#to guy being the voice of reason in defense of survival cannibalism

[zenosanalytic]

Harrow the Ninth: Blood and Guts; With Feeling!!!

While I’m sure the physical trauma, gore, intentional autophagia, unintentional cannibalism, and necrophilia in the book will be what turns mainstream heads, what really grabbed me about Harrow the Ninth was its unabashed and sincere humanity.

Every character in Harrow the Ninth gets to be a full human being. The best example to my mind is Crux: a gruesome cadaver 2 parts loyalty, 3 parts shouting, and 5 parts sheer bloody-minded cussedness; who blew up a long-grieving, broken family(and their completely innocent pilot) for the “crime” of leaving the place that murdered their husband and father and broke them; who insulted, beat, and tortured Gideon her WHOLE DAMN LIFE. And, also, the major, if not only, source of kindness and sympathy in Harrow’s own.

CRUX!!! Kind uncle Crux sneaking her sweets once a year and whenever she gets sick? Reliable retainer Crux always honest with her about her hallucinations and never judging or dismissing her for them; doing EVERY BIT of what little he can to help and protect her? Soft-voiced and kind Crux being the only member of the household who DOESNT abandon her in the Nova AU? THIS IS HOW HARROW SEES CRUX! The guy who casually kicked and spit on Gideon, who treated her as less than trash and never showed her even the shadow of an ounce of kindness is, in Harrow’s mind, the kindest person in her life. That is Fucking Wild.

Everyone is allowed to be 3D in this book, even when Harrow and Gideon disdain them. Ortus -a too-big blubbering joke in Gideon the Ninth, and Gideon and Harrow’s minds both- doesn’t JUST get to be brave, to be selfless, to confront and face up to and SURMOUNT his mistakes and flaws and then ride off glorious and stupid into Valhalla, he gets something so much more important; to speak for himself. To be Known. Understood. Through Harrow’s petty sniping we get to see the love and care he has for his shitty poetry; through her defensively projected self-loathing his regret, his sympathy, the breadth of his Heart, the loyalty to Harrow which lets him be insulted and also the stubborn pride which insists those insults not go unanswered. I’m tearing up just writing this! We get to see, in his meeting Protesilaus, him struggle with the very image of EVERYTHING he wants to be but isn’t, AND we get to see him resolve that displaced self-hatred to BOTH men -who he is, and who he isn’t- and befriend them both, and realize that the physical distance between them is superficial before the siblinghood of souls, and even more: that the conceptual distance between his ideal and his reality doesn’t have to prevent him from being good. He’s still a side character but he gets an arc, development, a story, and resolution, and HE gets to give its summation. And he’s allowed to be Heroic in his own way! HIS words summon his Hero from The River to speak HIS meter while fighting to save them all powered by THEIR shared belief in HIS Art, and then a heaven of his own defining. What other book does that for a JOKE character?!

And again: this is everybody. Yes of course the souls Harrow unknowingly called up, all those too-soon dead from Gideon the Ninth; We get to see Abigail and Magnus’s love for one another -and the dreadful teens, and their universal big-heartedness- up close, and the refutation of(or perhaps counterpoint to) Ianthe’s selfish conception of love gets to come from Magnus’s lips(oh: and Abigail SAVES THE FLIPPIN DAY! Harrow gets to know her and, through this, we get to know the true tragic waste of her death at the same time that we get to watch her MAKE her own meaning from beyond the grave); we get to see Protesilaus’s bravery and grace and kindness; Dulcinea’s indefatigability and cleverness and morbidity; Marta’s selflessness and unshakeable faith in Judith; we get to see ALL OF THEM run literally soul-risking cosmic dangers to shepherd one grieving, suffering, traumatized young woman -their jailer!- not only THROUGH that grief, but also through spiritual invasion by the product of their society’s sins: Of COURSE that was Noble as Fuck and I was Sobbing.

