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goose-books · 4 years ago

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darklingverse & magic

as promised! a look at the magical system in my speculative fiction loose-retelling-of-king-lear WIP, which you can find out more about here and here! this is a terribly, terribly long post, so i’m sticking most of it under a cut, but i can guarantee there are at least a few fun diagrams in there. (all character images used are from this picrew by cinnasmores!)

shoutout to waya @harehearts for helping me work out some of the kinks in this by asking incredibly helpful questions... waya i will untag you if you want i just wanted to appreciate your contribution. also going to tag @suits-of-woe because you mentioned wanting to see this!

Jasper’s dad talks about it like oil. Petroleum has to be refined before you can put it in your car. Unrefined, it’ll just as soon kill you as anything else. The natural clock ticks. A mage hits twelve, or thirteen, or fourteen. And then it’s roaring under their skin, like an electric volt, like a fever, burning in them, fighting tooth and nail to get out.

It always gets out. You pick the route. Or you don’t.

The first thing Vee ever learned was duplication. Small objects only. Jasper was crawling through stacks of post-it notes for weeks. It was like an illness: Vee would get too itchy, his magic nipping at his neck, and he’d clench his fists and then they’d have another goddamn stack of stickies. “He has to get it out somehow,” Dad had admonished Jasper, when he’d complained. “Otherwise it’ll hurt him. I do it, too. The difference is I’m useful.” And he had demonstrated by snapping his fingers and cleaning all the house’s dishes at once.

Jasper is loath to give his father props for anything. But he was, on that particular occasion, right. Within a year Vee could flick his hands and shut windows, heat leftovers, unlock doors, send laundry skittering across the floor into the hamper.

It makes sense; Vee’s an infuriatingly quick study, magically and academically. And he inherited their dad’s style of magic. Easygoing. Quiet. Unobtrusive. Less explosive, more creative. Nowadays the worst that happens when he gets hot under the collar is that he spawns another houseplant and Jasper has to brush the leaves off the kitchen table.

Because Vee followed Dad’s instructions. He annotated all of his textbooks. He mastered it early, by seventeen, because of-fucking-course he did, but he was already in control by fifteen. Everyone learns to control their magic eventually.

Most people do eventually.

— darkling, segment iv: control

okay so let’s get into this!!!

isn’t darkling a modern king lear retelling? what do you mean, “the magic system?”

great question! darkling is, in fact, a modern king lear retelling (well, very loosely; it’s my city now and i reserve the right to do what i want). it takes place entirely in and around a city called dovermorry, an extremely isolated place secluded in the mountains, surrounded by wilderness for hundreds of miles, and only reachable via a single train through the mountains. dovermorry is loosely in the american northwest, sort of, i guess. by which i mean that’s kind of where i’m picturing it, but also it’s incredibly vague and honestly i don’t really know. dovermorry is, like, you know… [gesturing] it’s around. [kicking any kind of definable map under the rug]

the plot is set in the modern day with modern technology. the magic that exists is woven into daily life alongside said modern technology, which is the primary reason i’m calling darkling speculative fiction. most people in darklingverse aren’t actually heavily affected by magic (for reasons i’ll get into but which basically boil down to “they don’t have much”); however, dovermorry as a city is mostly known for being The Place Where Mages Go. most of the families in the city have been there for a long time; they’re old money families with powerful magic who use their inheritances to study increasingly esoteric forms of magic that aren’t very helpful in praxis. this is because dovermorry is home to the large and powerful Mage’s Guild, which is in charge of setting the laws around what kind of magic can be practiced in the city and by who. if you want to study magic at a scholarly level, you’d better pay your dues to the guild, otherwise you’re gonna get the boot.

every large city has a guild, but dovermorry’s in specific is Really Big and, unusually, has more political power than the actual mayor / government of the city. partially because leovald stayer, the guild’s president, is just… ughghhebwfbefbdsbfbdsfsd. That Way. in dovermorry if you’re not getting the boot you’re licking it

“wait, slow down. what is a mage anyway?”

well, technically, anyone! everyone in darklingverse has at least a little bit of natural magic (though it might be very little) that develops during puberty/adolescence! so by its literal definition, A Person Who Does Magic, everyone is a mage. that said, in colloquial terms, the word mage has taken on a connotation that basically means… exactly the kind of people who live in dovermorry. like i just said: scholarly, probably rich, probably a little elitist. so your average working-class person is TECHNICALLY a mage, but if you asked they’d say something like, “oh, mages are those hoity-toity folks who join guilds and stuff, WE’RE just regular folks over here.”

“you keep saying magic. what are you talking about. magic is a word that means so many things”

don’t worry, in darkling it just means [gestures vaguely]. re: everyone has magic, it develops in puberty, and there aren’t really specifications - it isn’t like some folks get fire magic and others get shapeshifting magic or etc. it’s more like everyone has a certain amount of raw energy inside them that can be drawn out and funneled into different tasks/spells. some ground rules:

1. you can’t change the amount of magic you have. your magic develops naturally, and maybe you get a lot of raw energy, or maybe you only get a little, but that’s what you’re stuck with and no amount of practicing is gonna give you more.

2. that said, magic is hard to control when it first develops - and practicing WILL help you get better at controlling it. so while you’ll always have the same base amount, you’ll get faster and more efficient about concentrating it into tasks.

3. re: amount of raw energy: that shit isn’t limitless. whether you have a lot or a little, it will eventually run out and you’ll have to wait for your juice to recharge. like a battery. you are a battery. how long this recharge period takes depends on how much magic you have, how fast you used it all up (if you push your limits to do something Really Big, you’re gonna be wiped), and also just how you’re doing physically in general? if you use up all of your magic in one go and you haven’t slept in a while, you might want to, like, sit down. drink a juice box. take a nap

4. while magic isn’t limitless, you can’t just NOT use it, either. when you aren’t using your magic, that raw magical energy builds up in you. and builds up. and builds up. and it does not particularly want to be in you. it wants to be out in the world, actually, and by god your fragile human meatsack is not going to stop it. so if you don’t choose a task to funnel your magical energy into (eg, i use my built-up energy to send my socks scuttling across the floor of their own accord to get into the laundry basket), that energy will eventually decide to just come out on its own. more on this later.

5. like i said, the mage’s guild of any particular city sets the rules, but there’s generally one core rule and that’s “don’t do necromancy.” like, obviously you’re not allowed to kill someone magically, but you’re also not allowed to kill someone NONMAGICALLY, so that’s kind of a given? but necromancy is something only a few very powerful mages can do and it is a BIG no-no. don’t fuck around with death, man. people don’t come back right, but also, just, like, let them rest, all right? let the dead rest.

[image description: the “society if X” meme, showing a futuristic “ideal” society full of green landscapes, smooth silver buildings, and flying cars. the text on the top reads “society if no one did necromancy.” the text on the bottom reads “this post made by the official mage’s guild don’t do necromancy you freaks bottom text.” in the corner you can see the imgflip.com watermark that i could have erased were i less lazy.]

“so what CAN you do with magic?”

the average joe? not much. again, there aren’t specific categories of magic; there aren’t any ATLA-style bending divisions. if you and i have the same raw amount of energy, there’s no reason we can’t both learn the same spells.

that said, the average person doesn’t have a lot of magic! it is much less dramatic than i’ve made it sound. there are not big magical firefights happening marvel-movie-style on every city street. if you want to talk to your friend, you use your iphone, not some kind of distance-speaking spell (which would be hard to maintain anyway and oh my god the phone lines are right there). the average person, on a daily basis, will use their small amounts of magic to heat their coffee up, or to wipe up a mess or spill, or to clean their floor re: the socks i mentioned earlier. (while writing this post, i had to begrudgingly admit that the socks were not going to scuttle anywhere, and i was forced to pick them up with my hands, manually. tragic, i know.)

again. dovermorry is the exception to this rule. most of the people in dovermorry have a little too much money and a little too much magic and not nearly enough chill. but dovermorry has also been festering like a petri dish alone up in the mountains for decades so what can you do.

“hold on, are you telling me that people in darklingverse didn’t immediately start wielding innate magic quantities as a tool of classism? sounds fake”

regretfully i cannot retcon classism out of darklingverse as it is relevant to the plot. this is because the plot is “Incredible: This Rich White Guy Has Never Been Told No And Doesn’t Know How To Handle It Without Crytyping!”

[image description: a picrew of leovald stayer, a pale-skinned man with short blond hair and an angry-looking frown, plus tears that i drew onto him with the paint tool in paint.net. beside his head is red crytyping text reading “ii’mm sso; so..rryy i didn’t[ mme a nit wwhy . are yu,,o suiiicdee .bai,,it,ing MMe gr;;acen im yuour da[d,,,”]

the general implicit belief across the country, but especially in highly stratified cities like dovermorry, is that upper-class people from distinguished noble families are just naturally born with more magic, and lower-class people are born with progressively less as we trip down the social ladder. is this kind of true, demographically? yeah but everyone’s got their cause-and-effect turned around. class doesn’t dictate natural magic so much as natural magic dictates class. the people on top like to be on top. and having jacked-up magic is a nice way to stay on top. so rip to the rich kids born with piddly little amounts of raw magic, because your family probably is not going to help you get places. and rip to everyone else born with piddly little amounts of magic, too, because unless you’re REALLY good at something nonmagical, you probably are not going to Strike It Big because those in power are gonna keep you down. and if you DO make it to the top you’ll be viewed as an exception that proves the rule.

there is some magic that is genuinely naturally harder to work with. the upper classes are personally really invested in making sure that kind of magic is painted as rough and lower-class. this is because it is threatening to them! and they do not want to be threatened. unless, of course, it’s them with the hard-to-handle magic. and then they’re fine with it.

“but didn’t you say everyone’s magic is basically the same?”

everyone’s magic can be wielded to do basically the same things. you can’t control how much flows through you. you CAN control where/how it gets out. and everyone’s pathways for how to let it out are basically the same (see the examples i mentioned above!). but some magic is a lot easier to control than other magic.

you can’t just not use magic, because if you don’t use it, it will use itself. it will Do Shit On Its Own. and that’s where this gets sticky.

so let’s get into that.

active vs. passive magic

now with fun diagrams!

[image description: a rainbow spectrum stretching from blue to red. the leftmost end (blue) is labeled “’passive’ magic” and “way down here you can mostly do fun party tricks.” the rightmost end (red) is labeled “’active’ magic” and “way down here you’re officially a ‘witch’ lol.”]

when i say active vs. passive magic, i should specify that this is not a strict binary! i’m about to use the terms in a sort of binary way to simplify this post down, but magic exists on a spectrum.* generally the less raw magic energy you have, the more “passive” your magic will be, but that’s not a hard and fast rule! characters vee and rory, for example, both have comparatively passive magic; however, rory’s is smaller and generally good for party tricks, illusions, and sleight of hand, while vee has more magic that he finds is really good for things like Growing Plants Really Fast and Making The Plants Do What You Want.

*i know this looks like some kind of metaphor for gender but i swear it’s not. you can trans your gender no matter WHAT your magic looks like i promise <3

i mentioned that if it builds up for too long unused, magic will Do Shit On Its Own. with passive magic, the Shit It Does is, like, accidentally growing a plant where plants shouldn’t grow, or changing your hair color when you aren’t looking. slow seeping magic that just kind of oozes out of you until you notice, “wait, shit, my hair didn’t used to be blue.” with active magic, if you don’t control it, it will Break Shit and it will not be nice about it.

active magic is - if we simplify both the magic binary and human genetics until they’re really really blurry - the dominant trait. if you made a middle school biology punnet square, active magic would be the dominant allele and passive the recessive allele. (i haven’t taken a bio class in two years no one get my ass for this analogy.) the child’s magic will take after whichever parent has more active magic. so, to illustrate that, let’s look at a normal family with a normal non-scandalous family tree. by which of course i mean the greenwoods. [canned laugh track playing in the studio]

here are ara, griffin, and medea (parents) charted by how active their magic is:

[image description: the same spectrum, now featuring three picrews of characters. ara, a dark-skinned woman with wavy black hair, freckles, and glasses, is placed leftmost, closest to the blue/passive end. griffin, a dark-skinned man with short black hair and glasses, is placed near the middle of the spectrum, slightly to the left. medea, a pale-skinned woman with spiky white hair, freckles, and gold hoop earrings, is placed rightmost, at the very edge of the red/active end.]

...and here’s how that went for them, progeny-wise:

[image description: a little family tree. ara and griffin’s child, vee, a dark-skinned person with wavy black hair, a worried look, and band-aids on his face, is labeled “quiet unobtrusive plant-based magic” in green text. medea and griffin’s child, jasper, a lighter-skinned person with spiky brown hair and freckles, is labeled “once accidentally shattered 50 champagne glasses at his dad’s birthday party” in red text.]

(yes, i know i said there aren’t any ATLA-esque magical divisions; that’s still true; vee just happens to get on really, really well with plants. much like jasper gets on really really well with entropy and causing problems on purpose.)

so the thing about “active” magic is that it’s usually more powerful, but if it’s too powerful it gets incredibly destructive. like i said earlier - if you’re part of the upper class, it shakes out fine; otherwise not so much. your choices with this kind of dangerous magic are to either fight it and keep it tamped down, or to lean completely into it and embrace your massive amounts of dangerous power. if you are rich, you can do that second thing! that’s what leovald stayer does, and he’s the president of the mage’s guild! good for him! [i say, through gritted teeth.] but if you aren’t rich, you had better try to keep that shit on lockdown, unless you want to be branded a reckless uncultured social deviant and - in most cases - a witch.

mages vs. witches

everyone with magic is a mage. only a few mages are witches. it’s like squares and rectangles, you know? you can hear gracen talk about that here in nice prose (plus baby cressida!), but the bottom line is that “witch” is shorthand for “woman* who has magic so powerful it’s unsafe, who uses it to break shit and be reckless,” and anyone with the “wrong” type of magic who doesn’t have a trust fund to back them up is getting tarred with that brush. they’re nothing like those elegant learned mages casting down benevolent laws from their ivory towers, you see.

*this isn’t a gender specific thing but usually women are the ones who get called witches because Women Should Know How To Control Themselves But Men Are Just Like That. god we love misogyny <3

tl;dr: misogyny and classism real. if you have hard-to-control magic that breaks shit then you’re destined to be a pariah UNLESS of course you’re rich and powerful and then it’s COOL that if you got too out-of-control you could collapse a building or cause a monumental storm or something. you know. cool.

[image description: the same magic spectrum. medea is still there, placed exactly where she was before. leovald’s face is also there, right above hers; in terms of magic, they are equally placed on the spectrum. leovald is labeled “runs the whole city” and medea is labeled “lives in a cave in the woods,” both in white text. there are three thinking emojis at the very top of the image.]

funny how these things work out.

in conclusion

in conclusion, if you’ve read all of this, you’re braver than the marines and have my undying love. if you’re down here for a tl;dr: magic is a natural force everyone is born with; some magic is comparatively harder to control; classism & other social structures affect the way a person’s magic is viewed (there are a lot of double standards); i really enjoy making little oc diagrams.

if you have questions, comments, etc, about this post or darkling in general, my ask box is always open! thank you for reading! [blowing you a kiss]

#i dream of hitting leovald stayer with rocks <3 #anyway this is terribly long but i had a friend scan through it and they said it was comprehensive and helpful so!#oh also i hope the image descriptions work i should start doing those... if anyone has concrit on that come shout into my inbox #this post could also be called 'reasons why jasper acts like a neurotic prey animal all the time'#though i did try not to delve into specific characters unless i was using them as examples. this here crash course doesn't need 2 get longer #max.txt #darkling tag #leovald stayer #ara greenwood #griffin greenwood #medea the witch #vee greenwood #jasper greenwood

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itsclydebitches · 3 years ago

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I keep seeing people calling Good Omens queer bating and a I can't help but ask why? I read the Aziraphale/Crowley relationship threw an Ace lens and they are clearly as close to married as they are probably going to get without stepping on holy ground.... and they love each other... why is it considered queer bating?

Personally, I think it's mostly young queer fans turning legitimate grievances on the wrong target. A case of getting so fed up with queerbaiting in media as a whole that they're instinctually lashing out at anything that seems to resembles it on the surface, without taking the time to consider whether this is, in fact, the thing they're mad at. Good Omens is a scapegoat, if you will. The equivalent of snapping at your partner after a long day. Your friend was an asshole, your boss was an asshole, the guy in traffic was an asshole, and then you come home to your partner who says something teasing and you take it as another asshole comment because you've just been surrounded by assholeness all day, to the point where your brain is primed to see an attack. Your partner wasn't actually an asshole, but by this point you're (understandably) too on guard to realize that. Unless someone sits you down and kindly reminds you of the difference between playful teasing and a legitimate insult - the nuance, if you will - your hackles are just gonna stay up and you'll leave the room, off to phone a different friend to tell them all about how your partner was definitely an asshole to you.

Only in this case, that "friend" is a fan on social media doing think pieces on the supposed queerbaiting of Good Omens, spreading that idea to a) people who aren't familiar with the show themselves and b) those who, like that original fan, have come to expect queerbaiting and thus aren't inclined to question the latest story with that mark leveled against it. Because on the surface Good Omens can look a lot like queerbaiting. Here are two queer coded characters who clearly love each other, but don't say "I love you," don't kiss, don't "prove" that love in a particular way. So Gaiman is just leading everyone on, right?

Well... no. This is where the nuance comes in, the thing that many fans aren't interested in grappling with (because, like it or not, media is not made up of black and white categories; queerbaited and not-queerbaited. Supernatural's finale is proof enough of that...) I won't delve into the most detailed explanation here, but suffice to say:

Gaiman has straight up said it's a love story. He's just not giving them concrete labels like "gay" or "bi" or "asexual," etc. because they are literally not human. Gaiman has subscribed to an inclusive viewpoint in an era where fans are desperate for unambiguous rep that homophobes cannot possibly deny. The freedom to prioritize any interpretation - yes, including a "just friends" interpretation - now, in 2021, feels like a cop-out. However, in this case it's an act of world building (they are an angel and a demon, not bound by human understanding of identity) meeting a genuine desire to make these characters relatable to the entire queer community, not just particular subsets. Gaiman has said they can be whatever we want because the gender, sexuality, and romantic attraction of an angel and a demon is totally up for debate! However, some fans have interpreted that as a dismissal of canonical queerness; the idea that fans can pretend they're whatever they want... but it's definitely not canon. It is though. Them being queer is 100% canon, it's just up to us to decide what kind of queer they are. This isn't Gaiman stringing audiences along, it's him opening the relationship up to all queer possibilities.

We know he's not stringing us along (queerbaiting) because up until just a few days ago season two didn't exist. Queerbaiting is a deliberate strategy to maintain an audience. A miniseries does not need to maintain its audience. You binge it in one go and you're done, no coming back next year required. The announcement for season two doesn't erase that context for season one. No one knew there would be more content and thus the idea that they would implement a strategy designed to keep viewers hooked due to the hope for a queer relationship (with no intent to follow through) is... silly.

In addition, this interpretive, queer relationship between Crowley and Aziraphale existed in the book thirty years ago. Many fans are not considering the difference between creating a totally new story in 2019 and faithfully adapting a story from 1990 in 2019. Good Omens as representation meant something very different back then and that absolutely impacts how we see its adaptation onto the small screen. To put this into perspective, Rowling made HUGE waves when she revealed that she "thought of" Dumbledore as gay in an interview... in 2007. Compare that to the intense coding 17 years before. Gaiman was - and still is - pushing boundaries.

Which includes being an established ally, particularly in his comics. Queerbaiting isn't just the act of a single work, but the way an author approaches their work. Gaiman does not (to my knowledge) have that mark against him and even if he did, he's done enough other work to offset that.

Finally, we've got other, practical issues like: how do you represent asexuality on the screen? How do you show an absence of something? Yeah, one or both of them could claim that label in the show, outright saying, "I'm asexual," but again, Gaimain isn't looking to box his mythological figures into a single identity. So if we want that rep... we have to grapple with the fact that this is one option for what it looks like.

Even if he did want to narrow the representation down to just a few identities for the show, should Gaiman really be making those major changes when he's only one half of the author team? Pratchett has, sadly, passed on and thus obviously has no say in whether his characters undergo such revisions. Even if fans hate every other argument, they should understand that, out of respect, Good Omens is going to largely remain the same story it was 30 years ago.

And those 6,000 years are just the beginning! Again, this was meant to be a miniseries of a single novel, a novel that, crucially, covered only Crowley and Aziraphale's triumph in being able to love one another freely. That's a part of their personal journey. Yeah, they've been together in one sense for 6,000 years, but that was always with hell and heaven on their backs, to say nothing of the slow-burn approach towards acknowledging that love, for Aziraphale in particular. We end the story at the start of their new relationship, one that is more free and open than it ever was before. They can be anything to one another now! The fact that we don't see that isn't a deliberate attempt on the author's part to deny us that representation, but only a result of the story ending.

So yeah, there's a lot to consider and, frankly, I don't think those fans are considering it. Which on a purely emotional level I can understand. I'm pissed about queerbaiting too and the knee-jerk desire to reject anything that doesn't meet a specific standard is understandable. But understandable doesn't mean we don't have to work against that instinct because doing otherwise is harmful in the long run. We need to consider when stories were published and what representation meant back then. We need to consider how we adapt those stories for a modern audience. We need to acknowledge that if we want the inclusivity that "queer" provides us, that includes getting characters whose identity is not strictly defined by the author as well as characters with overtly canonical labels. We need both. We likewise need to be careful about when having higher standards ends up hurting the wrong authors - who are our imperfect allies vs. those straight up unwilling to embrace our community at all? And most importantly, we have to think about how we're using the terms we've developed to discuss these issues. Queerbaiting means something specific and applying it to Good Omens not only does Good Omens a disservice, but it undermines the intended meaning of "queerbaiting," making it harder to use correctly in the future. Good Omens is not queerbaiting and trying to claim it is only hurts the community those fans are speaking up for.

#good omens #mymetas #queer

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savrenim · 3 years ago

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What does a “mathematical brain” mean ? My math teacher told me he didn’t know why I couldn’t get good grades in math because I have the mind for it so I’m very confused by what having a mathematical mind is supposed to be.

