#transit integration
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Research Highlights Equity Recommendations for Shared Micromobility
#Shared Micromobility#Equity#Research#University of California#Transportation#justice#transit integration#bike share
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something I don't talk about enough is that hello can not only enter desktops, but also individual programs if they're open. in software this mostly allows her to play around with ui elements, but in video games she can turn into a full gameified version of herself!
so, this lets me pose to you a concept: hello scug :3
#I should mention the more capable of multiplayer a game is the easier she integrates into it#so in something like rw her transition is seamless but in other things it might be signifcantly more jank#though that's assuming she doesn't essentially just. steal the camera/controlability from the main character and traverse on her own lmao#ANYWAYS might design Hello scug after I wash the dishes okay#bellspeaks
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No man fox is an island
Nine PMV because I like him :) sorry I can't draw Sonic for the life of me
song cover link!
#sonic the hedgehog#my animation#sonic prime#nine the fox#tails the fox#my art#sth#miles nine prower#trying something new with swipe transitions! i thought they added a bit of action to the video! how do they look?#i tried to integrate small details into nine's actions that indicate a crippling lack of self love#like his tails being noticeably thinner than they should be and often hanging unused compared to the metal ones#he only uses his real tails when sonic is around hyping him up#speaking of sonic I CAN'T DRAW HIM i tried so hard you guys#im going to need so much practice 😭#tails looks fine though i actually have a really great time drawing him#baby fox do do do do do baby fox do do do do do
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I hate websites I hate managing websites so much. I'm always clenching my fists waiting for the day GTW completely breaks. I just wanna draw comics man.
#the plugin I'm using has been unsupported for years#and I'm like...waiting for the axe to fall#it seems like the only one being regularly updated is one that caters more to the webtoon kind of format#and the second I read about how to integrate things my eyes glaze over I HATE computers#Dunno how they work...don't want to fuck with things lest my shoestring whatever completely collapses#so I just cross my fingers and hope nothing catastrophic happens#god i wish i could apply to hiveworks or something#I could look into transitioning to comic fury or something but that just...I don't want to start over again#I just want something that's Actually Fuckin Supported but i guess the nature of technology is it'll never be stable for more than 10 years
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It's just really frustrating to exist in real life as an intersex cafab trans person who doesn't fit into binaries and doesn't WANT to, and then I log into the Blue Blogging Platform and am slammed with labels that erase my identity and existence and all nuance thereof, and then ALSO am told I'm an evil violent oppressor, and if I try to argue at all with it I'm shut down because of facets of my existence (such as assigned sex at birth) I cannot control.
I thought you're progressive? I thought you're fighting for trans rights? instead I feel no different right now than I do when the guy at the social services office talks down to me because he thinks I am a woman. I feel no different than when I'm at the doctor's office and I can't get help for my chronic pain or other issues because it's written off as the modern equivalent of hysteria. I am so fucking tired of not being able to talk about this with any honesty either, I am just well and truly fed up.
#mad scrawl#you are TRULY delusional if you think the majority of trans people are able to fully transition + get all paperwork + pass#you are truly delusional if you think most of us just seamlessly integrated with cisheteropatriarchy#if you assume that maybe it says something about you idfk#just saying !!!!!
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Explain to me dipole selection rules please I beg
Okay, so for a transition between energy eigenstates, there needs to be an exchange of a photon with the correct energy. I'm assuming you know that.
Since photons are waves of the electromagnetic field, they impose an electric moment on charged particles, which in a vast majority of cases can be modeled as a simple dipole moment.
Now here's where the quantum mechanics starts: The dipole moment is expressed as a linear operator, which when applied to the wave function of a particular state gives you back the eigenvalue for the dipole moment of that state. However, since we want to describe the transition between states, and the operator only applies to the ket of the wave function, the bra and the ket which it is nestled in between are of the different states, aka the starting and the final electron state.
The operator applies to the starting state ket, which can then be completed on the left with the final state bra, and then integrated over to obtain the transition dipole moment integral.
This integral will tell you the expectation value for the transition. For the selection rules, you don't actually have to precisely calculate this integral, you just have to find out whether or not it is zero, because if it is, that means you have an impossible transition on your hands.
Depending on your representation, the dipole operator as well as the wave functions will look different, as will the space you integrate over.
