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seasidewriter1-writes · 3 years ago

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Answering Asks from @fadingclamalmondrascal : “Hi! I hope you're still doing asks, but I understand if you're not, it sounds like you've got a lot going on. I've got 3 questions for you:

1: What made you want to adopt this story and write an "Anakin's big sister who falls in love with obi" au? What about it appealed to you initially, and what about it keeps you coming back?

2: I love Elara's Sith name! Carus is so cool. What kind of thought did you put into that name and her sith design?

3: What does your writing process for each chapter look like?”

Hi!! My asks are always open, and even if my life his completely hectic, I’ll always get around to answering them! But, thankfully, my life has started to calm down in the last week. I’ve gotten a lot of writing done in the last day, so I’m in a very “Balance” mood, so I’m super stoked to answer these!! (I also wrote a lot again, so buckle up!!)

1. So fun backstory on my finding the story: I was living in England for my first year at University, and I was on a big ol’ Star Wars kick because The Force Awakens had just come out in December. It was January. It was cold, the evenings were getting rainy, so one night after dinner and scrolled through FFN to find something fun to read. And when I first found and read the original story, pre-adoption (which I believe is still up and called “Another Skywalker”), I remember being like ‘wow, this is an interesting concept.’ And as I read it, in my head, all of these ideas were coming to my head; and I remember being kinda sad about that. I didn’t want to write my own story, then have it seem like I’d ripped off the concept from the author. Because this was the first fic with the “Anakin’s older sister falling for Obi” concept that I’d ever seen. I didn’t know if it was something of a trope for an Obi x OC pairing, or if this one was an odd one out. So I finished reading the 11 chapters, and the author had posted a note saying that the story was, effectively, up for adoption. I have never jumped on something so fast. I drafted out two scenes (a now obsolete scene where Elara sees Obi-Wan off to Kamino, and a chunk of the final battle RotS) and sent it to the author. When she told me that the story and concept were all mine to do with as I pleased, I was so excited. Because I realized that all the ideas that had been tentatively brewing in my head, I could now fully bring to fruition.

What initially drew me to the concept was the idea of being able to explore a story and a romance that is, in a way, a foil to Anakin’s. Almost a way to show that maybe, if things had gone differently, Anakin and Padmé’s romance didn’t have to be doomed. Because I have always believed that there had to be some way that it didn’t have to end in disaster. Presenting a Jedi OC x Obi-Wan can explore similar issues (and there’s a lot of fun to be had with that concept, too). But then you have two people who were raised with/to follow the same ideals. Though they are both unique individuals, they will come up to very similar blockages––struggling with breaking the Code, with sloughing off ideals and a way of life they’ve followed all their lives. But with a Skywalker OC… that changes. You get someone who wasn’t raised to keep her emotions in ultra-check. Someone who, like Anakin, is family oriented, passionate about protecting those they love, and innately wishes to express their emotions in a more open manner. Those characteristics present unique conflict (particularly in conjunction with Obi-Wan’s characteristics), and I just… I wanted to, and continue to want to, play with that. Because Elara is dedicated to the Jedi Code. She’s a good Jedi. But put her want to be a good Jedi (for herself, for her brother, for the good of the galaxy) right up against an undeniable, innate need and want to love (because, at her core, Elara is just a purely loving person)––you get whole other obstacles to overcome. It’s a lot of fun to figure out how her overcoming her obstacles helps Obi-Wan overcomes his, and vice-versa. How we can see, in recent chapters, that Obi-Wan realizing he can’t hold Elara at arm’s length anymore affects her; how she starts being more gentle towards him again, tentatively letting him back in. I just love playing with stuff like that!!

And there are a whole lot of things that keep me coming back to this story. One of the biggest things, I think, has to be the idea that ‘love prevails.’ I love myself a complex romance. Maybe that’s why I love Regency/Period Dramas so much; because there are so many ups and downs––and that’s what makes it feel so good! Because while there’s hope and love and happiness, there’s also drama and frustration and confrontation. But through all of that, at the end… love prevails. I’m a hopeless romantic, I’ll own up to that any time of the day. So seeing a couple, so hopelessly in love, go through trials and tribulations and come out on the other end completely alright? That’s my jam! And when you’ve got someone who stands so steadfastly by their ideals as Obi-Wan, but who very clearly is… so passionate and loving… That just feels like the way a love story with him would go. And ‘love prevails’ doesn’t just apply to the Obi-Lara stuff either. It’s about the familial love between Anakin and Elara, and how that love for each other may thrive or suffer in events to come… it’s the platonic love of Elara and the men of the 442nd. Star Wars is a story of many things––family, adventure, coming into your own… but it’s also about love. And getting to add to that aspect of the story in any given way, for people who enjoy reading it, to have fun conceptualizing and writing everything… it keeps bringing me back for more.