but EVERYBODY! John, for all his exTREMELY fucked up morality and inability to understand her, GENUINELY cares for Harrow, GENUINELY tries to see the best in everyone(even if, I suspect, that’s for mostly selfish reasons), and we get to see the sincerity of that; his care, and the self-recrimination his missteps bring despite that unyielding, bullheaded, self-warping insistence to continue on one Faustian course after another. The Lyctors in all their twisted, ancient cruelty: we get to see their surviving virtues beside their ENORMOUS, demented, murderous flaws -Augustine’s cleverness, wit and charm; Mercymorn’s outrage at endangering the young; Gideon’s faithful dutifulness; the endless love and sorrow all of them have for their Cavaliers- in the context of the fear and strain and loneliness the Emperor has forced them to endure for ten thousand years. We get to see the true grief and betrayal, fresh and bloody even now, they feel at John’s lies and manipulations, the relief they feel at thinking it all finally over, and even some small glimpses of the love they’ve managed to carve out for themselves in all of that: Gideon’s necrophilic makeout with Cytherea’s corpse takes on a whole different meaning when you learn that the first soul he’s truly loved since Pyrra is driving it around. And this too is significant; for all the discomfort it brings Harrow, and the general gross-out factor, and despite their villainy, the Kindly Prince and his Lyctors, the “Adults in the Room”, are allowed to have desires; allowed to be full and sexual people.

And the same sentiment extends to how Ianthe is written. As much as she is Harrow’s tormentor(and she is); as much as she is a ghastly, gaslighting manipulator(and she absolutely is); we also clearly see that she is Harrow’s fellow prisoner and victim on that station. Her terror is real; her suffering is allowed to be real. As much as they would Harrow, the Lyctors would as soon kill Ianthe as help her, and the Emperor not only allows that mindset but orders it thinking it helpful; just so long as his deniability remains plausible throughout. She gets to be Harrow’s safest harbor in a sea of troubles while ALSO being the person fucking with her perceptions to build in her feelings of helplessness and dependency for the SOLE PURPOSE of getting in her pants. Yet Gideon herself names her joy at seeing Harrow alive Genuine; her love for Harrow, Genuine; as twisted and awful-made by the cruel ideals instilled by her life of entitlement and emotional abuse they are, those feelings are still allowed to be real and heart-felt. Her attraction to Harrow, expressed cruelly and selfishly as it is, isn’t dismissed; Muir treats it always seriously, as she does Harrow’s own desires, and repressed confusion over them, for Ianthe. Everybody in this book gets to be REAL.

Fuck even Alecto. Over and over again we get to hear the Lyctors call her a Freak, a Monster, Subhuman(and given her eyes, those white-on-black oddities, it’s very likely she ISNT human; either a Planet-Soul herself or something even stranger); we get to hear from John’s own lips -the person SHE guarded; HER Necromancer in a pairing we have seen presented as the epitome of intimacy through two books- how he betrayed and “killed” her to calm their fears of her; and yet all the while there she is with Harrow, comforting, advising, never shaming or judging, being the only real friend Harrow’s allowed herself to be aware of.

Harrow the Ninth may very well be “Genre” Fiction, but its emotional universal is not only meticulously naturalistic, it is radiantly understanding and humane.

[head-and-heart]

The 100 Highlights - “How We Get To Peace” (5x08)

Hey everyone! Sorry for the long wait for this highlight post. I was out of town visiting family for a week and didn’t get a chance to rewatch the episode until today. And, unfortunately, I am about to be swapped for the next ten days (at least) so you can probably expect the 5x09 highlight post to be pretty late, too.

... And the 5x10 recap.

But anyway - super excited to get into this episode! Hope you enjoy my thoughts. :)

Feel free to read up on the previous posts in this series here. 

“I’ve seen the horrors we inflict on each other in the name of survival, colonel. God knows I’m as guilty as anyone, but we’re on the brink here - on the edge of an abyss I’ve stared into before - and I can tell you, having sacrificed the few to save the many more times than I care to admit, eventually, the few becomes the many. The ends don’t always justify the means and if you don’t know that by now, after everything you’ve been through, then you’re just as bad as Octavia, and we’re already lost.” 

At first I was a bit thrown by Kane’s speech here because Charmaine’s move was, objectively, very politically savvy (and it seemed a little out of place, considering Kane was the one who implied that if Charmaine got rid of McCreary she wouldn’t have to be concerned about resistance anymore but whatever) but - in retrospect - I do see the value in it. It seems to reflect what Bellamy and Clarke do later in the episode to Kara Cooper (which was honestly SO fucked up guys, like, holy shit). And the line was well delivered too. Very dramatic.