So first, find which representation (spatial, spherical, momentum space, etc.) you are working with, how the dipole operator looks for that representation, and then pick the two states you want to see if a dipole transition exists between them.
The tricky part is usually to get the wave function representation right, and then to leverage the symmetries of that function to determine if the value of the integral is zero or not. The representation that i find most common for tasks like this is this one, which separates the wave function into a radial and two angular parts. It is also already conveniently expressed in terms of 3 quantum numbers, that being the main quantum number n, the orbital angular momentum number l, and the magnetic quantum number m.
I am afraid you'll have to learn the quirks and symmetries of the generalized Laguerre polynomials as well as the spherical harmonics, in order to make statements about the transition dipole moment integral. However, once you get a feel for their symmetries and remember in what special cases integrals vanish (like integrating an odd function over a symmetric interval, etc.) you will be able to derive the selection rules.
I know this wasn't a simple and easy answer, but, well, this is quantum mechanics, to be fair. Hope that helped anyway.
#quantum mechanics#dipole selection rules#dipole transition moment integral#dipole operator#physics#ask#laguerre polynomials#spherical harmonics#wave functions
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ONEWE ⟡ '천체 (COSMOS)' TongTong Culture performance excerpt (tr.)
#i truly cannot describe how much i love this song (it has always been one of my favorites of theirs)#or how bonkers it as a whole makes me or specifically giuk's part or even MORE specifically the transition+downbeat into/of his part#& it's extra special to me in this performance with yonghoon's harmonizing very very very delicately floating above#idk just. obviously i am biased because i love giuk's voice#but i also deeply appreciate how they make space for it (& that absolutely cannot be said for all groups with low vocalists)#not everyone in a group needs to be a Big Tenor i think quite frankly the contrast is needed in (or greatly benefits) a multi-singer group#& in the case of onewe i believe his timbre is an integral part of their musical fabric#anyway thanks for tuning in to another#wings bari agenda#wings.edits#wings.video#foronewe#music box#onewe#dongmyeong#yonghoon#giuk#p.s. lyrics from genius bc i've compared multiple translations & i'm quite positive rbw's version is missing things/simplified them a lot..
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Personally, I don't want to live in a world where little boys playing with dolls and little girls who don't like wearing pink are subjected to lifelong medical intervention because lunatics think these kids are in the wrong body. If that's the right side of history, then history can go f**k itself." - Graham Linehan
Stretched out on a hospital trolley after a surgeon had removed my cancer-riddled testicle, waiting for a doctor to give me the all-clear to go home, I lazily opened Twitter.
This was five years ago and, at this point, I had not quite nailed my colours to the gender-critical mast. I had defended women being smeared with the slur 'Terf' (for 'trans-exclusionary radical feminist') and was being monitored by trans activists as a result. This made me nervous, though I wasn't quite sure why.
I'd had an inkling of what I was up against when my wife Helen and I played a small part in repealing Ireland's draconian abortion laws. Working with Amnesty International, we appeared in a video in which Helen spoke of terminating a pregnancy because the foetus she was carrying had an abnormality which would have resulted in death moments after birth.
We tried to attend every protest and, at one event, I remember some strange person with a bullhorn bellowing out this nonsense: 'We want the state to pay for abortions!' [general cheering] '...and surgeries for trans people' [puzzled mumbling].
I felt uneasy. Sure, let's talk about trans rights, but first things first. We hadn't yet won the fight on abortion.
In retrospect, this was the first sign I had of the sleight of hand that would allow a sinister movement to attach itself to progressive causes and wrap itself in their stolen banners.
Then, when Ireland voted to overturn the abortion ban, Amnesty Ireland tweeted that this was a victory for 'pregnant people'. I was enraged.
My wife wasn't a 'pregnant person'. She was a woman, and a mother.
But these were only the first ripples of a gathering tsunami of madness. Online, people had started to go dangerously insane. It was such a slow process that I didn't notice it at first, but now, as I lay in hospital, I was collecting my thoughts on the subject.
I knew my positions were thought-through and sound, and I was sure that once people saw I was arguing in good faith, they'd see the problems with gender ideology and we could have a sensible, grown-up conversation about it.
I also told myself that, as co-writer of well-loved television sitcoms Father Ted and The IT Crowd, I had an audience out there who would listen to me. So I sent a few tweets carefully outlining my argument.
