Kubdel’s Marcula.
“We come to the most terrifying painting in the Louvre,” Alix narrates. “To even gaze upon it is to go mad!” She points to a picture of the Mona Lisa. Adrien shrieks when he sees it.
“It’s horrible! What’s she smiling at?!”
Alix rolls her eyes as he runs away screaming. “We had a story to go with this painting, but it was far too intense. So we just threw something together with vampires. Enjoy!”
Lightning crashes as the title of the episode appears on the screen written in blood, Marcula.
While the rain pours down from the cloud-filled sky, the students of Mme. Bustier’s class are all gathered in their classroom looking down at their phones. Their brows furrowed with worry as they watch Nadja Chamack delivering some news.
“Another Parisian has been found dead,” she reports. Her skin is noticeably pale, but despite that, she keeps a calm disposition. “Drained of his blood with two teeth marks on his throat. The only thing found at the scene was a silver studded belt chain.” An image of said chain appears on their screens. “The police are baffled, and hope their investigation can come to and end soon. For more news, I’m Nadja Chamack, thank you for watching, and stay safe.”
With that, the live feed ends, but the students are still clearly on edge.
“Who would be sadistic enough to suck out someone’s blood?” Nino can’t help but ask.
“Oh, you won’t believe the American serial killers Zoé’s told me about,” Chloé shudders. “There’s plenty of freaks out there.”
“Yeah, like vampires,” Kim remarks, getting some skeptical looks. “Come on! Two teeth marks in the guy’s neck, his blood is gone, it was a vampire!” Marinette only pats him on the shoulder and says, “Sure.”
Ignoring that, Ivan turns to the resident genius. “Max, what do you think?”
“Well, I’d have to go with Chloé’s theory,” he answers, and the blonde preens a bit while Kim’s feigns a look of betrayal. “There are some messed up people in this world. Why, as of this moment, one of them could be right in this very school-”
“Hey, guys!”
The students all jump out of their seats by the sudden voice, only to calm down when they just find Nathaniel at the door. He awkwardly smiles as he wasn’t expecting that sort of reaction. “Sorry, didn’t mean to-“
“Ah, it’s fine,” Alix assures. “So, what’s up?” The redhead looks like he can barely contain himself.
“So, remember my long distance boyfriend from Transylvania?” Right on cue with his word, thunder and lightning crash outside.
“Wicked,” Juleka whispers.
“Oh, he’s real?” Chloé smirks. “I thought that was just a ploy to make you seem less pathetic.” Interrupting her taunting laughter is Marinette throwing a crumpled piece of paper at her. “Hey!”
“Proceed,” Marinette tells him.
“Well, Marc is real, Chloé, and he’s here permanently because his mom got a job at the blood bank that recently opened, so I want you all to meet him!” Rose can help but gush at how excited he looks. Alix gets up from her seat to sling an arm around him.
“Well, as long he’s treating you right, then I’m gonna like him. So, when does he get here?”
A voice cuts through the room, “Right about now.” This startled his classmates, but Nathaniel beams and immediately goes to hug the noirette standing at the doorway. “Hi, Nath,” he greets in a distinct Transylvanian accent.
“Hi, Rainbow.” Wasting no time, he seizes the taller boy by the front of the shirt and pulls him in for a kiss. “God, I’ve been waiting to do that.” The two are so wrapped up in each other that they almost forget about Nathaniel’s classmates until Adrien clears his throat, making the two look awkward as their faces heat up. “Everyone, this is my boyfriend, Marcula Anciel.”
Kim nearly chokes. “M-Marcula?”
“It’s a family name,” the green-eyed boy explained with a kind smile. “I go by Marc for short.”
Alix steps up to him. “Well, Marc, it’s nice to finally meet you; I’m Alix, Nath’s long time best friend.”
“Yes, he’s told me so much about you,” he beams. “Oh, real quick. Would someone mind inviting me in? My family’s quite big on manners, and I-”
“Say no more; come right in.” Accepting Marinette’s offer, Marc steps into the classroom, unaware of Kim’s skeptical look. “We’ve got about ten minutes before classes start. I’d say that gives us enough time to learn a bit about each other! First, I need to hear how you two met.” Before Marc could answer, she says, “Oh, you’ve got something on the corner of your mouth.” She points to a red stain on Marc’s face so he can wipe it off with his finger.
Nathaniel takes his hand with a worried expression. “You didn’t get hurt, did you?”
“Don’t worry, love, it’s just ink from my pen.”
“Marc’s a writer,” Nathaniel says in a lovesick tone and giggles, staring at Marc as if he were some sort of deity. This startles a few as they’ve never seen the redhead look so happy… Or giggle. Though, it was nice seeing him look so happy.
Marc kisses his hand, and this action has quite a few of the girls smiling. “I’ve written my sweet nightshade several poems going nonstop about his beauty, compassion, his talents in the visual arts, so so many more qualities, it would take the whole day to name them all.”
No one heard what Nathaniel had to say, as his words were muffled when he hid his face in the fabric of Marc’s hoodie.
“Aaaw,” Rose, Sabrina, and Mylène coo.
He points to Marinette. “And to answer your question, Nathaniel and I met a year ago while my family and I were visiting the city. He looked so breathtaking under the moonlight.” By now, Kim was looking around to see if anyone, anyone was hearing what he was… Or seeing, because Marc’s fingers is just all over Nathaniel’s neck right now! “We’ve kept in touch ever since, and soon began dating.”
“And I have loved every second of it.” Nathaniel captures Marc’s lips for a kiss once again, only this one doesn’t last as long when the bell rings. “Damn,” he curses. “You just got here.”
“I know, but I need to leave.” The second he kisses Nathaniel’s cheek, a peal of thunder is heard followed by the lights in the room going out. When they come back on, Marc is nowhere to be found.
This scares his classmates a bit, but Nathaniel thinks nothing of it. “Isn’t he great?” The way he heads to his desk looks as if he’s walking on air.
“A little weird,” Alya whispers. “But Nath seems happy with this guy.”
Kim nods. “Yeah, they’d be a match made in heaven, if Arc weren’t a blood sucking creature of the night.” He hisses out a curse word when Alix reaches up to slap the back of his head. “What was that for?”
“I should be asking you that.”
“Marc is clearly a vampire,” he says as if it were so obvious. “The neck touching, blood banks, needing to be invited in, and dare I point out? He had a belt chain that is an exact match for the one found at the crime scene!” Alix shushes him.
“Do you want Nath to hear you?” The students all turn to see Nathaniel smiling at something on his phone, no doubt a text from Marc. “Marc’s a nice guy, and he makes Nath happy,” Alix continues. “Hell, if he were a vampire, I’d still approve as long as Nath’s smiling.”
“But vampires don’t exist,” Adrien reminds her.
She waves him off. “Yes, Adrien, vampires don’t exist. We know.”
“If he is, I wouldn’t mind being his undead servant,” Juleka murmurs.
Later at lunch hour, Kim is still staring at the new student suspiciously. Already, he’s become well acquainted with his new classmates. They’re hanging off his every word and Nathaniel is sitting with them, clinging to Marc’s arm… Well, if that doesn’t say ‘vampire mind tricks,’ he doesn’t know what does.
“Kim, I know what you’re thinking, and cut it out,” Max drones. “What would a vampire even come to France for?”
“Fresh blood because he sucked Transylvania dry?”
Not having an argument for that, Max pulls his friend to his usual table. “I’ll admit, Marc has his quirks, but so does everyone else.”
“He is literally drinking blood out of a bag.” He gestures toward Marc, who is doing just that.
“… He probably just recycles.”
“Oh my God.” Once they’re at the class’ table, Kim slams his head down and groans. “When he sucks you all dry, don’t come crying to me.”
Ivan rolls his eyes. “Again with that? Kim, there is no such thing as vampires.”
“Hey, guys.” The students all scream in fright when Marc and Nathaniel suddenly appear by their table. “Marc and I were talking, and since you didn’t really get to know him, he’d like to invite you over to his house tonight. His classmates are coming, too.”
“Well, I don’t know-“ Kim wheezes when Alix elbows him in the gut.
“We’d love too!”
“Count me in, dude.”
“I’ll be there!”
“Same!”
“Great, it’s decided,” Marc beams. “Oh, and be sure to wash your necks.”
Nino quirks an eyebrow. “Why?”