I really don't think there is such a thing as a mathematical brain? Especially because math is a huge subject, and different parts of it require very differently skills and instincts. Writing off an entire subject as "your brain is just good or bad at it/ you're just pre-disposed to be good or bad at it" is bullshit, especially in math, where any given problem will have multiple solutions and especially when you're first learning standard maths taught through the calculus sequence and not where it all came from and how it all connects with each other the best way to go about remembering how to do everything in my opinion is find the one way that really makes sense to you, and then stick to it.

I will say that "I am bad at languages" / "My brain is just bad at languages." The actual truth of the matter is, I'm... not bad, like, I certainly don't have any sort of auditory processing disorder, but at the very least sub-optimal at purely auditory processing. I am very bad at remembering people's names or hearing them right in the first place unless I see them written down in front of me, rip my DM for having to send me character lists every new arc of gay murder elf bachelorette or I just will call everyone the wrong name, I cannot do 'listening to podcasts' really well, I don't bother with audiobooks, etc. Very specifically, if something is purely auditory with no visual component attached, it seems like my brain just doesn't interpret it or remember it correctly. And again, this definitely isn't a disorder or anything! I mildly prefer subtitles, but I watch movies without subtitles just fine all the time. I can listen to podcasts so long as I have an appropriate activity like driving or cooking or laundry that I'm doing at the same time occupying just enough brainpower. I have zero problems with my hearing, zero problems with speaking to people in English, zero problems in general with learning/ learning disability. But oh boy, trying to learn a different spoken language. I did just fine, in fact straight As because tests were written, in six years of Spanish and three years of French, but I cannot for the life of me understand a single word in one of those languages. Despite the fact that I can still somewhat read French. The spoken bit never clicked. Teachers asked me why I did not join the honors sequence or even the AP sequence for the languages I was in because I was so good at it and I externally went "my courseload is busy enough" and internally went "you mofos those classes would actually grade me on the oral bits, I can do this now bc I'm good at charts and grammar and written things and memorization, but that will not make me good at speaking the language."

I am fairly certain if I devoted years to it and tried really hard, I could learn to speak a different language. I deeply admire people who do learn other languages. But it's Hard for me and I've decided to use my time for Other Things, and that's okay.

The thing with math is that it's similar. If you're dealing with anything up to and through a college calculus sequence, there are specific skills you'll be using and depending on how those skills are taught, they may or may not align with your natural instincts. For me, math is pretty much visualization. A lot of working with functions and manipulating values and what-not is at least for me something that I did with internal sketches of what was happening the whole time. For example, why is the solution to |x-a|<b a single interval but |x-a|>b two intervals? Well, the picture in your head of a number line, and think of point "a" and distance "b" then you're either highlighting "distance b close to a" or "distance b away from a". Or what is the domain and range of f(x)=8/(x^2-16). Well, the picture of x^2-16 is a parabola but most importantly it has zeroes at 4 and -4 and a minimum of -16, so once that sketch is in your head you kind of. Instinctively reconstruct the reverse sketch of 8/(x^2-16) by thinking of where it's positive, where it's negative, where it goes to 0, to infinity, or hits a local maximum/minimum.

For higher maths, the only thing that I can really think of in terms of having a "mathematical brain" is training oneself in formal logic for proofs. But again, that involves way more learning of tools (proof by contradiction, proof by induction, proof by construction) and figuring out on your own how to make them work for you than any one given particular type of skill. A lot of actual math research though is fucking around playing around with things until you see what stuff actually sticks. Whole bunch of trial and error trying to get things to work, and them either working or not.

I think the public perception of what makes a "good mathematical brain" is probably something along the lines of: (1) an exact/precise person, whatever that is supposed to mean, (2) someone good at memorization, and (3) someone who seems logical/organized? But that is kind of delving into stereotypes and way less what actually makes people good at math. But also I'm pretty sure pretty much every person has their own internal stereotypes, and a teacher will probably have their own specific stereotypes after teaching a class for years about which general types of students are usually good or bad.

But mostly, flat-out? Any teacher who tells you something like that is a shitty teacher, and fuck them.

#if you're struggling I'd really recommend looking for things that teach the bits you need to learn #in different ways than was presented in class #if you can afford it/ if your school offers it for free tutoring can be super useful #for online resources khan academy is my default because I really like their videos and their step-by-step examples are useful #but really there's no such thing as a 'mathematical brain'#there are particular skills that will predispose you to be better at certain techniques #but nothing is ever set in stone for good or for bad

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popurikat · 4 years ago

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Ruin Teresa Agnes career. Aka: the Teresa analysis. Take all the time you need >:3

Okay I’m saying this right off the bat in case someone who stans this character misses the point above, but well I hate Teresa Agnes’ character in the maze series, both movie and book. However, in my analysis I will try to explain why her character misses the mark both as a villain and as a sympathetic character. So, to analyze her in depth, I’m putting this into parts under the read below. HEADS UP! As of now this analysis will exclude Death Cure Novel review as I have not finished that one, though it will mention one major spoiler I have been informed of from that book that I need to add for the sake of her character; other than that I will be discussing the other three novels before it (yes that is including the prequel Fever code) and the three movies from the series in broad ideas as I am not about to scavenge for quotes like I did in my last long post… well at least not as many.

Part 1: Teresa the master manipulator

No matter which way you look at it, Teresa has a way to bend others to her will, whether we blame WCKD for teaching her so well; or she used it as a means of survival, the idea still stands. Though she is extremely skilled in combat, especially at using spears and knives, Teresa’s biggest skill is her silver tongue, she can lie her way out of anything. Most evident is her betrayal in Scorch when she has such a good poker face that she not only convinces group B that Thomas is the problem they have to eradicate to get WCKD’s good side, but she also doesn’t hesitate to maim Thomas to the point of threatening to kill him: “Get in the room or I’ll hit you again. I swear I’ll keep doing it till you pass out or bleed to death” (Ch. 51). /sarcasm/ Charming ain’t she? /end of sarcasm/ The thing about lying though is that sometimes it backfires, for instance in the case of Group B, Harriet and Sonya hear Thomas out on why they shouldn’t kill him like Teresa asked, and when they listen and observe him they realize that Teresa is the worst and side with him; which in turn makes Teresa have to take drastic measures which involve getting Thomas alone with her to finish her duties to WCKD. Anyways, she even goes as far as to cement her betrayal by kissing Aris and crushing Thomas’ feelings by saying they were never a thing; she does this mind you without so much as breaking this character she builds up even though later she tries to say she still cares for Thomas. She is so convincing that Thomas has stated that: “Thomas had never heard such arrogance from her. She was either a really good actress or had started going crazy. Gained a split personality or two” (Ch. 45, Scorch). So yes, Teresa is too good at lying to the point I can say she can align as a Pathological Liar because she’s deceptive, goal-oriented in order to get HER way meaning she will not tolerate anyone interfering with her methods, she disregards the feelings of everyone around her, and she is constantly tweaking her excuses to adjust to the situations at hand. She is so good at lying she oozes self confidence when elaborating her defense by staring directly at the person she is talking to, unblinking, and will lash out in defense if someone calls her out on any inconsistencies.

Mind you this isn’t the first instance we get at how well she turns the story to her favor. In Fever Code, she is the one to help put the Gladers in the maze and erase Thomas’ memories, which transfers in Maze Runner with how she openly gaslights everyone by pretending she doesn’t remember much about WCKD’s doings even though her memories are the only ones implied to be in tact based on that email she wrote in Fever Code: “I’ve just said my goodbye to Thomas, and he’s now in the Glade, safe and sound. Tomorrow, it will be my turn. Dr. Paige has asked me to send a final note to everyone, sharing my thoughts. I’m more than happy to do so. I feel good about the plan to leave my and Aris’s memories intact. You need someone in each group with whom you can communicate and plan during the phases of the Trials”(FC epilogue) and also based on this specific tid bit in Maze Runner where she slips she knows more than she lets on: “Though I guess a Griever can’t squeeze through this window, so I’ll be happy, right?” The mention of Grievers surprised him -- he didn’t remember talking about them to her yet. ‘Teresa are you sure you’ve forgotten everything?”(Ch.37, pg.246). Griever knowledge in general for Teresa in Maze seems to be code talk for “I am here to cause trouble, I kept my memories'' because during the sequence with the fiasco with the invasion of the species in Group A’s field, Teresa casually wakes up after the event’s commotion subsides earning Newt’s suspicion that maybe the map fire was not done on accident. Anyways, in keeping things down low and having an advantage in memory recollection, she ensures Thomas and co. don’t recall events correctly unless it's vital to her mission. And yes, Teresa will use violence and anger if necessary; she is perfectly fine with murder...”So we’re just going to kill them all? [...] They’ll die anyway [...] No, Tom, It’s be tough now or everyone dies later”(Ch. 47, Fever Code). Or even this small aside on her stance on death overall: “This is kind of fun,’ Teresa whispered to Thomas. ‘Walking along with my new friend.’ He looked at her in bemused disbelief. ‘Really? You drop that bombshell about kids dying and now you act like it’s no big deal? You’re so weird.’ He tried to make a joke out of it to hide just how horrified he’s been by her second question” (Ch. 9, pg. 55, FC). And she has killed, mind you, yes they were cranks, but they are still humanly conscious. Thomas in comparison shows pity about the fact that they were still human, Teresa didn’t bat an eye. And now, you might say “Hey Popuri, you know, she’s just willing to kill if it means saving everyone else right?” to which I go, sure she’s stated that if it means saving the rest it doesn’t matter if thousands or so die. However, she is also clear that she only cares about Thomas’ survival in specific, no one else; which immediately gets falsified by her “lie” in Scorch, thus she will kill anyone if need be no matter how close they are. What I’m saying is that not even Teresa has a clear path in why she manipulates everyone when she can so easily be convinced to make elaborate murder scenarios at the snap of WCKD’s fingers. She claims it's to save her “crush” but will not hesitate to shed his blood and drag him across the desert.

She claims it's to help WCKD, that WCKD is good, but she has bore witness time and time again that the facility makes countless errors and knows there's no REAL cure available … and Teresa is a smart kid, so why continue believing a hopeless fa��ade? Because she's desperate to cling to some hope? No. Teresa doesn’t do the whole hope thing, she's convinced WCKD is good period, there's nothing else. So, even if there is no evidence anymore she will fight tooth and nail for something she herself is trapped in because no one will want to be there for the girl who treated her only connections as poorly as WCKD treated her. Therefore, is it because she can’t help it then? I can only imagine that's the case. She’s willingly this puppet for WCKD, she could’ve escaped them any time she liked like Thomas and co. did, but she prefers to stay on the burning train even if it means her own demise because she refuses to admit any of her actions were wrong, the truth will NOT set her free because she cannot confront it.

Moving forward, I wanna delve more into the whole telepathy dealio she specifically shares with Thomas and we actually never really learn if she can talk to others as she evades the question when it does arrive in book. The only certain thing is that if you have a chip, you can talk using your mind. Now this would be a fine plot device, but in the hands of someone who wants to control your every move and thought, well....”Thomas, this is Teresa. He was going crazy. He was actually going crazy. It was the oldest and most common symptom -- hearing voices in your head. ‘Uh...’, he said aloud. Is this working? Is this working? The last words landed between his eyes like a thunderbolt. The pain knocked his legs out from under him and he collapsed onto the floor. Never had the world felt so fluid beneath him, as if nothing solid existed, no form, no substance“ (Ch.20 , pg. 112, FC). So first things first, Thomas hates it when he gets a mind message, he feels extreme pain when someone tries it, this is recurrent throughout the series. He has told her a few times not to contact him through that method, but it's their little secret and besides, if he told anyone who would believe him? “Teresa shrugged. ‘You didn’t tell anyone, did you? They’d think we’re crazy“(Ch.36, Maze Runner). So we have a situation where Teresa has a huge way of overpowering Thomas, she can send images to his head without his consent and yell into his mind even if it means it hurts him. And the kicker? She doesn’t teach him how to use it on purpose. And when he tries to contact her? Well depending on her mood she can either be flirty or... well this: “Teresa? A pause. Teresa? A longer pause. Teresa! He shouted it mentally, his whole body tensing with effort. Teresa! Where are you? Please answer me! Why aren’t you trying to contact me? Ter- /GET OUT OF MY HEAD!/ The words exploded inside his mind, so vivid and so strangely audible within his skull that he felt lances of pain behind his eyes and in his ears. He sat up in bed, then stood. It was her. It was definitely her. Teresa? He pressed the first two fingers of both hands against his temples. Teresa? /WHOEVER YOU ARE , GET OUT OF MY SHUCK HEAD!/ Thomas stumbled backward until he sat down once again on the bed. His eyes were closed as he concentrated. Teresa, what are you talking about? It’s me. Thomas. Where are you? /SHUT UP!/ It was her, he had no doubt, but her mental voice was full of fear and anger /JUST SHUT UP! I DON’T KNOW WHO YOU ARE! LEAVE ME ALONE!/ But, Thomas began completely at a loss [...] /LEAVE ME ALONE, OR I’LL HUNT YOU DOWN AND CUT YOUR THROAT. I SWEAR IT. “ (Ch.8, FC). *sarcasm* ah yes, nothing says true love like a death threat that actually comes to near fruition later in that same book and pretending to not know that person only to later, upon meeting Thomas acting like a sobbing mess, kiss him and disappear...she sure knew him then huh? *end of sarcasm* Having a power imbalance in a relationship is, you know, not good, especially when you’re making it so you gaslight the person anytime they know something you don’t want them to or to have control over the situation. Teresa does this OFTEN. To the point that it makes Thomas so emotionally attached to her he finds it hard to admit he doesn’t need her, even when he’s been badly hurt.

Part 2: Your past does not excuse your bad actions in the present. Period.

Now let me clear something up, PAST ABUSE does not CONDONE you to HURT OTHERS in turn, let alone allows you to use it as an excuse to justify wrong actions. I am aware Teresa, aka Deedee, was abandoned due to an outbreak of the flare at an early age; had her name changed, was confined to a room with Thomas as her only friend who was the same age as her, and openly manipulated by adults to believe WCKD is good. But you know who else goes through the same treatment? LITERALLY EVERY KID EXPOSED TO THIS EXPERIMENT! AND THEY DON’T THREATEN EACH OTHER IF THEY DON’T GET THEIR WAY OR KILL EACH OTHER. And this is not said in order to justify that everyone with the same experiences will have the same reactions, I understand stressors and trauma affect everyone differently and acknowledge everyone needs a different support system. But like, for peeps sake, Thomas who is Teresa’s exact foil as a narrative play to show that they are more alike than they realize which is the flimsiest proof to grab at as to why they need each other to an extent; literally has the exact same story cut and paste from her and he has more empathy and compassion to those around him, than Teresa ever shows. WHY? If the idea is to show Teresa has hardened from her own experiences, she should in theory act more like Brenda, a renegade civilian that isn’t soft for anyone except the boy who will save her. I know in my explanation I compare Thomas and Teresa a lot, but it's hard not to when Teresa, though having Aris as another buddy who is also in on the whole WCKD scheme, still decides to CLING to Thomas to be her saving grace. And the thing is, even if she only ever trusted Thomas in this whole experiment, then why not confide in him or tell him what is happening? She doesn’t LISTEN to anything he says to her in turn. YES, Teresa knows more about the situation as a whole, YES she is capable of doing things by herself, but she never trusts anyone. You’d think she would be more open to talking to the kids her age or be the quiet type because she knows what will happen to them all if they don’t comply; but no, I can’t even describe her personality other than stoic one moment and complete chaos in the next, and she does that switch VERY often. But sure, she prefers to skew half truths and put everyone in danger because ….WCKD? She’s supposed to be the intellectual one and she doesn’t know how to spread her capabilities, no wonder Brenda is introduced in the second book.

It's also incomprehensible to me why she feels it necessary to follow WCKD in general when she was the first to know of all their evil doings? “They were at the door when Teresa stopped and asked Dr. Leavitt a question. Two, actually. And it was enough to change the man’s demeanor completely. ‘What’s a swipe trigger? And is it true that seven kids died during the implant surgeries?’ The questions stunned Thomas. He turned to look at Teresa as the doctor fumbled for an answer. ‘How...’ the man began, then stopped, realizing at the same moment what Thomas did: Teresa had stumbled on something major. Something true”(Ch. 9, pg.54, FC). You’d think she would have the maturity to one up WCKD and knock them from the inside out to save the one she “loves'' but she doesn’t, instead she abides by the facility...even when knowing they are the ones who made the Flare in the first place. Call me naïve, but wouldn’t it make sense that if she wants to help stop the Flare than it would be in her best interest to hold Ava at an inch of her life (and Ratman) until she fesses up how to reverse the Flare, only to then realize oops there never was a possibility for a cure ~, but in knowing this finally be rid of the one thing holding her back? Again, someone can argue that hey, she thinks the people who made it HAVE to eventually find the termination and either way what possible choice does she have when her own manipulators control her? But remember, in the end it's always been a huge experiment to eliminate the human populace, and that's motive enough to rebel and/or snap at the hand that feeds when it's gone too far. EVERYONE has a breaking point mentally and physically, THOMAS BREAKS DOWN SEVERAL TIMES IN THE SPAN OF THE SERIES BECAUSE HE CAN’T MAKE SENSE OF THE EXPERIMENTS AND THE REASON TO CONTINUE SURVIVING ONLY ON WCKDS TERMS. And it drives me insane that Teresa would openly keep the Gladers from knowing about their procedures when she has known the longest from everyone else! Oh? You want evidence that Teresa keeps her memories intact and lies about ever losing them, sure! Here, have a morsel: “Teresa..., he started to say, but then stumbled a void. He had no idea how to respond. Did you....did you already know this stuff? /I’ve heard rumors./ And you never told me? He was stunned. How could she have known this and never said anything? She was his best friend. The first person he went to with everything. /I just don’t see the point. Yes, we have reason to hate these people. But how is dwelling on the past going to help anybody? The solution is what matters./ Thomas had never been so blindsided in his life.../I’m really tired, Tom. Can we talk about it tomorrow?/ She was gone from his mind before he could respond [...] The next day Teresa refused to talk about it, emphasizing that she’d rather focus on the future than the past Dr. Paige also blew it off, saying that those decisions had been made well before her time. it was almost like they were both determined to forget” (Ch. 43, pg. 239, FC). TALK ABOUT BECOMING THE ONE THING THAT YOU WERE SUPPOSED TO OVERCOME. Like goodness sake, Teresa was part of the prep and launch of putting each Glader into the Maze and she never doubted it, never fussed over how this was bad. The excuse of “this is for their own good, my own good, and the world’s” can only go so far when you are in an environment that is full of violence and trauma, you expect me to not believe Teresa just never broke down and truly analyzed how she can use her lies to one up her own abusers? She’s supposed to be this “empowering” female character and she can’t even get THAT right.

Part 3: How come the films did it better?

The film actually humanizes her a lot more and makes her motives at least justifiable in a fit of protecting the one you love. I know a lot of people dislike her character in the movies because it's more frail and sympathetic, but it was a very good way to justify her motives and plan out her actions from point A to point B. What do I mean by that? Let's take a look. Film Teresa enters the Maze without the ability to communicate to Thomas through telepathy, she still has her memories and she is still in close contact with WCKD, that much is still the same. Her motive though is to get everyone out of the maze and into stage 2 where the facility can round up the ones who have been viewed to be immune through the Maze Trials. So far so good, but pretty on par with the book right? Well, here is where it differs for the best. On the last act of Scorch, Teresa tells Thomas WITH SENTIMENT, no more lies and no more hiding that she contacted WCKD because it was needed to keep Thomas alive and well. WOW, notice how she doesn’t emotionally manipulate him and her innocent nature of trusting the scientists of her world to cure everyone actually leads her to be more sympathetic and relatable to the audience? In Death Cure, she doesn’t expect Thomas or ANYONE to forgive her for her actions and in fact takes her actions at face value. This Teresa is more understanding of the phrase “You can change, but those you’ve wronged have no obligation to forgive you” than book Teresa ever will. To the point that when she finds Thomas in the city and has bore witness to the startling realization that there indeed could be no cure cause her patient flares back up; of which is intentionally a little girl to reflect without showing that she can relate to the Flare stripping away her childhood, she then betrays WCKD by allowing the Gladers to infiltrate the facility, thus redeeming her when she dies in the explosion. Thus, making her in the film's eyes an anti-hero. As Skquill once told me, “Film teresa really did want to create a better future, and wanted to help people and that's what I like about film teresa. It didn't work. It literally blew up in her face. But, she tried, and she saved Thomas in the end.”

The only reason I don’t like Teresa even in the film is because she is kind of a wet blanket there, barely expresses any emotion beyond stoic token girl that cries sometimes, and she could’ve saved herself the whole betrayal arc if she just learned to better communicate her intentions instead of sobbing pathetically every time no one wants anything to do with her for her ill doings.Not to mention she still maintains her personality to a degree from the book (just call her diet Teresa really) because once both enter the sequence in Scorch where they ran out of pawns to move around they claim that they did what they had to do and they wouldn’t change a thing, they’d do it again if they could. It is only when both are at death’s door with no other choice that they give in some noble sacrifice at a chance for redemption, which is well too little too late. And in the opposing corner of knowing some people blame Thomas for not just allowing himself to be experimented on since the beginning, my rebuttal to be fair is that Teresa just again, sucked at explaining herself and the intentions of WCKD until it was deserving of a literal showdown bloodbath that evidently Tommy boy had to take defense to and threaten his life if anyone else died due to miscommunications. ALSO, IT'S HIS OWN BODY, HE CAN DO WHAT HE WANTS WITH IT INSTEAD OF HAVING OTHERS DICTATE WHAT HE NEEDS TO DO.

BUT ANYWAYS, book Teresa in comparison has even less characterization, I am sorry to say. SHE'S BARELY IN SCORCH AS IS, only coming out toward the climax because before that she is crying and kissing Thomas before going MIA for 45 chapters. Ouch. And when she does appear? She purposefully causes trouble that leads to essentially no where, we could’ve gotten to the safe haven way sooner without her interference.

