#throne of bael records
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windywriter · 1 year ago
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Birthdays in hell
Satan: Would probably take mc barhopping all across gehenna. But I also think Ppyong would invite his entire family to celebrate. Poor mc would be swarmed by redlumps wishing them well. Even jjyu would hold his tongue, just a little though. I also think Belial would give me a little statue of jjyu like his artifact or a record he thinks they'd like. Zagan would give a special talisman he made. Paimon would probably give them a bunch of stickers and bubble gum. Leraye I feel would give them a headless teddy bear. Astaroth we haven't seen much yet but I feel like he'd be good at recommending books. Sitri thought Solomon's birthday was on a different day but he just reasons that he must have misremembered. He makes the most delicious tea for mc. And that's not even accounting for all the well wishes and gifts MC would receive from the citizens.
Mammon: He'd probably throw MC an entire parade in celebration. Anything they'd want he'd get for them. I also feel like he'd offer to make their birthday a national holiday too. Hell, why not make their entire birth month a holiday? After all Mammon owns everything. But if mc says that would be too much, he is willing to downsize to the aforementioned national holiday. Eligos would have a field day teaching MC the ways of being cute. Also bihmet would probably go around asking for money from others saying it's "for Mc's birthday fund".
Leviathan: I feel like mc's birthday would be a quiet and formal affair. This is mainly because they might raise Levi's envy. There is a strict rule where no one can wish mc a "Happy birthday" until Leviathan does it. As for gifts they're mainly piled up in front of MC in the throne room. Although they have to be careful with that as well lest Leviathan become envious of how happy their gift makes Mc. Mc's birthday always sets a new record for how many times leviathan has someone hung in a day. But overall Leviathan is notably happier for the entire day which is more than enough for everyone.
Beelzebub: I always feel like there's a non-zero chance of Beel either coming in half way through the party with his gift for mc, or stealing them away for an impromptu trip. Bael usually tries to set up a formal party but Beel tends to crash it. Beel has also been strictly banned from making food after the incident with dantalion last year. But he always manages to sneak his food in somehow...
As for the other kings I can't really say, but I feel like if mc started crying from happiness Lucifer would be more than happy to help them.
BONUS Minhyeok:
Minhyeok has probably celebrated almost every birthday with MC since their childhood. I feel like he would always save up as much money as he could for mc's birthday. He seemingly always knew what to get them even without mc even asking/hinting what they wanted. Makes a feast for them and might pull a few favors if MC wants to do something special. That man would catch the moon and stars for mc if they asked.
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the-only-i-eternal-blog · 7 months ago
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DOLBY, FIALKIEWICZ, JOVET - Glyndwr M : Free Download, Borrow, and Streaming : Internet Archive
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musicmakesyousmart · 4 years ago
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Extreme Kindness / Побочный Эффект
Throne of Bael Records
2018
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lezet · 5 years ago
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V.A.-"I LOVE COWS" is out on THRONE OF BAEL/GEISHA SUN COOKIES (UK)!!!!
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A Geisha Sun Cookies/Throne of Bael joint release.
Featuring the talents of:
I, Eternal.
Santa on Vaara
Ghostskull
Bloody Shiv
Wallmaster
Saint De L'Abime .
Lezet
Seiei Jack.
{AN} EeL
GERTRUDE .
Infinity Of 6
brainquake
MUWN
SpecImEn
Uruly
The Dead Yesterdays
Awkward Geisha
https://throneofbael.bandcamp.com/album/i-love-cows
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tomakeitbeautifultolive · 5 years ago
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Defending Jon Snow’s Honor
Re: "Jon Snow is Trash": Because if you accept the season eight depiction of Jon Snow as credible, then you might as well admit that Daenerys was mad all along.
Disclaimer: This is not a defense of Jon Snow's actions in season eight, but a refutation of his portrayal.
To begin, we must confront the elephant in the room: In season eight, the character of Daenerys Targaryen was butchered both literally and figuratively. It was such a brutal and heinous maiming of her character that by the end of the series, it was impossible to suspend disbelief and accept the inane and illogical choices of the writers.
But when you then turn around and insist that Jon Snow has always been "trash"—it's no different than the people who insist Daenerys has always been mad. The hit job on Jon Snow was, admittedly, a bit more subtle. But it was a hit job nonetheless. Do not let two talentless writers convince you that Jon Snow, at any point in season eight, acted within the bounds of his established character or even within in-universe show logic.
Because he didn't.
And no, I won't put any of this under a cut. Let the sheer length of this post serve as proof, itself, of just how dirty David Benioff and D.B. Weiss did Jon Snow.
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The Real Jon Snow
While the writing on Game of Thrones suffered the further the story strayed from the books and from its original creator, George R.R. Martin, season seven—for all its faults and imperfections—still seemed to follow the natural progression of the story. Everyone still felt more or less in-character, particularly Jon Snow and Daenerys Targaryen.
So, that's where we'll start. To me, season seven Jon Snow is the rough culmination of exactly where I believe his story arc will lead—and it's a great season to help showcase his qualities.
