#today is all about aesthetics and pinterest and editing overall

[aivphotography]

AIV Marketing provides best photography services

Photography is not just about capturing images; it's about preserving moments, telling stories, and creating art that resonates with people. At AIV Marketing, we understand the significance of photography in today’s digital age. Whether it's for personal memories, business branding, or product promotion, our photography services are designed to deliver the best results for every client.

Our team of highly skilled photographers brings years of experience, creativity, and technical expertise to every project. We specialize in a wide range of photography services that cater to diverse needs, ensuring that each client gets exactly what they are looking for. From professional headshots to wedding photography, and from product photography to event coverage, AIV Marketing delivers high-quality images that not only meet but exceed expectations.

In the competitive world of digital marketing, visual content plays a crucial role in attracting and engaging audiences. High-quality photography can make all the difference in how a brand is perceived online. People are drawn to visuals that are aesthetically pleasing, authentic, and tell a story. That’s why businesses today invest heavily in photography services to enhance their online presence and communicate their brand message effectively. At AIV Marketing, we had Professional Photographer Hyderabad offering the best photography services that help brands stand out in a crowded marketplace.

Our photography services are not limited to just taking pictures; we also focus on the post-production process, ensuring that every image is polished to perfection. Using the latest software and editing techniques, we enhance each photo to bring out its full potential. Whether it's adjusting the lighting, retouching imperfections, or adding creative effects, our team of editors works meticulously to ensure that the final product is flawless.

One of the key aspects that set AIV Marketing apart from other photography service providers is our use of cutting-edge technology. We understand that the world of photography is constantly evolving, and we make it a point to stay ahead of the curve. Our photographers use state-of-the-art equipment, including high-resolution cameras, drones, and lighting systems, to capture images that are sharp, detailed, and vibrant. In addition to traditional photography, we also offer innovative services like aerial photography, 360-degree virtual tours, and time-lapse photography, which are particularly popular in industries like real estate, construction, and event management.

AIV Marketing also understands the importance of personalization. Every client is unique, and so are their photography needs. That’s why we take the time to understand each client’s vision and tailor our services accordingly. Whether it's capturing the candid moments of a wedding, creating professional product shots for an e-commerce site, or producing a visually striking corporate portfolio, we work closely with our clients to ensure that their specific requirements are met. Our collaborative approach ensures that the final images reflect the client’s style, brand, and objectives.

For businesses, especially in the digital age, photography plays a crucial role in marketing and branding efforts. With social media platforms like Instagram, Facebook, and Pinterest placing heavy emphasis on visual content, brands need to invest in professional photography to stay relevant. AIV Marketing helps businesses create visually compelling content that attracts and retains customers. Our photography services are designed to enhance the overall brand image, increase engagement, and drive conversions.

One of the most popular photography services we offer is product photography. In the world of e-commerce, a product’s image is often the first thing a potential customer sees. A well-shot product photo can be the difference between making a sale or losing a customer. AIV Marketing specializes in creating high-quality product images that highlight the best features of a product. Whether it’s for a website, a catalog, or social media, our product photography services help businesses showcase their offerings in the best possible light.

Another area where AIV Marketing excels is event photography. Capturing the energy and excitement of an event requires skill, timing, and creativity. Our photographers are experienced in covering all types of events, from corporate functions to music festivals, and from product launches to weddings. We understand that every event is unique, and we strive to capture the moments that make it special. Whether it’s candid shots of guests, close-ups of the décor, or action-packed images of performances, our event photography services deliver a comprehensive visual record of the occasion.

AIV Marketing’s wedding photography services are also highly sought after. We understand that a wedding is one of the most important days in a person’s life, and we take great pride in capturing the love, joy, and emotion of the occasion. Our wedding photographers are skilled in capturing both the big moments, like the exchange of vows, as well as the smaller, more intimate moments that often go unnoticed. We work closely with couples to ensure that their wedding photos reflect their personalities and tell the story of their special day in a way that is timeless and beautiful.

In addition to our photography services, AIV Marketing also offers videography services for clients who want to take their visual content to the next level. Whether it’s a promotional video for a business, a music video, or a documentary-style film, our team of videographers is equipped to handle projects of all sizes. Just like our photography services, our videography services are tailored to meet the unique needs of each client.

In conclusion, AIV Marketing provides Best Photography Services in Madhapur that cater to a wide range of needs, from personal projects to business branding. With a focus on quality, creativity, and innovation, we strive to deliver images that not only capture moments but also tell stories. Our use of cutting-edge technology, combined with our commitment to personalized service, ensures that every client gets the best possible results. Whether it’s for a wedding, a product launch, or a corporate event, AIV Marketing’s photography services are designed to help clients achieve their goals and create lasting memories.

[eagleshaped]

CHARACTER  AESTHETIC  BOARD  :  ALTAÏR IBN-LA' AHAD  AS  TOLD  BY  ASSASSIN'S CREED

[whnvr]