2. I had so much fun thinking up all the Darth Carus stuff!! It was prompted by a question in a review, asking what I thought Elara would be like as a Sith/what her name would be. So I started looking at all the other Sith names, and realized a lot of them were words that stood for descriptors of the Sith Lord. “Maul” for (the literal usage of) “maul,” “Tyrannus” for “tyrant” (derived, likely, from Latin tyrannia or tyrannos), “Vader” for “invader” (or “father”). So I decided I would use a Latin word for her Sith name, and decided I needed to think of what she would be like as a Sith. Tyrannical? Violent? Rampaging? And none of those seemed… right. It felt, to me, that if she were to become a Sith, it would be out of heartbreak. And it wouldn’t be a denial of love kind of heartbreak; it would be losing someone she truly loved (Anakin or Obi-Wan) forever. Their death, perhaps by a mistake that she made. So I went, ‘okay, the birth of her being a Sith is related to love.’ I searched up some Latin words and found “Carus” which means heart. And because Elara, Jedi or Sith, is so involved with her emotions and with love, with her heart… it just seemed to fit.

Now, the outfit––ohh, I had so much fun with the outfit. I’ve got a BFA in Theatrical Arts, so I’m big on costumes and costume details, so creating Elara’s Sith outfit was absolutely delightful. Again, I started with what I thought Darth Carus would be like. There’s a mournful aspect to her, so black as part of her color palette works, but I didn’t want her to be dressed in all black. I thought that, in the wake of her heartbreak, there would be a dangerous passion about her. An angry passion. So ‘anger’ and ‘passion’ are typically associated with burning colors like red, so I through red (and orange) into the mix. And I wanted them to be bright––Darth Carus is no longer hiding in the neutrals of Tatooine or the Jedi Order. She’s letting the galaxy know her pain. I did, however, want to stick with clothing articles that were more robe-like. It’s what Elara’s known her whole life. But instead of multiple layers, I stripped it down to singular, more form fitting articles. In a way, the fewer layers is displaying the vulnerability that turned her towards the Darkness. Red is the predominant color (the tunic) because it draws attention. You have to look at her, you have to see her pain. It’s almost like staring into a fire, or gaping at an open wound. And because all good Sith Lords need a dramatic cape, I thought I’d do a fun take on it and do one of the ones that attaches at the shoulders instead of drapes over them. Maximum drama for sweeping down staircases or jumping off of tall platforms. Now, like I said, I’m a sucker for small details… hence why I added the embroidery on the tunic collar. It’s floral. It denotes her love of life. Now, if this were all real life, real costume design in an actual movie… the embroidered flowers would be Gleannish Snow Blossoms. And, of course, amidst all the bright reds, vivid oranges, and swaths of black… against all this intensity… you have the delicate, cool softness of the real Snow Blossom pinned to the spot over her heart. The very same Snow Blossom that Obi-Wan gave her on Gleann. A gentle reminder of better days… of the reason she became the ways she is… of the man she loved so wholly and deeply that, in losing him… she’d much have rather killed her own heart instead. (Also, a friend of mine and I had a wonderful conversation discussing how much of a terrifying, badass power couple Sith!Elara and Sith!Obi-Wan would be. It’s delightful.)

3. So, if I’m writing a chapter that deals with a chunk of movie or episode, what I’ll do first is sit down and watch what I perceive I’ll be writing. I’ll take down notes on things that I’ll want to add in/describe. I’ve also got a whole document of ideas I’ve already written down, and a document of bullet-pointed ideas, so I’ll give that I skim/edit, too. I always have to pick what scenes to leave in or take out, decide if they can be summarized or should be left in. Sometimes this’ll happen the same day I start writing, but sometimes I take a day to really think things over, sleep on it, then start the next. Then I’ll start to write, and I’ll have the movie/episode open for reference. When I write canon dialogue, it’s a lot of: watch, listen, pause, transcribe; rewind, read subtitles, listen, pause, transcribe. I also usually have, like… five safari tabs open with different research pages open––one for the movie/episode, probably one for a character of some kind, a google image search of a costume or something, and another one that’s got, like, different kinds of starships or droids (because there are so, so many). A lot of the time I’ll just transcribe/describe a chunk of canon stuff, then go back and add in extra details, weave Elara into it, or change up the dialogue to fit. An example being Obi-Wan and Sugi’s conversation in the barn. I beefed that up a little bit, added in references, and used it to benefit the overall storyline.