Regardless of any personal preference for characters, in season seven, Jon Snow and Daenerys Targaryen are equals. She is a queen and he is a king.
When they meet, she appeals to her power and her claim by inheritance in order to convince Jon to bend the knee. Of course, it was never going to be that easy. Jon's a stubborn man and he has no reason to put his blind faith into well, anyone.
It is only upon revealing her true nature—her selflessness and willingness to use her power to help others—that Daenerys earns not only his respect, but his heart.
To say that "Jon Snow was always trash" is an insult to Daenerys and her judgment.
Dany's love for Khal Drogo was born of adaptation, to make the best of a situation she never asked for. Unlike Jorah Mormont, Jon's devotion to Daenerys had nothing to do with her looks. Unlike Daario Naharis, Jon's devotion to Daenerys had nothing to do with her power or status... and everything to do with who she is fundamentally. Jon Snow pledged to fight for Daenerys based on the content of her character rather than her beauty.
Further, Daario Naharis really stood face to face with Daenerys Targaryen, the Mhysa, and said "fuck the people". Meanwhile, it is Jon Snow's mysterious scars that prove he and Daenerys harbor similar ideologies—demonstrating that Jon is willing to stop at nothing for his people—even if it requires giving his own life.
Many have called Jon Snow "stupid" for exactly this, completely missing the point that there are qualities that deserve to be held in higher esteem than self-preservation or cleverness.
Compassion.
Self-sacrifice.
Humility.
Dignity.
Honesty.
When Jon Snow declares his loyalty to Daenerys in the Dragonpit in front of everyone—this is yet another moment people like to point to as "stupid", yet...
"I'm not going to swear an oath I can't uphold. When enough people make false promises, words stop meaning anything. Then there are no more answers, only better and better lies."
Jon Snow's integrity is more important to him than lying just to save his own hide. After all, he tried that once before, and the only thing it resulted in was heartache and regret. Jon Snow more or less asserts that a life wherein he must pretend to be something he isn't—isn't a life worth living.
This is as profound a revelation as it is bold.
Whether or not you agree with his convictions... Jon Snow's moral foundation is as unyielding as Valyrian steel. It is no wonder that this was the man who ultimately won the heart of Daenerys Targaryen. A man whose favor cannot be bought or exploited.
One fundamental change in Jon Snow's character from page to screen, however, is his ambition. This emphasis on his reluctance in ruling becomes an unfortunate cornerstone of season eight. But if Jon Snow's book counterpart—the one who dreamt of becoming Lord of Winterfell, of conquering and leading men into glory—lacks this hesitation, and instead, takes leadership so seriously that he only celebrates becoming Lord Commander with one gulp of alcohol... then what impact could his ambition have on the story?
Upon learning that Jon is Rhaegar's son, it's easy to jump to the conclusion that he'll suddenly start vying for the Iron Throne. But if Jon Snow pledges himself to Queen Daenerys in the books, then we have every reason to believe his word is as good as gold. Jon is not a man who takes his oaths lightly. Nor is he a man who is easily manipulated.
Jon Snow deciding to swear fealty to anyone is momentous.
Take, for instance, Stannis Baratheon. Jon's 'father', Ned, pretty much died in support of Stannis' claim to the throne, so he approaches the boy and appeals to Jon's deepest desire—the first thing he can remember wanting—to become a Stark.
All he had to do was say the word, and he would be Jon Stark, and nevermore a Snow. All he had to do was pledge this king his fealty, and Winterfell was his. All he had to do ... was forswear his vows again. And this time it would not be a ruse. To claim his father's castle, he must turn against his father's gods.
This is not an easy decision for Jon Snow. He spends a great deal of time considering the offer from just about every angle one can. Admittedly, it's hard to showcase deep internal reflection on a television show, so we didn't really get to see that process for Jon on screen. But it's always been apparent that two men of privilege—David Benioff and D.B. Weiss—struggle in writing from the perspective of a bastard. Fundamentally, they cannot fully inhabit Jon as a result, because they've never experienced a lifetime of unprovoked contempt, resulting in an unfortunate lack of depth in Jon's translation from page to screen.
Even so, we do get some insight into the depth of Jon's character in season seven when Theon Greyjoy says to Jon:
"You've always known what was right. Even when we were all young and stupid, you always knew. Every step you take, it's always the right step."
In turn, Jon replies:
"It's not. It may seem that way from the outside, but I promise you, it's not true. I've done plenty of things that I regret."
So, by the time that Jon must decide whether or not to accept Stannis Baratheon's offer, he does so with the consideration of future regret. It is in a reflective moment that Jon decides that his greatest desires are not worth the moral expense.
And so, Jon refuses to betray his father's gods, and remains a Snow.
The Kinslaying Problem
Speaking of gods... Way back in his wildling heyday, Ygritte recounts the tale of Bael the Bard to Jon Snow, in which she reveals a curious detail:
"The gods hate kinslayers, even when they kill unknowing."
While you could make the case that this foreshadows Jon as a kinslayer regarding Daenerys... considering it was their kinship that drove a wedge right through their relationship in show canon, it's safe to say season eight Jon knew full well he was kin to Daenerys when he killed her. So what else could this quote mean?