“… Transylvanian custom.”
“… Well, who are we to disregard your customs?” Kim sputters. “My neck’s gonna be so clean, you can eat off of it!”
‘Well, don’t tempt him!’
~Later that evening~
“… When Nath said ‘house,’ I wasn’t expecting… This.” Marinette gestures to the four story manor before her and her classmates. It rivaled even the Agreste’s mansion.The only thing that stood between them were the iron gates with a golden cursive A welded in the middle. “God, he’s modest.”
Alya smirks. “And Nath’s gonna be marrying money. Up top!” She and Marinette high five before she rings the doorbell. A low voice is heard on the speaker.
“Youuuu… Raaaang?”
“Yes, we’re here to see Marc… Hello?” Before Alya could ring the doorbell again, the gates open with a loud screech that seemed to wake up a few bats and ravens nestled in the trees so they’d fly off into the night. The students all make their way toward the manor. “Shit, Chloé’s gonna regret missing out on this.”
“Aaw, there’s a little bunny in that bush.” Rose points to the backside of the animal poking out of some shrubbery. Little did she know, the front end was caught in a bear trap.
They make it to the beautifully carved double doors, but before one of them could knock, a door slightly opens and out steps a young boy with silver eyes. In his hands, he holds a doll with a missing head.
Adrien blinks, confused, but then kneels down to his level. “Hey, little guy. Are you Marc’s brother?” Rather than answering out loud, be whispers something to the blonde before going back inside, leaving Adrien pale.
“What did he say?” Ivan asks.
“… I think he just predicted my death.” Before anyone could question that, the door opened the rest of the way, and the students were all immediately drawn to the rest of the manor. The exterior was nice, but the interior was absolutely stunning. It had a bit of a vintage gothic charm to it with black picture frames, two statues on either side of the staircase, a gorgeous chandelier, and more.
Nino lets out a low whistle. “Damn, I had no idea Marc lived in the lap of luxury.”
“It’s not much.”
Once again, they all scream when Marc (And Nathaniel) seem to appear out of thin air.
“Jesus Christ, man!” Nino yells while checking to make sure his heart is still beating. “We gotta put a bell on you!”
Laughing fondly, Marc replies, “Oh, but where’s the fun in that? Let me show you to the dining room. My classmates are already waiting.” He walks off with Nathaniel on his arm, but his shadow seems to linger, making rude gestures at the guests before following Marc and Nathaniel. Kim gulps.
“Guys, do you notice anything strange?
“Yeah, his hairdo looks like a bird’s nest,” Nino whispers.
Marc hollers back, “I heard that!”
“It was Kim!”
They all arrive at the dining room, and once everyone is seated, a tall man with sort of this thousand yard stare makes his way into the room with a cart of drinks colored a bright red. Kim, thinking it’s only punch is about to take a sip…
Ismael takes a swig of his drink. “Kinda coppery.”
… Only to have second thoughts and “accidentally” spill what he knows believes to be blood. And it seems Alix had the same idea. She shoots him a look that’s says, ‘Don’t you dare,’ but Kim is most definitely going to rub it in her face later that he was right. “Whoops! Alix and I have to go wash up.”
They both leave without another word and walk down a corridor.
“Okay, so what if you are right? If Marc was a vampire, we're not gonna stumble on his secret hiding place.” Right as Alix leans against the wall, her shoulder presses against a hidden button, activating some sort of mechanism that causes the wall to move to the side and reveal a staircase. After a beat of silence, they both go down some steps into a dark dungeon-like room. There are several coffins lying about.
Kim can’t resist. “Satisfied?”
“Big deal!” Alix huffs. “It's no different from Juleka’s dollhouse when we were six.”
Groaning, Kim pokes around the room for any sort of evidence. A log book of all the people whose blood Marc drank, empty blood bags, paintings of him with historical figures, a Twilight novel being used as a dart board... All he comes across is a book titled "Yes, I Am A Vampire" by Marcula Anciel.
“If this isn’t damning evidence, I don’t know what is!” He flips through a few pages. “Whoa, this is dated back centuries ago.”
While he reads, vampires rise up from the coffins, but Alix is the only one to notice, and tries to get his attention.
“Hold on, Alix… Hey, this is dated today. ‘Finally going to make Nathaniel mine?!’ We gotta get out-” A vampire suddenly rips the page. He screams, grabs Alix’s hand, and they run up the stairs. They would’ve made it if not for one of the vampires pulling Alix by her ankle and dragging her back down.
“ALIX!”
“Kim! Go on without…” Her voice trails off when she sees him going the rest of the way. “Well, don’t make such an effort!” The vampire who grabbed Alix restrains her as a bat flies in, morphing into Marc. “Oh, shit, Kim was right.”
Marc’s fangs extend, and he dives for Alix’s neck. Meanwhile, Kim runs back to the dining room to tell everyone what happened.
“Guys! Marc is a vampire and he has Alix!”
“Well, that’s ridiculous.”
“OH MY GOD!” Kim screams and grips at his chest when Marc suddenly appears behind him. With him is Alix, looking pale and with two holes in her neck.
“Alix is right here.”
In a trance like state, she says, “Hello, everyone. I missed you during my uneventful absence.”
Kim feels his eye starting to twitch. “Nath, you notice something off about her, right?”
The redhead’s not listening. His mind’s been reduced to pretty much nothing when Marc starts kissing up and down his arm.
Later, at the stroke of midnight, Kim is tossing and turning in his bed when he hears banging on his window. Reluctantly getting out of bed, he moves to his window and opens his curtains to find Alix and the Science Kids floating outside, all of them vampires. He screams.
“Kim, you gotta join us!” Lacey squeals. “It’s so cool! I can walk on walls, not get hurt, and I get to stay up all night drinking blood!”
Ismael adds, “And if you say you're a vampire, they give you a free small soda at the movies… You know, after you hypnotize them into giving you one.”
“No!” Kim backs away and tries to reach for a weapons. “I’m not joining you guys!”
“Dude,” Alix sighs. “It’s not like you have a choice here.” With that, she crashes through the window and tackles Kim to the ground. With her fangs extended, she’s about to bite his neck when Lê Teo and Kayode Ature barge in.
“Alix!” Kayode thunders. “We have told you many times not to bite- Wait. You’re a vampire!”
Kim’s grandmother, Tracy Ature barges into his bedroom “Quickly now! We have to kill the girl!” She brandishes a wooden stake and hammer.
“How do you know she's a vampire?” Teo questions.
“She's a vampire?” Tracy drops her weapons and runs off screaming, providing Alix a distraction to turn into a bat and escape.
Kayode, we have to do something,” Teo says. “Today she's drinking people's blood, tomorrow she could be smoking! I refuse to let that girl go down the wrong path!”
Kim gets up from where Alix tackled him. “Well, usually only way to get a vampire back to normal is to kill the head vampire. Marc!”
“Kill a teenager?!” Teo exclaims, aghast. “Do I dare give into everyone’s darkest fantasy?”
The family arrive at the manor. Teo, Kayode, and Kim walk down to the basement using the secret passageway Alix found earlier, and approach Marc’s coffin. Which was easy to find because it was fancier than the others and the lid was engraved with his initials. When Kim opens it, he lets out a breath of relief when he sees that Marc is asleep.
“You gotta drive the stake through his heart,” Kim reminds Kayode when he sees him looking hesitant.
After a moment, Kayode places the stake on Marc’s chest, readies the hammer, and, “Take that, you vile fiend!” He thunders, only for Kim to clear his throat.
“Uh, dad? That’s his neck.”
“What? Shit.” He pulls out the stake and tries again. “To hell with you!” This time, the stake goes through his shoulder. “Are you kidding me?!”
“Baby, you gotta wear your glasses,” Teo gently chastises.
“No! They make me look old!” He tries again, and finally, he drives the stake right into Marc’s heart. However, this (And not the other tries) wakes him up, screaming in agony. He quickly begins to lose consciousness and falls back into his coffin.
“And that takes care of that,” Kim says proudly.
The next morning at school, Kim walks into the classroom looking much more relaxed. Though, he does wonder how he’ll break the news to Nathaniel, but that’s a problem for the future.
“Morning everyone!” As he’s about to take his seat, a bat suddenly flies into the room and transforms into Adrien. “What the fuck?! Adrien’s a vampire?!”
