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deltaengineering · 3 months ago

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Spring Anime 2024: A Wizard is never late

Shuumatsu Train Doko e Iku (Train to the End of the World)

If you want a reason for why this post is woefully late, it’s this show: since we’re going in ascending order of quality here, it must come first, yet I have a hard time saying anything about it. I suppose I can start with the most obvious problem: I will probably watch your original anime, but I do that to get away from light novel levels of insufferable dialogue. Yet this one definitely goes with the NisioisiN school of writing, which is to say, talk a lot first, then figure out a point at your convenience. This definitely doesn’t endear the show to me and makes it mildly annoying right from the start, but it could still be salvageable - but then Shuumatsu Train just turns out to be not particularly good at any of its selling points. For a weird show it’s not weird enough. For a comedy it’s not funny enough. For a character drama the characters are too superficial. For a profound allegory, it's much too vague. And even though the parts are hardly stellar, the result somehow still ends up as less than the sum of them. It‘s not a total write-off since at least there is some ambition here, but I really can’t say that being more meaningful than not at all is enough of a payoff for something that is mostly just basic attempts at wacky humor presented in an annoying fashion. 4/10

Yuru Camp S3

So, speaking of ambition. My last contact with Yuru Camp was me getting very mad at S2‘s incessant products and services shilling. Admittedly S3 turns this down to an acceptable level, but that only makes the deeper issue more apparent: Yuru Camp is and has always been astonishingly vapid, and three seasons and a movie in all the vibes in the world can no longer make up for it. I won’t even complain that the show is no longer about camping in any meaningful capacity (since I never cared and at least the local-tourism-and-food lane we‘re in now doesn’t require purchase of specialized gear), but godammit if personality-free blobs looking at small footbridges for three episodes didn’t kill my enthusiasm for any of this mush. It‘s still broadly inoffensive, but at this point I feel like I’ve thoroughly exhausted anything this show is ever willing to offer. And Yama no Susume shows that you can have all the theoretical positives of a Yuru Camp with compelling enough characters, so there’s really no excuse. 5/10

Yoru no Kurage wa Oyogenai (Jellyfish Can't Swim in the Night)

I don’t know where this recent trend of cute but reasonably serious girl band anime came from (I would like to think MyGO, but more likely it‘s Bocchi the Rock + the most blatantly obvious and viable way to improve on Bocchi). But here is Jellyfish and uh… it certainly makes an attempt. The first impression is very positive, since Doga Kobo provides pleasant visuals (per usual), but it quickly becomes apparent that it’s the writing that is really holding this one back. It’s not even bad ideas or a lack of ideas, since the concepts this show wants to tackle are generally quite good. But pretty much every execution on those plot ideas is botched in some way, be it by resolving them in a stupidly simple way (impostor syndrome? just do your best!) or by just having a character read out their character arc really dramatically. A bunch of plot points don't even make sense when you look at them in context of the ostensibly real world this show takes place in, and the ending is a massive nothingburger. It's all stuff that's barely passable when something like Love Live does it, but in something that aims higher it seems like a first draft at best and more likely just extremely amateurish. One can only wonder if you gave such a concept to a seasoned veteran like Jukki Hanada... 6/10

Tonari no Youkai-san

Tonari no Youkai-san started out as a rather simple show that I really liked: a mostly but not exclusively lighthearted depiction of a world where Youkai are real and the weird situations that can create, with likeable characters carrying it along. But then it became apparent that what it really wants to do is back-to-back KEY-style sadpiano scenarios. While those aren't bad in moderate amounts, the fact that every scenario now had to be about some heartbreaking backstory no matter what quickly became rather tiring. And then, if it wasn't apparent enough that this show was writing itself into the weeds, it capped the season off with a completely bizarre sci-fi multiverse action arc where everyone dies (very sad!) but then comes back alive because power of friendship beats entropy or something. Well, at least I prefer laughing at this nonsense to being annoyed at contrived tearjerkers, I suppose. I wouldn't call it quality though. 6/10

Dungeon Meshi (Delicious in Dungeon)

When the Dungeon Meshi started, I just didn't get it. The hyperbole around this show (mostly coming from manga fans, I think) was clearly not befitting a very mediocre gimmick anime where even the gimmick had been done better elsewhere multiple times. I do have to admit that as it went on, I could start to see where people were coming from: Once the cooking dies down a bit, the characters start to develop a bit and it finds its pace, Dungeon Meshi's "default mode" is an entertaining adventure anime with some nice characters, decent humor and engaging action. So far so good. However, I'll still call the show merely above average because it's in its default mode less often than you'd think. Every time I started to like something, Dungeon Meshi immediately had to head off in some random other direction that I don't care for: The cooking I did not care for in the beginning becomes vestigial but never stops taking up airtime nonetheless. The nerdy exposition about dungeon mechanics should not merit more than a footnote in a splatbook, but never stops taking up a lot of airtime nonetheless (it's also a painful reminder of the "worldbuilding over narrative" nonsense that I hate, but Dungeon Meshi isn't the worst offender here so I'll let it slide). The show expects me to care about other, far less interesting parties after I just barely mustered up enough enthusiasm to see Chilchuck as more than a spare Marcille when Marcille can't play the tsukkomi herself. Falin turns into a tragic zombie chicken. They adopt an annoying cat. It goes on and on and I'm not thrilled. I will admit though that I will likely still watch the sequel, mostly because Trigger really does a fantastic job with this adaptation on all levels, which at the very least manages to keep it watchable even in the doldrums. I just wish the source material was more consistent. 6/10