Meanwhile, I was in intense pain from the wound under my bandage and, when I was finally told I could go home, I couldn't stand up. A bed was found for me and I lay there, enjoying a bit of peace until the morphine wore off.
The visitors had gone and all was quiet. I decided to have a look at Twitter (now X).
My careful explanation of my position had certainly had an impact.
A trans activist and journalist called Parker Molloy, who identifies as a woman and is enraged if anyone disagrees, had sent me a number of increasingly frenzied direct messages.
After the third or fourth time telling Molloy I was in hospital, I ended the conversation. Meanwhile, another tweeter hopped into my replies to say, 'I wish the cancer had won'.
My ordeal had begun. Cast adrift, I was about to lose everything — my career, my marriage, my reputation.
A little bit after my brush with cancer, I brushed with something almost worse. A biological male, now going by the name Stephanie Hayden, was determined to wreck the life of anyone who flouted trans dogma.
A woman was arrested at home in front of her two young children and put in a prison cell for seven hours after she referred to Hayden on Twitter as a man.
When I made a public accusation about Hayden on X, Hayden didn't challenge it.
Instead, I was accused of breaking confidentiality by publicising Hayden's former male identities.
Hayden reported me to the police. The Guardian, whose editors seemed to have given up any pretence of being even-handed on this issue, published an article headlined 'Graham Linehan given police warning after complaint by transgender activist'.
It claimed I had been given a 'verbal harassment warning' by police acting on Hayden's complaint. This was untrue. I'd been phoned by a policeman who seemed confused when I told him that I'd blocked Hayden on Twitter months ago, so could hardly be accused of harassment.
The policeman then said something like 'stay away from her, awright?' and rang off.
For a national newspaper to headline this as a 'harassment warning' — a formal document that needs to be delivered in writing — was disgraceful, but typical of how many journalists liked to frame things that involved feminists and their allies.
After seven months of wrangling, the paper eventually removed the word 'harassment', which was too little, too late.
By then, the 'police warning' had morphed on social media into 'police caution' — which is issued where a crime has been committed and requires an admission of guilt, neither of which had happened. The false claim that I received a police caution for transphobia is constantly repeated to friends and colleagues to justify my cancellation. It was even presented to my publisher as a reason not to publish this book from which you are reading an extract. I found it grimly funny that the police and media were acting as reputation managers for a character like Hayden, but my wife Helen was terrified at being targeted in this way.
Hayden and Adrian Harrop, a Liverpool-based GP who was temporarily suspended from practising medicine as punishment for his aggression towards women on Twitter, trolled a Catholic journalist called Caroline Farrow, live-tweeting a visit to her home in a way that seemed designed to frighten and intimidate her.
She was about to travel to the U.S., but her visa was withdrawn. Harrop tweeted that he'd just visited the U.S. embassy in London: 'Consular staff very efficient at dealing with my important diplomatic business,' he wrote, with a wink emoji.
In a tweet, I called Harrop 'Doctor Do-Much-Harm'. The next morning, the police turned up at my door. I told them I wouldn't be changing my online behaviour one iota, and that Harrop bullied women online.
The policeman nodded, said something about free speech, and left. However, that visit wore heavily on my wife.
But the likes of Hayden and Harrop could not have had such success without accomplices in the police and the Press. It was surreal how swiftly they gained such power over society.
As for my career as a successful television scriptwriter, that proved to be over before the stitches from my cancer operation had healed.
Around this time, I received a letter from Sonia Friedman, one of the biggest theatre producers in London's West End, about me writing a new companion piece for the late Peter Shaffer's classic one-act farce Black Comedy.
I was apparently 'top of our dream list' to pen it.
Black Comedy is possibly the most ingenious farce ever written. I'd seen it years before with David Tennant in the lead and it left me giddy and envious. Now, going from lowly sitcom writer to being considered worthy of pairing with Shaffer had me floating.
Not for long, though. Only a few days later, Shaffer's estate decided on the late playwright's behalf that they 'didn't want to get involved' by 'taking one side or the other'.
More jobs began to fall away. A tour to Australia to teach comedy was cancelled because the company claimed it 'wouldn't be able to afford the security'. I discovered later this was a standard excuse given to those of us declared unclean by the new sacred class.