With chapters that are more original content based, those take a little longer to plan. Even if I have an idea of what’s going to happen, it takes a bit of time to figure out how to order it all, how to get a proper lead in, how to make transitions. And I also contemplate whether or not what I want to write is really going to be beneficial to the story, or if it’s going to end up being meaningless filling. There are a lot of ideas that I have had or do have that would be fun to write, but don’t really… work into the story well enough (like, god, do I want a girls’ day chapter 😂). And it’s in writing these chapters in particular that I do a lot of my music listening. Star Wars soundtracks, the story playlists I’ve made… the right music can help me find the mood or setting of a scene, inspire a moment. Like, I cannot tell you how much of the bunker scene on Ryloth was inspired by Sebastian Böhm’s rendition of “Blue Monday.” Music plays a huge role in writing for me. I’ll have music playing when I’m driving or doing dishes or cooking, and I’ll start to formulate ideas while listening. There are times, too, when I feel stuck when writing that I’ll swap on over to YouTube and I’ll watch some Star Wars edits. There’s an amazing edit of “War Pigs” by Black Sabbath over battle sequences from the films, and it’s just… it feeds my soul when I get stuck writing battle sequences. I’ve got, like… a go-to list of edits I watch when I feel a little stuck, and they’re all phenomenal. And when all is said and done and I’ve finished the chapter, I usually take a break and sit on it for a bit. Then go back, read over it, do grammar edits, change things if I see fit too. Then it’s on to review replies and I get it uploaded and posted!!

#mary answers #Mary answers asks #balance asks #I’m alive!#And I’m writing again!#HUZZAH!

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chicleeblair · 7 years ago

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Dear Yuletide Writer

Dear Yuletide Author,

EDIT: I am not able to participate in Yuletide this year--I had to forfeit in 2016 due to being unexpectedly hospitalized in Nov/Dec after poorly managing my time, and misreading the rules--I thought the ban could be cleared by submitting a treat OR waiting a year, turns out I have to complete a finished story to be cleared, which I will this year.

All that said, I spent quite a bit of time on this and since I could manage to pinch hint and get to make my requests I’m going to leave my DYW letter here. If anyone feels like writing to these prompts, feel free. I’ll probably reuse them last year, depending on what is written for other people, but I already have plans to nominate a few newer fandoms next year.

Fandoms included: Newsflesh (incl Feedback),

Hi! I’m incredibly excited about Yuletide this year, and I’ve been considering my requests and offers with more thought than I should be willing to admit to this week. There are so many fandoms that I love nominated, and though I’ve learned to be careful about what I offer to write for, I’ve still found myself making detailed mentao pro-con lists, especially since I try not to request fic from the same fandoms I offer to write in. Still, I’ve been surprised by some of the nominations—I only finished The Lonliest Girl in the Universe a week ago, and Lauren James isn’t well-known in the States, despite being one of my favorite authors. Anyway, I think I’ve got my lists figured out now, so the time has come to tell you what it is I love about my favorite pieces of underappreciated media. What an easy project /sarcasm.

DISLIKES Before I get into the fandoms individually, I suppose I should let you know what my squicks are (you know you’ve been in fandom too long when you’re shocked Word doesn’t recognize the word ‘squicks.) None of these are triggers in particular, I’ve got depression, but it’s managed, and I don’t have any major traumas to worry about in particular. I don’t mine NSFW/explicit fic, but it’s also not often my reason for reading. That said, the following tags make me likely to hit the back button: watersports, alpha/omega, knotting, feces, mpreg. I’m not particularly fond of girl!penis as a kink, though it’s different if the character is actually dealing with being trans or intersex.

LIKES One thing I do like that a lot of people don’t is bloodplay, though as there aren’t any vampire stories in my requests it probably won’t be a Thing this year, and I’m good with consensual BDSM.

I’m sure it’s obvious from my reqs that I’m into zombie fiction, though it’s the human side of it I like, whether that’s humans dealing with zombies, or zombies attempting to deal with their humanity. One thing I will say is that I’ve chosen fandoms that all rest on detailed world-building, and if you want to write a fic that explores the edges of these universes without necessarily including the listed characters, I’m happy with that. Anything that explores how the world has changed/how a certain person has been affected by the big change is fine with me!

