#toba sensei

[nocoan]

[nature-nerd-sarah]

I knew miss Toba liked foreign dramas already, but I love the fact that they went one step further and just made her a full-on ameriboo

[xtitan92]

I hope this show goes on forever

[boccher]

Character designs that add to a character's appeal for you?

i like toba sensei glasses from yuru camp i like glasses

[pmkscanlations]

PMK DVD Booklet Interviews 5

Thanks to @/pmkloveadmin and their kind friend yuunsoba who provided the raws for these interviews! Here’s the fifth set; please enjoy!  I’ll be posting the final set tomorrow!

STAFF COMMENTARY Kimiya Shigeru (Director)

I believe the production work has currently reached its climax, but please tell us your frank impressions as the director of the Peacemaker Kurogane movies.

I’ve always wanted to direct something based on the end of the Edo period, so I was delighted to come across this. In particular, I’m a fan of the Shinsengumi, so seeing all the typical characters like Kondo and Hijikata made me excited. I’m also glad that I got to know the lesser-known member Ichimura Tetsunosuke through it.

In working on this movie, were there any things you kept conscious awareness of?

Above all else, I tried not to change the flavor of the original work. I also thought carefully about the art setting and tools etc., because even though it’s a fictional work, the audience won’t be immersed without creating the world view of the Bakumatsu era. Finally, I was careful not to turn the enemies into mere villains. After all, even with the differing factions, the end of the Tokugawa Shogunate was an era where everyone simply lived according to their own ideas and ideals.

Tell us about a scene you had a particularly hard time directing and put a lot of time into. Please let fans know if there are any points in particular that you want them paying attention to.

There are plenty of parts that mirror real historical fact, so I took care to pay extra attention to Saito’s death chronology records and its consistency with historical timelines. I had the hardest time deciding how far to adjust historical facts and which parts to arrange. Though it’s a small detail, I tried to add a natural Tennen Rishin-Ryu flair to the way they drew and cut with their swords.

In a nutshell, how would you describe Peacemaker Kurogane from the view of a director?

An ensemble drama full of tragedy. As far as easily understood examples go, there’s the budding love between Saya and Tetsunosuke, the brotherly love between Tetsunosuke and Tatsunosuke… All of the main characters in this work are fighting for someone else while suffering. I think even Suzu, who has fallen into the dark path of revenge, still does it out of his admiration and affection for Toshimaro Yoshida. I think there’s something for everyone to enjoy, no matter what relationship diagrams and so on they think up for their favorite characters.

Finally, please leave a message for the fans who watch this series.

In part two, the Shinsengumi will be swallowed up by the times as the battle of Toba-Fushimi starts. It focuses on the previously invincible Shinsengumi suffering its first defeat, and the friendship between Tetsunosuke and Yamazaki, who are each struggling with their own ways of life. Last year marked the 150th year anniversary of the Meiji Restoration. I would like to consider this work a bouquet dedicated to it.

Eiji Umehara (Script & Series Composition)

Please tell us your first impressions for being in charge of the script for this work.

It was a very meaningful and rewarding script to do. I remember rushing to buy Shinsengumi-related books at the bookstore on the day I got the script order. The original work is quite dense and complex. If you move this, you can’t draw that, and if you add this, then that becomes a contradiction. On top of that, it has some heavy drama. While scripting, I often thought things like, “Chrono-sensei often draws things like this, huh?” and “the staff who chose to make this into a movie were brave”.

Where did you stick close to the source material, where did you struggle, and where did you pay the closest attention to?

I always asked, “do they both reflect the feelings of the characters?” The plan was to start filming immediately after the Aburanokoji Incident. So at this point, for example, Shinpachi and Sanosuke had just lost Heisuke, Tetsunosuke discovered the depth of Suzu’s darkness, Tatsunosuke saw how powerless he was… Everyone’s feelings and situations were quite dire. After writing, I was immediately thrust into having to put them all together in the movie and it was a bit more of a barrier than I expected.

As the screenwriter, are there any scenes you want people to pay particular attention to?

First of all, probably the scenes with Tetsunosuke and Saya in general. Even with all of the various things happening, these two make up the main axis of the drama in the first part. Then, the scenes with Hijikata and Okita. As I mentioned, because the original work was so dense, I didn’t have much space to add original elements. However, I wanted to dig down and see a bit more in-depth interaction between these two in particular, so I added back a few scenes that would have been omitted originally.

Finally, please leave a message for the fans who watch this series.

Thank you all for taking time out of your busy lives to watch. While writing the script, I read and re-read the original series and related books many times and became entranced by the world views there. I’m proud to say I’m a decent Peacemaker Kurogane fan, but I’m sure all of you are even bigger fans that I can’t even compare myself to. All staff members brought their all in facing this behemoth of a work by Chrono-sensei. I’d appreciate it if there were parts that tugged on everyone’s heartstrings even a little.

Yoko Shiraishi (Producer)

This work has numerous different forms of media. How did you settle on a movie?

