#to me the one who loved you

[hopeawakenedmyskeletons]

Anime I've Finished in 2023

Part 3

21. Orange

22. Noragami

23. Noragami Aragoto

24. To Me, The One Who Loved You

25. Demon Slayer S3

26. Sugar Apple Fairy Tale

27. Dr. Stone

28. Dr. Stone: Stone Wars

29. Dr. Stone: Ryuusui

30. Dr. Stone 3rd Season

[ljaesch]

Crunchyroll Announces December 2024 Anime Home Video Releases

Crunchyroll has announced its anime home video releases for December 2024. To Me, The One Who Loved You + To Every You I’ve Loved Before (Movies Blu-ray) – 200 minutes – $39.98 – 12/3/24 Bonus Feature: Trailers Attack on Titan Season 1 (Blu-ray Steelbook) – 625 minutes – $69.98 – 12/17/24 Bonus Features: Episode commentaries, The Making of Attack on Titan, Chibi Theatre: “Fly, Cadets, Fly!,”…

[erikaalexi]

KimiAi

Hidaka Koyomi x Satō Shiori

🪻 This ending song "紫苑" by Saucy Dog literally made my heart drop. I LOVE IT so much my eyes teared up.

[caiuxraven]

I just spent the last three hours watching the two sci-fi romance anime films, To Every You I've Loved Before and To Me, the One Who Loved You, based on the novels by Yomoji Otono. You can watch them in any order, but I recommend starting with the heavier drama, To Me, the One Who Loved You, for context, and then ending with the more light-hearted To Every You I've Loved Before to leave you with a happy feeling.

It's been a while since a sci-fi anime film has captured my heart like this. The last one was probably Hello World! in 2020. Both of these films feature parallel worlds, multiverses, time-shifting, and time travel through the subconsciousness, rather than physical travel. In this way, they're similar to other anime like Link Click, Your Name, Tokyo Revengers, ERASED, and Re:Zero. However, these films are more grounded in scientific antics and tropes, rather than fantasy or supernatural elements.

I loved how intricately woven the stories were. It was like solving a puzzle and seeing how all the tiny dots and hints connected. The two films have different moods, but they're closely connected. Each film represents a different reality set in these parallel worlds, but they beautifully collide to create a heartwarming, emotional, and reflective experience for the viewer. I dare say that these films are some of the best anime films I've seen in the past few years.

[inspiritjun]

Koyomi's wish was to not meet Shiori at all so that, she could stay happy without him, and that was finally achieved through many parallel shifting and what not so, must say he achieved his goal.

It was Shiori's wish to help someone and when asked her name, she wanted to reply with that's not important. Both Koyomi and Shiori forgetting one another made that possible.

Kazune got to be with Koyomi in all the universes as she truly liked him. I love her the most, she was selflessly helping Koyomi achieve his dream.

I guess, it's wonderful ending for all. Koyomi and Shiori didn't end up together but they wanted to avoid that misfortune so it's alright, I guess.

[sashi-ya]

Why every fucking movie has to make me cry? STOP IT, I CAN'T TAKE MORE ANGST!!!!

[hola-insomnio]

No sé quién necesite leer esto pero, VEAN ESTAS JOYAS CINEMATOGRÁFICAS, y cuéntenme el orden en que las vieron y como a cambiado su perspectiva de la vida:,)

[newsintheshell]

🎥 UPDATE SUI FILM IN ARRIVO QUA IN ITALIA 🎬

TO EVERY YOU I'VE LOVED BEFORE e TO ME, THE ONE WHO LOVED YOU: i due lungometraggi (che si completano a vicenda) sbarcheranno su Crunchyroll il 20 aprile.

SUZUME:  il nuovo film di Makoto Shinkai approderà nelle sale italiane il 27 aprile, grazie a Crunchyroll.

THE FIRST SLAM DUNK: il film arriverà nei nostri cinema, grazie ad Anime Factory, il 10 maggio in versione sottotitolata e dall'11 al 17 maggio in versione doppiata.