I'm also the person who worked with comedians Steve Martin and Martin Short for the shortest period of time. Five minutes, I think it was. A producer invited me to develop a comedy-drama TV series in which both would star. I had a flat-out offer and then, within minutes, an email from the same producer rescinding it, I suspect after a Twitter user in his office told him I was a bigot.
Even what I thought would be my pension was taken away from me. There were plans to make a musical of Father Ted, written and directed by me, which I was certain would be a huge hit, perhaps even make my fortune if I could get it right.
I hadn't reckoned how resolute the forces against me actually were, and how quiet my colleagues would be in the face of their onslaught. Sonia Friedman, the producer, told me I was 'on the wrong side of history' and advised me to 'stop talking'.
I suddenly found myself in a raging argument with this powerful woman who held my musical in her hands. But hearing one of these copy-and-pasted, thought-terminating clichés from the mouth of a colleague was more than I could bear.
Personally, I don't want to live in a world where little boys playing with dolls and little girls who don't like wearing pink are subjected to lifelong medical intervention because lunatics think these kids are in the wrong body. If that's the right side of history, then history can go f**k itself.
The meeting ended with each of us trying not to catch the other's eye in case it kicked off again.
I thought at least that Jimmy Mulville, the head of Hat Trick Productions, was on my side.
As the original producer of Father Ted, the company had a big stake in this new venture. But now the Hat Trick people began to go the other way.
I had another meeting around the supposed problem of my defending women and girls, in which, as always, no one could locate the flaw in my analysis as I explained over and over again: 'Children are being hurt. Women are losing their sports, their language, their privacy.'
Finally, I referred to the violent, terroristic nature of trans rights activism. Casually, off-handedly, Jimmy said: 'Well, there's bad behaviour on both sides.'
'Both sides' is a poisonous smear. No one on my side of the argument insists that people should be shunned by polite society. No one on our side wears T-shirts with slogans such as 'Kill all Terfs' and 'Die Terf Scum'.
I was told by one acquaintance: 'Some of the things you've done have been questionable.' 'Give me an example,' I replied. Long pause. 'All right, well maybe not.'
The final act was a meeting in the Hat Trick offices in which Jimmy told me I was to remove my name from Father Ted The Musical or he would not make the show — my show, which I had been tending, rewriting and refining for the best part of half a decade.
Once again, I asked what I was being accused of.
Jimmy rolled his eyes, as if it was self- evident. Desperately, I tried to explain what was happening to women's rights, and to the young girls mutilating themselves because of — 'I DON'T CARE!' Jimmy shouted. I left.
Later, I heard from my agent that in return for declaring me an unperson, Hat Trick was suggesting an up-front payment of £200,000 as an advance on my royalties. Initially, I agreed to go along with it, because I needed the money. But then I changed my mind.
I saw an interview with the mother of one of the women competitors who found themselves up against the trans swimmer Lia Thomas.
Lia was still physically intact and all the girls worked out how many towels to take into the locker room to cover themselves up completely as they changed.
'I asked my daughter what she would do if Lia was changing in there,' said the mother. 'And she said resignedly, 'I'm not sure I'd have a choice.' I still can't believe I had to tell my adult-age daughter that you always have a choice about whether you undress in front of a man.'
What messages have these girls been receiving?
My heart was ripped apart. I closed the door for ever on making any kind of deal with Hat Trick. I was prepared to betray myself for £200,000, but I couldn't abandon my daughter.
BEFORE the gender hoopla, I only knew people in the media. Now I had been so effectively cancelled that virtually no one in the media would return my calls. But I began to count as friends social workers, police officers, solicitors, barristers, doctors, nurses and academics who sided with me or shared my experience.
One of the few people I still know in the creative arts is the choreographer Rosie Kay.
At a party at her home in Birmingham for her company of young dancers — some of whom went by 'preferred' pronouns — the conversation turned to her plan for an adaptation of Virginia Woolf's gender-bending Orlando.
The discussion turned heated as she explained that she strongly believed in the reality of sex because she and her son had both almost died while she was in labour.
During that ordeal, her womanhood was literally a matter of life and death for her.
Her husband would never know that experience, and that difference between them meant something.
To the little sparrows of the Church of Gender, this was all high heresy, and could not be tolerated. The dancers harangued Rosie to such an extent that she hid in her own bathroom, then they formally complained about her to the company chiefs.