Brain Drain

Ah yes, hello. It is once again time to drain these brains of mine. A couple of more thoughts on this ‘Morning Pages’ process. Firstly, I’ve decided to take the Artist’s Way wording to heart and think of this as a non-negotiable exercise and, at least for the time being, I am going to do the full 1500 words as a block before I move onto anything else in my day. I’m still going to take the approach of retroactively editing them before I sleep in order to be more formatted, but the main body of text will be done first as, based on yesterday, I think this will focus me far more than spreading the writing out. Secondly, the more I think about it the more experimental I realise this entire process is for me. It’s probably best thought of as a heavily modified and specified version of the ‘Artist’s Way’ approach, as one of the stipulations offered up by Julia Cameron is that these are to be for your eyes and your eyes alone - even then going so far as to suggest that these should be sealed away in an envelope so that even the practitioner does not read them. So in that sense I am both taking a more documentative, methodical approach to the process and I am altering the formula by hosting these in a public forum. I understand that privacy helps to remove any filtering one may do but I also believe that the potential for these to be read comes with its own benefits. To that end this feels like an experiment of being creatively candid in public which is simulatenously exciting and daunting given that it runs so counter to the common approach of creating behind closed doors. I’d love to explore these ideas further as this journal progresses and see how my relationship with creativity changes due to these factors. So, I guess I’ll start by taking the measure of my day, as I am very much enjoying the ‘touching base’ element of these Morning Pages. I definitely feel a lot more blocked than I did yesterday, and it seems as though there’s somewhat of a hump to get over when I do these within the first 500 words or so before I get into a state of flow with it - this was true of yesterday also. Maybe that is one of the possible benefits of this exercise, that 'ramping-up-to-flow’ stage is one I likely experience whenever I sit down to create and the Brain Drain may be a way of me overcoming that before I come to do any of the actual creative work of my day. It seems as though forcing myself to do all 1500 words yesterday put me into the same sort of flow-state I gain from working on a really successful piece of music, and then today I am once again reset back into that familiar place of being 'blocked’, which even now I am slowly working through and unpicking purely by writing these words. Looking back on previous creative work this would seem to make an awful lot of sense. How much more demotivating it is to have to wake up and untease the same blocked feeling each morning on projects that I care deeply about and am heavily invested in than it is to instead get that part of the process out of the way on an off the cuff exercise like Brain Drain each morning. Maybe attempting to ease such a block through the work we care about is where all feelings of 'I’ve lost it’ and 'this project is hard now. Therefore how much better it must be to work through those blocks in a format that we’re not quite so invested in. Even right now there is a part of me that is very much resisting this process. It is an anxiety that masks itself as restlessness and tells me to 'go and watch a film, Aaron. Why put yourself through something so hard?’. As it is the creative enemy I have decided to call this my personal Antagonizer. Other thoughts of the Antagonizer, or the 'me’ that feels uncomfortable and uncreative: - 'Go and make a milkshake Aaron. Don’t do this. It’s 30 degrees outside today. You really need to just cool down.’ - 'Get up and walk around. You really need to release some of this tension that you’re feeling.’ - 'Go and talk to a family member. Telling them about what you want to write would be much easier than simply writing it’. That’s right Antagonizer, I WILL use your criticism in order to help me hit this wordcount. Checkmate. Yesterday has taught me that past this feeling is where enjoyment and flow lie if I can only push through it. I imagine some days will be significantly harder than others, and I imagine that I will even have days where 1500 words won’t begin to scratch the surface of this block, but I would so much rather try to push through this block writing whatever comes to mind over-and-above pushing through this block attempting to create whatever passes for a masterpiece in my world. On to next steps then. I would like to select a new artist to listen to today as I get on with other work. This would also be a good opportunity to show off a little of how I organise my inspiration, despite how embarrassingly over-elaborate it is.

On Spotify I keep a folder of artists who I’m either interest in, inspired by, are important pieces of musical history, examples of current artists who are doing what they do incredibly successfully, or artists that I feel would be generally useful to experience. For each artist, I will create a playlist, and in each playlist, I will save that artist’s entire discography chronologically. I will then slowly work my way through each of the artist’s discographies, deleting what I’ve listened to and categorising songs that jump out to me either in terms of whether I love, like, or dislike them, the emotional qualities that I want to emulate in my own music, or the technical qualities that stand out as exemplary within each song. This allows me to simultaneously build a picture of what my musical tastes are, keep an accurate record of my listening history, and create song palettes for different emotional qualities that I wish to put into my own work.

(Above: the technical qualities of music that I have categorised. This forms up a reference library that I can use to further refine these qualities when I’m working on my own music)Here are the criteria I use to define each of these categories. Idea: the concept behind a piece. Narrative: the story told. Lyrics: how ideas are expressed through words. Mood: the emotionality of a piece. Expression: how ideas are framed and delivered through the articulation of the music. Musicality: the use of harmony, rhythm, and theory to communicate those ideas. Rhythm: the measure, speed, flow, and cadence of a piece. Timbre: the overall texture, tone, and sonic palette of a piece. Structure: the flow of a piece over time. Mix: how the timbre has been arranged as an ensemble. Master: how the piece has been polished. Delivery: the title, artwork, context, presentation, and moving image that contain the piece.

(Above: the emotional qualities of music that I have categorised as a reference library for how artists that I look up to achieve specific emotional qualities in their work). These are decidedly more abstract and are generally more subject to the songs themselves that are being added. For reference, here’s the current list of artists who’s work I want to study, all at various stages of listened to, completed, or not listened to at all: - Labelle - Car Seat Headrest - Snail Mail - Japanese Breakfast - Let’s Eat Grandma - Soccer Mommy - LCD Soundsystem - Big Thief - Have a Nice Life - Beebadoobee - Animanaguchi - 100gecs - Courtney Barnett - Chromonicci - Owsey - Dark Cat - Valentine - SOPHIE - Kamasi Washington - Prince - Aurora - Massive Attack - Haywyre - Maths Time Joy - Counting Crows - Jack Strauber - Blossom Calderone - Goldfrapp - Janelle Monae - Meteorologist - Easyfun - Saint Lewis - Julian Gray - Jade Cicada - Blake Skowron - 92Elm - Maxime - Stereo Cube - Chuck Sutton - Gemi - Queen - Laxcity - Duumu - Oh Wonder - Galamatias - Umru - Underscores - Brockhampton - Fleece - i Monster - Deaton Chris Anthony - Amy Winehouse - The Beatles - Sumthin Sumthin - Radiohead - Flume - Knapsack - Dodie Here are the artists who’s discographies I have completed via this approach: - Sidney Gish - M.I.A - In Love With a Ghost - Bowie - Pink Floyd - Baird - Rudimental - Iglooghost - Madeon - Porter Robinson - 100gecs I use a similar system alongside this over on Pinterest for visual work in order to better inform my visual style and aesthetic sensibilities. Here is how I define my visual observation: Interior & Exterior, the space of dwelling.

Colour, of which idiosyncrasy and primary colours are a main focus.

Tone, subtler than colour. An intangible quality communicated by shifting hues and gradiated layers.

Mood, the way an image feels.

Looks, clothes, & apparel: personal artistic image and identity.

Desolation, a quality not currently present in my own work, but one that I often observe and love within other work, as well as in storytelling and other environments.

Layout, the way things are arranged in relation to one another within a space.

Idea, the concept behind a thing.

Texture, the tactile quality of visual elements.

Form, the shape and bounds of a thing.

Presentation, the context a thing is placed within.

Render, the quality imparted by computer generated imagery.

Type, how words are displayed.

Pattern, the use of repetition.

As you can see, how I define sound and visual art share a fairly common language between them. Anyway, I divert. I’m going to select SOPHIE as the next discography to tear through and I am also going to continue working through the UE4 Beginner learning path, though before either of these I have some university paperwork/admin stuff to finish so I’d best crack on with that. Toodles!

[mollieprattbotanical]

Botanical Evaluation

For the last 9 weeks I have been working towards the project ‘botanical’. We were given this theme ‘botanical’ and were given four specialisms and had to choose one to focus on for this duration. For this project I have completed an up to date personal blog on the social media app called ‘tumblr and a product which for my brand ‘Gingko’ were two cushions and a personalised tote bag as my packaging for my product. I decided on the specialism ‘homewear’ because I love home interior and how broad my choices could be in what I wanted my product to be. I finally came to the conclusion of what I wanted my product to be, which was a collection of cushions. I decided on this because I wanted to include my textiles skills as well as my digital skills using a camera and editing on photoshop. I wasn't very confident at first with experimenting with my textiles and the skills needed because it was new to me and i didnt want to have a final product that looked messy and unprofessional. However I spent a lot of time watching youtube videos on techniques and the basics and i also had help from my friend Eddie who is very talented with sewing and textiles. For my cushions i was able to add both my textiles skills and digital skills because i chose to get a digital print which i had designed on photoshop sent off to a small business which prints onto fabric as i wanted my pillows to represent both my digital skills using all the tools on adobe illustrator but then my textile skills using a sewing machine.