Part 4: Is Book Teresa a good female character?

The simple answer? No.

The slightly longer answer? Even if I were to place her as the villain of the story she’s...not that good? Mostly because again, she acts as a puppet for a rich, governmental organization that basically implants how she should think and act. YET, somehow she is still smart, brave, lethal, and *ahem* UNBELIEVABLY BEAUTIFUL WITH HER LONG HAIR THAT IS BASICALLY DESCRIBED THE EXACT SAME WAY AS BRENDA’S, WHO FYI IS THE SLIGHTLY BETTER FEMALE LEAD THAT STILL CAN’T HOLD A COIN TO SONYA OR HARRIET (the background characters) THOUGH. I also need to say plainly, she has no gradual growth, she remains by her ideals and thinks she's right constantly in all but one book...which is one book too late and thus made meaningless. By no means is Teresa a mary sue, yet she still manages to be a stereotype in Maze Runner: “If you’re going to decipher a hidden code from a complex set of different mazes, I’m pretty sure you’ll need a girl’s brain running the show”(ch.43); then again going most of the book in Scorch missing, and then unceremoniously gets crushed by a boulder in Death Cure as her final hurrah for all the bs she caused isn’t really a means to become a memorable character. This is the female supportive character I’m supposed to relate to and or praise for her dastardly, cunning intellect? If I were looking for a strong female with various flaws and a tragic end I would saunter over to Hunger Games’ Katniss instead. Teresa fails as a character the moment that her sole purpose is to be so emotionally/physically attached to Thomas that her whole character gets washed down the gutter so badly that Kill Order had to be made to justify her actions through a tragic backstory. In no way or form was I able to entertain this character as a favorite because she is everything I don’t want to be or befriend, and even as again, a “villain” she doesn’t exactly do much as the real masterminds are Ava and her cronies who MADE the disease and the trials. Even going as far as calling her an anti-hero feels off because none of her actions deliberately affect the plot or progress of our main character’s story. But that's kind of the thing with D*shner’s characterization of females overall? They’re either brutish or simply there. I don’t think any of them even pass the Bechdel Test.

Final thoughts:

I don’t like Teresa, I would personally fight her in a Denny’s parking lot at 3am if I could. I recall saying multiple times how she should just “shut up” as I read Maze and Scorch because most of her quotes are not memorable nor important. But in no way do I blame the character for the angst and tragedy of the novels overall. D*shner just...doesn’t seem to know how to make honest character growth and a decent plot, thus, in turn the story and its leads suffer tremendously as the narrative gets stretched out. (me yelling in the distance about how Crank Palace was made for clout). HOWEVER, In no way should my analysis stop people from finding Teresa as interesting or “cool”, I actually ENCOURAGE anyone that stans her to explain why to me because I personally don’t understand why beyond thinking “I just think she's chaotically evil and her treachery is fun to witness”. COOL IF THAT'S THE REASON OR EVEN IF YOU RE-WROTE HER TO BE BETTER! I just personally don't find her presence necessary for plot progression or as a love interest in general. It in fact sucks that she gets essentially replaced by Brenda almost as soon as the opportunity arises. In turn though, for others who don’t like her either as much as me, feel free to add onto this post any other “Teresa sucks and here's why” moments as I know there's a lot of moments out there to quote or paraphrase. Thanks for reading~

#Maze Runner #Maze Runner Series #Rant #Character dislike #I don't like Teresa #asks #Skquill #Long post

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maskeraith · 3 years ago

Text

big eldar scrolls on line post about what i thought about it

may have some spoilers for the morrowind storyline and sidequests idk also I am inevitably gonna compare it to ffxiv a lot as it’s the only other mmorpg I’ve played good luck

Writing this after finishing writing the rest wow this got too long there is a tldr though haha

so the first thing I will say is that eso’s overworld exploration and sidequesting blows ffxiv away completely, there is so much to do and fun to be had in eso simply by exploring around! the enemies feel cool to fight, there are delves and solo dungeons to just stumble across with quests in there, skill points just lying around if you look hard enough, gathering spots that you can just gather from without having to be a specific profession or something, WORLD bosses that you need a group to battle just OUT there it’s really cool! Ffxiv does have some really beautiful environments but in terms of actual stuff to do, there’s literally just fates and they’re pretty shit to be honest, and i guess the sightseeing log??

and sidequests! all my time in the game was spent in the morrowind area (vvardenfall I think? my eso lore is zero watch out) and every sidequest I did had a really engaging storyline. They do mostly amount to fetch quests and slay monster quests in terms of gameplay with some puzzle moments sometimes, but the storylines were captivating enough to justify most of what you had to do. compared to ffxiv which is BLOATED with boring fetch quests with uninteresting storylines eso has it figured out. the characters you meet and their dialogue is great and sometimes you can even make choices which affect the final outcome of the quest which is always fun (your character having the personality of a brick aside). I actually think I enjoyed certain sidequests more than the main story of morrowind they’re that involved

Also there are world events but I didn’t really get into them, there was like a huge tornado which spawned some enemies that give you massive exp, but my horsey was too slow and I only got there at the tail end because they’re great for farming so every player in the world goes there and kills them instantly they seem cool though

in terms of lore, I’m not someone who is super interested in the lore of the elder scrolls universe but I found myself learning a whole lot of very crazy stuff from the friends I was playing with who DO know all about it, and I will say that if the lore of the elder scrolls universe interests you in any way you’ll love this game! so I learned that there are Eras in this universe, and eso takes place in the second era I believe. The other main series games all take place in the third or fourth I think, so eso is able to like set the groundwork for those games and explain the history behind stuff going on in all the main games, which I think is a really good idea, perfect for fans of the lore and stuff. Like I remember the funny talking dog from skyrim and he’s like the primary antagonist of the morrowind main story like woah

The combat is where I think the game started to fall off for me, again with the ffxiv comparison but it just wasn’t reaching levels nearly as interesting as the combat in that game for me.

Firstly, there’s no tab targetting (unless there’s a setting in the menu somewhere i missed?) you actually aim all your attacks, single target, aoe, whatever. for me this made it harder to be able to gain a situational awareness, and I have to keep my camera aimed at the boss and I’m not able to move it around to see if there was anything else going on. I do see how aiming your attacks could actually make the game more appealing to some people, though, as it does give a sense that you are more actively participating in the battle and not just standing there pressing buttons, but for me this sort of thing doesn’t make any difference

The second thing was the amount of abilities you have at any one time - you have 10 abilities and 2 ultimates slotted at any one time. Five and one ult are active at a time, and you have to swap weapons (it’s as easy as the press of a button) to switch to your second bar with the other 5 and 1 ult. This does make the game a lot more accessible I think, but it also means the stuff you get to do is just gonna be a lot more straightforward and spammy compared to the interesting and involved rotations you get in ffxiv. as a tank, I set myself up to put three dots and a debuff on the enemy and then spam my one damaging attack, until I had to reapply the stuff again, and that was basically it. I had some tank cooldowns too like a shield, heal, a grab and so on. I did look up the Most Complicated Rotation to see how hard it could get, which seemed to be stamina nightblade, and even that has “Ability x11″ or something in its rotation

Simple rotations would be fine for me if the bosses themselves were more difficult or complicated to compensate, but honestly nothing was any more difficult or involved than ffxiv. On youtube I’ve watched like 5 dungeons and a trial on the hardest Veteran difficulty, and the dungeons don’t look like anything more than what you would get in other mmos. The trials looks like really great content honestly, but there’s no party finder for them as far as I know so you have to manually gather 11 other people which is never something I enjoy trying to do in multiplayer games lol

i also didn’t super appreciate that the game wanted to like hide a bunch of info from me by default? like a few hours in I complained that it was impossible to know when my dots and self buffs ran out because all I had was like little particle effects on the enemy/myself to go off, and my friends were like “oh yeah you need to turn on these tooltips in the options” like huh?? I need to know this stuff come on

There is some really cool stuff in the combat though! Every player has like a basic bash attack, which can interrupt certain attacks, and then a basic heavy attack, which can knock down staggered enemies (they get staggered if you interrupt them) so there is more to do than just your abilities.

One thing I will mention though, is that I think a huge part of the combat is resource management - you spend stamina/mana on your abilities and if you’re not careful it’s easy to run out. As a tank, blocking takes up stamina, and sometimes I would not manage it correctly and run out and be unable to use my anything for a bit. You get it back by doing heavy attacks (contrary to every game ever) and other like passives unique to whatever build you might have going on. A lot of the game’s difficulty in harder content might come from this, but I didn’t get that deep into any of that sort of thing

I think the way you pick your abilities is really cool - you level up a whole bunch of different skill trees at a time, and you can slot any ability from any tree at any time (other than weapon skills specifically, you must be weilding that weapon) into your 10 slots. Your class has three unique trees, then there’s like a tree for every weapon type, for mage and fighter’s guild, this weird guild called the undaunted, werewolf and vampire, probably more I forgot about. All of them have 5 skills that you unlock as you level that tree, and all of those skills can be morphed into one of two “strong” versions of that skill once you level that specific skill. So there is a huge amount of player choice in how you build your character! I remember getting loads of advice from my friends but also just thinking to myself “but this skill though...” (i am so sorry). There are loads of passives too but they’re kind of lame and you just sort of put your excess skill points in them to make yourself passively stronger. I am sure there are Optimal builds, but playing casually you can literally just do anything

I do think levelling them can sometimes be a pain though because like, if you want the fifth ability in Skill Tree 1 but you don’t really use any of the first four, well actually you do have to start using a bunch of those skills you don’t want because you gain more exp for that skill tree the more of its skills you use, sort of a minor thing I guess

Finally I will talk about how I really do not like the execution of the loot system... So you get armour sets in this game and if you wear 5 of them you get a very significant passive, like whenever you crit you summon a big ghoul to shoot acid, or all of your aoe abilities also taunt. I think this is a super cool idea in theory, and it allows for even further personal customisation of the kind of character you want to play. However..

So the max level is 50, but the real max level is like 180 or something because at 50, you continue to level up but each level just gives you a point to put into these big huge bonus passive skill trees which continue to increase your stats up to the 180th point or something like that. In eso, though, you can go anywhere and do anything and all the enemies are scaled to you. But, it’s actually that you are scaled to the enemies - while below level 50, you get an invisible buff that makes you as strong as a level 50 character. This means that every level you gain, you actually get slightly weaker, if you’re not updating your armour.

Armour drops at whatever level you are, up to the cap of 180 where you are the strongest you can be. So ultimately what this means is every piece of armour you get up until you reach the level cap will quickly become obsolete. Every time I collected 5 pieces of a set and got a cool passive, all I could think was “this will be fun for about 4 levels” because I knew I’d need to swap it all out for stronger stuff. Essentially I felt locked out of seriously farming for the gear sets I wanted until I reached Max Max level, which made everything I collected seem pretty pointless to me.

Also, always being as strong as a level 50 character did kind of make it feel like I wasn’t really levelling up at all? It’s why I broke my rule of “I will get to level 50 before stopping” because I actually was level 50 all along, I got all the abilities from my skill trees that I wanted and ran a bunch of dungeons with them and I was in the 30s, but there were no other skills I could really see myself swapping out so I was essentially “max level”, as far as I was concerned.

so yeah tl;dr these are my two main opinions:

This game is an awesome time running around and exploring the environment, doing quests and running dungeons! If you’re a fan of the elder scrolls world and lore it is absolutely a must play!

Customising your character’s skills and armour sets is a lot of fun, but I do think it comes at the expense of not having a really finely tuned, coherant combat style, it feels a lot like I’m Just Hitting All The Buttons.

The end lol

#long post #i didn't comment on crafting because I didn't do it #tl;dr here as well I think the overworld exploration is awesome but I don't think the combat gameplay is engaging enough to play long term

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maariarogers · 4 years ago

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How They Steal Seojun’s Scenes and Ruin A Tiny Essence of Seojun and Suho’s Character(s) in the K-Drama: A Study

Hi everybody!

First and foremost, I’m not online a lot, and whenever I do lately, I mostly try to spend it by fixating on a certain fandom — which, this time, happened to be the latest K-Drama “True Beauty”. I’ve written about two other study / analysis / meta which you could find here:

Thoughts On True Beauty and Why I’m On Team Suho

Why Webtoon!Suho is Superior and K-Drama!Suho Needs To Catch Up 👏

I’ve recently noticed during my scrolling that there has been a lot of tension between Team Seojun and Team Suho, which... broke my heart a little bit, because for the last eight episodes, I wasn’t really aware of it. I just thought everybody was having as much fun as I was just watching the K-Drama, but you know, we still have our favourites and we still have times when we disagree with the direction of the show, but by the end of the day, it was still something fun to watch, to distress with, and to share with like-minded fans.

Regardless, this is a warning that I don’t write with any intention to specifically target any characters or storyline, whether it be webtoon or the K-Drama. I do equally adore all of the cast, the production; the characters in the webtoon — and I will forever be thankful that I was fortunate enough to stumble upon the story as I did.

To add some context: I am a film student graduate, and I’ve always been interested in objectively dissecting characters, especially from a franchise, or things that came from a raw materials like True Beauty is. For your reference, I am currently at Chapter 128 of the webtoon series, although I am aware of spoilers beyond the chapters. As for the drama, I am at Episode 10 while I’m writing this. (Started at episode 9, continuing after episode 10.)

This is purely an in-depth analysis, if you’re into those sort of things, mainly discussing the major differences between webtoon representation of characters Lee Suho and Han Seojun in particular, and their mirrored selves in the K-Drama. Under the category, I will be touching on:

What the K-Drama changed the characters specifically

How They Stole Seojun Webtoon’s Scene and Character

Why Some of It Worked, Some of It Will Never

How They Highkey Ruined Seojun and Suho’s Dynamics

Why They Didn’t Need to Change the Characters At All, really

Another warning, just so any readers are aware, I am primarily a Suho x Jugeyong fan, but I’ve never really minded Seojun’s relationship with Jugyeong, either in Webtoon and K-Drama. Again, this mostly has a lot to do with how excellent the execution for Seojun was in the webtoon particularly — but I believe we’ll be getting into that.

Also, this is mostly to address the differences of webtoon vs. k-drama (and why some scene worked, why some scene didn’t work), and while I’ll be touching on the issues underlying the characters a bit, for a more thorough analysis or thoughts on the mental health represented by the characters, I would recommend reading:

By Tumblr User imjukyung (speaking about post-episode 10, specifically for Suho)

True Beauty: True Trauma and Unsettling Regression by tumblr user life-rewritten

Last Warning: This is about 5,000+ words. I... yeah. I have nothing to say except it’s written.

1. What Changed Specifically

I think the massive change an audience could probably observe — or if you can’t observe, you would find yourself being annoyed by it at certain point — would be in Suho. Yes, we’re starting with him.

I’ve been noticing a lot that people do heatedly comment that Suho’s “boring” — which, to an extent, I agree. (I mentioned this too in the first meta.) He is a massive play on the “cold and distant” trope, which, in my head, I’d like to call, a massive Edward Cullen case. That trope is often repetitive, most of the time it’s horribly executed, and it’s just, yeah, I’m not a big fan of them.

But again, I’ve mentioned this before, it works for Suho. I think this was what he was meant to be. As reference, in the webtoon even, Sua was never impressed with Suho, and she did repetitively say that the only “good thing that was going for him” was his good looks, and that he’s “boring” (in fact, I believe this is a fact since high school towards their adulthood). So yes, I think he was written like that on purpose.

On top of that, in the webtoon, compare to the K-Drama, Suho really does — nothing.

I’ll circle back to this specific characteristic because it relates to Seojun again, but I do wanted to point out that it is actually a prominent thing that’s to do with Suho. All he does in the webtoon, really, is study. Some of the things we learn later while we read would be that: he reads horror comic books as a sense of escapism, and he’s a good cook.

That’s it.

We would learn later, of course, that it is more than that. This personality is intentional and, most importantly, purposeful. What we’ve perceived as “boring” was used right against Suho — especially in the Prince of Princes arc, where the influencer called Suho out for “never trying his best” when the other contestants, Seojun and Aiden if we’re being specific, truly had something to lose while they were doing the show.

So, it wasn’t just, something the webtoon author decided Suho to be and held him no responsibility over, no — she crafted Suho like that from the beginning, she made us get used to it, and then, slowly, we see cracks of Suho’s “perfect” image and how that backfired. And Suho? He paid for it.

More than the simple cold and distant trope, his continuously monotone exterior actually did raise important questions in the long-run: For someone so smart with such a solid background, why does he seemed the most lost out of the Seojun-Jugeyong-Suho trio?

In my second meta, I wrote this:

It felt like the writers were desperate to fill the gaps for Suho possibly being “dull” [while playing] this typical cool and distant character — when, in reality, Suho’s existence as is was quite enough. He didn’t need to steal Seojun’s fighting ability, and he especially didn’t need to rob Seyeon’s musical passion too, to be interesting and have depths of his own [...]

Which I feel unfortunate about when it comes to K-Drama!Suho, and I still stand by it now. That doesn’t mean I don’t enjoy the K-Drama, because it could really hold up as its own separate storyline and timeline, but if we start to critically compare, we do see that, in reality, Suho could carry his “boring” character well and the K-Drama probably just didn’t know how to do this well, or thought the reception would be bad, so they added all of these unnecessarily profile traits to have him stand out.

To add, even when all he really does is study and read comic books, Jugyeong still likes him. To Jugyeong, Suho doesn’t really need to be more than what he is - their shared interest and their strong loyalty in ensuring they’re each other’s safe haven when it comes to emotional struggles were already enough for her; and for Suho, Jugyeong’s company as is had been sufficient to make him happy, or have a better outlook in life.

2. How They Stole Seojun Webtoon’s Scene and Character

This is quite a sensitive topic for Seojun’s fans, so I will try addressing this very, very carefully. If you have anymore to add and discuss, feel free — I’d love to know what else I’ve missed or might have overlooked.

In this specific section, I think I’d like to focus on three (3) major Seojun scene that was stolen. The band-aid, the wallet, and the spicy food. Of course, I’ll be touching on things they’ve stolen beyond those scenes because they did incorporate a lot of what Seojun should be experiencing to Suho, or other characters, and why this wasn’t okay — or it couldn’t be held up. But let’s start with the scene first and we’ll slowly walk to what other aspects of Seojun the writers think we wouldn’t notice being stolen.

The Band Aid Scene

In the webtoon (spoilers to those who haven’t read) in Chapter 34, Suho got into an accident in an attempt to save Jugyeong. This led her to be injured on the knees, which, after Seojun was called in, he helped treated.

In the K-Drama, Suho was the one who treated Jugyeong’s knees – but this happened very early in the series and it was specifically triggered because Jugyeong tripped on her way to run Suho’s errands.

Personally, for me, I didn’t really mind this scene was “stolen”. Now, okay, before anybody comes at me, allow me to explain why: I didn’t think it mattered? Which probably didn’t help my case in fending a lot of you off lol but — I just didn’t think it mattered because in either scenes, it was still an in-character thing for them to do. Each boy would still assist Jugyeong and treated her knees even if they’ve switched places.

What I really meant was though, the scene didn’t really take any of Seojun’s important and/or core personality away from him — which you’ll find what I mean more as we delve on soon — it was just an act which anybody would’ve done for Jugyeong in that moment.

Especially in the webtoon, the bigger focus was more towards Suho who just got into an accident. There wasn’t really any fundamental value or any obvious motivation towards the scene unless you counted Seojun finding out that Heegyeong was Jugyeong’s sister - which, even then, it was brushed over quickly because, of course, we focus heavily on Suho’s state towards the end, and we’re stirring into what really happened between the three S (Seojun-Suho-Seyeon).

In the K-Drama, it was set up in such a way with a clear motivation: Suho apologising for pushing Jugyeong to such a limit and therefore elevating their statuses in comradeship, and for Seojun to notice and took an important interest in Jugyeong after seeing Suho and her together, triggering his consecutive contacts with her afterwards.

Each of them could really hold up as their own separate acts, and both boys are still heavily in-character.

The Wallet

In Chapter 32, Jugyeong (bare-faced) met with her bullies and they had a quick confrontation in WcDonalds. We realise the bullies didn’t really think they were responsible for how they acted, and didn’t apologise. This left Jugyeong devastated, so she left the restaurant premises and went home without realising she dropped her wallet. At the restaurant, Seojun’s friends picked it up — but Seojun was the one who identified the wallet’s owner, and came back just as Jugyeong, now fully in make-up, came to get it. Despite probably having eaten, Seojun invited Jugyeong to eat, noticing she’s in a bad mood.

In the K-Drama, Episode 6 if I’m not mistaken, Jugyeong stumbled upon her former bullies bare-faced. She managed to run out of the restaurant premises before shortly realising that she dropped her wallet. When she turned, she saw Suho was with her bullies, grasping the wallet from them. She ran away, he chased after, and they had their mini confrontation and Suho shielded Jugyeong from being recognised by their schoolmates.

Again, like the first, I didn’t really hold up any grudge over the scenes? Mostly because the difference in context between them?

Allow me to explain: in the webtoon, it was clearly placed that way to show the slow elevation of friendship between Jugyeong and Seojun; that scene also progressed to Jugyeong meeting Seojun’s group of friends later, which triggers to more scenes of them in the future i.e. Jugyeong trying out clothes at the request of Seojun’s friend’s girlfriend and Seojun obviously falling hard during the whole process.

(I also think like these are the first few instances where we’re established a place Seojun and Jugyeong bonded over most besides school, i.e. the shopping street background, because them shopping together in that group, or just the two of them, are relatively mentioned or brought up again and again.)

But that can’t realistically work for K-Drama.

In the webtoon, we’re allowed for a slow-paced friendship between Jugyeong and Seojun to form, which was important, because it was meant to bring us to the tipping point wherein Seojun transformed from being that best male friend (and why he stayed being the male best friend), to her boyfriend. The why, of course, is important — but we’ll get to that soon.

In the K-Drama, we’re not allowed the amount of pace. And, more than that, all of Seojun’s friends in the webtoon, who are high school dropouts or older (and therefore were not attending school) I believe, are replaced by the massive group Seojun has in their shared high school. So, the opportunity as is wasn’t really there, and it was later restricted by the time frame of a sixteen-episodes.