The "kinslayer who kills unknowing" probably won't refer to Daenerys at all—but the mysterious figure known in the books as the Night's King, of whom all records have been destroyed, his very name forbidden.
But... Old Nan insists we do know his name. At least one of them:
"He was a Stark, the brother of the man who brought him down."
Keep in mind that it's Bran she tells, not Jon. And her words even echo the kinslaying element between these mysterious and legendary figures in and around the North.
Interestingly, one of the most prominent kinslayers in the story is the one who, in season eight, ultimately convinces Jon Snow to murder his queen. And somehow, it takes virtually no effort on Tyrion's part to persuade Jon Snow to commit not only regicide, but kinslaying (whatever happened to "The man that passes the sentence should swing the sword"?)
This may mean nothing in the show, but in the books it's reiterated over and over again we're told how accursed such an act is. And we have a pretty good example that it might be true. Rickard Karstark warned Robb Stark prior to his execution by the Young Wolf's hand:
"We are kin, Stark and Karstark. Old gods or new, it makes no matter. No man is so accursed as the kinslayer."
And we all know the fate that befell Robb Stark.
The Incest Problem
Speaking of kin... let's talk incest! While there's no question that on earth, discovering you've been copulating with your aunt might be a cause for surprise... In Westeros? It's not even considered incest. No, not even in the North, where we're given two examples of uncle-to-niece pairings:
"In Westeros incest is only applied if father lays with daughter, mother lays with son, or brother to sister, and the children of such unions are considered abominations. The views regarding marriages between an uncle and a niece (or an aunt to a nephew) might differ between the Faith and the old gods. In the north, Serena Stark had been wed to her half-uncle, Edric, while her sister Sansa Stark had been wed to her half-uncle Jonnel Stark."
In the original draft of the story, Jon was supposed to have a romantic relationship with Arya Stark—his cousin by blood, but who, for all he knows, is his sister. Seeds of this are still scattered in early chapters of ASOIAF, as illustrated by the sheer tenderness of their relationship in A Game of Thrones.
For years, Arya Stark was the only woman who treated Jon with respect. It's no wonder that his feelings for her have always bordered on romantic (and let me make a clear distinction here—I said romantic, not sexual). Considering that it was George's original plan, it's pretty safe to guess that being a willing participant in an incestuous relationship is not necessarily out of character for Jon Snow, as was predetermined by the man who created him.
Jon Snow is a polarizing character for people who love Targaryens and hate Starks—and vice versa. Whether or not you like it, Jon Snow is a Targaryen. And thus, the Doctrine of Exceptionalism applies to him, which states:
"The Targaryens wed brother to sister as the Valyrians had always done, and as the gods had made them this way, it was not for men to judge." 
While the show canon did next to nothing with Jon Snow's true Targaryen lineage—never forget that the entire reason David Benioff and D.B. Weiss were given the rights to Game of Thrones was that they could correctly answer the question "Who is Jon Snow's mother?"
An incestuous scandal was the best that the lackluster show writers could come up with. And to then accept that the only reason George R.R. Martin penned this central plot twist in his medieval fantasy story exclusively to create some modern-era incest drama is, frankly, insulting.
David Benioff and D.B. Weiss are creatively barren. As barren as... um, Daenerys apparently?
To further exploit the show's lack of logical reasoning—it turns out that, yes, according to show canon, Daenerys was barren the whole time. While Jon doubted the validity of Mirri Maz Duur's claims... he was wrong. And Daenerys was straightforward with him that their union would produce no offspring. And apparently, despite all the wasted dialogue used to foreshadow, she was right.
This means that even within the boundaries of the show's broken logic, the anti-incest angle never held water.
So... if season eight Jon Snow's rejection of Daenerys is what ultimately causes her to "snap", yet it's unlikely that book Jon Snow will feel the same strong aversion about their relation... will she "snap" at all?
The Execution Problem
When it comes to the 'old way', Ned Stark has taught his sons well, Jon Snow among them:
"We hold to the belief that the man who passes the sentence should swing the sword. If you would take a man's life, you owe it to him to look into his eyes and hear his final words. And if you cannot bear to do that, then perhaps the man does not deserve to die."
When Jon encounters Ygritte, he can't bring himself to kill her despite the command to. She reminds him of his sister, Arya—the girl he loves the most in all the world. And so, he asks Ygritte to yield. Jon Snow, simply reminded of a girl he loves, cannot bring himself to kill Ygritte.
Later, we directly witness Jon applying Ned's logic to his execution of Janos Slynt. After advising Janos on how best to achieve a quick death, he says:
"If you have any last words, now is the time to speak them."
"Please, my lord. Mercy. I'll … I'll go, I will, I …"
No, thought Jon. You closed that door. Longclaw descended.
Like his father before him, Jon advised Janos to speak his last words. And upon hearing them, deemed him fit to die.
This is Jon Snow's execution style.
We see it repeated even in season six when he executes his murderers:
"If you have any last words, now is the time."