Actually, I’ve been working on Nanae Chrono’s other series since Vassalord. Though that serialization is ending, I heard about Peacemaker Kurogane starting up again and asked if I could take part. We started with talk of a drama CD first but then eventually started discussing a movie instead. It’s been a long time since I’ve made a movie, so I wanted to draw the main character Tetsunosuke with my full heart. That’s why I designed the movie after the theme of the two partings that occur after the Aburanokoji Incident, and Tetsunosuke growing up during it.

From the producer’s point of view, what is Peacemaker Kurogane? Where does its power lie?

I drew the Shinsengumi head-on, parallel to their historically factual story. The Shinsengumi began its decline after the Ikedaya Incident. In it, characters are running away and worrying without caring about looking cool, which felt very human. I was able to empathize. I also cried several times when reading the original when people would die, because my feelings for that character and those around them were so chaotic. As far as characters go, I like both Shinpachi and Susumu, but Tetsunosuke is the one that makes me feel the most emotion.

Did any scenes or lines leave a particularly big impression on you? Please explain why.

The scene where Tetsunosuke and Susumu use Tatsunosuke’s loincloth to play a prank while they’re practicing shooting. I loved how the three had this relaxed conversation in the middle of an otherwise tense movie. Outside of that, the scene where Okita asks Hijikata, “can I have a rifle too?” Even if Okita’s body is yielding, he still wants to be of use to Hijikata and the Shinsengumi. On the other hand, Hijikata wants Okita to live as long as possible, so he doesn’t want to force him too hard. When feelings differ like that, it’s painful and leaves a deep impression.

Finally, please leave a message for the fans who watch this series.

Thank you for watching part one of the Peacemaker Kurogane movies. Part two begins with the Battle of Toba-Fushimi, and things just get rougher for the Shinsengumi from there. But there are still plenty of scenes well worth watching, like their actions and the appearance of a certain nostalgic person. Please look forward to it. I hope everyone will continue on to watch part two.

Toshiki Denyama (Sound Director)

What was your first impression after reading Peacemaker Kurogane for the first time? Did the drama CD or anime change that?

When I think about the path from prosperity to ruin that the Shinsengumi, which bloomed like a flower in a troubling time, took – it imbues the characters with a sort of endearing sadness as they struggle bravely and desperately to live. The already harrowing story of loss becomes even more poignant in movie form. But it’s impressive that a certain level of transparency exists in depicting the hearts of these characters.

Various scenes exist in this show, ranging from daily life to serious matters of life or death. As sound director, what did you keep in mind while working?

Seeing these characters all trying to move forward with deep trauma, it lit a fire in my heart and I decided it was my mission to bring that theme into my work. At the same time, when drawing the Shinsengumi – a dying force – I always kept “partings” and the reason why “here and now” is so precious in mind to explain the regret seeping through the story. That’s remained the same even through the movie.

There are plenty of interesting characters, but do you relate to any on a personal level? Please tell me why.

It’s the second division captain, Nagakura Shinpachi. Rather than just calling him a favorite, it’s more like I want to watch over him. Historically, he survives, so I’m sure he’ll survive in the series. But then I think about what he would have thought, crossing the turbulent times into the Meiji era. I imagine that the weight of his losses and the proof of his life are immeasurable, along with the depth of his feelings.

Finally, please leave a message for the fans who watch this series.

I think people may not be able to fully realize just how precious the “now” is. Even if you think it’s important now, you’ll have to wait until later to truly feel the weight of that importance. I think that’s why stories like this, which depict the bright souls of people who once lived, shake our hearts. Please stay tuned for more!

[wondrousmay]

Character Discussion Series: Shima Rin (Yuru Camp)

Throughout my anime journey so far, I’ve encountered a wide range of characters that I could relate to in big and small ways. However, it wasn’t until I watched Yuru Camp and met Shina Rin that I finally found a character that I can really connect with on a personal level.

“It’s different when you travel the world alone. The things you see, the things you eat, you can enjoy and reflect on those things when you’re by yourself. How should I put it? When you’re camping alone, even being alone is part of the joy.”

I really appreciate Rin’s thoughts on why she prefers solo camping. While I’m not an avid camper like Rin, I can relate to her quiet and reserved personality as well as her preference to do things alone. But this doesn’t mean she doesn’t enjoy the company of her friends because she does! That’s what made Rin stand out as a character for me. She chooses to enjoy things alone because that’s what she prefers. It’s not like she doesn’t have any friends or anything. Sure, she was taken aback by Nadeshiko’s enthusiastic nature and rejects her invitation to go camping together at first. But she slowly became friends with her and the other members of Outdoors Activities Club as the story progresses.

I loved how Yuru Camp portrayed Rin’s subtle character arc without having her compromise her love for solo activity and independence. It’s pretty nice to find a character with introvert characteristics that doesn’t have to completely change herself to fit in. This makes me appreciate how Yuru Camp framed the idea of being alone as something that’s normal and not as something bad. There are different kinds of “lonely” and not all of them are negative. Like Nadeshiko said, she feels lonely at the end of a journey because she enjoyed the time with her friends.