I’ll be touching on the fact that they do make up for this with various scenes, various new opportunities, but you can still see how Seojun falls a little short still to compare with his webtoon counterpart.

Speaking of the context further, technically I don’t think Suho “stole” the scene. The act, yes, I’ll admit to that, but not the scene, nor the core of what bonded Jugyeong and Seojun together — Suho didn’t have an external group of friends which he brought Jugyeong to meet, and he certainly didn’t share the street-shopping backgrounds and have a comforting meeting place with Jugyeong there.

I would’ve been more upset if Seojun confronted the bullies himself and returned the wallet to Jugyeong in the webtoon, only for Suho to obviously rob this scene from him in the K-Drama, when it was obviously Seojun’s highlighted moment. But as is, it happened differently.

Suho’s acts could held up as his own, especially since, different than the webtoon, he already saw bare-faced Jugyeong and knew the owner of the wallet [as he’s watched the scene unfold], while Seojun happened to find the wallet and Jugyeong thankfully had her ID, the one with make-up on her face, which led to Seojun keeping it and giving it back to her when they bump into each other later.

They weren’t really any confrontations about insecurities, past mistakes or the truth to be had; for Seojun and Jugyeong, that scene was only a “beginning” (the first of many events to come, the trigger point on how the rest starts), while for Suho, it was a “conclusion” (scenes triggered by other events first, ending with a specific decision).

The Spicy Food

Now, this is where I get a bit iffy? I wasn’t happy with it, simply put. I understand they amended it in episode 9, but — it still happened. And hoo-boy, they weren’t sneaky about it at all.

In the webtoon, Episode 33, Seojun invited Jugyeong to eat tteokbokki with him. Jugyeong wasn’t really feeling up to eat, but she accepted because she likes spicy food. Later, while having the meal together, Seojun is obviously having a hard time eating the spicy food, which Jugyeong internally questioned about.

In the K-Drama, Heegyeong and Mr. Han went on a date, and then we later find out that Mr. Han couldn’t withstand spicy food. He didn’t want to return the meal though, thinking that he would’ve burdened the staff.

Again, one can obviously just argue that, it happened in different context too, just like it did in the Wallet Scene. Or, better yet, that it’s fine, since they did include this in episode 9 in the end. But — the reason I had a problem with this choice of writing was because, unlike the other two examples, not beiong able to handle spicy food is a major, if not a constant, Seojun’s characteristics and behaviour.

That’s a Seojun thing, rather than a simple action, and taking that from him, or basing it off of him, feels a little... lazy.

Mr Han in the webtoon, while he didn’t play a major part and Heegyeong eventually lost interest in him, was a messy eater. They could’ve gone with that route easily. That he’s a messy eater, and Heegyeong finds herself liking it anyway — that is, if, like how I’ve been viewing the direction of the show, they really do want them to be together.

That’s already been apart of Mr. Han’s already-established behaviour, why take it from Seojun?

Which led us to the few bits of how Seojun is stolen beyond simple scenes.

Seojun’s Character

Now, “stolen” is such a big word. It’s right, to an extent, but it’s still such a big word. More than that, I’d say it’s “chipped”? As in, the true essence of what made Seojun so remarkable and strong as a second male lead in the webtoon is taken apart to have it lend to other characters or, equally worse, downplayed in the drama.

I’ve always had such a problem and it’s a MAJOR problem when Seojun, in the K-Drama, told Suho, “You don’t deserve to be happy.”

Straight-up, honest to god? That isn’t Seojun at all.

Yes, he’s upset. And yes, he’s irritated by what he perceived as Suho not coming to his expectation when it came to their shared loss regarding Seyeon and/or what he thought Suho failed to do. These are all true. Seojun is angry, and he’s consistently angry at Suho until they reach their resolution together — but he would never wish that on Suho.

What drove his anger was disappointment, was a sense of hopelessness, was the loss, but it never came from hatred. Seojun felt a lot towards Suho, but hate to the point of wishing someone’s unhappiness was never one of them.

Just having that spoken by Seojun contradicted a lot to how he behaves in the webtoon — which was honestly this upstanding, responsible and caring guy. And he is!

And while I adore Suho and he has a special place in my heart, I do see a stark difference to how Seojun operates if we compare to Suho: Seojun’s always been straightforward with his actions, countlessly working hard once he sets his mind to something (either that by choice, or otherwise i.e. helping his mom pay the bills, and then pursuing a career in being an idol) — he’s a go-getter.

Suho isn’t, not so directly at least. He’s quiet, and he keeps things to himself, and he doesn’t like a show. Which was why a lot of him “helping out” Jugyeong — mostly driving off weird men or confronting them — happened behind the scenes and without anybody’s knowledge. He doesn’t even really wanna acknowledge it after.

Seojun’s direction in life is clear, too. He wants to work right after school, and he does. He wants to treat Jugyeong properly as her romantic partner, and he does. He wants to be an idol and succeed, and he works hard on it.

Suho, on the other hand, not so much. A lot of the major things that did happen to Suho, it happened externally. Something else was pushing him to do an action. Him flying out to Japan due to his father, him returning to Korea etc. Again, this is a lot to do with his mental health as well, which is a separate post altogether, but I just wanted to point this out as comparison.

Rambling over — yes, if you’re not an avid webtoon reader, just know that, that specific line from Seojun? He would never. That was already so out-of-character of him because, as I’ve said and I will say it again, whatever anger Seojun harboured for Suho, it never came from such ugly or raw hatred. He didn’t understand Suho’s motivation after and/or during Seyeon’s death, and I do believe he could lash out from that - but he never held any extreme grudges.

To add, in the webtoon, that line was actually spoken by Suho when he admitted to his therapist that he think he doesn’t deserves to be happy.

This is also a big thing in my opinion, because it shows how differently Seojun and Suho coped — either with Seyeon, or whatever that comes after. Seojun has always been more prone to anger while Suho, either that added by his fluctuating mental health or otherwise, is prone to sadness.

Now, these are two extremely big negative emotions to be associated with our ever-favourite boys, but it’s true. It’s consistent throughout their characters all-through the story (in the webtoon, at least). And it does play a role, because, again, it showcases the difference of characters between Seojun and Suho, and how they react to situations differently. Seojun with his quick-temper, and Suho, easily feeling hopeless.

So, why is it important to know this?

Because a lot of Seojun’s anger, a lot of that deep-rooted aggression — that was transferred to Suho in the K-Drama. And no cap? It shouldn’t have.

3. Why It Worked, Why It Will Never

Let’s go back to the broader subject briefly.

At this point of the K-Drama, which is ten episodes in, I felt a little moot comparing scenes specifically to what had happened in the webtoon. It’s always nice, of course, to critically analyse any form of entertainment so we could always better our watching experiences or give the proper feedbacks to the creative industry, and while I like delving in deep too, I also have to remind myself a lot to not .... take it too seriously, essentially.

Because at this point, obviously the K-Drama has adapted many of the plot points from the webtoon, and re-arranged it to fit into what they deemed to be necessary to work in that timeline. And that’s okay!

For example, while Seojun’s scene was borrowed to other characters, we do get the opportunity to see Seojun being presented slightly differently. We have that new arc regarding his mother, and we see a whole loveable cast of group Seojun has acquired during his time schooling, and Seojun gets a ton more interactive chances with Jugyeong to make up for what they couldn’t do — that is, the slow progress of them becoming truly close friends till they’re in their young adult years — and every scene of them could still hold up as a magnifying and incredible moment as its own.

For example, that scene when Seojun took care of a sick Jugyeong in the bus, and he said (although I’m recalling only from memory), “I don’t like it when people get sick.” Which I think was super sweet and super impactful at the same time. This didn’t happen in the webtoon, but in the K-Drama, among the first scenes they’ve introduced Seojun in was when he was in the hospital visiting his mother; we also learn later that he actually time off from school to do help his parent.

So obviously Seojun’s cautious on anything that’s to do with somebody contracting an illness etc — and not only it showed in that one dialogue, it’s made more brilliant when Seojun, who can’t really afford any expensive jewellery, made Jugyeong a flower-braid bracelet. I think that was such a nice contrast, a nice touch and ugh!!!!!

That really punched me straight into my Seojun x Jugyeong heart.

We also see a different way of them interpreting and putting Sujin brilliantly into the story. I really want to go deeper into this, but I don’t believe I have sufficient enough thoughts beyond the fact that I much prefer the way the K-Drama built up Sujin to compare with how the webtoon placed Sujin. She has more motivation, she has more leverage, and last but not least, she has much more flexibility to become a serious second female lead and rival.

I do have a problem with how they decided to go with Suho, because again, I think all of the extra personality traits are not necessary. Suho doesn’t need to be a good fighter like Seojun had been established to be, and he doesn’t need to be musically passionate, like Seyeon was, because his own personality and character should’ve been enough. He could carry that personality well; he doesn’t need to be “more”.

Which brought us to this: Seojun’s aggressiveness taken by Suho.

To make this short - it just doesn’t work. It didn’t... really feel out of character, per se, but I'm not the biggest fan of it. I felt like, personally, the writers sort of missed the point of what truly made Suho Suho — which was this guy who was more prone to melancholy-based emotion than anything else — and, in return, (again, I’ll be using the word) they “chipped” away at Seojun because of it.

So, what should’ve been Seojun’s distinctive reaction carried specifically by his character, it was shared by Suho.

Suho isn’t unpredictable, he isn’t quick-tempered, and he isn’t fast on his feet. These are all Seojun’s major personality traits. He’s opinionated, yes, and he isn’t afraid to set his boundaries — but mostly, only his own. One of the more primary example I could give from the K-Drama that I think sorta worked at first glance, but didn’t really when you think twice about it, in regards to this, was Suho chasing after Seojun and Jugyeong after a gang of people were running towards them. (This is after the karaoke scene.)

Honestly, rather than just wasting his energy, it’d be more appropriate if Suho calls the cop.

Suho’s incredibly logical, and furiously straightforward. He doesn’t precisely need to be running around for — what? What was he achieving anyways in the K-Drama by running after the gang? See how it sorta doesn’t make sense? So, yes, if it doesn’t make sense - Suho wouldn’t.

Again, this circles back to how the different way the boys coped or react, as I mentioned earlier, and it’s important to be distinctive with these because both boys are two separate individuals with two different ways of seeing the world and taking them in, and, cheesy as I may, representation matters.

And when it isn’t represented properly, and I’ll be repeating this over and over: Seojun’s character seems like it’s “chipped away”. Not stolen, no, because it’s still there but — what should’ve been an emotion his specific character should harbour, it feels ... lacklustre, almost. Like a joke: what makes Seojun’s anger so “special” compared to the obvious internalised rage Suho seems to have [in the K-Drama]?

4. How Is Seojun and Suho Dynamic Ruined?

Simply put: observe the way the writers put Seojun and Suho when it comes to Jugyeong.

In the K-Drama, it’s constant rivalry between the boys — driven, of course, by Suho’s possibly deteriorating mental health and the insecurity that came with. But it was also easily flamed by Seojun making jabs and/or crossing the boundaries by being there when he shouldn’t have been.

Now, I’m not into the whole Team Seojun vs. Team Suho thing because the real tea is, that just isn’t Seojun and Suho.

And when the K-Drama writers failed to incorporate how exactly Seojun and Suho had been when both boys clearly shared an affection towards the same person, Jugyeong, I feel like — out of everything, that’s when they lost the biggest essence of what made these two men who they are.

Because Seojun and Suho? They were mad respectful towards each other.

I think one of the most memorable and important scene, and I carry this in my heart, was when Jugyeong was supposed to go out on that date with Suho, and they promised each other — but then Suho’s father got into an accident, and Jugyeong wasn’t reachable because she broke her phone.

You know who showed up to that date to inform Jugyeong? It was Seojun.

And it was Seojun again who came to pick Jugyeong up and got into the taxi to the airport to see Suho off. Seojun was the one who gave Jugyeong and Suho some time to say goodbye between themselves, tapping Jugyeong on the back when he walks away. That’s how far Seojun really cared for the girl he loves: he was willing to let her love the person she likes.

He was supportive, without being discriminating.

And it was the same again when it’s reversed. During the whole time Seojun and Jugyeong were dating, Suho never once showcased that he was dissatisfied or he wasn’t happy with the development. In fact, again and again, he was supportive. He put in good words for Seojun, he encouraged Jugyeong to always work it out between her and Seojun.

Of course, there are hiccups here and there — but that was the true essence, I believe, of the Seojun-and-Suho dynamic.

Even despite the misunderstanding, even through the romantic interest coming in between them, there will always have this big respect to not go behind one another and put the other down, I think. They would confront, and have their clashing moments face-to-face (but never too aggressively because Suho’s weak and often pulls back lol), but very rarely does it go further than that.

Even when they’re driven with anger, jealousy, or disappointment — you could tell that the bond they’ve shared from their middle school and with Seyeon were always somehow stronger.

And yes, you could argue that maybe, in this point of the K-Drama, they aren’t reconciled yet, which is why they acted the way they did. But I feel like? That didn’t matter? Because, in episode 10, we could clearly see Seojun having the capability of being supportive and putting his good faith in Suho, despite not being on good terms with the guy (e.g. when he advised, “Suho would never do that to you.”) even though that’s quickly tarnished when Seojun, in the same breath, quickly suggest for a break-up.

I don’t really have any defence for Suho because I already felt like him expressing constant aggression towards Seojun is already wrong, misplaced, or poorly written — so whatever action that came after always came a bit off for me. For example, rather than putting the blame for his own jealousy towards Seojun or Jugyeong (i.e. episode eight in its entirety), Suho is the kind of person to blame himself. He would feel that he lacked something, that it was him that wasn’t enough, that it must be him that’s done something to push Jugyeong, or anybody, away.

(Again, echoing his admittance: “I don’t think I deserve to be happy.” or, if we’re going with the K-Drama route, from Seojun’s accusation.)

5. Why They Didn’t Need To Change At All

The worst part of knowing or realising these small details is that, the story could still work. It could still move the characters forward, and have the relatively same outcome i.e. Suho lashing out by the end, threatened by his own insecurity that Jugyeong might prefer Seojun after all etc — but instead, we have these amazing characters that came off at 90% in the drama adaptation, but the 10% that really mattered to their characters weren’t mixed in well enough.

So, the question comes: how exactly should they be acting?

First, Suho’s often more calm — the calmest, in fact, between the Suho-Jugyeong-Seojun trio. This still doesn’t mean he doesn’t have any pent-up guilt, or sadness, or even aggression, but it rarely ever comes out violently. Even if it does, in any shape or form, mostly the emotions are fired back towards himself i.e. experiencing massive self-loathing, self-doubt, which, of course, may in return affect his interpersonal relationships.

Episode 10 played this out nicely, in fact: because we do have a scene where Suho’s being incredibly understanding and respectful in the beginning, but then little things and mistimed events built up (without proper explanations from the other party, to add) and he essentially imploded on himself i.e. lashing out, spiralling, having a mental breakdown, and by the end of it, (trigger warning ahead) committing suicide and/or self-harming himself by walking freely and stopping in the middle of traffic.

Secondly, Seojun could’ve still held so much anger at Suho for what happened with Seyeon and had fallen for Jugyeong all the while, but he could still stay in-character by never explicitly trying to constantly put Suho down. It just goes against a character so substantial for putting his all towards the people he loves, or have loved. And Seojun have loved Suho as a best friend - so for him to act the way he did, to say that line ( “You don’t deserve to be happy” ) especially, that makes me sad.

6. Conclusion

True Beauty, on the surface, will always be a light-hearted romance comedy that honestly has very interesting and well thought-of characters that... don’t necessarily stand out, I don’t think, among other high school K-Drama, but it does represent young adults or teens who seemed to “look like they’re doing well” but a lot of us really aren’t. We’re just figuring things out as we go along, and that’s what Suho, Seojun and Jugyeong seemed to be doing with us: they’re figuring things out as they go along, too.

In the end, there really isn’t much of a point expressing these thoughts except that it gives me simple pleasures, and if it can attract a few people who loves True Beauty too, I would simply die of appreciation. I hope a lot of the K-Drama audience can have a slight knowledge that, yes, Seojun is absolutely super kind, way kinder than he’s been portrayed on screen, and yes, Suho isn’t normally that possessive - protective, yes - he never stalks or particularly demands anything out of Jugyeong though.

Okay, before this got too long again, I thank you for reading!

Feel Free To Ask Me Anything

#True Beauty #Lee Suho #Han Seojun #i did this over three days like.....#why #why must i? but i must #i think its mostly triggered by seojun's ''you dont deserve to be happy'' line #like..... he did that man dirty #and i am here to TELL IT LIKE IT IS!#i feel like... its one thing to make a typical two men in rivalry over the same lady trope #but its another when.... its canon that these two men #are actually very astounding and very good people #i dont know #its just been in my head #since episode 8 i think #and i need this OUT #True Beauty Meta

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hawkinsschoolcounselor · 4 years ago

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Sometimes I wonder about how relationships would realistically be affected by the kinds of experiences people pretty much only have in SF/F genre stories. Using Byler as an example, Will and Mike have very very few other people who can relate to what they've gone through, and none of them are likely (or even possible) romantic partners. Any thoughts about how (were they real people) that would affect how their relationship works, its prospects, etc.? Thanks!

This is the sort of thing that TV shows, movies, and books would usually hand wave or flat out ignore. Trauma is a lifelong ailment. It can be worked through via therapy and support, but it sticks with a person to one extent or another for the rest of his or her life. Getting into a relationship with someone who has experienced trauma requires being willing to accept a degree of secondary trauma, as it will surely manifest in some way during the relationship. In a world where supernatural elements are real, but the average person is unaware of them, there is a complication in the form of nobody believing that supernatural events really happened. Imagine being Will and trying to explain to someone new that you were kidnapped by a monster when you were 12, survived a week hiding in another dimension with a toxic atmosphere, then were possessed by a monster a year later. What are the odds that person sticks around?

We get a glimpse of what it may be like in Season 2 with Bob. Now, Bob is as good a guy as can be in the world of Stranger Things. He seemed to easily be settling into not only dating Joyce, but in joining her existing family unit that included two sons. He knew something was up with Will, but it’s clear that nobody ever told him anything close to what really happened. He assumed that Will’s issues were related to nightmares, and he did his best to help with that. He only briefly let confusion stop him before obeying Joyce’s order of “no questions” and solving the riddle of Will’s drawings. Then, he stuck with the crew to the tragic end after it started to become apparent how real it all was. The question we don’t get an answer to, though, is what would have happened if he was told of all this from the start?

Bob was able to accept the reality of what happened to Will because he ended up in the middle of it all when it happened for a second time. By then, he was already committed to Joyce and her sons, so he stayed with them. He may have had some serious questions after the fact, unfortunately he never got a chance to ask them. Even someone as good as Bob may have felt lied to through the omission of such information. I can’t remember if Joyce ever had a specific reason to not tell him. Maybe she never expected it to occur again, or she didn’t want to risk him getting entangled in the arrangements with the Lab since NDAs were signed. Still, secrets in a relationship are rarely a good thing.

Every member of the cast is now holding onto a huge secret that they can never really tell without putting that person at risk. Max knew there was a secret, and she badgered Lucas about it. He only broke down and told her because she felt she was being rejected. By letting her in on the trauma, he unwittingly made her become a part of it. She now carries that secret, too, which would compound that summer with the fact that she has to keep the circumstances of Billy’s death a secret from her stepfather.

All of this creates a cycle of secrets and stress leading to more secrets and stress. Relationships are about sharing burdens, but the people in the relationships need to be aware of the burdens and willing to accept sharing them. Who do you get to share the burden of a supernatural encounter? Who would listen and accept your story instead of judging you to have some sort of delusion?

This is a corner that writers of such stories can paint themselves into. Some might show the characters being unable to hold down relationships. Some may ignore the problem altogether until a new supernatural danger crops up, having their heroes in “normal” relationships with muggles who are unaware of what happened. It’s the part of the story that happens after the credits roll and before a sequel is conceived.

To use your example of Mike and Will, they really don’t have many people outside of their friends, who really know what happened. This limits who they can open up to and share the burden with. This also means that the people who they share the burden with already have their own burdens as well. Sometimes it is easier to share someone else’s burden than to cope with your own, but it still is compounding stress. They won’t even really have any therapists to talk to unless they are lab-associated. An unaware therapist would see these stories as some sort of delusionary state or, worse, signs of a more serious psychotic or dissociative disorder.

This all raises interesting questions about what the Duffers plan to do going forward. I like to believe they are talented writers who try to delve into the supernatural without ignoring the “real life” implications. Hiding trauma, supernatural or “mundane,” is very much a real world issue, so it shouldn’t be hard to incorporate it. The same goes for the impact it has on relationships.

#stranger things #will byers #mike wheeler #joyce byers #bob newby #lucas sinclair #max mayfield

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ace-beef · 4 years ago

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Truth Seekers spoilers

okay so I have a lot of thoughts surrounding the characters Dave and Jojo and I’m gonna talk about them under the cut so don’t look any further if you haven’t watched the show yet and don’t want to be spoiled!!

so... what exactly ARE Dave and Jojo?

I think we have three main options: gods (more specifically God and Satan), angels and/or demons, or aliens, and there’s a decent bit of evidence for each thing/stuff that could be interpreted to link to each thing, and I’m gonna delve into that in this post. So buckle up lads this is gonna be a long one.