Mylène shoots him a fanged grin. “We're all vampires.”
Horrified by that announcement, Kim starts to back away, but his classmates advance on him. “No! My dads and I killed Marc!”
“You have to kill the head vampire!” Juleka exclaims.
Kim gasps. “You're the head vampire?! It all makes sense!”
“Oh, I wish.”
“She’s not,” Nathaniel scoffs and stands atop his desk. “I'm the head vampire!” He bares his fangs and hisses.
“Nathaniel?! How?!”
He shrugs. “Hey, I’ve got hobbies besides art, you know.” His expression turns dark. “And this is for killing my boyfriend! Get him!” The students all fly at Kim, fangs extended while he screams when the screen suddenly freezes.
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muskokafarm · 9 months
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Horse Breaking at Muskoka Farm
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The thoroughbred breeding industry makes a significant contribution to the regional economy and provides thousands of jobs. Horse breaking is an important part of the training process and can help prevent behavioural issues in later life.
The 113-hectare property offers a world class facility that offers horse breaking, pre-training, spelling and agistment. The farm is home to star Hong Kong raider Dan Excel and champion sprinter Aerovelocity. To know more about Pre Training, visit the Muskoka Farm website or call (02)45663106.
Horse breaking is an important part of a thoroughbred’s preparation for racing. The horse must be clean, trimmed, and wrapped properly to avoid injuries. This way, the horse will be ready to perform when it is time to race. It is also important to ensure that the horse has enough energy and strength to compete in a race.
The one-of-a-kind facility on the Hawkesbury River is renowned for its world class horse breaking, pre-training, spelling and agistment. It also offers a registered AQIS quarantine facility for export. Its features include a 2.4-kilometre crusher dust track, an 800-metre straight and a two-kilometre grass track for pace work.
Joe is a Lexington native who has worked in the Thoroughbred industry for over a decade. He graduated from Transylvania University with a degree in business management and finance. He has been with Margaux Farm since 2013 and is currently the stable manager. He also handles all equine administration.
The thoroughbred industry makes a huge contribution to Australia’s economy and supports thousands of jobs. Its major contributions come from stallion fees, racehorse sales and racing itself. But the sport is not without its challenges. Among them are the high cost of stud fees and horse transport costs.
One of the best horse spelling and training facilities in NSW is Muskoka Farm. The 280-acre property offers horse breaking, pre-training, spelling and agistment services. The facility is also a registered AQIS quarantine facility for exporting horses. The farm is a five-minute drive from Wisemans Ferry and 90 minutes from Rosehill and Randwick.
The one-of-a-kind property was bought by Bob and Wendy Lapointe in 1969. It was later transformed into a world-class thoroughbred breeding and training complex. The facility is located in Gunderman, on the Hawkesbury River, and can accommodate up to 180 horses. The farm has several high-tech features, including a hyperbaric oxygen chamber that helps improve wound healing and promotes recovery.
The thoroughbred industry makes a significant contribution to Australia’s economy and supports thousands of jobs across the country. However, the business is not without its problems. Stallion fees, racehorse sales profits and the cost of racing are all expensive, which can strain a trainer’s finances.
Fortunately, there are many options for horse owners looking to cut costs. Some of these options include purchasing a used racehorse and using a horse training service to train the horse for you. You can also save money by hiring a professional horse trainer to work with you and your horse.
The one-of-a-kind Muskoka Farm, located on the Hawkesbury River in Wisemans Ferry, is a state of the art facility offering breaking, pre-training, spelling and agistment. This world class thoroughbred facility is the envy of any racehorse owner, boasting a set-up that includes a 2.4 kilometre crusher dust track and an 800-metre straight. The property also features a lap pool and a hyperbaric oxygen chamber that provides horses with 100% oxygen, which promotes wound healing.
A horse needs to be well conditioned to perform at its best. This includes bathing, grazing and trimming. In addition to these, a horse should be well-groomed and wrapped. This will keep it calm and prevent injuries. It is also important to eat a healthy diet.
Ownership at Muskoka Farm is a great way to get involved with the thoroughbred racing industry. Whether you are a novice or an experienced investor, you will be able to enjoy the thrill of owning a racehorse. In addition, you will be able to meet other people who share your passion for horses.
The state-of-the-art facility, named for a renowned Canadian lake district, has five stable barns with 58 stables and an impressive 2000m track. It also features a high-tech treadmill and private jetty/pontoon along with day yards and spelling paddocks. The property also includes a four-bedroom homestead, a two-bedroom guest house and a facility manager’s cottage. To know more about Pre Training, visit the Muskoka Farm website or call (02)45663106.
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wangwill66 · 2 years
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亞當•山德勒
H0128:天方夜談的主角,無厘頭的故事編演者。20221119W6
維基百科介紹:
亞當·理查·山德勒是一位美國電影演員、電影製作人。在成為一名傑出的喜劇人和在美國喜劇節目《週六夜現場》之後,山德勒晉升為好萊塢的重要演員,並且演出了7部製作預算超過1億美元的大型電影。 維基百科
出生資訊: 1966 年 9 月 9 日(56歲),美國紐約紐約布鲁克林
身高: 1.77 公尺
配偶: 潔奇・山德勒 (結婚於 2003 年)
子女: 莎蒂·麥狄遜·山德勒, 珊妮・瑪德琳・山德勒
兄弟姊妹: 斯科特·山德勒, 伊莉莎白·山德勒, 薇樂莉·山德勒
父母: 史丹利·山德勒, 茱蒂·山德勒
電影
年份標題角色職位附註演員監製編劇1989下水(英語:Going Overboard)Schecky Moskowitz1991搖晃小丑(英語:Shakes the Clown)Dink the Clown1993尖頭外星族Carmine Weiner1994搖滾總動員(英語:Airheads)Pip救命恩人Louie1995阿呆闖學府(英語:Billy Madison)Billy Madison1996高爾夫球也瘋狂Happy Gilmore冤家路窄Archie Moses1998婚禮歌手Robbie Hart下流勾當(英語:Dirty Work (1998 film))Satan客串;未掛名[1]呆呆向前衝(英語:The Waterboy)Robert "Bobby" Boucher, Jr.執行製片人1999冒牌老爸(英語:Big Daddy (1999 film))Sonny Koufax執行製片人哈拉猛男秀(英語:Deuce Bigalow: Male Gigolo)Robert Justin配音
客串;未掛名[2]
兼執行製片人2000魔鬼接班人(英語:Little Nicky)Nicky執行製片人2001獸性大發Townie客串
兼執行製片人傻喬歷險記(英語:Joe Dirt)—執行製片人2002凸槌大亨(英語:Mr. Deeds)Mr. Longfellow Deeds執行製片人戀愛雞尾酒Barry Egan驚奇八夜(英語:Eight Crazy Nights)Davey Stone,Whitey Duvall,Eleanore Duvall配音驚奇八夜(英語:Eight Crazy Nights)Mambuza Bongo Guy客串;未掛名[3]
兼執行製片人變裝大師(英語:The Master of Disguise)—執行製片人2003抓狂管訓班(英語:Anger Management (film))Dave Buznik執行製片人波利死後(英語:Pauly Shore Is Dead)他自己配音
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遊戲節目1990The Marshall ChroniclesUsher單集:"Brightman SATyricon"1990ABC課後特別時間(英語:ABC Afterschool Special)Drug Dealer單集:"Testing Dirty"1990–95週六夜現場Various87集1993賴瑞桑德斯秀(英語:The Larry Sanders Show)他自己Episode: "Hank's Wedding"2001主修未定��英語:Undeclared)他自己單集:"The Assistant"2003CouchCouch Testing Guy電視短片2005GetawayHenry Roth單集:"Found"2007–13約會規則執行製片人2007皇后區之王(英語:The King of Queens)Jeff "The Beast" Sussman未掛名;單集:"Mild Bunch"[5]2009芝麻街他自己2集2013小潔的保姆日記他自己單集:"Punched Dumped Love"2014神煩警察他自己單集:"Operation: Broken Feather"2016、2018凱文的退休生活(英語:Kevin Can Wait)Jimmy Lander未掛名;2集2017真實的勞勃(英語:Real Rob)Adam單集:"Authentic Self"2020家庭電影:公主新娘(英語:Home Movie: The Princess Bride)Grandfather單集:"As You Wish"德魯·巴里摩爾秀(英語:The Drew Barrymore Show)他自己單集:"Cameron Diaz, Lucy Liu, Adam Sandler"
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《They're All Gonna Laugh At You!》(1993年)
《What The Hell Happened To Me?》(1996年)
《What's Your Name?》(1997年)
《Stan and Judy's Kid》(1999年)
《Shhh...Don't Tell》(2004)
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elsvh · 2 years
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ELSA VAN HELSING ---> 25 --> RECEPTIONIST --> NEW SALEM
Species: Cursed Human Sexuality: Questioning Pronouns: She/Her Favorite Song: The Drug In Me Is You by Falling In Reverse Big Three: Scorpio sun, Virgo moon, Aries rising
elsa hardly has a relationship with her parents. they were always gone, always caring more about work than their only child, and she was often left on the doorstep of her uncle’s until it just became sort of permanent one day. her unble wasn’t the worst, but he wasn’t the best either. he was constantly trying to make elsa something she wasn’t and the more that he tried to dress her up like some show doll for his job, the more she rebeled against it.