'They cancelled Orlando and then were making efforts to re-educate me, to stop me from centring women's rights in my future work,' Rosie told me. 'I had to resign from the company I founded.'
Then there's the children's author Rachel Rooney, who wrote a picture book called My Body Is Me. Its message was that children should be happy with their body.
But trans rights activists dislike any mention of being happy with your body as it undermines their message that being trans is a thrilling and transformative lifestyle choice.
Tweets called the book terrorist propaganda and likened Rachel to a white supremacist.
The author's 'trade union', the Society of Authors, declined to offer support. So devastating was the experience that Rachel stopped writing books for children and has now taken on a part-time care job.
But what did Rachel do to deserve cancellation? She wrote a beautiful, kind, responsible book for children, and she got the same treatment I received: they tried to destroy her life. Trans activists mostly target women for disagreeing with them, but I'm not the only man to have suffered. Some 30 years after we'd first worked together, I crossed paths once more with the comic actor James Dreyfus (Constable Kevin in The Thin Blue Line).
I persuaded him to sign a letter asking Stonewall, the former lesbian and gay rights charity which has altered its remit and done more than any other institution in the UK to promote extreme gender ideology, to reconsider its stance.
James agreed without hesitation. The letter argued that Stonewall was 'seeking to prevent public debate of these issues by branding as transphobic anyone who questions [its] current trans policies'. It asked the charity to 'commit to fostering an atmosphere of respectful debate'.
Stonewall refused. Even asking the question was painted as a moral failing. Five years later, James is still being hounded by trans rights activists and he has had difficulty finding work.
In 2021, the company Big Finish released Masterful, a celebration of 50 years of Doctor Who's arch-enemy, The Master, who James had played on its audio productions.
The credits featured every living actor who had taken the iconic role… except James. When the history of these years is written, it's not only the extremist activists who will be recalled with revulsion, but also the spineless corporate figures who never made an attempt to resist them. Their inaction contributed to the ruin of James's livelihood.
A brilliant comic actor, a gay man, was abandoned by the very people who should have had his back, because the celebrity class is more interested in looking like they're doing the right thing than actually doing it.
Meanwhile, a chasm was opening up between me and my wife as she watched me lose jobs and opportunities.
Helen was looking for normality, and I was perpetually dismayed and angry. She asked me to cease operations, which she was perfectly within her rights to do to protect our family.
But I couldn't do it. I knew what everyone who's in this fight knows — the Gender Stasi never forgive.
I could never be confident of a having a job again until the entire gender ideology movement, which has caused so much misery, was burnt to ashes.
Even if I had been prepared to recant or keep my mouth shut, it wouldn't do any good because my heresy was out there and would never be forgiven.
I could never be confident of a having a job again until the entire gender ideology movement, which has caused so much misery, was burnt to ashes.
Even if I had been prepared to recant or keep my mouth shut, it wouldn't do any good because my heresy was out there and would never be forgiven.
I was fighting for women and children, sure, but also for my reputation and my ability to make a living.
With my marriage now over, I left the family home and moved into a modest flat. It had a nursing home for old people to one side and an overgrown, neglected graveyard behind it — which is a little too symbolic of my situation for comfort.
Adapted from Tough Crowd by Graham Linehan (Eye Books, £19.99) to be published October 12. © Graham Linehan 2023. To order a copy for £17.99 (offer valid to 15/10/2023; UK P&P free on orders over £25) go to mailshop.co.uk/books or call 020 3176 2937.
#Graham Linehan#TRAs attaching themselves to other causes#TRAs wanting free stuff#Only women can get pregnant#Father Ted#The IT Crowd#how many identities did Hayden have before transitioning?#The Guardian and poor journalism#A TRA got a women’s visa withdrawn and we are supposed to believe the man in a dress is oppressed?#Sonia Friedman is a TRA handmade#Jimmy Mulville is a coward#The Society of Authors abandoned Rachel Rooney#James Dreyfus may have portrayed a villian but he has more integrity than the producers of Big Finish
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oh the incredibly complex and reverent relationship between a trans man and lesbianism
#this is a joke but also not.#queer women have played such an integral role in my life in a very personal sense#transitioning was so necessary for me and i do not regret it at all but sometimes i do still get sad about losing some of the camaraderie#its not that i cant be friends with queer women anymore obviously but its just different#its no longer a shared experience#and even if i out myself and say 'hey i relate to this i understand i get it' it always feels more like butting in#idk. i do miss it sometimes#i am very happy with where im at but i do miss it.