I’m bi, with a deeply abiding love for f/f fic. I definitely have het ships that I’ll fill you in on, but I still love stories where those ladies interact with their female friends. I’m very pro kid!fic, I adore time stamps, alternate POVs, epistolary fic, social media fic, anything that explores the world that an author has already built. I wasn’t ever the kid simply rubbing their Barbies together, I acted out Barbie and Ken meeting while they babysat Kelly and Tommy. (True story: these stories were also written down in a notebook I carried around at school. Basically, I started writing Barbie fanfic at the age of eight.)

I’ve received some great Yuletide gifts via letters where I’ve spelled out specific desires, but this year I don’t have specific stories I want written so much as worlds I’d like to see explored further. What are they? Glad you asked, friend!

Newsflesh (Feed, Deadline, Blackout, Rise, & Feedback)

This isn’t the most obscure fandom in the world, by any means, since it’s written by Seanann McGuiare under her Mira Grant penname, and because Mark Oshiro of Mark Does Stuff chronicled his journey through the original trilogy. That said, I’m pretty obsessed with the world of these books, and have read and reread all the books and novellas, and I’m not as into the main ship as most readers seem to be. I’m adopted, so the relationship between Georgia and Shaun I don’t love incest in general, though a high school obsession with Life with Derek means I can’t cast stones. However, I nominated this fandom in the first place, and I picked the character pool especially so that even if I didn’t end up requesting it, other participants might take the chance to explore other characters, specifically the characters introduced in Feedback. Their story takes place parallel to Feed; while the Masons are covering the Ryman campaign, Aislinn North, the Irwin who adores chasing zombies, and her companions are on the election trail with Senator Shannon Kilbourne. I like Feedback due to the diversity of its cast—Mat, the teams’ techie and makeup blogger, is nonbinary, and Ash is married to Ben, the Newsie, on paper, but really in a relationship with the final member of their team, fiction-writer Audrey). But another feature I love about this book? Unlike the original trilogy, it was written after the date when Grant sets the Rising—July 2014. Because of this, the book contains some amazing pop cultural nuggets that just make the whole thing seem more real, for instance Ash mentions that Frozen merchandise is a rarity, since the Rising happened mid-PR campaign, and Taylor Swift’s pre-2013 music is “before she turned political.” (If only. Tay and JLaw disappointed me last year.) Like I said, I’m not married to you using these characters. Heck, if you want to explore Taylor Swift’s life, post-Rising, that’d be cool with me. That said, I chose Ash, Emily Ryman, Maggie, and Georgia because they are awesome female characters, and I’d love to see them interact. I can see Ash and Maggie having known each other/dated at some point—though post-canon I am pro-Maggie/Alaric, though less crazy about Ash’s girlfriend—and any situation where they could meet would make a great fic, especially if both Georgia and Ash have to deal with their prejudices towards each other. Also, in regards to Maggie, I wouldn’t mind knowing more about Alisa, Alaric’s sister, especially because the Masons take her in from a shelter in Ferry Pass, which is part of my hometown of Pensacola. Emily is painfully underused, being born pre-Rising and developing retinal KA, and all of them are just badasses. Basically, this world is awesome and I think more people need to be exposed to Feedback, and it’s Irish spitfire of a POV-Irwin. Another feature of this universe I’m interested in is the kids who grow up post-Rising. Grant looks into this with blog posts and flashbacks, but even the description of the post-Rising orphanages in the “All the Pretty Little Horses” short story from Rise makes me want more.