Rin is also a kind and caring girl. We see this side of her from the first ep, when she helped Nadeshiko and offered her a cup of curry noodles when she heard Nadeshiko’s story about how she fell asleep on her way to see Mt. Fuji. In S2, when Nadeshiko was on her solo camping trip, we see Rin being worried about her and secretly followed Nadeshiko to her camping site to make sure she was doing okay. Rin was also concerned about Chiaki, Aoi and Ena during their ill-prepared camping trip and contacted Toba-sensei.

Other aspects of Rin that I love are her love for dogs and her more subtle reactions to things she enjoys like delicious food. Rin is such a wonderfully written-character and I really liked how her love of camping (an outdoor activity) and her independent nature is balanced. Her interactions with Nadeshiko, Ena and the rest of the Outdoors Activities Club are a lot of fun to watch. I look forward to see her and the rest of the cast in the Yuru Camp Movie!

[brucebocchi]

got on a toba-sensei kick there. not apologizing

[chisaiyume]

Title: Kiraboshi Dial

Author: Natsume Isaku

Genre: comedy, drama, romance, slice of life, yaoi

Synopsis[baka-updates]: Toba Yousuke sensei went to Town Alp to start afresh. He got lost and met a strange guy, Suga Kazuhiro, who went to pick him up. The folks in the town were extremely friendly, except for Kazuhiro. Because his room in the clinic collapsed, Toba had to stay in Kazuhiro's huge house for a while. What were the reasons behind Kazuhiro's personality? What happened to Toba that made him to come to this town? With hidden pasts, both of them slowly found their ways into each other’s heart.

[barak50cal]

Like a true Toba-sensei

Hungover at 9am breakfast with my mom like a true functional alcoholic

[digitald3monz]

rum goes surprisingly well with cocoa. warms you right up!

[nocoan]

[d-floe]

~Commission~

[j0hb0y]

This weeks episode is my favorite!

We got a lot of food to look at and it was really funny!

It's super hard to choose one screenshot because there were way too many brilliant ones. Even worse, i can't even post some vids to show how cute Toba-sensei is ����😭😭

However, i can show you the panel i've been waiting this whole season for: I love her eyes in this pic way too much

Hiya Papaya! 👋

Yuru Camp Season 3 started off pretty good!

When i saw the previews i was a bit unsure about the style change, but i got used to it real quick!

I'm just real happy to relax and enjoy the sights and camping. Maybe i should start camping too

Anyways, small shimarin is a international treasure

[hanekawa-san]

[wondrousmay]

Weekly seasonal anime thoughts

Yuru Camp S3E08: Aki, Aoi and Ena’s Bus Camp continues. This was a mouthwatering episode! All the cooking and delicious-looking food made me hungry haha! It’s nice Toba-sensei again too.

The Many Sides of Voice Actor Radio Ep7: I didn’t expect this episode to make me emotional! The reveal that Yubisaki is a big fan of Yuuhi Yugure and Yasumi Utatane was great because it made her character more interesting to me. I liked that she genuinely felt betrayed/sad that Yuuhi and Yasumi completely changed their image to their current ones. A lot of their old fans felt the same way so it was emotional seeing their fans still support them despite it all especially during the challenge scene.

Dungeon Meshi ep21: whoa, this episode is very interesting!!! We’re introduced to 2 different plot points and it is very exciting! Very curious about the elves and Kabru. Also Laios being the prophesied hero that will defeat the mad magician and be the new king?!?! 🤯🤯🤯

Demon Slayer: Hashira Training Arc ep1-2: I’m genuinely happy that Demon Slayer is back! This season is a great one for character interactions between the cast and it sets up a lot of plot points for the final climatic battle with Muzan.

Hibike! Euphonium S3E07: the buildup of Mayu and Kumiko’s relationship continues to be so good! Kumiko attempts to get closer to Mayu since she felt guilty about being on guard around her and in this ep, she finally understood why she felt uneasy around Mayu. Mayu reminded her of her past self during middle school. The visual storytelling in this ep is amazing and it really shows the distance between Mayu and Kumiko. Very good stuff!!!

Loved seeing Natsuki and Yuuko again as well!

Jellyfish Can’t Swim in the Night Ep8: this was another heartwarming and emotional episode! JELEE’s first anniversary live didn’t go as planned but they managed to pull it off together. I loved that Kiui was the one who suggested the idea of an online live. The idea that we can connect together despite being in different places is very relevant. The scene with all the JELEE fanarts got me emotional! However, with Kano’s identity being exposed and her mom reaching out to Mahiru, things are about to get messy for sure.

Whisper Me a Love Song ep7: things are getting intense with Shiho and Aki! I do love Himari’s relationships with Momoka and Shiho though. They have such a fun dynamic. Though Shiho doesn’t know that Himari’s girlfriend is Yori yet…

As for the production issues, it definitely sucks seeing the production fall apart but personally, it doesn’t stop me from enjoying the show. I hope people will support the manga as well the anime staff too.

[godzillanon]

Toba-sensei is...very pretty