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You’re fated to be with a partner who opens you up to something otherworldly and mystical…
You may also express love in a way that is different from the usual. You may not be super outwardly affectionate and romantic, and may even seem quite distant to outsiders.
You may be anti-marriage or refuse to live with someone. You don’t want to be boxed in with your relationships.
You need a lot of stimulation and excitement to stay in a relationship.
Your Uranus qualities are part of your shadow self. In order to activate these qualities, you need to develop and heal the shadow self.
As you develop the shadow self in relationships, you will learn more about yourself and how you’re different. You will also learn about what you can share with the world and how you can change the Universe.
This aspect means that you actually need to commit in order to discover your independence..
It’s important to use your free will for personal integration.
You will attract different people and have difficulty maintaining bonds.
Is THIS what’s been going on 😭
#send a prayer#thank you Uranus#liberation#freedom#Uranus#transit#aspect#unique#lone wolf#shadow#shadow work#astrology#zodiac#different#changes#shadow self#integration#coming into my own#lha#1introvertedsage#reality#learning
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Deducing the problem in your lace pattern and debating whether or not to rip out…
Got off track abt 7 rows back.
I course corrected, but the entire thing is off by a singular stitch, and trying to figure out if I am bothered by it enough to rip all the way back.
#It is a lace pattern lace weight towards the end of the shawl. Like two days worth of work 😬#and I didn’t use a lifeline#and it’s lace#which is risky to rip back and i am less than confident i could do it without risking the integrity of the pattern further#but also it is a gift for my mom#and wanted it to be perfect for her#shoulda just trusted my instincts bc at that row i was like#this doesn’t feel right#but the pattern is wonky and it was a transition section#so i was like no babe we’ll trust the process#shoulda trusted myself instead#kiki shouts in the void
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By: Kamran Abbasi
Published: Mar 9, 2023
The debate on gender dysphoria perfectly captures all that is unsavoury about the intersection of science, medicine, and social media. Entrenched, even aggressively argued views are nothing new in science and medicine. But when it comes to gender dysphoria, just as with covid-19, there is little room for constructive dialogue. Unfortunately, what suffers is people’s welfare.
The priority for health professionals must be to offer the best possible care to their patients. Difficulties arise when the evidence base is preliminary or inconclusive. In that situation, when faced with a person seeking care, what is the best care to offer?
The dilemma is more acute if the person seeking care is a child or adolescent. This is the complex and difficult challenge that specialists in gender dysphoria must master to provide the best possible care to young people. John Launer describes the hostility and criticism that colleagues experienced at London’s Tavistock Clinic in striving “to make the best decisions they could in a situation where evidence was thin and the politics noisy” (doi:10.1136/bmj.p477).
The principle of care, however, remains the same: ensure that the strength of your management recommendations is in line with the strength of the evidence. But the weaker or the more disputed the evidence base, the harder it is to offer a clear way forward. Other factors need to be weighed up, such as how invasive is the intervention you are recommending.
For a medical journal the focus is rightly on the quality of evidence behind a treatment recommendation. The BMJ has a longstanding and leading position in acknowledging the limits of evidence and advocating against overdiagnosis and overtreatment—even when the state of the science disagrees with individual preferences.
A review of the Gender Development Identity Service at the Tavistock Clinic by Hilary Cass reported interim findings last year acknowledging the difficulties that clinicians face when providing care to young people with gender related stress (doi:10.1136/bmj.p589 doi:10.1136/bmj.o629). The service had seen a rapid rise in referrals, and “there were different views held within the staff group about the appropriate clinical approach,” Cass wrote (https://cass.independent-review.uk/publications/interim-report). Cass’s final report will be delivered this year, but her interim report’s effect has been to question the evidence behind interventions, other than psychological support, being offered to young people seeking gender transition. Similar shifts are evident in other countries, such as Sweden.
The US, however, has moved in the opposite direction. An investigation by The BMJ finds that more and more young people are being offered medical and surgical intervention for gender transition, sometimes bypassing any psychological support (doi:10.1136/bmj.p382). Much of this clinical practice is supported by guidance from medical societies and associations, but closer inspection of that guidance finds that the strength of clinical recommendations is not in line with the strength of the evidence. The risk of overtreatment of gender dysphoria is real.
