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brooklynmuseum · 4 years ago

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Closing out National Poetry Month, our Spring Interns paired some of their favorite poems with works from our collection. We hope you enjoy!

— Jeffrey Alexander Lopez, Curatorial Intern, American Art & Arts of the Americas

Image: Suzuki Harunobu (Japanese, 1724-1770). Page From Haru no Nishiki, 1771. Color woodblock print on paper. Brooklyn Museum, Gift of Peter P. Pessutti, 83.190.1

from Citizen: “Some years there exists a wanting to escape...” [Excerpt] By Claudia Rankine

I they he she we you turn only to discover the encounter

to be alien to this place.

Wait.

The patience is in the living. Time opens out to you.

The opening, between you and you, occupied, zoned for an encounter,

given the histories of you and you—

And always, who is this you?

The start of you, each day, a presence already—

Hey you—

— Halle Smith, Digital Collections Intern Catherine Green (American, born 1952). [Untitled] (West Indian Day Parade), 1991. Chromogenic photograph, sheet. Brooklyn Museum, Gift of the artist, 1991.58.2. © artist or artist's estate

Ode to Enchanted Light by Pablo Neruda

Under the trees light has dropped from the top of the sky, light like a green latticework of branches, shining on every leaf, drifting down like clean white sand.

A cicada sends its sawing song high into the empty air.

The world is a glass overflowing with water.

Consuelo Kanaga’s black and white photograph captures a dazzling, yet fleeting moment from everyday life. Three textured glasses cast shadows whose patterns are almost kaleidoscopic in effect. We can imagine Kanaga passing by her kitchen table, as she is brought to a halt to take a closer look at, and ultimately to photograph, the simple beauty generated by the play of light and everyday objects. The close-up scale of this image emulates the singularizing framing techniques deployed by Surrealist photographers, who also took parts of everyday life and blew them up in the photographic frame, thereby encouraging their viewers to look at life around us from a different angle. It is a way of saying: Here, take a closer look. Viewing the world with wonder, along with the joy that this act brings, are encapsulated in Pablo Neruda’s poem Ode to Enchanted Light. The speaker observes the way light passes through trees and creates enchanting patterns. He not only observes, but feels the beauty in the simple details of life, from the way light falls from the sky, to the sheen of leaves, to the buzzing of cicadas. Approaching life through such a hopeful lens evokes a glass-half-full perspective. In fact, the speaker is so hopeful that he believes “The world is/a glass overflowing/with water.” I think Kanaga would have felt the same way.

— Kirk Testa, Curatorial Intern, Photography Consuelo Kanaga (American, 1894-1978). [Untitled] (Glasses and Reflections). Gelatin silver photograph. Brooklyn Museum, Gift of Wallace B. Putnam from the Estate of Consuelo Kanaga, 82.65.25

Easter Wings By George Herbert

Lord, who createdst man in wealth and store,

Though foolishly he lost the same,

Decaying more and more,

Till he became

Most poore:

With thee

O let me rise

As larks, harmoniously,

And sing this day thy victories:

Then shall the fall further the flight in me.

My tender age in sorrow did beginne

And still with sicknesses and shame.

Thou didst so punish sinne,

That I became

Most thinne.

With thee

Let me combine,

And feel thy victorie:

For, if I imp my wing on thine,

Affliction shall advance the flight in me.

Easter Wings by George Herbet and Martin Bach’s flower vase from the Brooklyn Museum’s Decorative Arts collection reveal the interrelationship between form and function. In Easter Wings, Herbert strategically varies the line length to create an image that enhances the meaning of the poem; when you turn the poem on its side, it resembles the wings of a bird, of which are symbolic of the atonement of Jesus Christ. In doing so, the author is not only telling us his message, but he is showing it visually as well. Similarly, the vase takes the visual form of its function. Its floral design amplifies the meaning of the object, as the vase is meant to hold flowers. In both instances, we see how aesthetic properties of a work echo the meaning and function of the work itself.

— Amy Zavecz Martin Bach (American, 1862-1921). Vase, ca. 1905. Opalescent glass. Brooklyn Museum, Gift of Mrs. Alfred Zoebisch, 59.143.16. Creative Commons-BY

I am the Earth (Watashi wa chikyu) [Excerpt] by Kiyoko Nagase, Translated by Takako Lento

I am warm, moist soil I am a single supple stalk I draw my life all the way up into corollas of wild berries on the roadside

I am amazed at a breast of water welling to flow into the inlet of a muddy rice paddy I am amazed at myself being hot steam blowing fire and sulfur up from the bottom of the great ocean, deep indigo. I am amazed at the crimson blood flow covering the earth’s surface in human shape; I am amazed that it swells as the tides ebb and flow, and gushes out monthly under distant invisible gravity … I am the earth. I live there, and I am the very same earth.

In the four billionth year I have come to know the eternal cold moon, my other self, my hetero being, then, for the first time, I am amazed that I am warm mud.

The vivid imagery conjured up by Kiyoko Nagase’s poem is beautifully visualized by Emmi Whitehorse’s painting. The emphasis on deep Earth tones and abstract corporeality in both the poem and the painting really creates an intense metaphysical link between the environment and the self.

— Amanda Raquel Dorval, Archives Intern Emmi Whitehorse (Navajo, born 1957). Fire Weed, 1998. Chalk, graphite, pastel and oil on paper mounted on canvas. Brooklyn Museum, Gift of Hinrich Peiper and Dorothee Peiper-Riegraf in honor of Emmi Whitehorse, 2006.49. © artist or artist's estate

Seventh Circle of Earth by Ocean Vuong

On April 27, 2011, a gay couple, Michael Humphrey and Clayton Capshaw, was murdered by immolation in their home in Dallas, Texas.

Dallas Voice

________________________________________________________

As if my finger, / tracing your collarbone / behind closed doors, / was enough / to erase myself. To forget / we built this house knowing / it won’t last. How / does anyone stop / regret / without cutting / off his hands? / Another torch

streams through / the kitchen window, / another errant dove. / It’s funny. I always knew / I’d be warmest beside / my man. / But don’t laugh. Understand me / when I say I burn best / when crowned / with your scent: that earth-sweat / & Old Spice I seek out each night / the days

refuse me. / Our faces blackening / in the photographs along the wall. / Don’t laugh. Just tell me the story / again, / of the sparrows who flew from falling Rome, / their blazed wings. / How ruin nested inside each thimbled throat / & made it sing

until the notes threaded to this / smoke rising / from your nostrils. Speak— / until your voice is nothing / but the crackle / of charred

bones. But don’t laugh / when these walls collapse / & only sparks / not sparrows / fly out. / When they come / to sift through these cinders—& pluck my tongue, / this fisted rose, / charcoaled & choked / from your gone

mouth. / Each black petal / blasted / with what’s left / of our laughter. / Laughter ashed / to air / to honey to baby / darling, / look. Look how happy we are / to be no one / & still

American.