SASAKI AND MIYANO GRADUATION: confermato da Crunchyroll che il film arriverà prossimamente sulla piattaforma.

[hummingbird1995]

Uno siempre cambia

Siempre he disfrutado de una buena lectura; recientemente...digo "recientemente" como si el 2017 hubiera sido hace a penas un par de años, mi percepción de la realidad totalmente alterada aquí.

En fin, siempre he disfrutado de novelas y desde el 2017 que he ido mostrando cierto interés también por la poesía; quizá por que la persona que definitivamente marcó un antes y un después en mi vida, disfrutaba mucho leerla; sobre todo algo de Sartre y también a Plath, de hecho, fue por un poema trillado de Sartre que empecé a amar la poesía y a leerla de manera diferente, creo que más receptiva...todavía conservo aquel pedazo de papel que decía con letras doradas "Si pudiera estar aquí y allí, estaría en ti y en ti, prendería fuego a Troya mientras te regalo París" ...aún puedo recordar cómo me sentía al momento de recibirlo y nunca más pude sentir lo mismo por ni con otra persona...siento que la inocencia que nos roban algunas personas que solamente están por un breve período de tiempo a veces pueden causar repercusiones catastróficas.

Hace como unos 8 años, por el 2015, estaba buscando unos libros de Mathias Malzieu que realmente quería leer y en esa búsqueda, vi en un estante un libro llamado "Uno siempre cambia al amor de su vida por otro amor o por otra vida" ni siquiera se me había ocurrido leerlo porque el título me parecía ridículamente largo y en ese momento (antes de mi "evento canónico") tenía una percepción del amor muy diferente a la que tengo ahora, sentía el amor con mucha más emoción y me permitía solar un poco más, sin necesidad de caer en la fatalidad.

Recientemente he tenido muchos sentimientos enocontrados a consecuencia de un par de películas (para no variar "de dibujitos") que hablan sobre los universos paralelos según las decisiones que tomamos, y sinceramente, la primera vez que la vi, tuve que pausar en la segunda (una es continuación de la otra, según el orden que las veas, yo vi primero la roja y luego la azul..wow, qué historia!) porque me encontré llorando desconsoladamente y que mi corazón latía tan fuerte y tan rápido porque realmente entendía todo, pensé tantas cosas y pensé en dos personas, aunque en ese momento pensaba intensamente solamente en una persona pero luego de que en un par de días reuní el coraje para terminar la historia, encontré también paz, porque pensé ya en dos personas ....una que, según mi análisis de la historia, al contrario de la primera, me daba un terreno firme y una "constante" en mi ecuación; sin embargo, en este universo ya he conocido a la otra persona y quizá se llevó lo mejor que tenía para ofrecer, aunque lo que tengo todavía, no está mal, la verdad no me quejo, pero me gustaría poder sentir amor con esa intensidad incondicional como una vez pude hacerlo.

Me he puesto después de ello, a re leer mis libros favoritos y ahora con una percepción algo más "vieja" tengo una interpretación de la historia y los personajes de cada uno de ellos, algo distinta; porque personajes que antes creía solamente egoístas e inmaduros, ahora incluso me encuentro justificando algunas de sus acciones y palabras en el mismo libro; y ahí me doy cuenta de que la gente realmente cambia al amor de su vida por otro amor, o por otra vida...nunca nunca escuché una frase tan cierta; porque somos solamente las experiencias que nos marcan, uno no siempre ha sido egoísta, malo, despreocupado o insensible, y nada tiene que ver la edad; sino las experiencias que nos marcan en forma de personas, en forma de situaciones, da igual.