Throughout this project I linked my work closely to the style and trends that urban outfitters have because I feel their botanical home interior products were an inspiration for me and I really love this brand so I felt this was a good starting point. Because of this inspiration i had gained from urban outfitters i felt that my target audience would be the same or similar to them because of the link in style. So my target audience would be labeled as young adults (ages 16-25), i think this because of the colours and style of print i've used as they are bold bright colours and have a very abstract look to them which can be seen as more childlike than having a bold cushion in a block colour which can be seen at stores such as zara. Young adults is also my target audience because if i was to price my cushions up they would be affordable but still fashionable and at the ages i have labelled (16-25) you are either in full time education or just starting your new chapter like buying a flat so expensive home interior will not be an option to some so my product being cheap but still quirky fits this target audience. 

 There are a few areas of research which I found benefitted me with the making of my final product, the most important one was research into abstract patterns. I looked on pinterest from the start of this project to produce a pinboard which I could constantly refer back to and gain inspiration from. Once I had found my few favourite patterns I started to gain inspiration from these and started to design my own abstract patterns which I would use for my pillows, but this benefited me the most as I opened my mind and imagination in different ways and styles I could create a pattern. Then a second area of research which had a positive impact on me was looking through the urban outfitters homewear section on their website because i was already planning on having my work link to their style and trends but to see their shapes of cushions and textures they have inspired me further, this made me decide i wanted to make two cushion of different shapes to add a creative aesthetic to the cushions and that i didn't want them to be the same print i wanted them to link in style of pattern and keep some elements the same but to also make them contrat so that if they were on a bed or sofa they would be be a duo but still have a slight difference.My product took a lot of planning because I had to decide everything I wanted to do early into the project because I had to get my pattern printed onto fabrics so I could then begin making my cushions. I had to plan my packaging, product and then my campaign imagery. My cushion planning started by the sizes of the cushions then the shape then the style of pattern i wanted on the front which took me a little longer than expected because i was indecisive on what pattern i wanted and the colours and many more variations that i had to consider. Then I had to think about packaging which I decided on a tote bag because it's sustainable and reusable which links to botanicals because it's environmentally friendly. I chose to heat press my branding because i initially wanted to screen print however i took too long to decide on a pattern that i didn't have enough time to print on the screen but i dealt with this issue quickly and efficiently and decided to use a heat press which still gave me a bold tote bag for my packaging. The materials I used for all my products were four fat quarters, two as my printed pattern and then two fabrics which I had brought which were two shades of green because I used them for the back of my cushion as I only wanted the print on the front. A tote bag which i had brought plain as i was going to heat press my design on the front and back which also meant i brought heat transfer paper to be able to achieve this. 

Throughout these last 9 weeks i have developed a handful of new skills, the main one is being able to use a sewing machine efficiently and now understand how they work. This new skill will benefit me for future projects as I am now able to involve both my textiles and digital skills into one making my project more varied. Another skill is being able to use adobe illustrator alot more confidently now and be able to use all the tools to their full ability to allow me to have a strong final outcome. These skills developed while I was using it to draw over my flowers and plants, as I now know the paint brush and pen tools well which was a disadvantage I have had in the past. Then the last one is making an animation which flows smoothly and shows my creativity. It took me two tries to get my final animation which I was overall pleased with but I have now learnt the skills and the technique on how to produce a fully working and smooth motion animation.

 I can one hundred percent agree that understanding my target audience has had a strong positive impact on my undertaking of my product and how certain features will benefit business. This understanding came from being a 18 year old girl who enjoys interior design and understanding the struggle of money for certain things but also me being an 18 year old who is into fashion and enjoys seeing fashion combined with objects like pillows, bedding or even candles. So having this understanding and knowing the struggle with money and knowing the struggle trying to find products which are abstract but affordable i learnt how having your work look a certain way with colours, style and shapes will attract different age groups because of maturity and common interests. 

Overall i am very pleased with the final outcomes of both of my cushions and my tote bag because i am pleased with the quality of my cushions and how this was my first time experimenting with textiles and using a sewing machine and i feel that the development of my skills through this project is  shown with my cushions. I also feel they are appropriate for my target audience because they hold an abstract aesthetic which is filled with coloured and a unique pattern which in today's society for young adults abstract art is very popular and is so unique that anyone can have their own style and version of abstract art. I have a very positive outlook from this project because I feel I have done a lot better than expected and I have finished this project with a broadened mind set in how I can develop my work further after this and in new projects. The skills on both digital and by hand will benefit my future as I am now able to have more options on how I want to approach new themes.important skills i will take forward with me after this project is time management and also to be more inventive and creative with my response as it'll be more enjoyable and i will get into the work and find a rhythm which will allow me to keep developing slowly.

[zanytimetravelenthusiast-blog]

HowdyAds Review Should You Get It

HowdyAds Review

HowdyAds is a game-changing image ad creation suite which is mosting likely to be introduced on 30th of April. Let's face it. Organic Reach is consider a previous as well as if you are still depending on it for leads and sales you're wrong. Ads is the only and also the easiest means to reach out to prospective clients as well as get more leads as well as sales.

HowdyAds is a specialized cloud-based advertisement development collection that includes 8 social media sites systems and 45 various advertisement placements. 8 social media platforms including Facebook, Instagram, Snapchat, LinkedIn, YouTube, Twitter, Pinterest as well as a latest enhancement in the list Tik-Tok.

How to Develop Impressive Advertisements for Facebook and Twitter (Component 4)

Making Use Of Vibrancy and also Adverse Area in Facebook/Twitter Ads

Before I delve into the "quick as well as very easy" ways to create these advertisements, as I guaranteed, I want to cover one last topic in regards to color, as well as this time around I brought information along to back me up.

I have actually explore various variations of ad creative, and also have actually found that when HowdyAds concerns social networks, the use of vibrancy and also adverse space can do marvels for your campaigns.

So what is adverse room?

To put it merely, unfavorable room is the empty space around as well as between things. It plays a big role in exactly how attractive something looks attractively. One of the very best instances of negative room in branding is the all-too acquainted FedEx logo design:

Some individuals do not also realize that the adverse room in between the "E" as well as "x" in the FedEx logo creates an arrowhead. Once they see it, however, it usually extensively strikes their mind, due to the fact that it works and also subtle.