I kind of like this Vincent guy. Hm. Seems too nice to be a cannibal/serial killer. Speaking of which, are we ever going to see him snap? Maybe in 5x11 ... and that’s when we’ll get Abby telling the story of what happened in The Dark Year. :o I’ve cracked the code fam

Echo suggesting that they kill Zeke made her more familiar to me. Her character arc seems pretty on track (based on this episode) with what I have already speculated and I expect that we’re going to see her facing some issues with her old methods soon (maybe next episode?). I did like how they have set up her character arc in this episode.

I’m really enjoying that they have Indra teaming up with our mains this season. It’s an interesting dynamic, to see her interacting with characters besides Octavia and Kane this season and I am really enjoying it.

LEMME TAKE A MOMENT TO TALK ABOUT ZEKE PUTTING HIS HAND IN FRONT OF RAVEN PROTECTIVELY K

Listen, I know that their relationship has no base to it and they barely know each other and their connection doesn’t even really make sense *realistically* but I really, really LOVE Raven and Zeke’s dynamic. Lindsey and Jordan have fantastic chemistry and they look so good together and Zeke and Raven’s personalities/intellect complement each other so well. Also, this is a television show so lack of development DOESN’T MATTER, especially considering Zeke hasn’t killed Raven’s family or ex boyfriend or anything which - if you ask me - is a definite bonus! I just loved that little detail of him looking out for her, despite being angry (and having every right to be) because he feels protective of her and can’t really explain why just yet.

Also, I am in no way delusional enough to believe that the writers intentionally paralleled Bellarke and Zaven in this episode but this moment was visually extremely reminiscent of Bellamy jumping in front of Clarke in 2x09 ... so that’s a plus.

Everything involving Raven and Abby in this episode was just the most gut-wrenching, fam. Raven’s concern over Abby being threatened by Diyoza and her determination to protect her and Abby lying was just ... a Lot. It shows how far gone Abby is and added some new stakes to her addiction. I think it was important to show how Abby and Raven’s relationship will be affected by this.

“Your mother would be proud, Monty.” I wonder if anyone has told Monty this before, and how much he probably needed to hear it. In all that had happened, I forgot that Kara Cooper and Monty come from the same station on the Ark, and that they have probably even known each other for a long time. I never would have guessed that I would love seeing them interact so much but their scenes in this episode were so cute? Cooper laughing at Monty’s jokes about getting lit was the scene I didn’t know I needed. Leave it to The 100 to humanize the Worst character in the episode they get killed

THE ORIGINAL MURDER TRIO IS BACK AND AT IT AGAIN

I have to admit, in a kind of sick way I liked that we had Monty, Clarke, and Bellamy back at their old shenanigans again? Like, this felt like an indirect callback to Mount Weather, where they all committed mass murder together. This time, they’re trying to prevent that from happening again. It’s weird to see how their old allegiances and perspectives have shifted from that moment - and yet, they all continue to cooperate with each other.

“What’s one more, right? We’re all murderers.” OOF MONTY I FELT THAT

“We’re talking about taking one life to save hundreds.” “Really? Then let’s kill Octavia.” I literally yelled DRAG HIM at my screen when he said this lmao. Monty had ALL the lines in this episode. Like, damn, I love that he is questioning Bellamy and Clarke’s decisions in this, how they just revert so easily back to their same old methods. It’s refreshing to see.

 And also, he’s RIGHT. What Bellamy and Clarke are doing is so fucking twisted. They are literally killing someone in the most grotesque manner and framing them for something they didn’t even do all in order to avoid killing someone else - the person who forced her to commit the atrocities she has in the first place. Let’s face it: Cooper is easy to hate but the only reason she is the way she is is because of the system that Octavia created, the game Octavia forced her to play. And yet, they won’t kill Octavia, because of their own selfish wishes. It is absolutely fucked up and I am so glad that Monty called them out on their bullshit.

I really loved Murphy looking at Clarke’s drawing of him and Emori chained to the rocket from 4x08. It was a nice detail (and parallel to Season 4′s corresponding episode) and callback to include. Here’s hoping that we get to see *cough* other characters looking at pictures of themselves that Clarke has drawn. You know ... no one in particular.

“Tell me what we’re looking at.” 

“I don’t think we’d see it the same way, but all right. That’s where the trading post will be. And next to it will be a farm, and a workshop, and a mill ... And a real medical center, for Abby. To the south, there’ll be homes dug out of the ground to preserve the trees, and at the center, there’ll be a well, a place for people to gather, talk, debate ideas.”