Si bien sé que en esta realidad ya no es algo tangible, porque además con cada decisión que fue tomada en este mundo, sólo nos distanciamos más..."en otra vida me hubiese gustado lavar ropa y pagar impuestos contigo"

[somegirlsnerdywords2]

Anime i’ve Watched

To Me, The One Who Loved You & To Every You I’ve Loved Before:

To Me, The One Who Loved You Synopsis: A world where it has been established that people routinely swing between slightly different parallel worlds... Koyomi Hidaka, who lives with his father following his parents' divorce, meets a girl named Shiori Satou at the research institute where his father works. They both have a little crush on each other, but everything changes when their parents remarry. Koyomi and Shiori, convinced that they will never be together, try to jump into another world where they won't be step-siblings... There's no meaning in a world without her.

To Every You I’ve Loved Before Synopsis: A world where it has been established that people routinely swing between slightly different parallel worlds... Koyomi Takasaki, who lives with his mother following his parents' divorce, enrolls in a local university prep school. Due to the atmosphere concentrated on studies and his social awkwardness, Koyomi is unable to make friends. One day, he is suddenly approached by his classmate Kazune Takigawa, who tells him that she has travelled from the 85th world where she and Koyomi are lovers.

Status: Completed

My Rating: 7.5/10

A pair of interconnected films that you can watch in either order. I personally chose to watch To Every You I’ve Loved Before first but the order is up to you and I honestly don’t think the overall storyline changes whichever you watch first. The secondary story lines are different and the way you get to the major plot points but that’s about it. You’ll be a bit confused during the first film because you really can’t watch one without watching the other... there’s a few holes if you ignore one film in favour of the other. 

While both films were interesting and I found the entire interconnected, choose your own adventure style thing intriguing the execution was lacking and overall the story just wasn’t mindblowingly good. If I had to pick a favourite i’d go with To Every You I’ve Loved Before because I just think it was better developed in terms of character and story. 

Overall the films were alright. It was a fresh and intriguing idea. They pulled it off relatively well and the art/ animation style was nice. No major complaints but I don’t think this pair of films will be making it onto my all time favourites list.

Worth a watch for the experience but nothing cray good.

[tinyreviews]

I really like the companion piece, To Every You I've Loved Before, but you have to watch this one first to fully understand that story.

To Me, the One Who Loved You is a 2022 Japanese animated film based on the novel of the same name by Yomoji Otono. It stars Hio Miyazawa, Aju Makita, Ai Hashimoto, Mutsumi Tamura, Kenji Hamada, Mie Sonozaki, Tomomichi Nishimura, Miki Mizuno, Kimiko Yo, and Tokuma Nishioka.

[ultyso]

• Some vague spoilers•

Watched those two anime movies“To every you I loved before” and “To me, the one who loved you”, that had the whole ‘the watch order effects how you see the story!’

I watched the pink version first and then the blue one. Honestly felt you could have just watched blue, it pretty much sums up the pink in it so made pink feel a little pointless ^^;;;; Like pink just felt like a little prequel thing if you just want a little more info rather than just the little quick recap they show in Blue but I honestly wouldn’t recommend pink version lmao.

The VAs in pink also were a lot worse, often talking so monotone there was so little emotion and there was jarring music moments that came out of nowhere. Blue version was just better overall. Blue’s story just flowed better than pink too. I wouldn’t say either one was really a strong story. Had an interesting premise about it but I don’t think the watch order really matters with effecting story like it claimed ^^;

6/10

[nickelrandom]

Suzume and Drifting home

Today I watched Suzume and Drifting home. That was fun.

Suzume surprisingly made me cry for once but not for long. Honestly it was a really good movie, from the animation and beautiful storytelling it made me feel amazed at a shinkai film again. I love Souta as a chair protagonist.

These days new anime movies don't really make me feel anything. Like the pair of movies: To Me, The One Who Loved You and To Every You I've Loved Before. Even if I watched it in the order which was more sad ( white to pink) it didn't make me feel much like in a romance show. Well tbh those movies romance weren't really like the focus, but still ppl say I will cry I just didn't.

Anyway I also watched Drifting home. Like it had a cool premise and stunning animation. Everytime the main protag speaks I just hear Kirito (Bc it Bryce Papenbrook, you will never run away from his voice) and another secondary character was Asuna's Va. This movie only made me shed a singular tear when they need to say goodbye to the spirit of the house. But they are drifting out at sea for like 2 weeks. I still wonder if the spirits just go to an afterlife when their building shuts down ig.