Patiently, he waits for each of his four murderers to speak before letting them hang.
This is Jon Snow's execution style.
Alternatively, we see another style of execution when it comes to Jon Snow's own murder, as carried out by Alliser Thorne. Let's just go ahead and refer to this style as dishonorable and cowardly (two qualities that we've now established that Jon Snow does not possess).
Jon Snow was led, unarmed, into a false sense of security—where he was then cornered and stabbed in the heart by his enemies, left lying in a pool of his own blood.
The change in Jon Snow's execution style to suddenly emulate the way in which he was murdered is a cold-blooded betrayal of Jon's character.
But back to Janos.
On the surface, Jon Snow made a snap decision to execute Janos Slynt for disobeying a command—though if we're being honest, it was more-so because Janos was an entitled and sniveling Lannister loyalist that couldn't be trusted, or, a clever political move to ensure Jon’s future safety as Lord Commander.
Jon then severed the man's head as he cried and begged for his life.
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You expect us to believe that this man...
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...would be bothered by the execution of attempted murderer and traitor, Varys? A man who openly suggested they collude and commit treason?
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While the above gif looks a little more like the Jon Snow we know, it’s not. Especially considering the writers tried their hardest to make us believe Jon Snow is incapable of dishonesty and lying, even by omission, he neglects to tell Daenerys of Varys’ treasonous ways. He cannot lie to his siblings or to Daenerys about his Targaryen identity, yet he can omit a very troubling piece of information regarding one of the allies of the woman he loves and is pledged to. What?
Further, compare the execution below with the above gifs of Jon Snow's two executions. He even shows more satisfaction in the deaths of the lives he’s taken than Daenerys did. Varys surviving means Dany’s life will forever be at risk. Not only is Varys an oathbreaker, but he attempted regicide by poison. Having Jon Snow judge Daenerys for this action is a blatant double standard that makes zero logical sense.
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And speaking of attempted murderers... Let's discuss Randyll Tarly.
Randyll Tarly is no stranger to Jon Snow. Sam told him all about his father way back in episode four of season one:
"You're almost a man now, but you're not worthy of my land and title. Tomorrow, you're going to take the black, forsake all claim to your inheritance and start north. If you do not, then we'll have a hunt, and somewhere in these woods your horse will stumble, and you'll be thrown from your saddle to die. Or so I'll tell your mother. Nothing would please me more."
So, you're going to tell me that Jon Snow is suddenly perturbed by the execution of a man who both threatened to murder his own son and who betrayed his liege lord?
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To fight alongside the Lannisters, no less?
According to the books, this is what Jon Snow thinks of the Lannisters:
"It's death and destruction I want to bring down upon House Lannister, not scorn."
And in case you missed it, this is how Jon Snow punishes those who betray their liege lords:
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Maybe you’re itching to argue that it’s Dany’s execution style that is the problem. That perhaps, 'death by fire is heinous and cruel! Beheading and hanging and punching someone to death are all "merciful" deaths!' Because, stupefyingly, that's a popular argument for those that (also stupefyingly) defend Randyll Tarly.
That argument might work if not for the fact that Jon instructed his men to launch flaming arrows at the Battle of Castle Black, thus using fire as a means to kill.
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The Arya Stark Problem
We've already discussed Arya Stark a little bit in terms of her deep bond with Jon Snow... but in order to truly show how out-of-character their reunion was, we need to backtrack a little bit.
Upon gifting her Needle, Jon and Arya have this exchange in the books:
"And whatever you do..."
Arya knew what was coming next. They said it together.
"...don't ... tell ... Sansa!"
Not only do the pair have an understanding which excludes their sister or trusting her with sensitive information... when Arya is caught with Needle later on, this happens:
Arya chewed her lip and said nothing. She would not betray Jon, not even to their father.
And when Arya attempts to shed her identity at the House of Black and White, she can't bring herself to part with Needle, because:
Needle was Jon Snow's smile. The Many-Faced God can have the rest, she thought, but he can't have this.
Arya Stark refuses to part with the physical representation of Jon Snow's smile.
For the most anticipated reunion in the entire show, it fell flat. Don't get me wrong, it was exhilarating to see Jon Snow and Arya Stark embracing after being apart for a decade—and Kit Harington and Maisie Williams did their absolute best with the poor dialogue they were given.
But this was not the reunion of two characters who survived some of their toughest challenges by merely recalling the memory of the other. Jon and Arya shared a bond that nothing could tarnish—not even time. A bond that no one—not even their fellow family members—could penetrate.
The nerve of the writers making Arya Stark, one of the cleverest characters in the books despite her age, say that Sansa Stark is the smartest person she's ever met? No. For one, Arya Stark did not need to live as a bastard in order to empathize with them—which means that even as a little girl, she possessed wisdom that is years ahead of her elder sister's.
Much like Jon Snow, Arya Stark is not a character who is easily persuaded by the opinions of others. Which is why she and Jon are close at all—she never once believes the stigma attached to his bastardy, because it's so blatantly obvious to her that his character simply doesn't fit the rhetoric.