Parasitology Parasite, Symbiont, Chimera

Another Mira Grant, another apocalypse. People have accused her of revamping the same story again, but in spite of having some similar characters and circumstances Sal’s story is nothing like Georgia or Ash’s. Of course, I adore the similarities in story-telling—ephemera is my kryptonite—but Sal’s development is unique to Mira Grant books, if not to books in general, and her relationship to her own humanity/lack thereof is fascinating. I especially love that she spends the whole series in a committed relationship, one that she is confident of, and that in spite of only technically having existed for six years she is incredibly sure of herself. I nominated this one as well, and chose Sal, Juniper, Doctor Cale, and Tansy because they are strong ladies with complex stories that have lots of room to be explored. Dr. Cale, Tansy, and Sal to a degree, deal with disability—and this is particular interesting for Tansy & Sal, since they are aware of the fact that they are making a choice to keep this malfunctioning human body. Juniper is a little girl, yet she and Tansy are learning to be people together, Sal is learning to be a mother, and in a way so is Dr. Cale. Also, eventually Juniper will have to decide whether or not to engage with the humans of her generation, and that could be fascinating. That said, Grant hasn’t told nearly as many stories in this universe, since the trilogy relies far more on Sal herself than Newsflesh relies on the Masons, so I’d love to see an exploration of how the parasites and chimeras affected other parts of the world. I think the fact that the symbiotes have brought humanity so close to eradicating illness is something that could be explored further, too, especially when you consider that the parasites disabled their inventor, and that if the Mitchells hadn’t been attempting to hide Sally’s epilepsy, Sal might not have been born. There’s also the fact that the other doctor who is close to Sal—Cale’s son, Nathan—does not use the implants at all, suggesting that at their core physicians with their hearts in the right place know that there is a line that shouldn’t be crossed, that maybe humans need illness and disability to thrive.

In the Flesh

I really debated requesting this, since it’s a fandom I think I could write in, but I liked the idea of letting my requests adhere to a theme, and this series was the first piece of zombie media I ever consumed (pun intended). There have been many great fics in this fandom, they are often AU and revolve around Kieren’s relationships—I’m all for people celebrating canonically queer characters, but to me neither of those ships were what drew me into the series. I didn’t nominate ItF myself, and I wish I had because I would have included Amy Dyer. As it is, I don’t mind if you mention either of Kieren’s relationships, but I only asked for Kieren and Jem because they’re the characters I care most about, truly. Honestly, I actually care the most about Jem, because I think she’s an incredible character who went through so much to protect her family and is forced to face her fears every day in order to have a relationship with the brother who made her who she is—in so many ways. I am also fascinated by the idea of a world that has faced the apocalypse and is having to move forward. The little details that serve to remind us that society had to hit the pause button, such as the lack of cell phones, are really intriguing to me, as well as the issues students like Jem face having to return to school after war. This world also opens the door for an exploration of what life might be like for children&teens who came back—Henry was a missed opportunity IMO—and while I don’t mind if you don’t bother incorporating the storylines Dominic Mitchell has said he would include in a season three, the idea of Jem making a friend with PDS (as opposed to PTSD, that acronym similarity needs mentioning) would be so great. Again, though, feel free to take this world and run with it, no need to stay in Roarton—I wonder what adulthood for Jem would be like, with Kieren never having aged, for instance?

World War Z

Another of my nominations. I don’t know why, but I am obsessed with this book, specifically the audiobook. Max Brooks has talked about how he based this book on an oral history of WWII, and I think the parallels between the two wars are deep if you look closely—the idea of total war, the amount of work on the home-front, the inefficiency of assuming what won against one enemy will suffice against another, children escaping unimaginable violence, the nuclear bomb survivor, so much more—but what I really loved is how Brooks really fills in the details from each POV he uses. Without naming celebrities, Brooks clearly sets it in the Bush-era, which is interesting to me but probably not affect fic, but shows how well the world is crafted. The imagery that comes from the Australian astronaut who spent the war on the ISS is particularly poignant to me, especially the way he describes them discovering the burrowing zombies. I also get chills from Jessica’s story, the girl whose parents dragged her up to Canada, and when she discovers the Spongebob sleepover, because it’s a mark of how bizarre our culture and entertainment would seem, and how our comforts could disappear in the blink of an eye. I do think that this book is lacking in female POVs, particular ladies who might not be soldiers but were fighting the war in their own way. I loved Joe Mohammad’s POV, too, but not everyone would need to be part of a patrol group or militia to survive. I’d love to see what the situation was like for city-dwellers, or people who were in the areas not getting supplies due to the Reddecker plan. What about the Israelis, what was it like in the country during this isolated period? There have been some great fics exploring issues like euthanasia and abortion in that period, and I’d love to see an issue like that expanded. On the other hand, there is a lot that could come from looking into the world post-war, describing what the Narrator goes through to get these stories, or what kinds of stories he might hear after the initial book is published—a history of the rebuilding would be interesting since in this world the threat isn’t completely gone. Brooks has written two short stories that are explicitly in this world (a couple that are borderline) and one of them, Closure LtD, and I don’t want to spoil it, but it really makes me wonder what other kinds of industries would emerge in a post-zombie war world.