I noticed just how much of an influence this can make while I was running Facebook ads for my sibling's service, a dance institution based in Wrentham, Massachusetts.

Below are the two contending variations of the advertisement imaginative we were taking into consideration for an ad that would certainly send out targeted customers to her web site.

Think it or otherwise, the second advertisement completely destroyed the very first in terms of performance. They both ran for the very same amount of time, as well as the second advertisement generated almost 20X a lot more clicks. Consequently, the relevancy rating was higher, the costs were lower, as well as the reach was better.

The ads both had the same copy as well as exact same branding, so why the large difference in efficiency? Provided the nature of Facebook's overall design, the use of negative space in the second image made the ad much more obvious and also aesthetically appealing within the newsfeed and also other placements-- it really "pops.".

Although the concept of adverse space is past the extent of this blog post, adverse space is very important in creating something your users will involve with because the human brain swiftly differentiates when HowdyAds is used.

Vibrancy

I have actually likewise experimented with the vibrancy as well as saturation of my ads to see if they would attract attention in a more efficient means to the target market. They did.

These two ads went head-to-head against each other in the very same campaign with the exact same copy.

Variation 1's engagement rate = 1.36%.

Variation 2's involvement price = 1.70%.

Not a severe lift in interaction, however certainly adequate to make a difference. Both tweets ran for the exact same amount of time (2 days), and the second version received more than 4,000 even more perceptions as a result of its higher involvement rate. That lift in perceptions caused much more conversions for a reduced expense. Interaction is a domino effect.

The second HowdyAds ad has actually enhanced color vibrancy as well as a small increase in saturation. The end outcome is a warmer photo that radiates even more positivity than the initial.

HowdyAds Summary

Vendor: Reshu et al

Product: HowdyAds

Launch Day: 2020-Apr-30

Launch Time: 11:00 EDT

Front-End Rate: $47

Sales Web page: https://www.socialleadfreak.com/howdyads-review/

Niche: General

HowdyAds is a dedicated advertisement production suite with a drag as well as decrease modern technology, you don't have to refine any type of making skills to develop advertisements on it. It is incredibly easy! Second of all, More than 300 very converting and completely editable themes are supplied to you, Besides this, HowdyAds is not just about developing design templates, it is a complete bundle of expertise as well as practical implementation. All the social media sites systems inside HowdyAds are being supplied you with the detailed trainings on just how to start running advertisements on each of those social media platforms. You will certainly likewise obtain accessibility to a Facebook group where you can put your inquiries as well as the fans will certainly be more than satisfied to aid you.

Concerning Writer

Reshu Singhal

Pleased Founder of AdsCrisp as well as StockKosh as well as a Sales Video Development Brilliant.

Her products have produced huge results for her consumers and also have brought fantastic worth on the table.

In addition to her very own launches, she has also become part of lots of big launches as a Sales Video Clip Expert & has created over $5 Mn in sales via her Video clips.

So essentially she knows just how to make items transform & HowdyAds will not be various.

Archana Ramani

Archana is a Civil Designer Turned Advertising Specialist. She has been an Email CopyWriter for close to 3 years and extensively took care of Associate Promotions. Archana has also worked behind the scenes in several 6-figure launches! HowdyAds is her first launch being at the leading edge, and she is all set to make this one a big hit.

Here Are All The 45 Advertisements Types:

Facebook

Facebook News Feed Advertisements

Facebook Right Column Advertisements

Facebook Instant Articles Ads

Facebook Industry Ads

Facebook Tale Ads

Facebook Collection Advertisements

Facebook Carrier Ads

Facebook Audience Network: Native, Banner, Interstitial Ads

Facebook Canvas Ads

Facebook Carousel Ads

Instagram

Instagram Landscape (horizontal) Image Ads

Instagram Square Image ads

Instagram Vertical Photo Advertisements

Instagram Tale Ads

Instagram Carousel Advertisements

Snapchat

SnapAds-- The Fundamentals

Snapchat Collection Ads

Snapchat Internet View Advertisements

Snapchat App Install Advertisements

Youtube

Youtube Display Advertisements

Youtube Overlay Advertisements

Youtube Bumper Ads

Youtube True Sight In stream Ads

Pinterest

Pinterest Promoted Pins Advertisements

Pinterest Promoted App Pins Advertisements

Pinterest Slide Carousel Ad Specs Ads

TikTok

TikTok News Feed Ads

TikTok Vigo Image Ads

LinkedIn

LinkedIn Sponsored Material Advertisements

LinkedIn Sponsored InMail Ads

LinkedIn Dynamic Ads

LinkedIn Limelight Ads

LinkedIn Limelight Advertisements - Personalized History Photo

LinkedIn Display Advertisements (Medium Rectangular Shape)

LinkedIn Show Advertisements (Skies Scraper)

LinkedIn Present Advertisements (LeaderBoard)

LinkedIn Text Present Advertisements

Twitter

Twitter Web Site Card Ads

Twitter Photo Application Card Advertisements

Twitter Single-Image Tweets Advertisements (Mobile)

Twitter Single-Image Tweets Ads (Desktop)

Twitter Multi-Image Tweets Advertisements (Mobile)

Twitter Multi-Image Tweets Ads (Desktop)

Twitter Conversational Advertisements

Twitter Direct Message Card Ads

HowdyAds Channel

HowdyAds ($ 47)

Costs Ad Style Software

Develop Converting Ads

50 Particular Niches Targeting Audience

100 Converting pre made Themes

Educating exactly how to spend $5 to get to 1000s of possible customers

Live Workshop to instruct you just how to produce converting advertisements styles using HowdyAds

8 Social network

45 Placements (together with training)

Done For You Templates

Psychological Conversion Triggers

Unlimited Ads (No limits)

Proven Transforming Ad Copies - specific niche certain

Cream of the crop 100+ Advertisements Screenshot

FB Group

Facebook Ads List

Sales Page & VSL Copies of 3 Products that have collectively done over $850,000 in sales

Provided for You Freelancing Job Template

7 Ebooks - step by step ad creation for all platforms

Business License

Conclusion

" It's A Large amount. Should I Spend Today?"