Welp that's my reviews for ig 4 movies.

Bye-

[tsukiyadori]

Reading+Listening Log 2024.12 - December

Previous: Reading+Listening Log 2024.11 - November

Year's ending. What's going to be waiting on the other side of the tunnel?

——————————————————————————

Reading languages: German, English, French, Japanese, not listing which was what. (There’s also been some continued music listening attempts at Chinese.)

Titles are as I’ve read them either first or most and thus remember it for that title mostly.

Not going to bother putting in the original titles of translated reads unless there is something worthy of note to it.

Bold titles means series completed, or it was a one-shot.

If it says a volume number, it may mean it has been finished or is still in progress.

Some notes’ content may be subject to repetition here and there, as I also copy some older notes from casual conversations over into these logs and don't go through any rounds of cutting things down.

I will freely use some very lunatastic terms like cheese and fluff, you can find an explanation here: Luna-Lingo.

——————————————————————————

December

Pretty short list for this month.

Somewhat stuck between lethargic can't get out of bed and falling into the pit-trap called bedtime revenge procastination.

Which resulted in a few stunts of staying up really late to make a few deadlines, that I really, really do not wish to repeat.

Light Novels/Web Novels/Asian Novels:

Hell Mode V5p3-6 

Is It Wrong to Try to Pick Up Girls in a Dungeon? v15-18

To Every You I've Loved Before + To Me, the One Who Loved You (v1-2)

You Like Me, Not My Daughter?! V2-3

(classified #1 v2)

Manga:

Animeta! v3-5ch28 Black Butler v33ch195 Delinquent Daddy & Tender Teacher v4-5 Der Mond in einer Regennacht/The Moon On a Rainy Night v1-3ch12 Detektiv Conan v102 Domestic na Kanojo v28 Haikyu v45 Kemutai Hanashi ch32.2 Knitter's High ch32.1-3 Lonely Castle in the Mirror v4-5 Okazari Ouhi ni Nattanode, Kossori Hataraki ni deru koto ni Shimashita ~Usagi ga Iru no de Hitorine mo Sabishiku Arimasen!~ ch30.3 Safe & Sound in the Arms of an Elite Knight (Manga) v2ch6-11 The Valiant Must Fall v3ch28 Unnamed Memory ch42.1-2 Watashi wo Tabetai, Hitodenashi ch43.1-3 Yomei Ichinen to Senkokusareta Boku ga, Yomei Hantoshi no Kimi to Deatta Hanashi ch15.2

Webtoons:

Actually none again, huh

Music/Music Videos:

Bold are what were more memorably stuck in my head.

a mesh up from the tail end of the last month and some evergreens, but mostly pretty much the same as last month:

Zhou Shen - 若梦 Zhou Shen - 借梦（《宁安如梦》影视剧“梦”主题曲） YLL GRYM - Wretched City - 15 - the escape Troye Sivan - Blue Neighbourhood - 07 - TALK ME DOWN Troye Sivan - Something To Give Each Other - 07 - Got Me Started SVRCINA - Lucid YLL GRYM - Wretched City - 14 - LUST. VALORANT - Die For You ft. Grabbitz Joywave - Life in a Bubble I Blew (bonus track) (more or less the whole Bubble OST album by Sawano Hiroyuki) Joywave - Traveling at the Speed of Light Joywave, PVRIS - Coming Apart (PVRIS Remix) London Grammar - Oh Woman Oh Man Zhou Shen, Terry Zhong - 春雪 Joywave - Tongues (Eyedress Remix) Joywave - Tongues London Grammar - If You Wait - 17 - When We Were Young Joywave - Every Window Is A Mirror Joywave - Tongues (Giorgio Moroder Remix) London Grammar - Dancing By Night Joywave - Feels Like a Lie The Stickmen Project - Alright The Stickmen Project - Alright (Extended Mix) Zhou Shen - MINE (Live) Zhou Shen - 等你 (Live) 【音乐缘计划】 Zhou Shen - 只与我有关联 (Live) 【音乐缘计划第4期】 Zhou Shen - 忘了我 (Live) 【音乐缘计划第6期】 Zhou Shen - 颠倒之间 (Live) 【音乐缘计划·第2期】 LUNAX - No Heroes ycccc - 万叹 Story of Yanxi Palace OST - 01 - 看 (電視劇《延禧攻略》主題曲) Memphis May Fire - The Burden (Interlude) (Mahouka Koukou no Rettousei OST by Iwasaki Taku)