Inhuman Condition

Also my nomination, this is a webseries that did not get NEARLY the amount of viewers or fans it deserved. The author has created this incredibly interesting alternative history, and I don’t think everyone who watched even knows how much detail was put into it. For instance, I discovered a blog (https://angrydeadgirl.wordpress.com) written from the POV of Clara—my favorite character—wherein she analyzes TV shows such as Grey’s Anatomy, except it’s Grey’s Anatomy reimagined through the lens of this world, and there is NOTHING I love more than inter-textual references like that. There are other in-universe shows that I have honestly begged to see for real, and via the show we only get a taste of these details. I’d also love to know more about how the existence of zombies and lycans affected history aside from the terror attacks we know of from the series. I’d also love to see more about Kessler, what got her into working with other-humans, whether there is a personal connection that we’re not told, more about her daughter, Mira, who has grown up in a world where the truth is known, there’s so much in there to mine. I didn’t nominate Tamar, the character who seems more superhero than supernatural, because to me her story seems to fit into this world less than Clara and Linc. Not that I don’t like her, I did, but while I totally believe they could all exist in one universe—I read Marvel, after all—her condition doesn’t seem to be in the same category, so the backstory would be different. Lycanthropy and Clara’s form of zombiism both seem to be medical conditions, to a degree, and while Tamar’s issues definitely parallel mental illness, it’s a different issue. I wouldn’t mind seeing her or others like her, just that I think the dynamics of lycan/walker-type conditions. I really appreciate how, like In the Flesh, this series allows the conditions to be a metaphor for real life issues, without erasing those issues. One of Clara’s blog entries, for instance, mentions that there are cases of people being killed for not informing sexual partners of their condition, and this is explicitly related to people with HIV who have faced similar violence. Also, Linc and Kessler are both explicitly bisexual, and in my mind Clara is non-straight, too, and that’s a reason I included Mira because WHY NOT? I nominated Frank because after seeing a fic that shipped him and Clara I got interested in what it would be like to have to spend all your time with this vibrant girl who is so afraid of becoming a monster, I don’t ship them necessarily, but I am interested in knowing more about him. This is the one fandom where I am kind of tied to having the canon characters front and center, but if you want to explore this world through a different lens, I’m open to it.

The Loneliest Girl in the Universe

I really, really thought about using this slot for iZombie, because it’s one of my favorite things and fits the theme, but I read The Loneliest Girl in the Universe a few weeks ago, and am THRILLED with the idea of finding other people who love it. I also considered offering to write for it, but I do not have confidence in my ability to calculate transmission delays or describe space physics. I mean, it’s basically a YA version of The Martian featuring an MC with anxiety who writes fanfic. WHAT MORE DO ANY OF US WANT? Throughout this book I was terrified that J would turn out to be an AI, but his actual backstory basically broke my heart, as did the reveal of Romy’s history. I really wish her mother had survived, and I would like to see more of her in Romy’s memories or maybe in the logs/archives now that Romy might be open to looking into them. I would love to see her asking Molly about them, or reading/watching her parents’ reports or journals as she builds a new world with Issac. I also want to know about Issac Evans. Who is he? What happened with him and J? Will he and Romy be MFEO, or simply besties who raise babies? What are the other adults on the ship like? Does Romy find a different person to love? Is it a girl? I’d also LOVE LOVE LOVE to see Romy’s life from the POV of an Earth dweller. You see, DYW, I am a huge fan of several family vlogs; there are babies I have watched grow up via the internet, and I am DEEPLY invested in their lives. NASA would be crazy not to have gotten the world to rally around baby Romy, and some of them probably still read her fics. That’s the thing, though, this book includes her fic, and imaging fic from 2067 makes me want to see more of their social media, and to know how it affected this next group of astronauts. Also, since it turns out that J lied about the war and the collapse of the world’s governments, I’d love to see what the world is actually like. What else is NASA doing? Does the entire world freak out when they find out what happened with Romy and J, or only Molly? Who is Molly? Did she suspect J based on how well she knows Romy? I have a need to know.

That is it, oh Yuletide Author, way too many of my thoughts about Alternate Worlds, most of them infested by the undead. As I’ve said, I would be happy with stories that feature the characters I requested, or that don’t at all, but unless mentioned I’m not crazy about canon-alternatives.

#dear yuletide writer #yuletide letter #parasitology #newsflesh #in the flesh #world war z #inhuman condition #the loneliest girl in the universe #yuletide 2017 #disqualified :(

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