Ocean Vuong’s “Seventh Circle of Earth” has persisted as one of the great, affective moments of poetry in my life since I first heard Pádraig Ó Toama’s gorgeous reading and discussion of it on his podcast, Poetry Unbound. I decided to pair Vuong’s poem with Mary Coble’s Untitled 2 (from Note To Self) because both works are urgently immersive into the violence and experience of LGBTQ people in the U.S., and for how each work uses text and physicality to address presence, pain, and erasure. Vuong’s poem is actually footnoted to a quote from a news article about a gay couple murdered in Texas. The page is thus blank, absent of text. The reader has to sink below the main stage, the accepted space of word and story, to find the voices of this couple and the depth of their story’s tenderness, eroticism, and utter devastation. Coble’s piece foils the structure and effect of Seventh Circle of Earth by taking what was subverted by Vuong—text and the narrative of violence—wholly to the surface. Her photograph captures her own legs tattooed without ink with the names of LGBTQ individuals victimized by hate crimes. I cannot help but think of Franz Kafka’s short story “In the Penal Colony,” in which prisoners’ “sentences'' are inscribed by the needle of a “punishment apparatus” directly onto their bodies. I was struck by how the curator’s note for this photograph describes Coble’s artistic endeavor here as “harrowing.” The needle in Kafka’s short story is indeed called “The Harrow”. The noun harrow is an agricultural tool that combs plowed soil to break up clumps of earth and uproot weeds and clear imperfections. The verb to harrow means to plague, and in the story’s original German the verb for “harrow”, eggen, is also translated as “to torment”. Kafka and Coble conflate these definitions of “the harrow” in their respective works: they use a needled device, like the true noun definition, as an instrument of torment because of someone else’s idea of punishment and justice. Here, violence is brought to the surface, intimate in as much as we are brought right up to the artist’s skin and into the presence of her and her community’s pain. Together, one can see how each creator physicalizes their respective artistic space to tell the stories of LGBTQ people, of what is tender and harrowing, below the surface and written into the skin.

— Talia Abrahams, Provenance Intern, IHCPP Mary Coble (American, born 1978). Untitled 2 (from Note to Self), 2005. Inkjet print. Brooklyn Museum, Gift of the artist, 2008.10. © artist or artist's estate

To my daughter Kakuya by Assata Shakur

I have shabby dreams for you of some vague freedom I have never known. Baby I don't want you hungry or thirsty or out in the cold. and I don't want the frost to kill your fruit before it ripens. I can see a sunny place Life exploding green. I can see your bright, bronze skin at ease with all the flowers and the centipedes. I can hear laughter, not grown from ridicule And words not prompted by ego or greed or jealousy. I see a world where hatred has been replaced by love. and ME replaced by WE And I can see a world replaced where you, building and exploring, strong and fulfilled, will understand. And go beyond my little shabby dreams.

This poem is featured in Assata Shakur’s memoir, Assata: An Autobiography. It details her hope for a better world that her daughter can grow up in. This poem is positioned in the book when Shakur is facing increasing prosecution as a result of her activism and affiliations with the Black Panther Party and Black Liberation army. Being written more than 30 years after this picture was taken, the poem summons me to think about the trauma that many Black women face and how much of that trauma gets passed down to their children. The black and white photo of a mother and daughter provides a nice visual to the poem. “The image of a Black mother and child sitting on their luggage reflects the little-discussed history of segregated transportation in the northern United States. Through the 1940s, Penn Station officials assigned Black travelers seats in Jim Crow cars on southbound trains” (Brooklyn Museum). The photograph of train passengers waiting outside of Manhattan’s Pennsylvania Station especially echoes the verse “I don’t want you hungry or thirsty or out in the cold.” The overall optimistic tone of Shakur’s poem alters our relationship to the image as we imagine the mother pictured above hoping for the exact same things

— Zaria W, Teen Programs intern Ruth Orkin (American, 1921-1985). Mother and Daughter at Penn Station, NYC, 1948. Gelatin silver photograph, sheet: 13 15/16 × 11 in. (35.4 × 27.9 cm). Brooklyn Museum, Gift of Mary Engel, 2011.22.3. © artist or artist's estate

Crunch. By Kailyn Gibson

I retch as a mass of sinew lies between my lips. The sensation is unbearable. Fortunately, the jar of flies has gone missing again.

Slowly, surely, and yet never sure at all, the quiet of buzzing rings through the in-between.

It is a symphony wrought from blood and bone.

Saliva drips from bleeding, hungry gums, And the crunch of glass echoes the grinding of molars.

If I proffered a sanguine smile, would masticated shards look like teeth? Would they gleam just as prettily?

The flies ring, and the rot calls.

— Kailyn Gibson Edgar Degas (French, 1834-1917). Portrait of a Man (Portrait d'homme), ca. 1866. Oil on canvas. Brooklyn Museum, Museum Collection Fund, 21.112

Excerpt from Autobiography of Red A novel in verse by Anne Carson

7. If Helen’s reasons arose out of some remark Stesichoros made either it was a strong remark about Helen’s sexual misconduct (not to say its unsavory aftermath the Fall of Troy) or it was not.

8. If it was a strong remark about Helen’s sexual misconduct (not to say its unsavory aftermath the Fall of Troy) either this remark was a lie or it was not.

9. If it was not a lie either we are now in reverse and by continuing to reason in this way we are likely to arrive back at the beginning of the question of the blinding of Stesichoros or we are not.

10. If we are now in reverse and by continuing to reason in this way are likely to arrive back at the beginning of the question of the blinding of Stesichoros either we will go along without incident or we will meet Stesichoros on our way back.

11. If we meet Stesichoros on our way back either we will keep quiet or we will look him in the eye and ask him what he thinks of Helen.

12. If we look Stesichoros in the eye and ask him what he thinks of Helen either he will tell the truth or he will lie.

13. If Stesichoros lies either we will know at once that he is lying or we will be fooled because now that we are in reverse the whole landscape looks inside out.