Notes:

Animeta! v3-5ch28: Not a bad series, and I do like it better than say Shirabako, which came along with too much dramatized pathos. But somehow... it's so down to earth and filled with technical details it's more like a documentary than anything, but still feels like trying to make a plot narrative with the characters, but that somewhat falls flat for me, because the characters aren't very interesting to me. They aren't even badly characterized or anything, but they also just don't stir up any interest either. As a documentary it throws a lot of technical details in, but doesn't really go very deep into it, so not a lot gets retained after walking out of it. In any case, not it's not a bad read, it's apparently it's in bad hiatus land.

Black Butler v33ch195: Right, Mr. Lawnmower-kun is back and I just... Well, whatever.

Delinquent Daddy & Tender Teacher v4-5: The series is pretty comfy and everything, but every so much more now the horny porny content gets a bit errrrr, partly because the explicit level of scenes make it somewhat of a hard recommendation to anyone and now the choice also seems a bit questionable (them going out to some love hotel or like just look for a good time when they are alone at home is one thing, but now they're just doing it in some whatever garden corner outside?? Besides, does that even work with no equipment at hand?) That really just feels too bad. It could have been pretty perfect title to go outside of the BL bubble into even mainstream all ages otherwise.

Der Mond in einer Regennacht/The Moon On a Rainy Night v1-3ch12: What I expected after reading ch1 a long time ago in a preview: Soppy random cheese and a more in your face and thus less nuanced version of I Hear the Sunspot in terms of thematizing the hearing impairment. What I got: Some surprisingly serious discourse on disability with the equality vs. fairness discussion as well as how this is actually more queer than it's genre GL. Like MC already kind of knows she is into girls, which is refreshing as it's none of these meets the other MC and the dramatized OMG-what-is-this-confusions. It's transported very delicately too (like how it's never ever stated she had a crush on her piano teacher, but if you piece things together you get the picture), all mixed in with doubts and also a heavy deal of subconscious denial, which also isn't dramatized, despite there being material for trauma substancially implied, it's there, subtly nagging and eating at her, fuelling her guilt, about the ulterior motives accusation of Miss little sister, and it's both right and wrong at the same time. The invitation of the hairdresser lady and her stated intention of she really just wanted to tell her "before she starts believing what society tells her", is a pretty nice supportive thing to be there before all the usual notorious suffering-because-queer sob stories could even start to sprout their traumatizing tentacles into a big tree you need a see-saw to fell. (That is also one of the things I quite like about Kieta Hatsukoi so much.)

Detektiv Conan v102: I've been thinking this for a while, but yes, this series has definitely become more and more of a romCom...

Domestic na Kanojo v28: Oh hell, I'm through. What a dumpster cheese ride. Hina really has had it for her with all the creeps trying to destroy her life. The whole coma and waking up from it is a little bit Plot Suffering and Plot Armor (same with how just about anyone gets to be pretty successful in life), but I do like what Rui has to say about their relationship to her mother and how she already has all she could want from him, and it's not like any of that going to go away, marriage or not or with her sister is back in the picture, so none of it is a problem. Now, this is vastly more interesting than anything else in the series and the series would have been so, so much more interesting if it had simply started that way. Oh, well. The surprise GL-Side plot was also fairly decent. (Actually did we ever see what became of that friend of Miss acterss who was into the latter? Last thing I remember is her comforting her when she got rejected by just being a friend for that one time or something.) All things said and done, it does have its good scenes. And then also many a few creeps too many. And even more dumpster cheese.