elsa has always had a morbid fascination for dead poets and the color black. she started writing her own poetry when she was young and as she grew older it just became that one thing that kept her from losing her mind when her uncle was breathing down her neck or the people at school became too much. she wasn’t bullied, but she wasn’t tolerated much either. there was something about the passive aggressive comments under her peers breaths that seemed to get to her more than anything. 
she wasn’t and isn’t a mean person at all. she just...doesn’t hold back for the sake of feelings and that combined with her looks had people scared of her. sometimes that hurt. sometimes she just wanted to have friends and have things be easy, but no one bothered to look past her resting face alone.
victor was the only person who saw elsa as elsa. he was her best friend and neighbor, and she looked forward to having her talks with him. her only other friend was her dog persephone and she adored victor’s dog sparky more than anything. the two dogs would play and elsa and victor would shoot the shit. it was a perfect set-up. so when victor pulled away from her after sparky died, it cut her deep. she had tried so many times to reach out to him, but he refused her every time. 
so she moved on, even though she never really let anyone get that close to her again. even with the friends she did sort of had, there was a wall she put up that was ten feet high and no one was getting passed that. 
college was fine. she was able to learn a lot with her major and it was enough to get her to get a poetry book out for once. she doesn’t care if it does well or not, which is still back and forth to this day, she just cares that she put something out and someone out there related to it.
victor’s return was...hard. he was saying a lot of concerning things and then he was just gone again. and then the town went upside down and ever since she has constant nightmares about victor. each one gets more violent and more real and she wonders why she can’t just get him out of her head. it was like the more she is in new salem, the worst her dreams are.
so that was why she ran away. or at least....found a temporary home when she needs it. the hotel transylvania was not a standard hotel, but it was very lively. she likes mavis, she likes her job, and she looks forward to exploring coolsville and animania better.
she loves horror movies. she has a huge collection of dvds back in her room in new salem and she has been slowly smuggling them over. her comfort movies are horror movies.
she has a few piercings. she has her nose ring, she has a nose stud, her eyebrows are pierced, and she has a tongue ring. she has a pretty high tolerance for pain so she is big into piercings and tattoos. 
she has several tattoos. she has one on her ribcage that says “and so, being young and dipt in folly. I fell in love with melancholy.” she as a raven tattoo on her thigh. burn, burn, burn is on her right shoulder. she has a silouhette of lydia deetz on her left shoulder. she wants to add a lot more, but she is just waiting for the time to do it.
she likes to think she has a great sense of humor. most would not agree with her. 
her mother is french and she learned to speak it fluently just to impress her and get her attention. she didn’t get her parent’s attention, but she knows french now.
in regards to her sexuality she just doesn’t know. she’s been with guys, but she does on occasion find herself weak in the knees over a pretty girl. she just....has always been too intimidated to do something about it.
persephone passed away a few years ago and she she keeps a picture of her in her room. she wants to get another dog eventually, but it just hasn’t felt like the right time yet.
she’s just trying to run from her problems and live her life in peace. the issue is she has never really known peace. so...here she is.
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addonline · 2 years
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Command and conquer red alert 3 uprising catfight
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Meanwhile, somewhere in the USSR, Fedorovich thanks the commander for his excellent job. Kelly Weaver, FutureTech representative, makes an appearance on TV, saying she had no idea of Thornley's personal implication on the Sigma Harmonizer project and his pretentions, but she assures FutureTech's main goal is the safety of the people, so to prevent more difficulties, she will be sending forces to reinforce FutureTech's installations. After a final struggle on Sigma Island, the Commander manages to defeat FutureTech and destroy the Sigma Harmonizer, exposing Thornley's plans to the rest of the world. When the Commander is sent to a FutureTech facility hidden in the Yucatán, he discovers that the so-called "Sigma Project" is a new prototype of Chronosphere, named the " Sigma Harmonizer", a prototype superweapon that could freeze all Soviet units - a blow that could have been fatal for the Soviets. As soon as the Commander steps in the base, Rupert Thornley, the President of the European Union, mocks him, telling him that his efforts will mean nothing when he activates the "Sigma Project". After barely rescuing them (as FutureTech displayed one of their most devastating units, the Pacifier FAV), Fedorovich learns that FutureTech has a secret base in Mother Russia. The Soviet perspective is about the "Soviet Underground", led by Dasha Fedorovich.įedorovich contacts the Commander and thanks him for joining their cause, and informs him that FutureTech had kidnapped three important Soviet scientists to help them on a secret project somewhere in Transylvania. The world is not safe yet, as a time of Uprising is about to begin.
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When the Allies decide to fight the remaining Imperial forces loyal to Emperor Yoshiro, Tatsu orders the cleansing of north Japan of occupational Soviet forces. But tensions arise when the "Soviet Underground" (a clandestine group of Soviets led by Dasha Fedorovich) discover an Allied base ran by FutureTech on their territory. The Empire of the Rising Sun faced the same fate, Tatsu becoming its new leader under supervision of the Allied forces.
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He starts out with a limited tech tree, but gains the ability to build more advanced units by defeating other Commanders.Īfter the events of the War of the Three Powers, which was won by the Allies, the Soviet leaders were imprisoned. In the Commander's Challenge mode, a player challenges different commanders with different specialties. Of the four new campaigns, one is focused on Yuriko Omega, probably due to her lack of coverage on the original Red Alert 3. Uprising adds four new mini-campaigns, new units to each faction and a "Commander's Challenge" mode. Please refer to the talk page for further discussion.
Nikolai Moskvin (played by Gene Farber).
Oleg Vodnik (played by Dimitri Diatchenko).
Dasha Fedorovich (played by Ivana Miličević).
Yuriko Omega (played by Lisa Tamashiro).
Shinzo Nagama (played by Bruce Asato Locke).
Crown Prince Tatsu (played by Ron Yuan).
Two of them are Allied, three are Soviets and four are Japanese.
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Lydia Winters (played by Louise Griffiths)įrom Command & Conquer: Red Alert 3, only nine characters from each faction has returned.
Kelly Weaver (played by Jodi Lyn O' Keefe).
Rupert Thornley (played by Malcolm McDowell).
Ever wonder what is up with that strange psionic schoolgirl Yuriko? Play her campaign to learn more about her.
Challenge the Commanders, conquer the world - Fight for world domination in the all-new Commander’s Challenge mode! Do you have what it takes to withstand the brutal onslaught and relentless taunting of the world’s toughest commanders? Find out as you attempt to conquer the world in 50 challenges featuring up to 30 hours of additional gameplay!.
The most star-studded cast in videogame history just got even bigger!
The biggest cast ever in a C&C expansion - Command & Conquer™'s trademark live-action videos return with new Hollywood stars in 30 more minutes of high-definition video.
Eleven deadly new over-the-top units - Conquer the world and crush your enemies with 12 new units from the Soviets, Allies, and Empire of the Rising Sun, such as the Cryo Legionnaire, the Steel Ronin, and the Desolator!.
New stories and missions feature all three factions, plus experience a new twist with the first-ever C&C dungeon-crawler campaign!
Four new campaigns - Battle your way through all-new campaigns featuring classic fast, furious, and fun C&C action.