If we have the best interests of young people at heart, then surely our duty is to offer evidence informed care? And, if the evidence base is weak, we must provide the necessary support to young people as well as prioritising research to answer questions on issues that are causing a great deal of distress, much of which is amplified by social media. Taking this route is essential: an evidence void not only exposes people to overtreatment but can also be used to deny people the care that they seek, such as through the draconian laws now being introduced in some US states (doi:10.1136/bmj.p533). A better appreciation of the evidence, as well as the limits of medicine, is also the basis of a more constructive dialogue.
==
Evidence, reason and sanity must prevail over ideology and fanaticism.
#Kamran Abbasi#gender ideology#queer theory#gender transition#medical transition#do no harm#medical malpractice#overtreatment#medical integrity#religion is a mental illness
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I know the colors were based on the original character colors from S1 and "the city" isn't supposed to be NYC, but I still love that Viktor's color is the same as the 7 train.
#i work for nyc transit so i've been trying to find connections with my coworkers#i wish they consulted us because there's so many cool symbolic things in the system that could have been integrated!#tua#tua s4#tua s4 speculation#the umbrella academy#viktor hargreeves
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cutting commentary? dead space remake adds nonbinary character and all-gender restrooms but keeps promotional article about the ishimura containing the phrase "the men and women who serve aboard her" unaltered from the original
#dead space#(i don't think it's commentary) i think it's either they didn't think about it OR#they didn't want to be /too/ overtly 'divisive' right at the beginning of the game bc that's the second text log you find#& the stuff about jacob being bi or rousseau being NB are buried much farther in the game and the jacob one especially is extremely missabl#they 100% knew the all gender restrooms would get people up in arms im sure that it was a calculated decision not just to do it but also#where /not/ to push the envelope#that or they didn't register the contradiction#it definitely um mirrors the experience of being a trans person workin for a big company lmao#reminds me of how my work's employee handbook had a whole section about how they handle transition in the workplace (!!)#and the title of that section was 'office transgender'#i.e. 'look how inclusive we are! no we haven't actually talked to any trans people why do you ask?'#(it doesn't say that anymore bc me and another nb coworker went through and compiled a ton of suggestions that eventually got integrated in#the new handbook bc the whole section was kind of a mess)
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im trying to kick google fully out of my life by the end of the year. does anyone have a service comparable to google maps they’d like to recommend?
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you guys dont understand how much splatoon means to me. you will never understand
#will ALWAYS preach it has some of the best worldbuilding in anything i've ever fucking seen#especially in a video game. and ESPECIALLY a video game which isnt purely story-focused#splatoon's world feels so PAINFULLY fucking real its hard to even describe. the level of detail when it comes to LITERALLY everything#is insane. and thats only amplified when you're someone who's been playing it for a long time and has seen this world change in real time#i will always adore how time passes the same in splatoon's world as it does in real life. however long it's been since the last game came#out - thats how long its been in splatoon's world! characters are constantly changing and doing new things and taking on new roles#AND of course. the final splatfests making it so player input has a direct and pivotal effect on the setting and plot of the next game.#SO fucking cool and insane. like what other piece of media is like that#because of things like that and the worldbuilding and everything i also think that splatoon has one of the most seamless transitions#between singleplayer and multiplayer modes. a lot of times in games esp with stories those modes feel very disconnected#but in splatoon things that you do in singleplayer modes have an actual EFFECT on the world of multiplayer#i will never forget. how cool it felt when octo expansion came out and suddenly octolings started popping up in multiplayer#because in the irl sense. of course they were! people were beating that singleplayer mode and unlocking the ability to play as octolings#in multiplayer. but in-universe THIS IS ACTUALLY WHATS HAPPENING!!!! after your agent 8 escapes more octolings follow in their footsteps#and it is an actual noticeable cultural shift in the world of splatoon with it being talked about on the news and stuff#and this story of octolings coming to the surface and integrating into inkling society works perfectly because its not just something#you're hearing about. you are actually seeing IN REAL TIME octolings start to populate the city and matches because REAL PLAYERS are#playing as them. fitting perfectly into that narrative being created. its soooooo fucking good#anyways sorry i just love splatoon so much and i love talking about why its incredible#serena.txt
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