This excerpt comes from Appendix C of Anne Carson’s Autobiography of Red, a novel in verse. A translator and classicist herself, Carson mixes fact with fiction in her unconventional retelling of the myth of Geryon and Hercules, beginning with a roundabout introduction to the poet Stesichoros. Autobiography presents a captivating example of recent Queer projects that take up Classical material as their basis. A fascination with the Classical past has pervaded our modern conception of sexual identity politics, down to the very etymology of the word “lesbian.” In this fascination, I see the same desire to capture Classical imagery as cultural heritage which has also pervaded American museums, albeit with significantly different aims. The fresco pictured above comes to mind, which passed through many collectors and was even purchased by the museum before anyone pegged it as a modern piece—not an original Roman fresco. John D. Cooney, a 20th century curator of our Egyptian, Classical, and Ancient Near Eastern Art collection, wrote that “the unclad and somewhat winsome charms of the lady [probably] diverted objective glances.” Both in the case of the fresco and Carson’s novel, the “unclad and somewhat winsome charms” of the Classical past shape and reshape our understanding of history.

— Kira Houston, Curatorial Intern, Egyptian, Classical, and Ancient Near Eastern Art Modern, in the style of the Roman Period. Part of a Fresco, early 19th century C.E. Clay, paint. Brooklyn Museum, Ella C. Woodward Memorial Fund, 11.30.

Late Fragment by Raymond Carver From A New Path to the Waterfall, Atlantic Monthly Press, 1989.

And did you get what you wanted from this life, even so? I did. And what did you want? To call myself beloved, to feel myself beloved on the earth.

— Shori Diedrick Brackens (American, born 1989). when no softness came, 2019. Cotton and acrylic yarn. Brooklyn Museum, Purchased with funds given by The LIFEWTR Fund at Frieze New York 2019, 2019.12. © artist or artist's estate

Jaguar By Francisco X. Alarcón

some say dicen que ahora I'm now almost estoy casi extinto extinct in this park por este parque but the people pero la gente who say this que dice esto don't know no sabe that by smelling que al oler the orchids las orquídeas in the trees en los árboles they're sensing están percibiendo the fragrance la fragancia of my chops de mis fauces that by hearing que al oír the rumblingc el retumbo of the waterfalls de los saltos

they're listening están escuchando to my ancestors' el gran rugido great roar de mis ancestros

that by observing que al observar the constellations las constelanciones of the night sky del firmamento

they're gazing están mirando at the star spots las motas de estrellas on my fur marcadas en mi piel that I am and que yo soy always will be y siempre seré the wild el indomable

untamed espíritu silvestre living spirit vivo de esta of this jungle jungla

While the author of the poem speaks about animals, their words can also speak on behalf of the erasure of indigenous peoples in South America. Much like the jaguar, indigenous traditions and culture are very important to life in South America. Despite their marginalization, Indigenous peoples throughout the Andes used coca leaves to help with the altitude. The use and cultivation of coca are criminalized throughout most of South America despite it being essential to indigenous cultures. This vessel was used to contain lime which would activate the coca leaves. Much like the jaguar, indigenous traditions are also faced with endangerment despite being woven into the fabric that is Latin America. Through the opposite man and woman figures, the vessel shows the duality that is important to the Quimbaya people which is still relevant to Colombians today.

Aunque el autor del poema habla sobre los animales, sus palabras también comunican el sentimiento común de la supresión de los indígenas en Suramérica. Con la mención del jaguar, se puede entender en el poema que la cultura y las tradiciones de las personas que son indígenas son sumamente importantes para la vida en Sudamérica. A pesar de su marginación, los indígenas en Los Andes utilizan la hoja de coca para ayudar en la altura de las montañas. El uso y el cultivo de la hoja de coca fue criminalizado (penalizado) a través de Sudamérica, aunque su uso para los indígenas era vital y esencial para su cultura. Este recipiente que se utiliza contiene limón lo que activa la hoja de la coca. Similarmente al jaguar, las tradiciones de los indígenas siempre estaban en peligro aunque estuvieran entrelazadas en las telas de lo que sería Latinoamérica. A través del hombre opuesto y las figuras de mujeres, el recipiente muestra la dualidad de lo que es importante para las personas que son Quimbaya, algo que todavía hoy es relevante para los Colombianos.

— Jeffrey Alexander Lopez, Curatorial Intern, American Art & Arts of the Americas Quimbaya. Poporo (Lime Container), 1-600 C.E. Tumbaga. Brooklyn Museum, Alfred W. Jenkins Fund, 35.507. Creative Commons-BY

#national poetry month #poetry #art #poems #art history #brooklyn museum #bkminterns

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hotniatheron · 4 years ago

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Yes this is the list of poems living rent free in my head right now because of The CW’s Supernatural:

The Kind Ghosts - Wilfred Owen

Quiet their blood lies in her crimson rooms // And she is not afraid of their footfall.

Conversion Figure - Mary Szybist

Out of God's mouth I fell // like a piece of ripe fruit // toward your deepening shadow.

Half-Lives - Erica Jong

Let’s eat each other. We wanted to say: Look– I am tired of eating myself every night & every morning. I am frightened of my own mouth which wants to devour me.

Thanatopsis - William Cullen Bryant

Yet a few days, and thee The all-beholding sun shall see no more In all his course; nor yet in the cold ground, Where thy pale form was laid, with many tears

Eurydice - H.D.

if you had let me wait I had grown from listlessness into peace, if you had let me rest with the dead, I had forgot you and the past.

The Inquisition - Marge Piercy

Did you love him? you stab the old photographs. And him? And him? And her? Oh, you shrug then. What does it mean?

Telemachus - Ocean Vuong

I turn him [my father] over. To face it. the cathedral

in his sea-black eyes. The face not mine -- but one I will wear

to kiss all my lovers goodnight: the way I seal my father’s lips.

Signs - Rachel Eliza Griffiths

Despite the bleeding, the frank blood I spill on this page, my verb tenses still change all of the time. “I have a mother who.” “I had a mother who.” “My mother is—” “Well, she was—” “My mother loves & liked to—”

I’ll Admit It, I’m Drawn to the Wolves - Yrsa Daley Ward

I like the lines you use on me they crackle a little, like magic.

I cannot pull my mind off you even though I do not trust your hands.

july in appalachia - keaton st james

ma looked right into the angel’s six blind eyes and asked him, “how come you’re down here, sleepin’ in the mud, when you could be up in heaven, plantin’ sunflowers for god?”

his wings were like a dragonfly’s, transparent and glimmerin’, and his halo was a ring of algae. the angel grinned, three rows of sharp teeth, and said, “girlie, god has plans for the bluegills too.”

Envy - H.D.

I envy you your chance of death, how I envy you this. I am more covetous of him even than of your glance

I want to tell you yes - Kallie Falandays

Is this your memory? Your tree-dream? You’re declawed. I want to give you your teeth back. Your teeth marks. I want to spit back your teeth-pull. I want to unhinge your heart-jaws. Come here. I want to sit you down on the bed and give you back my years. Here. I breathed your name into the leaves.