First I’m gonna go over the possibility that they’re aliens since that is the one I personally think is least likely since most, if not all, of the evidence that suggests that they’re aliens is linked to Dave and not Jojo. Anyway, Alien Evidence: - Dave pulls out the Pioneer Plaques to show Jojo what he based his human appearance on. So they could be aliens that came across the Pioneer spacecraft and decided to investigate Earth further - Dave himself is a huge Carl Sagan reference, as listed by this tumblr post here, so his appearance could have been a result of him being inspired by one particular human he happened to like a lot (similar to how he appears to like Gus and Astrid a lot) - the slogan on the side of Gus’ van says “connecting worlds”, and we can safely assume that that is Smyle’s slogan, the slogan of the company that Dave is in charge of. So this could be a similar situation to The Network in The World’s End in the sense that Dave could be an alien aiming to connect different intelligent civilisations throughout space. Although it definitely seems like Dave isn’t seeking to aggressively convert and control these civilisations that he connects like The Network... right? I’m fairly confident that he’s supposed to be a Good(TM) character and not some surprise twist villain but y’know we’ll never know

So yeah while there is definitely some stuff to suggest that this mysterious pair are aliens, I personally don’t think they are since I’ve found more evidence suggesting that they are something else. They appear to be too in tune with Earth, the creatures inhabiting it, and “the other side” that souls pass on to after animals and humans die just to be aliens from another world that are observing the planet. Plus the use of the phrase “Super Being” for some reason doesn’t feel alien to me, because unless they’re very self entitled aliens (and Dave definitely doesn’t give off that vibe) then I don’t think they would consider themselves as above humanity, which is the energy that the phrase “Super Being” gives off. I heard that phrase and interpreted it as meaning ‘beings that are above humanity and above human comprehension’. Aliens for the most part are depicted as being just another race of beings, not above humanity despite how much further advanced they are. There is the possibility of Dave being the only alien of the two but then how did these two creatures meet? It just doesn’t feel right since they both appear to be on the same level as each other and have some kind of mutual understanding as if they were both the same thing, not two different creatures.

Anyway next I’m going to move onto the things suggesting that they’re angels and/or demons. This seems more plausible to me than aliens but I’m still not 100% sure on this one but I will say that there is a lot of evidence/interpretations that could suggest both this possibility and the possibility of them being gods. Angel/Demon Evidence: - the name ‘Jojo’ could be a link to the angel Jophiel - there is a mention of a ‘bigger picture’ so we could have a Good Omens-type situation where there is a plan in motion that both Dave and Jojo are a part of and are making sure that it is played out - the “what did you come as?” “same as always, a man” bit obviously suggests that their actual forms are definitely not human and probably not even humanoid (whereas an alien would be at least humanoid in some capacity). Bibically accurate angels do not look human/humanoid in the slightest, and demons, while a bit more humanoid than angels, are still very animalistic in appearance. Also, imagine an innocent angel that has never pried to look at what a human ACTUALLY looks/acts like suddenly panics about having to look and act like a human and pulls up that one thing the humans sent out to the aliens as a reference and goes entirely on that (listen I really like Dave he seems like such a Good Boy who isn’t the brightest but he’s trying his best) - Dave’s aversion to swearing, links to the theme of purity which is obviously an angel thing. Plus ‘Good’ characters will often have a trait of being against swearing to reinforce the idea that they are Good and Pure - Gus makes a comment about Dave “never not being [at Smyle HQ]” so he’s clearly there all the time, which could suggest a lack of needing to go home and do basic human functions such as eat and sleep etc (I do want to bring up that an alien still would probably need to continue with some kind of basic functions that have similar purposes). Plus while he does have a coffee cup on his desk, it’s only filled with pens - in a similar vein, Jojo appears to spend all of her time in the abandoned Happy Eater, and even though it’s an abandoned restaurant, it’s been abandoned for over 20 years and therefore won’t have any edible food still in it (except for the crisps but let’s be real Elton why did you try and get those out they’re probably horribly out of date). The still steaming cup of tea/coffee and the crisps in the vending machine I feel like were put there by Jojo to play to the gang’s curiosity and prompt them to explore further and find her

there are a few things here that could also be used to suggest that they are gods/God and Satan, plus there’s a few more bits that would also go in this section but I’m saving them for the next bit. Anyway there’s the stuff pointing to them being either both angels or Dave being an angel and Jojo being a demon, and there’s plenty more evidence compared to the amount of things that suggest that they’re aliens.

Finally we have the things linked to the idea of them being gods of some kind, or more specifically God and Satan. This is the idea that I am the most sure of. Gods/God and Satan Evidence: - as I mentioned already, the idea of the ‘bigger picture’, but instead they are the ones in charge of carrying this out. This feels more likely especially when considering the way that Jojo talks about her ‘use’ of Toynbe. Plus the way that the two go about doing everything, the ambiguous vibe that the two are either having the equivalent of a friendly card game against each other or are actually on opposite sides. Consider the placement of the rose in the field and the planting of the cameras etc - also as mentioned earlier, the implication that Dave never leaves Smyle HQ and Jojo stays in the abandoned restaurant. Also I want to add on the fact that neither of them appear to have cars, like Dave outright says “I don’t have a car” and yet knows how to drive the one he borrows, and there’s no sign of a car at Jojo’s hideout. Plus the way she doesn’t make any kind of journey and just appears in Dave’s office: he doesn’t look up to see who’s walking through the door and there is no shot of Jojo walking through the door, he simply smiles as if he senses her presence appearing in the room before looking at her - Dave wears blue, white, and grey clothing, which are also the same colours used in his office, and the lighting whenever he’s in shot is always either bright and white or a light blue, especially in that last scene where Jojo and Dave are chatting in his office; every time the camera is on him, the lighting of the shot is always blue. White especially is associated with holiness and purity, as well as being a colour that is associated with God, angels, and heaven. Blue is similar in the sense that heaven is always depicted with white clouds and bright blue skies, as well as blue often being a colour used to represent ‘Good’ characters - speaking of colours, Jojo is also linked to certain colours, with those colours being red and black (but primarily red). The abandoned restaurant is dark and barely lit, and her hideout in the basement is primarily lit with red lighting, both in the scene where she encounters the Truth Seekers gang and at the end where she rings Gus and orders that guy to send a cleanup crew. Also, once again in that last scene, she not only is wearing a black item of clothing, the lighting of her shots are always red to oppose Dave’s blue lighting. Red obviously is synonymous with hell, evil, the Devil/Satan, sin etc. Red is also often used to represent villains and evil characters, and black is similar with its themes of darkness and it’s use for villains. I like to think that Jojo got that blue rose for Dave partially to mock him, especially when considering that apparently blue roses are often used to symbolize mystery or attaining the impossible. (Also I want to point out that we already know that these boys do love their colour coding/theming as evidenced by the Cornetto Trilogy) - once again I’ll bring up the phrase “Super Being”, which really does sound like a phrase that a god who is very much above humanity would use, like that just screams ‘gods’ to me - I used this as alien evidence but Dave looking like Carl Sagan could also be applied to him being a god and just deciding to base his appearance on a human he liked a lot - same with the “connecting worlds” slogan, since I think that part of Dave and Jojo’s game/contest involves experimenting with and/or influencing the boundaries between the ghost realm and the living realm, this slogan could have something to do with that - the way that Jojo says she “shouldn’t have used [Toynbe]”, which reminds me of the story in the Bible where the Devil tempts Jesus, except Toynbe succumbed to the temptation and “focused too much on the immortality” - speaking of that line in particular, it also makes me think that Dave and Jojo are the ones ‘in charge’ of whatever game or contest or battle that the two are having, as I mentioned already. But that line, as well as other things, also gives the impression that they are alone in this, like Dave isn’t just one of many angels or a god with loads of angel lackeys to do things for him, and the same goes for Jojo. They do appear to have human ‘lackeys’ to do more basic tasks such as Jojo requesting the cleanup crew and Dave having a company with human employees, but overall the humans are unaware of what is really happening. Whatever thing that these two have with each other, whether they’re friends having a casual game or are on opposing sides and having a serious battle of some kind but are remaining friendly with each other because there isn’t anyone else like them, it definitely feels like these two are pitting against each other alone, with nobody else who really knows what is happening

Overall, I think the two are some kind of higher entities that are above humanity yet they are still very strongly linked to and woven into the fabric of the Earth and the human race, so like they’re not outsiders to the mechanisms/forces of the planet. They seem more knowledgeable on the ghost realm/afterlife than humanity is, but whether they can actually control/influence it is still a bit of a mystery, like part of their game/contest could be one big experiment with the living realm and the ghost realm. Who knows? Not us, since season 2 isn’t going to be a thing, so I’m just gonna theorise until I die /j

So there ya go, all of my current evidence and thoughts on what the hell is going on with Dave and Jojo. I will probably update this post if I come up with/find any more things to add, probably by reblogging it. Also of course do feel free to reblog and add your own theories!

#my brain apparently remembered that it did English A Level while writing this all out #but yeah these two characters have captivated me #literally have been thinking about them 24/7 for the past few days #especially Dave I really like him #NO not just because he's played by Simon Pegg #truth seekers #truth seekers show #amazon prime #jojo74 #truth seekers dave #truth seekers jojo #simon pegg #nick frost #beef speaks

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itsclydebitches · 4 years ago

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RWBY Recaps: Volume 8 “Refuge”

Happy Saturday, everyone! Welcome to week two of… fourteen? Is that how many episodes we’ve got this Volume? Man, we’re going to be here for a while.

There’s a ton to unpack in “Refuge,” but as promised I want to delve into the opening first. Given the scattered, symbolic nature of our intro I think it’s easiest to just chuck out observations in list form. I’ll segue back into cohesive recapping in a moment.

So, what have we got?

The glitching between a happy, whole Atlas and the burning wreckage we’re now dealing with. That works well given both Atlas’ tech-focus culture and the ways that tech has led to some of our biggest tragedies (hijacked army, framing Penny, etc.)

Ruby looks scared and is standing behind the rest of her team, separated from them by the title. I’m not really feeling that theme so far though, given Yang’s incredibly weak challenge, Ruby’s immediate forgiveness (during her talk with Penny), and the fact that she’s still working with half the team who vocally support her, particularly Nora. Unless something drastic changes, the idea of Ruby being the outsider here is silly.

We get shots of the girls with their past selves superimposed over their bodies and weapons. I like the message here—they carry those versions of themselves with them—just not how it’s contrasted with Ironwood’s image of an earlier Atlas now burning. So that’s all he is now? Everyone gets to embody their growth except for him? His past is erased to focus solely on our current predicament? I’m not picking up any redemption flags here…

Robyn’s hand reaches down towards Clover’s badge, which then circles to show off the Ace Ops. The final image contrasts an angry Harriet with a defeated Qrow. At least, I hope they’re contrasts. It’s going to read as absurd if they somehow end up working together after Qrow helped get her leader killed.

This morphs into Qrow alone who sits, devastated, until Robyn offers him a hand up and they both smile. I’m not a fan of this symbolism after the prison scene we got this episode. It’s like Qrow might have thought about his choices until Robyn’s anger reminded him that, oh yeah, he can be angry at Ironwood instead. These two teaming up, when their last team-up led to a death, is worrisome to say the least.

We get our horrifying image of Salem looming over Oscar as he clutches his head. The group’s weapons fall. This makes sense given this episode’s kidnapping and the team’s sheer inability to do anything to stop it.

Jaune stands determined—also makes sense with his trend of giving “pep talks”—while Ren and Nora stand apart, facing opposite directions. Nora looks back though.

Paralleling them are Winter and Weiss who also face opposite directions. This is becoming a common visual theme: Harriet and Qrow, Nora and Ren, Winter and Weiss. Here though, Weiss looks determinedly ahead while Winter stares down at her feet, unsure. Ugh, I just know they’re going to have her betray Ironwood too.

We get a brief glimpse of Whitley and Willow, not a whole lot to go on. Then we see Salem turning her chess pieces into grimm—literally changing the game—while Ironwood’s white pieces are turned to dust. I could make a quip about how white is supposed to go first, but the initial move was made thousands of years before Ironwood existed and thus he never stood a chance, certainly not when his own allies are actively working against him… but I won’t lol

Watts is smiling at a terminal while at his back Pietro works at his. More opposites. Pietro’s reflection looks to Penny even as his body continues to work, his heart contrasting his head. Penny, in turn, looks upset as her reflection flinches at something off screen and the glass cracks. Watts hacking her, perhaps?

We see the new teams as a cherry blossom (I think?) floats across the screen. It melts in Ren’s hand while escaping Nora’s. Honestly, I’m not sure what to make of that just yet.

Ruby and Yang share a look—undermining their supposed conflict this volume. Couldn’t we have gotten sister unity over the last three years instead?—and a fight against grimm starts up. It freezes as Cinder walks through it, hopefully implying that the group’s attention is on the wrong threat. While they concern themselves with low-level grimm, Salem and her allies are walking free and wreaking havoc.

Then Cinder screams and clutches her grimm arm as things go up in flames. I hope that’s not a death flag given that we’ve teased her death twice already and we only just got a glimpse at her backstory. Also, I think it’s worth mentioning here that there’s a “Summer is the Hound” theory gaining traction which, frankly, I think is 100% unsubstantiated. It’s a fun crack theory, but not something I’m inclined to take seriously until we get some actual evidence behind it. There is, however, potential evidence for people becoming grimm in general: Salem falling into the pool and Cinder receiving that arm. That’s not much though. So while I’m far from convinced that the Hound was once human—let alone that it was Summer—there is something to the theory that Salem may be able to control Cinder via her arm like she controls other grimm. After all, she knew Cinder was alive despite everyone else thinking she’d perished. They seem to have some sort of connection that hasn’t been explained yet and now that Cinder has willingly walked back into Salem’s clutches, she may not be able to walk out.

There are shots of all our other villains, the Lamp and the Staff reflected in Salem’s eyes, and Jinn’s blue smoke, perhaps suggesting that we’ll see her again, or the entity residing in the Staff (if they exist).

Atlas glitches back to normal—a false victory?—before the ice breaks and Team RWBY falls into the darkness below. Volume 3 vibes all around. There’s light above them emanating from the Staff, but as Ruby reaches for it grimm arms circle and pull her deeper. I hope this means that the group will suffer the defeat we need to keep Salem as a legitimate threat, but we had very similar imagery back in Volume 6 and they made it out of that situation just fine, so.

“Happy Ever After” glitches into “Happy? Never Again.” Which isn’t ominous or anything. We finally end on the classic RWBY image of Crescent Rose buried in the snow underneath the shattered moon.

On the whole I think the opening is strong and I like a lot of the symbolism in it, though I do question how much will actually end up being relevant to the story. My only gripes are that there are too many different styles going on—it feels like three or four different Volume openings slammed together—and the fact that it also feels overly long. I don’t think it’s actually any longer than our Volume 7 opening, but it seems that way to me, perhaps because of those varying styles breaking things up.

So that’s what we’ll be watching for the next twelve weeks! Let’s move onto the actual episode.

We open on the image of Clover’s bloody badge in Qrow hand, the same one we got in the trailer. I theorized last recap that we’d be getting the rest of our trailer/promo material this week and I was almost entirely correct in that. This moment, retrieving the bikes, fighting off the grimm, Watts getting hit, Oscar carried away… all we’re missing are some eye closeups and Nora powering up her hammer. As said, it makes me nervous for what the rest of the Volume holds. I can’t decide whether the footage wasn’t ready to be included in promo materials that early, or if RT is just determined not to give us any information past the first two episodes…

Regardless, this is supposed to be a moment of grief and all I could focus on was Qrow’s hand. Specifically, the lack of detail in it. On the whole, I’ve been very happy with the engine upgrade and I quite like RWBY’s animation now, but a closeup here draws too much attention to how, sometimes, they’re just not animating their characters in a way that looks natural. Where is Qrow’s wrist? Why is his palm perfectly smooth? Stylistically that’s usually fine, but when given the chance to stare at it you realize how odd it looks.

Says the woman whose own drawing skills suck but, ¯\_(ツ)_/¯

But we’re talking about the important bits in this episode! Out of frame Robyn is heard yelling, “This is your fault. You realize that, don’t you?” We’re meant to think that she’s telling Qrow this, especially with how he’s bent guiltily over the badge, until we cut to reveal Jacques right next to them.

I wish Robyn was saying all that to Qrow. It would mean that she was ignoring her own responsibility in Clover’s death, but at least it would have started an arc where Qrow has to grapple with what he did. Not the awful moment that’s coming up.

Before that though, Jacques claims that he’s the “victim” here who was “duped.” His hands may not be clean, but “at least I’m not a murderer.” Look, I’m not here to absolve Jacques of anything. The guy is an absolute shit stain on the Remnant world. However, he’s right in his overall point even if his words are BS. Meaning, Jacques is not a victim and he is a murderer, but he is not the one responsible for Clover’s death. Robyn has plenty of things to be furious at him for, but this is not one of them. Ironically, here we have Jacques functioning as the kind of villain the show wants Ironwood to be. He is a murderer because the company he runs exploits faunus and forces them to work in dangerous conditions (see: the death of Ilia’s parents). He is culpable because he a) had control over these conditions and b) has full knowledge of their flaws. He’s a racist who cares more about money than lives. His informed choices then led directly to deaths. Ironwood? Not anywhere near the same thing. Overlooking the “Omg Salem is here and I have to do something about it” context, he did not try to arrest Robyn. He did not force Qrow to resist arrest, or Robyn to get involved, or Qrow to break Clover’s aura, or Tyrian to stab him in the chest. Ironwood had no control or knowledge of these events, so he is not responsible for Clover’s death in the way that Jacques is responsible for the faunus’. RWBY is giving the right arc to the wrong character.

Robyn then insists that Qrow didn’t kill anyone. He didn’t strike the blow, but he certainly helped! Look, Qrow is one of my favorites, but I’m not about to claim that he didn’t have a hand in getting his friend killed. I seriously can’t believe the show is ignoring this.

We then segue into some, uh, questionable dialogue choices. Jacques is a “snake with a mustache”? Sorry, I can’t take Robyn seriously at the best of times, but definitely not when she’s tossing out laugh worthy insults like that. Nevertheless, this “snake with a mustache” is guilty because he “helped that man tear us all apart.” That man being Watts.

…why are they all in what amounts to the same cell with barriers dividing them? I suppose we could make the argument that they’re being held in some secret facility, given that they’re in this dark, garage-esque space with no lights and no other prisoners. Some sort of maximum security setup that... doesn’t have any other inmates and no additional security? Hmm. Then again, the power is supposed to be out and I don’t really trust RWBY’s ability to craft consistent backgrounds. I feel like they’re packed together merely because that’s plot convenient, not because it makes any sense in world.

Watts looks pretty comfortable in there though and Jacques is likewise full of confidence. He says that by now Whitley will have already called their lawyers to get him out. Now, non-imprisoned people know that the apocalypse is currently underway, as Joanna will later put it. No one is lawyer-ing at the moment, but it will be crucial to see whether Whitley is trying to get Jacques out despite the chaos. How faithful is he to his abuser? Can Willow start undermining Jacques’ influence now that they’re alone?

Jacque’s confidence thoroughly pisses Robyn off and she screams, punching the barrier between them. Keep this in mind for a second.

A moment later two guards show up to take Watts somewhere and… oh no. Please don’t tell me Ironwood is going to team up with him now that Penny has written him off? I know the guy has (presumably) already killed someone, and he must assume he’s killed Oscar, so we’re definitely in full villain territory despite the stupidity of it… but please don’t start working with Salem’s henchmen too. You know what? I’m not going to assume the worst until I actually see it. RWBY gives me enough nonsense as it is lol.

What I really want to talk about is that hit.

I’m somewhat concerned by a lot of the fandom’s reaction to this moment in comparison to another. Who remembers Volume 6? That scene when Qrow punched Ozpin directly into a tree? Now, I’m not keeping track of who says what when—this is a generalized reaction—but I saw a lot of posts defending that action. There were numerous justifications for the punch, but the three big ones were: 1. These characters are fighters and they’re used to it, 2. These characters have aura so it’s not that bad, and 3. Ozpin totally deserved it. Now, the problems here are that 1a. I don’t think punching someone when they’re crying on their knees is justified, whether they’re a fighter or not, 1b. Qrow was likewise punching Oscar, a totally innocent kid, 2. We had established earlier that Oscar was having trouble remembering to activate his aura and didn’t seem to have it active then (no ripple effect, he’s rubbing his jaw afterwards), and 3. Ozpin’s crimes are, as explored on this blog, not nearly the horrific actions that the story and fandom would like to paint them as. The point is that despite all this, lots and lots of fans said it was totally okay to punch Ozpin&Oscar. What’s the big deal? they asked. Now, lots and lots of fans—mostly when the trailer first dropped—say it’s not okay to punch Watts. Despite the fact that he’s also a fighter. Despite the fact that his aura has broken. Despite the fact that he’s not currently a threat (seated on the bed/Ozpin on his knees). Despite the fact that he’s responsible for helping Salem try to take over the world. If we were to make a case for who deserves to get hit, Watts is a WAY stronger candidate in my opinion, yet he’s the one who a lot of fans are scrambling to defend. Why? I assume it’s because hitting him feeds into the generalized police state/dictator theme Ironwood has been thrown into. It helps villainize Ironwood for fans to go, “Poor Watts. He’s done horrific things but no one deserves to face police brutality.” I agree. The only problem is that a lot of those same fans seem to have gone, “Ozpin can get over it. He deserved to be hit! I would have done a whole lot worse to him…” So is the difference only that one attacker is a military professional and the other is… a huntsmen professional who soon after that scene starts working for the military? Yeah. The show continually ignores that the group aren’t the rogue heroes they pretend to be. They worked under Ironwood for weeks, if not months.

The show isn’t clear about its morals and neither are the fans, with both changing tactics whenever it helps blame the character they already don’t like. When Robyn punches the barrier, do we really think she wouldn’t have hit Jacques if given the chance? Why would it be heroic for her to hit the Evil Man but it’s not okay for the grunt minor character to hit the other Evil Man? These morals don’t change just because you like Robyn and don’t like Ironwood.

Jumping ahead for a moment, we get another example of this hypocrisy with Joanna. A reporter is informing the people that the military seems to have stopped evacuations and there is an unheard number of grimm hanging out overhead, both things that are objective facts. He’s reporting as he should, sticking to what’s known and provable, and thus is, notably, not some lackey of Ironwood’s who is hastily presented as evil. Yet Joanna treats him like he is. She snatches the microphone from him and, when he starts to protest, threatens him with her weapon. After she’s done hijacking the feed, she shoves him on her way out.