Haikyu v45: And there the series ends, and well. I did like the series in the beginning up to around where the Anime season 1 ends, that's where it kind of still remained tangible. But after that it increasingly was just... they take it so super serious, also they are going to do it professional and everything, and it just feels like something far beyond the other side of the fence and with that sense it just also went to be increasingly boring to me. (Didn't help I'm not too interested in volleyball itself.) Also had me to think back to the Anime of Stars Align which specifically picked up soft tennis as a sports theme to avoid exactly that sort of impression.

Is It Wrong to Try to Pick Up Girls in a Dungeon? v15-18: Ok, v14 was all action and drama and Lyu is best girl, so v15 being a slower breather and a sort of calm before the storm volume was fine. It also probably is the first volume that feels like it expects you to have read the Oratoria spin off, with all the ominous implications about Aiz and then not doing anything with it really. I did very much like that part where Hestia and Bell ruminated over their old times and the narration kinda makes pretty clear what their sort of relationship really is beneath all the daily antics. So then, after the slow and pace reducing calm of that volume, v16.... is a romCom. All of a sudden a RomCom?! Looking at the cover, I was kinda thinking Syr had to be some sort of sister, daughter, clone or homunculus or some such from Freya, because they looked so incredibly similar. Well, way to be warm, but still completely off the mark. Also, the RomCom definitely was one, but also pretty serious business after all, and I'd say the narrative structure and plot twist of it all is really quite cleverly done. I also like how the volume numbers have started to get integrated into the art since v15. Pretty eyecatching. v17 comes along with an AU-not-really setting as someone who has some base interest in alternate reality settings that one was fairly interesting, too. And I hadn't even known about Hestia being a viginial goddess before somehow. Now that sheds a whole different light in her antics of trying to protect Bell from any sort of nefarious cheese and at the same time makes it ever so much more ironic, that she is running around in that outfit of hers. V18 went on to be weaker until Lyu showed up, and she's so badass!! Go kick anyone else out of the cheese race! .... Though I feel like it's probably not going anywhere given v15 has her join the band of brutes to hit Bell in her jealousy. Why did you have to dooo thattttt. ;_; Anyway, here is hoping she comes back to her senses...

Kemutai Hanashi ch32.2: It's literally a 1:1 adaption of the doujin version with updated art and a bit more visual space to breathe, but all the dialogue lines remained the same. Pretty much word by word. You really get to notice, this is the core of it all and it didn't just remain unchanged, this has always been in such a pristine form, it did not really need any more to be said. Curious what is to come after this milestone. The commentary on Hayashi-sensei's pixiv fanbox also mentioned that things are starting with this, because after this there are things possible only because it has come though this and it definitely has my curiosity.

Also.

I'm wincing in signs.

You know this series has quite a lot of passages, that kinda... are like something like cinematic still life? Like those zero dialogue scenes. I didn't even notice it the first round of reading when I started the series back in 2022, but if you look closer a lot of those scenes are crammed full of little sign details or loads of sfx. And for reasons after the previous month of November passed I probably also can never read things the same way as in the past again. Paying overproportionally too much attention to signs totally is my new occupational hazard/disease which I've not thought though before it all whatsoever. @_@

Lonely Castle in the Mirror v4-5: This is not a bad series and I guess its message is also nice and everything. But it's plot twist was just a little bit too easy to see through, especially in a world after the mainstream blockbuster Your Name has come to existance and given that some of these characters live past the timeline in which that movie exists it just seems a little bit stretched that any of them realizing it took so long. Especially when they even discussed typical SciFi-Plotlines. Otherwise slightly confused about the sister character being dead, but also saying she'd see to what she can do to her brother when he asks her to live and then also an aged version of her showing up in MC's random daydreams and doing... something?I'm not even sure what the daydreams are good for.