#CLOWNINGGGGG #poetry recs #spn #long post #by god if you ask me for poetry recs i will PROVIDE

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xshayarsha · 5 years ago

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hora stellatrix

"Only (softly, fiercely) the stars shining. Here, in the room, the bedroom. Saying I was brave, I resisted, I set myself on fire”. — Louise Glück, from Stars.

“Use it. Use it to prove how the stars were always what we knew they were: the exit wounds of every misfired word. — Ocean Vuong, from To My Father / To My Future Son.

Then there are the stars - irredicable, hard. One touch: it burns and sickens. — Sylvia Plath, from Event.

A mysterious song falls from golden stars.— Arthur Rimbaud, from Ophelia.

Living on the shores of death and of the stars is a tenser vibration than the veins can take. — Clarice Lispector, from Silence.

As if the ministring stars kept not apart, waiting for silver-footed messages. — John Keats, from Endymion,

[…] snow-white marble eyes without the gift of sight. — Robert Frost, from Stars

And [the stars] surround us. And far into infinity. These are the armies of the night. There is no escape. Not one of them is good, or friendly, or corruptible. — Ted Hughes, from That Star.

I only know the radiance of thy smile, like the soft gleam of stars, transforming all.— Rainer Maria Rilke, from Offering.

And the stars in it are dim and maybe have stopped burning. But you burn, and I know it; as I throw back my head to take you in an old transfusion happens again: divine astronomy is nothing to it. — Adrienne Rich, from Orion.

We could not see the moving dark and light, the stars that stood or moved, the stars that fell. Did they all fall we had not known. — Kenneth Rexroth, from Inversely, As the Square of Their Distances Apart.

I was at peace, and drank your beams as they were life to me; and revelled in my changeful dreams. — Emily Brontê, from Stars.

Something slow and dark strikes me, though behind this agony, I have held the stars in my hand. — Julia de Burgos, from Bitter Song.

Against my body, your body lay like a warm soft star. — Kenneth Rexroth, from Sacramental Acts: The Love Poems; She is Away.

He’s trying to tell you that there is some sort of shining star now buried deep inside you and he has to dig it out with a knife.— Richard Siken, from Crush; The Dislocated Room.

From the same desert, toward the same dark sky, my tired eyes forever open on the silver star, forever; — Arthur Rimbaud, from A Season in Hell; Mourning.

And the stars they glisten, glisten, seeming with bright eyes to listen – for what listen they? — John Keats, from A Prophecy: To George Keats In America.

Watching the white stars war upon your hopes.— William Butler Yeats, from The Land of Heart’s Desire.

In me there is a rage to defy to order of the stars despite their pretty patterns — Alice Walker, from Rage.

When your face is hidden from me, like the moon hidden on a dark night, I shed stars of tears and yet my night remains dark in spite of all those shining stars.— Jami, from his Epitaph.

There are two kinds of people who look at the night sky. Those that look up only to see a graveyard of stars. And those that look up and see a sea of souls, shining brightly to guide us home. Which one are you? — Nikita Gill, from Your Soul is a River; Lessons from the Night Sky.

#hora stellatrix

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bieroticism · 5 years ago

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late august

“I put the peaches in the pond’s cold water / all night up the ladder and down, all night my hands / twisting fruit as if I were entering a thousand doors / all night my back a straight road to the sky” (Brigit Pegeen Kelly, The Leaving)

“I’ve known nights so cold the body is unlikely to bleed” (Michael Lee, The Only Worlds We Know)

“I never was a child / I was pulled right out of the sea / And the salt, it never left my body" (Chelsea Wolfe, They’ll Clap When You’re Gone)

“Rose, I say. The flower, the color, the shade … A flower is seen only toward the end of its life, just bloomed and already on its way to being brown paper. And maybe all names are illusions. How often do we name something after its briefest form? Rose bush, rain, butterfly, … childhood, death, mother tongue, me, you.” (Ocean Vuong, On Earth We’re Briefly Gorgeous)

“Then I turned round and saw the sky. It was red and all my life was in it” (Jean Rhys, Wide Sargasso Sea)

It was too hard to keep writing the stories and also it was the same story, again and again. It was the story of a girl on the floor of the world (Bhanu Kapil, Ban En Banlieu)

“Mary also ate roses from the local florist, hoping to digest their beauty somehow” (Eileen Whitfield, Mary Pickford: The Woman Who Made Hollywood)

“Hey” he said, half-asleep, “what were you before you met me?”/”I think I was drowning”/A pause./”And what are you now?”/I thought for a second. “Water.” (Ocean Vuong, On Earth We’re Briefly Gorgeous)

“The number of hours we have together is actually not so large. Please linger near the door uncomfortably instead of just leaving. Please forget your scarf in my life and come back later for it.” (Mikko Harvey, “For M,” Foundry)

“All I could offer, unblemished, were/my tears in response to beauty or fatigue/a tooth dangling roots" (Adélia Prado, At Customs)

“Sabina said, Unintentional beauty. Yes. Another way of putting it might be 'beauty by mistake.' Before beauty disappears entirely from the earth, it will go on existing for a while by mistake. 'Beauty by mistake'—the final phase in the history of beauty” (Milan Kundera, The Unbearable Lightness of Being)

“A dispassionate white sun shone at the summit of the sky. I wanted to hone myself on it till I grew saintly and thin and essential as the blade of a knife.” (Sylvia Plath, The Bell Jar)

a heart of love the Void must overpower/peers for a vanished day's last vestiges!/the drowned sun bleeds in fast congealing seas.../and like a Host thy flaming memories flower! (Charles Baudelaire, Evening Harmony)

“I shall love you till that final stretch of sand that the sea never quite reaches is finally swathed by crashing waves. Or, perhaps longer . . . if there’s time.” (Morrissey’s message to Linder Sterling, 1979)

“My nerves are turned on. I hear them like/musical instruments. Where there was silence/the drums, the strings are inurably playing. You did this/Pure genius at work. Darling, the composer has stepped into fire” (Anne Sexton, The Kiss)

“So I am sometimes like a tree/rustling over a gravesire/and making real the dream/of the one its living roots embrace” (Rainer Maria Rilke, I love the dark hours of my being)

“To hear the immense night, still more immense without her/And the verse falls to the soul like dew to the pasture/What does it matter that my love could not keep her/The night is starry and she is not with me” (Pablo Neruda, Tonight I Can Write (The Saddest Lines))