Look at how scared this guy is. These are our heroes? This back and forth doesn’t work. Prior to his random killing spree, Ironwood took his fear and frustration out on some furniture, yet the show acted as if he was hurting real people. The mere possibility that he might use violence and intimidation to achieve heroic goals—getting Amity up/escaping Salem—was enough to label him as an antagonist because the understanding was that you can’t act like that no matter what your intentions are. Yet our current heroes can use as much violence and intimidation as they want to achieve their own heroic goal of warning the people? Do we think the story will encourage us to be critical of the group if they start beating up a bunch of Atlas goons to reach the access point? Of course not. And it’s that flip-flopping that’s the problem. Your heroes have to function differently than the villains in order for them to be heroes. Under that logic, our heroes haven’t acted like heroes since mid-Volume 6 and it’s getting harder and harder to watch.

Especially when we take the scene before this into account. Yup, we’ve still got Qrow gunning for Ironwood. Robyn bemoans the fact that they can’t do anything, to which Qrow replies, “We can do something. We can kill the man who put us here.” I… feel like I shouldn’t start repeating myself given how long this recap is—we’ll be here for forever lol—BUT I hope everyone reading this understands precisely how little this makes sense. How god awful a choice it is. I mean c’mon. Robyn attacked Clover unprovoked, Qrow teamed up with Tyrian, he broke Clover’s aura, Tyrian murdered him, Salem is here, and now he’s sitting in a cell with Watts and Jacques… but Ironwood is the guy he wants to kill? REALLY, QROW? THAT’S WHO YOU’RE GOING TO GO AFTER? I really can’t with this show sometimes. RWBY, put your clown makeup on.

We get a cut to Ironwood’s image just so there’s no confusion about who Qrow wants to help kill next and Joanna threatens that reporter who, you know, is also a citizen in need of help and protection… Her “General Ironwood has abandoned you, but we have not” sounds absolutely ridiculous when we just watched her intimidating this guy to get what she wants. ‘You can trust us! Unless we randomly decide we don’t like you.’ I have other things to say about Yang calling out that racist woman later on, but she gets props for helping her regardless. Honestly, I don’t get that sense from the cast very often: that they’d help you even if they don’t agree with you. They certainly didn’t offer that to Ozpin, Ironwood, or the Ace Ops.

There’s a very long shot of a scared toddler staring out the window, just to hammer home how young and innocent Mantle is. Seriously, pay attention to our imagery: Mantle is scared children in homes, cute children fist-bumping Jaune, family photos lost in the street, a stuffed toy run over by hoverbikes. It’s meant to evoke a general sense of domesticity and, again, innocence. Meanwhile, Atlas is only shown via Ironwood and Jacques, the villains. Where are the families living up in the sky? The children? The humanizing details? Our racist woman is an outlier who is quickly silenced by Yang. The rest of Mantle is characterized as victims: scared women, worried fathers, the faunus huddling together in the slums, even another racist who, while an asshole, is supposed to have a point about things like the embargo. Which is all true. These characters are all of these things, it’s just that they’re not unique in this. All this exists above too—from those families, to the faunus slave labor, to the beloved objects that remind you of someone’s worth—but they’re ignored to provide a simplistic look at Atlas as the villain.

Throughout this entire episode the group tosses out snide remarks about how “They” don’t care about you and it’s just… they who? The other thousands of innocents who have nothing to do with Ironwood? The hundreds of Mantle citizens you already evacuated? The redeemable people like Winter and Whitley? The group fights alongside a Schnee who was one of the most vocal racists a year and a half ago, yet writes off the entirety of Atlas as the bad guys. What a mess.

As Joanna’s voiceover finishes, we cut to Yang’s group going after Pietro’s tech. I already covered this scene in our promo material, but to summarize here: horrible tone. Absolutely nonsensical given the situation. Salem is here and Yang is giggling over bikes. In fact, the tone is off for most of the episode (our end being the wonderful exception): Yang’s joy ride, antics with the Mantle citizens, Blake poking fun at Weiss, the tube scene… none of it fits the context of the series’ big bad here to kill everyone. Arguments along the lines of, “But it can’t be doom and gloom all the time” or “This is a brilliant parallel to Volume 3 with happy times heralding tragedy” don’t erase the fact that our cast isn’t taking this threat seriously. Last week Weiss’ “We’re never going to sleep again” moment worked because it’s humor in the context of how bad everything is. All of this? It’s just the group goofing off despite supposedly being in mortal danger. This?

This doesn’t read well. I’d argue this scene is even worse in context due to lines like “The others are definitely missing out.” In our promo material I assumed that the group just split for the sake of splitting and they were, in fact, just missing out on something cool. But we’ve since learned that they split due to a fundamental disagreement about how to help people, a split Ruby compared to Salem’s plans, a split that Yang started! Why is she now acting like their separation is a funny “missing out” moment? It’s like if half your friend group decided to go to the movies while the other half went to a party with an unexpectedly good DJ. The movie-goers are people who are “missing out,” not the group who went off to take over a military base and everyone left angry.

Keep in mind that Ozpin is also back. Every fun times scene with Oscar in it has the added problem of Ozpin hanging back, not saying anything, not acknowledged, still a secret.

The other issue I brought up weeks back was the lack of grimm. Why are the streets deserted? Shouldn’t the army be overrunning the city? Well, turns out that there’s no army because… Salem just hasn’t bothered to send it into the city yet? When Jaune and Ren take out the low-level grimm Oscar asks if they’ve “already pushed this far in,” to which Yang replies, “No, I think those are from last night.” A few minutes later, last night’s grimm change to new non-Salem grimm as Oscar observes, “It’s the negativity. Salem’s forces aren’t moving in, but it’s enough to attract the stragglers.” Later still, Joanna asks, “…grimm are circling out there. What are they waiting for?” GOOD QUESTION. We don’t know, but it’s real convenient, isn’t it? RWBY redeems itself a bit at the end of this episode with that Hound grimm, but I’m still calling it out for having Salem hold off long enough for the group to evacuate pretty much all of Mantle and infiltrate the base. That’s real nice of her. As the characters keep pointing out, it would be a staggeringly different situation if they were overrun with grimm right now, huh? Kind of like the situation Ironwood (rightfully) assumed they’d be dealing with.

Again, I’m so glad our Big Bad is kind enough to let the heroes do everything they need to before lifting a finger to attack them.

RWBY seems to be setting up a, “See! There was always time to evacuate the city!” accusation even though no one could have known that and it makes zero logical sense. Salem brings an army with her so she can not use the army against Atlas? Right…

This all segues directly into our other promo scene. My initial comments still stand: the tone doesn’t work, the lack of urgency doesn’t work (Jaune playing with the kid, Oscar politely knocking on doors), the low-level grimm are not a threat, that shield is useless against anything not driven by plot convenience, and it’s weird for Jaune to be yelling, “Heads up!” when there’s no one in front of him. As said, this moment really doesn’t sit well given everything that’s going on. I had hoped that it would read better when seen in the episode itself, but that’s sadly not the case.

After Ren one-shots the grimm Jaune suggests that they use his amplified semblance to get everyone to the crater safely. Ren seems less than pleased about this, but agrees. Right now, it’s easy to say that he’s in a bad mood because Nora is mad at him, but what about the Volume before? Where’s this underlying tension coming from? I can come up with lots of theories, but at some point the show needs to confirm something. The longer we go not explaining what’s wrong with Ren, the less faith I have that it will make sense when we get it.

We see the racist woman upset that they have to go live with the “animals in the slums” rather than going up to Atlas. As said, I like that Yang helps her despite clearly hating the woman, I also think her criticism holds up well (ignoring the simplified ‘They abandoned you’ narrative). The only thing that bugs me is RWBY continually presenting racism as a problem to throw a band-aid on and then pat yourself on the back for ‘solving.’ Racist drunk says shit? Toss him in the trash! Racist woman says shit? Remind her that her survival depends on you! It’s not that these responses aren’t earned, but that we’re given them instead of an actual arc that tackles the complexities of this issue. I mean, Blake has abandoned the White Fang and we’ve barely mentioned the faunus slave labor in Atlas. When they head to the dust facility it’s conveniently run by bots instead of faunus. Can you imagine if Weiss Schnee walked into a group of exploited minorities, hoping to use them to access a military base? But of course, there’s nothing like that. RWBY ignores the actual issues for these simple solutions. Heroes just attack/threaten racists and then it all goes away. Yay.

The other problem with this scene is that we learn the crater is the slums. Um… what? Hold on, Joanna made it sound like it’s a separate place, potentially inhabited by grimm, yet it’s the same area Oscar was in last episode? How is that area warmer? This makes no sense to me.

Also, ha, the crater below Atlas apparently houses all the “animals” that Team RWBYJNR is very protective of. I’m waiting for them to do something that messes with the Staff—Ruby reaching for it in the opening—Atlas crashes down on a whole city of exploited minorities, and then Ironwood is blamed for it somehow. Can’t wait for that episode.

So the group starts making their way there and hark! An Ozpin! I’m always thrilled to hear him, even if he’s treated just terribly by the show. Oscar is at the back of the group and comments that “It should not be this hard just getting people to cooperate.” Except… they are cooperating? Oscar, you are watching them cooperate right in front of you. That one woman might grumble a bit, but she hasn’t made a move or said a word about not doing what you say. Where did this complaint come from? Another example of RWBY insisting something is there when it simply isn’t. More importantly, Ozpin responds:

“And yet, it’s becoming something I’m increasingly concerned about.”

“You know, I really don’t need your additional comments right now.”

Then why did you comment out loud, Oscar? What, do you normally talk to yourself like that? You were clearly speaking to Ozpin! Don’t criticize him for responding. I hate traps like that.

Ozpin immediately says that Oscar has every right to be upset and apologizes for leaving… it’s not apologizing for his entire existence like I wrote on the bingo board, but it’s close. Who’s surprised that Ozpin is the first to offer (another) apology? Not me. Oscar corrects him with, “I’m upset you came back!”

Okay. Here’s the thing. I like the idea of Oscar rejecting Ozpin both because he’s taken over his life and because Oscar has suffered horribly due to Ozpin’s presence (punched, slammed into walls, kidnapping attempts, etc.) That makes sense, it’s actually morally complex, and it’s great groundwork for character growth. The only problem is… this came out of nowhere. Oscar was shown accepting this new life when he left the farm. Then again when he insisted on fighting Hazel. Then again all the times he’s been told he’s acting like Ozpin and seems to accept that just fine. He’s clearly pleased with this new badass self he’s got going on—he even says as much—yet doesn’t want to acknowledge Ozpin as the catalyst for all this positive change. Okay, that’s something we could still work through, but what about the group? Fans are already theorizing that this is why Oscar is keeping Ozpin a secret, because he’s scared of how the group will react, punishing him to get at Ozpin again, and though he 100% has reasons for thinking that will happen, Oscar hasn’t shown that fear before now. Qrow punches him? Bonding moment with Ruby. Jaune attacks him? I made you all dinner. They all smile over his inevitable death/disappearance? He smiles back. Yang is the most scream-y? Happy to have her using him as an armrest. The group continually ignores him and treats him with suspicion? Not a peep of protest. It’s horrifying that Oscar accepted how the group previously treated him, but he did accept it. Where did this fear come from if we haven’t seen it in response to the harm done towards him? Just as importantly, can’t we have an arc where Oscar is mad at the team some too? I’ll admit that the general premise of blaming Ozpin makes sense for the traumatized fourteen-year old, but after two years of blaming Ozpin for everything… aren’t we sick of this? His team has actively hurt him, outside of Ozpin’s ability to prevent, yet Ozpin is the one who takes all the heat for their behavior. “I felt like I was actually part of the team” should lead to the realization of, “Hey, Yang shouldn’t yell at both of us for things outside of our control” not, “Hey, you should stay away forever because others have decided they don’t like you.”

All of this following Ozpin saving Oscar’s life in the airship. Then saving his life again after Ironwood shot him. Our heroes are real grateful, huh. I hate that RWBY is taking another fave and doing them dirty, though I suppose I shouldn’t be surprised.

Ozpin also mentions his magic—would be nice if Oscar brought that up with the team!—and that he is now “recollecting my longest held memories.” He…is? When? Don’t you think that’s something important to show us? We keep being told that “the merge” is occurring but not shown what that actually means. Seriously, when did Oscar get slammed with that many memories??

Please just use the aura machine and give Ozpin a robot body. RT doesn’t have the chops for writing this situation.

As they continue on towards the crater Ren snaps at Jaune about not needing a “pep talk.” Jaune looks annoyed at the attitude which, fair. It says a lot about the writing the last few years that Jaune is the character I’m least frustrated with lol. Likely because they haven’t had him do anything lately which, given that he’s not one of the title characters and our cast is bloated enough as it is, I’m still totally fine with.

Ozpin concludes the scene with, “We need to find a way to work together. Not just the two of us, all of us” with the camera panning up to look at Atlas. I’m glad someone isn’t ready to throw Ironwood under the bus. Given how the group reacted to him sparing Lionheart’s name though, I don’t think they’ll follow Ozpin in his forgiveness. If anything, I expect this perspective to just be more hate fuel.

We move to Ruby’s group which now includes May. Woohoo! She still hasn’t gotten half the screen time as Joanna, but I’m really glad she’s here. In fact, between a useful semblance and that adorable courtesy, I love her already. Despite, you know, helping the team break into the base and all that. Everyone has their flaws lol.

She also frames the Amity plan as getting the world “talking again.” Why is everything presented like a fun romp rather than avoiding death via Salem? Absolutely terrible tone this episode.

The group hilariously waltzes past a sign labeled AUTHORIZED PERSONNEL ONLY and enters the dust facility with the bots I mentioned earlier. This I do like. My hypothetical scenario incorporating the racism issue aside, I like that Weiss is using her knowledge and connections to further the mission, rather than something conveniently dropping into the group’s lap. Like Amity suddenly being ready for launch…So yeah, it makes sense that Weiss would know of a potential way in.

Sending someone up through the tubes though? Ehhh… I know they have aura and everything—and that Zwei was once mailed—but are we sure this is safe?? Doesn’t matter because Nora sends Weiss through with a misplaced button press. Good thing that was the tube heading to the base. Too bad Weiss is heading to a guarded military base alone. It should have been May going first with her semblance activated, but no. Chuck this onto the ever increasing ‘Bad Tone’ pile. There should not be giggles over Weiss being in that level of danger, especially with everything else going on. Ruby’s expression is the only one on point.

Before Weiss is yeeted off though, Penny and Ruby have a talk wherein Ruby lies her ass off. Penny says, “I do not like it when friends fight” and when Ruby starts talking about Yang she corrects her, revealing that she’s actually thinking about Winter and Ironwood. “They were our friends.”

I was ready to sing Penny’s praises and really, she still gets credit for being the only one who has acknowledged this, but her opinion is (once again) overridden by Ruby’s. Penny goes, “but then the Ace Ops attacked you” which Ruby doesn’t bother to correct. How would Penny know otherwise? The only information she has about that battle is what Ruby has told her, but Ruby is lying via omission here. The Ace Ops never attacked her. They very explicitly refused to start a fight. Ruby attacked them. Then when Penny is upset that Ironwood said “people were going to die because of me,” Ruby takes her by the shoulders and angrily insists, “That was a lie and he was only saying it to hurt you.”

Ruby… you’re the one lying. You know damn well Ironwood didn’t just say that to hurt Penny. Oh yeah, the general trying to keep a kingdom alive from an immortal witch is preoccupied with hurting Penny’s feelings for no reason other than being evil. That makes sense. More importantly, Ironwood is right. Look, I’m by no means blaming Penny for anything. She fought off Cinder, took the power when there was no other choice, and has now gotten caught up in Ruby’s plans which include incredibly misleading information that Penny has no reason to question. She’s doing her best and deserves that hug. But that doesn’t mean she lacks responsibility here. Ironwood needs Penny to evacuate. Penny—listening to Ruby—won’t help him. Ergo, if something happens to the people up in Atlas Penny will be partly responsible. If I have the key to a door with lots of people trapped behind it as a fire rages, and I refuse to open that door, I have indeed allowed a lot of people to die. As Penny says, she didn’t want this responsibility… but she has it. She has to deal with it. Too bad she’s with Ruby who encourages her to ignore it instead, insisting that nothing bad that happens after their choices could in any way be connected to them. Kind of like Qrow ignoring his own actions against Clover.

Because that’s the takeaway from this scene. Penny had empathy for their friends and then Ruby talked her out of it. She never even acknowledges that those were indeed seven friends that she betrayed. That’s horrible.

What happened to Ruby? I used to love this girl.

Continuing our tone issue, Nora is watching this show like her favorite soap is on. Okay then.

Weiss goes up the tube and then we cut to Fiona saying that… the Mantle police are helping them evacuate? So the military is bad, but the police are good? I need to stop trying to make sense of RWBY’s allegory.

When Yang and the others return Fiona makes an innocent comment about being worried about how they’d fare without the rest of their team. Yang is pissed.

Ah, so we’re back to her giving allies attitude for random observations. Remember the anger at Marrow for suggesting she and Blake try different team-ups? Now here Yang is, in a different team-up, doing quite well. Funny how we never acknowledge who first suggested that. Now, Fiona reveals a totally logical worry that losing four fighters might make a difference when fending off grimm, but Yang is poised to be angry at everyone, about everything, all the time. Which I get is something that a lot of fans like. I’ve already seen a couple of posts praising RT for letting Robyn and Yang be angry without consequences because women often can’t do that and, fair. That is indeed one way to read it. My problem is that their anger is actually irrational, not just called as much because we women are ~emotional~. Their anger isn’t justified: Robyn because she had a significant hand in all this nonsense (that she’s ignoring) and Yang because it’s clear Fiona means no harm here. This is anger that needs to be called out, not ignored because yay women expressing emotion. That kind of defense is reserved for a woman’s justified anger that needs to be expressed without criticism, especially in a narrative that tries to undermine her perspective. But what has Fiona done to Yang? Nothing. More importantly, the show has yet to teach Yang a better coping mechanism than lashing out at people, be it with her fists, words, or angry glares. Yang has been through the ringer and it makes sense that she’s angry, but that doesn’t mean she gets a lifelong pass to treat those around her badly.

Anyway, Joanna says they have a lot of people to keep warm even though the crater was supposed to be warmer? And they’re stealing dust? So what are they using it for it not heat? We’re not seeing any difference here and frankly all the civilians should be dead by now. Or at least entering hypothermia. (Give me that conflict: how do you keep people safe when they’re not all conveniently up for walking all the way to the slums?) Joanna also says that they’re trying to get the “Old mine shafts into a livable condition” which would take how long exactly? In fact, I’d say our timeline is already wonky. We’ve watched Yang hide the Ace Ops last Volume, fly to Winter and Penny, find the Happy Huntresses, wait around for Oscar to show up, ran off on her own at some point to scout, went to get bikes, evacuated all those people to the (far away) slums, then went back out to fight off the grimm. That had to have taken up a good chunk of the night, though it’s impossible to tell the time with Atlas’ snowy sky. I’m leaning towards a bingo mark though…

The faunus who I thought was a badger or something is… a bear I guess? He has a bear-like paw, but his nails seem too long… I honestly don’t know. But he’s Fiona’s uncle! Cute. She's off to deal with a fight that’s starting while the group goes to fight more grimm. Finally, the episode gets good.

The teamwork to take out the dragon grimm was nice, always glad to see it, but the real fight starts when two more grunts show up and then immediately run away. What could have scared them off?

The Hound. (I’m sorry, all I can think of is Game of Thrones when I write that, but it seems to be the name the fandom is adopting, so…) Remember how I said it was unlikely to be a threat on its own? I WAS WRONG. Holy shit this thing is terrifying. It snatches Oscar and in some wonderfully quick animation absolutely obliterates the kid. Oscar is thrown around like a chew toy, desperately trying to rabbit kick at this thing and it does [checks notes] absolutely nothing. I’d normally say something about our farm boy always getting the shit kicked out of him, but this scene was too good for my salt.

Then it changes shape, growing arms, and starts using Oscar as a shield. Yang can’t pull back in time and is snagged by her head, the Hound tossing her into the wall hard enough to break the stone. She’s still conscious though and warns the others about its strategy.

“But grimm aren’t that smart,” Jaune says. Maybe if you kids (Fiona keeps calling them kids) had stayed in school you would have learned that grimm get smarter with age! Oobleck knew that. Or, just as likely, this is a special Salem grimm. Hard to say at this point.

The point though is that the group is helpless in the face of this monster. I do want to emphasize this. I’ve seen a few people criticizing them for not doing enough to save Oscar and it’s like, what did you want them to do? Yang tried to attack and the grimm nearly had her hitting Oscar instead. Ren tried to attack and the grimm changed so fast his weapon was useless. Factor in that morphing—which the group has never seen before—the horror of Oscar hanging there limp, and the general fighter response of, ‘I can’t just keep attacking head on because that thing might kill me,’ and you realize the group was screwed from the start. They can’t stand up against this thing, not without a good strategy anyway, which there’s no time to think up. For the first time in years, ever since Tyrian, Salem actually made the right, villainous call.

Ren screams, “Give him back!”—which was just lovely in an angsty way—and the grimm creepily cuddles Oscar against his chest. Then he responds, “No.” Yeah, they’ve never seen that before either. Can you blame them for their shock? I’m impressed that they were on their bikes just seconds later, managing to keep the grimm in sight. That speaks to their combat experience. Not the ability to power through a situation where they’re clearly outmatched, but their ability to pick themselves back up and try again.

... Ah, so that’s why Pietro was oh so randomly making them bikes. The plot needed a way for them to keep up with a flying grimm. Got it.

My takeaway? RT should be writing horror. They’re far better at it. The animation, sound effects, voice acting, the grimm’s speech and protective instincts, that splatter of goo on Oscar’s cheek…

... stellar all around. Like the Apathy, this is the best I think RWBY has been since the lore episode of Volume 6. Granted, action sequences like this aren’t required to grapple with any of the messy morals and character consistency of other scenes, but still. If RWBY had just given me a lighthearted ‘Girls fight cartoon monsters’ show or a horror fueled ‘Girls fight monster abominations’ show, I’d have been happy. This? This is the only redeeming part of the episode. And it’s indeed one hell of a redemption. Look at this thing!