Not just are you obtaining access to HowdyAds for the best price ever supplied, but also You're investing totally without risk. HowdyAds consists of a 30-day Refund Warranty Plan. When you select HowdyAds, your contentment is ensured. If you are not completely pleased with it for any reason within the first one month, you're entitled to a complete reimbursement-- no question asked. You've obtained absolutely nothing to shed! What Are You Waiting for? Try It today and get The Following Benefit Now

[arplis]

Arplis - News: Inspiring Shoe Holder For Door

Mar 1, 2019- Explore Veronica Mrts board shoe storage on Pinterest. . I love clear shoe containers with drop down doors for easy access (no more teeter . Ikea Shoe Shelf Design The Beautiful Scenery And The Charming Design In Your. Mar 6, 2019- Explore Carlas board Front door shoe storage on Pinterest. . a beautiful place to call home with our space-maximizing Chelsea Storage Bench. Buy Mindspace Over The Door Shoe Organizer Hanging Shoe Rack Closet Organizer Large Shoe Storage . Fabric is beautiful, no odor, easy to install. Shop Wayfair for the best front door shoe storage. Enjoy Free Shipping on . piece in your entryway. The beautiful finish offer a cozy and rich appeal to any room. 2018. 9. 14. The best shoe organizers, as recommended by professional . The Container Store 24-Pocket Over the Door Shoe Organizer for every shoe with super easy access and give your closet a beautiful, yet functional, aesthetic. 36 Pair Over The Door Shoe Rack Closet Bedroom, Closet Space, Walk In Beautiful walk in closet designs like this are every shoe-lovers dream come true. Explore Nadia Crandalls board Vertical shoe rack on Pinterest. See more ideas about . MAYBE I can get away with mounting this behind my front door! The perfect place to sit and chill; a beautiful bench seat by deVOL Kitchens Porch. 2018. 11. 7. No more pocket organizers neededthese shoe storage ideas are a total . in the side shelving unit, but store the rest behind closed doors. Cardboard Shoe shelf/ Behind door shoe rack: Definitely i am in love with this shelf, this is a great idea for .

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Arplis - News source https://arplis.com/blogs/news/inspiring-shoe-holder-for-door

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Studio V Project

Week 2 (March 2019)

Monday: Day 4 (04-03-19)

It’s the beginning of Week 2 and the stress is building up. After our usual BCT Weekly Meeting, I came back to Studio without any idea of what I was doing. I felt quite confused a quite frustrated. After looking back at my brainstorm from last week, I thought about how I can interconnect ideas and my concepts.

For most of the Studio, I gathered around a few students who were also confused and not a part of a group yet. I thought by sitting together and discussing our ideas, we would understand each other’s thinking and skills. I think this Semester is quite difficult for the Year Two students because they are unaware of how much freedom we have or they don’t have enough guidance from the criteria and the lecturers. I think I’m in the same boat as them because I feel like talking to a Lecturer once a week is not enough, and not having a brief is definitely making things difficult for me. Although I didn’t find a group, I think the others seemed to benefit from our discussion.

Last week, I had somewhat mentally prepared myself to work alone. And now, I think it’s better to  work by myself because only I understand my theme fully and have a personal connection to my project, so maybe it will be fine. I plan to talk to Andy tomorrow and hopefully figure something out.

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Tuesday: Day 5 (05-03-19)

Today, Andy and Clint gathered our stream and divided us into groups of interest - people who’d like to work with installations, games and other media etc. At that point, I realised that I’d like to design and create an installation that showcases my concept. I think it would be a great option for this sort of work because an installation is quite general and can be perceived in different ways. I have always wanted to create something physical and this was my chance to improve on the skills required for this idea. Since I’ve also been wanting to work with AR, I thought that a physical artefact can be linked to digital data or something technical to improve the overall experience and enhance the concept. Surprisingly, there were students who were not a part of a group yet and were wanting to work on an installation.

So, Amelia, Harry, Waha and I began talking about what kind of concepts we’ve been researching and which themes we are interested to work with. After discussing for a while and getting some guidance from Andy and Clint separately, I felt like we were mostly on a different page. Clint somewhat gave us a direction and “where to go from here,” so we decided to write our individual pitch to see what exactly we have in mind. This would give us a better idea of what we’re all thinking and then decide if we’d continue as a group.

Amelia made a shared Google Docs for us to present our ideas and any interesting links we find -  (https://docs.google.com/document/d/1ot_RRlFjz_3AEm2njzwaEbge59x8XBaTtZqBQ3WR6GM/edit?ts=5c7dce86)

After researching for Installations on Pinterest, I found some quite cool ideas and different medias used to create all sorts of artefacts. I decided to write a Research Post just for ‘Installations’ to see and understand what aspects I would like in my end product and which form was the best in terms of emphasising the idea of FEAR.

As a “group,” we made a plan of action for the week, as well as set up a time to meet on Friday to write and submit the Pitch. When we finished, I was quite hesitant to work in this group because I realised that I didn’t know any of them too well and their work ethics, which is quite important for me. I had a chat with Andy about working alone for Studio, and he said it is possible. So, at this moment, I am seriously considering it, however, I am giving myself this week to see how I feel about working with Amelia, Harry and Waha on an idea. If I am still unsure by Friday, then I will submit my own proposal.

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Friday: Day 6 (08-03-19)

Today, we had planned a group meeting to discuss our final idea and also develop our team Pitch for submission. Over the week, we all contributed to the Google Docs, and somewhat came up with an idea. Even after the meeting, I was unsure if I wanted to collaborate with Amelia, Harry and Waha on an idea that I’m not interested in. I didn’t think we were quite on the same page, so I started to work towards creating my own Pitch.

Studio V Project Pitch

WHAT (is the project?) I would like to design and create a physical/digital installation which awares people of their inner fears and instead of forcing the audience to overcome them, the installation would inform the audience (of the story behind their fear?) I would like the installation experience to be immersive (and maybe interactive) as well as different for every individual. I plan to explore forms of light, shadows and dark colours to emphasise the emotions relating to fears and create an intense atmosphere. I think a general installation can be interpreted differently for each person, however creating individual booths/artefacts add a personal touch while also allowing the user to feel however they want. I will prototype both aspects in order to reach the best result for showcasing this concept.

WHY (is it interesting / are you doing it?) I have a personal relationship with the concept of fear. I am quite scared of the sea/ocean, which comes from my lack of swimming skills so I want to delve deeper into what else I’m afraid of and how it’s impacting the decisions I make in life. Through my idea and installation, I want my audience to also think about their inner fears and how they can get to the root of the story.

WHO (is in your team?) I am planning to work alone. After discussing my ideas with students around Studio, I realised that my thoughts and plans were more personal, which meant that it would be best for me to design the project by myself.

HOW (are you to go about doing it?) I will research installations and the idea of fear and how it affects our choices throughout this semester. I aim to prototype different methods of showcasing what fear looks like, or what effects of fears are manipulating us, in order to get feedback and eventually present the best form of installation. Since the end result will be interpreted differently by each person, I will need to gain constructive feedback and advise in order to design an artefact which showcases the idea of fear in all its aspects. I also aim to get help from the Lecturers and take their advice/guidance into account.