To Every You I've Loved Before + To Me, the One Who Loved You (v1-2): This was an interesting series. I do like those AU, alternate dimensions, multiple world theories things and all the what if contemplations quite a deal to begin with and this one even has some pseudo science in place that makes just about enough sense while also not going into techno babbling. And a few things that essentially are just a Reading Steiner and attraction fields without using those series specific terms. I also hadn't heard about the guiness beer downstream bubbles part and finding out that this was a real thing was definitely quite intriguing. Narratively it's being fairly clever with the two volumes standing opposite to each other. The first even manages to somewhat stand alone, but still leave enough open for a second. When I started the second volume I kinda expected it to be about the MC who didn't become a scientist, has met Kazune in school, but still didn't get to be with her, to whic world he did slip shortly, but instead it was an entirely timeline altogether. I also quite like the focus on, this is this timeline, things are like this because this was simply the one possibility the narrative followed and there is plenty of others. This is something I kinda missed in e.g. Orange, where everything in that timeline just fell in line towards a happy ending while feeling kinda shoehorned at places. Always felt like if it just mentioned in the prologue or anywhere, that this was just the one lucky world of so many other failures, it would have come off so much better. Here it didn't even feel really all that shoehorned and the emphasis makes it even more grounded. But I'm just a bit confused about the ending and the ghost. The whole point of v2 was to save Shiori from her ghost existence was it? But at the end of of v1's timeline MC still gets to see a ghost shortly before meeting the elderly Shiori. And the epilogue of v2 features the PoV of some ghost, even if it's amnesiac, so we don't know if it's still Shiori or maybe even a ghostified MC. Anyway, wouldn't mind a third volume exploring more timelines, the base premise has enough ground to lend itself to many more character fates, but those two volumes are pretty roundly conclusive.

You Like Me, Not My Daughter?! v2-3: .... I suppose I am at fault myself to continue reading it in the train, but the double down on the spicy fanservice illustrations was just. Haaaahrghh. Anyway, I quite like the discourse about Miu rooting for them both and this whole going from the childish want to marry Taku to thinking it's even greater if he could just become her dad. It does it's share of subtly dismantling a few role stereotype, also with how at times she is more in the role of the Mom rather than Ayako. Ayako's blushy innocent maiden bits are a bit exhausting at times, but she can go back to being an adult too. The Magical Girl Otaku reversible thing and Miu's picture are a neat narritive tie in. Just curious how much more it may get, because it's had quite some paragraphs (or a whole chapter at that) devoted to it. (It just pops out more, because the volumes remain rather short.)

Music:

Not really been listening to music in any way attentively, so it was mostly the same old thing from the month before. And by the last third I was wrapped in a little insane private project of mine it was pretty much almost exclusived just Memphis May Fire - The Burden (Interlude). I needed something endlessly loopable, and this turned out to be very loopable in that month.

[inspiritjun]

However powerful you are, or you go to a different dimension, or time travel, or whatever… what’s supposed to happen will happen for sure. You can change some factors but the major events will stand as it is.

This concept has been portrayed several times but still amazes me.

In Tian Guan Ci Fu, Xia Lian tried to save his nation from the disaster but it happened anyway.

In Twinkling Watermelon, Eun Gyeol tried to prevent Yi Chan’s accident but it was unavoidable.

In Triage, Tin and Tol went through the time loop several times only to repeat the history.

In To Every You I've Loved Before and To Me, The One Who Loved You series, Koyomi couldn’t save Shiori in any universe.

In Absolute Zero, Suansoon warned the younger version of themselves to not cross paths but still, Ongsa’s accident happened.

What’s already destined can’t be changed but rather than accepting, humans try to make the changes that only cause multiple butterfly effects, which might not always be positive~

[doublesama]

Overall, To Every You I've Loved Before is a better movie than To Me, The One Who Loved You because it covers more interesting concepts, including the ethics of swapping worlds.

READ: https://doublesama.com/to-every-you-ive-loved-before/