I’m not going to say it erases all the bad we got—it doesn’t—or that it likewise erases problems like Salem not using the rest of her army, but it’s a notable step in the right direction. This grimm is a threat. This grimm is a mountain the cast has to overcome. If this is the minion its master should be Everest. I still think this Volume is going down the tubes fast (it’s going the way of Weiss lol), but if it can give me more scenes like this? It might not be a total loss.

Last thing to acknowledge: What about Ozpin? I’ll admit it doesn’t look good. Given how fast he takes control he should have been able to override Oscar’s will and at least fight back a little with that spectacular magic we saw during the finale. So why didn’t he? I hope we get an in-world explanation: it happened so fast even Ozpin couldn’t do anything (shaky, but I’ll take it in a pinch), now that the merge is farther along he can no longer take control—something. Because I can easily imagine how quickly the fandom, and even the cast, will turn on him for not playing deus ex machina here. In reality, I think Ozpin didn’t take control simply because the plot needed him not to. The writers needed Oscar kidnapped so any potential out from that is conveniently forgotten… which is another knock against their writing, despite how great the scene otherwise was. The point is to take all these potential pushbacks and find a satisfying way to circumvent them, not pretend they don’t exist. RT can still save themselves here by providing that explanation later, so I hope they’re smart enough to do that. Ozpin has been blamed for everything at this point. His own kidnapping doesn’t need to be added to the list.

Also, still no word on Schrödinger's councilman. We’ve got to wait another week to see whether he’s dead or not.

Finally, let’s update the bingo card!

I’m crossing off “Ruby gives an ‘inspiring’ speech built on ignoring facts she doesn’t like” for that conversation with Penny. Yeah, it’s a speech to her alone about her worth, but Ruby mischaracterized the situation so badly I’m mad at her lol

I never thought the story would straight up just not have the grimm army attacking, so I think I’ll hold off on “Army of grimm conveniently doesn’t kill any civilians” until we see if/when it gets involved.

I’ll likewise hold off on the timeline slot until we see how bad things get…

Maria is on thin ice given that we have no idea what she’s supposedly doing while the group is off on their missions. Stay tuned.

Today we’re crossing off “Deadly cold conveniently doesn’t kill any civilians.” They should all be dropping like flies by now.

A friend pointed out that Cinder’s Cinderella flashback counts as an “Overly obvious fairy tale allusion.” In fact, I talked about how much of a shorthand that is, so that’s getting a mark.

From last week I’ve also decided to include Amity for “Retconning previous lore.” Now that the group is fully underway with their plan it reads as even more egregious that we were told it wasn’t ready.

I’ll hold off on Ozpin’s space for a while. See if he apologizes to the whole group and, if so, exactly what for.

“Oscar is finally kidnapped”—check!

Well, that’s a whole lot of headway this week. Can’t wait to see where the next episode takes us... Here’s hoping we spend a lot of time with that Hound. MVP of the episode.

Until next time! 💜

[Ko-Fi]

#rwby #rwby spoilers #rwby volume 8 #mymetas #rwby recaps

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neptunevasilias · 4 years ago

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Like Morning Follows Night and Sun (and Blake's) character arcs

aka why Blake and Sun are my brotp

Like Morning Follows Night is one of my FAVORITE RWBY songs if not favorite songs in general. And I was just listening to it, and, well... I have some thoughts on it.

So I want to talk about the insights this song gives to Sun's character, and what this means for his relationship with Blake and his team, and how those two relationships can play off each other.

Now, at first I thought LMFN was just about Blake's inner turmoil, with Sun having all the right things to say. Which is fine! Side characters who give ~magical friendship wisdom~ is common in stories like RWBY, and even in RWBY itself. And the song still is about Sun supporting Blake. But with the context of the new books' information about Sun's personality(coming from someone who has only read ATF and the preview of BTD) there were some lines that had new meaning for me this time listening to the song:

"You don't have to spend your life looking backward/We've been through this over and over again/You can't just wish it away/The past is the past, it'll never change/That was before, this is now/And when we have a chance to make it better if we try"

"You're free to do the things you want, but listen, so am I"

"Life's not a game you can play to get even/We all make mistakes but we need to move on/I know that you hate where you strayed/Forgiving yourself is the only way/Just look ahead, yesterday is gone/I know you think you're being selfless but you're not"

These lines are all exactly what Blake needs to hear! But what do they say about Sun?

Here's the thing: Blake and Sun are complete opposites. Which is good, because they ended up playing off each other well. But what makes them opposites besides representing day and night? Oh boy, hypothetical reader, I'm glad you asked.

Blake is drowning in shame. Sun, on the other hand, seems to be missing his shame glands. Yes, this is about the stupid things he does and the trouble he gets himself into, but more importantly it's that he never considers the consequences for his actions, and doesn't consider them important in the first place because they mean nothing to him. He hopped onto the boat to follow Blake because he wanted to, without a second thought about his team. When his team is brought up(by Blake, no less) he dismisses her and says they'll be fine. But we can see very clearly in BTD, even just in the preview I was able to read, that they were NOT fine.

This isn't to say he doesn't love his friends. But the novels seem to be delving into the psyche of characters hailing from vacuo, and it seems that people from there are used to change. But each character's relationship with it is different. Take Fox for example. He seems to be used to change, and that's it. His home isn't where he lives, but his family(team CFVY). He finds other ways to ground himself. But Sun expects and even seeks change. And since things are always changing, consequences are less of a problem. This includes consequences that take a toll on other people(his team being abandoned) and himself(his team being unhappy with him). This combined with his very positive attitude leads to him just... doing anything he wants, without seeing any problem with it because he's enjoying himself. Let's look at some of those lyrics again:

"You don't have to spend your life looking backward"

"The past is the past, it'll never change"

"You're free to do the things you want, but listen, so am I"

"We all make mistakes but we need to move on"

"Forgiving yourself is the only way"

"Just look ahead, yesterday is gone"

If Blake is too hard on herself, Sun could stand to be harder on himself(I know I'm talking about his character flaws in this post but I love him I swear). Their adventure in Menagerie is about learning to be more like each other. She learns to forgive herself, and separate herself from her past.

But what does he learn from her? Well, it's in the chorus: "Go where you need to/Know I won't leave you/I'll follow like morning follows night." He finally resolved to stay somewhere, and that's with her. And while he was with her, she schooled him on what faunus oppression is like in kingdoms outside of Vacuo, teaching him empathy for many, many people. Compare that to how he dismissed the suggestion that his team could possibly be hurt by his leaving early in volume 4.

I could go on and on about the specifics of Sun's psyche and why he is the way he is, but I think you get the idea. So what does this all mean for him? Well, now he's in Vacuo, at Shade Academy with his teammates and team CFVY. This is the perfect time for development for him.

What does he need to learn and do? He needs to keep learning from Blake. He needs to learn to be considerate of others, to think his actions through. He took the first step when he helped Blake - yes, it was just because he thought she was going on an adventure and he wanted to change things up again by helping her - but he ended up helping her in more ways than that. And then, for once, he resolved to do something and stick with it. To stick with the person he was helping. Now he needs to do the same with his team.

His adventure with the Crown in Vacuo should be like putting everything he learned from Blake to the test, like how Blake put what she learned from him to the test when she fought Adam, who represented her past, with Yang, her present and future. For Sun, it's the opposite. He's back in Vacuo, with the team he left behind. He needs to make it clear that he's going to be more considerate towards them.

Again, I haven't read BTD yet, and any criticisms I've seen are all vague("it wasn't good", "he was ooc"(except people misunderstand Sun's character so much that complaint means nothing to me), etc.) so I don't really know if they did or didn't go through with everything I said above. But, if this were to be a well-written story(IMO), they'd have Sun keep applying his "lessons" from Blake, just as she did with his in the show.

These two characters, imo, were made to cross paths briefly, learn from each other, and go back to their own stories better equipped to deal with them than they were before. And I really like that! We can see this storyline is going well with Blake in the show, but I'm pretty in the dark on what's happening in the books with Sun and his team. I'll be getting the book soon, though, so no major spoilers until then!(unless I ask for it, which I probably will. I'm not good at waiting) I just really care about these two so I wanted to say my two cents on their interwoven character arcs, exemplified by LMFN.

#rwby #meta #rwby meta #sun wukong #blake belladonna #morning star #☀️

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deivorous · 4 years ago

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@mindinmuken asked: 1, 5, 13! [Also welcome back Plou OuO!! it's good to see you on the dash again >w> ~ <3 ]

[ Hello darling Ren!! I’m glad to be back and it’s good to see that so many people are still here <3! ]

Questions for Muns of Canon Muses || Accepting

1. What is the biggest headcanon deviation from the canon material that you have incorporated into the way you write your muse? Why did you come up with it?

My biggest HC deviations probably have to do with either Grimmjow’s relationship with gender and his being intersex - a topic I write on rarely and few of my partners are probably aware of this (because Grimmjow himself would never talk about it unless prompted) - or how much I have fleshed out hollow instincts, biology, and psychology.

Though all of my HC’s are ultimately based in canon, they have grown in some unique ways through RP and at first glance, might not be obvious where they originated from, I try to let my HC’s and world building develop organically along side my own understanding of the the bleach world. Kubo is very good at only giving his readers the absolute bare minimum to understand whats going on, which means there was a lot of creative room for me to work with!

As for why I came up with these HC’s... Well, hollows, and Grimmjow specifically, are incredibly instinct based, so it feels odd for them to be described as such and then never have any real explanation of what these instincts are or how they affect hollows. For me, this was a natural gap that needed to be filled in for me to write my muse with any amount of depth or understanding of his actions. I figured I may as well do biology and psychology too while I was at it. At the very least it could serve as a useful reference to others who might also be writing with arrancar.

As for my gender and sex HC’s... I wanted to. It confuses me why there would be sexist hollows when gender is probably of something of the lowest priority when living in an cannibalistic hellscape and Grimmjow seems way more interested in power than gender. My intersex HC is tied in my biology HC’s too and was a natural extension of that.

5. What is an aspect of your muse’s canon material or canon existence that you never had the opportunity to explore but really want to?

Oh so much. But the two things that come to mind immediately are:

Aizen recruiting Grimmjow and his pack. The whole timeline prior to the arrancar arc is very nebulous and odd. How did Aizen convince Grimmjow to join him? Was there actually a choice? Why is Shawlong arrancar 11 and Grimmjow arrancar 12? How far before the start of canon was this? How long was Grimmjow an arrancar ebfore he was promoted to Espada level or was it immediate? If it wasn’t, what did he do to earn his promotion? Did he try to get promoted in order to have fracción? Did he join Aizen originally in order to protect his fracción? When did Grimmjow develop a trauma response in relation to Aizen? Why does Tousen hate him so much? What’s his relationship with Gin? How did he not go and get himself killed immediately by a stronger Espada? - I don’t have answers to any of these and part of that is because I don’t understand the motivations and interests of the other participants that would affect the outcome of these questions. Early days Las Noches must have been a fucking terrifying and wildly unstable environment to be in, especially before Aizen was a full time presence there.

What happened in the months between the Winter War and the TYBW in Hueco Mundo? How did Grimm, Harri, and Nel sort out the power vacuum? Did they not? Why was Grimmjow not present for the Quincy invasion? Did the surviving arrancar disperse? Were they killed? Did the shinigami perform some sort of cull to prevent a follow up attack in case Aizen had some fail safes in place? - This is another time period where there is very little information to go off of. But I think there must be more to the story than what we know.

13. What canon character do you really wish your muse could interact more with?

Hnnnnnnng this is another one that is really hard to answer because there’s so much I want to explore and write.

I guess, if we are talking what I wish happened in canon then I wish there was more visored x arrancar conflict. They are two sides of the same coin in a way so it felt odd to me that this mirror image never came into play.

I wrote a little thing ages ago about Grimmjow and Shinji’s first meeting where Grimmjow was actually already aware of the visored’s existence and recognized Shinji on sight, which suggests to me 1) that Aizen anticipated this arrancar coming into conflict with them and 2) that Kubo was probably at some point intending to write something to this effect. Why it got cut or the story changed direction, I do not know, but I do wish that there was some ideological conflict and reconciliation between the two groups as they came to understand that they are, ultimately, straddling the threshold between two parts of the reincarnation cycle and the implications of that. It could have been a healing moment for both factions.

It’s particularly interesting to me that this kind of interaction never happens because Tousen and Aizen both hollowfied by the end of that arc and I feel like perhaps delving into what exactly that means could have had a profound impact on a readers understanding behind those decisions.

#mindinmuken #[ ooc || out of control ]#[ ask || crack my ribs open to find a heart ]#[ munday meme ]#// long post #oof wow i am writing a lot of long posts today #thanks for these questions! they were good picks and fun to think about!

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jayxscripta · 4 years ago

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The Mahaigner - Chapter Eight

Why is in character dialogue both the easiest and also the hardest part of writing a story I-

They were the last to arrive at the meeting room. Its tall doors were swung wide open and from inside, she caught the hum of hushed conversation.

Madeline was still surprised that she was allowed to be present at the meeting, given as it seemed so important. Why would the ex-Avengers want her, a virtual civilian, listening to critical or sensitive information? Unless it concerned her specifically, then she was glad they were including her.

She couldn’t help comparing the room to the Avengers Compound. It wasn’t a huge room—just large enough to hold a long, glass table—but had a high, vaulted ceiling and reaching glass windows that overlooked the city. It was dark now and Wakanda was glowing like one gigantic neon sign.

“Madeline.” Ivanoff gave her a tiny nudge, acknowledging the man in front of her who needed no introduction, though she still provided one. “King T’Challa.”

“Your highness,” Madeline said, bowing even more awkwardly. Shit, should I have curtsied? Or is that just a European tradition?

The king chuckled, waving dismissively. “Don’t worry, we don’t do that here.”

As if Ivanoff could sense her embarrassment, she nudged her forward towards the table in the center of the room. “You could have warned me before hand,” Madeline whispered fiercely.

Ivanoff shrugged. “It’s happened to all of us—basically a rite of passage at this point.”

Madeline found herself placed between Wilson and Loki, and before she could protest, her escort had already walked away and seated herself on the former’s other side. To avoid looking at anyone else, she laid her folded hands on the table and instead studied the identical rings left on her wrists by the cuffs. Just how long would they remain?

T’Challa took his place at the head of the table, opting to stand rather than sit. Once everyone was seated, he didn’t waste any time delving into the subject of the meeting. Madeline leaned forward eagerly.

“I’ve just received word from Everett Ross that he knows we’re hiding several fugitives,” T’Challa said. He sounded grave—a stark contrast to how he had sounded just a few moments ago.

“How does he know?” Rogers looked up, concerned.

“He didn’t disclose that information.”

“It could be a bluff. He could be trying to force us out of hiding,” Ivanoff pointed out.

“And if he’s not?” Rogers asked sharply. “If he really does come here, and figures out that Wakanda is hiding not only a known Asgardian war criminal and General Ross’s current most wanted, but also several other highly wanted fugitives?”

“Then we risk ruining Wakanda’s relations with the rest of the world,” Ivanoff said.

“We won’t force you to leave,” T’Challa assured, “that’s something you must decide for yourselves. Perhaps you can take a vote?”

“That sounds like a good idea,” said Romanoff. It was odd to see her without her iconic red hair. “I’ll go first. We should leave.”

Her blunt response set fire to the room. “And go where?” Wilson asked, surprised by her declaration.

“We can find somewhere,” Maximoff said. “It’s not as if we aren’t used to undercover work.”

“If we leave, we’re going back to the compound,” Rogers said firmly. Maximoff pursed her lips, looking as if she wanted to object, but ultimately decided against it. “I vote that we do as well.”

Ivanoff hesitated, looking between her friends. “I know what your answers are,” she said, looking at Wilson and another man who Madeline was decently certain was the Winter Soldier. “And I think you know mine, too.”

“Three against three doesn’t get us very far.”

All heads swiveled to T’Challa. He shook his head. “Don’t look at me. I said I was abstaining,” he reminded them chidingly. “You should talk this over. Maybe then you can come to a compromise.”

It was no wonder the Avengers fell apart, if they so often differed and argued without seeking common ground. Madeline got the feeling the king played mediator a lot—she could see why he was a good leader.

“We’ve been running for long enough,” Rogers said, “sometimes you have to know when it’s time to recompense.”

“Recompense?” Ivanoff practically snorted. “We weren’t the only ones at fault. But we were always the ones who tried to reach out. And now we—what, turn ourselves in?”

“She has a point,” Maximoff pointed out haltingly. But her face was still the picture of confliction.

“It’s time,” Romanoff said, as if she thought that would magically end the conversation. “We can’t sit back and let them invade Wakanda, ruin their foreign relations, turn Bruce into a lab experiment—”

“They will lock us in prison,” Ivanoff seethed. “And that will help nobody.”

“And if we stay, and they come here and still arrest us?”

“So, we have to leave.”

“We can’t let them do what they did to Wanda again,” Wilson backed Ivanoff up, “if Clint were here, he’d agree.”

“Low blow, Wilson,” Romanoff warned.

“Well, he isn’t.” Rogers steered the conversation back on track quickly. “Because he cut a deal.”

“To be with his family.”

Madeline glanced to Loki. If he felt as uncomfortable and out of place as she did, he was hiding it very well. The ex—or secret, whichever—Avengers were arguing as if they were the only ones affected—what about Dr. Strange? Or Astrid? Or the Asgardians? Or her and Loki?

“Is there any way we can rescue them without turning ourselves in?” she asked hopefully. They were superheroes, for crying out loud—surely, they could pull something like that off.

“Not without it ending in a fight,” Maximoff answered tiredly.

“Does she get a vote?” Wilson asked, pointing to Madeline and then Loki. “And him?”

“They’re not Avengers, are they?” Romanoff countered. The answer seemed to be “no”.

“Neither are we,” Maximoff responded.

“Technically, we’re still the Avengers. Just—secretly,” Wilson piped up.

“Sure.”

“I do think we should go back,” Madeline offered, ignoring their surprised looks. Did they think she wouldn’t say anything just because she didn’t get a vote?

“Isn’t it really Ross’ fault that the two of you ended up in this situation in the first place?” Ivanoff asked, though it sounded like she already knew the answer.

“Well, yes,” Madeline agreed. “But I don’t want other people to take the fall for a problem that I created.”

“But you weren’t the one who arrested them,” Ivanoff said. “Which is what will happen to you if you go back.”

“Tori,” Rogers began, placatingly, as if he was trying to soothe an agitated animal, “this isn’t the same situation as it was a year ago. You can’t let what happened then cloud your judgement now.”

“You’re bitter,” Romanoff summarized shortly.

Ivanoff stared back at both of them incredulously, shifted uncomfortably, and folded her arms before muttering a quiet, “I should go.” When she turned to leave the room, her fists were glowing deep purple.

T’Challa sighed and surveyed the assembled group carefully. “Think it over,” he suggested.

Madeline dropped her gaze. Wise advice.

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blaster-aichi · 4 years ago

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Cardfight!! Vanguard Extra Story IF 17—19 things

feat some overdue screaming

IF 17

said overdue screaming

Without the context of epi 19, Kourin’s reference to original memories stands out as incredibly peculiar. Miwa’s response, while fitting for anyone else, could have an entirely new meaning after the revelation at 19′s conclusion, we’ll get there in theoryland.

Never knew needed Kai-kun working part-time jobs but it has become a huge need, thanks writers.

That’s gay. But it does suggest that the possible ruptures in IF’s reality aren’t isolated to Shin and Kamui in the previous episode. It would be nice to see any other instances from the possible ripple effect.

pre-19: “oh this face is a mood”. post-19: “different character but hmmmmm”

With all the Legion Mate comparisons floating around from the get-go, Naoki’s method in tackling his regret is an intriguing choice against his past efforts. In Link Joker, Legion Mate and the second half of the manga/Reboot, Naoki’s objective was to make for his inaction going forward and earn Aichi’s forgiveness. If given the opportunity to go back and redo things, he may have taken it, though having heard from Aichi personally that he’s thankful for everything and everyone that he’s connected with as a result of how events played out, Naoki may not have had the heart to do so. Without that talk, it’s natural that, instead of looking ahead and atoning, Naoki’s turning backwards, it’s a neat contrast.

The series has always built up the relationship between Aichi and Blaster Blade but the relationship between Kai-kun and Dragonic Overlord is so precious, it’s a shame that it wasn’t delved into prior to the past couple of years. The notion of evolving circling the both of them is incredibly fitting, with the history they’ve had in both continuities and the duality of their approaches. (It might have been occupying thoughts a lot since, the scene was so poignant).

Between his soldiers attacking during their first (onscreen) attempt to reach the root of the problem and Emi’s subsequent admission, props to Aichi for isolating it and cutting it off to anyone that tries to interfere, hoping it’s a part of any explanation to his reality warping (assuming it was him, until today, it seemed the only viable reason).

The comparison between Naoki and Kai-kun had me believe the former might join up with the main party as a nod to being there by the latter from beginning to end of Legion Mate, being both characters harbouring regrets (if Kai-kun were to regret that his IF life takes away from the happiness of the Outside World characters).

I just really, really, really love this scene. That is all.

Bless for highlighting the irony in the KaiAi units being adversaries.

Did I mention this is joint-favourite IF epi with epi 7? It’s not, it is and here’s one of many reasons why.

Reason #57 why: the battle choreography.

“Aichi Sendou isn’t the one you want to save”. Makes you wonder who was out to save the object of their regret and who was out to save themselves.

For a moment, had believed Naoki was not-dying (Retiring?) and being returned to the Outside World, somewhat surprised it hasn’t been utilized more beyond the Ultra Rare teams diving into the Akashic Book from.

Very Soft Cardfight. That is all.

Somewhere, original continity Naoki is screaming.

Tell this to your Link Joker self, please.

IF 18

On the one hand, Kai-kun walking around in Miyaji (with or without the context of IF), on the other hand, Bushi Eats.

Probably due to cracks coming from him getting a glimpse of the original reality, but Shingo cares an enormous amount for someone who, just a couple of episodes ago, said all the products in Card Capital were going to make him lose his mind.

“Awful big brother”. Laughs with shovel. (Comparatively, he’s brother of the year.)