WHEN (are the key milestones in your plan?) Weeks 2 – 4: Research (fear, choices, installations, methods, techniques etc.), Create a timetable and plan of action, Reflect on guidance from the Lecturer. Weeks 5 – 7: Continue ongoing research, Begin prototyping/physical experimentation, Design different ways of conducting the prototypes and get feedback for constant iteration. Prepare work for formative assessment. Weeks 8 – 10: Reflect on feedback received, Decide, establish and draw a design of the final artefact (aesthetic, mechanics, materials etc.), Continue ongoing research (focus on the aspects relating to the installation), Begin creating the Installation. Weeks 11 – 12: Continue finishing the Installation, Organise supplementary media in prep for open studio. Week 13: Project Due on June 7th, Aim for completion before June 3rd. Weeks 14 – 15: Reflection on open studio response, prep for final submission.

I think I’m pretty happy with what I’ve stated in the “Idea Pitch” above. Although it is not too clear what the end result will consist of, I believe that it still covers the main ideas I have thought about. I am also quite glad that I have created a basic timeline of the semester, so I can stay on track and work towards important things first.

Next week, I plan to get feedback from Andy or Clint about my “Idea Pitch,” and change things accordingly, if needed. I also want to start planning my first prototype / play test session so I can continue researching based on the responses and feedback from the session.

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When it comes to unique looking watches, we’ve had our fair share. We’ve had the Zinvo Blade Phantom, Aegaon Watches and Lobor Watches. But today we have a watch brand which triumphs over all the unique looking watches we’ve ever reviewed. This brand is Svalbard Watches and they are a company based in the UK.

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Svalbard Watches

So who is Svalbard Watches?

We are pretty sure you are having some problems pronouncing ‘Svalbard’, don’t worry we are having this problem too. Svalbard is a Norwegian archipelago between mainland Norway and the North Pole. The reason for calling the brand name Svalbard Watches is because; these watches have been inspired by beautiful, extreme and challenging landscapes of Svalbard and are valued more for their elaborate artistry, aesthetic appeal and fashionable design than for simple timekeeping.

Going back to the question, Svalbard Watches is part of a company started in 2012, Lanswood Commerce, in Greenwich, UK. They produce small batches of custom watches and in 2013 they started another brand called No-Watches. With No-Watches, they have two categories of watches, a low-cost and medium-priced electronic-based watches with quartz movements and a more expensive collectible watches that have purely mechanical based movements and are powered by springs.

But they were not done yet, 5 years later, 2017, they founded Svalbard Watches. These watches were created to reflect Svalbard landscape. Svalbard Watches do not follow the norm. They are  purely unusual and non-standard with 24-hour dial (military time), single-handed (12-hour and 24-hour) and backward (reverse movement) watches that are not actually everyday use watches.

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The Designer of Svalbard Watches

The watch collection designer is Gustaf Bergström. Since a young age Gustaf Bergström had an eye for intricate architecture and small nuances in nature. However he only realised his talent after college when he won an honorary award in graphic design from a prestigious contest based out of Sweden.

After traveling the world showcasing his talent is various countries through his stunning visual art, which encapsulated his love for all things beautiful, he developed an interest in the design of watches. He started his watch journey through a couple of watch sketches and he has not looked back since.

Since then, Gustaf has designed dozens of unique and gorgeous watches that are seen on the wrists of many professionals, creative’s, and adventures around the world.

Svalbard Watches Collection

Svalbard has a lot of watches and we will not be able to show all of them. So we have chosen the ones we think you are going to like and they are also very peculiar.

Svalbard Noonday AA17B

No-Watch Nigra Turo CM2-3111

Svalbard Singular BB12

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No-Watch Timeless CM2-3721

These were just some of the watches we thought you would like. You can see their whole collection at Svalbard Watches.

Review of the Svalbard Isfjell BA21B

We know you have trouble with ‘Svalbard’ and we also know you are finding it hard to pronounce ‘Isfjell’. The name actually means “Iceberg” in Norsk language.

Before we get into our detailed review, here are the specification of the watch.

Individually numbered Limited Edition of 500 pieces

Glossy polished Hard Steel case

Screw down back cover with engraved serial number

Case diameter 40 mm / 1,57 in (excluding crown)

Case length 48 mm / 1,89 in

Case height 9.5 mm / 0,37 in

Push-pull crown. Crown size 5.5 x 3,5 mm / 0,22 x 0,14 in

Light silver dial

Metallic blue hands/Red seconds hand

Flat hard mineral crystal

Swiss quartz movement Ronda 515.24H

Battery SR920SW (Renata 371)

Water resistant 3 ATM

Black leather 20mm band with SS buckle

Compatible with Svalbard NATO straps

Maximal wrist size 220mm

Weight 55 gr / 1.94 oz

The watch came in a usual rectangular watch box with Svalbard Watches logo printed. Inside was also a nice blue nato strap and the watch was tucked inside a brown soft touch pouch.

When we first took out the watch, we were quite confused. The numbers on the dial were all over the place and it did take some time to get used to this new look. Our overall first impression of the was pretty good. The white dial, black strap and the glossy silver casing goes well together. It is not a watch which is going to shout and scream in terms of design, that being said, people will definitely not miss the watch.

Dial

So lets find more about this dial. It is a 24 hour dial. You have an outer ring with line which is for the minutes indicator and they go in 5 minutes increment. Then you have an inner ring for the hour, in large numbers and a ring in the middle for the odd hours.

This is the first time we’ve had a 24 hour watch and it did take us a while to figure to time the watch. We did struggle a bit at first as we kept thinking the position of the 24 hour were your normal 12 hour. For example, the position of the 8 hour is your 10  o’clock on your normal watch. However after a while, we got used to the dial and it was pretty fun to show people the dial and ask them what time it was.

We definitely love the logo centered below the 12 o’clock hand, reflecting the brand and the metallic blue hands and red seconds hand are neat and make sure the dial stands out. To finish off you have a nice flat hard mineral crystal glass to give you a clear look and is also not too reflective.

Movement

Inside you have a Swiss quartz movement Ronda 515.24H and a Renata 371 battery which will give you at least 3-4 years of life. It is really great to see that watch makers are still producing quartz watches and this movement definitely suits this watch. As you would expect the movement is flawless and no problem to mention here.

On the wrist

The watch sits pretty well and the size of the casing, 40mm in diameter, and 9.5mm in height is perfect for us. We’ve had many 40mm watches and like the others, the casing size is not an issue. We’d actually like to see a bigger size casing for this watch, maybe a 43mm. In terms of comfort, the leather strap was just a little hard but it should be fine after a couple of use. However an extra hole is needed to suit the smaller wrist. At 55g, the watch is very light on the wrist. We do like our watches heavy and this was a little downfall for us. Otherwise, if you like a light watch, this will suit you well.