Kaiju No. 8

Every season there's some random anime that isn't particularly great, but still competent enough to merit a watch. It's usually some light comedy like Torture Princess, but every once in a while it's something else. This season it's Isekai QC, but in spring it was something even less likely: Kaiju #8, a Jump-brand premium shounen. Yeah, that's a surprise. It just doesn't do anything particularly wrong, apart from the genre staples that it must do wrong: The pacing is bad, but just regular bad. The tone is all over the place, but just regular all over the place. The protagonist isn't as good as he first seems, but not as bad as he could be either. It starts out as "less miserable Attack on Titan where people shoot at huge monsters with guns at shounen powerlevel efficiency", which is extremely awkward, but eventually it settles into a more standard "hit bad guy with sick special attacks" groove, which isn't exactly exciting but at least clearly something the show wants to be. In short, nothing special but the bullshit does not exceed the maximum level I will tolerate as the price of entry to epic dudes epically fighting in an epic fashion. There always is a point with these where you have to ruthlessly cut your losses, but it did not reach it in its first season when the average genremate reaches it within the first episode. That's... something. 6/10

Nijiyon S2

I wasn't even going to write about this because what is there to say about Nijiyon, except that Nijiyon is that rare mini spinoff that actually gets better and starts to outshine the main show at points. Half the time. The other half is still very basic and very arbitrary 4koma hijinks, but an improvement is an improvement. 6/10

Bartender: Glass of God

Why did they make a second Bartender anime in 2024? I can't answer this conclusively but I will say that if Suntory didn't pay for at least half of this production, they got something for free. With that out of the way, the most interesting thing I can say about Bartender is how it compares to Gin & Sonic '06. The old one was certainly ambitious, but in a rather obvious way: Treating the Bartender mystique as somthing close to supernatural and presenting it in a very abstract and stagey way. This is great when it works, but just as often merely comes off as extremely pretentious. The new one... just doesn't do any of that. It's a very straightforward, simple story with actual characters and stuff. It's workable enough with some stronger and some weaker episodes, and even though it does not even attempt to reach the highs of the old one, it doesn't sniff its own farts and does its best to avoid the old man machismo stank that faintly polluted the first adaptation. So I will actually call it better in some ways, maybe even on average, but it still can't compete with a show that had a better reason to exist than to get you excited for Yamazaki whiskey. 6/10

Euphonium S3

I've had my ups and downs with Yoof, and I will say that while some nags remain, I am satisfied with how it managed to (hopefully) wrap up. In fact, S3 might be the best the show has ever been. We were never going to get the cartoonish and quite frankly more entertaining presentation of S1 back, but for what it's worth, S3 takes the overcooked presentation and histrionic character writing of S2 and brings them down to a palatable level, and that makes it at least worth thinking about. Another big point in its favor is that it's now finally truly the Kumiko show, and not just the Kumiko stumbles into other people's drama show. Cast additions like Kanade and Mayu are prety great as well so yeah, I had a good time. Really my biggest complaint is that S3 might actually be a little too good at character drama, because at one point it seemed it was on the verge of starting to question a few of its core assumptions. I never expected it to have doubts over whether letting your school club control your entire existence is in fact a good thing, but ideas like Reina actually being as insane as she comes across and that Taki actually being as terrible as a teacher as he comes across seemed extremely promising. But nah, of course Kumiko just had to be honest with herself, that solved all the problems and then the show just coasted to the most predictable ending imaginable. Euphonium always seemed like it could be way better with a bit more risk-taking, but this was a particularly disappointing moment for the show to be itself. Anyway, if you just expect Euphoinum you're getting the good Euphonium here. 7/10

Girls Band Cry

So, about that "Hanada writing Jellyfish" quip I made earlier? What if that actually happened, in the same season no less? Yeah, these two shows are shockingly similar but unlike Jellyfsh, Girls Band Cry does things right... for the most part. You need to get used to the somewhat janky CG animation, but you're getting some great expressiveness in the deal so that's no problem. You'll also have to put up with Hanada's trademark yuribaiting, a pretty weak ending (as if these two shows didn't already copy each other's homework enough) and music that is much too obvously coming from the Vocaloid camp for my liking. Apart from that, GBC is very good. Not quite as good as MyGO (which has even better character dynamics and I still can't get past how shockingly high its quality is for a franchise anime), but it's really close. So close in fact that I don't even feel like pointing out in detail why GBC is good, because it really is MyGO again: Very flawed yet likeable girls try to get their mental in order while swinging between goofy and depressed and occasionally making music. It's not complicated, but when the character writing delivers (i.e., by seasoned pros like Yuniko Ayana or Jukki Hanada), it just works. If this is a trend now, I'll gladly take it. 8/10

#anime #review #spring2024 #Shuumatsu Train Doko e Iku #Yuru Camp #Yoru no Kurage wa Oyogenai #Tonari no Youkai-san #Kaiju No. 8 #bartender #hibike euphonium #Girls Band Cry #nijiyon

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