I'd be willing to bet that Jon's incredibly loyal sister would trust his judgment in pledging himself to Daenerys. And I won't for a minute believe that the girl who said to Gendry...
"I can be your family."
...would suddenly regress into intolerance, particularly not at someone else's behest.
I won't believe for a minute that the girl who said...
"The woman is important too!"
...would turn around and suggest that the woman who provided her armies, dragons, and resources to save the North should then be discarded afterward.
I won't believe for a minute that the girl who makes allies and friends everywhere she goes would turn around and argue that allies aren't important.
I won't believe for a minute that the girl who named her direwolf after the warrior queen Nymeria, the girl who said...
"He killed the slave?" That did not sound right. "He should have killed the masters!"
...wouldn't at least give the person she loves the most in all the world, Jon Snow, a few minutes to explain why he supports and believes in Daenerys.
Lastly, there is absolutely no reason to believe that Arya Stark would ever betray Jon Snow. It is an insult to one of the purest and tenderest relationships in the entire series to suggest otherwise.
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The Winterfell Problem
Even on Jon Snow's AWOIAF Wiki page, he is described as "quick to sense a slight", as well as observant, "a trait he developed on account of being a bastard".
Yet, during the feast following the Night King's death... Jon Snow is suddenly portrayed as oblivious all in service to the plot to alienate Daenerys. Jon Snow's sudden disinterest in the woman he spent season seven so intently studying was both frustrating and compromising to his character traits.
After all, the most impressive leader Jon Snow has ever witnessed followed him into his homeland to save his men for nothing to gain (and in fact, to sacrifice her own men and resources), not just for the man she loves—but because it's the right thing to do.
The writers really expect us to believe that this man, who turned Janos Slynt's insubordination into an example of what happens to men who openly disrespect him and his orders...
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...is going to suddenly sit idly by while his own people make a fool of him by disrespecting his chosen queen, and by extension, him.
Don't let the writers believe for an instant that he would stand for it.
Taking a step further back, what in seven hells was going on during that battle?
The betrayal to Jon Snow's character is the most glaring during episode three of season eight, in which the writers really decided to sideline the most talented and quick-thinking swordsman in their cast (next to Furdik—who, by the way, was also sidelined).
Jon Snow conveniently forgets virtually everything he learned from defending the Wall in season four and reclaiming Winterfell in season six. The King in the North who travels all the way to Dragonstone for not only dragonglass, but in hopes of gaining the help of the queen and her armies is really going to let one of those armies gallop head-first into the army of the undead with metal weapons? Jon Snow is the first character in the show to learn that regular weapons don't work against wights!
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And while it may not be Jon Snow's fault that the trebuchets managed to make it to the front line of all places, he certainly would've pointed out the flaw in that decision. As well as the placement of the trenches—which physically severed the troops from the safety of the castle upon retreat. Retreat, if necessary, would be a priority for Jon Snow especially, as he, above everyone else, knows that every fallen man means one more undead soldier they must deal with.
And speaking of the trenches...
To add insult to injury, the writers really decided to add a shot of Jon Snow sitting idly next to the trenches on top of Rhaegal, a dragon that he was just using to light the dead on fire, as Melisandre struggled to light them with magic:
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What? You mean this Jon Snow?
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The Jon Snow that once used his quick-thinking to discover that fire kills wights... doesn't think to use dragonfire to light a trench on fire? Come on.
And since when has Jon Snow ever balked during battle? Of all the characters, he's one of the few who actually understands what the Night King is, how big his army is, what the odds are, and what it's like to be in the midst of not only battles—but ones that are going really poorly.
Yet at Winterfell—the place he fought so hard to reclaim and that he reluctantly went south to rally support for in order to protect it—he suddenly has no idea what to do? He's historically one of the most quick-witted and innovative fighters in the entire show, if not the most.
And speaking of battles...
"We find our true friends on the battlefield"
Whether or not you agree with the writers' choice to have Sam attempt to persuade Jon to commit treason against his queen... I just cannot accept that Jon Snow willingly turns away from his oldest friend in a moment like this:
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Even in the most hopeless of situations, Jon Snow won't hesitate to save someone he loves. Like when he tried, against all odds, to save Rickon.
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Even with complete strangers, Jon Snow has shown his gallantry.
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As well as his aptitude for forgiveness.
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Whether or not Samwell Tarly offended Jon, he would never leave him to die. Their principals may no longer converge the way they once did... but never forget that when, in the books, Chett suggests Thorne should kill Sam for being weak, Jon speaks up on Sam's behalf:
"Lords are gold and knights steel, but two links can't make a chain. You also need silver and iron and lead, tin and copper and bronze and all the rest, and those are farmers and smiths and merchants and the like. A chain needs all sorts of metals, and a land needs all sorts of people. You can't hammer tin into iron, no matter how hard you beat it, but that doesn't mean tin is useless."
The Night King Problem
Speaking of the battle for Winterfell... By denying Jon Snow the climax to his story arc—squaring off with the Night King—and instead, granting that honor to Arya Stark (who has no relation to anything happening north of the Wall in either book or show...) it disrupts the natural conclusions for both characters.