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50thirdand3rd · 3 years
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Transylvania Stud - "How The Gods Kill" REVIEW
Transylvania Stud – “How The Gods Kill” REVIEW
If you know me outside my contributions to 50Thirdand3rd, you already know how much the works of Glenn Danzig mean to me. Well, if you only know me from my contributions to 50Thirdand3rd, you also know much the works of Glenn Danzig mean to me because I rarely ever shut up about him! Misfits, Samhain, Danzig, you name it. If Glenn was involved, I’m all about it! Front row for the OG Misfits…
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Instagram : Vanilla Syndrome
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nofatclips · 4 months
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Searching With My Good Eye Closed (Soundgarden cover) by Transylvania Stud featuring The By Gods
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3 May. Bistritz. Left Munich at 8:35 P.M, on 1st May, arriving at Vienna early next morning; should have arrived at 6:46, but train was an hour late. Buda-Pesth seems a wonderful place, from the glimpse which I got of it from the train and the little I could walk through the streets. I feared to go very far from the station, as we had arrived late and would start as near the correct time as possible.
The impression I had was that we were leaving the West and entering the East; the most western of splendid bridges over the Danube, which is here of noble width and depth, took us among the traditions of Turkish rule.
We left in pretty good time, and came after nightfall to Klausenburgh. Here I stopped for the night at the Hotel Royale. I had for dinner, or rather supper, a chicken done up some way with red pepper, which was very good but thirsty. (Mem. get recipe for Mina.) I asked the waiter, and he said it was called "paprika hendl," and that, as it was a national dish, I should be able to get it anywhere along the Carpathians.
I found my smattering of German very useful here, indeed, I don't know how I should be able to get on without it.
Having had some time at my disposal when in London, I had visited the British Museum, and made search among the books and maps in the library regarding Transylvania; it had struck me that some foreknowledge of the country could hardly fail to have some importance in dealing with a nobleman of that country.
I find that the district he named is in the extreme east of the country, just on the borders of three states, Transylvania, Moldavia, and Bukovina, in the midst of the Carpathian mountains; one of the wildest and least known portions of Europe.
I was not able to light on any map or work giving the exact locality of the Castle Dracula, as there are no maps of this country as yet to compare with our own Ordance Survey Maps; but I found that Bistritz, the post town named by Count Dracula, is a fairly well-known place. I shall enter here some of my notes, as they may refresh my memory when I talk over my travels with Mina.
In the population of Transylvania there are four distinct nationalities: Saxons in the South, and mixed with them the Wallachs, who are the descendants of the Dacians; Magyars in the West, and Szekelys in the East and North. I am going among the latter, who claim to be descended from Attila and the Huns. This may be so, for when the Magyars conquered the country in the eleventh century they found the Huns settled in it.
I read that every known superstition in the world is gathered into the horseshoe of the Carpathians, as if it were the centre of some sort of imaginative whirlpool; if so my stay may be very interesting. (Mem., I must ask the Count all about them.)
I did not sleep well, though my bed was comfortable enough, for I had all sorts of queer dreams. There was a dog howling all night under my window, which may have had something to do with it; or it may have been the paprika, for I had to drink up all the water in my carafe, and was still thirsty. Towards morning I slept and was wakened by the continuous knocking at my door, so I guess I must have been sleeping soundly then.
I had for breakfast more paprika, and a sort of porridge of maize flour which they said was "mamaliga", and egg-plant stuffed with forcemeat, a very excellent dish, which they call "impletata". (Mem.,get recipe for this also.)
I had to hurry breakfast, for the train started a little before eight, or rather it ought to have done so, for after rushing to the station at 7:30 I had to sit in the carriage for more than an hour before we began to move.
It seems to me that the further east you go the more unpunctual are the trains. What ought they to be in China?
All day long we seemed to dawdle through a country which was full of beauty of every kind. Sometimes we saw little towns or castles on the top of steep hills such as we see in old missals; sometimes we ran by rivers and streams which seemed from the wide stony margin on each side of them to be subject ot great floods. It takes a lot of water, and running strong, to sweep the outside edge of a river clear.
At every station there were groups of people, sometimes crowds, and in all sorts of attire. Some of them were just like the peasants at home or those I saw coming through France and Germany, with short jackets, and round hats, and home-made trousers; but others were very picturesque.
The women looked pretty, except when you got near them, but they were very clumsy about the waist. They had all full white sleeves of some kind or other, and most of them had big belts with a lot of strips of something fluttering from them like the dresses in a ballet, but of course there were petticoats under them.
The strangest figures we saw were the Slovaks, who were more barbarian than the rest, with their big cow-boy hats, great baggy dirty-white trousers, white linen shirts, and enormous heavy leather belts, nearly a foot wide, all studded over with brass nails. They wore high boots, with their trousers tucked into them, and had long black hair and heavy black moustaches. They are very picturesque, but do not look prepossessing. On the stage they would be set down at once as some old Oriental band of brigands. They are, however, I am told, very harmless and rather wanting in natural self-assertion.
It was on the dark side of twilight when we got to Bistritz, which is a very interesting old place. Being practically on the frontier--for the Borgo Pass leads from it into Bukovina--it has had a very stormy existence, and it certainly shows marks of it. Fifty years ago a series of great fires took place, which made terrible havoc on five separate occasions. At the very beginning of the seventeenth century it underwent a siege of three weeks and lost 13,000 people, the casualties of war proper being assisted by famine and disease.
Count Dracula had directed me to go to the Golden Krone Hotel, which I found, to my great delight, to be thoroughly old-fashioned, for of course I wanted to see all I could of the ways of the country.
I was evidently expected, for when I got near the door I faced a cheery-looking elderly woman in the usual peasant dress--white undergarment with a long double apron, front, and back, of coloured stuff fitting almost too tight for modesty. When I came close she bowed and said, "The Herr Englishman?"
"Yes," I said, "Jonathan Harker."
She smiled, and gave some message to an elderly man in white shirt-sleeves, who had followed her to the door.
He went, but immediately returned with a letter:
"My friend.--Welcome to the Carpathians. I am anxiously expecting you. Sleep well tonight. At three tomorrow the diligence will start for Bukovina; a place on it is kept for you. At the Borgo Pass my carriage will await you and will bring you to me. I trust that your journey from London has been a happy one, and that you will enjoy your stay in my beautiful land.--Your friend, Dracula."
4 May--I found that my landlord had got a letter from the Count, directing him to secure the best place on the coach for me; but on making inquiries as to details he seemed somewhat reticent, and pretended that he could not understand my German.
This could not be true,because up to then he had understood it perfectly; at least, he answered my questions exactly as if he did.
He and his wife, the old lady who had received me, looked at each other in a frightened sort of way. He mumbled out that the money had been sent in a letter,and that was all he knew. When I asked him if he knew Count Dracula, and could tell me anything of his castle, both he and his wife crossed themselves, and, saying that they knew nothing at all,simply refused to speak further. It was so near the time of starting that I had no time to ask anyone else, for it was all very mysterious and not by any means comforting.
Just before I was leaving, the old lady came up to my room and said in a hysterical way: "Must you go? Oh! Young Herr, must you go?" She was in such an excited state that she seemed to have lost her grip of what German she knew, and mixed it all up with some other language which I did not know at all. I was just able to follow her by asking many questions. When I told her that I must go at once, and that I was engaged on important business, she asked again:
"Do you know what day it is?" I answered that it was the fourth of May. She shook her head as she said again:
"Oh, yes! I know that! I know that, but do you know what day it is?"
On my saying that I did not understand, she went on:
"It is the eve of St. George's Day. Do you not know that to-night, when the clock strikes midnight, all the evil things in the world will have full sway? Do you know where you are going, and what you are going to?" She was in such evident distress that I tried to comfort her, but without effect. Finally, she went down on her knees and implored me not to go; at least to wait a day or two before starting.
It was all very ridiculous but I did not feel comfortable. However, there was business to be done, and I could allow nothing to interfere with it.
I tried to raise her up, and said, as gravely as I could, that I thanked her, but my duty was imperative, and that I must go.
She then rose and dried her eyes, and taking a crucifix from her neck offered it to me.
I did not know what to do, for, as an English Churchman, I have been taught to regard such things as in some measure idolatrous, and yet it seemed so ungracious to refuse an old lady meaning so well and in such a state of mind.
She saw, I suppose, the doubt in my face, for she put the rosary round my neck and said, "For your mother's sake," and went out of the room.