Any improvement

We’ve got a couple but not too major. Lume numerals and hands would be great for this watch, quick release pins will just make changing the strap very easy and also couple of extra holes on the strap would help fit smaller wrists.

Final thoughts

This watch was not built for its practicality, it was built for people to appreciate its design and unique dial. It will take some time to get use to the dial but you should be fine. The watch is well made and the quality does show on the watch.

So how much does it cost? The watch retails for $199/ £140/ €162. It is a reasonable price and it is also a limited edition watch with only 500 pieces ever made.

So this was our review of Svalbard Watches Isjell BA21B. If you would like to find out more about the watch and Svalbard Watches, do visit, http://svalbard.watch/

Before we leave, we would love to know what you think about the 24 hour watch? Let us know in the comment below.

Do not forget to subscribe to New Labels Only and do follow New Labels Only on Facebook, Instagram, Twitter, Pinterest, Bloglovin, Google + and Youtube @Newlabelsonly where New Labels only is most active!

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Svalbard Watches. Strikingly Unique Watches! When it comes to unique looking watches, we've had our fair share. We've had the Zinvo Blade Phantom…

[scottle007-blog]

Fast Art And CopyRight Issues

Nowadays, the rapid development opened to Far East countries a new advance in technology, which also brought along its new concerns about fast art and social media. The term “fast art” does not describe the time or the process taken to create artwork. Fast art is a contemporary term applied similarly to “fast fashion”, which means they were made following trends and only to satisfy a short term of use. Since art has been a word, its definition has expanded very broadly. In fact, it is always changing. In the past, only fine art made by professional artists, which may consist of drawings, painting, sculptures, poetry and performance, was considered as art. Today, art could be in any form from printmaking, photography, installation, digital, to even non visual objects such as sound art, music and literature. However, according to the Online Etymology Dictionary, the word “art” became an English word by being borrowed from Old French in the 10th century, which meant “skill in scholarship and learning”. It proves that art is not just an object, art is a process of study and practise. Therefore, artwork should carry a certain purpose and valuable means, but fast art often does not. As a matter of fact, fast art is created to follow trends, to catch the eyes of the audience directly and quickly, and it is all about the surface.

 Since Hallyu 2.0, the New Korean Wave in Creative Industries, has become more and more popular in penetrating European and North American countries, it had already created a big influence in Far East Asia. K-pop, which not only describes Korean pop music but also Korean pop culture and its unique style, has produced a new creative industry in the neighbourhood which focuses mostly on entertainment and popularity. Besides that, contemporary art in the Far East is still in the process of forming compared to other countries in Europe or America, so fast art could shape the “definition” of art very differently from the way it has in the rest of the world. As a result, it creates an opposition leading new local artists to the situation, where they would change their practice to be more attractive, which will certainly reduce the intellectual depth and the insight of their work. A more concerning idea is that it would lead to an explosion of fast art in the Far East area because of the lack of differences and creativities, when the “uniqueness” of Korea becomes a “standard” in other countries in the area.

 The fact that Far East Asian countries are focused more on the business industry, which makes commercial art becomes more preferable than other fields like fine art or contemporary art. Then, it created a question whether or not commercial art should be recognised as art. Commercial art has been known for illustration, graphic design and advertisement, and its purpose is to sell, whereas fine art supposes to be a unique and aesthetic subject to be acknowledged. However, today the market becomes very competitive, designers and illustrators are required to have their very unique style, as well as to understand their customers. To create content with those requirements is an art itself, so commercial works would also become just “art”, when there is a process of developing skills and techniques. Additionally, with a big help from high technology, many fine-artists started to use commercial techniques to build their works, such as video artist Pipilotti Rist, whose works have been both used for advertisements on television and also exhibited in art galleries and museums. However, when an art practitioner is more profit-driven, it is very difficult to not cross the border between commercial art and fast art. This often happens due to the reality that, in general, Far East Asian countries care less about quality and intelligence than price and trend. This situation has dominated art-workers because to reduce the cost of making products, many of them have to put down the creativity to satisfy the popularity. Its consequences are more vital than we think, as the lack of creativeness and artistic support is what holds back the improvement, not only of the art scene but also the society. For instance, the younger generation believes that everyone now can easily become a “photographer” or “graphic designer” just with their smartphone by using Instagram filters, instant graphic effects and editing tools. They forget that if they can use those popular applications, everyone also can, so the outcome are just copies. Making an artwork doesn’t make someone an artist. What makes an artist is practicing art, and there is no shortcut for that.

 Next, the explosion of social media has created a huge number of platforms for art practitioners to promote their work, even nationwide and worldwide. It has never been easier to publish digital copies of work on social networks such as Facebook, Google Plus, YouTube, Instagram, Tumblr and Pinterest. According to “Global social media research summary 2016”, the countries in the Pacific Ocean Region such as the Philippines, Malaysia, Indonesia, Vietnam, Thailand, Taiwan and Singapore are top of the list countries that have the biggest daily usage on Social Media in different platforms. In particular, the Philippines has the highest social media usage overall with approximately 3.7 hours a day per person on average.

 However, said Leong, internet has brought social networking on a critical need for responsibility, self-discipline, as well as media literacy, but art-workers should consider seriously the goal of using digital participatory and its cultures in transforming individuals and societies. Begins with the idea of promoting work on social media, it seems to apply better for those fields whicht are more commercial, as fine art including abstract art, conceptual art and contemporary performance do require specific audiences, who will able to understand its "language" and its value underneath. Another downside of online art platforms is copyright, which is something artists and designers should be very aware of. Nowadays, with the advance of technology, it is very easy for someone to use others visual works to get benefit without author’s knowing and permission. Particularly in Far East Asia, the lack of general comprehension about online purchasing and license is a big concern. Even though internet platforms keep improving their security and do not let users download or save images without purchase, there is still a possibility to get the file through a third party software. Stated Dal Yong Jin, professor of communications at Simon Fraser University, South Korean has been successful with its creative industries. Yet, one main issue is the illegal distribution of cultural products and software. Increasing awareness of the contribution and potential of the creative sector for development is a major task for the government. The notion of creative industries certainly pushes the Korean Wave to be more a market-driven cultural phenomenon, and it is a necessary step to fairly actualize IP rights in the digital economy era”.

  To protect the Literary and Artistic Works, the Berne Convention, which is an international agreement for copyright, was created in Berne, Switzerland in 1886. Today, with more 171 countries out of 192 over the world have signed and are under protection of copyright law, including most of the Far East Asian countries. However, according to the World Intellectual Property Organisation Copyright Treaty’s fair uses term: "It is understood that the mere provision of physical facilities for enabling or making a communication does not in itself amount to communication within the meaning of this Treaty or the Berne Convention." There are warnings about Internet service providers that are not liable or responsible for the infringing communications of their users. Above that, the lack of accountability and ignorance from the Far East governments does not help to improve the situation. With all of these drawbacks, art-workers need to discipline themselves more about this field, to protect their work better while still being able to target the audience efficiently.    