Jon Snow and the Night King had unfinished business—at least, that's what all those long and intense stare-downs seemed to indicate. Even in the books, the only POV chapters that mention the Night's King are Jon, Bran, and Sam.
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Kit Harington was very gracious when trying to explain why he would've liked to get the killing blow:
"I was a bit pissed off, only because I wanted to kill the Night King! I think I felt like everyone else did, in that it had been set up for a long time, and then I didn't get to do it."
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But even in all his graciousness, Kit points out that it's been set up for a long time. And you know what George R.R. Martin has to say about changing your plan mid-stream:
"If you planned your book that the butler did it and then you read on the internet that someone has figured out that the butler did it and then you suddenly change in mid-stream and it was the chambermaid who did it? Then you screw up the whole book because you've got this foreshadowing early on and you've got these little clues you've planted and now they're dead ends... and you have to introduce other clues and you're retconning. It's a mess."
Yet... The fact that Jon Snow vs. the Night King made sense was exactly why the writers chose not to do it!
"We hope to kind of avoid the expected and Jon Snow has always been the hero, the one who's been the savior. But it just didn't seem right to us for this moment." 
Sure, Arya Stark killing the Night King "subverted expectations" (I'm so sick of typing those two words together at this point, but it's impossible not to do when trying to discuss season eight)... but at what cost? The cost of any emotional impact.
Just like virtually everything else in the last season. 
(As an aside, if the writers really felt Arya Stark was the right person to land the killing blow, they should've had Jon lose the swordfight and before the Night King is able to finish him, his ride-or-die sister comes flying out of the darkness to save his life. The audience gets what they were promised and Arya still gets to be the hero in a way that not only makes sense, but fits her character…)
Of course, the showdown with the Night King was not the first major plot point that was teased over the course of the series to be ultimately robbed from Jon Snow.
Nor would it be the last...
The Prophecy Problem
To claim that Jon piercing Dany's heart with a quick sneak attack has any resemblance to the legend of Azor Ahai is a gross oversimplification. Let's take a look at what the legend actually says:
"He summoned his wife. 'Nissa Nissa,' he said to her, for that was her name, 'bare your breast, and know that I love you best of all that is in this world.' She did this thing, why I cannot say, and Azor Ahai thrust the smoking sword through her living heart. It is said that her cry of anguish and ecstasy left a crack across the face of the moon, but her blood and her soul and her strength and her courage all went into the steel."
Yes. Daenerys was stabbed in the heart. That is the only similarity her season eight murder bears to the above legend.
Where was the declaration of love? Where was the permission asked? Where was the consent given? There was no cry of anguish and ecstasy—there was a gasp and a gurgle. Dany's life was not given in exchange for anything, it was simply taken. There was no transference of courage or strength—just a quick and (troublingly) unimpactful "shock" death.
Of course, it's important to point out that Azor Ahai is never even mentioned in the show. And while The Prince that was Promised was mentioned (as late as season seven)... So far as show canon goes, this prophecy meant absolutely nothing in the end.
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That makes two of us, Kit.
Jon Snow (and Kit Harington) Also Deserved Better
Aside from George R.R. Martin, the man who knows Jon Snow best, Kit Harington, was overcome with heartache, disbelief...
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...and frustration upon reading the treacherous turn his character took in the season eight script.
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David Benioff and D.B. Weiss completely neutered Jon Snow's character.
Figuratively and well, maybe literally? Year after year, they have shown themselves to be petty and spiteful with various cast and crew—from Kit Harington to Ian McElhinney to Alexander Siddig to George R.R. Martin, himself.
Remember that stupid dig at Jon Snow's penis size upon his resurrection? Just a dumb joke, right?
Or was it?
It was sure important enough for them to go on record with major publications and clarify that, no, it wasn't just a joke, but canon! Pay very close attention to how it's worded:
"He just had the look. The brooding intensity; the physical grace; the chip-on-the-shoulder quality that we always associate with extraordinarily short people.
There has to be some downside to being Kit Harington, right? It's impossible not to like him. Maddening. The one thing we can do is saddle his character with a tiny pecker."
This isn't about Jon Snow's penis. It's about taking Kit Harington down a peg. Not only did they give Jon Snow a canonically "small penis", they had to give Daenerys lines about how he's "too little for her", to poke fun at Kit's height. You know, because he's apparently "extraordinarily short".
Utterly juvenile.
Much like with Tyrion Lannister, Jon Snow's cleverness far exceeded that of the men who were in charge of writing him—and they failed to replicate it. And so, the further Jon Snow strayed from his creator, George R.R. Martin, the further his IQ dropped until, by season eight, he was reduced to a bumbling idiot shouting at dragons and saying little more than "muh queen". Why? Because if you're actually an idiot, you cannot write a clever person.
As for the books, Jon Snow's true fate remains to be seen. And for as much as I don't want to get my hopes up for a better ending, I cannot ignore that Jon Snow's foreshadowing just doesn't point to futility, and that if it does—George R.R. Martin sure put in a lot of work to convince us otherwise.
As the man, himself, recently said:
"People know an ending—but not the ending."