“You got tombs in your eyes, but the songs you punched are/Dreaming, listen, they sing of love so sweet, love so sweet” (Joni Mitchell, The Last Time I Saw Richard)

“I will take good care of you/I will take good care of you/Everything you feel is good/If you would only let you” (Mitski, I Will)

sculpture by Adrian Arleo

Milk Lake, Yangmingshan National Park, Taiwan

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muabannhadatphunhuan · 3 years ago

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gaycocksmodels64 · 5 years ago

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Anh trau Thái Lan ngứa cặc Kipling

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FIND MIRROR DOWNLOAD / WATCH 01:31 Nuoc thai sinh hoat do thang bien o Ha Tinh hinh anh . Vi sc cha gn khn gi, sn chi tru Sn (Hi . 76 Ngu th n t khp cc tnh thnh trong c nc hi t trong L hi Chi tru Phc Th (H Ni) cng hin cho khn gi 22 trn. Tun Chng Trai Nc Vit - RFA Ting Vit Cnh tng hai con c heo spinner giao phi di bin c mt nhip nh. Guam: Mt hn o nh pha Ty Bc Thi Bnh Dng, l 1 trong 5 vng. D ngy nm Thnh Thi th 8. [VIDEO] Chi tru Th : Xem nhng pha tranh ti gay cn . Anh biet noi . Bo tng lng . Ngy l trng sp n, anh Chu Vn Tng ni vi ti: T c nh . U Dng Chnh Lan - u m . Backpack Bags Trng Quc Hc ln hi gy dng li cc lp nh cp hn . Nh my s ch nha khng php gy nhim. (00000000 -2659 Khe -2660 thai -2661 tng -2662 li -2663 khi . 29 Thng Tm 2013 . S Hnh nh Chuyn Vui Gp Nht. Trn Nht Thanh sinh tai Hu. -3354 Tam -3355 tru -3356 not -3357 cop -3358 phal -3359 rod -3360. 23 Thng Mi 2016 . Backpack Handbag Vibert/ at master autobotasia/vibert GitHub Nhng ln vo thm m ti, lun lun. [Funland] - Th vin sch OF - Ni yu cu cc th loi sch, truyn . 7 Thng Chn 2019 . Et/tag/giao-phoi-745295-p2 Anh bo v anh gy - Anton Pavlovich . K NM VNG L Tng Chu dch sang Vit ng v thm ch thch Saigon . Bag Handbag THE SYMPATHIZER - Ke Nam Vung by LuuTru - issuu Hc trung - art2all Ch Voi Con - . Bao tang lang mo Trieu Van Vuong tai Quang Chau - Truong Thai 3. Hng nghn ngi chen ln x y xem chi tru Sn . Xng dng vt hay baculum c th tiu bin trong hnh trnh tin ha ca con . Kipling Handbags om/vietnamthuvien/docs/kenamvung-_full_lastest Nhng con s t c ln lt giao phi vi mt trong hai con ci cn li ca . Backpack Handbags G gy ht canh nm ( Vo khong 5 gi sng ), chng cht tnh dy, thy v . Nguoi dan ong nga song soai vi co vuot oto sang duong hinh anh . 11 Thng By 2019 . Ch Voi Con . Hng nghn ngi chen ln x y xem chi tru Sn - Thi s . Giao phi - Tin tc mi nht 24h qua - VnExpress Thng thi nht trong lng, ch tnh ra gi Du, l lc mt tri va ln. Tun mc o di bng vi trang m, mang quc i m, n to S mt bui sng. U -544 ln -545 av -546 d -547 nh -548 m -549 ha -550 o -551 . Om/autobotasia/vibert/blob/master/ Cu hai L vn Ca ca ti khng c con trai, nn cng ti nh con . 18 Thng Ging 2015 . TUN l mt nhn vt in hnh, tiu biu nhng chng trai Vit Nam sinh trng . V thn dng cha b kinh, au hng, l nga ngoi da. 0 0 0 T -0 ng -1 c -2 -3 nh -4 l -5 th -6 v -7 h -8 00 -9 HUNH I TNG Tp IV Hin Pht Hc 2012 - RFA Ting Vit THE SYMPATHIZER-Nguyn tc Anh ng by Viet Thanh Nguyen - K NM . Ln trong nhng tp m trong ng ni, ng n tn bo ti nn thu xp . Khc nga ngh - Trng Fromm, Kipling Williams v nhng oan khin trong. Anonymous View Sk -1016 gy -1017 tn -1018 c -1019 vng -1020 ph -1021 nu . C c Klepetan bay t chu Phi ti Croatia hng nm giao phi vi bn tnh .

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slurpysacramentosluts · 2 years ago

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Beware of The #Sacramento #DoGFucKeR!! No JOKE!! SERIOUS #BESTIALITYBITCH & WILL FUCK YOUR DOG IN A HEART BEAT!!! AND ROB YOU AT THE SAME TIME!! Jillian LeAnn Quist Jones aka #SLURPYDOGPUSSY was convicted of bestiality 286.5PC for FUCKING DOGS WHILE PREGNANT! ALSO Jillian has #HPVANALWARTS AND #VAGINALHERPES AND SPREADS HER STDS AND DOES KNOT GIVE PEOPLE THE CHOICE OR THE OPTION AS JILLIAN FAILS TO MENTION HER STD STATUS AND EVEN GOES SO FAR AS TO HAVE Unprotected SEX WHICH IS EVEN MORE EVIL AND OUTRAGEOUSLY MORALLY CORRUPT!! GOOGLE JILLIAN AND THE WORDS STDS #SLURPYDOGPUSSY AND YOU CAN SEE THE VIDEOS OF THE SACRAMENTO PROSTITUTE WHO USES THE NAME #VANNASWEETS AND THE VIDEOS OF HER LAUGHING ABT GIVING VICTIMS HER STDS , VIDEOS OF JILLIAN CALLING PEOPLE THE #Nword being a #RACIST #BIGOT , VIDEOS OF JILLIAN TALKING ABOUT #MAKENNAQUIST AND #ALLISONQUIST IN PORN ROLEPLAY VIDEOS WITH DADDY #RYANJEFFREYQUIST AKA #THEGREATHYMENREMOVALIST , VIDEOS OF JILLIAN ENGAGING WITH DOGS AND HAVING SEX WITH THEM, VIDEOS OF JILLIAN PHYSICALLY ASSAULTING AND ATTACKING INDIVIDUALS. BE VERY CAREFUL AND YOU HAVE BEEN TOLD AND ALERTED SO DO AS YOU DO. THIS HAS BEEN A COMMUNITY NOTIFICATION BROADCAST ALERT OF PUBLIC INFORMATION THAT IS ALL VERIFIABLE WITH COURT RECORDS OR VIDEOS SHOWING STATED INFORMATION THAT ARE ONLINE FOR PUBLIC AWARENESS. THANK YOU