I am writing up this part of the diary whilst I am waiting for the coach, which is, of course, late; and the crucifix is still round my neck.
Whether it is the old lady's fear, or the many ghostly traditions of this place, or the crucifix itself, I do not know, but I am not feeling nearly as easy in my mind as usual.
If this book should ever reach Mina before I do, let it bring my good-bye. Here comes the coach!
5 May. The Castle.--The gray of the morning has passed, and the sun is high over the distant horizon, which seems jagged, whether with trees or hills I know not, for it is so far off that big things and little are mixed.
I am not sleepy, and, as I am not to be called till I awake, naturally I write till sleep comes.
There are many odd things to put down, and, lest who reads them may fancy that I dined too well before I left Bistritz, let me put down my dinner exactly.
I dined on what they called "robber steak"--bits of bacon, onion, and beef, seasoned with red pepper, and strung on sticks, and roasted over the fire, in simple style of the London cat's meat!
The wine was Golden Mediasch, which produces a queer sting on the tongue, which is, however, not disagreeable.
I had only a couple of glasses of this, and nothing else.
When I got on the coach, the driver had not taken his seat, and I saw him talking to the landlady.
They were evidently talking of me, for every now and then they looked at me, and some of the people who were sitting on the bench outside the door--came and listened, and then looked at me, most of them pityingly. I could hear a lot of words often repeated, queer words, for there were many nationalities in the crowd,so I quietly got my polyglot dictionary from my bag and looked them out.
I must say they were not cheering to me, for amongst them were "Ordog"--Satan, "Pokol"--hell, "stregoica"--witch, "vrolok" and "vlkoslak"--both mean the same thing, one being Slovak and the other Servian for something that is either werewolf or vampire. (Mem.,I must ask the Count about these superstitions.)
When we started, the crowd round the inn door, which had by this time swelled to a considerable size, all made the sign of the cross and pointed two fingers towards me.
With some difficulty, I got a fellow passenger to tell me what they meant. He would not answer at first, but on learning that I was English, he explained that it was a charm or guard against the evil eye.
This was not very pleasant for me, just starting for an unknown place to meet an unknown man. But everyone seemed so kind-hearted, and so sorrowful, and so sympathetic that I could not but be touched.
I shall never forget the last glimpse which I had of the inn yard and its crowd of picturesque figures,all crossing themselves, as they stood round the wide archway, with its background of rich foliage of oleander and orange trees in green tubs clustered in the centre of the yard.
Then our driver, whose wide linen drawers covered the whole front of the boxseat,--"gotza" they call them--cracked his big whip over his four small horses, which ran abreast, and we set off on our journey.
I soon lost sight and recollection of ghostly fears in the beauty of the scene as we drove along, although had I known the language, or rather languages, which my fellow passengers were speaking, I might not have been able to throw them off so easily. Before us lay a green sloping land full of forests and woods, with here and there steep hills, crowned with clumps of trees or with farmhouses, the blank gable end to the road. There was everywhere a bewildering mass of fruit blossom--apple, plum, pear, cherry. And as we drove by I could see the green grass under the trees spangled with the fallen petals. In and out amongst these green hills of what they call here the "Mittel Land" ran the road, losing itself as it swept round the grassy curve, or was shut out by the straggling ends of pine woods, which here and there ran down the hillsides like tongues of flame. The road was rugged, but still we seemed to fly over it with a feverish haste. I could not understand then what the haste meant, but the driver was evidently bent on losing no time in reaching Borgo Prund. I was told that this road is in summertime excellent, but that it had not yet been put in order after the winter snows. In this respect it is different from the general run of roads in the Carpathians, for it is an old tradition that they are not to be kept in too good order. Of old the Hospadars would not repair them, lest the Turk should think that they were preparing to bring in foreign troops, and so hasten the war which was always really at loading point.
Beyond the green swelling hills of the Mittel Land rose mighty slopes of forest up to the lofty steeps of the Carpathians themselves. Right and left of us they towered, with the afternoon sun falling full upon them and bringing out all the glorious colours of this beautiful range, deep blue and purple in the shadows of the peaks,green and brown where grass and rock mingled, and an endless perspective of jagged rock and pointed crags, till these were themselves lost in the distance, where the snowy peaks rose grandly. Here and there seemed mighty rifts in the mountains, through which, as the sun began to sink, we saw now and again the white gleam of falling water. One of my companions touched my arm as we swept round the base of a hill and opened up the lofty, snow-covered peak of a mountain,which seemed, as we wound on our serpentine way, to be right before us.
"Look! Isten szek!"--"God's seat!"--and he crossed himself reverently.
As we wound on our endless way, and the sun sank lower and lower behind us, the shadows of the evening began to creep round us. This was emphasized by the fact that the snowy mountain-top still held the sunset, and seemed to glow out with a delicate cool pink. Here and there we passed Cszeks and slovaks, all in picturesque attire, but I noticed that goitre was painfully prevalent. By the roadside were many crosses, and as we swept by, my companions all crossed themselves. Here and there was a peasant man or woman kneeling before a shrine, who did not even turn round as we approached, but seemed in the self-surrender of devotion to have neither eyes nor ears for the outer world. There were many things new to me. For instance, hay-ricks in the trees, and here and there very beautiful masses of weeping birch, their white stems shining like silver through the delicate green of the leaves.
Now and again we passed a leiter-wagon--the ordinary peasants's cart--with its long, snakelike vertebra, calculated to suit the inequalities of the road. On this were sure to be seated quite a group of homecoming peasants, the Cszeks with their white, and the Slovaks with their coloured sheepskins, the latter carrying lance-fashion their long staves, with axe at end. As the evening fell it began to get very cold, and the growing twilight seemed to merge into one dark mistiness the gloom of the trees, oak, beech, and pine, though in the valleys which ran deep between the spurs of the hills, as we ascended through the Pass, the dark firs stood out here and there against the background of late-lying snow. Sometimes, as the road was cut through the pine woods that seemed in the darkness to be closing down upon us, great masses of greyness which here and there bestrewed the trees, produced a peculiarly weird and solemn effect, which carried on the thoughts and grim fancies engendered earlier in the evening, when the falling sunset threw into strange relief the ghost-like clouds which amongst the Carpathians seem to wind ceaselessly through the valleys. Sometimes the hills were so steep that, despite our driver's haste, the horses could only go slowly. I wished to get down and walk up them, as we do at home, but the driver would not hear of it. "No, no," he said. "You must not walk here. The dogs are too fierce." And then he added, with what he evidently meant for grim pleasantry--for he looked round to catch the approving smile of the rest--"And you may have enough of such matters before you go to sleep." The only stop he would make was a moment's pause to light his lamps.
When it grew dark there seemed to be some excitement amongst the passengers, and they kept speaking to him, one after the other, as though urging him to further speed. He lashed the horses unmercifully with his long whip, and with wild cries of encouragement urged them on to further exertions. Then through the darkness I could see a sort of patch of grey light ahead of us,as though there were a cleft in the hills. The excitement of the passengers grew greater. The crazy coach rocked on its great leather springs, and swayed like a boat tossed on a stormy sea. I had to hold on. The road grew more level, and we appeared to fly along. Then the mountains seemed to come nearer to us on each side and to frown down upon us. We were entering on the Borgo Pass. One by one several of the passengers offered me gifts, which they pressed upon me with an earnestness which would take no denial. These were certainly of an odd and varied kind, but each was given in simple good faith, with a kindly word, and a blessing, and that same strange mixture of fear-meaning movements which I had seen outside the hotel at Bistritz-- the sign of the cross and the guard against the evil eye. Then, as we flew along, the driver leaned forward, and on each side the passengers, craning over the edge of the coach, peered eagerly into the darkness. It was evident that something very exciting was either happening or expected, but though I asked each passenger, no one would give me the slightest explanation. This state of excitement kept on for some little time. And at last we saw before us the Pass opening out on the eastern side. There were dark, rolling clouds overhead, and in the air the heavy, oppressive sense of thunder. It seemed as though the mountain range had separated two atmospheres, and that now we had got into the thunderous one. I was now myself looking out for the conveyance which was to take me to the Count. Each moment I expected to see the glare of lamps through the blackness,but all was dark. The only light was the flickering rays of our own lamps, in which the steam from our hard-driven horses rose in a white cloud. We could see now the sandy road lying white before us, but there was on it no sign of a vehicle. The passengers drew back with a sigh of gladness, which seemed to mock my own disappointment. I was already thinking what I had best do, when the driver, looking at his watch, said to the others something which I could hardly hear, it was spoken so quietly and in so low a tone, I thought it was "An hour less than the time." Then turning to me, he spoke in German worse than my own.