“And a school with a playground where kids can blow off steam and bitch about their teachers and kiss under the bleachers. My kid.”

LET ME TALK ABOUT THIS SCENE !!! I LOVED THIS SCENE. 

I think this is the very first time (with the exception of Briller and the chickens) where any character has explicitly voiced their greatest wishes for the future, how it looks in their mind. And it’s so fucking tragic because you can just visualize it so clearly, but it feels so far away. That future doesn’t seem possible. It’s so melancholy and I love how Ian and Ivana delivered their lines in this scene.

Also, soft!Charmaine is EVERYTHING. Her line about the school and the teenagers “bitching” and making out and doing regular teenage thing was just so ... normal, it was honestly startling to think about. That’s the life that the hundred should have had - that they’ll never get now. I love the baby storyline so much (and I never thought I would like a pregnancy storyline but I do) because it humanizes Diyoza in so many ways. 

The music in this scene was gorgeous and matched the tone so well, I honestly started tearing up a little bit don’t @ me. I have a really big feeling that this discussion will come up again - either because we’re going to see this vision completely destroyed, or because we’re going to see it come to fruition. With the space travel theory, I do kind of wonder if we might get an “epilogue” of sorts for the people who stay behind on Eden, where we see Kane and Diyoza’s vision has come true (and maybe they’ll both even be there). It would be like a farewell to the characters who remain on Earth. I think it would be beautiful. (But that’s all assuming that the space travel theory is correct.)

As mildly annoying as it was that Kane literally named Diyoza’s baby for her (wtf Kane???) I did appreciate the symbolic purpose of naming her child “Hope”, especially considering the episode title “Pandora’s Box”, in which hope (aka. Kane/Baby) was the last out of the bunker and then flew away with Eligius. It’s a nice follow up to that little piece of mythology.

In a way, Kane, Abby, and Charmaine are delivering Hope (literally and figuratively) to the people. Which is also why I believe that they may all remain behind in Eden at the end of this season as we see our mains (ie. Clarke, Bellamy, Raven, etc) take off into cryo sleep, officially saying goodbye to all of them forever. (Goddamn I’m already crying and the season finale hasn’t even aired yet? THe fuck)

Also side note to talk about how vindicating it was when Kane was judging Charmaine the entire episode about her damn notebook (”names of the people you killed?” stfu) and it turned out to just be a goddamn list of baby names and defense strategies. Sit the fuck down, Mark.

I present to you: the creepiest fucking shot this show has done. And yet, I really liked it? Showing Cooper’s reactions by shooting through her helmet was a really well done creative choice. It was so trippy and it made her death feel so visceral and real. It honestly kind of sickens me to watch this scene, tbh.

On another note, I cannot BELIEVE how many stomachs Jason has forced me to watch explode this season .. the audacity ...

Emori establishing healthy boundaries is ... EVERYTHING. It’s so important for the writers to have addressed the toxicity in their relationship in this way. 

“Trouble in paradise?” I kind of love that McCreary says this to Memori because it is exactly what Murphy said to Clarke and Finn in 5x06 after the massacre. That’s some sweet kind of karma right there

Everything about Raven and Abby in this episode was absolutely devastating. Lindsey and Paige both killed this scene - the emotions were so real. Lindsey did such an amazing job portraying Raven’s hurt and rage - I could feel her emotions so viscerally. 

“Don’t you talk to me about pain.” If anyone deserves that line, it is Raven. She has been through hell and back and has had to be so strong for so long. I really liked that line.

CLARKE SITTING ON BELLAMY’S BED IN HIS TENT. Man, I would LOVE to see how that scene went askskqisks

Also, Clarke comforting my poor baby just like old times ... *sigh*

Although I have some reservations with the dialogue in this scene, I do appreciate the sentiment. Despite everything that has happened, Bellamy and Clarke still have such an understanding of each other. They forgive so easily - it’s practically second nature at this point. While I hated how Jason Rothenberg-y Bellamy sounded when he called Clarke a “mama bear” it IS nice that he is acknowledging the role that Madi plays in Clarke’s life. I feel like he finally is starting to understand just how crucial she is to Clarke, and recognizing that he felt the same way about Octavia. It gives them something new to connect over. Also, I’ll never turn down Bellarke being soft with each other.