PEDAL FASTER.

Love how Masaki and Shinji are named to overlap with their brothers’.

He’s going to fucking murder you.

[Kourin voice] Aichi is tired. [Me voice] As am I of your bullshit.

Wingal took so much time to train that it was only on his third appearance that he didn’t attack anyone. Also soft? So very soft.

NO THAT’S SO CUTE DAMN IT.

I have so much to say about Aichi missing Emi but also she’s barged in twice and you blasted out our of the castle on both occasions. Bullshit.

Do not pull the Legion Mate with me, boy.

Is he super dissociated because how do you even in the face of this?

It’s not just that he shouted her name, but the tone of his voice shouting at her. Thinking about just how extreme it is in comparison to the Aichi she knows and has kept company is pretty chilling.

Just how aggressive Aichi has become within the IF World is alarming; on only two occasions has he let anger get the better of him and one of those two wasn’t so bad. If this is to play on how warped he was going into the fight with Ibuki, good play on the writers’ part.

Semi-related to the above; with exception of three characters (Emi, Rati and Voidkuto), Aichi’s always used honorifics, and attached one to Kourin’s name, so to hear him address her without one is jarring, for lack of a better word.

THE BIG RED FLAG: Aichi’s expression in seeing Kourin having acted of her own accord (and potentially disobey him) smacks of two things: — his perceived crumbling control over the Sanctuary Knights, coupled with Naoki and Shingo’s desertion (his lack of reaction to the latter is bizarre, as it lends itself to and could bolster his hatred of Vanguard) — insinuates he never had control, but was allowed to think that he did. There’ll be a section beneath 19, which itself does a lot to fuel the flames of this suspicion, that will consolidate thoughts and the theory that’s been brewing since this episode last week.

On the subject of 19, Miwa being so nonchalant and passive about everything makes a lot more sense.

Let the girls fight physically more.

UBW Archer Class Meme-y Dialogue tingles.

Naoki and Shingo holding down the fort is very sweet, particularly when Shingo was alone in that task last time.

IF 19

Alarm bells rings first thing in the morning.

The irony in past Ibuki preventing Kai-kun going to Aichi after the past dozen episodes, there are no words.

Odd that the caveat of meeting yourself from another point in time presents itself when it didn’t occur in the first two episodes, unless, at least in this case, it applies only to past events.

There’s trying not to yell FGO at things and then there’s brain yelling “Lostbelt!” at Ibuki.

Rekka and Ren’s appearances gives me hope they’ll resurface; the main characters and audience know where their target is, so would like to think word will somehow get to them. (Speaking of. Nome? Where the fuck are you during all this?)

Episode loves playing with unsettling sights, very fitting for messing Ibuki’s head around, but simultaneously, making it apparent just how much of a threat Kourin specifically is. — On a related note: Kourin beats out Ren, Leon, Sera, Voidkuto and IF Aichi to have the most nightmarish face and I Am Afraid. Give Aichi a face like that al you’ll irreparably wound my psyche.

Intense Vibrating. They’re setting up Ibuki’s Deleting Aichi is relevant, it was the only one Kourin didn’t touch on in the episode and I am burning.

How dare you montage their time together with that music and then cut to this!

Did everyone else forget Jammers were a thing or was it just me being dumb?

Everyday I relate to Kai Toshiki.

Just going to appreciate Kai-kun gushing over giant robots in the middle of battle.

Kai-kun!Blaster Blade vs Greion giving me intense flashbacks to Aichi watching Kai-kun’s image in Blaster Blade sacrificing himself to try and fend off Greion just before he got Deleted and SCREAMS. — Once that fight is brought up directly, if you listen, you’ll hear Rena screaming in the distance.

If there’s anyone who has no room to talk it’s Miss This Thirsty For Aichi. Also when did you two switch places of tease and teased?

“Oh shit, he’s going to Delete Kai-kun”. “Oh okay, false alarm, thank G—” “OH NO SHIT HE’S ACTUALLY GOING TO DO IT!” — On an actual note, seeing the three regrets prominent in this season all take separate routes is interesting; Shuka working to correct her wrongs in the present and moving ahead, Naoki trying to travel back and alter things from the point of origin and Ibuki being twisted to no longer feel regret, seek repentence and rather to repeat his actions. — Ibuki vs Aichi flashbacks intensify. — Also, mid-fall dab.

Double Agent Miwa is a blessing, who knew his acting skills were so good? Although the begs the question (if he was flat-out planted as a mole) how he earned Kourin and/or Aichi’s trust to become a Sanctuary Knight in the first place

IF 20 preview: HYPE! HYPE! HYPE!

Theoryland (Screaming):

Miwa being Takuto or Nome’s Outside World partner:

In both Rekka and Suiko’s cases, there was a companion venturing in alongside them, both of whom are friends of Kai-kun and the same age. Perhaps, Miwa may have been in league with one of the Tatsunagi brothers (having determined Aichi’s motivation and Kai-kun’s position in all this, calling on his closest friend to match the girls’ partners) through whom he gained insight into the situation and moved in order to protect Kai-kun; working from the inside to weasel information out of the others, understand how they operate, monitor their activities to keep Kai-kun out of their sights, (find Takuto, if with Nome) and maybe (find a means to or actively make an effort himself to) drag Aichi out of his current state. It may be that, instead of Sanctuary, his abduction of Kai-kun had the destination of a rendezvous with Nome until the girls’ interference and the entire incident went off the rails.

Aichi as a puppet king and Kourin the true human antagonist:

Since his expression in seeing Kourin on the offensive without his say-so, it’s been on my mind that Aichi hasn’t actually been in a position of power whatsoever throughout IF, but he’s been led to believe he is, and the act might be withering. As "original" memories factor into it and Ultra Rare’s were lost at the end of the main Reboot continuity plot, it’s possible they may be on the line as they were in Link Joker/Legion Mate. — As she’s aware there are such memories, it’s possible that they were triggered into resurfacing when Takuto appeared within IF World and encountered her and Aichi, leading to his capture and confinement, so as not to cause any further damage to the world fabricated. — Alternatively, she might be acting in order to keep the force (a Brandt remnant remains my personal suspicion) that has Aichi in his current state at bay. Her unease in seeing him hanging above the scene outside Sanctuary as she attacked the others might suggest that she was worried it could break loose, as she’s never been one to be rattled. This is why “human” was specified above, because whatever the case, any corruption in Aichi is evidently the overarching antagonist force.

Additionally, throughout the season, Kourin has been fiercely territorial around Aichi, speaking and acting on his behalf, while keeping the other Sanctuary Knights at an arm’s distance. She alone enters his private quarters, sees him in pain, and (no, haven’t given up entirely on the right eye thing, there have been other people around when he’s outside his Alfred form and it was visible) privy to any secret circulating him (as well as IF’s true nature), while keeping the others in teh dark. Her reasoning may be wanting to keep him under he thumb or prevent whatever’s inside/in control of him from running rampant.

And in regards to Ibuki, Aichi made the declaration about casting him elsewhere, but Kourin was the one who enacted it, and the sole player in manipulating him to switch sides. There’s no certainty that Aichi is even aware, much like he might not be conscious of Naoki’s betrayal. — Her being responsible for recruiting might also explain why Misaki was never a Sanctuary Knight: Kourin desired she have an ordinary, happy life, not unlike Aichi’s wish for Kai-kun.

In a truly ironic turnabout, it looks to be that Kourin is IF’s Sera.

#Cardfight!! Vanguard #Cardfight!! Vanguard IF #cfv spoilers #long post

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embv · 4 years ago

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/dsmp /rp

Hypothetically, Tommy saying “he doesn’t have much long left” could definitely allude to the revival book not being 100%. We still don’t know the details behind it, after all, like what Dream had to do to actually revive Tommy, or what might happen after the fact as a physical consequence onto Tommy.

However much I find that absolutely intriguing, there’s not a lot of evidence for it, although most my evidence for the following theory I’m about to propose is more so based on circumstantial evidence.

So, in looking at it purely based on facts, no assumptions or jumps, here’s what I think will happen.

Tommy’s plan, as of now, is to break into the prison. Make no mistake, this is what he is rooted entirely on. He’s going to break into the prison to kill Dream.

There is A LOT. And I mean A LOT of room for this plan to go very, very south. Canonically, Dream is malnourished, has been getting tortured for what has to be around a month for every day now, and has probably not exercised one bit since he entered the prison. He will be out of shape. Purely Dream SMP-wise, Tommy has a big chance at killing him.

Obviously, this does not operate the same as for just looking at the Dream SMP as block characters. Unless Dream is able to portray someone weakened and physically weak, he will be the same strength he was before, and obviously better at PVP. Tommy will have weapons and armor, though, so the chance for Dream to fight back against Tommy and live is very, very slim.

Therefore,

There are many possibilities for Tommy’s break-in to the prison, then. If we omit the good possibilities, this is a simplistic, off-my-head list of what could happen.

Tommy can die, again. This one is very slim, however, and I want to say the chance of this happening is near impossible, but it’s still a viable option, so, what can I say?

Dream can revive Wilbur. He may raise Wilbur from the dead, then, and be able to either escape or throw Tommy off enough to postpone it.

Dream can call in that favor from Technoblade. It depends on what Techno does, but the bad option here is that Dream will escape, or will kill Tommy.

Dream could get killed by Tommy. This one is also very slim, not because he doesn’t have a lot of chance to, but because there is no way I could see Dream getting killed off like this, this early.

As for what I see as the most likely, Dream will escape the prison as an effect to Tommy’s break-in. There’s more canon basis to support this, given the sirens at the end of Big Q’s latest big lore stream, signifying that Dream has escaped the prison. There’s little chance Tommy will die, there’s little chance Dream will die, and I can’t see Dream just staying in the prison with all of the build-up. I don’t know exactly how Dream will have escaped prison, then, perhaps with Wilbur coming in by being revived or Technoblade’s favor. Either way, this is the what I see happening the most.

Then, what does Tommy mean when he says that he doesn’t have long left? He’s alluded to this, as in his death, in the context of the Final Disc War, before, and it never really happened, and the chances then are practically equal to now, if not more in Tommy’s favor, but meta-wise if we consider that there’s no way they would just kill Tommy off after everything (especially with the knowledge of revival still with Dream, after all, Dream is far too obsessed with Tommy to let him go).

Tommy knows he won’t die by Dream’s hands. If he does, he’ll be brought back. Retraumatized, but alive. I don’t think this is what he means when he says he won’t have long left.

However, if we consider a possibility where Dream escapes, what will happen to Tommy?

Well, first off, Dream will wreak havoc amongst the server. He’ll start uproars and go after people in acts of revenge and generally just cause destruction, once again.

If we ignore Dream in that narrative, however, and just take it that he escapes the prison, what will happen to Tommy?

Tommy has signed a waiver, in the prison, at least twice now saying that if the prisoner escapes during or after his visit as a direct effect of what happens, anyone is given the permission to hunt him down and kill him for good. This would most certainly include Sam.

I don’t think he’s willing to implicate anyone else not because Dream is dangerous, but because he’s scared of what will happen to them as a direct consequence of what his plan is, and scared of what Sam will do to him.

Perhaps not specifically Sam, as the waiver gives permission for anyone, but I can’t see anyone completely willing to kill Tommy right now, aside from Jack, who would be dead-set on it because of his actions regarding the prison. Either way, Tommy had zoned out as a trauma response to Jack’s shouting at him, so it’s uncertain as to whether or not he fully grasped the gravity of what Jack had been saying. Nonetheless, I think the person in the forefront of his mind would be Sam.

Here’s the thing, then: Tommy knows how much Sam cares about the prison. He knows that Sam prioritizes it over everything, and he knows how serious he is about it all. He even comments during his revival stream here that Sam would absolutely leave him in the prison alone if he thought Dream had escaped and that Tommy was lying to save his skin. Kill him, maybe even.

His plan now is a contradiction to that mindset earlier, that Tommy could not Dream. The thing that was holding him back in the past, however, was that he was terrified of being left alone. He didn’t want to be left alone, with no contact, trapped in the confines of the prison, especially with all of his trauma surrounding it and with his claustrophobia.

He could not have killed Dream while he was in the prison, because he was unsure of what Sam would do and was unsure if he would have been left alone. It was a quick, panicked decision in the moment regardless, right after quite a bit of trauma.

However, Tommy now, he has had time to stew on it, no longer panicking from every hit or cut, to think about what he thinks he needs to do and the possible consequences from what he is going to do, because we all know Tommy does not perform well under pressure, and often makes a lot better decisions afterward, but has still reached the same conclusion, clearly.

Dream needs to die. It doesn’t matter if it’s by Tommy, because it’s not a plot for revenge, but he needs to die. That revive book cannot be used by anyone, and especially not Dream.

But, if Dream manages to escape the prison as a consequence of Tommy breaking in (with withers, might I add, which would definitely be worse than trying to saunter in), then what happens to Tommy?

Again, several possibilities. To name two,

Tommy could be prepared to die here. He’s most likely still careful about Sam, and if we take Sam’s priority of the prison above Dream into question, then he could definitely trap Tommy into the prison, or, like Tommy’s waiver sign says, “give permission for any individual to hunt [him] down and kill [him] until [he is] completely dead.”

He could forever stay on the run in this scenario, which would make his farewell to Tubbo and his fears of “not lasting any longer” understandable.

He knows Sam will gun it for him, and, again, that he will be a definitive target. He’d definitely be afraid of dying here, and, in his mind, the threat of getting caught is ever prevalent, and he could die.

His preparation for death, then, explains why he’s doing about the same thing he did in his VOD of his last night on the SMP. He’s tying up loose ends and trying to get over his trauma so he won’t leave this world with untied knots and so he won’t wander around in limbo with unfinished business or feelings and words never spoken. He’s preparing for a fight in which his death is a certain possibility again, and he’s preparing for it in the same way he did back then.

I’m not sure what Sam would do even if Dream were to die by Tommy’s hands. Sam certainly wants Dream dead, but his warden instincts and priorities may take over his, you know, desires. It’s not entirely stated what he would do in the case that Dream were to die, but I can imagine that the warden side of him would not be very happy with Tommy.

This is all still speculation, of course. The Dream SMP is known for twists and loops, I wouldn’t be surprised if they pulled one last second, but this is generally not a theory on what will happen, although I do delve into that, but more my insight and thoughts about why Tommy claims he doesn’t think he’ll last long.

In the end, though, as a TL;DR, I think Tommy is afraid of the consequences to killing Dream rather than Dream himself, because while he’s the biggest factor for Tommy’s trauma, Dream’s chances at killing Tommy and Tommy staying dead are incredibly low, and no reason for Tommy to claim that he doesn’t have long left.

#tw death mention #tw torture mention #my post #tommyinnit #dreamwastaken #awesamdude #tubbo #dream smp #long post

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cheerystarlightwish · 4 years ago

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Millionaire Detective Balance: Unlimited Episode 9 Thoughts

Hi guys! Episode 9 got me thinking and though I didn’t want to create theories or analyzations about Fugou Keiji because we are nearing the end already, I simply can’t help myself. To be honest, I wanted to create some earlier and chat with people but my schedule didn’t side with me for the past three months. Nevertheless, here I am better late than never and excited to read other peoples’ reactions, analyzations, and theories as well. Anyways, For those who haven’t watched the recent episodes yet, there are spoilers ahead as I share my thoughts so please be cautioned! Thank you, have a nice day, and stay safe!

(Disclaimer: Any similarities with other posts are purely coincidental. Moreover, if that does happen, I am glad that there are many who think so too because that increases the probability of the statement, thought, analyzation, or theory being somewhat true.)

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Oh.my.goodness.

If I were to summarize my reaction for Ep.9? it would be those. It was nothing short of thrilling and is a perfect stepping point before we get to the climax of the show. Be that as it may, I still can’t wrap my head around the fact that we only have a few episodes left before it ends. Oddly enough, it feels as though we just began due to the pacing of the revelations. Yes, it allowed us to answer some of our previous questions but at the same time, it created new ones as well.

The first answer we were able to infer is with regards to Shigemaru Kambe. As we have gathered from the previous episodes, he was alive and supposedly went into hiding for the past 19 years after he killed his wife. Throughout that period, he was believed to be dead by both Daisuke and the world. This is with great exception of his mother who had known of this fact for a long time and even kept it secret to the point of trying to dissuade Daisuke from investigating further. Second, Daisuke's parents were both scientists who were researching an "element" called “adolium”. Such a thing was considered to be dangerous by Sayuri and despite her husband's claims that he will not use it, she completely did not trust him. This could only mean that "adolium" is something that people, powerful people, would want to have for their benefit. Unfortunately, this argument of theirs led to Sayuri leaving the house which prompted her husband to kill her because as he said, he has invested too much on the project to let it be for naught.

Though we were able to answer the question regarding the culprit of Sayuri's murder, it raises the question of what is the true purpose of “adolium”? From the last episode, it was hinted that it had something to do with energy. When it was introduced head on, it was used in a way that caused several nearby electronics to malfunction. The weird aspect of that event is that the ship itself was unharmed, and it only specifically targeted those Shigemaru's group considered to be "enemies". This realization is alarming because it basically means that they have advanced in their research, against Sayuri's efforts to prevent them from doing so, and can now utilize the "element" in a destructive method. Now, what exactly will they use it for? I deduced that it would be applied in creating some kind of set of weapons. The reason I thought so is because of that episode with the president of a country from Central America. The one who visited to resign an agreement for further collaboration with the Kambe family. He was apparently affiliated with them when the latter provided resources for that president’s country’s “development”. A “development” that turned out to have caused or will cause harm to a community, as evidenced by an attempted assasination of their lives by someone who belonged to that group of people. One thing to note though is that there are similarities between the machines seen in episode 5 and 9 in that they both interfered with a specific set of electronics. Therefore, I think it is safe to assume that the machine in the earlier episode contained the aforementioned “element” as well. This theory raises new questions in how that person from that community got their hands on those technology, which seemingly belongs to Shigemaru’s group as backed by Daisuke’s discovery of it in Laboratory 3. It makes one wonder, is the family involved in some kind of civil war and profiting from it? No matter what though, we cannot deny the detail that the Kambe family provides resources, technology, and weapons to their “customers”.

Moving on, another key aspect of the mystery is why the higher ups seem to be bent on not being involved nor further investigating the case of the Kambe family. I first thought that it is mainly because they are afraid for their own lives but looking back, that doesn’t seem to be all there is to it. With all the information we have been given, I have two, maybe three if I combine them both, thoughts or theories on this. The first one is that the superiors themselves have invested on this project and are benefiting from it as a whole. It is possible that they too may have a stake in it and will be used by them to acquire future advantages. The second one is that the ones on top contain Kambes or their puppets and alliances. I pondered on this because of the Kambe family picture and how Shigemaru has been described to be the eldest child.The latter seems a little far fetched because if that were the case, why would Daisuke not know about them? Unless, it is specifically being hidden from him as to continue the image that their corporation or conglomerate is “good”, a high probability.

The last facet of this mystery so far is what they could want with Daisuke and the identity of the newly introduced characters as well as the location they are currently headed to. With regards to what they want with the former, I’m not quite sure. Daisuke obviously disapproves of whatever this “adolium” business is because of its contribution to his mother’s death and its evident dangerous nature. Shigemaru himself is aware of this, and yet why did he say that he has been waiting for Daisuke for a long time? Why did he instruct Frantz to keep him alive? With these set of questions, I could only gather three possibilities. The first one is that they could be trying to silence him about the matter at hand. They will probably try to kill him too or at least make it so that he would not want to further delve into the issue. Second, they will try to get him in on the business itself by reasoning with him as they might have supposedly did with the higher ups. The last one is that they will let Daisuke take the fall of whatever downhill event is bound to happen next, another high possibility. It cannot be denied that Daisuke is known by the world to be the head of the Kambe Conglomerate. Therefore, it would not be farfetched to think that they might be saving him for future use in taking the fall for the result of whatever they are planning to do. On the matter of the identity of the new characters, we have yet to know more. The only thing episode 9 told us is that Frantz is a multinational weapons merchant on top of being Thomas Matheson’s bodyguard. From that little introduction, it is no doubt difficult to hypothesize the extent of their role in the mystery. Nevertheless, I do have some ideas I would like to share. Frantz’s characteristic of being a weapons merchant aligns with the certainty we had that the Kambe family produces and sells weapons. It would then make sense for them to be related, but what intrigues me is his listed job as a bodyguard which could be some sort of coverup for his true job. The question is, is he the boss or is he just a representative of his true boss? Additionally, is Thomas aware of Frantz’s involvement with the Kambes? Is he another leader of a country? or better yet, is he himself part of the masterminds or true bosses? We can only know for sure in the next episode. As far as I can conclude though, it would seem that Frantz is an underling, given his actions, of an even bigger persona and that the Kambes are profiting from discords and strife.

With everything they have given us, there are quite a lot of ways it can go. So in consideration of all these notions and ideas, we can only wait for future revelations, confirmations, and validations. To be completely honest, I cannot wait for this mystery to be further unfolded.

Predictions:

Based on a post (link) I saw earlier, it seems that Episode 10 will contain epic scenes. According to the source, the FKBU team apparently called in the director for Shingeki no Kyojin and Kabaneri Fortress to aid in this specific episode. As a result, they themselves are still in awe of how it turned out when they all worked on it together. Now given this information, it fuels my curiosity to the brim and I simply can’t wait for tomorrow. It seems to me that the scene wherein Daisuke and Haru fight side by side in the opening is about to come true. Imagine that sequence and the possibility of the background music being the OP Navigator, and we will get one hell of an iconic scene. Moreover, I can’t wait to find out who are the other people involved in this scheme and what is “adolium” going to really be used for, because as far as we know, it has something to do with energy and interference. Additionally, we are already aware that the ship is headed for Panama, a famous country that is known for its transit through the Panama Canal. Is it their destination or is it simply a stop over? I guess we'll just see tomorrow!

#fugou keiji balance: unlimited #fugou keiji #fkbu #kambe daisuke #daisuke kambe #katou haru #haru katou #kato haru #haru kato #the millionaire detective balance: unlimited #im really excited guys

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