"There is no carriage here. The Herr is not expected after all. He will now come on to Bukovina, and return tomorrow or the next day, better the next day." Whilst he was speaking the horses began to neigh and snort and plunge wildly, so that the driver had to hold them up.Then, amongst a chorus of screams from the peasants and a universal crossing of themselves, a caleche, with four horses, drove up behind us, overtook us, and drew up beside the coach. I could see from the flash of our lamps as the rays fell on them, that the horses were coal-black and splendid animals. They were driven by a tall man, with a long brown beard and a great black hat, which seemed to hide his face from us. I could only see the gleam of a pair of very bright eyes,which seemed red in the lamplight, as he turned to us.
He said to the driver, "You are early tonight, my friend."
The man stammered in reply, "The English Herr was in a hurry."
To which the stranger replied, "That is why, I suppose, you wished him to go on to Bukovina. You cannot deceive me, my friend. I know too much, and my horses are swift."
As he spoke he smiled,and the lamplight fell on a hard-looking mouth, with very red lips and sharp-looking teeth, as white as ivory. One of my companions whispered to another the line from Burger's "Lenore".
"Denn die Todten reiten Schnell." ("For the dead travel fast.")
The strange driver evidently heard the words, for he looked up with a gleaming smile. The passenger turned his face away, at the same time putting out his two fingers and crossing himself. "Give me the Herr's luggage," said the driver, and with exceeding alacrity my bags were handed out and put in the caleche. Then I descended from the side of the coach, as the caleche was close alongside, the driver helping me with a hand which caught my arm in a grip of steel. His strength must have been prodigious.
Without a word he shook his reins, the horses turned, and we swept into the darkness of the pass. As I looked back I saw the steam from the horses of the coach by the light of the lamps,and projected against it the figures of my late companions crossing themselves. Then the driver cracked his whip and called to his horses, and off they swept on their way to Bukovina. As they sank into the darkness I felt a strange chill, and a lonely feeling come over me. But a cloak was thrown over my shoulders, and a rug across my knees, and the driver said in excellent German--
"The night is chill, mein Herr, and my master the Count bade me take all care of you. There is a flask of slivovitz (the plum brandy of the country) underneath the seat, if you should require it."
I did not take any, but it was a comfort to know it was there all the same. I felt a little strangely, and not a little frightened. I think had there been any alternative I should have taken it, instead of prosecuting that unknown night journey. The carriage went at a hard pace straight along, then we made a complete turn and went along another straight road. It seemed to me that we were simply going over and over the same ground again, and so I took note of some salient point, and found that this was so. I would have liked to have asked the driver what this all meant, but I really feared to do so, for I thought that, placed as I was, any protest would have had no effect in case there had been an intention to delay.
By-and-by, however, as I was curious to know how time was passing, I struck a match, and by its flame looked at my watch. It was within a few minutes of midnight. This gave me a sort of shock, for I suppose the general superstition about midnight was increased by my recent experiences. I waited with a sick feeling of suspense.
Then a dog began to howl somewhere in a farmhouse far down the road, a long, agonized wailing, as if from fear. The sound was taken up by another dog, and then another and another, till, borne on the wind which now sighed softly through the Pass, a wild howling began, which seemed to come from all over the country, as far as the imagination could grasp it through the gloom of the night.
At the first howl the horses began to strain and rear, but the driver spoke to them soothingly, and they quieted down, but shivered and sweated as though after a runaway from sudden fright. Then, far off in the distance, from the mountains on each side of us began a louder and a sharper howling, that of wolves, which affected both the horses and myself in the same way. For I was minded to jump from the caleche and run, whilst they reared again and plunged madly, so that the driver had to use all his great strength to keep them from bolting. In a few minutes, however, my own ears got accustomed to the sound, and the horses so far became quiet that the driver was able to descend and to stand before them.
He petted and soothed them, and whispered something in their ears, as I have heard of horse-tamers doing, and with extraordinary effect, for under his caresses they became quite manageable again, though they still trembled. The driver again took his seat, and shaking his reins, started off at a great pace. This time, after going to the far side or the Pass, he suddenly turned down a narrow roadway which ran sharply to the right.
Soon we were hemmed in with trees, which in places arched right over the roadway till we passed as through a tunnel. And again great frowning rocks guarded us boldly on either side. Though we were in shelter, we could hear the rising wind, for it moaned and whistled through the rocks, and the branches of the trees crashed together as we swept along. It grew colder and colder still, and fine, powdery snow began to fall, so that soon we and all around us were covered with a white blanket. The keen wind still carried the howling of the dogs, though this grew fainter as we went on our way. The baying of the wolves sounded nearer and nearer, as though they were closing round on us from every side. I grew dreadfully afraid, and the horses shared my fear. The driver, however, was not in the least disturbed. He kept turning his head to left and right, but I could not see anything through the darkness.
Suddenly, away on our left I saw a fain flickering blue flame. The driver saw it at the same moment. He at once checked the horses, and, jumping to the ground, disappeared into the darkness. I did not know what to do, the less as the howling of the wolves grew closer. But while I wondered, the driver suddenly appeared again, and without a word took his seat, and we resumed our journey. I think I must have fallen asleep and kept dreaming of the incident, for it seemed to be repeated endlessly, and now looking back, it is like a sort of awful nightmare. Once the flame appeared so near the road, that even in the darkness around us I could watch the driver's motions. He went rapidly to where the blue flame arose, it must have been very faint, for it did not seem to illumine the place around it at all, and gathering a few stones, formed them into some device.
Once there appeared a strange optical effect. When he stood between me and the flame he did not obstruct it, for I could see its ghostly flicker all the same.This startled me, but as the effect was only momentary, I took it that my eyes deceived me straining through the darkness. Then for a time there were no blue flames, and we sped onwards through the gloom, with the howling of the wolves around us, as though they were following in a moving circle.
At last there came a time when the driver went further afield than he had yet gone, and during his absence, the horses began to tremble worse than ever and to snort and scream with fright.I could not see any cause for it, for the howling of the wolves had ceased altogether. But just then the moon, sailing through the black clouds, appeared behind the jagged crest of a beetling, pine-clad rock, and by its light I saw around us a ring of wolves, with white teeth and lolling red tongues, with long, sinewy limbs and shaggy hair. They were a hundred times more terrible in the grim silence which held them than even when they howled. For myself, I felt a sort of paralysis of fear.It is only when a man feels himself face to face with such horrors that he can understand their true import.
All at once the wolves began to howl as though the moonlight had had some peculiar effect on them.The horses jumped about and reared, and looked helplessly round with eyes that rolled in a way painful to see.But the living ring of terror encompassed them on every side, and they had perforce to remain within it. I called to the coachman to come, for it seemed to me that our only chance was to try to break out through the ring and to aid his approach, I shouted and beat the side of the caleche, hoping by the noise to scare the wolves from the side, so as to give him a chance of reaching the trap. How he came there, I know not, but I heard his voice raised in a tone of imperious command, and looking towards the sound, saw him stand in the roadway. As he swept his long arms, as though brushing aside some impalpable obstacle, the wolves fell back and back further still. Just then a heavy cloud passed across the face of the moon, so that we were again in darkness.
When I could see again the driver was climbing into the caleche, and the wolves disappeared. This was all so strange and uncanny that a dreadful fear came upon me, and I was afraid to speak or move. The time seemed interminable as we swept on our way, now in almost complete darkness, for the rolling clouds obscured the moon.
We kept on ascending, with occasional periods of quick descent, but in the main always ascending.Suddenly, I became conscious of the fact that the driver was in the act of pulling up the horses in the courtyard of a vast ruined castle, from whose tall black windows came no ray of light,and whose broken battlements showed a jagged line against the sky.
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▪︎Mirror - with the name of Michael Apafi (1632-1690) Prince of Transylvania.
Date: 1657
Place of origin: Crimea
Medium: Metal studs; mirror; wood.