It is as much an insult to Jon Snow to have Daenerys descend into spontaneous madness as it was for the fans who loved her. Over the years, Jon has proven himself to be a great judge of character—and this was the man who assured Daenerys, in her most vulnerable moment, that she does deserve to be the queen of the Seven Kingdoms.
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After all, there’s just no denying their similarities as characters:
"From the very beginning, Jon and Daenerys' stories have paralleled and contrasted each other, with both starting from a position of weakness and insubordination before ascending into leadership roles. Both had to maneuver their way through the difficulties of power while maintaining their sense of justice, and in doing so, had to face many hard decisions along the way. Both were mocked, attacked, and betrayed for doing the right thing. Both reached their low points and were figuratively reborn at the same time, both coming out stronger as a result." -Brandon Jacobs
If you loved Jon Snow prior to season eight, you were never wrong or misled, nor was your judgment unsound. I hope that, somewhere in this post, there was at least one example that reminded you of why Jon Snow was able to win your heart in the first place. Writers who don't understand the most fundamental qualities of a character should not be given the power to rob you of your love for them.
I am willing to bet that like me, and like all of Jon Snow's fans... you know him better than the two men who were granted the honor of writing his television canon. An honor they proved in season eight that they never deserved.
Please do not grant these two incompetent writers and poor storytellers the power to turn you against one character while praising the other, especially when both were ruined beyond repair or recognition.
Forgiving Jon Snow as a character ≠ condoning what he did in season eight, just as forgiving Daenerys Targaryen ≠ condoning mass genocide.
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Like Daenerys, Jon Snow deserved better.
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infinityof6 · 5 years ago
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Just had a track featured on a tribute album to cows - I Love Cows is a joint release from Geisha Sun Cookies and Throne Of Bael Records, featuring 17 bovine odes. Mine is called I Was Unfamiliar With Cows Until You Showed Me Them But Now I Love Them Too. It’s just a wee joke, I used to hang out with lots of cows in my hometown and working at the cheese factory, so I am actually pretty familiar with them.
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Get the full album here - I Love Cows
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danielpico · 6 years ago
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En la compilacón: A Cunt Like You - A Tribute to Whitehouse Throne of Bael Records UK https://throneofbael.bandcamp.com/album/a-cunt-like-you-a-tribute-to-whitehouse?fbclid=IwAR3CMX2nq1f9bThgNk5EhkMfYFmel0x0h0VYOoEcD06oCR5LgYxruqsxghg
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thekultofo · 7 years ago
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Dark music for sunny days!
Dark ambient to death industrial.
Hope you enjoy, if you do, please favorite/comment/share, thx!
Original artwork: Jusepe de Ribera - Man With Skull
Beinaheleidenschaftsgegenstand - Shadows (Part II) [Beinaheleidenschaftsgegenstand] R717 - Fall Out [Craneal Fracture Records] Code Neda - Death of a Poet [Midnight Radio Compilation] Bathory Legion ft. J Stillings [Steel Hook Prostheses & Vermiin] - Lucifer [bathorylegion ] D.N.P - Entryway [DNP Darkness] Mike Gewehr - Affordable Housing [Vulpiano Records] Nyodene D - Edenfall [Nyodened] Phantasm Nocturnes - Astro Eunuchs [Do What Thou Wilt Recs] Fractured Transmission - The Wake [DTH X CMP] Taeter - Anal Anthropology [No Rent Records] Luxury Mollusc - Speculum [Darker Days Ahead] Adeptus Mechanicus - The Appearance Of The Grim Reaper [Throne of Bael Records]
Blog https://www.thekultofo.com/mortui-vivos-docent/
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the-only-i-eternal-blog · 7 months ago
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DOLBY, FIALKIEWICZ, JOVET - L'Hermite : Free Download, Borrow, and Streaming : Internet Archive
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the-only-i-eternal-blog · 7 months ago
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DOLBY, FIALKIEWICZ, JOVET - Kubrick's Moon : Free Download, Borrow, and Streaming : Internet Archive
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the-only-i-eternal-blog · 7 months ago
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DOLBY, FIALKIEWICZ, JOVET - Glyndwr M : Free Download, Borrow, and Streaming : Internet Archive
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the-only-i-eternal-blog · 7 months ago
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DOLBY, FIALKIEWICZ, JOVET - Chernobyl : Free Download, Borrow, and Streaming : Internet Archive
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lezet · 5 years ago
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V.A."Aural Destruction" released on THRONE OF BAEL RECORDS (UK)!!!!!
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METAL! NOISE! DESTRUCTION!
Featuring the talents of:
Pupil Slicer
Maggot Bath
The World is Burning and I'm Just Sitting Here Making Grindcore Songs
ZUMAIA
Lezet
(2)
Orme
Federico Balducci
An Age Of Violence
Mostly Hair And Bones
Jesus Hitler
Coronach Collective
Per La Lumon
Verwesung
Ben Presto
Kindstod
Billy Yfantis
Chainsawfallingintoplace
PSYCHSTEY
John Bruce Wallace
Hari Hardman
Parasitic Infestation
MUWN
bandcamp:
https://throneofbael.bandcamp.com/album/aural-destruction
https://throneofbael.bandcamp.com/album/aural-destruction
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lezet · 6 years ago
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V.A.-"BAEL300" out on THRONE OF BAEL (UK)!!!!!!