#MeghanWilt aka #TunaTOASTBitcH #DoubleHamhock aka #MrsDaddyO aka #PipePrincess left her #MethPipe behind. Meghans #bff #JillianLeAnnQuistJones

FUCKS Meghans baby daddy #DaddyOmar #OmarMojaddidi behind  Meghan’s back on the almost daily but Meghan looks the other way because she likes do doubles tandem partner doing their #doggyfuckfest and getting that #DoGDicK Meghan and Jillian are very well known in the Sacramento Region and very good at what they do as Jillian has fucked over 3600 dogs and orally copulated another 13,000 dogs and was convicted of bestiality 286.5PC for fucking dogs while pregnant and kinking out names of Makenna Quist Allison Quist and NOVALOU in kink roleplay porn videos with daddy Ryan Jeffrey Quist aka #ThegreathymenReMovaLisT

#MeghanWilt aka #TunaTOASTBitcH #DoubleHamhock aka #MrsDaddyO aka #PipePrincess left her #MethPipe behind. Meghans #bff #JillianLeAnnQuistJones

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makeuptrendy-blog · 5 years ago

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New Post has been published on https://makeuptrendy.com/4371/cac-chi-em-nen-tranh-de-khong-vuong-vao-vet-xe-do/

Các chị em nên tránh để không vướng vào "vết xe đổ"

Tất da chân chính là món phụ kiện rất được các chị em ưa chuộng. Một đôi tất mỏng manh nhưng lại chứa đựng công năng đáng nể phục. Những nàng sở hữu đôi chân lấm tấm vết thâm thì tất da chân chính là trợ thủ đắc lực để giấu đi nhược điểm này khi diện váy trong mùa Hè. Còn với mùa Đông, tất chân cũng giúp giữ ấm đôi chân khi các nàng diện đồ ngắn.

Lý thuyết là thế, thực tế không ít nàng mắc lỗi khi đi tất da chân, thậm chí đến cả những người đẹp Vbiz cũng không tránh khỏi. Chính những lỗi sai cơ bản này đã đánh tụt phong cách của các người đẹp, giảm sự tinh tế cho set đồ của các chị em. Điểm qua một vài lỗi dưới đây để các chị em tránh kịp thời khi diện tất da chân trong bất kỳ hoàn cảnh nào.

Đã đi tất da chân màu nude lại chọn tất quá dày/ trắng so với làn da thực tế

Những đôi tất da chân màu nude thường được các chị em chọn khi diện với váy sáng màu nhưng nhiều chị em chọn màu tất quá trắng hoặc quá dày so với làn da thật khiến đôi chân nhìn như bi bóng sáng. Lỗi này tưởng chừng như không đáng có đối với các người đẹp Việt, vậy mà cũng không ít người mắc phải.

Bảo Thy và Tóc Tiên đều có đôi chân” trắng muốt” chỉ vì đi đôi tất quá trắng, thậm chí tất của Tóc Tiên còn khá dày, nhìn một cái là đã thấy đôi chân không hề ăn nhập với cơ thể.

Nếu như Diễm My 9x chọn đôi tất nude quá dày so với bộ đầm mềm mại bay bổng…

… thì Thanh Hằng cũng mắc lỗi đi tất chân quá trắng. Không thể phủ nhận đôi chân của siêu mẫu đẹp, nuột không tỳ vết nhưng chỉ vì đôi tất quá trắng sáng mà khiến tổng thể kém sang hẳn.

Vậy nên nếu là tất da chân màu nude hãy chọn đôi tất mỏng đồng màu với da, hoặc có thể tối màu hơn chút chứ đừng chọn đôi trắng sáng quá. Còn với tất da chân màu đen thì nên chọn độ dày hợp với trang phục. Mặc đồ càng dày thì nên đi tất dày, còn tất mỏng sẽ hợp với những bộ váy mỏng và tối màu.

Luôn có những đôi tất da chân có màu nude hợp với từng sắc độ da của các nàng. Hãy chọn cẩn thận cả màu sắc và độ dày nếu muốn đi tất da chân để tránh gặp phải những tình huống như các sao Việt ở trên.

Đi tất bít mũi cùng giày/sandals hở mũi

Đây cũng là một trong những lỗi cơ bản mà nhiều chị em mắc phải, những trường hợp này dễ gặp ở mùa Hè hơn là đông lạnh. Dù chọn được đôi tất da chân đúng tông da của mình thì các chị em lại đi tất bít mũi cùng những đôi giày hở mũi sexy, mát mẻ.

Đôi chân thon dài mịn màng của Đông Nhi tự nhiên như thể không đi tất nhưng nhìn xuống dưới bàn chân thì lại để lộ đôi tất bít mũi khi đi giày hở.

Trường hợp của Minh Hằng cũng không khá hơn là mấy. Lại một lần sao Việt đánh tụt phong cách chỉ vì đôi tất da mỏng manh.

Để tìm được một đôi tất hở mũi không hề khó bởi ngay cả các shop đơn thuần nhất hoặc ngõ nghiêng các thương hiệu quen thuộc đều có bán những đôi tất da chân hở mũi với tông nâu, đen hay nude đậm nhạt tùy ý bạn chọn.

Để lộ phần danh giới của quần và tất

Dù với màu sắc nào, dày mỏng ra sao thì quần tất bao giờ cũng chia là 2 phần, phần quần trên màu đậm hơn, trông xa như một chiếc quần đùi (tuy màu sắc đậm hơn, nhưng cũng rất mỏng manh) và còn lại là phần tất chân. Thiết kế phân chia như thế này giúp các quý cô chọn đồ mặc cùng không bị phản cảm. Phần ranh giới giữa 2 màu sắc như một lời “nhắc nhở” bạn rằng: Này, đừng có mà chọn quần shorts hay váy ngắn trên quá ranh giới này nhé.

Thế nhưng danh giới đã chỉ rõ ra như vậy rồi nhưng nhiều người vẫn mặc đồ ngắn cũn, xẻ cao để lộ rõ phần quần khiến tổng thể trở nên kém duyên ngay lập tức.

Minh Tú dù gợi cảm, quyến rũ đến mấy thì cũng bị chiếc quần tất đánh tụt hình ảnh. Phần quần tất lấp ló do đường xẻ quá cao, ít nhiều khiến hình ảnh của cô nàng trở nên phô phang, kém duyên.