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Adam Richard Sandler (born September 9, 1966) is an American actor, comedian, and filmmaker. After becoming a Saturday Night Live cast member, he went on to star in many Hollywood films, which have combined to earn more than $2 billion at the box office.[2][3]
Sandler is best known for his comedic roles including Billy Madison (1995), Happy Gilmore (1996), The Waterboy (1998), The Wedding Singer (1998), Big Daddy (1999), Mr. Deeds (2002), 50 First Dates (2004), The Longest Yard (2005), Click (2006), Grown Ups (2010), Just Go with It (2011), Grown Ups 2 (2013), Blended (2014) and Murder Mystery (2019). He also voices Dracula in the Hotel Transylvania franchise (2012–present).
Some of Sandler's films, such as Jack and Jill (2011), have been widely panned, and Sandler is the holder of three Golden Raspberry Awards and 11 Raspberry Award nominations, more than any other actor but Sylvester Stallone. Conversely, he has earned praise for his dramatic performances in films such as Punch-Drunk Love (2002), Spanglish (2004), Reign Over Me (2007), Funny People (2009), The Meyerowitz Stories (New and Selected) (2017), and Uncut Gems (2019).[4]
Sandler was born in Brooklyn, New York, on September 9, 1966,[5] to Judith "Judy" (née Levine), a nursery school teacher, and Stanley Sandler, an electrical engineer.[5] His family is Jewish and descends from Russian Jewish immigrants on both sides.[6][7][8] Sandler grew up in Manchester, New Hampshire, after moving there at the age of six.[9] He attended Manchester Central High School. As a teen, Sandler was in BBYO, a Jewish youth group. Sandler graduated from New York University's Tisch School of the Arts in 1988.[10]
Early in his career, in 1987, Sandler played Theo Huxtable's friend, Smitty, in The Cosby Show and the Stud Boy or Trivia Delinquent in the MTV game show Remote Control. After his film debut Going Overboard in 1989, Sandler performed in comedy clubs, having first taken the stage at his brother's urging when he was 17. He was discovered by comedian Dennis Miller, who caught Sandler's act in Los Angeles and recommended him to Saturday Night Live producer Lorne Michaels. Sandler was hired as a writer for SNL in 1990 and became a featured player the following year, making a name for himself by performing amusing original songs on the show, including "The Thanksgiving Song" and "The Chanukah Song".[11] Sandler told Conan O'Brien on The Tonight Show that NBC fired him and Chris Farley from the show in 1995, and played this up in his return to the show as a host in 2019.[12][13]
In 1993, Adam Sandler appeared in the film Coneheads with Chris Farley, David Spade, Dan Aykroyd, Phil Hartman, and Jane Curtin. In 1994, he co-starred in Airheads with Brendan Fraser and Steve Buscemi. He starred in Billy Madison (1995) playing a grown man repeating grades 1–12 to earn back his father's respect and the right to inherit his father's multimillion-dollar hotel empire. The film was successful at the box office despite negative reviews. He followed this film with Bulletproof (1996), and the financially successful comedies Happy Gilmore (1996) and The Wedding Singer (1998). He was initially cast in the bachelor party–themed comedy/thriller Very Bad Things (1998) but had to back out due to his involvement in The Waterboy (1998), one of his first hits.
Although his earliest films did not receive favorable critical attention, he started to receive more positive reviews, beginning with Punch-Drunk Love in 2002. Roger Ebert's review of Punch-Drunk Love concluded that Sandler had been wasted in earlier films with poorly written scripts and characters with no development.[14] Sandler has moved outside the genre of slapstick comedy to take on more serious roles, such as the aforementioned Punch-Drunk Love, for which he was nominated for a Golden Globe, and Mike Binder's Reign Over Me (2007), a drama about a man who loses his entire family during the September 11 attacks, and then struggles to rekindle a friendship with his old college roommate (Don Cheadle).
He starred alongside friend Kevin James in the film I Now Pronounce You Chuck and Larry (2007), and headlined You Don't Mess with the Zohan (2008). The latter film was written by Sandler, Judd Apatow, and Robert Smigel, and directed by Dennis Dugan.
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budapestbug · 4 years
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The Hungarian Lipizzan Stud The Bukk Mountains rise above the Great Hungarian Plain, 25km north of the city of Eger and since 1951 is Szilvasvarad the home of the Hungarian Lipizzaner. Back in 1888 Graf Pallavicini founded a private Lipizzaner stud there. It was due to Napoleon that the Lipizzaner found their home in Hungary. At the beginning of 1800 the Lipizzaner stock of Lipica in Trieste fled to Mezöhegyes from the oncoming threat of Napoleons’ troops. In 1815 a part of the stock returned to Lipizza, the remaining stock stayed in Mezöhegyes. There, however, after a few generations, deficiencies were noticed in the magnificent mountain horses. To keep breeding up to standard the Lipizzaner stock was moved 1874 to Fogaras in Transylvania, which had just been re-established.After the Treaty of Trianon Transylvania was annexed to Rumania, the horses were therefore brought to Bábolna in 1918 until finally in 1951 their home was founded in Szilvasvarad. The mother mares and stallions stood in the stud, whilst the foals grew up until the age of three on a secluded farm in the Bukk Mountains. Breeding is done here under the old principles, the seven lines Conversion, Favor, Incitation, Maestros, Napolitano, Pluto and Siglavy and the Hungarian line Tulip an. In the old stables of the castle are the five "stallions of the year". Adjacent to the stables there is also a small museum. The large carriage museum is also located on the grounds of the mares stall.
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nofatclips · 3 years
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How the Gods Kill (Danzig cover) by Transylvania Stud
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atsoukalidis · 4 years
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Traditional Romanian house from Rușețu , Buzău County, from the XXth Century. “Center stage on Bărăgan Plain, at the criss-cross of three counties on the Romanian Plain (Romanian: Câmpia Română) region – Buzău, Brăila and Ialomița, on the right bank of Călmățui River, there’s a commune called Rușețu with a village named Sergent Ionel Ștefan in its circumscription. We found the first written document of Rușețu commune on a document dated 1510, although the settlement is older, as confirmed by the archeological vestiges. Village demographics record two categories of residents – the native locals and the people settled in the XIXth century with the aid of allotments. Alongside the latter, sheperds used to descend to the Danubian pond pastures during wintertime, arriven from the mountain areas of Buzău and southern Transylvania. This demographic attribute has evidently influenced the evolution of vernacular culture in the locality. Principal occupations undertook by residents were agriculture and livestock breeding: cows, oxes, sheep; to some extent, vegetable cultures, carriage and wagon woodworking. The Rușețu commune is renowned for national stud farming, founded in 1919, which bred Romanian horses such as Semigreu (English: „Middleweight”) and Trăpaș (English: „Trotter”), widely appreciated. In the year of 1926, Rușețu commune was host to the first monographic campaign organized by Professor Dimitrie Gusti. Throughout two weeks, participants have researched information about households, family budgets, the conditions for agrary properties and folk culture. This campaign recorded folk language idioms during meetings held in the only gaslit illuminated class room in the city – one example was issued during a summer evening meeting when people first used the term – luminous saloon (Romanian: „sala luminoasă”). The campaign also helped inaugurate a popular library and Professor Dimitrie Gusti was declared an onorary citizen of the commune. The household in Rușețu village, built in the year 1876, was rebuilt on Museum premises in 1936. The grange encompasses a house and annex buildings used to shelter animals. The house was built with cob, and painted with whitewash. It features a low open porch that runs across one side and the frontside, built with wooden pillars with no decorations. The hipped roof is covered with sheet metal. A distinguishable trait of the house from Rușețu is the color, red and blue, painted on the porch pillars, door and window frames, also along the lowerwaist band (blue) surrounding the walls of the house. The house plan features a middle hallway, two living rooms, one pantry, one animal stable (Romanian: „poiată”) in the back of the house. An central area around the house was the open hearth with a wide chimney, underwhich the women used to cook by entering through a rectangular opening. This fireplace used to be fueled with straw and corn cob to heat the stove in the next room. The living rooms floor are pasted with clay and covered with striped rugs. The interior of the house is adorned with woolen fabrics (tapestries and bedspreads), most notably, borangic towels decorated with embroidered whole patterns (Romanian: „șabac” or „ajur”) and geometric patterns, vegetable or floral, zoomorphic, avimorphic.” from Muzeul Satului
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