Plus, have you ever seen a softer smile than Clarke Griffin’s? Cause oh boy am I not over that. She looks so fucking bashful when she looks up at Bellamy I can’t deal gotDAMN

“The worms were already loaded in the rover, so. What was Cooper doing there?” Marie’s delivery in this episode was SO good. God, she’s so creepy and she’s Killing It.

“Careful, big brother, or I’ll think you helped her and we’d have enough prisoners to settle this in the ring.” LISTEN. I WANTED THE EVERLARK AU SO FREAKING BAD CAN YOU IMAGINE WHAT NEW MEANING THE WORD “TOGETHER” WOULD HAVE HOLY SHIT

But also, Bellamy’s desperate looks/protests were A Lot in this scene. He really can’t fathom losing Clarke again. His and Clarke’s tragic looks towards each other just really fucking hurt - they’ve been here before. And last time, they didn’t see each other for six years. 

“Keep Madi safe. Promise me.” “I promise.”

GOD. CLARKE LITERALLY JUST GAVE HIM FUCKING CUSTODY OF HER CHILD UMMMMM HOW ONE DOES FUNCTION??? She trusts him so much i’mma cry. Also, his called out promise. He sounds so wrecked, but he needs her to know that he will keep Madi safe, needs her to have that comfort, just in case he never sees her again. Don’t Touch Me.

“Did he hurt you?” Protective!Zeke is always a plus but I’d be lying if I said that this scene didn’t immediately remind me of Bellamy asking Clarke the same damn question in 1x10. God, these unintentional Blarke parallels are really coming for my life huh

“Have you ever loved someone so much that no matter what they do to you, or themselves, you take it?” “Mom or dad?” “Mom. Drank herself to death.” I loved that Raven has finally found someone she can open up to. Feels Good, feels Organic. But also this scene came for my LIFE it was so angsty and so good. Raven breaking down absolutely ENDED me (and Zeke comforting her ... someone call 911). I really loved how they made the parallel between Raven’s mom and Abby - it just made the previous scene all the more devastating. So often it feels like the writers on this show forget about these characters backstory and I’m so happy to get these little callbacks every once in awhile.

“The answer is yes.” The fact that Raven and Zeke have this new unexpected thing to relate about is A Lot. I felt this scene deep in my bones. 

Plot twist: Abby dies because she is eaten by Vincent, and her withdrawal symptoms are just a red herring to keep us on our feet. ;)

“So much for The 100.” Hello, favourite line of this episode. Y’all have no idea (NO IDEA) how much it means to me to hear a reference to the heart of this show again, especially from Bellamy. He hasn’t forgotten, but it appears that Miller has. Wow. I felt that one.

“I can’t let you kill Clarke, O.” NO YOU CANNOT

“Here we go again. Pleading for the life of a traitor ... who you love.” DO I NEED TO SAY ANYTHING ABOUT THIS LINE HONESTLY Y’ALL ALREADY KNOW WHY IT ENDED ME

BELLAMY’S FUCKING FACE JOURNEY HOLY SHIT. THEY FOCUS ON HIS FACE FOR SO LONG AND YOU CAN JUST SEE - YOU CAN SEE - HIS INTERNAL STRUGGLE. GOD.

I totally overlooked this the first time I watched it but I love how Bellamy tells Octavia that HE made a deal with Diyoza. Clarke has already been sentenced to death and still, he’s protecting her. He won’t let Clarke get hurt for the deal she made - instead, he takes the blame. I just love him a lot fam.

Bob and Marie’s acting in that final scene was SO FREAKING GOOD. Both of them killed it. It was so devastating. 

“My sister, my responsibility.” While I was predicting before that this line would happen if Bellamy had to kill Octavia, the fact that it came back in the same context (with Bellamy having to protect others from Octavia, rather than the other way around) was so perfect. I love when writers take old lines and give them new meanings and that’s exactly what they did with Bellamy’s old mantra. It was so powerful.

AND HE DID IT ALL FOR CLARKE. HE CHOSE FUCKING CLARKE. I DON’T EVEN KNOW WHAT TO SAY???

So. 

That was a wild ride.

Hope you enjoyed reading my take on 5x08 and my favourite parts! Looking forward to the next episode in a few days. See ya then!