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Throne of Bael Records are celebrating their 300th release with V.A.-BAEL300
Feature in the extreme talents of:
All Signs Of Those Who
Pupil Slicer
(2)
mhzesent
NTAP
Jacob Daniel Levesque Baird
Spore
NMTArts
Yiffs Fy
Stilnox
Filmy Ghost
Remote Sentry
John Bruce Wallace
RAUPPWAR
MAL ALIENTO
Federico Balducci
Mean Flow
SRVTR
I, Eternal
Ukulele Twotriple
These Gaping Jaws
ZUMAIA
TAB IN/TAB OUT
ppfpessCO
Mince Splatters
Humanfobia
M.NOMIZED
DZKYIN & Fuck Your Dogma
Elemental Noise
James Onsen
Adeptus Mechanicus
Sea of Åland
Turned Into A Girl
Hari Hardman
The Scare Conditioner
TNT
Yaka-anima
Kinsâme
Manufactorum featuring Gimp Gash
UBERGRUND
Lezet
Coronach Collective
Rhombosolea retiaria
Bruiseface
Pillars of Golden Misery
Feasibility Study
Rapa Nui
{AN} EeL
Bissecta de Kinsâme & Co
Uruly
dormir dans la chambre froide ?
Mostly Hair And Bones
An Age Of Violence
NTAP
Juanito)))
WDWRD
Seiei Jack
C++
Wiht
CorteX
Yoshiwaku
Hana Haruna
Graham Fialkiewicz
Narwhal
Demonik Kru
Koi Karp
Anguilla reinhardtii
SpecImEn
Zigoto
Cunt Cancer
MPA
Ben Presto
Crepuscular Entity
The Dead Yesterdays
David Nadeau
[Fabrikmutter]
Ghostskull
BDC
Doomerade vs. The Orange Thong Guild
YANN PILLAS
MUWN
Ludwig
Uncle Grasha's Flying Circus
Wilfried Hanrath feat. Antonella Eye Porcelluzzi
Gorium
GubbiAnn
Mai 12
53704
Infinity Of 6
Ruido Frotado
ihateyourguts
Enjoyable Music
Harsh Noise Movement
V & Matij
Wilfried Hanrath feat. Liluiinwild
Franco Falistoco A
HERE'S TO ANOTHER 300!
PEACE AND FUCKING X
BANDCAMP:
https://throneofbael.bandcamp.com/album/bael300
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lezet · 6 years ago
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V.A.-"Crack the Code" is out on Throne of Bael (UK) !!!!!!!
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raw data turned into music
Featuring the talents of various softwares and :
(2)
mhzesent
Lord Cernunnos
I, Eternal
WDWRD
YANN PILLAS
{AN} EeL
SpecImEn
53704
Sascha Müller
Ben Presto
Juanito)))
Saint De L'Abime
Mean Flow
Lezet
RAUPPWAR
Uruly
Infinity Of 6
These Gaping Jaws
CorteX
Kinsâme
MUWN
Daniel Pico
Torpeur
Ruido Frotado
bandcamp:
https://throneofbael.bandcamp.com/album/crack-the-code
https://throneofbael.bandcamp.com/album/crack-the-code
Lezet's contribution:
released March 1, 2019 license
all rights reserved
Tags
experimental dark ambient drone experimental harsh noise noise United Kingdom
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lezet · 6 years ago
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V.A.-"I See Dead People - A Throne Of Bael Records Halloween Compilation" is out on THRONE OF BAEL (UK)!!!
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HAPPY HALLOWEEN BAEL212
Featuring the talents of:
Ludwig Dementgenstein ,Mean Flow ,Aura en el espejo ,Danshoku Dino ,James Onsen ,Dead In Japan ,Wiht ,Don Mandarin ,SpecImEn ,ZUMAIA ,Hari Hardman ,The Dead Yesterdays ,DJ Discord_ ,Sea of Åland ,Scare Conditioner ,Uzbazur ,Seiei Jack ,These Gaping Jaws ,I, Eternal ,Harsh Noise Movement ,Filmy Ghost ,Jeritan ,Grime6i6ter6 ,{AN} EeL ,Ruido Frotado ,Tim Allen ,Gintas K ,Daniel James Dolby ,David Nadeau ,Crepuscular Entity ,Lezet ,MUWN ,Dariusz Jackowski ,Ghostskull, All Signs Of Those Who Left
bandcamp: https://throneofbael.bandcamp.com/album/i-see-dead-people-a-throne-of-bael-records-halloween-compilation
https://throneofbael.bandcamp.com/album/i-see-dead-people-a-throne-of-bael-records-halloween-compilation
Lezet's contribution:
released October 31, 2018 license
all rights reserved
tags
experimental dark ambient drone experimental harsh noise noise United Kingdom
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