[gtfpromotion-blog]

/ACNE STUDIOS

/ABOUT

Acne Studios is a Stockholm-based fashion house with a multidisciplinary approach. Through founder and Creative Director Jonny Johansson’s interest in photography, art, architecture and contemporary culture, an alternative path has been found, turning Acne Studios into a well-respected creator of ready-to-wear, magazines, furniture, books and exhibitions. The collections are defined by Jonny Johansson’s signature juxtaposing design and attention to detail, with an emphasis on tailoring and an eclectic use of materials and custom-developed fabrics. The collections cover men’s and women’s ready-to-wear, footwear, accessories and denim. (source) 

/HISTORY

Acne Studios was founded in 1996 in Stockholm, Sweden as part of the creative collective ACNE that focused on graphic design, film, production and advertising. The name ACNE stands for "Ambition to Create Novel Expressions". In 1997, cofounder Jonny Johansson created one hundred pairs of raw denim jeans with red stitching and gave them away to friends and family. Wallpaper and Vogue Paris quickly picked up on the popularity of the jeans and Acne Studios rapidly expanded their fashion offering outside of denim. In 2006, Acne Studios became a standalone company and separated from Acne Film, Acne Advertising and Acne Digital, at the same time launching their ecommerce website acnestudios.com. Since launch, Acne Studios has grown into a global fashion house with retail stores around the world including Paris, London, New York, Los Angeles, Antwerp and Tokyo, offering women's and men's ready-to-wear collections, showing at Paris Fashion Week twice a year and turning over $120 million annually in 2013. (source) 

/PHILOSOPHY 

The Swedish brand’s denim philosophy is best summed up by founder Jonny Johansson: “I’m not into fancy stuff.” For Johansson, cool anonymity is a virtue, and over time it’s that very quality that has become Acne denim’s signature. Johansson called in from his vacation in the Stockholm archipelago to talk about the company’s origins, the competition, and where Acne is headed. (source)

/LOGO

/ACNE PAPER

“When first launched in August 2005, Acne Paper promptly gained a reputation as the most exciting new magazine on the market. Its large uncoated format, delicately embellished with a striking portrait, title at the bottom instead of the usual top, suggested something different, something timeless, something nostalgic yet refreshingly modern. Under the editorship and creative direction of Thomas Persson each issue has been created around one idea – a theme big enough to appeal to everyone interested in the arts regardless of their age or their culture. With an in-depth editorial identity that affectionately merges the past with the present, each issue of Acne Paper explores its subject from various and often unexpected viewpoints. Because of its seriousness in content and originality of style the magazine is being recog- nised all over the world as an intelligent and glamorous publication unlike any other. Acne Paper has published 15 editions, and during this time the magazine has featured and collaborated with some of themost distinguished names in the worlds of photography, art, fashion, and culture at large.” (source)

/WEBSITE

Acne Studios website presents Men and Women collection with a short video that reflects the actual campaign. This is a very clever way to create interaction with the audience. A video is always a good idea when trying to establish a relationship with the consumer because it is quick and does not require too much attention. Therefore, their website is up to date and, most importantly, it reveals the true essence of the brand by using the same campaign style both in the campaign itself and also in the website. 

/SOCIAL

INSTAGRAM/ Acne Studios counts 1,7 million followers and it does not follow anyone. With 457 posts, their Instagram page is a mix of everything they do; it is possible to find posts on the last issue of Acne Paper rather than the latest runway videos, and campaign images and videos. They do not use any Instagram filter to not lose track from their original colour scheme. 

TWITTER/ Acne Studios counts 133k followers and it does follow 937 accounts such as i-D magazine and Vogue. They post every day proposing each day an item or promoting a new store opening. They are friendly but not too much. They do not fail to communicate with the consumer and they offer excellent service. 

FACEBOOK/ Acne Studios counts 578,827 Facebook likes. They use this platform to show new products; they do not advertise but only report activities such as events, runways, new collections. Like twitter, the responses present a friendly tone. 

PINTEREST/ Acne Studios counts  36,137 followers and it does follow 29 accounts such as fashion magazines. Today, they have 51 boards and they mainly contain their collections. They also have 1,716 pins which show the collections in dept look by look. 

YOUTUBE/ Acne Studios counts  4,851 YouTube subscribers. It is their least used social media platform. They post longer videos to follow previews from Instagram or Facebook. 

Overall, Acne Studios has an excellent social media presence. They are more focused in giving information and showing the latest collection that entertaining. They provide a good range of both images and videos. 

/STORES

Acne Studios has 46 stores in total. They mostly cover Europe with different numbers of stores in Berlin, Stockholm, London, Amsterdam, Paris and Copenhagen.

/PACKAGING

Color Hex Light Pink #FFB6C1 (255,182,193)

Acne has done a good job in making their packaging memorable, everyone that knows the brand, knows that their packaging is pink and will recognize it imidiatly. The materials that a used shows that the product category is more luxurious and often this kind of packaging is used in high fashion brand stores. Therefore it also meets the criteria meaningful. Because of the materials and the color I find the packing very aesthetically appealing, so the packaging meet the criteria likability.  The colors and materials is for all line or brand extensions useful and it can also be easily adapted. The packaging is always quite the same in every high fashion brand store, you apparel rapped in thin white paper put into a paper bag with ribbon handles, the only thing that make it unique is often the color and the brand name on the bag. (source)

/PRICING

/WOMEN/ 

outwear - £270 - £1900 knitwear  - £200 - £650 sweatshirts - £180 - £410 dresses - £180 - £1100 blouses - £180 - £510 tops - £85 - £320 jeans - £160 - £230 trousers - £45 - £550 skirts - £260 - £530 shoes - £290 - £900 accessories - £80 - £370 jewellery - £140 - £460 bags - £280 - £1400 small leather goods - £100 - £360 eyewear - £230 -£330 swimwear - £90 - £230 underwear - £40 - £40

/MEN/

outwear - £240 - £1800 sweatshirts - £130 - £360 knitwear - £200 - £510 shirts - £160 - 230 T-shirts - £75 - £170 jeans - £150 - £220 suit jackets - £550 - £650 trousers - £190 - £410 shorts - £150 - £370 swimwear - £110 - £150 underwear - £40 - £55 shoes - £280 - £530 accessories - £80 - £370 bags - £280 - £1400 small leather goods - £140 - £360 eyewear - £280 - £310

[arplis]

Arplis - News: Inspiring Shoe Holder For Door

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