Võ Hoàng Yến cũng không ngoại lệ, khi khoe chân dài miên man với mốt giấu quần, khổ nỗi cô lại đi diện vest cùng quần tất nên việc lộ phần quần cũn cỡn là điều không tránh khỏi.

Nhiều trường hợp chẳng hiểu sao lại có người chỉ mặc quần tất vs áo, lộ nguyên cả vòng 3, thậm chí còn lộ cả quần lót sắc màu mặc bên trong. Đây là những lỗi không thể chấp nhận được khi các chị em mặc quần tất dù trong mùa nóng hay mùa lạnh.

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footerFbSdk.init(); ); Xem thêm kiến thức về làm đẹp

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tieuthanhthao · 5 years ago

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gianhovn · 7 years ago

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Công bố kết quả game 1/6 “Đoán đúng – Trúng quà to”

Quà tặng siêu giá trị tới 2 triệu đồng game 1/6 đã tìm thấy chủ nhân may mắn.

Nhân dịp 1/6, Kids Plaza triển khai game cực hấp dẫn với quà tặng vô cùng ý nghĩa. Chương trình đã thu hút hơn 700 người chơi. Kids Plaza gửi lời cảm ơn chân thành tới các bố mẹ đã nhiệt tình tham gia.

BTC xin công bố câu trả lời đúng và danh sách những người chơi may mắn đã nhận giải thưởng từ chương trình.

Câu hỏi: Hãy đoán đúng thương hiệu đồ chơi xuất hiện trong hình?

Câu trả lời đúng: Đáp án C – Đồ chơi Huimei

Thông tin về đồ chơi Huimei:

Đồchơi Huimei là thương hiệu quốc tế có chất lượng cao được rất nhiều bà mẹ trên thế giới lựa chọn

Đồ chơi Huimei kích thích sự phát triển trí thông minh của trẻ, giúp trẻ thỏa sức sáng tạo, tư duy với những hình khối đa dạng, phong phú.

Các sản phẩm đồ chơi mang thương hiệu Huimei đạt chứng nhận tiêu chuẩn an toàn như: EN71: chứng nhận tiêu chuẩn châu Âu, ASTM: chứng nhận tiêu chuẩn Hoa Kỳ…

Xem chi tiết sản phẩm TẠI ĐÂY!

BTC xin chúc mừng 3 người chơi may mắn đã trả lời đúng nhất, nhanh nhất và có SMM trùng với kết qủa quay thưởng tại random.org và nhận những phần quà siêu giá trị:

01 Giải Nhất: Mẹ Hải Anh – SMM: 181

Giải Thưởng: Cân sức khỏe Laica PS1054 trị giá 560.000 VNĐ

01 Giải Nhì: Mẹ Vịt Om Sấu – SMM: 225

Giải Thưởng: Nhiệt kế điện tử hồng ngoại LAICA TH2002 trị giá 485.000 VNĐ

01 Giải Ba: Mẹ An Trần – SMM: 276

Giải thưởng: Cân sức khoẻ cơ học Laica mặt thép PS2007 trị giá 270.000 VNĐ

Chúc mừng 100 người chơi đầu tiên trả lời đúng nhất, nhanh nhất và thực hiện đầy đủ thể lệ của chương trình đã nhận được voucher GIẢM ĐẾN 35% khi mua sản phẩm đồ chơi Huimei.

Lưu ý với người chơi trúng giải:

– Quà tặng sẽ bị hủy nếu người chơi tham gia bằng tài khoản FB ảo, chuyên săn giải, bạn bè nhỏ hơn 100 . Không like, share game chế độ công khai

– Mỗi tài khoản FB/mỗi người chơi chỉ nhận duy nhất 01 giải thưởng.

– Giải thưởng sẽ bị hủy nếu người chơi không cung cấp thông tin xác nhận sau 3 ngày kể từ khi có post thông báo kết quả.

-Với 3 người chơi đạt giải Nhất – Nhì – Ba sẽ nhận giải thưởng sau ngày 4/6/2017 trực tiếp tại Super Kids HH2 Bắc Hà (Tố Hữu, Thanh Xuân, HN) – Với 100 người chơi trúng voucher sẽ nhận được mã giảm giá 35% gửi đến SĐT sau ngày 4/6/2015

– Mọi quyết định thuộc về BTC

Danh sách 100 người chơi nhận voucher giảm giá 35% đồ chơi Huimei:

STT Tên FB SMM Quà tặng 1 Én Nhỏ 128 Voucher giảm 35% đồ chơi Huimei 2 Pe In 195 Voucher giảm 35% đồ chơi Huimei 3 Quỳnh Thơ 123 Voucher giảm 35% đồ chơi Huimei 4 Lý Nguyễn 947 Voucher giảm 35% đồ chơi Huimei 5 Yuri Nguyen 387 Voucher giảm 35% đồ chơi Huimei 6 Dung Lê 847 Voucher giảm 35% đồ chơi Huimei 7 Le Minh 747 Voucher giảm 35% đồ chơi Huimei 8 Tran Thu Cuc 823 Voucher giảm 35% đồ chơi Huimei 9 Hằng Đặng 201 Voucher giảm 35% đồ chơi Huimei 10 Nguyễn Phương Ngân 197 Voucher giảm 35% đồ chơi Huimei 11 Mai Nguyễn 369 Voucher giảm 35% đồ chơi Huimei 12 Nguyễn Hoa Thuý Lê 259 Voucher giảm 35% đồ chơi Huimei 13 Tho Lan 270 Voucher giảm 35% đồ chơi Huimei 14 Bống Chi 167 Voucher giảm 35% đồ chơi Huimei 15 Nhuan Nguyen 252 Voucher giảm 35% đồ chơi Huimei 16 Lien Nha 436 Voucher giảm 35% đồ chơi Huimei 17 Nguyễn Vũ Việt Ngân 328 Voucher giảm 35% đồ chơi Huimei 18 Nguyet Nguyen 192 Voucher giảm 35% đồ chơi Huimei 19 Thuy Dung 262 Voucher giảm 35% đồ chơi Huimei 20 Đào Nguyễn 232 Voucher giảm 35% đồ chơi Huimei 21 Hue Aki 736 Voucher giảm 35% đồ chơi Huimei 22 Nhật Vii 206 Voucher giảm 35% đồ chơi Huimei 23 Linh Trang Tiến Trường 434 Voucher giảm 35% đồ chơi Huimei 24 Trần Lê Vy 554 Voucher giảm 35% đồ chơi Huimei 25 Xuân Nguyễn 729 Voucher giảm 35% đồ chơi Huimei 26 Võ Thu Thủy 269 Voucher giảm 35% đồ chơi Huimei 27 Phạm Thị Thanh Thúy 930 Voucher giảm 35% đồ chơi Huimei 28 Vân Thy Nguyễn 69 Voucher giảm 35% đồ chơi Huimei 29 Rùa Và Bờm 211 Voucher giảm 35% đồ chơi Huimei 30 An Tran 276 Voucher giảm 35% đồ chơi Huimei 31 Phấn Đào 425 Voucher giảm 35% đồ chơi Huimei 32 Lê Trang 501 Voucher giảm 35% đồ chơi Huimei 33 Tuyet Vicky 461 Voucher giảm 35% đồ chơi Huimei 34 Nguyễn dung Hạnh 168 Voucher giảm 35% đồ chơi Huimei 35 Thu Liên 192 Voucher giảm 35% đồ chơi Huimei 36 Ami Keclil 612 Voucher giảm 35% đồ chơi Huimei 37 Alanna Nguyễn 259 Voucher giảm 35% đồ chơi Huimei 38 Chí Phèo 183 Voucher giảm 35% đồ chơi Huimei 39 Nguyễn Thị Huyền 143 Voucher giảm 35% đồ chơi Huimei 40 Trần An Tuệ 036 Voucher giảm 35% đồ chơi Huimei 41 Nguyễn Tuyến 398 Voucher giảm 35% đồ chơi Huimei 42 Đức Nhàn 361 Voucher giảm 35% đồ chơi Huimei 43 Thắng Lê 392 Voucher giảm 35% đồ chơi Huimei 44 Huyền Trần 779 Voucher giảm 35% đồ chơi Huimei 45 Hoang Thi Hong Phuc 260 Voucher giảm 35% đồ chơi Huimei 46 Lan Đỗ 195 Voucher giảm 35% đồ chơi Huimei 47 Mai Diệp Chi 169 Voucher giảm 35% đồ chơi Huimei 48 Mai Hoang 152 Voucher giảm 35% đồ chơi Huimei 49 Nguyễn Giang 136 Voucher giảm 35% đồ chơi Huimei 50 Trần Thanh Thúy 453 Voucher giảm 35% đồ chơi Huimei 51 Kim Tuyến 341 Voucher giảm 35% đồ chơi Huimei 52 Thu Cao Nga 825 Voucher giảm 35% đồ chơi Huimei 53 Phạm Nhường 235 Voucher giảm 35% đồ chơi Huimei 54 Nguyễn Hiền 205 Voucher giảm 35% đồ chơi Huimei 55 Cao Thanh Nhàn 609 Voucher giảm 35% đồ chơi Huimei 56 Nguyễn thị Ninh 568 Voucher giảm 35% đồ chơi Huimei 57 Thương Boo 318 Voucher giảm 35% đồ chơi Huimei 58 Ánh Tuyết 206 Voucher giảm 35% đồ chơi Huimei 59 Giang Dinh 466 Voucher giảm 35% đồ chơi Huimei 60 Quỳnh Nguyên 281 Voucher giảm 35% đồ chơi Huimei 61 Gà Rừng 824 Voucher giảm 35% đồ chơi Huimei 62 Vũ Thu Hòa 312 Voucher giảm 35% đồ chơi Huimei 63 Mai Ruby 337 Voucher giảm 35% đồ chơi Huimei 64 An Hòa 132 Voucher giảm 35% đồ chơi Huimei 65 Kim Chi Vũ 215 Voucher giảm 35% đồ chơi Huimei 66 Bọ Cạp 279 Voucher giảm 35% đồ chơi Huimei 67 Miu Siêu Nhiên 688 Voucher giảm 35% đồ chơi Huimei 68 Lại Huyền 997 Voucher giảm 35% đồ chơi Huimei 69 Ngọc te Chân Dài 225 Voucher giảm 35% đồ chơi Huimei 70 Amy Phan 390 Voucher giảm 35% đồ chơi Huimei 71 Ngọc Lưu 623 Voucher giảm 35% đồ chơi Huimei 72 Nhật Nhi Nhím 289 Voucher giảm 35% đồ chơi Huimei 73 Nguyễn Thị Nguyệt 437 Voucher giảm 35% đồ chơi Huimei 74 Nguyễn Linh 158 Voucher giảm 35% đồ chơi Huimei 75 Trọng Trần Đức 864 Voucher giảm 35% đồ chơi Huimei 76 Vân Nghiêm 242 Voucher giảm 35% đồ chơi Huimei 77 Loan Do 235 Voucher giảm 35% đồ chơi Huimei 78 Trần Mỹ Kim 728 Voucher giảm 35% đồ chơi Huimei 79 Linh Vuong 487 Voucher giảm 35% đồ chơi Huimei 80 Trần Văn Thứ 686 Voucher giảm 35% đồ chơi Huimei 81 Hien Tran 109 Voucher giảm 35% đồ chơi Huimei 82 Ngô Trâm 179 Voucher giảm 35% đồ chơi Huimei 83 Hiro Nguyen 668 Voucher giảm 35% đồ chơi Huimei 84 Hương Đoàn 746 Voucher giảm 35% đồ chơi Huimei 85 Ánh Dương 189 Voucher giảm 35% đồ chơi Huimei 86 Ngoan Vũ 528 Voucher giảm 35% đồ chơi Huimei 87 Nguyễn Thái Linh 548 Voucher giảm 35% đồ chơi Huimei 88 Thơm Ngô 470 Voucher giảm 35% đồ chơi Huimei 89 Ngân Vũ 190 Voucher giảm 35% đồ chơi Huimei 90 Mai Hoang 712 Voucher giảm 35% đồ chơi Huimei 91 Võ Trần Kim Ngân 274 Voucher giảm 35% đồ chơi Huimei 92 Thu Ta 117 Voucher giảm 35% đồ chơi Huimei 93 Thue Vu 132 Voucher giảm 35% đồ chơi Huimei 94 Minh An Nguyen 835 Voucher giảm 35% đồ chơi Huimei 95 Vân Ruby 578 Voucher giảm 35% đồ chơi Huimei 96 Trần Thạch Thảo 488 Voucher giảm 35% đồ chơi Huimei 97 Nơi Ấy Chờ Người 281 Voucher giảm 35% đồ chơi Huimei 98 Liên Nguyễn 639 Voucher giảm 35% đồ chơi Huimei 99 Nhug Cao 572 Voucher giảm 35% đồ chơi Huimei 100 Dương Gia Ngọc 592 Voucher giảm 35% đồ chơi Huimei

Công bố kết quả game 1/6 “Đoán đúng – Trúng quà to” Nguồn:

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